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#collin walsh
lyricallymnded · 1 year
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light // grayscale
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ao3usermelancholyhues · 3 months
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𝐝𝐢𝐫𝐭𝐲 𝐰𝐢𝐭𝐡 𝐡𝐚𝐫𝐦𝐨𝐧𝐲
alex gaskarth/collin walsh ft. rimming, face-fucking, copious amounts of drool, dacryphilia, pain kink, carpet humping, light dom/sub... there's a lot going on ok read on ao3
“oh, come on. was eating her out so good you had to write a whole song about it?” alex laughs and shakes his head, cheeks a little pink, but he keeps his composure nonetheless. collin breathes a quiet sigh of relief that his quip hadn’t been a step too far. “uh, remind me, what is motown about again…?” alex asks pointedly as he shifts off the wall and starts to walk on by the other vocalist.
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please like/reblog/kudos/comment. if you’re willing and able, you can also buy me a ko-fi. Xo
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christineroad · 11 months
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Grayscale @ Slam Dunk North 2023
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Gallery: Grayscale @ Rickshaw Theatre - Vancouver, BC Date: April 1, 2023 Photographed by: Josh Papalia
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problemretired · 2 years
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hi i just got here but i'd love to see collin walsh, derek discanio, rsg, awsten knight and the rest of waterparks!
bring 'em in !!
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evviejo · 11 months
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thirteen’s era appreciation: 243/?
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moonys-library · 19 days
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maybe the reason why men in books are so attractive is bc they’re usually written by women
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rhapsodynew · 17 days
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FIVE EPIC GUITAR TRACKS
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I'll start with Led Zeppelin. Jimmy Page showed in “Stairway To Heaven” how he is able to handle a two-fingered guitar. He masterfully uses various techniques, adding elements of blues and folk. The result was a very memorable two-minute solo. We're listening. 
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David Gilmour's guitar sounds different in Pink Floyd's “Comfortably Numb". His solo seems to consist of two parts – quite calm at the beginning, it becomes more intense in the second half, gaining dynamics and power.
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The Eagles' ”Hotel California" stands apart from them. If there's anything better than a guitar solo, it's a two-guitar solo, as demonstrated by Don Felder and Joe Walsh. Felder leads his part smoothly and melodically, and Walsh adds energy by playing not only with his hands, but with his whole body. 
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Another unforgettable double solo, with which Lynyrd Skynyrd musicians Allen Collins and Gary Rossington entered rock history, is heard in the song “Free Bird”. Unlike Felder and Walsh, Allen and Gary's solo is fast, passionate, emotionally intense, and the audience just goes crazy from it. 
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And for dessert, my favorite dish is a solo by Dire Straits frontman Mark Knopfler in the song “The Sultans of Swing”. Surprisingly, you can often find the opinion on the web that Mark is supposedly a mediocre guitarist. Listening to what he does in the Sultans, it's hard to believe. 
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Of course, these are not all great guitar solos. There are many others, but more about them next time...
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jetaimedit · 1 year
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ᰢິ୧ 䨻䕽🫐 ꪈ[ᴥᩚ]lɕ𐐫̱𝐦ᴥᩚ!!! 繩 ꫜew̫) ꛤ𐐫̱𝘀ᡶᩚ! 🛝睡 ノ
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⸝ ⟬▓⃞⃯䮴鑭⃕[ 🎧🫐 𑄹 ˀ̣ 𐑙ikᴥᩚ ★` [𝚁.]ᦕᩚ̫𝐛𝐥✿𝐠 𑄹㍿៳ 𑑛 䩞︿♥︎ 🅼𑄹𑄹ᖙ ⵓ⟬▓꒰ ⸝ 🛋️ ⦆ ͏𓍊𓋼◟▓䕽ⴰ ✉️ ۶愛◞ 🪞 ⊹﹌ 〰️ 🌀活?¿ // 𝑀𝑃3 ̫䵳。°. ̄ ̄ ̄
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gt-icons · 10 months
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Emily in Paris Cast icons
‒ like or reblog if you save
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lyricallymnded · 1 year
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lyricallymnded’s end of year celebration! | nikki’s favorite songs released in 2022
my youth is wasted // kids in america & grayscale
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It's that time of the year where Emily in Paris gets dropped and I rage watch it.
Look, I don't care how cute or adorable they try and paint Emily to be. There's nothing Lily Collins can do to make her tolerable to me - Emily is the worst!
Her and Gabriel have no chemistry and they need to stop pretending to be saints. God they are such assholes and are trying to gaslight everyone into believing that they're platonic. Alfie is SO much better and honestly he deserves so much better than Emily wasting his time ughh.
I'm sooo glad that Camille cheated (and got a taste of the rainbow while doing it 😉🌈). She deserved to have some fun since her shitty boyfriend wanted to be shitty...also I'm here for Gabriel getting his feelings hurt.
Sylvie is still fucking awful, and Luc is an idiot - honestly I don't understand how that entire company survives because they clearly rely on Emily for things to work and she's pretty much an idiot too. I don't care how much people fawn over her - her ideas are surface level and basic, it's embarrassing that everyone acts like she's a genius. Also the attempts to make Madeline a joke irritate the hell out of me. Ewww.
Honestly there isn't enough time in the world to type out everything I hate about this grlarbage Netflix show, but don't worry: we made a video about it!
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callaghansjohnv · 1 year
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grayscale / 2023 / seattle
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librababy97 · 1 year
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Tigers Jaw @ White Oak Music Hall in Houston, TX 11/14/22
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CONCERT REVIEW: GRAYSCALE W/ TAYLOR ACORN AND WORRY CLUB AT RICKSHAW THEATRE - APRIL 1, 2023
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The Rickshaw Theatre overflowed with sound when Grayscale headlined on April 1st, supported by Worry Club and Taylor Acorn. With these three talented acts, the show blended indie, pop, punk, alt rock, and even a hint of 80’s dance, keeping the audience moving and singing through a wide array of genres.
Indie-punk Worry Club was up first, comprised of singer-songwriter-guitarist Chase Walsh, bassist and backing vocalist Gabe, guitarist Dom, and drummer Tuck. The four looked cool and casual in oversized graphic t-shirts and hoodies, and Walsh greeted the crowd with a big “What’s up?!” Even so, this show was far from casual. This was their first time in Vancouver, and they told us that they think the city is beautiful.
Worry Club goes hard on stage, bringing more energy and fervor than one might expect from their recordings. Their music feels even more impactful live. Walsh uses his entire body to sing and play guitar, and his spirit fills the room. His playful and passionate stage presence comes off as though he was meant to be on stage and wouldn’t rather be anywhere else. It’s clear how deeply he feels, as if the music itself is throwing him around as he performs. It is impossible not to watch him. Gabe added to the playful and lively energy as the two teased each other. At one point Gabe tried to untangle Walsh’s guitar cord before comedically giving up. They played off each other, and their voices meshed well. For one song, Gabe showcased impressive screaming vocals.
Throughout their set, they took us on an emotional journey through shifts and arcs, building up with sound and then bringing everything back down again. A few songs started as slow ballads, then kicked into gear with energetic riffs and drum-heavy instrumental breaks. Yearning vocals led into fast-paced choruses with impressive vocal octave jumps.
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They played “Pretty Face” as well as their new song “BORED,” for which they told the crowd to get moving. At one point they told us they were playing a Britney Spears cover, and that we should sing along if we know it. At the end of the song they revealed it was an April Fools’ prank, and laughed that the crowd had been pretending to know it. For the fast-paced “DEATHBLOW,” they prompted audience participation, and had the entire crowd jumping up and down as one.
Worry Club’s new EP All Frogs Go To Heaven comes out in May. Keep an eye out for this record – it’s going to be a good one.
The next act began with only a guitarist and drummer on stage playing an intro. Anticipation built until the last moment before the vocals were to start, and Taylor Acorn made her grand entrance, jogging up to the mic just in time. Their look was put together and coordinated. Taylor’s top matched with the red dyed face-framing streaks in her hair, which matched with her guitarist’s similarly two-toned hairstyle.
For her first show in Vancouver, Taylor owned the stage with grace and confidence. Supported only by a guitarist/backing vocalist and drummer, she created a sound that felt like it came from more than just the three musicians on stage. Her voice is strong, clear, and expressive, with the flexibility required to express the ups and downs throughout her musical repertoire. From huge resonant high notes to soft vulnerable moments, she brought every emotion to life. This is an artist who bares her soul on stage courageously and invites the audience to feel everything with her. This quality was especially apparent during “Coma,” which she shared was about watching her mom go through an abusive relationship – and which she sang with emotion pouring through her voice.
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The guitarist played with explosive energy in soulful and dynamic solos. He matched Taylor’s passion in his riffs as well as in the backing vocals he provided. The musical chemistry between the two was palpable, as they played off each other and maintained a strong connection throughout the set. Taylor is also skilled at connecting with the audience. She crouched to get to our level, got close and sang into the pit, and even performed an entire song while sitting on the edge of the stage.
The set opened with “Wishing You Hell.” She also played Mayday Parade’s “Jamie All Over” – a cover which was a turning point in her career. She explained that she was going to quit music during the lockdown, but she posted this cover on TikTok on a whim and it changed her life, which is the reason she’s able to play shows such as this one. For the whole song she sat on the edge of the stage and sang intimately to the audience, holding the mic out to amplify their voices as they sang along and waved their phone lights in the air. Other notable songs were “I Think I’m in Love,” during which Taylor sang an impressive a cappella verse; “Certified Depressant,” which she shared is about her crippling anxiety; the fast-paced “Psycho,” for which she prompted audience participation, and for which the whole crowd was jumping. She closed the set with “Shapeshifting.”
Headliner Grayscale was next, a five-piece band with an impressively powerful sound comprised of vocals and backing vocals, lead and rhythm guitars, a bass guitar, alto sax, keyboard, and drums. They wore black shirts, and frontman Collin Walsh wore all black. Though their outfits were muted, their instruments were eye-catching, with shiny red-and-black guitars and a white bass. With an air of coolness, they made it look easy to play with flair and zest, overflowing the small Rickshaw with energy for their first ever Vancouver show.
The band skillfully built and released tension with emotional lyrics and explosively catchy choruses. There wasn’t a still moment on stage. Three guitars played complex solos and fast intricate riffs. Andrew Kyne on the lead guitar was particularly impressive, channeling emotion as though his guitar itself was singing. The vocal style leaned towards punk with its passionate enunciation and emotionality, and adapted to more of a pop style with soft falsettos when the song(s) called for it.
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Their sound is versatile, but maintains a consistent character. With elements ranging from dance to alt-rock to pop-punk, they kept the audience moving the entire time. They encouraged us to keep dancing, and even playfully prompted us to “embarrass ourselves.” At one point, they had the audience all crouch low to the ground and jump up on the count of three. For a few songs the pace slowed, and the instrumentation changed. An electric guitar was swapped for an acoustic, a rhythm guitar was swapped for a keyboard, and the drums went quiet. Simplified instrumentation highlighted the lead vocals, which felt raw and vulnerable. During this portion of the set, rhythm guitarist Dallas Molster performed a keyboard solo under a dramatic spotlight. After these songs, they were able to gradually and skillfully bring the energy back up. It came to a peak with “Fever Dream,” during which Walsh picked up the entire mic stand to amplify the audience singing along. At the end of the show, Walsh walked off, and the four musicians remaining on stage played out in a huddle with a bang of energy.
Worry Club, Taylor Acorn and Grayscale each brought an enormously dynamic sound to their first Vancouver show. I have no doubt they will each be rocking much bigger stages the next time they play here. I look forward to many more shows from all three acts.
Written by: Jules Photographed by: Josh Papalia
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I just find it hilarious that after I finished Treason Netflix is just like “you know what you should watch next? EMILY IN PARIS!!!” and proceeds to show Kate Walsh and Lily Collins in perhaps the brightest outfits I’ve ever seen in my life
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