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#cw above
laurzzz · 1 month
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A few things lmao. I've been experimenting with my design for the DCA again so forgive me if Sun's rays are inconsistent compared to the prior art but I think this is how I wanna keep his rays at when drawing. And uhhh I used C9!Y/N for this because. reasons also bc I kinda missed drawing 'em...
O h gosh I haven't brought up C9 in a while so uh for ppl who are from DCA fandom that weren't following my blog around the end of 2022 and dunno what this is-- this was my very first default au, you can learn more abt it through the cloud nine tag below or through My Masterlist of AUS for the DCA
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pepperjackproductions · 9 months
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I'm back on my TeruMoko shit
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firein-thesky · 14 days
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Why is it that dc such as r@pe, sa, and incest is totally okay to write about and romanticize but y’all draw the line at racism, fat phobia, and homophobia *talking about the writings creators make, not personal beliefs*? Whats the difference between these things? All of them are hurtful and affect people in real life, so why is everybody on here choosing and picking one and not the other? Do writers on here think that they are not comparable or that one is okay to romanticize and the other is going way too far?
Im just genuinely curious as I have seen this topic be brought up again and again, which has made me realize this and Id like to see it from someone else's pov.
hi! there is a lot to answer and unpack here and i have every intention of doing so underneath the cut. forgive me if this gets long, but you’ve asked me 4 very massive questions that i think warrant detail, nuance, and thought. there is a lot i’d like to say here.
that being said, mind the content warnings and protect yourself.
cw: mentions of rape, incest, racism, homophobia, fat phobia, discourse in general
firstly, i am going to choose to give you the benefit of the doubt in assuming you are actually curious in hearing another side and you are not simply looking to stir a pot or pick a fight with beliefs you have no intention of changing or having an open discussion on. your accusatory tone in the first half indicates otherwise and kindly, i am not an idiot. but i want to earnestly talk to you about this and again, will think better of you than you perhaps have indicated you think of me.
secondly, you do not have to censor words like rape in my inbox. that sort of censorship has become wildly popular because of tik tok and other money-hungry social media that also desperately want to silence people. do you know why you have to censor words like that on tik tok? or words like genocide? suicide? racism? 1. so that they can make money and market and push their squeaky clean algorithms but 2. and perhaps worse, so they can silence victims. if social media platforms and capitalism and the systems of powers had it their way, you would never utter these words again—whether to call someone out for justice or to have an open discussion like this one. i encourage you greatly to think critically about this and how you choose to use censorship and why.
now, to your questions.
to preface, i am interpreting this ask as being anti-dark content in fiction as you state that ALL these subjects harm people in real life. or at least, you are being critical of all dark content in fiction and the way writers engage with them, effectively ‘picking and choosing’ which are deemed acceptable and which aren’t, when they are all hurtful. i apologize if that wasn’t your intention/what you believe, but regardless, i’ll endeavor to answer you.
i personally have drawn no lines about dark content nor spoken about any of these topics specifically really, which indicates to me you have a different narrative and/or are coming from more inflammatory arguments that are always circling fandom lately. in the post i most recently reblogged, i spoke mostly of violence. which, of course, all of those things can be. but i didn’t name one of those topics in particular.
regardless, i don’t believe in the censorship of any dark content in art, but rather advocate strongly for critical analysis on a case-by-case basis. in general, i encourage thinking critically about every aspect of the world around you.
i do not believe that rape, incest, and sa are okay to write about or create art about but racism, homophobia, and fat phobia are not. i believe all of those topics are ones that can, should, and will be explored in the safety of art. all to varying degrees of success, earnestness, impact, and intent. you’re right that these are real things, that can hurt people, and the fictional work about them can have impact on our society that is tangible but the actual art or fiction created is not real. and again, this is all to varying degrees on a case-by-case basis.
art and fiction also historically and massively do discuss these dark content topics and have actively swayed the public’s opinion on matters, whether for better or for worse. throwing away all dark content in art and fiction because it is ‘harmful’ is deeply, deeply dangerous and reductive. a lot of art that engages with dark content actually makes very succinct points about it—i think of vladimir nabokov’s lolita or octavia butler’s bloodchild or speak by laurie halse anderson.
this is where we must exorcise critical thinking. some pieces of work will handle dark content poorly—white saviors making art on racism. men making art about a woman’s experiences that (as you are so interested in) romanticize her pain. etc. etc. and some art will handle it’s dark content incredibly and be transformative, perhaps even revolutionary in how we talk, perceive, or acknowledge systems of oppression, violence, and dark content in this world. some dark content in fiction will have damaging beliefs and effects on society, some will not—we must also look at scope for this, at the writer perhaps, the historical moment, their audience etc.
(for example, there is a significant difference in a main stream male writer, writing of a woman’s experience with rape in a published book in a way that makes it sound romanticized, sold to thousands and thousands of general public vs. a woman using fanfic to explore rape, take control of it, or whatever in a fanfic for a small online community where there are warnings on it. indicating she is aware of its potential damage in a way her male counterpart is not…)
but i still believe in dark contents’ existence in art. of course there is differences between all of these topics you brought up, but i don’t think their differences matter in this answer. i believe in their right to be explored in art. i am talking broadly of media/art here, which i think is the more relevant conversation, but i think you are actually more interested in a much smaller scale of people. ie. fandom. ie. mostly marginalized people in small communities online writing and creating dark content.
people will choose and pick which ones they’d like to create art over and which ones they don’t, which ones they read and which ones they don’t. there’s no ‘hard line’ drawn anywhere. and i can’t control it and neither can you. perhaps you think violence is okay to be explored in fanfic, but racism isn’t. someone else will have different preferences. i do not believe in its censorship.
now, let’s move onto your interest in romanticization and what i think you are more pointing to, which is fandom. you are specifically referring to people in fandom who write about rape, incest, etc. and ‘romanticize’ it—ie. they write about it in a way that is a fantasy. it is perhaps supposed to be horny or sexy. so let’s talk about it.
i must remind you that these topics you’ve brought up (rape, incest, sa) being written are fiction and it is (most often) done by someone marginalized who has either experienced this or is in threat of experiencing this under a patriarchy. i assure you, they are aware of its harm. hence the copious warnings in fandom spaces.
if i can be candid, sometimes i think that people forget how systems of oppression work when discussing fandom and whether dark content being created should be allowed or not.
for example, i sometimes think people who are anti-dark content in fandom believe that a woman or afab person writing a fictional fanfic about rape or sexual violence then influences people to go out and rape people or that women actually like it. when the reality, in fandom spaces, is that rape and sexual violence happen frequently under the patriarchy and then these women in fandom write fictional fanfic in response to cope, explore, take control of, etc. etc.
to insinuate that women or afab people (which fandom mostly is) exploring dark content safely in fiction then causes their own oppression and harm or trauma is rather victim-blame-y to me. fandom exploring dark content does not cause these things to happen in our society….these actions (rape, incest, sa) happen in our society or systems of power and fandom reacts to them in their art by exploring it in dark content. do you understand what i’m trying to say?
it’s not a matter of what is ‘okay’ to romanticize and what isn’t. i do not think the romanticization that fandom does with dark content (ie. my kidnapper actually loves me! or this sexual act that i did not consent to…maybe feels good) is not actually romanticizing but coping because of the systems of power that i described above. and this can be coping with anything—shame of sexuality, shame of fantasies, trauma, fear, etc. etc.
as i said in my tags in that post i reblogged and as plato said, dark content in art is a safe place to explore what would otherwise be harmful and dangerous in real life. it is cathartic. potentially even, a purging.
and even if it isn’t all that—maybe it just is trashy fantasy. it is still playing pretend. it is still fiction and in fandom spaces, it is still most likely being created by a marginalized person. and again, even if it isn’t, we don’t get to censor it. we can be critical of it or wary or whatever, but to censor it, is a slippery, slippery slope. do deem some topics as “acceptable” and others as “unacceptable” is dangerous.
just like kids play pretend where they ‘fight’ or ‘kill’ or ‘kidnap’ or ‘shoot’ each other in games of cops and robbers or heroes and villains, they are safely exploring adventure, dark content, fantasy, tragedy, and higher emotions. adults can do the same in fiction and with adult topics like sex.
and at the end of the day, we don’t get to demand the credentials to do so either. we don’t get to censor them or control them and nor should we be allowed to. i cannot stress enough that i encourage you to be critical of censorship or the absolute disgust in dark content and at those (again—often marginalized people) who engage with it in fandom. i believe it is deeply puritanical, conservative, and dangerous.
you don’t have to like dark content or consume it at all and fandom makes it easy not to with all the warnings and tags, but you cannot control others or police them. nor should you want to.
and at the end of the day, i have some questions for you. you don’t have to respond to this, perhaps they’re just things to think about. what is the end goal here? what is the point in harassing, shaming, attacking, criticizing, or interrogating people in fandom spaces who create or support dark content? do you believe that if it is purged from fandom, it will be purged from our society? if you want it purged from society—shouldn’t you start there rather than in the inbox of marginalized writers in fandom? people in fandom did not create rape, incest, and sa nor do they in their exploration of fiction…they are merely reacting to a world that did create it.
i hope at no point i came off as rude to you, as was not my intention. i intended to stand up for myself and respectfully state my opinions and thoughts on this matter. i’m sorry it got long, but also i don’t believe in being brief on such complex matters. i am a writer who engages critically with the world around me and sometimes, things cannot be made into short, snappy answers. sometimes, we must unpack.
genuinely wishing you well.
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kinaesthetiqueer · 1 month
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"We just got her to stop crying..."
Spiritual follow up to this drabble, based on this text post.
Any semi-shitpost comics like this are schrodinger's canon, meaning there are some canon-to-fic elements, and some not, though all is subject to change!
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lxgentlefolkcomic · 6 months
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First page || Previous page || Next page
Dialogue transcripts:
Panel 1
Irene: You’ve seen him?
Jekyll: Oh—er, not me.
Panel 2
Jekyll: I obtained this sample from a, er, friend of mine—a fellow by the name of Hyde.
Panel 3
Holmes: And this…friend of yours, how did he acquire the sample you now have?
Panel 4
Jekyll: He was attacked.
Panel 5
Jekyll (voiceover): He encountered the man in Soho—a tall gentleman, richly dressed, but bedraggled and ill-groomed, his fine clothes all in tatters.
Panel 6
Jekyll: …So my friend told me, that is.
Panel 7
Jekyll (voiceover): The attack was quite unprovoked.
Hyde: Hey, ugly! Yeah, I’m talking to you! Who do you think you’re leering at?
Panel 8
Jekyll (voiceover): He fought back in self-defense, bravely fending off his attacker.
Hyde: AAAIIIEEEEE
Panel 9
Jekyll: This substance was shed by that strange man during the fight—as you say, not unlike blood. My friend brought it to me for analysis.
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harbingersecho · 13 days
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grif's surgery but just a little more... obvious?
I actually rly rly ADORE frankengrif but I don't have an in-show reason why he'd have extensive long-term allogeneic skingrafts on his face 😔
#rvb#red vs blue#dexter grif#grif#*24#mine#art#cw wounds#Look I love biology stuff like this so I like researching what would be at least semi-plausible even if it's just for a dumb halo show that#makes 0 sense where CPR cures a headshot but i cant help it!!! and like the 'lazy' reason for it would be sarge is just crazy like that but#its not a good reason imo. and like the things he lists needing replacement are mostly internal and body parts which makes sense#considering how grif got injured by sheila like I could 100% see that rupturing organs and crushing his hand and there being burns etc#but like nothing points to grif needing any surgery above the neck and i dont think anyone mentions his face being different? i could#make up injuries for him but nothing in the show actually supports that he'd need grafts for anything but his body..#I'm SOO ready to be convinced otherwise btw like I said I want an obvious frankengrif to be true so bad !!#AGH would it be too insane of me to make like a surgery/injury overview thing for grif just so i can convince myself abt this idea...#i can bend to some fun stuff tho im not a total joykill u know! thats why i give his body the mismatched donor skin look despite allogeneic#grafts not being permanent w/ current tech. like it really doesn't matter if it's realistic or whatever but also Yes It Does.#and like during/after chorus would grey offer to 'fix' it? i imagine the feds could mesh a skin so they could use grif's own skin..#or like during rats nest when they got reassigned?
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dathen · 9 months
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Victor Frankenstein: Teenage me was so evil because I experimented on animals while trying to cure death 😭
Jack Seward: What kind of BACKWARDS LOSER would oppose VIVISECTION?? Now only if I had a good reason to do it…
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forbiddenlovecotl · 10 days
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cw, mild body horror!
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I tend to write/draw my Narinder as a rather gentle man. I enjoy drawing him happy and having him be a positive force I can work with!
However, his temper is a rare treat~
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kairukitsuneo · 8 months
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Fireworks PTSD (Part 1)
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Sometimes fireworks trigger some flashback and it was never good.
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spngirlpolls · 2 months
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i say this with peace and love on planet earth: if you genuinely think supernatural or the acting on that show is sooo bad and the worst ever, you need to expand your horizons to the big beautiful world of Bad Media. it will heal your soul. there's so much worse out there, waiting for you. i say this with love.
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bethanyactually · 6 months
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Nancy Drew + text posts (41/?)
4.08 || The Crooked Banister (5/5)
feat. @catty-words and @fierycavalier ♥︎
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pzyii · 5 months
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Wine of the mother. Death of the innocent. (I think about her so much. Also close ups under cut)
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t1oui · 2 days
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@jegulus-microfic | april 25th | headlights | 1,222 words | cw: mentions of a car accident, hospitals, mentions of smoking (nothing graphic)
Regulus tries so hard to think that Sirius is an idiot. That bloody thing'll kill you, he remembers saying. Sirius had only laughed. No one's laughing now.
It was just a Friday night. Regulus got home from work late and was looking forward to doing nothing until Monday morning. Was looking forward to being alone, sitting around with popcorn and staring at the telly until he fell asleep. Now, the idea of a simple night in feels light years away.
He never gets what he wants.
Sitting on a stiff white chair outside Sirius's room at St. Mungo's, Regulus's leg bounces up and down at a frantic pace, mind racing. Didn't he see the headlights? Didn't he try and stop? It wasn't his fault, they said. Regulus's older brother is in a hospital bed and he wants to strangle the idiot who put him there.
Remus is sitting across from him, eyes red-rimmed and body curled in around himself. He arrived before Regulus. Pettigrew was pacing until Remus yelled at him and he mumbled something about getting a coffee.
It feels like hours before Potter arrives. Regulus and Remus are only taking up two of maybe eight seats crowded into the hallway, but James sits right next to him. He's crying, too busy looking at his phone to pay Regulus any mind beside him.
"Why are you here?" Regulus grumbles. He sounds like shit. The corridor is far too bright for someone who wants to crawl into a hole and never come out. James glances up at him, looking confused and distressed and tired. God, Regulus is so fucking tired.
"My best friend is... he's...." James gestures helplessly to the room behind them. They're not whispering, but their voices are hoarse. Remus isn't paying attention anyway - he's been staring into space for hours now. "He's in there."
"No," Regulus says, shaking his head in frustration. He hates when people don't understand him. "Why are you... here. There's so many seats."
James stares at him for a moment. He still holds his phone in his lap - if Regulus looks closely, he can see the name Lily written across the top of the screen with a pink flower beside it. James opens his mouth to speak, but Regulus interrupts him, pointing to the phone.
"That's a hibiscus flower, you know."
"What?" James doesn't sound like he's actually processing anything Regulus is saying. Regulus presses his finger next to Lily's contact name. He remembers her from school. He never liked her much.
"The flower here," he says. "It's not a lily. It's a hibiscus."
James sniffles, shrugging helplessly. "There's no lily emoji," he says. "This one's good enough."
Regulus doesn't say that he thinks that's sort of stupid. He's too tired to, and he knows James doesn't really care. Who does?
"I don't want to be lonely," James tells him. Regulus stares at his ear.
"What?"
"You asked," James says, shrugging again. He shrugs a lot. "Why I sat next to you."
Regulus looks up, glances over to Remus. He's managed to gather all of his limbs up onto the small hospital chair and is staring into space, eyes glazed over, arms wrapped around his knees. "Why didn't you sit next to him?"
James's answer comes so quiet that he has to lean closer to hear. "I'd still be alone."
Regulus stares at him. "Oh." He wonders where Pettigrew's gotten off to. Wonders if Lily will come to take James home, will gather Remus into the car too. Wonders who will take him home now that the motorcycle he hates so much is nothing more than a pile of scraps, its owner not much more.
"D'you wanna see a picture of my cat?" James asks. Regulus looks back at him. James is tilting his phone towards Regulus, even though he never answered, and Regulus finds himself leaning closer again to look. His cheek brushes James's shoulder, and he expects James to tense up - they barely know each other. James is probably humoring him, but his best friend's weird little brother leaning his head on his shoulder is probably the last straw. James is just being nice because he's sad. Last Regulus heard, he has a pretty girl and a son waiting for him at home.
But James leans into the touch. Regulus is too tired to pull away. (Part of him doesn't want to pull away. He tells this part to be quiet.)
"Her name's Leo," James says, holding up his phone to reveal a small gray tabby. The smile is evident in his voice, which is soft and close to Regulus's ear. It sounds like a lullaby. "Harry named her."
"Leo," Regulus says softly. James's curls are tickling his cheek. It's not an unpleasant feeling - it reminds him of walking barefoot over grass on a sunny day.
"Like the constellation," James explains. "It's Haz's favorite. 'Course, he is a Leo, so he's a bit biased there...."
Regulus glances down and notices his fingers loosely intertwined with James's. He doesn't remember doing that.
"Leo's the constellation -" he begins.
"Your star," James replies. He sighs softly, content but a little shaky. "Yeah."
They're both silent for a while. It's weirdly comfortable, even in the buzzing hospital, even with Remus sitting numb across from them and Sirius laying unconscious behind them and Peter knocking around, probably smoking the pack of cigarettes Regulus saw him slip out of Remus's pocket before he disappeared.
"Is Lily going to pick you up?" Regulus asks.
"She has Harry tonight," James says instead of answering. It only leaves Regulus with more questions.
"I thought..." Regulus begins, but he doesn't know what he thinks, not really. James seems to, though.
"We broke up," he says simply. He shrugs a little, only one shoulder, trying not to jostle Regulus's head. "Few years ago."
Regulus is quiet for a while. He remembers school, seeing James's golden-brown arm wrapped around Lily's pale shoulders. He remembers a pang of pain at the sight, feels it now, a dull ache located deep within his chest. "I'm sorry to hear that," he says, but he doesn't sound sincere.
"Don't be," James says. He's turned his head, and his lips brush just barely against Regulus's forehead. He should pull away, but instead, he just closes his eyes. "She's my best friend."
Regulus squeezes James's hand. "I'm glad you're here," he whispers.
James squeezes back. "I'm glad you're here, too," he replies.
He sets his phone down on his lap, reaching into his pocket and pulling out a jumbled ball of headphones. He tries for a minute or so to untangle them one-handed before finally sighing and pulling his fingers out from between Regulus's, pulling the earbuds into his phone. He hands one to Regulus.
"Put it in," he says, watching Regulus do nothing.
"Why?" Regulus asks.
"It's too... something in here."
Regulus gives him a small smile as he puts the earbud in. It fits weird, but not uncomfortable weird like he remembers. Just different. As he settles his head back onto James's shoulder, a soft melody begins to play into his ear. James sets the phone down on his knee before taking Regulus's hand again, resting his head against Regulus's curls. Regulus takes a deep breath, closing his eyes.
Maybe this night won't be as long as he thought.
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seashoreships · 3 months
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Hello my 2 followers interested in fiv-3
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triflesandparsnips · 7 months
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I've spent a couple days now trying to find the right words for this, and I still don't know if it's quite right, but-- well, fuck it. I need to tell it in three parts, because I'm not sure it breaks down more easily than that, so let's start with:
Stede knew.
...that is to say: The more I think about it, and in light of what we're seeing so far in season 2 (though hey, the new episode drops tonight, who knows, who knows, but--)
--but the more I think about it, the more sure I am that Stede has always known that he's attracted to men-- and he definitely knew, all along, that he was attracted to Ed in particular.
It's been a popular (and very entertaining) theory that maybe he didn't know. There was certainly a lot of static on the line whenever the topic came up in season 1. He seemed to need help identifying "love"; he didn't respond to Ed's flirting or half-attempted moonlight kiss; he didn't, in fact, try anything that wasn't obscured behind ten thousand layers of plausible deniability to the degree that it was reasonable to interpret him as naive or innocent or completely unaware of his own queerness.
But I think... I think that's what it was. Obfuscation. Hiding behind the relative safety of a presumed ignorance.
Because it all comes back, over and traumatically-over, to that queer need for the language of safety.
Listen: Stede Bonnet grew up keenly aware that being the kind of person he was-- being soft, being gay, being different, being queer-- was reason enough for the world to beat the shit out of him even when he was just a socially unacceptable level of queer (picking flowers as a boy, staying unmarried as a man). In Stede's time period, being any more obviously queer than that, and being subsequently found out, could lead to literal death.
So Stede would have been aware that that sort of attraction wasn't safe-- or, at least, that acting on it wasn't safe in any but the most plausibly deniable of ways... unless, and until, he could be absolutely sure.
And that's the thing, that right there, that's the next part of this:
Stede knew, but that doesn't mean he trusted himself-- or Ed.
It's like this:
When you're somebody who's been punished before (socially and physically) for just the appearance of queerness-- god forbid the acceptance or celebration of it-- then you're going to develop a whole lot of ways to protect yourself from anyone getting proof that you're as queer as they suspect.
So if you're caught looking-- no, no, you were just thinking about a book you wanted to read, silly Stede Bonnet, head in the clouds--
--and if your hand is caught lingering too long-- no, no, that can't be right, because you don't touch anyone at all, see? Oh that Stede Bonnet, awkward as anything, barely knows where his tea cup is--
--and no, absolutely not, you can't be fooled into believing a friend might be something more, no matter how flirtatious his body, no matter how much he seems to cherish your regard-- because either he's lying to you (and you learned that one well enough as a child, didn't you), or... or worse, that's just how some men feel friendship, and you're the one making it strange, making it queer, and he wouldn't be like that anymore if you just stopped bothering him quite so much, toddle on back to your wife, Stede Bonnet, and it'll all be fine again...
The tragedy of the first season might really be, out of all that happened, that a man could kiss Stede Bonnet on the mouth and say he made him happy and ask that they plan a life together--
And Stede still doubted that Ed really meant it.
Stede knew, and he doubted Ed... but he was on the road to trusting himself.
I think Stede went to sea to come out.
I think becoming a pirate was a deliberate queering of his previous life, the first step in him trying to actually allow himself an intentional queer identity in a world where the rules, boundaries, and kinds relationships that were expected and acceptable were broad enough for him to finally exist.
And he was right! Because, like-- jfc, of all the reasons the crew wanted to mutiny, it wasn't because Stede was kinda swish. Of all the reasons Spanish Jackie was going to de-nose him, it wasn't because he was swanning around camp af. Calico Jack did some damage, sure, but he dropped it once his overall aim was achieved-- making it less about social punishment and more another way to needle Stede into responding. Hell, even Izzy's initial interactions with him (regardless of what extra ammo he brought to bear later, which tbh may need separate examination entirely once we get more of season 2) were bound up in Stede interfering in his business and somehow succeeding rather than anything having to do with Stede's queerness.
And when you consider it from that angle... my god, the man was a one-man pride parade and his love of Edward Teach was the float at the front.
He used coded language with Ed in the first five minutes he was conscious enough to fuckin do so ("Do you fancy a fine fabric?" --christ, watch Stede's eyes before he asks that question, the way he clocks Ed turning away to test the cashmere, and when Ed gives a safe response that's when Stede shares more, just watch him)--
He took Ed's silk, touched Ed's chest, complimented his looks-- and even if you trust Stede's memory of it over Ed's, where there was no half-gasp, no aborted kiss-- Stede did all that, and Ed didn't punish him for it. My god, when they went their separate ways, Stede turned back to look-- and so did Ed--
He draped his lace cuffs over Ed's bare wrists as they stood together at tea. He let himself believe Ed was committing to a life together when they agreed to co-captaincy. When he thought Ed had left permanently with Calico Jack he was explicit with Lucius about what it meant ("I think it's over")--
Look: Stede has, in comparison and in opposition to his previous life, been a reckless bolt of rainbow glory almost the entire time we've see him in season 1. It just doesn't look like it from the outside because... he's really good at the language of safety.
So all this to say:
It makes sense, Stede having no concern for telling everybody in the entire pirate world apparently about his love for Ed.
It makes sense for Stede to say "I should have told him how I feel"-- because he knew, even then, he was just afraid he was wrong.
And so it would make sense, to me, if Stede, back in proximity with Ed and with definitive proof that Ed felt the same way as Stede (or had, at least, at one point), proceeds to get absolutely weird with how much gooey queer LOVE he throws at Ed from the moment they're both coherent enough to form words.
BECAUSE:
Stede couldn't trust the straight world to be safe? Well now he's dead there, time to be queer af
AND
Stede couldn't trust that Ed wanted him the same way? Well babe just went around making the world burn and then promptly died trying because he got his heart broken by Stede, so Stede is going to be 100% insufferable about showing this very special boy just how much he is absolutely adored.
And I cannot wait to see what bullshit he comes up now that he finally feels safe.
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