That's the weird part, no one got that in all of the Twitter that I've seen for the entire film about every detail in the film. I guess because we just kinda made it up, it wasn't part of the book, but we decided the interview room could be an homage to Richard Curtis who wrote all the romantic comedies, you know for the past 20 years.
That was our nod to 'Notting Hill', because in 'Notting Hill', Julia Roberts was the American and Hugh Grant was the Brit, and they sort of do the whole interview thing with Horse & Hound. So we actually rented the exact same furniture. The sofa is different, because the one that Julia Roberts was on was a bit smaller, and for the two boys' size, we couldn't fit them on that sofa, so we had a different sofa. But the coffee table, everything – the flower arrangements, they were done by our florist who knew the original florist who did 'Notting Hill'. So we did this whole thing, so that was kinda our fun, cheeky little set because we wanted to see "oh, would anyone get it?" But it was our homage to you know, classic romcoms from our days and now we're doing a gay version so it was great.
We're starting to see more scenes that use foregrounding and backgrounding to reveal information rather than frenetic cuts, like this camera dollying in to show us Damage Control's reaction to Nia's attack.
Elon Musk is a white supremacist and a liar. He purposefully damaged a global platform that allowed millions of people to share information, communicate, support one another and stay informed. He's just another garbage human narcissist trying to own the narrative of the world for his own gain. Fuck that guy.