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#didn't know what kind of image to put for this
purgatorytf · 2 days
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I’m too smart for my own good and sometimes I wish I could live a simpler life. Whether that be as a dumb jock or some workout gear for one, I’ve always wanted to know what that’s felt like.
You had been rambling to your friend Jessica about how stressed out you were in your life. Your exemplary academic and subsequent professional career had landed you in a high-paying but high-responsibility position. It felt like you had so much to worry about; the budgets, the meetings, the bureaucracy, the hierarchy. All that had taken over your life and you couldn't even make time for sex anymore, nevermind a relationship.
"I don't even have time for a boyfriend right now, i wish everything was just ... simpler...."
Jessica sighed. This hadn't been the first time you told her this, every conversation you had revolved around how strained you felt. She grabbed something from her bag and handed it to you : a cap. She told you that she snatched it from one of the douchebags who catcalled her at the gym and that he wouldn't miss it.
"This guy clearly didn't have a lot going on up there. You should put it on and see how it feels. Maybe having a little bit of him in you will help you turn your brain off and relax."
You shrugged and decided to put in on. It's not like it could hurt. You secured the cap on your head and you instantly felt all your worries and your intellect drain out of your head and converting into thick bulging muscles all over your unremarkable body. Your pecs rose into a thick muscular shelf as your abs popped out. your biceps and shoulders ballooned, your thighs enlarged. Your entire body surged and strained against your clothes.
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All of that boring business stuff exited your mind forever and you felt so much better. Everything felt so much simpler already. Your clothes quickly turned into the typical jock attire : trunks, a tanktop and grey sweaters.
In disbelief, you lifted the tank top to look at your new body "Holy shit bro, i look swole !" But just as you said those words, you felt even more of your brains drain out. This time, your entire personality flushed down into your enlarging balls. It started with your smart and charming persona, and eventually your values. Your kindness, your empathy, you compassion. All of that served as fuel for your swelling manhood, leaving nothing left of your morality and judgement, turning you into an arrogant, self-centered gymrat.
As you pawed at your impressive package, you quickly realized it demanded attention. But you found the images that came to your mind to not be the hunky men you were used to. Instead you could only envision yourself fondling tits and sticking your dick in wet pussy. Your homosexuality had been flushed. Gone was the kind, sensitive gay best friend and in his place was now a macho breeder.
"Fuck bruh, i need to pound some pussy huhu"
Your entire being now revolved around your biological duty. A real man's only desire was women's curvy bodies, their full lips, their aching pussies. And you wanted to- no, you were going to fill them with your seed. That's why you spent all your time at the gym pumping iron : to score some pussy. You looked in the mirror and saw yourself for who you were always meant to be : a jacked, stinky straight gym bro stroking his fat cock.
Your lengthening python demanded attention. With a dopey grin, you looked up at the chick in front of you and already saw yourself putting a baby in her womb. You scratched at your throbbing cock.
"Hey babe, wanna help me out with this ?"
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Enjoy your new breeder life bro. No more smarts, no more individuality. You're now a perfectly assimilated straight male with no worries. Now go pump some iron and spread your seed !
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writing-whump · 3 days
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I'm in the fluffiest mood lately, so how about a no stakes sickfic. Movie night and the trip (Matt, Sel/Zaya) are home and decide to put on something like spiderverse or smth else, point being, either Isaiah or Matt gets super motion sick from it
Something fluffy it is. Thank you for the ask, Soup!!💙
Cinema sickness
The middle position was the best.
Matthew didn't notice when exactly they started to fight for it like that, but it was increasingly a place one of them got as special treat.
Like of course, when Isaiah was having his not so heart episodes that Seline still didn't know the cause of or when he was emotional. Then it wad Seline herself with a fever. She also usurped the spot most openly when she was well.
Matthew was a little too embarrassed to be that forward. Not when he was feeling fine.
They bought a camera projector they have been saving for a few months. Seline dreamed about the home cinema early on and Isaiah was such a movie buff, it was only to be expected.
Matthew found the cinema experience tiresome because of all the people, so their own private living room cinema because of the projector? Sounded fun. Though the cinema made for good people training.
"You guys didn't watch the second Spiderverse movie yet, right?" Seline said, taking control of the chromcast with her phone to put it on.
"I didn't see the first one either," Matthew grumbled as she climbed up between him and Isaiah who was scrolling through IMDb. He had a thing for ratings, while Seline loved comments and spoilers.
Matthew considered himself the only sane and commonly invested movie person. He liked to get surprised.
"The animation is out of this world. The first movie got an Oscar for it too, but they went overboard and beyond with the second. Each universe has a different animation style! It's the perfect movie for a cinema." Seline waved her phone in front of Matthew enthusiastically.
"Isn't animation for children?"
Isaiah and Seline both gave him scandalised looks. "In what hole did you live until now for such an outdated opinion?" Isaiah asked teasingly.
Matthew rolled his eyes. Didn't look like he would have a say today.
"I don't think you need the first one to understand," Seline said thoughtfully as she put the movie on. "They explain it pretty well, plus I can always explain things to you if you need it."
"You are still more of a fan of the first one, aren't you?" Isaiah said, bumping against her. They were sitting shoulder to shoulder, all three of them.
"I think the character development is simply better there? Also the relationships. The focus on bad mentor and a confused kid and different father figured...this one goes more into the romance storyline-"
"The focus just shifts from him to her's all-"
Matthew shook his head. "Alright, quit it. I want to see for myself."
The movie looked like a very expensive video game. The animation really was something else. Matthew understood quickly they would not be able to film stuff like this for real.
So many colours and so much quick movement. Their living room wall was basically flickering, going from one side of the colour spectrum to the next at rapid speed that had his head spinning.
How could there be so much happening on the screen? It was downright impossible to catch it all.
His eyes felt tired from it. It was all so fast and coupled with the music it was downright aggressive.
Matthew didn't notice when, but the left side of his head felt like someone held it in a vice grip. The more he watched and tried to make sense of what was happening, the more his left temple pounded in unison with his heart.
He found himself shaking his head to clear his vision, rubbing at the side of his face. He even tried closing one eye and then the other. But the images just kept coming and there was some kind of dramatic scene with spidermen all over the screen and damn, his head really hurt.
Seline was leaning her head against Isaiah's shoulder, her legs stretched out and touching them both. Her lap seemed very inviting.
Matt leaned to the side experimentally. He wanted to go slow and see how that would be taken, but the possibility of getting some cover from the screen was getting more irresistible by the second.
He slumped down into Seline's lap, twisting so his face was against her stomach. The lights were all over the living room, reaching even to the windows and the kitchen. No hiding from them.
Matthew closed his eyes, face buried in Seline's belly. He secured her from squirming with his arm over her torso, stretched out all the way to Isaiah's tight. If the other wolf wanted to protest or made any move of displeasure, Matt would quickly notice from that position.
His head hurt. Why just the left side of his face? It was tingling.
Everything was moving too much. The dizzying spinning sensation didn't quite go away, although he had his eyes squeezed shut and wasn't looking.
Not to mention he was starting to feel vaguely queasy, his dinner sloshing in his stomach angrily.
"Mattie, you aren't watching," Seline admonished softly. Her hand went into his hair though, petting it softly. He melted under her touch, grateful for a pleasant feeling to focus on.
Suddenly there was the incredible sound of the movie stopping.
"Matt? You tired?" Isaiah asked, shifting somewhere behind his head.
"Mhhhhhhhhmmmm." Was he that obvious? Suspicious? He wanted to stay huddled there in the softness, thanks.
Isaiah's hand landed on his arm. The older wolf reserved his touches for when Matthew felt sick. But they were so physically close these days, because of Seline of course, no other reason, Matthew kind of craved it, even when he didn't need it.
Or maybe it would count now. But he didn't want to ruin the celebratory mood by being a baby. It was a stupid children's movie, for God's sake.
"We can just call it a night, I think. Continuation tomorrow," Isaiah suggested, ever the peace keeper trying to accommodate everyone.
It sounded nice to not continue the movie in any case. But going to bed created a new set of problems.
Matthew would have to move.
Seline wiggled under his head. "You are heavy," she said playfully. She seemed more open to the gesture than Matthew expected. For no reason at all.
Matthew hummed non-committalally not sure how to explain or escape his predicament without losing his dinner. His stomach was churning angrily and his head was still pounding, sound or not.
Isaiah chucked. "You can sleep here for all I care, but at least let the lady get her PJs."
Matthew huffed at that, but opening his mouth wasn't a good idea. A little burp escaped, muffled against Seline's ribcage.
Seline's fingers in his hair stilled. "Mattie? You feeling alright?"
Did she notice that he got burpy when he was about to spew? He could just be full. Damn it all, the risks of living with people so closely.
Another burp, this time a little louder and wetter. Matthew pressed his face closer into Seline's shirt. It smelled of rain and ozone and grapefruit.
He felt both of their gazes on him without looking. They were probably mouthing something to each other at this point. He could picture it vividly.
The pain in his left temple spiked and he moaned quietly.
Seline's cold hand cupped his nape, stroking his neck up to his cheek where she could reach.
"...If I move, I'll hurl," he admitted finally, figuring he should inform her of the danger she was currently in.
The sigh came from Isaiah though, as the raven haired man moved gently away from the sofa into the direction of the kitchen.
"What's wrong? Is your belly upset?"
Jesus, that sounded childish when she said it like that. Not to mention that weird new Mattie nickname.
"Headhurtss," he manged to get through his gritted teeth, still entirely muffled against her stomach. It was quiet, churning only gently, like a purring cat.
"Has it been hurting for long?" She sounded amazingly calm considering he was lying across her lap. "You seemed fine to me," she said with puzzlement. He could imagine the way her forehead creased, a little wrinkle between her eyebrows as she thought back about the evening.
He opened his mouth the respond, but another burp rushed out instead. Pocket of air against her stomach. Saliva was flooding his mouth.
Matthew loosed his hold on her reluctantly, turning so he would be lying on her knees. He covered his eyes with his hands. "Ow."
Seline placed her hands on both sides of his face. "Where?" Her voice was impossibly soft.
He pushed her cool hand - how was it so cool? - against the left side of his forehead.
He felt more than saw two of her fingertips on his temple, making tiny circular movements against it. She bowled over him, her lips hovering over his ear. "How is this? Should I stop?"
"No, that's nice," he said, relaxing a little. The gentle pressure felt good against the pain, though his stomach was still roiling.
Isaiah came back then, the sofa dipping under his weight as he knelt on Matthew's other side. "I got a bowl if you need it."
"Not the nice popcorn bowl, come on," Seline complained, lifting her head.
"It's big and deep," Isaiah protested, sounding amused.
Matthew groaned at the banter. The headache was giving away a bit at the message, but the nausea rose steadily no matter what he did. He felt air in his throat and spit flooding his mouth. He didn't want to move away from Seline's fingers or the attention, but his stomach cramped angrily then.
It had him shooting up into general direction of up. Except he felt dizzy right away, swaying and moaning.
Isaiah grabbed his shoulder to steady him.
Matthew held his eyes shut against the spinning of the room, trusting him to have the bowl at the right place, cause he couldn't aim. His head exploded on his left side with the sensation and puke rocketed into his mouth.
He was right to trust him. The vomit made a splashing sound against the bowl without him even looking, Isaiah holding it under hid chin.
Seline's hands came to cup his forehead from behind. "You are okay, you are okay. Just get it up."
Matthew gave in to his body completely then, a little more voluntarily at the support. His senses were all over the place. He couldn't tell which was was up and down and his left side of the face as pounding and burning from warmth.
More waves of vomit came, easier to bring up now that he wasn't fighting it. When he thought he would catch a break, a loud burp brought in one more splash and then two more. His back arched, only Isaiah's hold on his shoulder keeping him upright. The sofa was moving like a water bed.
When he was finished, he spat the rest of the foul taste and slumped blindly back into Seline's lap. He wanted her nice scent and her cool hands and the little message against his temple that had a drilling machine against it.
"Better now?" she asked, her hands on his face just like he wanted, stroking his cheek and forehead.
"Mhhhhhhhhhmmmm." There was a relief from the nausea, but he was still afraid to open his eyes.
He could vaguely sense Isaiah's movements as he got rid of the bowl, returned to position it next to Matthew. Then circled around, fitting himself into the opening between Matthew's side and the sofa.
Matthew wasn't sure when vomiting because a group activity, or if he shouldn't apologise or feel embarrassed for making a fool of himself.
He sighed contendly as Seline went back to massaging his temple. Isaiah was rubbing his arm gently, as if to remind him he was there.
And who was Matthew to refuse the middle spot?
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utilitycaster · 3 hours
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Bonus:
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Campaign 2 episode 92/Campaign 3 episode 92 parallels (with some assistance from 3x89)
Transcription of the text in the above images (screenshots from the Critical Role Transcript Search) below the cut:
The following is excerpts from Campaign 2, Episode 92, and Campaign 3 Episode 92 (except one from 89, noted below), interspersed. Travis is playing Fjord, Marisha is playing Beau, Laura is playing Imogen, Liam is playing Orym, and Matt plays Thoreau Lionett in the Campaign 2 excerpt and Liliana Temult in the Campaign 3 excerpt:
First image:
TRAVIS: Your histamine reactions are going again.
MARISHA: Yeah. I've been away from Zadash for a little bit, so the pollen, it's kicking a little, you know?
TRAVIS: I take it you don't fully, fully hate your dad. It's got to be hard to hear this.
Second image:
LAURA: I'm going to heard toward Orym who's at a distance and approach slowly.
LIAM: Hey.
LAURA: Hi. I'm going to put my hand on your shoulder.
LIAM: Sorry, I know how hard all that is for you.
Third image:
MARISHA: Everyone wants to make their dad proud, you know? Just hoping he could, he could show some of that.
TRAVIS: You don't know that he can't. It's been years. You've grown, you've changed. I'm sure you were even more of an unbearable shit before. I'm not saying he deserves a second chance, but he is your father, and you do have a mother, and a brother that you've never met.
MARISHA: (sniffs) I guess it's hard when... the word inevitable has been brought up several times in the past 24 hours amongst us. I feel like I've found my family with The Mighty Nein. I don't like looking at my past, because it doesn't have The Mighty Nein in it, and I think I put off the inevitable, because I'm going to-- I'm afraid it's going to be like my past.
Fourth image:
LAURA: Don't apologize. I can't begin to understand how hard it is for you.
LIAM: You know, every one of us makes our decisions with the lenses or prisms we see life through.
LAURA: Mm-hmm.
LIAM: I can't take mine down. (sobs softly) It's not even about revenge for me. (sniffles) I just try and honor what they sign up to do. (sniffles) I just try and honor what they sign up to do.
LAURA: I didn't know them, but I can't imagine they wouldn't look at you and not be proud.
LIAM: (sighs sadly)
LAURA: I think you've gone farther than anyone could ever expect you to, and you're still going.
Fifth image:
TRAVIS: I don't think one contaminates the other. You've got good, solid footing here. I mean, shit, if we want to run, we run. If we want to kick his ass, we'll kick his ass.
MARISHA: Yeah. (sniffing) I kind of want to kick his ass, and I don't want to run.
TRAVIS: Could I ask you, in your wildest dreams, and feel free to say you don't want to tell me, what would you have happen when we go there?
MARISHA: I think I've worked so hard because I scripted this day, in my inevitable future that I would go back to him, successful woman, respectable member of society, Cobalt Soul, an Expositor, the thing he threw me away to, and I embraced. And then, I would get mad at myself, because I felt like I was doing exactly what he was doing to me my entire life, scripting me to be something else. And I'm still doing it. I haven't seen him in three years, and I'm still trying to be... something. And I think what's scary is that I like this, and what I've found, and I don't think it was until Nott started talking about having to go home and go away that it truly started terrifying me. Because for the first time, I'm happy. And what if that goes away?
Sixth image:
LIAM: (sighs softly) (sniffles) So far. I'm going to miss him.
LAURA: Yeah. Yeah.
LIAM: I'm going to miss Letters.
(sniffles)
LAURA: They were-- They were alive.
LIAM: Out of any of us, he just wanted to help.
Seventh image:
TRAVIS: It could always go away. It could go away tonight. The Gentleman's debtors could come calling.
MARISHA: (chuckling) And I think I know that, and I think I say things to Nott like, "You don't have to put those stipulations on yourself" because I've convinced myself that destiny or the inevitability won't come knocking. If you ignore it, it won't exist, and that's not true.
TRAVIS: (sighs) It'll be interesting either way. Your face is leaking.
MARISHA: I hate it.
TRAVIS: I won't tell anyone.
MARISHA: Don't tell anybody.
TRAVIS: Yep. You're a good friend. You're a good trainer.
Eighth image:
LAURA: I want you to know that that for a while it may have felt that you and I were not seeing eye to eye or maybe you felt that I, I didn't have the same goal in mind that you did. But don't worry about that anymore, all right?
LIAM: I understand family.
LAURA: Yeah. Yeah.
LIAM: I want for all the world for you to have your family.
LAURA: I wanted that, too, and (chuckles) god, that back and forth is a pretty funny thing, but choices were made. If nothing else, then at least we've got a little bit of knowledge on the inside now.
LIAM: Yeah. As much we'd like to, you can't turn back the clock.
LAURA: That's right. But you've got us.
Bonus image 1:
MARISHA: Mom already fucking mentioned that life gets difficult and it's hard. So you're right. Maybe it's easy to justify the easy way out, just get rid of the problem.
MATT: "That's not what this was about. You were on the self-destructive path. We didn't know what to do. I've never been a-- no one teaches you how to be a good father. I regret choices I've made, and you don't think I don't hold myself responsible for-- I thought I was doing what was best for you, truly."
MARISHA: You did. It was probably the best thing you could've done for me. So thank you. Tell me the story again, and then I'll go.
Bonus image 2 (from 3x89):
MATT: "History is filled with evil men. But few have the courage to stand up and try and stop them. Where I'm standing, I don't think we're on the opposing sides like you think we are. We just have a different myth, that's all. That's all. Please see it in yourself to understand why I've done and given up all of this."
LAURA: Maybe it's your turn to run. And I wake up.
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Dances and Daydreams
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A/N: this is turning into a bsd blog😭 this oneshot is a part of this kidnapper nikolai au ive got going on (Quiz time! being the first oneshot) but its not like you have to read them in order or anything
Pairing: Kidnapper!NIkolai Gogol x fem!reader
Content: Nikolai asks you to dance, and daydreams fill your mind
Warnings: kidnapping, mentions of torture
Words: 522
Oneshot under cut!
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Another day, another torture session.
Not real torture, anyway. Not the kind you hear about on the news, the kind that makes you say "what's happened to the world?" and then move on with your day. No, Nikolais idea of torture was something else entirely, something I wasn't sure how to put into words
"May I have this dance?" He held out a gloved hand to me, the other tucked neatly behind his back. A cheeky grin was plastered on his face, his sharpened teeth geaming in the dim light of the basement. It was a look I saw regularly, one he gave often since we started this game of house.
Rules were simple: Play the role of the perfect girlfriend, as perfect you can be whilst stuck in this basement, and he won't kill you. It was a promise, sealed with a pinky swear and a sloppy kiss to my forehead.
"Of course, Kolya" I tired my best to smile, although it probably came out looking like a grimace. The nickname Nikolai made me call him felt sticky in the mouth, like when you eat too much cotton candy and it gets stuck to the roof of your mouth.
Cotton candy... that would be nice right now.
I placed my hand in his, allowing him to pull me off the bed and into his arms. The hand not holding mine traveled down my back, resting on my waist and gripping my gown tight. My own hand moved up to his shoulder, squeezing slightly. It wasn't uncomfortable, but it certainly wasn't comfortable, either.
We began moving, swaying side to side as Nikolai hummed a tune I didn't recognize. The rhythm was a slow one, something you'd hear at a high school prom, or a wedding. I tired to imagine us somewhere else, anywhere but this shitty basement. On the dancefloor at our wedding, him looking his best in a fancy tux, I imagined it being white, and me in a pretty dress, like the one I had been eying up at the boutique near my work. It would be a beautiful day, a little girls daydream.
My nightmare.
The fantasy shattered in my mind. The image of Nikolai in a ironed suit, hair neat and tied back, eyes not covered by layers upon layers of facepaint quickly turned into him now. His hair was a fizzy mess in his braid, his jester get-up torn and covered in who-knows what, his cakey makeup that still failed to hide the deep bags under his eyes. The wedding venue morphed into the basement, the bright lights transformed into the flickering of the single candle in the corner, my big, poofy dress was back to the lifeless gown I wore.
This wasn't a wedding, it wasn't a fairytale.
It might as well have been my funeral.
"Dove? Everything okay?" Nikolai suddenly stopped in his tracks, using a hand to tilt my chin up.
I had started crying, god I was stupid. Crying over a wedding that didn't happen, a man I would never love. Crying over a psychopath.
"Yeah, I'm alright. Let's keep dancing"
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Would Hannibal eat that cringy OC you made when you were 12?
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tsvai · 21 days
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bummed because i was finally able to confirm, to my own satisfaction anyway, the rumors that a webcomic author whose older stuff i really liked is using you-know-what assistance with her latest webcomic that she's publishing to webtoon, and lying about it
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andthebeanstalk · 11 months
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good news everyone I found a quick and easy way to clearly communicate which chest belongs to which character
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(The sign in front of Wes's chest is blank because his chest is empty and I am fucking hilarious.)
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i think tonight i will draw my inquisitor covered in blood or something. put him through the horrors again
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Kang Yo Han is the walking embodiment of I'm Not Okay (I Promise) and relates to Three Cheers For Sweet Revenge far more than is healthy. In this essay I will-
#twabbbiih's edit#tdj#the devil judge#tw blood#kang yohan#kang yo han#a character study via legendary emo classic Three Cheers For Sweet Revenge#I put so much effort into this I really fucking hope the fandom enjoys it#I know I don't exactly go here in a big way but guys please#girl does a tdj rewatch for the fun of it and spirals so far into making bad edits she has to try and figure out how to just get the text#from an album cover to make a mock one like some unhinged loser who barely knows how editing software works#you guys have NO IDEA#I spent an entire night pestering mid-n0vember about how this album is perfect for KYH 2 years ago and so finally I did something about it#to the end has especially been rattling around my brain for WAY TOO LONG because that is not a house or home to KYH#it's a constant reminder of the people he's lost and the horrors he suffered due to the utter shithead that was his father#ive been debating between 2 edits i did for that song for two nights and I've ended up picking the more literal one because I didn't want#too many close up images of peoples faces for this. but just know there is a file on this laptop of kyh crying while hes literally haunted#by memories of his father#I really did try to use a shot from the knife scene for the album cover because it would have been SO GOOD as a mirror to the original albu#however my editing skills are not good enough to make the background less distracting and I'm working with not HD images so it looked worse#so a moments silence for what could have been#no one asked but its 2am and that means oversharing so#Interlude absolutely had to be the on a line by itself because despite everything else going on with KYH keeping Elijah save is Rule One#it's supposed to kind of overshadow everything else because keeping her safe and unaware of Certain Things absolutely does for him#whether it actually translates is a different matter#kgo being on his knees (yet again) is what swung it for that picture otherwise it would have been kyh looking on as jae hee grabs her
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thschei · 1 month
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My hold on this book will be ready in 5 weeks
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#erin talks#photo#just in case: this is lighthearted I love when fiction makes me miserable if I was having a genuinely bad time I'd put it down <3#I'd way rather be upset & get emotional catharsis from fiction than think about . what's that one onion image .#'local woman knows exactly what corners of her psyche not to think about at night' . yeah#anyway like hnnbl 🤝🏻 vdr insisting that Nothing was done to them; They happened to them . *they* completely obliterated their own lives &#mental health; they never gave a single person that kind of power over them vis a vis loving them <3#lmao#anyway 2.0 it's the shifting between the blinding rage & betrayal of YOU LEFT ME and the terror & loneliness in the present tense#DON'T LEAVE ME that really gets me like he's still . on that planet in his mind . trying to get the conversation right over & over & over#trying to actually say what got caught in his throat by his stubborn anger & arrogance; that he was scared & needed help#& wanted reassurance that at least 1 person didn't think he was too far gone; even if he didn't deserve that 1 person's faith#on that bank it was his master who violated their teachings by saying he loved him & he was the one who ended it with hurt out of spite#so in that claustrophobic painful suit there's just the thought 'please don't leave me' skittering around looking for an escape#no matter how much time passes . his own personal purgatory with his own personal messiah who still chose to say he loved him#sw novels
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ms-demeanor · 6 months
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Why reblog machine-generated art?
When I was ten years old I took a photography class where we developed black and white photos by projecting light on papers bathed in chemicals. If we wanted to change something in the image, we had to go through a gradual, arduous process called dodging and burning.
When I was fifteen years old I used photoshop for the first time, and I remember clicking on the clone tool or the blur tool and feeling like I was cheating.
When I was twenty eight I got my first smartphone. The phone could edit photos. A few taps with my thumb were enough to apply filters and change contrast and even spot correct. I was holding in my hand something more powerful than the huge light machines I'd first used to edit images.
When I was thirty six, just a few weeks ago, I took a photo class that used Lightroom Classic and again, it felt like cheating. It made me really understand how much the color profiles of popular web images I'd been seeing for years had been pumped and tweaked and layered with local edits to make something that, to my eyes, didn't much resemble photography. To me, photography is light on paper. It's what you capture in the lens. It's not automatic skin smoothing and a local filter to boost the sky. This reminded me a lot more of the photomanipulations my friend used to make on deviantart; layered things with unnatural colors that put wings on buildings or turned an eye into a swimming pool. It didn't remake the images to that extent, obviously, but it tipped into the uncanny valley. More real than real, more saturated more sharp and more present than the actual world my lens saw. And that was before I found the AI assisted filters and the tool that would identify the whole sky for you, picking pieces of it out from between leaves.
You know, it's funny, when people talk about artists who might lose their jobs to AI they don't talk about the people who have already had to move on from their photo editing work because of technology. You used to be able to get paid for basic photo manipulation, you know? If you were quick with a lasso or skilled with masks you could get a pretty decent chunk of change by pulling subjects out of backgrounds for family holiday cards or isolating the pies on the menu for a mom and pop. Not a lot, but enough to help. But, of course, you can just do that on your phone now. There's no need to pay a human for it, even if they might do a better job or be more considerate toward the aesthetic of an image.
And they certainly don't talk about all the development labs that went away, or the way that you could have trained to be a studio photographer if you wanted to take good photos of your family to hang on the walls and that digital photography allowed in a parade of amateurs who can make dozens of iterations of the same bad photo until they hit on a good one by sheer volume and luck; if you want to be a good photographer everyone can do that why didn't you train for it and spend a long time taking photos on film and being okay with bad photography don't you know that digital photography drove thousands of people out of their jobs.
My dad told me that he plays with AI the other day. He hosts a movie podcast and he puts up thumbnails for the downloads. In the past, he'd just take a screengrab from the film. Now he tells the Bing AI to make him little vignettes. A cowboy running away from a rhino, a dragon arm-wrestling a teddy bear. That kind of thing. Usually based on a joke that was made on the show, or about the subject of the film and an interest of the guest.
People talk about "well AI art doesn't allow people to create things, people were already able to create things, if they wanted to create things they should learn to create things." Not everyone wants to make good art that's creative. Even fewer people want to put the effort into making bad art for something that they aren't passionate about. Some people want filler to go on the cover of their youtube video. My dad isn't going to learn to draw, and as the person who he used to ask to photoshop him as Ant-Man because he certainly couldn't pay anyone for that kind of thing, I think this is a great use case for AI art. This senior citizen isn't going to start cartooning and at two recordings a week with a one-day editing turnaround he doesn't even really have the time for something like a Fiverr commission. This is a great use of AI art, actually.
I also know an artist who is going Hog Fucking Wild creating AI art of their blorbos. They're genuinely an incredibly talented artist who happens to want to see their niche interest represented visually without having to draw it all themself. They're posting the funny and good results to a small circle of mutuals on socials with clear information about the source of the images; they aren't trying to sell any of the images, they're basically using them as inserts for custom memes. Who is harmed by this person saying "i would like to see my blorbo lasciviously eating an ice cream cone in the is this a pigeon meme"?
The way I use machine-generated art, as an artist, is to proof things. Can I get an explosion to look like this. What would a wall of dead computer monitors look like. Would a ballerina leaping over the grand canyon look cool? Sometimes I use AI art to generate copyright free objects that I can snip for a collage. A lot of the time I use it to generate ideas. I start naming random things and seeing what it shows me and I start getting inspired. I can ask CrAIon for pose reference, I can ask it to show me the interior of spaces from a specific angle.
I profoundly dislike the antipathy that tumblr has for AI art. I understand if people don't want their art used in training pools. I understand if people don't want AI trained on their art to mimic their style. You should absolutely use those tools that poison datasets if you don't want your art included in AI training. I think that's an incredibly appropriate action to take as an artist who doesn't want AI learning from your work.
However I'm pretty fucking aggressively opposed to copyright and most of the "solid" arguments against AI art come down to "the AIs viewed and learned from people's copyrighted artwork and therefore AI is theft rather than fair use" and that's a losing argument for me. In. Like. A lot of ways. Primarily because it is saying that not only is copying someone's art theft, it is saying that looking at and learning from someone's art can be defined as theft rather than fair use.
Also because it's just patently untrue.
But that doesn't really answer your question. Why reblog machine-generated art? Because I liked that piece of art.
It was made by a machine that had looked at billions of images - some copyrighted, some not, some new, some old, some interesting, many boring - and guided by a human and I liked it. It was pretty. It communicated something to me. I looked at an image a machine made - an artificial picture, a total construct, something with no intrinsic meaning - and I felt a sense of quiet and loss and nostalgia. I looked at a collection of automatically arranged pixels and tasted salt and smelled the humidity in the air.
I liked it.
I don't think that all AI art is ugly. I don't think that AI art is all soulless (i actually think that 'having soul' is a bizarre descriptor for art and that lacking soul is an equally bizarre criticism). I don't think that AI art is bad for artists. I think the problem that people have with AI art is capitalism and I don't think that's a problem that can really be laid at the feet of people curating an aesthetic AI art blog on tumblr.
Machine learning isn't the fucking problem the problem is massive corporations have been trying hard not to pay artists for as long as massive corporations have existed (isn't that a b-plot in the shape of water? the neighbor who draws ads gets pushed out of his job by product photography? did you know that as recently as ten years ago NewEgg had in-house photographers who would take pictures of the products so users wouldn't have to rely on the manufacturer photos? I want you to guess what killed that job and I'll give you a hint: it wasn't AI)
Am I putting a human out of a job because I reblogged an AI-generated "photo" of curtains waving in the pale green waters of an imaginary beach? Who would have taken this photo of a place that doesn't exist? Who would have painted this hypersurrealistic image? What meaning would it have had if they had painted it or would it have just been for the aesthetic? Would someone have paid for it or would it be like so many of the things that artists on this site have spent dozens of hours on only to get no attention or value for their work?
My worst ratio of hours to notes is an 8-page hand-drawn detailed ink comic about getting assaulted at a concert and the complicated feelings that evoked that took me weeks of daily drawing after work with something like 54 notes after 8 years; should I be offended if something generated from a prompt has more notes than me? What does that actually get the blogger? Clout? I believe someone said that popularity on tumblr gets you one thing and that is yelled at.
What do you get out of this? Are you helping artists right now? You're helping me, and I'm an artist. I've wanted to unload this opinion for a while because I'm sick of the argument that all Real Artists think AI is bullshit. I'm a Real Artist. I've been paid for Real Art. I've been commissioned as an artist.
And I find a hell of a lot of AI art a lot more interesting than I find human-generated corporate art or Thomas Kincaid (but then, I repeat myself).
There are plenty of people who don't like AI art and don't want to interact with it. I am not one of those people. I thought the gay sex cats were funny and looked good and that shitposting is the ideal use of a machine image generation: to make uncopyrightable images to laugh at.
I think that tumblr has decided to take a principled stand against something that most people making the argument don't understand. I think tumblr's loathing for AI has, generally speaking, thrown weight behind a bunch of ideas that I think are going to be incredibly harmful *to artists specifically* in the long run.
Anyway. If you hate AI art and you don't want to interact with people who interact with it, block me.
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maniculum · 7 months
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Medieval Scorpions Effortpost
So yesterday I reblogged this post featuring an 11th-century depiction of the Apocalypse Locusts from Revelations, noting the following incongruity as another medieval scorpion issue:
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The artist, as you can see, has interpreted "tails like scorpions" as meaning "glue cheerful-looking snakes to their butts".
Anyway, it occurred to me that the medieval scorpion thing might not be as widely known as I think it is, and that Tumblr would probably enjoy knowing about it if it isn't known already. So, finding myself unable to focus on the research I'm supposed to be doing, I decided to write about this instead. I'll just go ahead and put a cut here.
As we can see in the image above, at least one artist out there thought a "scorpion" was a type of snake. Which makes it difficult to draw "tails like scorpions", because a snake's tail is not that distinctive or menacing (maybe rattlesnakes, but they don't have those outside the Americas). So they interpreted "tails like scorpions" as "the tail looks like a whole snake complete with head".
Let me tell you. This is not a problem unique to this illustration.
See, people throughout medieval Europe were aware of scorpions. As just alluded to, they are mentioned in the Bible, and if the people producing manuscripts in medieval Europe knew one thing, it was Stuff In Bible. They're also in the Zodiac, which medieval Europe had inherited through classical sources. However, let's take a look at this map:
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That's Wikipedia's map of the native range of the Scorpiones order, i.e., all scorpion species. You may notice something -- the range just stops at a certain northern latitude. Pretty much all of northern Europe is scorpion-free. If you lived in the north half of Europe, odds were good you had never seen a scorpion in your life. But if you were literate or educated at all, or you knew they were a thing, because you'd almost certainly run across them being mentioned in texts from farther south. And those texts wouldn't bother to explain what a scorpion was, of course -- everyone knows scorpions, right? When was the last time you stopped to explain What Is Spiders?
So medieval writers and artists in northern Europe were kind of stuck. There was all this scorpion imagery and metaphor in the texts they liked to work from, but they didn't really know what a scorpion was. Writers could kind of work around it (there's a lot of "oh, it's a venomous creature, moving on"), but sometimes they felt the need to break it down better. For this, of course, they'd have to refer to a bestiary -- but due to Bestiary Telephone and the persistent need of bestiary authors to turn animals into allegories, one of the only visual details you got on scorpions was that they... had a beautiful face, which they used to distract people in order to sting them.
And look. I'm not here to yuck anyone's yum, but I would say that a scorpion's face has significant aesthetic appeal only for a fairly small segment of the population. I'm sure you could get an entomologist to rhapsodize about it a bit, but your average person on the street will not be entranced by the face of a scorpion. So this did not help the medieval Europeans in figuring out how to depict scorpions. There was also some semantic confusion -- see, in some languages (such as Old and Middle English), "worm" could be a general term for very small animals of any kind. But it also could mean "serpent".* So there were some, like our artist at the top of the post, who were pretty sure a scorpion was a snake. This was probably helped along by the fact that "venomous" was one of the only things everyone knew about them, and hey, snakes are venomous. Also, Pliny the Elder had floated the idea that there were scorpions in Africa that could fly, and at least one author (13th-century monk Bartholomaeus Anglicus) therefore suggested that they had feathers. I don't see that last one coming up much, I just share it because it's funny to me.
*English eventually resolved this by borrowing the Latin vermin for very small animals, using the specialized spelling wyrm for big impressive mythical-type serpents, and sticking with the more specific snake for normal serpents.
Some authors, like the anonymous author of the Ancrene Wisse, therefore suggested that a scorpion was a snake with a woman's face and a stinging tail. (Everyone seemed to be on the same page with regards to the fact that the sting was in the tail, which is in fact probably the most recognizable aspect of scorpions, so good job there.) However, while authors could avoid this problem, visual artists could not. And if you were illustrating a bestiary or a calendar, including a scorpion was not optional. So they had to take a shot at what this thing looked like.
And so, after this way-too-long explanation, the thing you're probably here for: inaccurate medieval drawings of scorpions. (There are of course accurate medieval drawings of scorpions, from artists who lived in the southern part of Europe and/or visited places where scorpions lived; I'm just not showing you those.) And if you find yourself wondering, "how sure are you that that's meant to be a scorpion?" -- all of these are either from bestiaries or from calendars that include zodiac illustrations.
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11th-century England, MS Arundel 60. (Be honest, without the rest of this post, if I had asked you to guess what animal this was supposed to be, would you have ever guessed “scorpion”?)
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12th-century Germany, "Psalter of Henry the Lion". (Looks a bit undercooked. Kind of fetal.)
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12th-century France, Peter Lombard's Sententiae. (Very colorful, itsy bitsy claws, what is happening with that tail?)
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12th-century England, "The Shaftesbury Psalter". (So a scorpion is some sort of wyvern with a face like a duck, correct?)
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13th-century France, Thomas de Cantimpré's Liber de natura rerum. (I’d give them credit for the silhouette not being that far off, but there’s a certain bestiary style where all the animals kind of look like that. Also note how few of these have claws.)
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13th-century England, "The Bodley Bestiary". (Mischievous flying squirrel impales local man’s hand, local man fails to notice.)
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13th-century England, Harley MS 3244. (A scorpion is definitely either a mouse or a fish. Either way it has six legs.)
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13th-century England, Harley MS 3244. (Wait, no, it’s a baby theropod, and it has two legs. (Yes, this is the same manuscript, that’s not an error, this artist did four scorpions and no two are the same.))
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13th-century England, Harley MS 3244. (Actually it’s a lizard with tiny ears and it has four legs.)
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13th-century England, Harley MS 3244. (Now that we’re at the big fancy illustration, I think I’ve got it — it’s like that last one, but two legs, longer ears, and a less goofy face. Also I’ve decided it’s not pink anymore, I think that was the main problem.)
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13th-century England, MS Kk.4.25. (A scorpion is a flat crocodile with a bear’s head.)
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13th-century England, "The Huth Psalter". (Wyvern but baby! Does not seem to be enjoying biting its own tail.)
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13th-century England, MS Royal 1 D X. (This triangular-headed gentlecreature gets the award for “closest guess at correct limb configuration”. If two of those were claws, I might actually believe this artist had seen a scorpion before, or at least a picture of one.)
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13th-century England, "The Westminster Psalter". (A scorpion is the offspring of a wyvern and a fawn.)
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13th-century England, "The Rutland Psalter". (Too many legs! Pull back! Pull back!)
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13th or 14th-century France, Bestiaire d'amour rimé. (This is very similar to the fawn-wyvern, but putting it in an actual Scene makes it even more obvious that you’re just guessing.)
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14th-century Netherlands, Jacob van Maerlant's Der Naturen Bloeme. (More top-down six-legged guys that look too furry to be arthropods.)
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14th-century Germany, MS Additional 22413. (That is clearly a turtle.)
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14th-century France, Matfres Eymengau de Beziers's Breviari d'amor. (Who came up with that head shape and what was their deal?)
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15th-century England, "Bestiary of Ann Walsh". (Screw it, a scorpion is a big lizard that glares at you for trying to make me draw things I don’t know about.)
I've spent way too much time on this now. End of post, thank you to anyone who got all the way down here.
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kichoukotori · 2 years
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Several years ago I briefly worked in the warehouse of a nondescript extremely large e-commerce company. I had no other options for employment but desperately needed money. Turnover was like 150%. I worked from something like 7pm to 5am, my commute was 50 minutes each way and before I got paid I didn't even have the cash for enough gas to get home one night and had to bum $10 off of my kid sibling (this is all to give you an idea of my abysmal mental state while employed here.) You're not allowed to do anything besides your job, no music or anything and they track your movement on cameras so you can't even take a breather. The job is real monotonous, you get sent boxes of items of random sizes and you have to put the items into shelves of varying sizes and the shelves come to you, you don't walk to them. Because the company tracks the rate at which you put items on these shelves, many small items are desirable because you can put a lot of them in quickly. Everything about the place seems almost designed intentionally to break you mentally and turn you into a robot. So I'm about 6 or 7 hours into my shift, feeling on the verge of a mental collapse, and up comes a container with a bunch of small white boxes, bout half the size of a deck of cards. No labels. Great, I'm already happy about whatever these things are. So I go to scan them in, and it gives you the name of the item and a little picture. Sasuke Penis Costume. What? Sasuke Penis Costume. A picture of that red cloud robe from Naruto and one of the headbands with the metal plate on it. I'm thinking, there's no way. What is a penis costume? Am I hallucinating this? And there's so many of them, literally about a hundred, and I know I'm going to be spending at least an hour with Sasuke Penis Costume, there's so many and they're so small, I'm already excited about the potential efficiency of these, and then I see it's Sasuke Penis Costume? So the entire shift I'm like, trying to not put these things away too quick, because honestly I'm starting to build a kind of kinship with them. This is quite literally the most exciting thing to happen to me during my whole 2 week employment at the warehouse. I started to see Sasuke Penis Costume as a friend, some reminder of the outside world, a reminder of the humanity I was becoming so unfamiliar with, a reminder the world contained comedy, art, anime, and penis. I really couldn't tell you if I ended up putting all of them away, the last thing I remember is my desperate need to look these items up when I got home. I needed a link to send to my friends for when I told them this riveting story. I learned that the costume is called the Akatsuki cloak in my fervent search for the item, and wouldn't you know it, absolutely zero trace of these things exists online. Not on the e-commerce website, not on any specialized penis-costume websites (whose existence I was not privvy to prior to this incident) and no third-party retailer has these. Not even Google images will show me the hypothetical existence of Sasuke Penis Costume. Every few months I look it up, trying to find evidence that it can be bought, that any of this was ever real. My bond, my friendship, and dare I say even love for Sasuke Penis Costume feels as tangible as the boxes they came in, and yet the universe will give me no closure of their fate. Less and less frequently I search for them, each time becoming more and more discouraged that I will ever find them, but unlike their substance on this earth, one thing is inarguably certain. Sasuke Penis Costume exists to me, and it will live on firmly and resolutely within my memory and within my heart.
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goodbird1 · 3 months
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My firecracker
Alastor x fem reader
Word count: 634
Summary: Charlie learns about Alastor wife.
Warnings: mention of death and murder (please tell me if I miss any)
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Alastor stood on a balcony overlooking the city. The hotel was celebrating for some reason or another he didn't particularly care. Reaching into his coat pocket he pulled out a locket. Unclasping it reveals an image of a woman.
“I thought doing this would make me feel better in some way, or at least dull the pain for the time being” Alastor began, looking down at the locket. “It was foolish of me to think that would happen. It's happening all over again, and I don't think I have a chance to see you again.”
Tears started swelling in his eyes. Quickly pulling out a handkerchief and wiping them away.
“You know I always took you as someone who likes entertainment and parties are pretty entertaining” Charlie said coming out on the balcony.
“Oh I'm just getting some fresh air, it's far too stuffy in there” Alastor replied, shoving the locket back in his coat. Not before Charlie notices.
“What's that?” Charlie said, reaching out.
Instinctively Alastor slapped Charlie's hand away, holding the locket even closer now. Towering over her with a cruel look on his face, he saw the fear in her eyes. Normally he'd relish in it but this was no sight he wanted to see on charlie. Signing he pulled out the locket again shifting it through his fingers.
“My apologies dear,” he said, turning back to the city. “I didn't mean to snap, it's a locket with my wife's photo in it, it's the only thing I have left of her.”
“You never told me you were married,” Charlie said, coming to Alastor's side.
“I don't much like to talk about it” Alastor signed.
“Can I ask, what was she like?” Charlie questioned.
“Oh she was wonderful” He began. “She was a firecracker, always 3 steps ahead of everyone. Beat you in any game and once you thought you had the upper hand she'd pull the rug right out from your feet. She was kind and considerate, and believed in second chances. She'd taught me that. And oh she could sing like an angel. I would play the piano, she would sing and the world would fade away.”
“She sounds amazing, you know maybe if you redeem yourself you can see her again in heaven!”
“Haha oh darling, anybody worth knowing comes down here!” Alastor said between laughs. “She would always tell me she would rather burn in hell with me than sit alone in heaven. Did you know that our fathers decided to put us together to ‘contain our unnatural behavior’? And she came up with a plan to kill both our families and then burn the evidence! Oh it was then I knew she was the one.”
Memories started flooding back when they were both alive and then both died. But this time they didn't hurt so much now.
“What happened to her?” Charlie asked, bring Alastor back to reality.
“The first or the second time?” Alastor joked trying not to spiral.
“Both?” She whispered hesitantly.
“The first time she was in a tree, mistaken for a bird and shot down the fall was what killed her. The second time…” Alastor choked clutching the locket for dear life. Clearing his voice he started again. “Well you don't make it as far as I have without making a few enemies. They sent her back in pieces.”
“That's awful!” Charlie exclaimed.
“No need to worry they won't hurt anyone now.” Signing, he stepped away from the edge. “Come on dear, let's join the party.”
“Hey Al, can I ask one more thing?”
“And what would that be?”
“Do you think she would have liked the hotel?”
Turning fully around to face Charlie. A kind smile across his face with a hand reaching out for her.“Oh she would love it.”
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honey-on-your-tongue · 7 months
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Nsfw/smut
Part 1 here!!
You don't know how to work with Miguel. You can't meet his gaze, can't talk to him. How are you supposed to just keep going on with your life when you heard everything? When you took a peek and saw what he was doing while calling your name?
He was jerking off to you! How are you supposed to just keep going as if nothing were wrong?!
You can't stop thinking about it, the way he'd groaned, the thick breathing, the look on his gorgeous, gorgeous face...
You shake yourself out of it. You've got work to do. The spiderverse won't protect itself...
...Maybe just for a minute?
As the memories of Miguel rush through your mind, you can feel your body grow hot. You can't stop thinking about how he'd bitten his lower lip, or how big he is. Granted, Miguel is huge in every aspect, you were just curious about that last one. And now you know.
An uncomfortable little bubble of arousal grows between your thighs, your pussy pulsating with desire.
You glance around your small corner office. No security cameras, no one else around, door closed...
Miguel did it. Why can't you?
You slide your hands down your body, between your legs, tracing your middle finger against your clothed cunt. You add pressure on your clit, shuddering at the slight relief and pleasure that flows at the touch.
You spread your legs some, adding more strength, more need to each movement. Soon, you're sweating, panting, images of Miguel invading your brain.
You can hear his breathing, see his eyes shut tight, his fist around his enormous cock...
You touch yourself until you're close. So close. Your orgasm is right there, just a few seconds away—
A knock sounds on the door before it unexpectedly swings open.
You manage to pull your hand away at the last second. And there stands the man himself.
“Miguel!” you just about squeak, trying to keep your breathing regular.
He eyes you suspiciously. “You okay?” he asks. When you don't answer immediately, he glances around your office, searching for something.
You look flustered, nervous. You're sweating and he could hear you panting across the goddamn hall.
And then he smells it. The scent of your sweet, thick arousal.
He turns back to you, not a doubt in his mind about what you were doing. His eyes sharpen, grow dark. The tips of his fangs peek between his lips.
You find yourself pressing your thighs together involuntarily.
“What's going on?” he demands, voice thick and rough.
You swallow thickly. “N-nothing. Nothing's going on.”
His eyes grow impossibly darker. “No me mientas.” Don't lie to me.
“I'm not!” you insist.
He doesn't buy it. After a long, tense pause, he pinches the bridge of his nose and says, “Don't make this harder on yourself. I know what you were doing.” The firmness and unwavering belief in his voice lets you know he really does know.
“Well I-I know what you were doing,” you blurt. Your eyes widen and your cheeks blush when you realize what you've said.
He frowns, putting his hands on his hips. “What are you talking about?”
There's no taking it back now. “I saw you,” you say. “Yesterday afternoon. In your office. I saw you and I heard you.”
By the expression on his face, you know he's aware of what, exactly, you're talking about.
“Mierda,” he curses. You just kind of sit there, eyes on his. “Mierda.”
For some reason, you can't shut yourself up. “I...I heard you say my name,” you admit, blushing as if you had any reason to be embarrassed. Well, maybe you shouldn't have stayed and watched but...still, it's not your fault he's jerking off to you.
“La puta madre,” he hisses, pinching the bridge of his nose again. “Fuck. I...I'm sorry—”
“It's okay—”
“I didn't mean—I didn't know you were listening, obviously—”
“Miguel, don't worry about it—”
“I'm sorry if I made you uncomfortable—”
You keep fucking talking. “If it makes you feel any better, I was thinking about you while I did it too.”
That shuts him up. He stares at you, blinking. “What?”
You feel the need to explain. You keep fucking it up. “I-I was thinking about you while I touched myself,” you tell him. “I...don't know if that makes you feel any better, but I thought you should know.”
He takes a few steps until he's standing in front of you. “Tienes idea de lo que te va a pasar?” Do you have any idea what's going to happen to you right now?
You shake your head, terror spreading through your veins. Are you...fired? Is he going to send you back to your universe? Is he going to ban you from the spider society?
“Bend over the desk,” he instructs, his voice low and quiet, sending a shudder up your spine.
That takes you by surprise. “W-what?” you stutter.
He picks you up and roughly bends you over the desk, pushing your chest against the wood and kicking your feet apart. “I only say things once. I don't like repeating myself. You won't get warnings with me.” His hand grips your hip roughly, squeezing it hard. “Have I made myself clear?”
“Y-yes, sir,” you whine.
He grins; you can hear his smirk. “Atta girl.”
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@yagirlheree @sukioyakio @obi-mom-kenobi @celestia80s @manlikemilesmyguy @zaunsin @naniiiii12 @everlastlady @avatar-lover @siidmm @dhollandhs @spikedhe4rt @missing2socks @itzraven101 @miguelspookiebear @mochikomochisoft @sunset-euphoria @kishibeswh0re @m4dyy @icreatedthisat317am @keiva1000 @jakescumdump @ravisinghs-wife @tengens4th--wife @oceancerulean @pookiesmookie69 @juwandiko @aisyakirmann @ninebluehearts @vampireluvvr @saturnstringz @4imhry @iheartlinds
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angelltheninth · 2 months
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Faster Than Healing Magic
Pairing: Alastor x Reader
Tags: fluff, established relationship, angst, injury, hurt/comfort, cuddles, soothing kisses
Word count: 0.6k
A/N: Haven't done angst yet and I wouldn't be me without writing angst.
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You kept a smile on your face while Alastor chatted with Charlie, Vaggie and Lucifer, partially complaining about his, and your, new tower, the bedroom, pretty much everything. He was being petty as fuck. Which meant he wasn't doing as bad as you thought he was.
Still he wasn't doing great either.
"Do not give me those big, sad eyes darling. This is but a scratch." He boasted as he got changed for bed. The cut was still bleeding and it looked quite deep. "No hugs for your hero? I thought held my own pretty well." So he said but from his slightly tilted ears you knew he didn't feel that way entirely.
It was more then just his body that got hurt, it was also his ego. Alastor had that in spades. And while you can't really do anything about that problem you can do something about the cut across his torso.
"Alright mister tall, red and spooky, get on the bed." You pointed at it expectedly.
"Oh-ho! So we are having that kind of celebration are we?" Alastor wiggled his eyebrows at you, "I'm not particularly in the mood but I suppose surviving a big battle would constitute some-" You took him by the hand and pushed him to sit down, his deer tail moving in excitement. "Aggressive."
You felt your face and neck flushing. It wasn't fair that he could tease you like this at times like this. "Not that! And you called me a pervert. I want to bandage your injury. Clean it too, no way am I letting it get infected on my watch."
He sat on the bed cross-legged on the bed, humming a tune that was way too cheerful for someone in his current perdicament. But if he wasn't doing that and smiling then you would really be worried.
This was a good sign.
You came back with bandages for him and sat in front of him, leaning in close to first clean and stitch up the wound. As your fingers approached him you glanced up, confirming that he was okay with your touch. He was always sensitive about that so you thought it was better safe then sorry. Whatever he did to treat this cut it was very sloppy. Probably because he wanted to get back as soon as possible.
He had so many smaller cuts all over his body, his chest, back, stomach, arms, legs, even his neck. You can't imagine the kind of life he lived before this and he would never tell you the stories of these scars. What little you did know of him when he was alive was information he shared willingly during pillow talk.
What surprised you, and alarmed you, was that he never flinched while you worked on the stitching. He seemed like he was enjoying it.
"All clean and sowed up. Put your hands up for me, I need to get this all the way around." Alastor didn't protest, he grinned wider when you had to be face to face with him to get the bandages on tight enough, "Not too tight?"
"Not at all. Thank you for your hard work darling. But you know I don't mind a little blood." Alastor patted his chest, examening your work. He seemed pleased enough despite his protests.
You cringed, "But I do, Al, I don't want blood all over the bed, or me." It seemed like it would be quite the gruesome sight to wake up to. Shivering from the images in your head you made him scoot up to his spot as you took yours, right next to him, your head against his chest. "If you're in pain wake me up. Promise me."
"Of course, I promise. You really do worry too much over me. I am much tougher than I look, you'll see, by tomorrow morning this will be but a scar and a memory." Alastor kissed the crown of your head softly, he was always soft and gentle with you in moments like these.
"I hope so." At least you knew the full story behind this scar, and maybe someday he'll tell you about the rest.
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