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#don’t usually write in 2nd person or present tense so i’m just trying not to look at it
supercutszns · 4 months
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a place with you; luke castellan
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wc: 2.8k (got a little carried away whoops)
pairing: luke castellan x f! reader
synopsis: luke is used to people coming in and out of hermes’ cabin without a second thought. so when you’re having a hard time adjusting to camp life, he doesn’t expect you to stick by his side, even after you’re claimed.
warnings/notes: shy reader going through a tough time, hurt/comfort, pining, kisses, fluff, potential ooc luke i don’t know what i’m doing, most of this is prob inaccurate lol, i got wayyy too attatched to this i am sorry, title inspired by dragon eyes by adrianne lenker
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Luke Castellan is the son of a messenger. He’s used to delivering, passing things along, letting them enter his life and leave him. Sometimes it makes him angry. At his father, at the world, at himself.
So when you passed through the Hermes cabin for the inevitable few weeks before getting claimed by your Godly parent, the last thing Luke expected was for you to stay.
When you first got to camp you were terrified. Luke remembers that much. He can still picture you in Chiron’s towering shadow as he led you up to Hermes cabin. He gave you the usual spiel about the cabin, the land of the unclaimed, but it clearly hadn’t quelled your nerves. You were wringing your fingers together when Luke first spotted you, your eyes blown wide in what he knew as shock and a sort of . . . grief. For a life you’d left for what Luke knows as a life you’d never really have. He’d seen it in so many campers before you. He’d see it many times after.
“This is Luke, Hermes’ head counsellor and one of Camp Half-Blood’s finest,” Chiron pointed him out to you at the entrance. After Chiron introduced you, Luke held your name in his memory. Not because there was anything particularly intriguing about you at first, to be honest, because he’d seen a lot of people like you that needed help settling in (although maybe not many his age). It was harder for some people to adjust than most. He knew that better than anyone.
“Nice to meet you,” he stuck out his hand for you to shake after Chiron left. “I’m Luke.”
You sniffed, shaking it without looking at him. You were so, so embarrassed. This whole time you’d been too stupidly overwhelmed to process anything. Why was this so hard for you? Was it this hard for everyone? “Hi,” you managed, and that was it.
Now, weeks after your first meeting, you’ve concluded that it was not, in fact, this hard for everyone. The camp is crowded but full of life. You’ve never seen more happy kids in your life. There’s a sense of community on the wind.
So why can’t you feel it? Why is it so hard to connect with people? To participate in the fun? Everywhere you look there’s people but it’s all just so . . . lonely. You don’t fit. You’re lost.
Luke wakes up at night when the cabin door creaks open. He’s already tossing, so it’s no surprise he catches it. Unfortunately, he’s supposed to be a good counsellor—sneaking out at night is against the rules, and you’ve gotta reign the strays back in before they cause a ruckus. Sure, Luke’s not exactly a stickler for the law, but the least he owes is to make sure everyone’s safe.
Groaning, he draws himself out of the comfort of his bunk but doesn’t get far when he spots a familiar silhouette slipping out the door. He knows it’s you. He’s been hearing crying at night, and this is confirming his suspicions. It makes him ache in a million different places. Every time he thought about approaching you he shut himself down almost instantly, because who the hell wants some random guy coming up to them in the middle of the night and drawing attention?
This time, though, he’s a little worried.
It’s chilly tonight but not too bad, especially when you’re huddled up in a ball on a hill in front of the lake, grass tickling your ankles. Your tears keep you warm.
It’s a sorrow that feels bottomless. You don’t know what’s gotten into you. You don’t know why everything’s so hard.
There’s a scuffling of shoes, and your name is carried to you on the heels of a breeze. Oh God. There’s someone else here.
You sniff and smear your tears on the palms of your hands the best you can but a little part of you only wants to cry more now that you’re all anxious, and you only have a few seconds to collect yourself before you turn around and see Luke, your cabin leader, with furrowed brows. “Oh, h-hi, Luke.” It’s hard to ignore the splinter in your voice. You curse yourself a thousand times.
“Hey,” he says hesitantly, eyeing you in a way that makes you feel entirely exposed. “You, uh, you know you’re not technically supposed to be out here, right?”
You start to scramble to your feet with an apology on your tongue but surprisingly he laughs, a gentle sound, and beckons you to sit back down. “No, no, I’m not gonna get you in trouble or anything, just . . . letting you know.”
It’s uncertain if you should keep sitting, but you decide to because well, you’re already down here, and things can’t go lower than this. Luke comes to sit next to you and you stare out into the sea like your life depends on it. “Wanna talk about why you’re out here?”
“Wh-what do you mean?”
“I mean,” Luke sighs, scooting a little closer to you. “Most people don’t up and leave in the middle of the night because they’re having a great time.”
The answer is too hard to say so you don’t reply.
Again, Luke sighs, and you try not to look at the shadow the moon casts on his admittedly handsome face. “It’s hard settling in, I know. It happens to a lot of people. I’ve . . . I’ve seen a lot of them, and it doesn’t get any easier.”
“Well it sure seems easier,” you snap, and your self-control flies away before you can stop it. “I have no idea why I can’t just suck it up and fit in here. Everyone seems so happy and it’s driving me nuts because I’m just so confused on why I can’t—why I can’t—process any of it.” Tears burn your eyes. “I’m just miserable. I don’t know what’s wrong with me.”
In the corner of your view, Luke’s face falls. “I’m your guide, you know that, right? I can help you.”
You sniff, embarrassingly pathetic. “I know.”
He comes even closer. “So why didn’t you ask?”
“Because I—I don’t know, you’re busy all the time with all the people in there, so I’m sure your job’s already stressful as is, so—”
“My job is to help you,” he says, a hand on your shoulder. “That’s what I signed up for. If you need something, I’m the one to ask.”
“I’m not sure you signed up for me crying like a baby,” you swallow, the ripples of the lake blurring together. “I mean, I’m like, older than half the kids here, and they’re all so much better than me. I’m not good at a—anything, and I’ve tried it all, and nobody’s claimed me yet, and I feel so weird and old and alone and . . .” It’s too much to think about so you dig the heels of your palms into your eyes, hoping the sting wards off the thoughts. “What if I’m nothing? Why am I here?”
You’re crying again, hiccuping into your hands. Shame sears into you. Luke’s arm curls around your shoulders and you realize how cold you are when he’s warm, so warm, and you want to cry even harder. You don’t even know him, but it’s the most tenderness you’ve received in what feels like years. “Hey, deep breaths,” he murmurs, rubbing your arm with his other hand. “It’s okay. Look at me.”
It takes a ridiculous amount of strength to heed him. His hand catches your cheek and you can’t bear to pull away. Something strange rustles in your stomach.
Luke’s taught instinct when faced with situations like these is to reassure that the Gods always have a plan. But he doesn’t feel like much of a liar tonight. Both his hands steady your face towards his, your skin damp and cold beneath his thumb. “It's not your fault. It always takes a little bit of time for people to get claimed, it’s never . . . well, you can never tell.”
“What if I don’t get claimed?” You say it so quiet you can pretend it was imaginary.
His eyes crinkle at the sides when he says, “Well, Hermes’ll always have a place for you.”
I’ll, Luke wants to say, I’ll. His father is not responsible for his cabin’s kindness.
“No one really prepares you for how overwhelming this is,” he continues, thumb rubbing the apple of your cheek. Your vision is clearer now, and Gods, he is handsome, isn’t he? Even when his eyes are forlorn. “It’s harder in a way when you’re older. More to leave behind. Less to look forward to. It’s easier when you have a friend. Or a great cabin head.” He tilts his head with a faint smile, “Lucky for you, I’m both.”
It almost makes you laugh, and that’s enough. “It’ll get easier,” he promises softly. “There’s nothing wrong with you.”
Your cheeks burn. It’s hard to keep his gaze, so you blot at your eyes with your hands as Luke gently slides his off your face. “Thank you. Sorry for, um, all that. And the crying.”
He chuckles, “Don’t even worry about it.” You watch him rise in the throes of starlight. He offers you a hand. “Aren’t you cold?” He asks after pulling you up, and you sheepishly nod your head. He tosses you a sweater he’s been wearing, and it smells like firewood. Nostalgic, in a way. “I’m gonna poke around for some tea. Wait for me back at the cabin.”
Before he leaves, he squeezes your arm and that thing happens again in your stomach. “No need to be embarrassed, by the way. You can come to me anytime. I’m probably less busy than I look.” As he walked away, he added, “And don’t worry about the crying. You’re pretty either way.”
Either way. The tea doesn’t seem important anymore because your face is on fire.
Time reveals that Luke is right. He is a great cabin leader and a friend, and it’s hard to tell which he’s better at. You fall in with him right away. Soon enough, you’re drawn into your new life, so slowly you barely realize it’s happening. The days get shorter and you start wishing they were longer. The nights get easier. And when they’re not, Luke tucks you into his bunk and folds you in his arms until you drift off. You pick up a bow. A sword. Luke tells you to straighten your shoulders with a hand on the small of your back, and you swear it always lingers. You braid garlands of carnations for your cabin mates and they wear them with pride. It’s warm, your cheeks hurt from smiling, and things start to feel like home.
Until you’re claimed.
Now you’re a ghost in Hermes cabin, another empty bunk to be filled, and Luke stares at it until he can remember every last detail of what it looked like when it was yours. A beautiful, gentle daughter of Demeter, no longer in arms’ reach. He should’ve seen it coming.
He sees you with your siblings all the time. You’re so happy and he envies it. You belong there, he knows that, the way your face lights up at the dinner table and how you giggle when your half-sister presents you a flower. But sometimes your eyes wander, and something inside them dulls, until you look at him, too.
Luke’s place at camp is to be nothing but a funnel for lost campers to find their home. He’s a temporary stop in everybody’s journey. He’d made peace with it a long time ago. But here you are, messing it all up, because you still don’t leave him.
You beg him to give you another sword-fighting lesson. You sit next to him at bonfires. You pick him for partner camp activities. It doesn’t matter how many younger boys want to latch onto him for guidance—he sees you heading towards him, and he can’t imagine choosing anyone else.
But you’re always whisked away by your siblings, separated at meals and in sleep and in activities so it’s never, ever enough. Why did he delude himself into thinking you’d stay forever?
After weeks of distance from you, he’s elated when you have even a fraction of a conversation. “Hey, Luke!” You call out to him, and he finds you instantly. You’ve broken away from your siblings to get to him.
“Hey,” he smiles, and hopes he doesn’t look too pleased.
You lean a little towards his ear, and you smell like every wonderful thing in the world. “Can we hang out tonight? On the hill?” You’re a little bashful when you say it and it’s entirely endearing. Even now, you’re still so unsure. “I miss you.”
“I miss you too,” he says almost instantly, and it makes you look less nervous. “Yes. Absolutely. But don’t get caught breaking curfew now, you hooligan.”
Someone calls your name and you give a curt, playful nod. “Yes sir, camp counsellor sir!” He carries your laugh close to his heart until night falls.
You’re already there when he arrives, a vision in the moonlight before he even sees your face. “Hey, angel.”
When you turn around you look flustered. He won’t pretend like it doesn’t flatter him. “H—hi, uh, hello.”
There’s a moment where the world is still. The two of you, alone, for the first time in ages.
He sits down next to you, and it’s like the first time all over again. You get to talking, about your days, your anecdotes, your cabins. The strangeness of it all. “It’s so weird waking up in the morning and not having you yapping in my ear,” you remark, and he teasingly pushes your shoulder.
“Well, one of us has to be the talker, and it’s clearly not you,” he retorts.
You fiddle with blades of grass between your fingertips, weaving them together. “I’ll have you know I had a cabin-wide conversation about Capture The Flag yesterday, and I contributed greatly.”
“Oh, really?” He grins, knocking your elbow to steal your attention. “Look at you, coming out of your shell. I’m so proud.”
It’s hard to hold his gaze for more than a second. You’re afraid you’ll do something stupid if he keeps looking at you like that, but you almost want to. “Oh, shut up.”
He puts a hand on your shoulder. “No, I’m serious. I’m proud.” His eyes rake over your face. “You’re flourishing. You found your place.”
You can’t stop yourself from saying, “I kind of miss my old one.”
There’s a way he studies your expression that makes you feel utterly helpless. You wish you could dish it back to him, but you know you just look awestruck whenever you stare at him for so long. He’s quieter when he replies, “I miss it, too. A lot. Sometimes, I—” His face scrunches up like he just tasted something sour. “Nevermind.”
Frowning, you prod, “What? What is it?”
He sighs and turns to the horizon. This is the first time you’ve ever seen him struggle. “Sometimes, I wish you hadn’t been claimed. Sorry, that’s . . . that’s awful, I know.”
His surprise is evident when you say, “Sometimes I wish I wasn’t either.”
He turns back to you. “Really?”
“Really,” you nod, staring at the beads on his necklace. “You’re the only reason I’ve adjusted here at all.”
“Don’t sell yourself short.”
“It’s true. And I miss you.” A few months ago you would’ve kicked yourself for saying this. But Luke has a way of inspiring confidence in people.
“I miss you, too. So much.” He gently prys the grass you’ve been weaving out of your hands, now a small necklace. “But look at how talented you are. I’ll tell you, I’m lucky you’re still sticking around. For most people, Hermes is touch-and-go.”
Luke leans forward to tie the garland around your neck, and your pulse picks up. “This isn’t about Hermes, Luke,” you try to be firm but it comes out soft. “It’s about you.”
His hands stop fiddling and rest on your neck. When he speaks, you can feel his breath on you. And you have no idea that he’s been waiting to hear that his whole life. “What’s about me?”
It’s not fair, your inability to string sentences together only worsens right when a beautiful boy is this close to you. “Hermes isn’t—it’s not special because of your father, it’s special because of you.”
There is nothing else you can possibly think of saying with the way his fingers trace up your neck and hold your jaw. “Yeah, well,” he murmurs, “The only reason anything in my life is special is because of you.”
You don’t know if it’s a lie or not; you don’t care. His nose nudges yours. There’s a moment where you wonder if this is as close to Elysium you’ll ever get. Then he slips a hand to the back of your neck and pulls you to his mouth.
He kisses you in a near fury, then when he knows you’re not going anywhere, it’s the gentlest thing you know. It’s hard to believe this is even happening. Your hands weave through his curls but he holds you steady, and thank the Gods for that because you’re pretty sure you’re melting. You kiss again, and again, and again, until you genuinely think you’re going to pass out and you have to pull away.
“Aw, look at you,” he murmurs when you can’t meet his eyes, a playful lilt in his voice. “Still so nervous.”
“Would you shut up?” You press your face into the crook of his neck with a huge smile.
He kisses the top of your head. “Love to, angel.”
Luke Castellan is the son of a messenger. He’s supposed to believe he’s bringing the best of humanity to the Gods and glory above.
But screw the Gods. He’s keeping this one for himself.
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keiscait · 3 years
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Hey lovely! Your matchups sound super fun so can i get living room and bedroom? If you only want to do one that's okay with me! Or none at all🤗
My pronouns are she/her and I'm bisexual. In relationships romantically i can take a bit to open up due to severe anxiety and general forgetting to share things that are importance.
On that same note I'm super forgetful but i always make sure to note down important dates and set reminders so I'm ready! I like pda but hardly initiate since I'm super awkward when asking for affection or attention.
I often need someone who can help me take care of myself, since i either forget or get so stressed i sieze to function properly. I will forget to eat meals, and drink water, etc. I also regress on occassion so someone who's ready to help me out a bit here would be great.
In a sexual relationship I'm definitely a bottom, leaning towards brat but usually really sweet. I'm pretty shy about being intimate, and that plays into my praise kink.
Most things I'm willing to try, not really into anything too hardcore but most kinks to a mild extent are within my comfort range.
My hobbies are reading and writing, as well as baking! My zodiac sun and moon are both capricorn (despite often being told i seem more like a libra or pisces, until i ask questions) I'm a super curious soul too, i ask lots of questions all the time, especially when my partner is interested in something I don't know much about.
I tend to look for a nurturing partner who can help aid me along in rough times and enjoy the good ones with me when i want to explore. I also appreciate having a more dominant partner even when in public settings, since i often panic when asked simple questions and left to my own devices. Oh, and lots of down time at home together since I'm an introvert.
My hogwarts house is Hufflepuff! And i hope to take a medical career in my future so i can help out those who need it. I also want to explore the world! I'm multilingual and pick languages up super quick and well.
I'm 5'5, with red hair (dyed, similar to tendou) hazel eyes, my skin is superrrr pale (I can't use foundations, i have to either custom order it or use cheap white face paint to achieve a similar effect) I'm also pretty slim, with an athletic build. I often wear dark, puno types of makeup and fashion, and on the other 50% of the days i wear super soft clothing. I also have a lot of piercings, with snakebites, left eyebrow, doubles in each ear lobe and one cartilage piercing.
My taste in music is definitely in rock and metal, to the surprise of everyone around me. They all think I'm too shy and sweet for it xD
That's all! Have fun lovely!
-sunny ☀️
Hello, Sunny darling! You are MY FIRST EVER REQUEST so thank you so much and I hope you like it! Let’s head on over to the living room first, then we’ll make our way to the bedroom ٩(◕‿◕。)۶
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Here in the living room, I’ve invited over for you...
Ennoshita Chikara! (Runner up: Yaku Morisuke)
I think our wonderful leader of the 2nd years would be perfect for you. He’s stern when he needs to be, and has a naturally nurturing personality. He wants to bring out the best in the people he loves, and he’s capable of doing so in whichever way he can. He’s willing to step up to the plate, he’s reliable, observant, and protective.
- It doesn’t take Ennoshita too long to pick up on your non-verbal cues. He will learn your ups and downs, and sooner or later he will be able to predict them
- Expect this guy to be super understanding when it comes to your anxiety. If you ever get anxious, especially in public, he is bound to notice before it gets out of hand. I imagine if he starts seeing signs, like you tensing up, he’ll just grab your hand and give you a soft reassuring smile to make you feel at ease
- He’s responsible enough to get the 2nd years whipped into shape, so he’s capable of doing that for you when absolutely necessary, but will always make sure he does it in a gentle manner
- Remember when Coach Ukai was supposed to scold Yamaguchi about his serve? Expect that kind of protection from our darling junior captain as well. He’s super patient, and makes sure you are treated right by others too
- If it takes you a while to open up to the team, Ennoshita would surely try his best to make you feel comfortable, sometimes use his more dominant side to give you a little push to break out of your shell more, all while making sure that you aren’t overwhelmed by the situation
- Ennoshita understands THE HELL out of being anxious and withdrawing from situations (yes, I’m talking about that time he ran away). He will take the lessons he’s learned from then, and will help you through the tough times
- Your dreams to become a doctor? That AMAZES him. How can anyone be so selfless and so determined to succeed to help others? He believes in you so much and is so excited to be there to watch you turn your dreams into a reality. (manga spoiler, beware!: He’s also in the medical field - a physical therapist - so you guys would be a super duper power couple!!!)
~
The two of you stood on the porch of Daichi’s house, waiting to be let in. It was the 3rd year captain’s birthday, and your boyfriend, Ennoshita, thought it was about time you met the team.
“You’re tense,” he quietly said. You just looked at him before flashing a nervous smile. He wraps one arm around you and pulls you a little closer to him. “I’ve got you, it’ll be alright.”
Daichi opens the door, letting out all the noise coming from inside the house.
“HEYYY Ennoshita” he greets, which makes the rest of the team shout out a few greetings as well.
“Hi Daichi-san,” your boyfriend started, flashing his best smile. “This is y/n, my girlfriend.”
“Happy birthday, thank you so much for having me.”
The captain gives you a warm smile with a small bow, “We’ve been so excited to meet you, y/n. Please make yourself at home.”
The 3 of you proceed to where the rest of the team is hanging out. Ennoshita’s arm doesn’t leave your side, knowing that his warmth comforts you.
You make it to the living room, and had to hold your breath due to the amount of people present. Some of your nerves are quelled when the team greets you with warmth and excitement, instantly making you feel like you’re already part of the family. Once everything settles down, Ennoshita kisses the back of your hand, a reminder of how grateful he is that you’re here, with him, and all will be well as long as you two are together.
~
I hope you liked that! Let’s head on over to the bedroom real quick ٩(◕‿◕。)۶
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My darling, I think you and Ennoshita are a match made in absolute heaven, so I’ve asked him to come with us to the bedroom as well! (Runner up: Kageyama Tobio)
- I headcanon that Chikara isn’t super freaky in the sheets. I don’t think he would be the adventurous type when it comes to trying new things in the bedroom unless his partner brings it up
- If there is something that comes to mind that he wants to try out, he’ll sit you down and talk to you about it first before anything ever happens, especially if he knows you get anxious about certain things
- HOWEVER, I think he is p r e t t y dominant in bed
- His dominant side won’t come out on your first time, but he would still make sure everything is alright and is in control of the situation. He loves the feeling of being in control, and would full on melt if you tell him how good he is doing/making you feel
- Once you two get more comfortable sexually, that’s when he’ll want to explore
- I also feel like most of the things he wants to try out is stuff that will make YOU feel good
- Praise kink!!!!! both giving and receiving praise
- if you ever feel like being dom, he’d be SO game
-----------
That’s it for now, Sunny darling! I hope you liked this and thanks so much for trusting me with your matchup! Much love!
Thanks for stopping by! (ノ´ヮ`)ノ*: ・゚
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threeletterslife · 4 years
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hi! I'm a small writer on wattpad and I was just wondering if you had any useful writing tips for me and other writers? I love your works and I would really love to know how you write so well! ♡
hello!!
i’d love to give writing tips! thank you so much for your kind words! but i’d say most of my writing skills come from trial and error and experience LOL but here’s what i really have to say:
GRAMMAR
i’m a huge grammar freak when it comes to writing and nothing’s a bigger turn off than reading a supposed emotional scene and spotting a huge ass grammar error lol
i’d suggest (if you aren’t already familiar with grammar) to study up on it
OR you can use sites such as grammarly and hemingway to catch mistakes for you (but they’re not always 100% accurate)
i feel like grammar is over-looked a lot in writing or maybe i’m just sensitive
even the simple wrong usage of the em dash triggers me these days lol (remember, it’s not ‘--’ it’s ‘—’ THERE’S A DIFFERENCE)
immaculate grammar means there’s one less thing that you have to worry about when putting your thoughts on-screen (or paper)
i studied grammar by buying an ACT test prep book LOL but you can probably learn it for free online
INSPIRATION
i think inspiration is really, REALLY important when it comes to writing
it’s always a struggle to come up with an original idea and to flesh it out is even harder at times
world-building is particularly a challenge (especially if that world is set in a futuristic dystopian world)
so i suggest you take time to get inspired (listen to music, get some fresh air, spend time with your loved ones, watch a movie, read a book etc)
writing always comes easier when you feel like doing it
once inspiration hits, don’t hesitate, DON’T DOUBT YOURSELF, just write
write first, edit later (that’s the #1 rule tbh)
gaining confidence through your inspiration is just as important as your writing itself
the writer is only as good as she thinks she is
if you get an idea, DO NOT WAIT TO FIND A NOTEBOOK TO WRITE IT DOWN. 85% of the time, you’ll forget the idea and that is the WORST MF feeling in the world. so please, write it on your phone, piece of scratch paper, on your hand—literally anything
CHARACTERS
my FAVORITE part!! i absolutely love coming up with characters
my biggest rule of thumb is to make a character that would actually fucking exist in the world LOL
well, i guess it depends on the plot or your story, but most times, your story will work better when the characters are realistic
remember, people want to connect to your characters (why else would they want to read about them??)
your characters should be balanced. there is no such thing as a perfect person. (also no such thing as an evil person,,, unless they’re psychologically damaged.) good traits come with bad traits. in fact, their good traits may even BE their bad traits!!
i.e. diligence. let’s say your character is diligent. it’s a good thing, perhaps. they may have a stable job and high income because they work very hard. but, in the end, their diligence turns them into a workaholic and that may cause problems with their relationships with loved ones
i always tell people who are starting off as writers to try to base characters off of the people around them (without making it insanely obvious, of course)—it’s more like picking and choosing traits from a personality pool LOL
if you’re writing romance, the character chemistry should be the plot of the story, which means you’ll have to make sure their personalities don’t exactly clash too much
here’s a character template i made that you can use (i actually use this character template for EVERY story)
PLOT
if you’re starting off as a writer, i can’t emphasize enough how important it is to PLOT
your story will literally flop if you don’t plot (cough cough that one wp ff after)
filler chapters or scenes are ALL RIGHT!! (that’s a common misconception) but they’re only okay IF they offer some insight about the characters’ personalities OR if they deepen the relationship between two characters (probably the future romantic couple)
i personally bullet plot (which means i just sit down and just word-vomit the contents of the story in a bullet-point form)
but the way people plot really differs, so i’ll leave it up to you
here’s a plot template i made that you can use (i don’t use this template very often anymore—only for longer stories, but it helps for beginners!)
sometimes, it works to leave the ending of your story unplotted (but only if you haven’t yet a single clue on how to end your story)
i find that once you write your characters a bit, it becomes easier to figure out what they would do in the future (and thus configure the ending)
A VERY IMPORTANT PART IN PLOT ACTUALLY INVOLVES THE CHARACTERS
your characters MAKE the plot
their choices will DEFINE the plot
if you had different characters, your story would turn out very differently
so always make sure your characters are CONSISTENT (unless they have subtle character development)
i.e. say you have a character who is sort of a curmudgeon lol and they’re living as a recluse and they hate people and romance. you can’t suddenly have them fall in love with the hot neighbor next door. you have to shape the plot so that the story is about the main character learning to understand others and willing to love someone who’s not herself
i.e. but say that you have a character who is a romantic-freak and idealizes romance. when the hot neighbor next door moves in, she’d be all over him (and planning the wedding the moment she sees him lol). the story would probably be about her learning how to be level-headed and lose just a few of her unrealistic ideals. the story would be about maturity, overall. there is such a huge difference in the plot just by switching ONE character
DIALOGUE
i just felt like dialogue had to be addressed because i think it’s SOOO important
dialogue makes up the relationship between two characters. you can REALLY tell where they lie on the line of friendship/relationship just by reading the way they talk to each other
a rule of thumb is to READ the dialogue out loud as you type it out
if you can read it out loud without thinking ‘well that’s not fucking realistic’ or ‘that sounds like a robot not a human’ then you’re usually good
there’s nothing wrong with repeating the word ‘said’ or ‘say(s)’
i’d actually say use other descriptions such as ‘yells,’ ‘whispers,’ ‘sighs’ sparingly. because no one on planet earth sighs 47 times in one conversation
i.e. “you’re not dead yet,” she says.
this is simple. it works. but you can make it better
i.e. “you’re not dead yet, huh?” she scoffs.
even better
i.e. “you’re not dead yet, huh?” she scoffs, shooting him a disdainful look before turning the other way in disgust
great!
try to split up long quotes!!
i.e. “it was always blue outside where i’m from. sometimes we had scheduled rainy days for the private gardens and stuff. you know, at least the food there was good. way better than the crap we're forced to eat here,” he says
it’s just a huge quote block right now
the words blend in with each other
and honestly, if you skim through it, you probably forgot what he’s even talking about lol
but we can fix that
i.e. “it was always blue outside where i’m from,” he says, gazing up rather sadly at the darkened gray skies of the run-down city. “sometimes we had scheduled rainy days for the private gardens and stuff.” he shakes his head in disbelief as if he can’t accept how desolate his home had deteriorated into over the past few years. “you know, at least the food there was good. way better than the crap we’re forced to eat here.” he glares at the muddy bowl of mystery soup he had neglected to touch since it was served
the paragraph is significantly longer, but you’re able to visualize what is happening in this scene much better!!
dialogue is my favorite part of any story LOL so i’m always open to giving more advice if you need it! 
NARRATION
oh god this is so fucking important
i write in 2nd pov PRESENT tense and i’ve been consistent with this for over a year now
it’s important to probably choose a tense to write in; you typically have two options: present or past tense
i personally prefer present tense because it gives the feel of the story unfolding right before your eyes in a very linear way
past tense kind of means things have ALREADY happened, so you have more leeway to jump around on the timeline of your story
i recommend writing present tense if you’re writing action, especially, but otherwise, it’s completely up to you
just STICK to one tense. nothing is more confusing than reading a sentence with two different tenses lol
i.e. he sighed as he looks over at the fireplace with deep sorrow in his eyes. “now i’ll never fucking qualify for the championships,” he gripes as he rubbed his hand frustratingly over his forehead
like... what?? pick one and GO WITH IT
i.e. he sighed as he looked over at the fireplace with deep sorrow in his eyes. “now i’ll never fucking qualify for the championships,” he griped as he rubbed his hand frustratingly over his forehead
OR
i.e. he sighs as he looks over at the fireplace with deep sorrow in his eyes. “now i’ll never fucking qualify for the championships,” he gripes as he rubs his hand frustratingly over his forehead
READ
i cannot emphasize this enough
READ. like literally if you don’t have time to read, you don’t have time to write periodt
reading is so SO important when you write
if you haven’t yet found your writing style, reading will SAVE you
you need to read your favorite works, analyze why you love them so much and try to emulate that writing style
after you’ve tried emulating the writing style, try to tweak things to YOUR taste until you’ve developed your very own style
it’s not easy developing your writing style. i’ve been writing for a decade give or take and i refound my writing style like two years ago LOL
the process takes patience and diligence
you don’t even always have to read good books, either
literally sometimes pick up a bad book just to see why it’s so bad and make sure you don’t make that mistake in YOUR writing lol
also, you get better at writing when you begin to edit others’ writings—it makes you self aware of the mistakes that YOU might make
RESEARCH
if you’re writing about territory you’re unfamiliar with, RESEARCH IS GOING TO BE YOUR BEST FRIEND
please don’t write about heavy concepts involving mental health, gang violence etc. without either researching it or experiencing it
your job as a writer is NOT to relay false, unrealistic information to your readers
sure, your story is FICTIONAL, but that gives you no right to romanticize something dark/serious for your pure enjoyment
it doesn’t matter if it’s fictional or not. some things are not meant to be written about in a light-hearted, romanticized way
there’s no such thing as enough research
i’ve underresearched a lot of topics that i’ve written, and i actually regret it looking back because i know for sure that if i wrote it with a little bit more knowledge, it’d become better and more realistic and OVERALL MORE READABLE
there is always more research available online. it’s fucking 2020. use your resources online lol 
CONFIDENCE
it takes time to become a good writer
no one fucking wakes up one day and can write like a god
so you can always be in peace when you’re not satisfied with your writing
because 1) there is someone who is worse than you out there lol 2) you will IMPROVE (only if you put in the effort) 3) you may not be in the mood to write today, so take a break!! (it doesn’t necessarily mean you can’t write; you just need time and inspo)
confidence comes with experience
experience comes with perseverance
keep that in mind
you will become a great writer one day, and when that day comes, you will know it. you’ll feel it
the day will come when you’ll be able to sit down and write advice for others. if you can teach it, that’s when you know you know it (:
so keep writing and you’ll get there!
idk if this rambling even helped, but my shorter writing advice post is here! wish you a good time on wp!
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bardic-inspo · 4 years
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Fic Writer Questions
Tagged by @potatocrab 💜
Tagging @asaara-writes , @slightly-sad-scribe , and @gingerbreton if you feel like doing this. No pressure if you don't!
1. Do you have a preferred genre to write? Do you like to stay within the rough directions of the genre or do you like to mix and match?
Before Fallout, I mostly wrote fantasy genre things. I would get real hung up on world building or plotting out every little detail, which usually resulted in a lot of concepts in my head and nothing on the page. Writing fanfic, in the Fallout universe in particular, helped me overcome those roadblocks.
I’ve used the general shape of the plot from Fallout for Bring the Gasoline, but I think I’ve put a canon divergent spin on each of the major events (Yes, I did the Gunners plot, BUT... Yes, I did Med-Tek, BUT...). I don’t think all of my takes are necessarily fully original ideas (there’s a ton of fic out there after all), but it is my own spin on those ideas. Diverging from the game canon made it more fun for me to write a longfic, and hopefully will make it fun to read / keep readers on their toes.
In terms of tropes or more specific things I like to write....I can never leave the angst that far behind, haha. I’m a big sucker for the domestic bliss/established relationship bits. So far, I’ve enjoyed those scenes the most, but in general, I like a good variety of drama, angst, tension, fluff, etc., and the fic I’ve been writing has a wide spread of those tropes/sub-genres.
2. Are you a writer that has a plot idea and then figures out what character(s) to use for that or are you more set on writing (a) specific character(s) and come up with a plot around them?
In the past, I’d usually have a very vague plot idea and then I’d try to shoehorn my existing OCs into the plot. Didn’t usually work so well.
For Bring the Gasoline, it was the opposite. When I decided to write Fallout fic, I actually had two very different stories and SoSus in mind: Natasha and Rowan. Rowan was my second playthrough, focused on the BoS, and romanced Danse. I went with Nat because, even for all her flaws, she is a far more interesting and redeemable protagonist than my other character. Also, I was really thirsty for more MacCready content, and there was far more Danse content already out there that I felt did a better job with his character than I could. Once I decided Nat was my girl, the rest of the story was shaped around her, and around MacCready.
3. 1st person, 2nd, 3rd, all knowing narrator or unreliable narrator and so many more choices - do you have a clear preference? Or different ones for different kinds of writing? Do you feel a certain pov works best with a certain setting and if yes, which one?
Third person limited, always. Which, depending on your person, could very well be an unreliable narrator. 
For Bring the Gasoline, I use a mix of MacCready and Nat POVs. I enjoy having a mix of the two, especially since Mac is a character most are familiar with and Nat is my OC. Nat sometimes hides aspects of herself, so having an inside vs. outside perspective, I hope, will let people get to know her better. And also, writing Mac is just a lot of fun. In the past, I tried really hard to limit myself to one POV per chapter, but I found that to be too restrictive. Some chapters are all one POV, and at most, I’ll switch once within a chapter. I think I tend to favor Mac in the first half, and Nat in the second half, but they’re not evenly split. I just went with whoever felt right for the particular scene I was writing.
Sort of a tangent, but I used to write entirely in past tense. I read a really fantastic fanfic that was done in present tense, and I switched tenses mid-draft right after reading it. (Haha, it was actually mid sex scene that the tense change happened in my draft, and it lit some sparks on the page!). It made the whole story come to life for me. I never would have thought it could make that much of a difference, but after I made the switch, writing came far easier to me (even with having to keep an eye out for pesky tense changes when editing).
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the-melting-world · 4 years
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This is me trying to do the right thing...
Babes,
I’m trying to get my shit together on this blog. Really. I’m a hot mess. So for anyone who cares, this is what you can expect in the future. Because right now, it’s just a freakin’ asra volcano where I barf floofy asra babe fanfic, reblogs, and occassionally some lemons. 
1. Will start posting Kipling’s actual story. Like real chapters. Celebrate. Also giving her a page with her backstory and whatnot. It would really help me if I got some asks pertaining to her (like personality, likes, hobbies) because it helps speed up the process. But you know, no pressure babes.
2. Going to make a Masterlist and some lay some ground rules for requests. (Lol not sure if you’ve noticed, but I’m a little on the weird side. Don’t really do hcs and stuff like that)
3. This is probably the most insignificant detail, but it matters to me so.... I’m kind of a Pearl when it comes to consistency. So far, I’ve written exclusively in 2nd person / present tense. I don’t usually write like this for longer, narrative-driven pieces. I was trying out something new. But I notice that things can get confusing when the mc shifts from Kipling to a nonspecific gender neutral mc. I would like to keep requests pretty flexible with the mc identities, so from now on, 2nd/1stPOV+present tense will be reserved for requests/one shots. While 3rdLmtdPOV+past tense will be used for Kipling’s story. And any other apprentice I might develop down the road (shhhhh they’re still an egg for now. Hasn’t hatched yet) For those of you who follow me on Wattpad, I’m changing the pov/tense on there as well. 
4. Also, while I get all this shit straightened out, I’m holding off addressing the requests in my asks box. Feel free to ask me stuff, but unless it’s a direct question and not a request for a fic, it’s going to be a minute.
Deepest thanks for those who care, read my shit, like my shit, reblog my shit (especially you babes. Anytime I see a reblog on something I personally wrote, it seriously rocks my world.)
Have some sweet fluffy, floofy, yummy asra babe dreams for me, kay?
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allislaughter · 4 years
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fic writer questions
tagged by @glowstickia
tagging: @thirddoctor do you still write fics?? if so, you.
1. Do you have a preferred genre to write? Do you like to stay within the rough directions of the genre or do you like to mix and match?
I like science-fantasy for my original stuff, because why restrict myself to just science-fiction or just fantasy when I can have robot aliens AND magic? But for fanfic I try to stick with the general genre the source material is. But I end up geared towards mostly science-fiction media in general.
2. Are you a writer that has a plot idea and then figures out what character(s) to use for that or are you more set on writing (a) specific character(s) and come up with a plot around them?
Most of the time, if I have a plot idea I want to do, I already know what characters to use for it and not that I have a idea and have to decide who to use. If I do have to decide, usually it’s because the plot could work with multiple characters and I’m just deciding which would bring me more entertainment to write. But most of my story ideas formulate as “what if this character experienced that thing” so it’s very intentional the plot + character decisions. I typically only pick characters and then think up a plot after for things like ask prompts where the characters are chosen for me.
3. 1st person, 2nd, 3rd, all knowing narrator or unreliable narrator and so many more choices - do you have a clear preference? Or different ones for different kinds of writing? Do you feel a certain pov works best with a certain setting and if yes, which one?
Third person, present tense. Character POV shifts depending on who’s the focus character in a particular scene. I’m not quite sure what my narration style is but I know I like having the occasional juxtaposition for humor purposes or have some extra observation that’s in character for the POV character as extra bits of character acting via “thoughts”. I don’t like restricting myself to focusing on one character, especially when there’s a lot of characters since there’s always extra stories to tell every time the party splits.
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quu-kii · 5 years
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Jake Gyllenhaal Filmography Ranking
My personal ranking of all Jake Gyllenhaal movies from October Sky onwards with some brief thoughts on each of the movies. Honestly the exact number ranking of these movies is probably not super accurate and could be liable to changes, but I tried my best with the ordering.  
Amazing Tier (My favorites)
1. Brokeback Mountain - This is such an emotional and heartbreaking movie. I knew it was going to have a sad ending going into it, but still I was not prepared for how strongly it hit me in the feels. And it’s not just the ending that is sad; you can tell that the love between the two leads is doomed from less than the midpoint of the movie, and it keeps going downhill from there. Overall, I think the movie is a perfect tragic love story. As well, there’s this very subtle and natural feeling to the whole movie that is difficult to describe but works really well. There’s just something truly special about this movie that makes me want to place it as the #1 best of Jake’s movies.
2. Nightcrawler - A highly suspenseful movie with an amazing lead performance by Jake as the sociopathic lead character Lou Bloom. Jake is really a big part of what makes the movie great, as he is such a strong focus of it. Lou acts so off, but it’s just impossible to take your eyes off him, and he is so interesting to watch since you keep wondering what he will do next. The other part of what makes this movie great is the writing and dialogue. There are just so many memorable and great lines, especially for Lou. Along with these factors, the subject matter of the movie, that of the career of selling violent news footage to news stations, is pretty unique, and there are some interesting ideas and themes in the movie as well relating to success and the news media. Overall I really love this movie. If there’s one thing I would say I might not like about the movie, it is the music. It can have an uplifting and hopeful vibe in dark scenes, which lessens the tense mood of some scenes. But I understand that the music was made to reflect Lou’s mood in the scene, which is a very interesting decision in itself and helps add to Lou’s character, since you can notice the contrast between how disturbing the scenarios he is in are and how Lou himself feels in such scenarios. So I at least admire the music for this aspect.
3. Enemy - A tense and psychological movie. I really love the heavy and surreal atmosphere of this movie, added to by the yellowish filter which is present throughout the whole movie as well as the score, which is ominous and used to amazing effect in the movie to enhance the dark mood. Also, I think this movie is both enjoyable when taken in at face value, being about a man who finds that there is a doppelganger of himself, and when looking deeper at what the “real” story is, taking into account the symbolism and various small details placed throughout the movie. It’s an interesting movie to think about due to its openness to interpretation. And lastly, Jake does a great job playing the two lead characters in the movie; despite the characters looking the same, they give off quite a very different vibe.
4. Spider-Man: Far from Home - My favorite MCU movie. I love so many things about this movie: how it deals with the aftermath of the Blip in a light way, how it deals with Peter Parker’s character after Endgame and his desire to just be able to have a normal life, the overall story, the setting being Europe and having this fresh vacation feeling, the fight scenes, and of course Mysterio. Along with this, it has great music (especially Mysterio’s theme) and probably the best mid credits and post credits scenes in the MCU due to their plot relevance. All of the characters are very likeable too, from Peter and all his classmates and teachers to others like Nick Fury and Mysterio, which is important to me since likable characters is one of the most important aspects to me in any kind of story. This movie was such a pleasant surprise after Endgame, which was a great disappointment to me. Also, this movie is special to me because it’s how I discovered the awesomeness of Jake and thus indirectly the reason why I watched all his movies and made this list in the first place. I’m not sure if a future MCU movie can top this for me, but who knows.
 Great Tier
5. Nocturnal Animals - A harsh movie with an interesting structure of having two main stories, with one of the stories being a story within the main story (I will call this story the 2nd story for brevity). I think the 2nd story is where the movie really shines. This story was so tense and much more interesting to follow compared to the main story, and Jake portrayed the emotions of anguish and despair so well in it. It’s also interesting to think about how the 2nd story links with the main story, which gives more depth to the overall story of the movie. I find this and Brokeback Mountain to be the most emotionally harrowing of Jake’s movies, which is definitely a compliment since I admire when a work is able to make me feel so strongly. Also, I have to note that I disliked that there was a random jumpscare in the middle of the movie. It doesn’t lower my opinion of the movie, but I really don’t like jumpscares and did not expect one in this movie.
6. Source Code - A really solid sci-fi movie about Jake’s character repeating through a time loop. It is the only Jake movie to make me cry due to me being a sucker for tragic scenarios involving time loops/parallel worlds. It was just a very engaging movie to watch due to the intriguing premise and the very good execution of said premise.
7. Zodiac - I didn’t know that this movie was based off true events until almost the end of it. So the whole time, I was expecting there to be a conclusive ending when there was no way this would be the case, since the Zodiac killer case to this day hasn’t been solved. Because of this, I felt initially disappointed about this movie from a story perspective, since all the clues from the movie seemed to lead to nothing. This is my biggest “flaw” about the movie (and it’s not really the movie’s fault), but this factor aside I really liked this movie. Jake, RDJ, and Mark Ruffalo are all great in it, and I love murder mysteries so much, so the story had me hooked on this alone. It’s so interesting to watch the characters piece together clues for the case and try to unravel the mystery, as well as seeing how the case progresses (or well, doesn’t progress at times) over the years. Also, this movie just feels really good to watch; as in, the scenes and shots flow together so well. It’s a great movie overall I think.
8. The Sisters Brothers - A western with a kind of laid back feel to it. Also supposedly it is a comedy, but I found it not funny at all. It’s not that I see the movie attempting jokes and find that they don’t work; it’s more like I don’t see the attempt at humor at all, unless maybe it’s kind of a weird dark humor thing. Anyways, I really like this movie, and it’s mostly because I really like the main four characters and their dynamics with each other. Jake does a great job playing his character John Morris and has an accent which is pleasant to my ears, though I was sad that he (as well as Riz Ahmed) wasn’t in the movie more. Even though I was watching the movie for Jake, I found myself liking John C. Reilly’s and Joaquin Phoenix’s characters, the two leads, a lot as well. It’s a movie that shines because of the characters for me.
Very Good Tier
9. Donnie Darko - A pretty unique coming of age story with sci-fi elements. I’m still not sure what to think of this movie, though I think I liked it. Some of my favorite scenes are where Donnie goes off on these rants about what he believes to be the truth. These scenes are amazing to me.
10. Prisoners - I actually find the story of this movie to be not that great. However, what elevates the movie is Hugh Jackman and Jake and their amazing performances. Funnily enough, I found myself siding with Hugh’s character and against Jake’s as they both simultaneously tried to solve the case. Also, this movie is just really exciting and engaging to watch and is maybe one of the easiest to recommend movies on this list due to these factors.
11. The Day After Tomorrow - This isn’t a very deep movie or anything, but it’s a really solid disaster flick in my opinion. I love the visuals, and Jake is such a cutie in this movie, a factor that really elevates it for me.
12. The Good Girl - It looked like a comedy or something from the outside, but actually this is a rather bleak movie. It’s one of the duology of the Jake-being-into-older-married-women movies (and the much better of the two for me). I find this movie pretty underrated.
13. October Sky - It’s an uplifting and inspiring movie, and I love how Homer’s relationship with his father is portrayed here.
14. Okja - I love the stylized vibe of this movie. Jake isn’t in the movie that much, but I really like every time he shows up. He goes full wacky here and it’s fun to watch.
15. Brothers - Tobey Maguire is the real star here. I think he was great in the movie and I could really feel the emotions of his character, especially after he comes back from the war and is in a troubled state of mind.
16. Stronger - A good based on real life movie about a survivor of the Boston Marathon Bombing. Jake does a great job as usual, and I think the emotions of the story came through well.
17. Wildlife - A really simple and subdued story about a family, but I think it works well in the movie. It has a very quiet and natural feeling to it.
Ok Tier
18. Demolition - A quirky feeling movie about a guy trying to deal with the death of his wife. The scene with Jake dancing in the city is my favorite part. Also I thought Jake’s friendship with the kid in the movie was a highlight.
19. Bubble Boy - It's kind of a dumb movie with some maybe offensive humor, but I thought it was pretty enjoyable regardless. Jake is so adorable as the main character Jimmy, and it was fun to follow his journey across the country and seeing all the interesting characters he meets.
20. Proof - I thought it was pretty good, but then the movie ended just when I thought it was starting to ramp up the story to the conclusion. This factor brought the movie down for me.
21. Life - The monster design for this movie was pretty cool, and I liked the ending and the general space horror vibe. However, I didn’t feel much for any of the characters.
22. Everest - It was ok, but I wasn’t really into any of the characters here.
23. Southpaw - I think this movie is very impressive for Jake’s resume, considering how he trained a lot and learned boxing for it. However as a movie itself, I didn’t really feel much for it and felt like it wasn’t doing much special in the story department. I liked some of the parts in the earlier half though.
24. End of Watch - I just wasn’t feeling this movie. Maybe it was the found footage style or something. I feel a bit sad about not digging this movie since I see it is generally one of the more well liked ones in Jake’s filmography.
25. Jarhead - I really don’t like the vulgar tone throughout this movie, but I do like the general story and message. Also the movie looks really good.
Not That Great Tier
26. Velvet Buzzsaw - I love Jake’s character Morf so much as well as the general premise. However the movie itself wasn’t too great: I found most of the characters besides Jake’s to be unlikable, and also the movie felt cheap. It’s very disappointing since the concept for the movie (horror in an art gallery) seems so promising.
27. Prince of Persia - This was the first Jake movie I saw back in the day around the time of its theater release. I have to say I find this to be Jake’s weakest acting performance out of all his movies. For me, good acting is when the actor feels very natural as the character and is somehow magnetizing to watch. But for some reason I did not get a very natural vibe from Jake as Dastan in this movie. I do think he looks very beautiful in this movie though with his long hair, so that’s a big plus. The story of this movie feels pretty cliché and kind of lifeless in a way, but I still liked it alright.
28. Highway - I don’t really like the sleazy tone of this movie. However, I think Jake is very adorable in this movie and has this pure wide-eyed vibe about him (despite him being a drug dealer and sleeping with prostitutes and such).
29. Rendition - I found this movie to be aggressively boring for the most part. There’s this subplot which I was unsure why I should even care about until a reveal near the end of the movie, when it was too late to start caring at all. However Jake in a bloody shirt towards the beginning of the movie makes for some good screencaps and gifs, and I learned about the term extraordinary rendition through searching about it after the movie.
30. Moonlight Mile - I guess this movie might be considered technically good because it tells the story it sets out to do fairly well, but I just found it very boring. There is a part towards the end with Jake’s character being very emotional which I really liked.
31. Lovely & Amazing - It's actually decent, but really not my type of movie. It’s the 2nd of the duology of the Jake-being-into-older-married-women movies.
 Just No Tier
32. Accidental Love - I actually enjoyed the beginning parts of this movie (though what’s with the constant dutch angles in the earlier parts?), and ironically it is around the point of the introduction of Jake’s character where I felt like it started to nosedive. I felt my soul slipping away and my IQ dropping by the end of the movie.
33. Love & Other Drugs – I really, really don’t like this kind of raunchy sex comedy movie. That’s all.
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snibnoom · 5 years
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Conlang: Na’poshi
According to the Royal Library of Brenlin, Na’poshi is “the language of the gods.” It is the oldest known language in the world, and though it is now considered a dead-language, scholars often study it and debate its origins. To those who are religious, it is the language that was gifted to the first beings of the world. To those who see past religion, it is the language of a now-lost world-conquering civalization.
Na’poshi is a conlang I’ve just only started working on yesterday, but I love it already. I’ve had to learn a lot very fast, but it’s been a blast. I’d say it’s currently very much in the proto-stages, so I have a lot of work to put into it. But this is the state it’s in currently!
For the sounds in Na’poshi, I kept it very simple. There are only 13 consonant sounds, 3 main vowel sounds, and 6 diphthongs. There’s a bit of necessary romanization, of course.
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I haven’t bothered trying to make a writing system yet, but I will once I get the language to a point where I’m happy with it.
Currently, Na’poshi is a head-final language. All the important bits come after the other stuff. The most notable of this is that the word order is SOV (subject-object-verb). In English, it’s SVO. If I’m not mistaken, Korean is also a head-final language.
Words in Na’poshi are constructed in a specific way, too. No syllable can have a coda (an ending consonant). Syllables can be V or CV (vowel only or consonant-vowel). Hawaiian also doesn’t allow codas in its syllables. Additionally, stress on Na’poshi words falls on the 3rd to last syllable, unless the 2nd syllable contains a diphthong.
In addition to the usual grammatical things we have in English (singular vs plural nouns; present, past, future tenses; and valency), I also included a dual marker and a habitual tense. The dual marker signals exactly two of a noun. This happens in Greek, as well as some other languages. The habitual tense shows that something happens regularly or is a known fact. Which leads us to the name of the language.
A few things before I get into writing words for the language. Words between [brackets] are how they’re spelled according to the IPA. A “.” within brackets marks the space between syllables. The words in “quotations” are the English meanings.
Nalu, [na.lu] - verb. “to live, to be alive” Po, [po] - verb. “to be”
Combining the two above, with the addition of a glottal stop* (ʔ) between, gives us the Na’poshi word for life: na’po - [naʔ.po].
Shi,  [ʃi] - verb. “to follow”, adpos. “before, in front of”
The Na’poshi verb shi, when attached to the end of another word, is interpreted as meaning “before.” Hence, Na’poshi literally means “life before.” Or, “before life.”
Numbers in Na’poshi follow a Korean pattern. There’s a separate word for 0-9 (oa, ai, ia, to, sa, oi, ti, sha, ka, ao) and another word for ten (hoa). Eleven is literally 10-1 (hoa’ai), twelve is 10-2 (hoa’ia), and so on. The word for twenty is literally 2-10 (ia’hoa), as is thirty 3-10 (to’hoa), and so on. The word for 100 is poa, and the hundreds following follow the same pattern: 200 is literally 2-100 (ia’poa), 300 is literally 3-100 (to’poa).
The person saw two animals. = Hapo iasona paikosio.
Hapo, [ha.po] - noun. “person”
Ia-, [ia] - number. “two”
Sona, [so.na] - noun. “animal”
Paiko, [pai.ko] - verb. “to see”
-sio, [sio] - postposition. modifies verb into past tense.
I see the rock before you. = Sho kushi kakia paiko.
Sho, [ʃo] - pronoun. “I/me”
Ku, [ku] - pronoun. “you”
-shi, [ʃi] - postposition. “before”
Kakia, [ka.kia] - noun. “rock”
Paiko, [pai.ko] - verb. “to see”
The animal will sit on a big rock. = Sona xo kakia tisoka.
Sona, [so.na] - noun. “animal”
Xo, [xo] - adjective. “big”
Kakia, [ka.kia] - noun. “rocky”
Tiso, [ti.so] - verb. “to sit”
-ka, [ka] - postposition. modifies verb into future tense.
*Glottal stops don’t really happen in normal English words. We do it when we say “uh-oh,” though! The little catch between “uh” and “oh” is a glottal stop.
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loverosier · 6 years
Text
Theory
MASTERLIST
PAIRING: Penny Haywood x Female Jacob’s Sibling
SUMMARY: You have a theory and Penny wants you to prove it.
WORDS: 671
A/N: I got halfway through writing my 2nd Felix Rosier x Reader before I started procrastinating oops. It’ll most likely be posted next week. Anyways, I wrote this teeny tiny fic bc I wanted to post at least one fic this week. My present tense is kinda choppy since I usually write in past tense but I hope it’s decent.
Without further ado, I hope you enjoy this :)
X
Today, Hogwarts is brimming with love. Even in the halls, you can see couples radiating an energy of affection or longing. You almost think that the kitchen elves somehow got ahold of Amortentia and put a drop of it in today’s breakfast until Rowan pointed out the date.
Valentine's Day.
Of course.
It seems that you’ve been so busy pursuing the cursed vaults that you forgot the date.
You ignore the love in the air and the looks passed on from one person to their significant other until it is afternoon and your last class of the day has just ended. You are on the second floor of Hogwarts, propping your body against the window. Penny joins you in overlooking the courtyard below. The Scottish clouds are grey and a mist forms every time you breathe, but the gloomy weather does not deter students from enjoying the day. All around the courtyard, you see couples strolling about with flushed cheeks and soft smiles. You can even spot some students snogging in the corners. You scrunch your face and Penny flicks your nose softly.
“Wha--? What was that for?” you cover your nose.
“You’re frowning,” Penny states. You look over at her. She gazes at the world below with a small smile on her face and twinkle in her eyes. You note that she looks extra stunning today with her blonde hair in wavy curls and braids and her lips redder than you remember. Her cheeks and nose are bright red against her pale skin. She seems cuter than she normally is.
“That’s just how my face looks when I’m thinking.”
Penny turns her body to you slightly and tilts her head. “What’s on your mind?”
You look at her and your mouth tugs up into a smile. “A theory.” Penny only raises an eyebrow so you continue, “I have this theory that I’d be a great girlfriend--the fun and delightful kind.”
She hums. “I’d like to see you test that theory.”
“The thing is, I’ve yet to find a boy to test it with.” You sigh and continue observing the courtyard.
“You know you have a lot of boy friends, right?” Penny asks.
You shrug. “Well, yes, but they’re my friends.”
“You don’t find Bill attractive? Or Charlie?”
You look her dead in the eye. “Let’s be real, nobody in this school finds the Weasley brothers unattractive,” you say.
Penny rolls her eyes at first, but nods her head in agreement and slides in a “true.” She is silent for a few moments. “Well, Barnaby is attractive too, and our Benny Boy is cute. How about them?” she suggests.
You think it over and eventually shake your head. “I don’t feel anything more than friendship for them. Andre’s out of the question too. He’s my partner in shopping; I just don’t see him that way.”
“Oh well,” she shrugs, “plenty of boys around.”
“Except,” you drag out the word, “I don’t really find any of the boys here attractive. Besides our friends, of course.”
Penny is silent again and you can’t help but shift your eyes to her figure. She is biting her lip and her eyebrows are pulled down. You see her open her mouth and close it shut as quickly as she opened it.
“You look like you’re about to say something.” Your voice makes her jump slightly.
Penny tucks a stray lock of hair behind her ear and looks at you with a sheepish smile. “Well, I was going to say, ‘why not test your theory on me?’”
You pause and look at her, mouth agape. Her smile does not waver. Your eyes start to flutter as you finally process what she said. You step a little closer to her. “Penny?”
“Yes?”
“Are you asking me to be your girlfriend?”
She crosses her arms and leans closer to you. There is a gleam in her eyes. “What do you think?”
You draw back your lips into a wide smile. “I think we’re about to find out if my theory holds true.”
X
[Hey guys! I’m trying to really improve my writing so feedback on any of my fics is very appreciated!]
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imitationgirl · 5 years
Note
for the ask meme: number five?
5. You’ve posted a fic anonymously. How would someone be able to guess that you’d written it?
This is a good one!! So after combing through some fics, here’s what I think would give me away:
- A lot of the physical action involves hands (i.e. “her hand brushed against the silk upholstery” or “his hands started shaking”). I don’t know why hand movements are my go-to for writing action, but I’m just a handsy writer. I talk a lot with my hands in real life so that might tie into it.
- Emotional 3rd person narrative. I’m not much of a 1st or 2nd person writer, but the emotions a character’s feeling still tend to bleed into my 3rd person narrative. Especially if a character’s feeling fear or panic. Oh and there’s a hyphen breaking a character’s thought followed by some kind of physical action (usually violence)
- It’s in present tense!
- Female protagonist!
- If a character is hurt, it’s almost always followed by a comforting conversation!
- The romance is either ambiguous or a slow burn!
It would actually be really fun to gather a bunch of writers, give them the same prompt, and try to guess who wrote what.
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Note
2, 3, 4, & 5! 😁
2. What writing taboos do you break consistently?
I guess explicit smut with words like “cunt” and “pussy” are more taboo than I realized, because I see other fandoms and writers that avoid those terms like the plague. Personally, I can’t stand flowery language when it comes to smut. Call it what it is. It’s a cunt, not a glistening portal of womanhood (yes, I’ve seen that written before). I tend to laugh when I see an author use really bizarre metaphors in a desperate attempt to avoid using explicit terms. 
3. What POV do you prefer and why?
Writing 2nd person POV has become second nature to me at this point, and went from being the most awkward thing ever to being my comfort zone. I have a few side projects that are in 3rd person POV, and sometimes I go back to re-read a section and find that somewhere along the line I switched into 2nd person without even realizing -___- I had to start search the docs for all the times I used the word “you” just to make sure it wasn’t me messing up the POV. 
4. What tense do you prefer and why?
I write in past tense, and I usually prefer to read fics/novels in past tense, as well. I don’t know why but it takes me out of the story a bit if it’s in present tense. Oh god, and even worse, when a story continuously switches between past and present...I know it can be difficult to get the hang of keeping everything one tense, but I definitely struggle to read fics where it fluctuates. 
5. Adverbs: for against?
So I was recently reading Stephen King’s “On Writing” and one of his rules is to avoid adverbs....well, I gotta say, I disagree with him on that. I don’t think they’re necessary all of the time, but I definitely do use them if I’m trying to get across how someone spoke or acted, or just to add more description. Now, I think adverbs such as “very” should be avoided as much as possible, but there are some great adverbs out there that can help add more depth to a story. 
Thanks for the ask!!!
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emperor-lover · 7 years
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Hello could you please write a minhyun fanfic about him and Y/N being on we got married (and later on starts dating irl?) thank you (ps, i love your minhyun scenarios so much)
omg WGM :o hahaha ngl i was never a big fan of WGM even though two members of one of my favourite groups have been on it, but i tried my best! i’ll write anything fluffy for minhyun lmao Sorry about the wait!
A continuation of this will be up next which is from another anon’s request!! 
Hwang Minhyun WGM!AU 
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ok so lets give you a bit of background to set the scene 
you’re an idol, but originally you were going to be an actress except you really liked dancing and singing so your company was like ‘why not both?’ (think female version of Ong)
You became a fixed MC on a music show last year so you’ve been able to meet a lot of people
Popularity-wise, you’re pretty well liked, you’ve never had any scandals or issues
Plus because you’re bi/multilingual so you’ve been able to further expand Hallyu internationally, and yknow everyone loves a bit of patriotism 
So this is why you were extremely uncertain about being on WGM
It’s a show that puts you in the spotlight
and kinda tries to brand you with this false image, and if you don’t fit that image the public tend to be like wtf is wrong with you
WGM could be a make or break for the virtual couples who participated on the show
You had heard from other celebrities who had been on WGM about how strange it was, like just the whole concept of a “virtual” relationship wasn’t something you’d ever been too keen on
So you were skeptical and it didnt help that your company hadn’t given you much warning about being on it
They just said to be prepared for the invitation over the next week or so
So when the red mailbox appeared outside your dorm along with a bunch of MBC camera staff you realised they hadn’t been kidding
You had read the letter outloud for the cameras;
“To my soon-to-be virtual wife, our first meeting place will be at the xxxxxx Building tomorrow. Before we meet, I’ll give you a big clue as to who I am, I wonder if you’ll be able to guess! I’m in an idol group, and I’ve debuted twice…I look forward to meeting you~
You read the letter again, absorbing all the information….
“EH? Tomorrow??” 
no wonder your manager had been awfully quiet when you had asked her about your schedule
Oh well, guess you gotta prepare for this virtual blind date
Tbh…now that you had accepted the fact that you had to go on this show, you were kinda excited
It’s literally so rare for you to ever get the chance to go on a proper date, even if this counted as a fake/virtual one
——next day—–
You hadn’t slept well the night before, in both fear and anticipation
Hopefully the person you were going to ‘marry’ would be nice
Because your partner was fully in charge of organising this first date, you had decided to prepare a gift for him
Which you found to be super difficult, seeing as you weren’t sure who they were but tbh you had narrowed it down to a couple of possibilities
Like in the pre-meet interview that morning they had asked you if you had any idea who the person could be and you had listed a few names of idols you knew had debuted twice, like mino, or sungwoon or minhyunnnn
but seeing as you knew he’s an idol you decided on little things you knew you found helpful being an idol yourself
You packed a neck pillow, a heat pack, and this really big woollen scarf you had knitted yourself (imagine it’s winter time pls)
Your manager drops you off outside the building and you hop out of the car in this big fluffy sweater and black jeans, completed bundled up and warm
The staff ushered you over to the elevator and you’re left awkwardly and nervously rambling to yourself as they press the buttons to every 2nd floor
The doors open to the second floor and a hotel staff pops their head in and gives you a bouquet of flowers with a note
“You’re here! Today’s the day we finally meet~”
You smiled to yourself, seems like this guy is a bit of a hopeless romantic
The doors to the fourth floor open and sitting on the ground is a little fox plushie doll
You pick it up and attached is another note that says,
“I’ve heard that I resemble a desert fox~”
You froze, no freaking way could it be….
On the sixth floor it was a jar of honey - “My voice is sweet like honey wahhh this is embarrassing >
Your eyes widened. There was no denying who it was now.
WGM had never done something like this before, usually people who went on the show had never previously met or had many interactions, but in your case it would be different
You had met Minhyun before, multiple times in fact
You had been good friends with Aron from NU’EST as well as other English speaking idols and had naturally gotten to know the other boys from NU’EST as well
And although you wouldn’t consider yourself best friends with Minhyun or anything, you had always been able to joke round with him
plus he’s a super cute and super nice guy that was always easy to talk to
Now that you think about it, it’s kinda even more terrifying now that you know who’s waiting for you and the fact you already know him as well??? and he doesnt have a clue who you are???? what if he’s disappointed??? like how awkward would that be, you’d actually die from embarrassment
Finally the doors to the 10th floor open and lo and behold Minhyun is standing there, with his back facing you
When he heard the door open he had immediately tensed up
He was nervous as hell too, poor thing
Like kinda kicking himself for being so cheesy with the whole elevator thing, but y’know, gotta make a strong first impression
He can hear your footsteps approach him and he fights the urge to turn round 
The staff signal to you to say something and you become a big stuttering mess, like what are you meant to say???
“uHHhhHH Minhyun, IT’S ME, Y/N”
And he whizzes round so fking fast with his eyes popping out of his head literally everyone is laughing so hard
And he’s bright red because in the pre-interview they had asked him who he’d choose if any idol was able to go on wgm as his partner, and he had said Y/N, and he just assumed that you wouldn’t be on this show and didnt have his hopes up
so the fact you’re actually standing in front of him about to become his virtual wife is so strange but surreal to both of you
so of course, the two of you hit it off right away, seeing as you already know each other
After migrating to a cafe, you thanked him for the gifts and the elevator surprises and gave him the present you prepared
and he loves it so much, and he puts on the scarf you made straight away and is super proud of it
and you kinda just catch up on life with him, and find out how he’s doing in Wanna One
and that night after the filming was over, he sent you a text telling you how he was happy that you were his partner
and you spent the whole night just messaging cute little shy texts back and forth
After a few more days of filming, the first episode was finally broadcasted
And you were anxiously sitting by the tv with your group members trying to gage their reactions
it was embarrassing to see yourself become such a blushing mess in front of Minhyun
It was embarrassing for your friends too though, because no one is used to seeing you all shy like this
Funnily enough, Minhyun was the same in his dorm, and all the W1 boys were teasing him relentlessly
like collectively cringing at the notes he had left for you, and commenting on everything he did
And after the episode finishes, you’re a bit anxious of what the viewers think of it all
but luckily it turns out lots of people tuned in and love it
It seems to be a realistic fantasy(?) of people’s to go from friends to lovers
so with each following episode, the public laps up all the cuteness the two of you just naturally exude
Like they love how both of you were supposedly motae solo (single since birth), and that for both of you this would be the first ‘proper’ relationship
And minhyun has always had Boyfriend goals vibe attached to him
and you were top notch wife material too
You guys become known as the “Royal” couple
every one is like “충성충성” (choongseongchoongseong) I pledge my loyalty to you
So the first time you guys had proper skinship was super natural but cheesy as well
It was a filming by the Han River and you hadn’t worn gloves and it was getting pretty chilly
You had been rubbing your hands together to warm them up and it hadn’t been particularly obvious but Minhyun just reaches over and gently clasps your hand in his and puts it in his pocket
literally at that part though, everyone watching it had squealed
even you had been like omg bf goals
And bit later on when you had moved into the honeymoon house, the two of you would often rest your heads on the other’s shoulder and read books together
One of the most heart pounding days had been the wedding day, because although you knew it wasn’t a legit thing, something about Minhyun wearing a tuxedo and standing there waiting for you to walk towards him had made you feel things
And clearly you had the same effect on him, because he was absolutely speechless when he saw you
That night before heading back to the dorm, it seemed that the something had changed between the two of you
The hug Minhyun had given you had been longer, and gentler, if that was even possible
and he’d brushed the hair away from your face and whispered a string of sweet nothings into your ear before giving you a cute little wave and scampering over to get into his manager’s van
and you weren’t too sure what to think of it, because it’s not like the two of you are properly dating or anything
although it definitely feels like it
You go on lots more dates every week and each one was full of memories
Like you’d gone to movies, but you’d actually fallen asleep and Minhyun had just giggled
“Minhyun, you should’ve woken me up!”
“But you looked cute! i think you drooled tho” 
And you’d gone tandem biking, and wandered round different museums, and you went to karaoke together, and Minhyun ended up serenading you with cute af songs
and there was a day that the two of you went shopping to look for gifts for each other, and you ended up getting matching phone charms
There was also the time where there was a special guest episode, where both of you had invited friends round and cooked dinner for them
And everything goes smoothly for the following couple of months, with your relationship only getting closer each day
Until one day a letter arrives, and it’s different from the others so both of you immediately know what it is 
A week before the final episode, you started to distance yourself from Minhyun
mainly because both of you have been so shy about your true feelings, despite talking lots and becoming closer, you still have no clue if minhyun actually considers you to be more than a friend
and because you knew it was coming to an end, you’d have to say goodbye anyways so you were trying to let go without having to have your feelings hurt more than they would be
it didn’t feel right though, and Minhyun could tell something was wrong 
so he had come up to you and put a hand on your arm just before the crew started filming the final episode to talk to you
“Y/N…are we…okay?”
You glanced up at him and you could see his eyes trying to decipher the expression on your face and as much as it pained for you to say it, you decided it would be the best to break ties now
“Yeah, why wouldn’t we be, we’re friends aren’t we?”
And after you had said that, Minhyun’s face had fallen
Like he was upset that you appeared so nonchalant that the ‘marriage’ would be over and you’d revert back to being just friends
He dropped his hand that was on your arm and nodded, his face hardening and he turned to walk away
A few steps though, and he stopped turning back, eyes meeting yours
“I know this was a virtual marriage, but I was always sincere every moment I spent with you. I just thought I’d tell you that before we started filiming.”
And he walked off towards his waiting room, and left you standing there not too sure what to do anymore
During the filming, you struggled not to cry as Minhyun’s hand held yours
The movie theatre dimmed and started playing all the memories you’d made together
it was making you so emotional, and the sad piano BGM playing did not help at all
so you couldn’t stop the tears from falling when the video cut to a solo shot of Minhyun sending you a video message
“…This marriage may be coming to an end, but I will always treasure all the times and memories we made together…”
Covering a hand over your mouth, you tried not to sob out loud but it ended up sounding like you were having a coughing fit 
Minhyun had been quite cold to you after the encounter earlier that day, and hadn’t been particularly affectionate at all, but when he looked over at you, his face went from expressionless to one of alarm when he noticed that your cheeks were stained with tears
he immediately reached over and gently dabbed the tears away with his sleeve and pulled you into his chest
“hey, hey, don’t cry Y/N, it’s alright, babe don’t cry, I’m here for you.”
and this only made you sniffle more
Minhyun’s hand was soothingly patting the back of your head and for a minute you both forgot about the cameras as he pulled back and gently pressed his lips to your forehead
and it was such a touching and emotional moment
until you hiccupped
and Minhyun broke out into laughter his own eyes shining back at you
and you couldn’t help but join in with him in the laughter
you left the set holding hands, still sad but not as emotional as before
and you realised that this would be the last chance for you to say something
“Minhyun?”
He glanced down at you his gaze softening at the sight of your puffy eyes
“This isn’t goodbye right? Just because we’re not on the show anymore doesn’t mean we can’t see each other right?”
Minhyun just kinda looks at you like you’re crazy
“Did you really think that I’d just go on this show with you, the girl that i actually truly like, just to never talk to you again now the show’s over?”
and you were like ?? blinking in confusion…because minhyun actually does like like you, and it’s not one sided like you assumed girl it was so obv tho
He kept talking, “I looked forward to the days when i’d get to see you to film, because spending time with you is like the most natural thing in the world to me. Look I even keep this photo we took in my wallet.”
He shows you a cute little photo of the two of you at the cafe you’d been to on the first date.
“So Y/N? Don’t worry, this won’t be goodbye, you can’t get rid of your virtual husband that easily,” he says shooting finger hearts and winks at you
So, legitimately dating Minhyun is obviously not as open and conspicuous as WGM, but it’s still super cute
and on your first anniversary the two of you go on a late night outing to the cafe where you had your first date
and you buy the same drinks you had on that day and just enjoy each others company, forever grateful that you have Minhyun in your life
I hit 100 followers the other day and I’m so so grateful, thank you to everyone who reads my random little writings, even though I’m definitely still lacking lots! I’m working on the current requests that were sent in, so please hold tight if you’re still waiting~ ❤️❤️
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indie-struggle · 4 years
Text
August 2nd, 2020
I'm sorry for not posting for a while, and I appreciate the concerning emails. I've been wrapped up in this novel that I'm putting the final touches on and it's been... well, it's been hell. My mind is scrambled eggs. You would think it would be a natural transition: going from present/active tense, which is what I usually write my screenplays in, to past tense, but it's a bit more complicated than that. In writing a novel I've discovered quite a few things. First, there are too many writers out there. Second, writing screenplays is fucking easy in comparison--there is no contest. You would think it's the other way around, but the amount of concision compared to the amount of comprehensible prose you have to use are incredibly broad in difference, not to mention a boat load of other things. To fill eights of a page with short choppy action and dialogue isn't shit compared to line by line of narration, action, dialogue, and all the conflicts the reside within them. In screenwriting and filmmaking, most, if not all conflict is externalized, the idea is for it to be viewed and not left to your imagination. Sometimes conflict is personal, it is almost never internal (without being external VO/Narration), and your words are not written to be read only. A novel is. That’s all you get. A novel isn't a recipe for the chef for the ultimate goal to be food, like a screenplay through the mill, out through the director, the editor, and then finally viewed. In a novel you can jump between all three conflicts: Inside the mind (internal), personal relationships/feelings (personal), and aliens destroying the planet (external) at any time. Also, the exterior narration and action, while trying to keep a damn story straight and comprehensible has to be present like an approval stamp. This is especially trying if your narrator is not a character in your story, I just want to say that. My narrator is not me and is not a character or a character in the story. So at no point does it say I, unlike what I'm doing right now--this would be considered first person narration because I'm talking about myself. I, I, I, I... As of now my memory is fogged, it doesn't want to work, let alone think of new story ideas, and it's out of gas. I'm fucking drained. My head hurts, and I don't know how novelists do it. The stamina required just for my novella (190 pages) took the equivalent of 3 screenplays and 8 months of writing and rewriting only to just now be with a TR, that will return my work, pointing out all the typos I became snow blind to prior to final publication. I don't expect any money from this, that wasn't the point. I did it to see if I could. So, it's a victory for me either way, and whether or not it makes money is of no consequence. I finished a novel in my life and it was published. The end. Between you and me, if something comes out of it more so than my filmmaking career, then I'm going to kick myself in the ass for the 25 years of studying, and working myself to death, to climb the wrong fucking hill no one can see but me. One worry that has been simmering in the back of my mind is whether I'll be able to adapt back to screenwriting. I do dabble and write scenes in a grotesquely large and ever growing 400 page script of nonsense, just for repetitive memory, y’know, but it will be interesting to see if it's changed me at all. Looking at screenplays now makes me see how much is over written even more so than before, and I don't want to fall into that trap of being too prosy about a guy who comes in the door:
John delicately turns the handle and opens the door, the light shining behind him with the horrendously beautiful glow of autumn. He’s thinking something but we don’t know what, perhaps lunch, Dinner? Something is in the air and on the tip of his nose...
Kill me.
John enters and looks around a moment, sniffs, and then walks over to the table.
On a positive note, I was complimented for my use of similes, which I attribute to writing scripts. A fast way to convey what someone feels like is a simile, or analogy (you pick), and it's something I've always been able to do. If you were good at talking shit about people when you were young, analogies come to you like ants to spilt sugar. Eh... Eh? We'll see what the future holds. Right now is a weird, gray time, and everything is basically at a stand still unless you can afford the production costs of keeping people tested, separate and safe. This could very well be the sad end of my sad career for all I sadly know. It really is up in the air and deflating more than people realize, and I’m worried--not gonna lie.
Thanks again for the emails.
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Fanfic writers meme: 3, 4, 6, 7, 10, 13, 14, 17, 19, 20, 27, 39, 40, 42, 45, 46, and 50 (my question for #50 is: Your favourite character from any of your fandoms (pick one or several characters you like) is writing a fanfic STARRING YOU AS A CHARACTER. Regarding this fact, what kind of fanfic do you think he/she/they are writing about and how would you feel about you literally being in it?)
Thank you so much for sending in an ask! :D
3. Name three favorite writers.
Ahh, this is a toughie! I’m going to list three writers from different fandoms that I admire a lot.
A. Anappleofdiscord from fanfiction.net I’m pretty sure she doesn’t have a tumblr and even tho it’s been forever since I spoken with her personally, she is an awesome person and an awesome writer. She writes for the Hetalia fandom, focusing on gen stuff centering around England and America. If you know anything about the Hetalia fandom, it’s ridiculously rare to find platonic fics about these two and her fics are like the cream of the crop. Her characterizations are on point, her fics are educational and hilarious (and also a rollarcoaster of emotions) plus she pulls off OCs superbly. If you ever check out her fics, tell her that Listenerofshadows sent you ;)
B. Glimare from fanfiction.net I don’t know her personally, but I love her work in the DC fandom. Sadly, she’s since mostly moved on to other fandoms (which is great for her, if the feeling’s not there, don’t push yourself to write fanfic for certain fandoms) but she has a TON of content and it’s all so good. Her most-well known work is a collection of one-shots known as “Daddy, Not Bats”. It’s an AU where Bruce encounters the bat-kids at a younger age and decides to retire to raise them all. It’s sweet, fluffy and angsty all rolled into one.
C. @elfpen from AO3, Fanfiction.net and Tumblr.  I stumbled across her fanfic Reprise when looking for a good star wars time-travel fanfic to satisfy my needs and boy, DOES SHE DELIVER. Most time-travel fics center around the OT era or Obiwan and/or Anakin traveling to TPM, but hers focus on OT!Obiwan traveling back to the era BEFORE TPM. It’s a great fic, I love the characterizations and her OCs are on-point. Not to mention, she also has a lot of other awesome SW and HTTYD content. 
Putting everything else under the cut because this is gonna get long quick!
4. Name three authors that were influential to your work and why.
A. Anappleofdiscord, again. Because she has actually beta’d my work before and given me great writing advice. I haven’t finished Neverlast, nor barely touched on it, but I’m thankful for her influence she’s played on it.
B. It’s hard to pinpoint my inspiration for my writing, because it’s kinda an intuitive thing? Like, I’ll be writing and a phrase comes up and I’m like “I know I stole that phrase from some fanfic lol” but i don’t know which one??? But basically all the fanfic writers I love are legions above me and I admire them all. But I have to say, I’ve started writing more third-person present tense because of a few good fanfics (but I can’t pinpoint which ones) which it’s a rare tense for a novel to pursue but I love the rhythm of it.
6. How did writing change you?
I’ve been writing before I could even write. Basically as a little four-year-old, I’d make pictures and then dictate to my older sister/mom what the pictures were about, essentially creating a storybook out of it. Since writing has been part of my life for so long, it’s so innate to me like breathing air. I know there’s a lot I could improve on writing, but it’s just a freeing way for me to express myself in a clear and concise manner. In real life, I can be awkward in how I word things and I have a tendency to trip over words or don’t fully pronounce my th-s and s-es. Fanfiction is great because I can explore my favorite concepts of a fanfic in a medium that people can enjoy reading in :)
7. Early influences of your writing
Once I discovered reading was fun (I didn’t learn to read until 2nd grade but that’s okay, because once I did I was reading several grades above my level) I devoured books. Some of my favorite books as a child are: PJO, Chronicles of Narnia, Boxcar Children and Black Beauty. I also did some RPG’ing at a young age, which greatly improved my writing as the constant writing at a rapid pace forced my writing to improve exponentially. There were roleplayers that I admired greatly that I imitated because I wanted my writing to be as good as theirs.
10. how do you do your researches?
Google, man, Google. For example let’s say my fanfic is a historical AU. I know a lot about history, but I might look up a historical site to proofcheck my dates or phrases of the time. Fanfic is nice, because it gives you an excuse to rewatch your favorite show if you wanna make sure you nail the characterizations. I might just look at a fan wiki if it’s a minor detail like what’s Ahsoka’s smaller lightsaber called. 
13. Hardest character to write
Oohhh boy! I think everyone can agree that Yoda and Darth Vader are the two toughest SW characters to write for. It’s hard to get into the head of a 900 yr old troll and Vader is just…really hard? Palpatine is also hard not to make him the typical cookie-cutter villian (Which he is, but I’d like to try to give him some depth). I feel like I write a different take of Anakin every time I write a different AU involving him, but I think that’s because the AUs are at different points of his life and also the AU effects his reaction to things.
14. Easiest character to write.
I know it’s contradictory, but Anakin. He’s definitely chaotic good and it’s fun to write that archtype. I haven’t written much Obiwan (actually I have, but I can’t post it until I write the chapters bridging to him :/) but he’s more lawful good compared to Anakin and throwing those two into the same fic is fun to see. Padme is a fun one to write as well as Ahsoka.
17. Favorite AU to write
I have so many AUs so again, hard choice. Gotta say Impetus, since it’s the most I have written for and I love it. It deals more with the traumatizing effects that slavery/the Jedi have inflicted on Anakin plus an even more problematic Palpatine. I didn’t mean to recreate Palpatine in that fashion he’s basically a pedophile in this AU, the characters kinda just made it happen and I ran with it. It was supposed to be a humorous/fluffy what-if but like everything I touch, it’s also angsty ( ¯\_(ツ)_/¯)
19. Favorite fandom to write for
My favorite fandom to write for naturally changes with my interests. I was obsessed with YJ for a while, then Hetalia and now SW. Star Wars is fun to write for because there’s a big audience and it’s pretty easy to find a pocket audience who love the same types of things that you do. YJ will always be my first love. I’m currently writing a fanfic for a YJ fandom event, but I’ve been kinda struggling? I’ve lost my enthusiasm writing-wise even tho I still love it to bits.
20. Favorite Character to Write.
Anakin, probably. It’s funny because I used to never like the PT, but the Clone Wars changed all that. It’s a shame that Lucas went the direction he did for Anakin in PT because TCW uncovered a problematic but likeable hero and I wish we could’ve seen that live-action (It’s not Hayden’s fault btw, the director is the one responsible for what portrayal the actor gives)
27. Best review you ever got.
Okay, so. I used to share an account on FF.Net with a friend and I wrote of a lot of YJ fanfics. One of them was a gen one-shot involving Bart and Jaime that received a good amount of attention. AND A REALLY GOOD FANFIC AUTHOR THAT I ADMIRED AND LOOKED UP TO REVIEWED MY FIC AND I HAVE NEVER GOTTEN OVER IT. I never in a million years imagined that my favorite authors potentially read my fanfics, let alone review/favorite it.
39. Do you want to be published some day?
Kinda. As a kid I’ve always wanted to get published but now I’m not so sure. I’ve never finished any fics other than one-shots and that really has gotten to me. My current goal is to finish at least one of my fanfics but I think I’ve been putting it off because I’m afraid it’s impossible to acccomplish. It’s silly, I know. I just need to do it.
40. Which one of your stories do would you most like to see as a movie/series?
Hmmm….probably my one-shot involving those two bounty hunter OCs. I could just see them trying to survive the universe with the least amount of weird space stuff happening but they seem to get pulled into it anyway. Those two are actually the easiest OCs for me to write, btw.
42. Do you plan or do you write whatever comes to mind?
I’m a weird creature. In life, I like to know things ahead of time. I like things to run exactly the way I planned. I don’t like unexpected variables. but in writing…I rarely outline. I usually write whatever is on my mind. Pure inspiration is awesome…until it runs out and feels like you’re pulling teeth to just to write a single sentence. That’s when I attempt to outline things.
45. Share the synopsis of a story you haven’t published yet
“Whatis love? To a young child slave, it is the words his mother used to caress himafter a brutal beating by their master. It is wrapped in the kisses she givesto each bruise and lullabies that lull him to sleep.” A meta on Anakin’s varying views of love a crappy summary authored by moi
46. Share a scene of a story you haven’t published yet.
Welp. Might as well share from the above fic.
Whatis love? To a young child slave, it is the words his mother used to caress himafter a brutal beating by their master. It is wrapped in the kisses she givesto each bruise and lullabies that lull him to sleep.
Hismaster can freely touch every part of him he wishes. He can say words to him—hecan do anything he like to him.
Hecan say things like, “You know I love you, boy?” and the slave obedientlyanswers, “Yes, master.”
He’sso very young, but he knows that his master’s words and touch are not love.Only his mother’s is. He doesn’t know how to describe it. But he can feel thewarmth behind them, like hovering over a fire on a cold desert night. They arelike a thick blanket made of bantha furs, soft and comforting. They melt awayhis tears and fill his lungs with laughter.
Everyday, his mother tells him “I love you Ani.” and Ani, the slave boy, freelyreplies, “I love you too, Mom!”
Hefollows by her example, smothering her with hugs and tells her silly stories tohear her laughter that rings like the bells at the market stands. Because heknows love is the best medicine to heal anyone. It makes them feel fuzzy insideand they don’t feel so sad knowing someone cares about them.
Hismom gets sad a lot, so he does his best to repel the sadness away. He doesn’tget angry when she’s sad, because she isn’t angry when he’s sad.
“It’sokay to be sad,” She tells him one night as she runs her hands through hishair, “Everyone gets sad, just like how everyone gets angry or happy.”
“Mastersdon’t like it when we’re angry though.” Anakin pouted.
Shepauses; looking down at her son with a sad smile, “No matter what they say,you’re allowed to feel angry, Ani. Bundle it up, and keep it to yourself—andrelease it when they aren’t looking.”
“Areyou ever angry, mom?” He yawned as he snuggled closer.
“Yes.”His mother breathed deeply, and he could feel a bit of her anger—for aninstant.
It ishot—not warm like Love’s fire. No, it burns and consumes him for a moment. Itreminds him of all the bruises and welts that his masters have given him. Angeris selfish and doesn’t love. He doesn’t like seeing the giver of his Love feelthis way. He internally sighs in relief when her anger melts away as he told atale about a funny customer that came in that day.
Hehas never truly felt anger. He flinches from its’ touch and refuses to feel theemotion that his masters are fond of.
50. Your favourite character from any of your fandoms (pick one or several characters you like) is writing a fanfic STARRING YOU AS A CHARACTER. Regarding this fact, what kind of fanfic do you think he/she/they are writing about and how would you feel about you literally being in it?)
I feel like everyone relates when I say I don’t think my life is interesting. I’d pick Cassie from YJ because I feel like she’d be the type to write fanfic. I will say one ironic moment in my life is that I starred in a play as a shy bookworm girl who got the lead role in her school play alongside her crush, the star basketball player, incidentally they ended up together in the end. Everyone irl teased me about this but the truth is….I actually had a crush on the actor himself. We’ve known each other for years and are good friends. And the closest I ever gotten to “kissing” him was a moment in the play where our characters almost kissed before being interrupted by other students. But of course nothing real came of the play and we still remain good friends.  I always note in my head that the hollywood version is that we…would’ve hooked up in the end. I’m sure if I was a fictional character and Cassie shipped me with him and we didn’t get together in the end, she’d be writing a fix-it fic where our pairing is the true pairing in the end. If i wasn’t fictional, I’d feel really weirded out by it. I don’t like fic involving real people in it, especially if it involves ships. I’m almost 90% sure this guy doesn’t have a crush on me and just regards as friends. Which is okay, because I’m not sure if I even want a relationship at the moment.
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hebrewing · 7 years
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Hebrew Basics #2: Pronouns, Sentence Structure
Hi Again!
Now that you’ve hopefully started to get Hebrew writing, it’s time to start with the language itself, beginning with the very base of the language - basic language structure.
First and foremost, here is a table of personal pronouns, since they’re pretty necessary for this lesson, and don’t require too much explaining behind them:
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An easy way to remember them is:
1st person pronouns always start with אֲנ an-.
2nd person pronouns also always start with א alef, but always have a ת tav in them.
3rd person pronouns always start with ה he, and are monosyllabic.
Male plural pronouns always end in a מ mem, while female plural pronouns always end in a נ nun.
אֲנוּ ánu is pretty much only used in formal settings, speeches, documents etc., not even in Biblical texts (it rose later in history).
אָנֹכִי anokhí is archaic these days, used primarily in Biblical texts and in some set phrases (e.g. אֲנִי וָאָנֹכִי aní va’anokhí ‘me, myself and I’), as well as serving as an adjective meaning ‘selfish.’
Moreover, some speakers merge the 2nd and 3rd person masculine and feminine plural pronouns, using only the masculine form. I don’t like prescribing you a correct and an incorrect way to say something - but I’ll let myself do so here. This is a language changing as we speak, and as of now this in-distinction is still pretty much universally viewed as incorrect. You can, and probably will, see it online or in speech, but most speakers (at least those I speak to) still make the distinction, especially with verb conjugations (as explained further in the lesson), and some will correct you if you don’t make it yourself.
What you might have noticed as well is the lack of a neutral pronoun. Hebrew nouns are all either male or female, and to refer to an inanimate noun you would simply refer to it by its appropriate pronoun. שֻׁלְחַן shulchán (table) is of masculine gender, so one will refer to it as הוּא hu (he); קַעֲרָה ka’ará (bowl) is of feminine gender, so one will refer to it as הִיא hi (she).
Side note: as there are no gender neutral 2nd and 3rd person pronouns, this creates some problems in feminist and LGBT circles. It’s simply impossible to refer to a group of people by a gender-inclusive pronoun, neither is it possible to refer to someone without explicitly saying what binary gender your referring to them with.
Before I explain sentence types I need to set out word order. Since verbs are conjugated to encode tense, number, gender and person (1st, 2nd and 3rd persons) of the subject, Hebrew generally has pretty free word order. This is because it is usually clear who the subject is through conjugation and context. Another consequence of this is frequent dropping of subject pronouns, since it is already specified through the verb.
However, most sentences still fall under SVO word order - where the subject comes first in a sentence, then the verb, then any objects the subject acts upon. For example:
1. אָכַלְתִּי תַּפּוּחַ. akhálti tapúach. - I ate an apple. (literally: I-ate[S+V] apple[O].) 2. יוֹנָתָן לִטֵּף אֵת הַכֶּלֶב. Yonatán litéf et hakélev. - Yonatan pet the dog. (literally: Yonatan[S] pet[V] direct object preposition the dog[O].) 3. הַסַּפְרָן יִתֵּן לִי אֵת הַסֵּפֶר. hasafrán yitén li et haséfer. - The librarian (m) will give me the book. (literally: the-librarian[S] will-give[V] to-me[O] direct object preposition the-book[O].)
(Note: even if it doesn’t look like it, the period / full stop comes after the text - to the left. So do exclamation and question marks. Typing right-to-left text embedded in a left-to-right language is very annoying, so you should get used to punctuation, vowel points and generally everything to not fall where you actually put your cursor. It’s terrible. Also, vowel points don’t get bolded with the rest of the text?? w h y)
Occasionally, in more higher speech as well as in Biblical texts, Hebrew also shows VSO word order. Hence, all of these sentences could alternatively be said like so:
1. אָכַלְתִּי תַּפּוּחַ. akhálti tapúach. - I ate an apple. (literally: I-ate[S+V] apple[O].) 2. לִטֵּף יוֹנָתָן אֵת הַכֶּלֶב. litéf Yonatán et hakélev. - Yonatan pet the dog. (literally: pet[V] Yonatan[S] direct object preposition the-dog[O].) 3. יִתֵּן הַסַּפְרָן לִי אֵת הַסֵּפֶר. yitén hasafrán li et haséfer. - The librarian (m) will give me the book. (literally: will-give[V] the-librarian[S] to-me[O] direct object preposition the-book[O].)
In 1, the verb and the subject are conjoined, therefore flipping their order doesn’t make any sense and the sentence stays the same.
That being said, these days SVO word order is a lot more common that VSO, especially in speech, so don’t worry too much about it, just know it’s used. Personally, I tend to used VSO in some cases for school essays, but that’s about it - and even this is mostly my personal tendency. Again, don’t think about it too much.
Sentence Structure - Syntax!
Hebrew sentences are generally separated into two categories: verbal sentences and nominal sentences. A verbal sentence, מִשְׁפָּט פָּעֳלִי mishpát po’olí (more commonly pronounced po’alí), is a sentence that contains a subject (some type of noun or verb phrase) and an action verb, also called the predicate. This, you might recognize, is the basic sentence structure of English as well. In fact, the vast majority of languages only possess this type of sentence. Nominal sentences are where stuff gets interesting.
A nominal sentence, מִשְׁפָּט שְׁמָנִי mishpát shemaní, as you might have guessed, is a sentence where instead of a nominal subject and an action verb - there’s just another noun (or adjective) acting as the predicate. These are characteristic to Semitic languages and Russian (I’m not sure about other Slavic languages), among others. For example:
1. הַדֹּב הַזֶּה מְאֹד יָפֶה. hadóv haze me’ód yafé. - This bear is very pretty. (literally: bear this very pretty.) 2. אֲנִי רְעֵבָה. aní re’evá. - I am hungry. (literally: I hungry (female)) 3. הוּא כֶּלֶב. hu kélev. - He is a dog. (literally: he dog).
To negate the sentence, simply put לֹא
As you might have noticed, the key characteristic is where English would put the verb to be, Hebrew just doesn’t put anything, because there is no equivalent in Hebrew. The languages simply lacks a copula (the linguistic term for verbs like to be, whose purpose is linking the subject to a non-verb predicate).
Well… not quite.
You see, without a copula, there would be no way of indicating different tenses. When the sentence is word-for-word ‘I hungry’ or ‘he dog,’ where do you mark the tense? For this there’s a nice and clever solution - copulae! Yep, Hebrew didn’t wanna feel left out of the copula club so it made itself copulae of its own.
There are many types of copulae, to mark different types of relations, but for now I’ll introduce you to most common and most simple one. To mark present tense sentences use the 3rd person pronouns הוּא, הִיא, הֵם, הֵן, and for past and future tenses it uses conjugations of the verb הָיָה hayá*, ‘to be,’ as following:
*I refer to all verbs in this series with their 3rd person, masculine past tense form. This is because verb infinitives in Hebrew, as you will learn, are not a great way to represent the verb, and the 3rd person masc. form of a verb is considered the most basic form of the verb in all different conjugations.
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If this seems like a lot to take in - it’s because it is. Hebrew verb conjugation is pretty complicated, and it doesn’t help that הָיָה hayá is quite an irregular verb. I don’t recommend you try and understand it fully, as I’ll be teaching everything you need to know about Hebrew verb conjugation pretty soon. For now, just take it at face value.
Notes:
If you have keen eyes, you might notice the /i/ after the /h/ in the transliteration of all future tense conjugations, that shouldn’t be there according to the vowel points. If not, notice it now. This is because it’s difficult to pronounce a /h/ without any consonant afterwards, so a dummy vowel was inserted after it. This is a common phenomenon in Hebrew with some consonants, but I won’t explain it now, as it’s quite complicated. (the different vowel points in the 1st person is just that I found two different vowel markings that seem to have no real difference between them)
For the present tense 1st and 2nd persons no copula is used. My guess is that this is because the subject can only ever be ‘I’ or ‘you’ when talking about 1st and 2nd person subjects, so repeating the same pronoun twice is useless. This is the case for 3rd person subjects as well: if the subject itself is ‘he,’ ‘she’ or ‘they,’ you don’t repeat the same pronoun as a copula.
This is getting a bit into verb conjugations, but the 2nd person plural past tense forms (now try saying that three times in a row) have two pronunciations: the top is the ‘correct’ one used formally, and the bottom is the one you’d actually hear pretty much everywhere, as it fits the conjugation pattern more regularly.
The 2nd and 3rd person feminine plural future tense conjugation, as marked on the table, is very rare nowadays, and shifting towards merging with the equivalent masculine conjugation. In fact, even the 2nd person plural past tense conjugations (marked with the 3), are starting to lose their distinction between masculine and feminine, just like the pronounced mentioned in the beginning of this lesson, but this is still widely considered a grammatical mistake and I do advise that you keep the distinction - people will just correct you otherwise.
The examples above in different tenses would be:
Past: 1. הַדֹּב הַזֶּה הָיָה מְאֹד יָפֶה. hadóv haze hayá me’ód yafé. - This bear was very pretty. (literally: bear this was very pretty.) 2. אֲנִי הָיִיתִי רְעֵבָה. aní hayíti re’evá. - I was hungry. (literally: I was hungry [female]) 3. הוּא הָיָה כֶּלֶב. hú hayá kélev. - He was a dog. (literally: he was dog).
Future: 1. הַדֹּב הַזֶּה יִהְיֶה מְאֹד יָפֶה. hadóv haze yihiyé me’ód yafé. - This bear will be very pretty. (literally: bear this will-be very pretty.) 2. אֲנִי אֶהֱיֶה רְעֵבָה. aní eheyé re’evá. - I will be hungry. (literally: I will-be hungry (female)) 3. הוּא יִהְיֶה כֶּלֶב. hú yihiyé kélev. - He will be a dog. (literally: he will-be dog).
Exercise
For the next 10 sentences, I’ll leave out the copula, and you should fill it in according to the tense and gender given in the brackets… if you even need the copula!!! muahahahaha
Don’t worry, they’re as simple as it gets.
1. הַכּוֹס ___ יְרֻקָּה. hakós ___ yeruqá. (fem. sing. past) 2. בְּנִי ___ חָכָם. bní ___ chakhám. (masc. sing. future) 3. מָסָךְ הַטֶּלֶוִיזְיָה שֶׁלִּי ___ לָבָן. masákh hatelevízya sheli ___ laván. (masc. sing. past) 4. הַלֵּב ___ הָאֵיבַר הֲכִי חָשׁוּב בַּגּוּף. halév ___ ha’evár hakhí chashúv bagúf. (masc. sing. present) 5. כְּרוּבִית ___ יֶרֶק. kruvít ___ yérek. (fem., sing., present) 6. מֶזֶג הָאֲוִיר מָחָר ___ קַר. mézeg ha’avír machar ___ kár. (masc. sing. future) 7. הֵן ___ בָּנוֹת נִפְלָאוֹת. hen __ banót nifla’ót. (fem. pl. present) 8. הַשֻּׁלְחַנוֹת שֶׁלָּהֶן ___ חֻמִּים. hashulchanót shelahen ___ chumím.(masc. pl. future) 9. הַהֲלִיכוֹן ___ מָהִיר מִדַּי. hahalichón ___ mahír miday. (masc. sing. past) 10. מִשְׁקָפַי ___ חֲזָקִים. mishkafái ___ chazaqím. (masc. pl. present)
Answer Key
1. הָיְתָה haytá (The cup was green.) 2. יִהְיֶה yihiyé (My son will be smart.) 3. הָיָה hayá (My TV screen was white.) 4. [הוּא] / - ; hu / - (The heart is the most important organ in the body.) 5. [הִיא] / - ; hi / - (Cauliflower is a vegetable.) 6. יִהְיֶה yihiyé (The weather tomorrow will be cold.) 7. - (They are wonderful girls.) 8. יִהְיוּ yihiyú (Their (f) tables will be brown.) 9. הָיָה hayá (The treadmill was too fast.) 10. הֵם / [-] ; hem / - (My glasses are strong.)
In the present tense examples I marked the option more likely to be heard with square brackets. I’m not sure why it is for each example, but the other option just sounds less natural.
Aaaaand that’s it for today!
Next time… Verbs??? probably
See you next week :)
לְהִתְרָאוֹת!
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