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#emma stone age
fakoa · 1 year
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Emma Stone Height, Weight, Age, Affairs, Husband, Biography & More
Biography / Wiki The red-headed girl “Emma Stone”, started coloring her hair on an idea from the creator from “Superbad”. In the past, she used “Riley Stone” as her stage name, but she later changed her name to “Emma” a nickname given by her mother. Her birth date was the 6 6th of October 1988, in Scottsdale, Arizona, USA. She is regarded as to be the most talented and skilled actress of our…
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obori-reisuke · 9 months
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weneedtotalkaboutcate · 11 months
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Cate Blanchett attends the Louis Vuitton Cruise Show 2024 at Isola Bella on May 24th, Italy.
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millie360 · 8 months
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selenophile-dimple · 29 days
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JUST EMMA AND CHALRIZE
hello folks! I am back and Im here to tell you that Im gonna be posting more 🤗
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hellish-cruelty · 4 months
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Damien Chazelle's love for Golden Age of Hollywood is reflected throughout La La Land (2016) which is why it is laden with homages from its opening shot to its grand finale. One such example is when La La Land (2016) pays homage to Academy Award winner Albert Lamorisse’s young boy and The Red Balloon (1956) and Flight of the red balloon (2007) during its "epilogue".
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wherewolf · 2 years
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now girl….. what is this.
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abs0luteb4stard · 9 months
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w A t c h i n g
I avoided this movie for over 10 years because my CPTSD is really closely linked to rumors/gossip and extreme bullying.
It makes me pretty heavy, but it also fun and clever and enjoyable.
But I've had those moments of teachers "who are they going to believe the troublemaker kid or the adult" too. Different situations but the similarity of being outcasted and treated like shit is not lost on me.
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grandmagbignaturals · 2 months
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Watched poor things. Finally. Nature is healing from the m c u and mark ruffalo is having a lot of sex with inappropriate women in films again
Not sure why this always happens with him but I have enjoyed a lot of the movies involved so it's fine
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nickchristian86 · 2 months
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Falling in like with Crazy, Stupid, Love (2011)
I didn’t expect this movie to be as awkward as it was. In hindsight, it makes sense, as Steve Carell movies can go this way. Crazy, Stupid, Love. (2024) by Glenn Ficara, is an exploration of all of the emotions a couple goes through as they enter a divorce or a separation; from the loss of a relationship, to getting back into the dating pool, and from attempting to be a parent and realizing that…
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Title: The Croods
Rating: PG
Director: Chris Sanders, Kirk DeMicco
Cast: Nicolas Cage, Emma Stone, Ryan Reynolds, Catherine Keener, Cloris Leachman, Clark Duke, Chris Sanders, Randy Thom, Eiza González
Release year: 2013
Genres: comedy, adventure, action, family, fantasy
Blurb: The world’s first family embarks on the journey of a lifetime when the cave that has always shielded them from danger is destroyed. Travelling across a spectacular landscape, the Croods discover an incredible new world filled with fantastic creatures...and their outlook is changed forever.
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starpinpoint · 2 years
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bellejolras · 4 months
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i don’t mean to go on a rant but I’ve been reading reviews of Poor Things bc i hate being happy and ohhhh my goddddd
spoilers under the cut but I have complaints about people’s (lack of) media literacy
Oh my god okay so first of all, if you haven’t seen a movie how are you going to comment on it. Reading summaries and other people’s reviews only is not sufficient to make an original point. you do not know what you’re talking about. just stop.
Second, the movie is. satirical. Which I thought was obvious from the absurd premise and surreal visuals? This is not supposed to be the real world. Nor is it advocating for all the stuff it shows. In fact, it’s even actively indicting some of what it shows. For example: fucked up power dynamics in sexual relationships exist in the movie, but the movie is not saying they are good, it’s criticizing them. Is this not getting through to people?
Third, and related, it’s not ! just ! about ! a sexy baby !! Partly because again, satire. But also partly because she rapidly goes through childhood & adolescent maturity. And it’s not meant to be, like, linear… the regular laws of empirical data and science do not apply to this world… so she is not in fact, like 6 when she’s having sex but more like 16. Which you could argue is still a minor, and im not disputing that, because again the movie is critical of this part and duncan is a total loser. But there’s a massive difference between the mental development of those two ages. ALSO there’s literally nothing inherently wrong with baby bella autonomously discovering masturbation. That’s extremely normal for little kids, often just as a way of self-soothing because it feels nice and not with any awareness of sexuality. And it’s fine if you thought that was a weird scene! but it’s hardly pedophilia to include in the film when the “baby” in question is in fact played by fully grown adult emma stone and I cannot believe that I’m seeing people accuse this movie of that
Fourth, if you claim your takeaway from this movie is “it wants me to believe that women’s power only exists through their sexuality” then I don’t believe you’ve seen the entire movie (see point 1). Narratively it’s only a means to an end for Bella, and when she gets tired of it, she stops! She gets bored of duncan and reads philosophy! She leaves her sex work career and becomes a medical professional! And, even in the sex scenes, while there are many, they center her and her experience, her pleasure. Yes, her tits are out a lot but the sex scenes are weird, intentionally grotesque without being violent. The montage with duncan is shot through a fisheye lens and literally pans away from the bed to focus on a bird landing in the room. Duncan can proclaim himself the best lover in the world, but he’s really not important to the scene ¯\_(ツ)_/¯
In conclusion, I know the people I’m complaining about aren’t going to read this, but just in case, I urge you to learn media literacy. And anyone else who read all of this, thanks lol!! accepting good faith discourse in the notes/replies
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Poor Things
First of all, Emma Stone’s performance is as good as everybody is saying. Stone takes a very difficult role that easily could have gone very, very wrong and makes it look like the most effortless thing in the world.
I have been looking at the reviews, good and bad, and I think that the minority of people who didn’t vibe with this movie had slightly skewed expectations.
Poor Things starts out at Tetsuo The Iron Man levels of fucked up, but by the end it has dropped to Edward Scissor hands levels of fucked up. This is probably plenty of weirdness for the average movie-goer, but true connoisseurs of mondo cinema should calibrate their expectations.
Second, apparently this is being talked up as a sort of feminist coming of age fable chronicling an everywoman’s sexual awakening and liberation, and it really isn’t that, and I think if you are hoping for that you’ll come away disappointed.
Better, I think, to look at it as an autistic coming of age fable and power fantasy, which I think it does a tremendous job at.
Very minor spoilers under the cut; really, this is more an essay about what I thought the film was about than a review, my review would be that it's somehow simultaneously a feel-good crowd-pleaser AND a movie where an adult woman with the brain of a toddler stabs the eyes out of a corpse with a scalpel and then plays with its penis (I wasn't kidding with the Tetsuo comparison)
Honestly now that I've actually written that out I have maybe underestimated how impressive it is that Yorgos Lanthimos made a movie where that happens on screen but somehow basically everybody loves the movie.
In terms of sex, we do watch Bella discover sex, but she very quickly comes to a conclusion about her relationship with it which never once changes throughout the rest of the movie:
She likes it, she likes it more with an attractive partner, she is utterly lacking in any kind of sexual jealousy, and she doesn't attach too much more to it than that.
This is an odd comparison, but Bella treats sex the way Joey did on Friends. A man acting this way is a sitcom cliche, but a woman acting the same way…
This is a film that is really, really not interested in the real-world consequences of this kind of sex; in fact, given that a pregnancy is the inciting incident of the film, it came off a little weird to me that the possibility of a pregnancy or STD was never really addressed (unless there was a line or two that I missed while I was in the bathroom).
For the most part, though, I was able to get past it by just thinking of it as a heightened world. The sets and settings are extremely artificial, and ultimately I figured, “Hey, if I can buy this kind of thing as harmless and fun in a sitcom, I can buy it in this other kind of heightened reality.
I will say, I don't think Bella is meant to be an every-woman, and that there's textual support for this in the film itself.
All of the women Bella deals with in some way question her approach to sex, making it clear, sometimes through explicit dialog, other times more reading between the lines, that her approach to sex is not for them.
If there’s any particularly feminist message in the film, it’s that when confronted with Bella’s bizarre approach to the world, none of the women get angry at her, and most of the men she meets do.
But Bella’s relationships with other women aren’t really the meat of the film, that’s more about her relationship with men, and particularly the way that they feel, deep in their bones, that they should have control over any woman that they have sex with.
Duncan Wedderburn, when he first discovers Bella and convinces her to go away with him, thinks he is tricking and seducing a beautiful naif who he can use and then discard when he tires of her. Their relationship disintegrates as it becomes clear that Bella hasn’t been tricked at all; she wanted exactly what he was able to give, a chance to sow her wild oats by having some no strings attached sex with an attractive, likable person in an exciting foreign city.
This makes Wedderburn increasingly unhappy and unhinged (He says at one point that he has become what he hates, a “grasping succubus”) much to Bella’s growing consternation. She has no idea why he can’t simply be happy having sex with her and otherwise letting her do what she wants, and he is so committed to a certain vision of gender roles that he can’t even begin to explain it, he can only lash out in frustration.
And that I think is the meatier part of the film; Bella doesn’t so much flout social expectations as she is simply totally unaware that they exist. 
Honestly I think the character isn’t so much coded as autistic as she just is autistic. Bella is a woman who is basically totally unaware of social expectations and constantly taken aback to discover that they exist.
More than that, she has to figure out a way to work around the fact that many of the people who become most enraged by her are also so totally lacking in self-reflection, and view their social situation as so normal, so self-evidently obvious that they cannot explain to her why it is she has made them angry. They suddenly fly into rages that clearly perplex Bella and which they themselves don’t even bother to explain, because they regard their own ideas as self-evident.
Bella is an idealized autistic hero; personally as outlandish as she is I don’t really think the film expects us to take the side of anybody else, and I think there are some fairly subtle and accurate bits of autistic behavior on her part.
She responds to life as a kind of social experiment, attempting to parse out a set of logical rules and, especially in the latter parts of the movie, she often justifies her actions with a perfectly sensible internal logic that the emotional men in her life can’t parse out. Late in the film, when she and Wedderburn are destitute, she prostitutes herself for 30 francs, and with implacable logic, explains the two reasons that Wedderburn ought to be quite happy she has done so: First, her john was much worse at sex than Wedderburn, which ought to satisfy his ego, and second, they now have 30 francs and the potential to earn more.
Wedderburn does not appreciate her logical approach.
Another thing that strikes me as very true is that Bella has a very odd theory of mind for other people. There’s a scene where, traumatized by the unspeakable poverty and suffering she sees in Alexandria, she puts all of Wedderburn’s money in a box and rushes out to give it to the poor. Unfortunately the ship is leaving, but two port attendants tell her that they will be staying on the island, and would be happy to deliver a package. She tells them that she has a big box filled with money and they should give it to the island’s poor, and they agree to do so. Now, the film never tells us one way or another whether they keep their word; but Bella herself retains an iron certainty that they did exactly what she asked them to. Now, we know Bella understands what lying and deceit are, because we’ve seen her trick people before, like when she chloroforms McCandles to run away with Wedderburn. But it never once occurs to her that these sailors might do something similar. Call it paradoxical, but that kind of thinking is common in autistic people.
There’s also the scene where the self-professed cynic Harry Astley shows her the suffering in Alexandria; he admits, when he sees how terribly it has affected her, that he didn’t tell her simply because he thought it was the truth of the world, but that her attitude made him angry, and he wanted to hurt her. A very common part of the autistic coming of age is the slow realization that not everything people tell you is part of a dispassionate, scientific search for the truth.
There’s also a scene in a whorehouse in which Bella argues that it would make more sense to have the women decide who is to sleep with the johns, so that then the john could be more confident that the girl was attracted to him, which he must doubt if he chooses. You can tell I’m autistic because I immediately had the thought, “Well, but the johns would probably be worried that nobody would choose them.”
One of Bella’s fellow working girls instead tells her, “Some of them like the fact that we don’t have a choice”.
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valhallarealm · 2 years
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Met Gala 2022. Kim Kardashian sfodera il vestito originale di Marylin Monroe di Happy Birthday Mr President, Sarah Jessica Parker si ispira alla prima designer nera della Casa Bianca e Blake Lively diventa Statua della Libertà
Met Gala 2022. Kim Kardashian sfodera il vestito originale di Marylin Monroe di Happy Birthday Mr President, Sarah Jessica Parker si ispira alla prima designer nera della Casa Bianca e Blake Lively diventa Statua della Libertà
Foto copertina: Greg Swales Al Met Gala è stato detto di tutto negli ultimi anni. È stato tacciato di essere una Carnevalata, una mascherata senza precedenti, che batte di gran lunga gli Oscar, ma poi il giorno dopo tutti scorrono le foto per vedere chi si è vestito con cosa e come. Ciò dimostra che abbiamo bisogno di creatività, fantasia ed escapismo, soprattutto in tempi non proprio felici.…
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filmperidot · 1 year
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My Favorite Coming of Age Movies
10 Things I Hate About You (1999)- One of the only rom-coms out there that I don’t feel guilty about loving. Its also one of the only rom-coms that I find laugh out loud funny, and where I genuinely really like both the protagonist and the love interest (I feel like at least one of them typically annoys me).
Booksmart (2019)- Great characters, and a fun new version of a pretty classic plot. It’s extremely funny, and highly enjoyable.
Easy A (2010)- Honestly one of my all time favorite comedies. Emma Stone is an absolute icon, and Stanley Tucci and Patricia Clarkson play the best parents known to cinema.
Eighth Grade (2018)- My god is this movie painful to watch. Prepare to cringe the whole way through, but it’s also quite sweet, and easily the most accurate depiction of middle school I’ve ever seen.
Lady Bird (2017)- The hype is real for this one. Saorise Ronan is amazing. It makes you laugh, tugs at your heartstrings, and does an incredible job depicting the high school experience.
Moonrise Kingdom (2012)- I love Wes Anderson’s style. If you generally aren’t a fan of his work, you won’t be a fan of this one either. But if you’re a fan of his cinematography, campiness, and awkward humor, this one’s for you. It’s a great summer movie.
Stand By Me (1986)- What a classic. It’s nostalgic, poignant, and funny. For me, this is a movie that defines the genre.
The Edge of Seventeen (2016)- Hailee Steinfeld and Woody Harrelson made a hilarious duo. Similar to the other movies on this list, it’s funny, relatable, and slightly heartbreaking in just the right way.
The Kings of Summer (2013)- This ones an underrated gem. It’s a bit of an acquired taste, but overall it’s a great experience. The atmosphere is amazing, and it’ll bring you back to your childhood summers.
The Perks of Being a Wallflower (2012)- God I love this movie. It’s incredibly heartbreaking, and the acting is great (especially from Logan Lerman)! Yes I cry every single time, no not at the part you’d think.
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