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#esteban moreno
spilladabalia · 2 years
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Trap Girl - Ivory Handle
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365filmsbyauroranocte · 3 months
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Los delincuentes (Rodrigo Moreno, 2023)
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idollete · 1 month
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juju, compartilhe conosco uma informação super importante: quem do cast seriam seus escolhidos pra participar de um surubão?
TÓPICO SENSÍVEL!!!!!!!!!!!! eu, enquanto uma simples garota menina mulher, escolheria o fernando, esteban, enzo, pipe e simón. cinco porque eu sou uma mulher compacta e também não aguentaria tanto homem assim, mas esses aí mis amores 🤌🏻 pra mim é chef kiss
poderia até dizer o agus lain mas acho que ele prefere morrer antes de participar de uma coisa dessas KSKSAKSMANNANA
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Rodrigo Moreno's "Los delincuentes" (The Delinquents) October 26, 2023.
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moviemosaics · 2 months
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The Aerial
directed by Esteban Sapir, 2007
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karmaalwayswins · 2 years
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Goodwood Road & Racing “Monaco Historic Grand Prix 2022 Full Day Live Stream Replay” (2022)
Livestream video of the Monaco Historic Grand Prix 2022. A full day of short races featuring historic Formula 1 cars (up to 1985), pre World War II Grand Prix cars, and sports cars. Commentary by Alex Brundle, Jonathan Green, and Tiff Needell. Notable appearances by Charles Leclerc, Esteban Gutierrez, Emanuele Pirro, Roberto Moreno, Marco Werner, and Jacky Ickx.
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movienized-com · 16 days
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Los delincuentes
Los delincuentes (2023) #RodrigoMoreno #DanielElías #EstebanBigliardi #MargaritaMolfino #GermánDeSilva #MarianaChaud Mehr auf:
Die MissetäterJahr: 2023 (Oktober) Genre: Comedy / Krimi / Drama Regie: Rodrigo Moreno Hauptrollen: Daniel Elías, Esteban Bigliardi, Margarita Molfino, Germán De Silva, Mariana Chaud, Gabriela Saidon, Cecilia Rainero, Javier Zoro, Lalo Rotavería, Iair Said, Fabian Casas, Adriana Aizemberg … Filmbeschreibung: Morán (Daniel Eliás) und Román (Esteban Bigliardi) versuchen, den Konventionen der…
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notesonfilm1 · 29 days
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The Delinquents/ Los delincuentes
Yesterday I went to see The Delinquents/ Los delincuentes, a new and quite divisive film from Rodrigo Moreno: some people love it and find it an existential exploration of the concept of freedom, so salient in Argentina today; others find its almost three-hour length and meandering narrative an unsupportable bore. I liked it very much. An accountant in a bank (Daniel Elías) calculates that he can…
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randomrichards · 2 months
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THE DELINQUENTS:
Banker robs the banker
Hands bag to coworker
While he waits in jail
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cinefilesreviews · 4 months
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The Delinquents (2023) Movie Review
Rodrigo Moreno’s The Delinquents is not a heist film, but it does begin with an elaborate bank robbery. It is not exactly a thriller, either, though it borrows from plenty of the tropes you’d find in an exciting thriller film with a heist as its centerpiece. Elaborate planning, blackmail, prison politics, uneasy partnerships, paranoia of being found out, and the hiding of wads of cash all play an…
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mcgiggers · 5 months
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Miami - December 2023
Just back from an action packed two and half days in Miami which featured stops at half a dozen art fairs and visits to a few private collections and a museum. With worrisome headlines front and center and a squishy economic outlook, one might have expected a more subdued reception to this year’s art week festivities in Magic City, but by all accounts, it was full steam ahead for art fans and aficionados. The fairs seemed to get super-sized, the crowds appeared to be bigger, and the city was grid locked for the better part of full days and evenings as people tried to make the most of all that was being offered. Once you eventually got to wherever you were going, it was all great. The art rose above all the noise, and a marvelous viewing experience was served up and fully appreciated.   
The itinerary for the trip included: INK, Untitled and Scope fairs on arrival in South Beach; the de la Cruz and Margulies private collections, the Rubell Museum, and NADA and Art Miami fairsthe next day in and around the Miami Design District; and then Art Basel Miami Beach back on the other side of Biscayne Bay on departure day. While not all fairs are created equal, part of the thrill is the journey and finding those special works that resonate wherever they may show up. And, in that regard, there were many exciting discoveries and some magnificent reacquaintances.
The mainstay and anchor of the art festivities was Art Basel Miami Beach which celebrated its 21st edition with 277 exhibitors from 33 countries. While that was the official gallery count, multiple booths by some gallerists together with the proliferation of focus sections spread throughout the Miami Convention Center catapulted the number of exhibits to well over 300. With a view to making it more manageable for fairgoers (albeit questionably so), the fair was organized into curated groupings featuring top-of-the-line modern and contemporary galleries in the main section and then, in other dedicated spaces, diverse curatorial initiatives such as emerging artists, thematic exhibitions and large-scale projects, among others. Perhaps at the expense of a shrinking modern master presence and notwithstanding the diversity in presentation concepts, the focus of the fair was clearly tilted towards the new as established and emerging contemporary art was at the forefront. There was also noticeable excitement around Untitled in what seemed to be an invigorating revamping of that fair’s physical presence and gallery lineup. Under its fortified bright white tent situated right on the beach, Untitled lived up to its billing as the quintessential Miami art fair and delivered a strong roster of 166 North American and international exhibitors focused intensely on contemporary art. Among the other visits, the incredible collections at the de la Cruz, the Margulies and the Rubell did not disappoint, and the opportunity to enjoy beautiful paintings, sculptures and on-site installations housed in marvelous settings without the chaos of crowded fair corridors was surreal.
Across all fairs, there were many memorable pieces. At Art Basel, the showstoppers included: Rebecca Morris’ “Untitled (#14-15)”, 2015, oil and spray paint on canvas (111 x 113.5 in.); Antonio Ballester Moreno’s “Azul”, 2023, acrylic on jute (78.75 x 57 in.); Gareth Nyandoro’s “Street Canteen”, 2023, ink on cut paper mounted to canvas (57.5 x 94 in.); and Phoebe Boswell’s “A Knowledge Becoming”, 2023, pastel on paper (60.25 x 48.5 in.). At Untitled, the highlights included: Rafael Lozano-Hemmer’s “Thermal Drift Density Map”, 2022, custom software, computer, thermal camera, screen (dimensions variable), edition of 6, 1AP; and Concetto Pozzati’s “Inventario”, 1963, oil on canvas (60.63 x 75.25 in.). Other special sightings included: a pair of Esteban Vincente works, “The West”, 1980, oil on canvas (68 x 56 in.) and “Inside Red”, 1986, oil on canvas (56 x 68 in.) at Art Miami; Vanessa Gully Santiago’s “Self Portrait in a Red Dress”, 2022, acrylic on canvas (30 x 24 in) at NADA; and Peter Grippe’s “Figure”, 1950, watercolour on paper (8 x 5 in.) at INK. Special kudos to Sudanese-Canadian artist Azza El Siddique’s critically acclaimed installation, “Final Fantasy”, involving metal work scaffolding, dripping water, eroding clay-fired pots with a central four-sided monitor scrolling the English translation of Egyptian and Nubian funerary texts. Emitting a mystical transcendental vibe, the temple-like installation captivated fairgoers and was an Art Basel fan favorite.
Among the private collections, it was great to again see longstanding much admired works, including:Noah Davis’ “Painting for my Dad”, 2011, oil on canvas (76 x 91 in.) at the Rubell; an installation of familiar works at the de la Cruz by Félix González-Torres which included “Untitled” (America #3), 1992, 42 light bulbs, extension cords and porcelain light sockets (variable size), “Untitled” (Portrait of Dad), 1991, white mint candies, endless supply (ideal weight 175 lbs), and “Untitled”, 1989/1990, offset print on paper, endless copies, two stacks (56 x 23 in. each, ideal height 26 in.); and Leondro Erlich’s “Elevator Pitch” at the Margulies, 2011, automatic door operator, sliding doors, stainless steel, button panel, rear screen video projection, Mac mini-computer, 5 minutes, looped.
While things were frenzied in Miami, it was probably equally so in Hogtown as Torontonian sports fans relished the very real possibility of landing Shohei Ohtani. The Dodo Birds were among the few shortlisted in the hunt for the truly generational talent, but regrettably, after all was said and done, the Dodgers signed him with the lure of perpetual sunshine and a whopping $700 million 10-year contract. Quite incredible.  For a short while, the hype served as the perfect smokescreen for the plight of the woeful Dinos who continued to plod along below the 500 mark in the win/loss column. It has been reported that Coach Darko has offered to pick up the team dinner tab when the boys string together three victories. With the team on a three-game losing streak, the more relevant matter at hand is what Coach Darko is doing to stop the bleeding. Fasting, KETO, Paleo? Hunger, or lack thereof, does seem to be part of the issue as lackluster performances add up. One can only assume that Sensei Masai is gearing up for a splash at the trade deadline in February 2024. Meanwhile, Coach Darko has his hands full.
For more information on any of the artists, works or venues mentioned, or the fate of the Dinos, “Just Google It”.
There you have it sportsfans,
MC Giggers
(https://mcgiggers.tumblr.com)
Reporter’s Certification
I, MC Giggers, hereby certify that the views expressed in this report accurately reflect my personal views and that no part of my compensation was or will be, directly or indirectly, related to the specific views expressed herein.
I also certify that I may or may not own, directly or indirectly, works of artists mentioned in this report and that I may or may not have a strong bias for such artists and, more generally, for “Pictures of Nothing”.
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365filmsbyauroranocte · 3 months
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Los delincuentes (Rodrigo Moreno, 2023)
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ecoamerica · 24 days
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Watch the American Climate Leadership Awards 2024 now: https://youtu.be/bWiW4Rp8vF0?feature=shared
The American Climate Leadership Awards 2024 broadcast recording is now available on ecoAmerica's YouTube channel for viewers to be inspired by active climate leaders. Watch to find out which finalist received the $50,000 grand prize! Hosted by Vanessa Hauc and featuring Bill McKibben and Katharine Hayhoe!
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cristinabcn · 5 months
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"Impactos sociales del cambio climático"
“Social impacts of climate change” Cristina García Fernández “Impactos sociales del cambio climático” es un libro publicado recientemente por la Profesora de Economía en la Facultad de Ciencias Políticas y Sociología de la Universidad Complutense de Madrid, Cristina García Fernández, profesora del Departamento de Economía Aplicada, Pública y Política de la Facultad de Ciencias Políticas y…
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screenzealots · 5 months
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"The Delinquents"
With deadpan humor and an observational style that's peppered with an existential twist, the film is surreal, awkward, and very, very strange.
The first half of writer / director Rodrigo Moreno‘s “The Delinquents” is executed so well that I have a tendency to overlook the dreadfully dull second half, which in all fairness almost completely balances out the ridiculously bloated (and borderline obnoxious) 3-hour-long runtime. I realize my opening comment does very little to sell this leisurely, rambling, and unfocused film to viewers, but…
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moviemosaics · 4 months
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The Delinquents
directed by Rodrigo Moreno, 2023
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pacingmusings · 7 months
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New York Film Festival 2023:
The Delinquents (Rodrigo Moreno), 2023
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