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#experimenting with black/white edit
aprilblossomgirl · 2 years
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KINNPORSCHE THE SERIES (Episode 13)
The Absence of Artificial Lighting
Part 1 | Part 2
+ There's something I need to find an answer. I'll come back soon. Love you. :) - Porsche +
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sshangth-daawnth · 11 months
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Shiori Experience
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seashoreshell · 9 days
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Sticker sheet, free to download from here!
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21threjectedsoul · 4 months
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I'm cooking another shattered/broken Metal Sonic edit (similar to this one here)
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This one I have no preview about when to finish it, just posting it fyi
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annienani044 · 9 months
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I see people really liked this idea so uhhh I start doing normal references to them.
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First one is Peppino, known here as P (bc who cares about name of another "member" of this tower hell?\j). He doesn't have mouth and he can change shape of his body parts... he rarely use it bc it's still hard for him to do. In personality he almost the same funny anxious Italian man, just with even more traumas. (Fun fact: but he didn't know about his ability at first, and still dunno that his eyes are black now 💀.)
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antirepurp · 3 months
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i forgot the pokemon direct happened and i haven't watched it but i know people wanted and didn't get unova remakes to which i say how do you think those would even work. gen5 is the one generation where you can't ignore the definitive editions without causing a ruckus because they're sequels. do you think gamefreak is going to make 4 slightly different games and release them all at once? no they'll do the first games and pretend bw2 isn't real. certainly they could bundle the first ones with their sequels but egads that would mean you have two games in one and we can't have that that's like having two savefiles in one game! like sorry fellas but i don't think they can touch gen5 they got too much right in that generation
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28whitepeonies · 2 years
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Hi Bea, hope it's okay to ask this, why do some people don't like Louis drinking too much? I mean he isn't that much of an alcoholic, is it because of the recent Jojo interview? I'm just really curious why people are angry at Louis on his vices, hope you dont see me as a rude anon, I'm just very curious and you have great commentary so 🥺💐 pleaseee.
Hi friend
This is a big question that I am going to try to summarise my thoughts on.
I think the first thing is that in part this is much broader than just Louis but how a lot of people within fandom see the world, the role Louis (& Harry/Zayn/Liam - I see it less with Niall, though it may just be I don't see it) plays in their life and their desire to exert control over behaviour. That doesn't just apply to alcohol, you see it with smoking, weed, drug use, their relationships, family and friendships.
Louis has spoken about drinking in a range of situations and he has talked that about that as something he enjoys socially, and that sometimes he has a drink before/during a show because the ritual of it calms his nerves. I think Louis (and the others) have had plenty of experience with alcohol and drug use, and they've probably all used alcohol and drugs at times when that maybe hasn't been helpful for them. But all of that, every single decision they make, every single drink they have or line they snort or joint they smoke is not for fans to pass judgement on.
The other thing fans need to understand is how accessible drugs and alcohol are. In the UK as an average person, weed, coke and ket in particular are as accessible as vodka red bull. They're a pretty big part of pub/club/festival culture and tbh life. I think you would struggle harder to find someone in the UK who hasn't tried, or had a period where they used one of those with some regularity, than someone who hasn't. Now if seventeen year old me, working part time in Tesco in 2011 could access those like I could find an irn bru in Glasgow, then you have to amplify that by one thousand for nineteen year old Louis in this massive boyband and in the music industry. that is as true today as it was then. Alcohol and drug use is such a part of touring and music industry that you cannot de-link those, it is an incredibly stressful industry. On top of that, alcohol and drug use is more likely to turn into addiction where they are already dealing with trauma or mental health or any other vulnerabilities.
What I also want to be clear about is that I don't think we have enough to know if he has personally experienced addiction (though Louis has undoubtedly had experience of addiction with those around him both personally and professionally). I've not seen enough to suggest either way and I think it is daft to think we know enough to make that call, or that we should.
My biggest issue is, and will always be, that the approach fandom takes to alcohol and drug use, helps no-one. All it does is pass judgement which adds to existing stigma and shame, this idea that drinking or drug use is some horrible harmful choice leads to people feeling isolated, and that isolation deprives people of access to resources - how do fans think that this approach would support anyone? As usual though, my biggest concern is the other people who absorb this from fans and then internalise it and/or send it back out into the world.
So why do I think fans react this way? I think fans are projecting, I think fans would like to be able to control Louis' life and when they disagree with the way in which Louis is navigating his own life they use this 'concern' over his health or choices in a manner that is manipulative and shaming.
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bannedfromthewired · 1 year
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shirt concept by me
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acidd-attack · 2 years
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Shiori Experience: jimi na watashi to hen na ojisan
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jadenvargen · 3 months
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free online james baldwin stories, essays, videos, and other resources
**edit
James baldwin online archive with his articles and photo archives.
---NOVELS---
Giovanni's room"When David meets the sensual Giovanni in a bohemian bar, he is swept into a passionate love affair. But his girlfriend's return to Paris destroys everything. Unable to admit to the truth, David pretends the liaison never happened - while Giovanni's life descends into tragedy. This book introduces love's fascinating possibilities and extremities."
Go Tell It On The Mountain"(...)Baldwin's first major work, a semi-autobiographical novel that has established itself as an American classic. With lyrical precision, psychological directness, resonating symbolic power, and a rage that is at once unrelenting and compassionate, Baldwin chronicles a fourteen-year-old boy's discovery of the terms of his identity as the stepson of the minister of a storefront Pentecostal church in Harlem one Saturday in March of 1935. Baldwin's rendering of his protagonist's spiritual, sexual, and moral struggle of self-invention opened new possibilities in the American language and in the way Americans understand themselves."
+bonus: film adaptation on youtube. (if you’re a giancarlo esposito fan, you’ll be delighted to see him in an early preacher role)
Another Country and Going to Meet the Man Another country: "James Baldwin's masterly story of desire, hatred and violence opens with the unforgettable character of Rufus Scott, a scavenging Harlem jazz musician adrift in New York. Self-destructive, bad and brilliant, he draws us into a Bohemian underworld pulsing with heat, music and sex, where desperate and dangerous characters betray, love and test each other to the limit." Going to meet the Man: " collection of eight short stories by American writer James Baldwin. The book, dedicated "for Beauford Delaney", covers many topics related to anti-Black racism in American society, as well as African-American–Jewish relations, childhood, the creative process, criminal justice, drug addiction, family relationships, jazz, lynching, sexuality, and white supremacy."
Just Above My Head"Here, in a monumental saga of love and rage, Baldwin goes back to Harlem, to the church of his groundbreaking novel Go Tell It on the Mountain, to the homosexual passion of Giovanni's Room, and to the political fire that enflames his nonfiction work. Here, too, the story of gospel singer Arthur Hall and his family becomes both a journey into another country of the soul and senses--and a living contemporary history of black struggle in this land."
If Beale Street Could Talk"Told through the eyes of Tish, a nineteen-year-old girl, in love with Fonny, a young sculptor who is the father of her child, Baldwin's story mixes the sweet and the sad. Tish and Fonny have pledged to get married, but Fonny is falsely accused of a terrible crime and imprisoned. Their families set out to clear his name, and as they face an uncertain future, the young lovers experience a kaleidoscope of emotions-affection, despair, and hope. In a love story that evokes the blues, where passion and sadness are inevitably intertwined, Baldwin has created two characters so alive and profoundly realized that they are unforgettably ingrained in the American psyche."
also has a film adaptation by moonlight's barry jenkins
Tell Me How Long the Train's been gone At the height of his theatrical career, the actor Leo Proudhammer is nearly felled by a heart attack. As he hovers between life and death, Baldwin shows the choices that have made him enviably famous and terrifyingly vulnerable. For between Leo's childhood on the streets of Harlem and his arrival into the intoxicating world of the theater lies a wilderness of desire and loss, shame and rage. An adored older brother vanishes into prison. There are love affairs with a white woman and a younger black man, each of whom will make irresistible claims on Leo's loyalty. 
---ESSAYS---
Baldwin essay collection. Including most famously: notes of a native son, nobody knows my name, the fire next time, no name in the street, the devil finds work- baldwin on film
--DOCUMENTARIES--
Take this hammer, a tour of san Francisco.
Meeting the man
--DEBATES:--
Debate with Malcolm x, 1963 ( on integration, the nation of islam, and other topics. )
Debate with William Buckley, 1965. ( historic debate in america. )
Heavily moderated debate with Malcolm x, Charles Eric Lincoln, and Samuel Schyle 1961. (Primarily Malcolm X's debate on behalf of the nation of islam, with Baldwin giving occassional inputs.)
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apart from themes obvious in the book's descriptions, a general heads up for themes of incest and sexual assault throughout his works.
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webfactor · 23 days
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Wikipedia editors push offensive language to delegitimize some Native American Tribes
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Article Text As Follows:
Wikipedia editors push offensive language to delegitimize some Native American Tribes
By Sherry Robinson
Special to The Independent
ALBUQUERQUE — When Lily Gladstone won a Golden Globe and Oscar nomination for her role in “Killers of the Flower Moon,” the public recognized a Native American actress. But to Wikipedia readers, she is an American actress whose father was Blackfeet and Nez Perce and whose mother was white.
Three long-time editors at the online encyclopedia argued that even though Gladstone grew up on the Blackfeet reservation, she couldn’t be called Native American unless she was an enrolled member of the tribe. When Gladstone’s uncle weighed in to say she was enrolled, they dismissed his comments. She is still, in Wikipedia’s view, “an American actress.”
In recent years, outside of a national debate in Indian Country over fake tribes, a handful of Wikipedia editors have been deciding who is Native American and who isn’t.
Look behind the curtain of the sprawling site and you will find a network of 265,000 volunteer editors writing and editing within a Wiki universe that has its own rules, language, police and courts but no traditional hierarchy.
Wikipedia’s structure allows likeminded editors to work together, but it also permits editors with a bias to advance their agenda. The site has drawn criticism from media and academics for slanted articles on Blacks and Jews. Wikipedia documents its own systemic bias in an article by that name and attributes the problem to too few minority editors. The typical editor, it says, is a white male.
By Wikipedia's definition, the only real tribes are federally recognized; editors of Native American material denigrate state-recognized and unrecognized tribes and seem preoccupied with revealing fake Indians.
The fakes are out there, and they’re a problem. But there’s a big difference between people who invented a Native ancestry and people who have a long, documented heritage.
For this story, aggrieved tribal members didn’t identify themselves because they fear the site’s size and power – it reaches 1.8 billion devices a month – and some editors’ vindictiveness.
Behind the curtain
Wikipedia is transparent about its process. Click on “talk” at the top of each article and you find the (sometimes endless) debates among editors about an article and see the site’s rules in action.
Editors are anonymous because the Wikipedia Foundation has a strong commitment to privacy, says a spokesperson. However, readers don’t know what expertise editors have or whether they’re Native American.
Editors select their subject matter. With experience they can rise in the pecking order until they gain authority to reverse or eliminate the edits of others. They quote the site’s often arcane rules in Wiki-Speak to anyone who disagrees. While Wikipedia espouses objectivity, neutrality and civility, discussions can take the low road.
On Lily Gladstone’s talk page, a newish editor, user name Tsideh (Apache for bird), asked, “What are your sources supporting the idea that Native Americans are only those who are enrolled in a US recognized tribe?”
A Wiki editor, user name ARoseWolf, answered: “A notable subject can make a claim… but you must have that respective tribal nation’s acceptance as verification through enrollment."
Gladstone’s uncle wrote: “I’m a primary source for Ms. Gladstone’s tribal heritage. Her father is my brother. Through our father, we are both enrolled in the Blackfeet Tribe in the USA,” he wrote. “Our mother is enrolled Nez Perce. So Ms. Gladstone is a direct descendant of both Blackfeet and Nez Perce.”
ARoseWolf shot him down. “We can not use primary sources to verify such information and, you, as a claimed family member have a WP:COI which means we need an independent source.”
WP:COI is the Wikipedia rule on confl ict of interest. Wikipedia forbids primary sources, and yet they’re the gold standard for journalists and academics.
Tsideh challenged the position that only enrollment in a recognized tribe “entitles somebody to claim to be a Native American” as an unfounded, minority point of view that Wiki editors didn’t support with a citation or explanation.
ARoseWolf and others chastised Tsideh for violating Wiki rules on bullying, false accusations and arguing Wiki policy. Tsideh countered that Leonardo DiCaprio didn’t have to prove he was an Italian American, but Lily Gladstone had to prove she was a Native American.
As the back and forth continued, ARoseWolf slammed a new editor who "just happened to find this discussion,” a dig that implies one party enlisted another to join the debate. That too is a Wiki violation.
Bohemian Baltimore, another regular, insisted, “If she’s not enrolled, she may be a descendant, but she’s not a Native American.”
Who is Native American?
Terry Campbell, a Navajo born in Tuba City, Arizona, who lives out of state, has been studying Wikipedia for five months, after friends complained about poor treatment in trying to edit Wiki pages.
One friend wanted to add some facts to an article about a tribe. “These changes were rejected by a handful of editors who cited other Wikipedia pages as sources,” he said, “and I thought that was very, very odd.”
A friend citing sources that prove her tribe survived the Indian wars and received state recognition ran up against Wikipedia guidelines on determining Native American identities that were largely crafted by two editors, user names CorbieVreccan and Yuchitown. Wiki editors used the guidelines to reclassify dozens of state-recognized tribes as “heritage organizations” and removed “Native American” from biographies of prominent tribal members or, worse, called them a "self-identified Native American.”
The implication, Campbell explained, is that the tribe no longer exists and that its members are suspect or even “Pretendians.” Wikipedia has a page for that too.
The same group has shaped many articles on Native subjects. Campbell said he combed through references and found they were misrepresented, taken out of context, sourced from far-right academics, or unreliable.
“The scope of this issue is huge,” Campbell said. “It permeates all the Native articles I checked.”
Campbell recognized talking points from what he called a far-right movement in Indian Country intent on erasing state-recognized and unrecognized tribes. (New Mexico has no state-recognized tribes and six unrecognized groups or tribes.)
Some Native Americans and Anglos, he said, believe that Indigenous people outside the circle of federal recognition should be considered non-Native. They also want to prevent members of the disenfranchised groups from selling their art, receiving ancestral remains, accessing disaster relief or re-establishing their homeland.
Outside Indian Country, it’s not generally known that U.S. Indigenous groups live within a caste system based on government recognition, with 574 federally recognized tribes on top, dozens of state-recognized tribes second, and several hundred unrecognized tribes last.
In 2021, Yuchitown wrote, “The overwhelming majority of ‘List of unrecognized tribes in the United States’ are completely illegitimate.”
There are many reasons why groups aren’t recognized. Some avoided the reservation. Some lost their recognition during the termination era. Some were broken up and scattered during the Indian Wars. Some went underground, practicing their culture secretly while passing as Hispanic. Many simply stayed put.
When Wikipedia editors claim that “Native American” is a political status conferred by the U.S. government, that an individual can only be called a “descendent” until their tribe is recognized, they push this narrative, Campbell said. It’s a contradiction of federal Indian law and the United Nations Declaration on the Rights of Indigenous Peoples.
According to the U.S. Department of Justice, “As a general principle, an Indian is a person who is of some degree Indian blood and is recognized as an Indian by a Tribe and/or the United States. No single federal or tribal criterion establishes a person’s identity as an Indian. Government agencies use differing criteria to determine eligibility for programs and services. Tribes also have varying eligibility criteria for membership.”
Extreme points of view
Campbell has contributed to a lengthy report, as yet unpublished, that identifies biased editors. They include Yuchitown, CorbieVreccan, ARoseWolf, Indigenous girl and Bohemian Baltimore.
“It was like a tree with many interconnecting branches that had been created over time by the same small group of people pushing extreme points of view,” Campbell said.
Initially the group made changes slowly, he said, “but they started pursuing their agenda aggressively after November, when state-recognized tribes retained their voting rights in the National Congress of American Indians (NCAI). Essentially, after the movement to delegitimize state-recognized tribes failed officially, the key players doubled down on altering and controlling the flow of information about Native Americans through Wikipedia.”
Campbell observed widespread violations of Wikipedia standards: “I found evidence that they blatantly misquoted and misrepresented sources to push extremist political beliefs; teamed up to manipulate the consensus system by voting in blocks; exploited Wikipedia rules, such as conflict of interest, to block outside editors from making changes to Native-related pages; excessively cited opinion pieces from fringe political figures, including those accused of racism and anti-semitism; blocked the use of legitimate primary and secondary sources that contradict their extremists beliefs, which violates Wikipedia’s rule against information suppression; posted originally researched, politically motivated essays instead of well-sourced articles; and harassed and defamed Native American tribes and living Native American people.”
Reacting in February to an early draft of the report posted on Google, the editors were incensed that anybody would voice complaints “off-Wiki.” ARoseWolf wrote that “we have been attacked, threatened with legal action and had misinformation/ false claims spread against us.” She and Yuchitown denied being part of a conspiracy against tribes or organizations and said they were just following Wiki rules. Yuchitown accused critics of being “meat puppets” of a person who objected to some Native content and enlisted others to back them up. In WikiSpeak this is meat puppetry.
“Volunteers on Wikipedia vigilantly defend against information that does not meet the site’s requirements,” the Wikipedia spokeswoman wrote. “These volunteers regularly review a feed of real-time edits to quickly address problematic changes; bots spot and revert many common forms of negative behavior on the site; and volunteer administrators (trusted Wikipedia volunteers with advanced permissions to protect Wikipedia) further investigate and address negative behavior. When a user repeatedly violates Wikipedia policies, Wikipedia administrators can take disciplinary action and block them from further editing.”
Inaccurate and insulting
In 2006, Wikipedia established the WikiProject Indigenous Peoples of North America to improve its Native-related content of 14,000 articles and more than 37,000 pages.
Recently, a hot topic on the project’s talk page was a proposal to change a category name from “unrecognized tribes” to “organizations that self-identify.”
On April 15 Melissa Harding Ferretti, chairwoman of the Herring Pond Wampanoag Tribe in Massachusetts, wrote, “The proposed renaming of the category on Wikipedia is not only inaccurate… but also insulting.”
Ferretti is one of the few Natives to take on Wiki editors openly.
Herring Pond was originally listed with other Wampanoag tribes. In 2022 Yuchitown stripped “state-recognized” from the page, even though the state Commission of Indian Affairs regularly engages with them. Last year Yuchitown created a separate page for Herring Pond. Wiki editors resisted attempts to make changes or corrections.
After Wikipedia called Herring Pond a “cultural heritage group" and a nonprofi t that "claims" to descend from Wampanoags, Ferretti wrote in a Wiki discussion, “There is no claim, it’s a fact! Might I add, nonprofit status was imposed upon Tribal nations in the ‘90s because we didn’t have our federal recognition yet.”
Her tribe has a well-documented history. “We still have care and custody of our sacred places, burial grounds and our 1838 Meetinghouse, one of three built for the Tribe after the arrival of the colonizers. Our continuous presence and stewardship of these lands are recognized by historical records, deeds and treaties.”
Ferretti wrote that tribes without federal recognition already face significant hurdles to gain recognition, "and being labeled as 'self-identified' can add to these challenges by casting doubt on our legitimacy.” Mislabeling unrecognized tribes “can lead to the spread of hate, misinformation and further marginalization.”
Some Wiki editors agreed. One wrote that “there are strong negative connotations to saying someone who is Native 'self identifies,' because the inference is that they are Native in name only or falsely claiming to be Native. A change like this will impact countless articles…” Bohemian Baltimore, ARoseWolf and Yuchitown insisted there were no negative connotations. They opposed calling an unrecognized group a tribe because it legitimized groups with unverified claims. ARoseWolf said, “If they had proof of their connection to the original people they would have gotten federal recognition.”
This is a frequent refrain among the insiders, who apparently think the application process is a slam dunk instead of the long, difficult, expensive journey it is.
Yuchitown noted that “all of the editors who actively contribute to and improve Native American topics on Wikipedia have voted to support the renaming.” It’s a remarkable declaration that he and his allies act in concert.
The insiders took even stronger action against Lipan Apaches in Texas.
Late in 2022, Yuchitown changed the entry of the Lipan Apache Tribe of Texas to say that NCAI recognizes the tribe as state-recognized but the National Conference of State Legislatures (NCSL) does not. In fact, NCSL took down its web page listing federal and state-recognized tribes because it couldn’t verify the accuracy.
In boilerplate that appears on all the Texas unrecognized tribes’ websites, Yuchitown said Texas has no legal mechanism to recognize tribes, citing an online article that in turn cites the discredited NCSL web page.
In 2022, a tribal member and Yuchitown fought back and forth, reversing each other’s edits. In WikiSpeak, it was edit warring. The tribal member informed Yuchitown that the NCSL page he quoted no longer existed. CorbieVreccan told the member she was up against “two experienced editors,” and Yuchitown accused her of conflict of interest and edit warring. His fellow travelers demanded to know if she had an official position with the tribe. She didn’t.
ARoseWolf wrote, “As Wikipedia is not a state or government-controlled entity it can make up its own rules for what content is allowed on its platform.”
The Wikimedia spokeswoman says that in some extreme cases the foundation relies on a trust and safety team that will investigate and may also take action.
Campbell wrote in the report that many Native American communities and people “have been targeted by the small group of propagandists in this complaint… And the thousands of people who make these communities have been slandered and assaulted on Wikipedia through the actions of these propagandists.”
Link to the original article:
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alfheimr · 1 month
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My Favorite Cheap Art Trick: Gradient Maps and Blending Modes
i get questions on occasion regarding my coloring process, so i thought i would do a bit of a write up on my "secret technique." i don't think it really is that much of a secret, but i hope it can be helpful to someone. to that end:
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this is one of my favorite tags ive ever gotten on my art. i think of it often. the pieces in question are all monochrome - sort of.
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the left version is the final version, the right version is technically the original. in the final version, to me, the blues are pretty stark, while the greens and magentas are less so. there is some color theory thing going on here that i dont have a good cerebral understanding of and i wont pretend otherwise. i think i watched a youtube video on it once but it went in one ear and out the other. i just pick whatever colors look nicest based on whatever vibe im going for.
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this one is more subtle, i think. can you tell the difference? there's nothing wrong with 100% greyscale art, but i like the depth that adding just a hint of color can bring.
i'll note that the examples i'll be using in this post all began as purely greyscale, but this is a process i use for just about every piece of art i make, including the full color ones. i'll use the recent mithrun art i made to demonstrate. additionally, i use clip studio paint, but the general concept should be transferable to other art programs.
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for fun let's just start with Making The Picture. i've been thinking of making this writeup for a while and had it in mind while drawing this piece. beyond that, i didn't really have much of a plan for this outside of "mithrun looks down and hair goes woosh." i also really like all of the vertical lines in the canary uniform so i wanted to include those too but like. gone a little hog wild. that is the extent of my "concept." i do not remember why i had the thought of integrating a shattered mirror type of theme. i think i wanted to distract a bit from the awkward pose and cover it up some LOL but anyway. this lack of planning or thought will come into play later.
note 1: the textured marker brush i specifically use is the "bordered light marker" from daub. it is one of my favorite brushes in the history of forever and the daub mega brush pack is one of the best purchases ive ever made. highly recommend!!!
note 2: "what do you mean by exclusion and difference?" they are layer blending modes and not important to the overall lesson of this post but for transparency i wanted to say how i got these "effects." anyway!
with the background figured out, this is the point at which i generally merge all of my layers, duplicate said merged layer, and Then i begin experimenting with gradient maps. what are gradient maps?
the basic gist is that gradient maps replace the colors of an image based on their value.
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so, with this particular gradient map, black will be replaced with that orangey red tone, white will be replaced with the seafoamy green tone, etc. this particular gradient map i'm using as an example is very bright and saturated, but the colors can be literally anything.
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these two sets are the ones i use most. they can be downloaded for free here and here if you have csp. there are many gradient map sets out there. and you can make your own!
you can apply a gradient map directly onto a specific layer in csp by going to edit>tonal correction>gradient map. to apply one indirectly, you can use a correction layer through layer>new correction layer>gradient map. honestly, correction layers are probably the better way to go, because you can adjust your gradient map whenever you want after creating the layer, whereas if you directly apply a gradient map to a layer thats like. it. it's done. if you want to make changes to the applied gradient map, you have to undo it and then reapply it. i don't use correction layers because i am old and stuck in my ways, but it's good to know what your options are.
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this is what a correction layer looks like. it sits on top and applies the gradient map to the layers underneath it, so you can also change the layers beneath however and whenever you want. you can adjust the gradient map by double clicking the layer. there are also correction layers for tone curves, brightness/contrast, etc. many such useful things in this program.
let's see how mithrun looks when we apply that first gradient map we looked at.
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gadzooks. apologies for eyestrain. we have turned mithrun into a neon hellscape, which might work for some pieces, but not this one. we can fix that by changing the layer blending mode, aka this laundry list of words:
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some of them are self explanatory, like darken and lighten, while some of them i genuinely don't understand how they are meant to work and couldn't explain them to you, even if i do use them. i'm sure someone out there has written out an explanation for each and every one of them, but i've learned primarily by clicking on them to see what they do.
for the topic of this post, the blending mode of interest is soft light. so let's take hotline miamithrun and change the layer blending mode to soft light.
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here it is at 100% opacity. this is the point at which i'd like to explain why i like using textured brushes so much - it makes it very easy to get subtle color variation when i use this Secret Technique. look at the striation in the upper right background! so tasty. however, to me, these colors are still a bit "much." so let's lower the opacity.
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i think thats a lot nicer to look at, personally, but i dont really like these colors together. how about we try some other ones?
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i like both of these a lot more. the palettes give the piece different vibes, at which point i have to ask myself: What Are The Vibes, Actually? well, to be honest i didn't really have a great answer because again, i didn't plan this out very much at all. however. i knew in my heart that there was too much color contrast going on and it was detracting from the two other contrasts in here: the light and dark values and the sharp and soft shapes. i wanted mithrun's head to be the main focal point. for a different illustration, colors like this might work great, but this is not that hypothetical illustration, so let's bring the opacity down again.
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yippee!! that's getting closer to what my heart wants. for fun, let's see what this looks like if we change the blending mode to color.
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i do like how these look but in the end they do not align with my heart. oh well. fun to experiment with though! good to keep in mind for a different piece, maybe! i often change blending modes just to see what happens, and sometimes it works, sometimes it doesn't. i very much cannot stress enough that much of my artistic process is clicking buttons i only sort of understand. for fun.
i ended up choosing the gradient map on the right because i liked that it was close to the actual canary uniform colors (sorta). it's at an even lower opacity though because there was Still too much color for my dear heart.
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the actual process for this looks like me setting my merged layer to soft light at around 20% opacity and then clicking every single gradient map in my collection and seeing which one Works. sometimes i will do this multiple times and have multiple soft light and/or color layers combined.
typically at this point i merge everything again and do minor contrast adjustments using tone curves, which is another tool i find very fun to play around with. then for this piece in particular i did some finishing touches and decided that the white border was distracting so i cropped it. and then it's done!!! yay!!!!!
this process is a very simple and "fast" way to add more depth and visual interest to a piece without being overbearing. well, it's fast if you aren't indecisive like me, or if you are better at planning.
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let's do another comparison. personally i feel that the hint of color on the left version makes mithrun look just a bit more unwell (this is a positive thing) and it makes the contrast on his arm a lot more pleasing to look at. someone who understands color theory better than i do might have more to say on the specifics, but that's honestly all i got.
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just dont look at my layers too hard. ok?
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CHRISTMAS LIMITED EDITION OF  / 50
From the series: “TOTEM “  Les Editions Shirokuro
size : A4  21 x 29,7 cm
Hand signed and numbered
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price : 30eur.
R.Tanaka
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http://rafamonzo.tumblr.com  / https://leseditionsshirokuro.tumblr.com/
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Friends Don't | George Russell⁶³
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Pairings: George Russell x fem!bestfriend!reader
Summary: you go out to celebrate George's home race win, not even imagining what the night will bring
Warnings: smut, drunk driving, unprotected sex
A/N: you will maybe have to necessarily read part 1 and part 2 hehe. For the sake of the plot, we'll pretend some things already happened. I've spent the whole week writing this and only got it to all click together from the third attempt. Third time's a charm, right? But at least had a blast while editing, which is a rarity. I actually enjoy writing these 'chapters' and building this world sm <3
Sundays were a day for rest and relaxation. A day for sitting down with a good book and a cup of coffee. A day for cuddling up with a loved one and watching a movie. A day for taking some time for yourself; a day to reflect and recharge.
That was, of course, unless your best friend was George Russell. And that your Sundays didn't consist of spending most weekends a year at different race tracks around the world. Not all of them, but you tried to be there for him at least once or twice a month, as much as the opportunity allowed.
That afternoon, George took the checkered flag in Silverstone in P1 and now you were in your room, preparing for tonight's celebration. The victory party was going to be wild, and you knew it. You had seen how George celebrated previous wins, and tonight was going to be no different. Especially because it was his home race.
You took a deep breath and glanced at yourself in the mirror. You had dressed to impress, wearing a sparkly blue dress that fit you perfectly. Finishing your look with a pair of strappy heels and a silver necklace, you couldn't help but think about how previous events with George brought you even closer together.
Your friendship kind of became more... intimate. No pun intended. Guess you were both afraid not to lose each other over the past experiences, and that deepened your bond whether either of you wanted to admit or not. Now your only fear was that your closeness wouldn't tear you apart.
A soft knock pulled you out of your thoughts and you turned around to see George standing at the door with a sheepish grin on his face. He was dressed in a crisp white shirt and black pants, his hair tousled in a way that made your heart skip a beat.
"Hey there, gorgeous," he said, his voice low and husky. "Ready to party?"
Never before have you paid any mind to the nicknames he called you, but now a thrill ran down your spine. The way he looked at you made you feel like the only person in the world.
"I am," you said, smiling at him.
As you stepped out of the door, George took your hand in his and led you to the car waiting outside. The drive to the club was short, but the anticipation was high. The party was in full swing when you arrived; loud music, flashing lights, and the smell of alcohol filled the air.
George led you to the VIP section where his friends and family were already celebrating. You saw his siblings and a few of his close racing buddies. You could hear their loud cheering as they saw George walk in with you and feel the envious glares of the other women in the room.
George handed you a glass of champagne and raised his own in a toast. "To the best damn team in the world," he said, looking at you and his friends.
Everyone cheered and clinked their glasses together. You took a sip of the bubbly liquid, feeling it go down smoothly. The night was young, and the energy in the room was electric.
The party kept going on as the night deepened, and the noise of the songs blasted through the room. Glasses were filled up with drinks constantly, making it more of an effort to ignore the effects of the booze. You found yourself on the dance floor, surrounded by George and his friends. The bass of the music throbbed in your chest, and you let yourself get lost in the rhythm.
Throughout the night, each person had a chance to take their turn with you on the dance floor, and eventually you were spinning around in George's arms. The heat of the club mixed with the buzz of the alcohol made your skin flush against his. You could feel his muscles flexing as he twirled you around, his hand firmly holding onto yours. The closer you danced, the more the tension between you grew.
For a moment, you forgot where you were and who was watching. You moved on him like it was just the two of you in the world, your hands moving over his body like never before, and hips swaying in perfect synchronicity. You were so close to him that you could feel his breath on your neck, and the scent of his cologne filled your senses. You felt yourself getting lost in him, and something stirred inside you.
And it seemed like George caught up on your odd behavior as the song faded away. He grabbed your arm and started leading you away from the dance floor until you reached a quiet corner. But your drunken mind wasn't understanding his intentions.
You threw yourself onto him and he had to secure your hips with his hands to stop you from slipping. You let out a hazy chuckle as you started grinding against him once more before he pushed you back against the wall.
"Stop it, that's not why I brought you here."
But you didn't listen. You pulled yourself even closer, letting your lips brush against his neck. "Then why did you bring me here?"
He squeezed his eyes shut, your breath tickling his skin. "The drinks have gone to your head. I brought you here to take a break and cool off a little." he avoided telling you that you were drunk and not acting like yourself, afraid to provoke any unnecessary argument between you two.
Still, you weren't paying any attention. You were too inebriated to realize that your behavior was a little out of character, and you certainly weren't considering the consequences of your actions. You clasped your hands around his shoulders and pressed yourself against him again.
George tried to keep a respectable distance between you, pushing his hip backwards as you pushed yours forward, fighting the urge to get too close. That got you into an interesting position; you were leaning against the wall in between his arms with your shoulders as he leaned into you with his upper body. Your hand naughtily ran down his side, poking him. You knew you probably shouldn't touch him, but you couldn't stop yourself. His muscles strained as he let out a shaky breath.
"You're getting awfully close to me," he murmured, unable to bring himself to look you in the eye. His fingers slowly slid from their grip on the wall.
"Then don't push me away," you said back.
His face was just inches away now, and your lips unconsciously moved closer. The atmosphere between you two was thick with anticipation, a feeling that you currently relished in. Your lips were only a breath away from his when he spoke.
"We can't." his eyes locked with yours.
"Why?" you asked breathily.
"Because we're best friends." his voice was barely a whisper.
He hoped the reason he gave you would remind you of everything you asked from him that first time. But he didn't tell you that he feared you'd regret it when you sobered up, and that it would be his fault for not stopping it.
"And?" in the state that you were, did he really think that would stop you? He couldn't have been more wrong. You wanted to push him to feel something. Anything. "Best friends can do a lot of things." you smirked.
He clenched his jaw, his eyes still on yours. "No, they can't." he gritted, shaking his head.
"You're right." you said, the alcohol clouding your judgment. "They can't do this." and your hips finally met his.
He swallowed hard, trying to stay level headed. "What am I going to do with you?" he said in desperation, his hands pressed flat on the wall behind you, trying their best not to touch you as they dangerously started slipping down.
You placed your hands on his chest, feeling his heart hammering under your palms as you glided them down his torso. "Remember how you said you can read my body language?"
"Yeah," he breathed, nodding his head.
"What is it telling you now?" you whispered against his lips.
"It's telling me we're going to be in big trouble if you don't stop this," he replied. "You have no idea what you're doing to me right now."
"Then don't fight it. Show me." you murmured.
He leaned in, his lips brushing yours. Your arms snaked around his neck and fingers twined through the hair at its nape, pulling him closer. You couldn't believe that you had done all those other things, but never kissed. And when ultimately his mouth closed on yours, it was like finally locating the elusive jigsaw piece on a seemingly ordinary Tuesday while tidying up your home that you thought had been lost forever. It made you almost not want to kiss anyone else ever again — almost, because deep down you knew you shouldn't have been doing this in the first place.
His arms wrapped around you, pulling you closer as his head tilted to get a better angle. The kiss was soft, tentative, like both of you were very aware of what might happen. You pressed your mouth against his more firmly, tasting him. Parting your lips slightly, you felt the silky wetness of his tongue on yours. You bit his lower lip, letting out a deep moan when he groaned in response, hands that were in his hair tugging on the strands slightly. He groaned into your mouth again, pulling you even closer against him. You had no idea how long you were kissing, but it was definitely not enough.
The kiss broke, and you leaned your face against his neck, panting heavily. He glanced down at you, his lips so close to yours that if you had merely lifted your head, they'd be touching again. The warmth emanating from your body made him want to do things he knew he shouldn’t. He placed his forehead against yours, trying desperately to get control of himself.
"We should get back." he said between breaths. Your head was spinning from the alcohol and his scent and the magical kiss, it took you a moment to realize you were no longer kissing him. You opened your eyes and met with him.
"We should, before they realize we're missing." you nodded. He frowned, but his eyes were smiling. He was relieved, but he was also worried for you and what tomorrow might bring when you sobered up.
"Lets go," he said, turning around, but kept an arm around your waist so as to not let you get lost. You looped one arm around his neck, holding onto his shoulder, and gently hit his other shoulder with your head.
The night was still young and the party was still going. Music was playing, people were dancing, and laughter filled the room. Your friends cheered when they saw you two come in together, but neither of you paid any attention to them; all that mattered was that you were here, with him. Guys grabbed drinks for the both of you from different parts of the room and put it in your hands.
You found a spot on the couch and George sat next to you, his arm around your waist protectively. The conversations flowed easily between you two, and soon enough you both forgot what had happened earlier as you joined the rest of the group in drinking, singing along with music and laughing.
He later found you on the dance floor swaying around completely out of rhythm with a drink in your hand. Your face lit up when you saw him.
"There you are, my champion." you leaned into him, dropping your head onto his shoulder.
"I won the race, not the championship.” he chuckled.
“Mm, don’t care. To me you are the champion.” you slurred, pouting.
“Hey, is everything alright?" he asked, supporting you.
"Mmhmm." you mumbled. "I'm fine."
"You're not fine." you could hear the frown on his face. "You're drunk." he spat as he attempted to take away the half empty glass from your grasp.
"I'm not." you said, feeling yourself lose your balance a little as you swayed back and forth. He put his arm around you to help you balance.
"Yes, you are. I should've taken you home the first time around." he sighed, somehow not surprised you managed to get even drunker. You were both intoxicated for that matter, it's just that George knew how to hold his liquor. And he looked to never go over his limit in case something like this happened.
"No." you tried to pull away from him.
"I'm taking you home." he tightened his grip around you, leading you out of the party. You mumbled something in response, not quite sure what you were saying.
He helped you into his car and buckled your seat belt for you, before getting in himself. He drove slowly, carefully navigating the roads while you were almost passed out in his passenger seat. Every now and then he'd take a hand off the wheel to reach over and brush your hair away from your face or wipe away a stray tear from your cheek if one escaped your eye. As he turned into your street and parked the car, your eyes fluttered open.
"Um, could you walk me to the door?" you asked.
"I was planning on it," he said, unbuckling his seat belt.
Both of your arms wrapped around his left one, holding on for support, as he walked you to your apartment. Your little nap helped clear the haze from your head, but you were still tipsy. When you reached the entrance of your flat, you propped yourself against the door and blinked up at him.
"Do you want to come inside?" inviting your best friend into your home have never before seemed more dangerous and George should've known better than to say yes.
"Do you want anything to drink?" you asked to break an awkward silence that fell among you the moment he shut the door.
Before even waiting for his answer, you made your way towards the kitchen, but he extended his arm and grabbed your waist, preventing you from moving further.
"I think we both had enough to drink tonight," he said.
"Then what do you want to do?" you whispered.
"I want to claim my prize." he must have had a few more drinks than usual at the club to summon up the courage for that sentiment.
You could feel your heart racing in your chest, the alcohol still fogging your mind but not enough to miss the implication of his words. You turned to face him, your eyes meeting his intense gaze. His hand still rested on your waist, his fingers tracing small circles over the fabric of your dress.
"Is that what I am, a prize?"
"No, no." he said quickly, his eyes softening. "You're so much more than that, you know that." his hand cupped the side of your face. "When I saw you looking up at me on the podium today, I realized I couldn't have done it without you. You were the one who had been cheering me on from the sidelines all this time. You've been there for me when no one else was." he leaned in, placing a gentle kiss on your forehead. "You've been my lucky charm all these years and I want to show you how much you mean to me."
The way he was looking at you made your chest heave with a mixture of emotions. You were both under the influence, and you knew this was not the best time to make decisions, but you couldn't resist him. You leaned in and attached your lips together again, only this time with more passion, more desire. You could feel his hands running through your hair as he kissed you back, his tongue playing with yours, his body pressing against yours.
He pulled away, looking at you with a hunger you had never seen before. "Are you sure?" he asked, his voice hoarse.
You nodded, unable to say anything. His lips crashed onto yours, hungrily claiming your mouth as his own. Your body responded to his touch, your hands roaming over his chest and tangling in his hair. He lifted you up, your legs locking around his waist as he carried you to the bedroom.
He laid you down gently on the mattress, his eyes never leaving yours. Climbing on top of you, his lips trailed kisses down your neck and collarbone. You moaned softly, your hands gripping tightly onto his muscular back. He pulled his lips away from you, looking into your eyes.
"Are you sure?" he asked again.
You nodded, reaching up and pulling him back down. He gently kissed you again and you responded in kind, but he pulled away again.
"I'll stop if you tell me to." he whispered. "I don't want to do this unless you want to." 
"I want to." you murmured. The alcohol may have distorted your judgment, but it surely helped your courage.
"Are you sure?" he asked a third time. You laughed softly, trying to push him off. He had you pinned to the mattress, still pressing you down.
"Yes, I'm sure." you said, no longer laughing.
That was all he needed to hear. He kissed you hard, his fingers lightly tracing over the fabric of your dress. He ran his hands underneath, gently resting them on your ribs, and pulled your dress upwards. You lifted your hands above your head, freeing him of the task of removing your dress as you squiggled out of it and freed yourself from the restriction that was your dress.
He kissed you again, letting his hands run over your bare skin. His lips kissed down your throat and chest, his hands undoing your bra. He pulled it away and tossed it aside, taking in the sight of you.
"You're beautiful, you know that?" he said. You blushed, and he smiled. His lips traveled down your leg, gently caressing the outside of your thigh. "But I'm a little jealous, you know?" his lips traveled back up, his tongue tracing over the slope of your breast and hands kneading them softly. "You got to taste me, and I..."
He kissed his way down your body, his hands going over every inch of exposed skin, reminding you how skillfully he handled you that very first time. He reached your inner thigh and slid his hand underneath your underwear. Your breath caught in your throat as you felt his fingers brush against you before a long finger slid inside you. You moaned loudly, spreading your legs apart for him. He smiled against your neck, his teeth taking in your skin, his tongue leaving a trail of fire behind.
His finger slowly moved inside you, circling you before sliding in and out. His hand pulled your underwear down, you kicking them off to the side. His mouth moved down your figure, hovering over your breasts. He teased you for a moment, blowing against your nipples before drawing the tip of his tongue over one. He did the same with the other, his fingers never ceasing to move. His kisses continued further down, over your stomach until they reached your mound.
"Can I?" he asked, peeking at you.
"Please..." you tried to hide the shake in your voice.
His tongue slid between your lips, gently licking you. You could feel his breath, hot and heavy against your sensitive skin. He teased you, his tongue circling your clit before sliding inside you. His tongue flicked over your clit, his hands holding your thighs apart. You spread your legs even wider, your body arching up to him. He leaned in, gently sucking on your clit and you moaned loudly, his tongue moving faster. You cried out in pleasure, your hips bucking against his face.
You were nearing your end, your moans growing louder with every movement of his tongue. You could feel his lips smile against your skin, enjoying the sounds you were making. You cried out, your body tensing as you came, shaking against him. He pulled away, slowly kissing his way up to the top again. He placed a gentle kiss on your lips, not hurrying you up as you sucked in his bottom lip, squeezing out your own juices.
"Taking that trophy is the second best thing that has ever happened to me." he whispered. He kissed you again, this time with more passion, your hands reaching for the buttons of his shirt. "The first, of course, being you. You're my greatest reward." he continued as you trailed kisses down his neck, removing the shirt off his shoulders.
"Stop talking, George."
"Sorry," he whispered as he closed his eyes, surrendering above you.
You kissed his chest, your nails raking up and down his sides, feeling his muscles tense. You could feel the heat radiating off his body, and could sense the urgency in his touch. His hardness pressed against you, begging to be liberated. You pulled away from him, reaching for his belt buckle and his eyes shot open, hands reaching for yours.
"Are you sure?" he asked again. He knew if you go any further there would be no going back and some irreversible things would be done.
"Are you sure?" you asked back, smiling mischievously. "I thought this is what you wanted." your nail dangerously circled around his lower abdomen, causing his breath to hitch with every word he spoke.
"I-I do. I'm just making sure you're not doing it just because I want it." you could tell he was really struggling to hold himself back.
"I think we've already established that..." you whispered against his lips and prompted your body more to his.
"Okay," his hand moved away from yours, and you undid his belt.
His pants fell around his feet and he kicked them off. His boxers were the last thing left, and you reached for them, slowly pulling them down. His hand held the back of your head as he kissed you, his tongue twirling around yours. You moved to pull away but he held on tighter.
His boxers hit the floor and you looked up at him, his hands resting on your frame. Gently taking your hand, he placed it on his dick. You gasped, feeling it grow even more underneath your touch. He pulled away, his lips planting kisses down your neck as his hand guided yours up and down his length. You felt him shiver as you grazed the tip with your nails, his breath hitching. He removed his hand, and your eyes shot open when you felt his tip brush against your entrance.
He teased you, running it up and down your slit. You threw your head back in pleasure, your back arching against him. The more he prolonged what you needed the most, the more your neediness grew. You tried to guide him inside you but he resisted, placing a finger on your lips instead. He dragged it over them before he made you suck on it, his eyes never leaving your face as he blew a stream of air out. Your eyes widened when you felt his head brush against you again, making you gasp audibly, his name falling from your lips.
"Please," you remembered what he told you the first time he had you in his arms like this. "Please, please, please, please, please, please, please..." you chanted over and over again.
"Fuck," he hissed under his breath. Hearing you beg for him made his head spin again. It was like you'd put him under a spell every time you'd utter that word and he'd not be able to deny you anything. Not that he ever wanted.
He slowly pushed inside of you, stopping at every inch to wait for you to adjust. "Are you okay?" he whispered.
You nodded, your breath hitching as he began to move again. He kissed you, your nails digging into his back as he stretched you more. He was so gentle, it was unlike anything you'd ever experienced before. This was not the normal rough, lustful sex. This was the man who loved the sight of you, the sounds of your pleasure. This was the man who wanted to make love to you, to show you what true pleasure was.
Your fingers sank into his back again, and he responded by thrusting into you harder, your moans getting louder. His lips traveled down your chest, his tongue flicking a nipple as he pushed into you again.
"Oh, god." you moaned, George's name falling from your mouth repeatedly. Your hands dug into the sheets as his thrusts grew harder, deeper.
"You feel so good... so damn good," he kissed your skin. "Making me feel like I don't ever want to take anybody else again."
"Don't stop, please, whatever it is that you're doing, please, just don't stop." you cried, twining your legs around him to press him deeper.
He moaned in pleasure when you did, his hands tightening their grip around you. His breathing grew heavier and faster, your bodies reacting to each other. He was so close, and he could feel you held right on the edge.
You cried out his name, your form shuddering under him. He had no intention of stopping, and he continued his movements as you kept shaking, your voice loud enough to wake up the whole apartment complex.
"You, George, only you…" you whispered into his ear as you were coming down.
You felt his whole build shake, his cock pulsing inside of you, but it wasn't enough. You wanted to hear him as he climaxed. You wanted to hear the sounds he made, the sweetest song in the world.
"George… George…" you panted, your breathing coming out in jagged breaths.
He cursed, as his body trembled with pleasure. His hands tightened around you, pulling you closer as he came. You buried your face in his neck, your fingers playing with his hair. He kissed you, holding you close to him. He wanted to stay inside you forever, to feel the sight of your face as he pleased you. You did that to him. You were the one making him see another reality where only he and you existed.
But he pulled away, your eyes searching for his as you slowly came back to reality. He kissed you again, his lips landing on yours.
"That was amazing… you were amazing…" he whispered, stroking your face gently.
"So were you." you said back, playing with the bangs that fell over his forehead.
He rested his head on your chest, finding a comfortable spot, your hands moving into his hair.
"Are you going to stay?" you whispered, uncertain.
"Only if you want me to."
"Always."
He hugged you tightly and rolled over so that you were now on top of him. His fingers softly ran along your back as your body let go and fully relaxed. The peaceful sound of your heartbeats and his breath seemed to take over the room. You drew near to him, feeling the up and down movements of his chest gently rock you to sleep, matters of your friendship left for tomorrow's morning news.
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praeteritumtempus · 2 years
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Blanco y negro
Abstracción, minimalismo, caos geométrico, un acercamiento a los fragmentos ignorados de la realidad (en ocasiones por sus dimensiones y en otros casos por nuestra distracción) y grandeza que impresiona y cautiva por su vastedad sublime; luces y sombras, belleza sutilmente atrapada en lo cotidiano de la realidad urbana/rural.
Estas son algunas de las palabras que puedo utilizar para describir el proyecto de fotografía Blanco y negro que tuvo su inicio en el 2019 después de incursionar en el mundo de la fotografía con mi primera cámara una Canon Powershot Sx420 is.
Observar y transmitir a través de la captura son los conceptos básicos, elementales e imprescindibles a la hora de crear una imagen.
¿Qué es un fotógrafo sino más que un espejo del mundo?
Reservo estás líneas para hacer un un agradecimiento especial a quien en la vida ha sido un segundo padre para mí y me ha ayudado a emprender esta aventura; Enrique Cartiel, preservador de el bello pueblito de Anento, mil gracias, sin usted esta aventura nunca hubiera empezado.
Blanco y negro
-@praeteritumtempus
Próximamente estaré subiendo a esta plataforma mis primeros trabajos en una transición del blanco y negro al color.
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