Tumgik
#failure does not define you
Text
Listen to me babe. Failure is normal and part of the process. If you never fail, you're not making true progress. You're just regurgitating prior process.
I don't know why society is so obsessed with perfectionism and never making a mistake ever, but that's not how it works. You're going to forget to upload an assignment. You're going to miserably fail a test. You're going to get a speeding ticket. You're going to make your little sister sad. You're going to kill some plants. You're going to get that quiz back you were so confident about and realize that you got 1 question right. Those moments are when true learning take place instead of memorization and regurgitation.
This is why in math they make you show all your work and on science and reading they made you explain all your answers and choices with a paragraph. It highlights your thought process so you can analyze where you were right and where you were wrong. And it's ok to be wrong! No one is ever right all the time.
Don't let anyone shame you for being bad at something. Remember that they had to learn to walk and chew and talk and write and read and they didn't succeed the first few times in any of that. We should be building people up and acknowledging their faults as a way to learn and grow, not as a source of shame and despair.
280 notes · View notes
starrdio · 4 months
Text
Marcille Donato isn't a failgirl
Is she a cringe dweeb? Yes. Is she more of a dumbass than one might believe possible for someone in her position? Oh yeah. Is she a girl who fails? Absolutely. But she also frequently and bombastically succeeds. She is a critical member of the party who is incredibly competent and is frequently crucial for everybody's survival. Her wet rag sensibilities do not negate the fact that she ultimately does what needs doing and wins as if not more often than she loses. Conflating her soppingness with failure is a disservice to a splendid character with enough dimension that her successes aren't guaranteed.
168 notes · View notes
sleebyconfy · 5 months
Text
Tumblr media
you are not defined by arbitrary ratings and grades.
you are worthy of respect and rest and joy, regardless of any superficial judgements others make of you.
you are worthy because you are alive and here.
sometimes things are out of your control, and it is ok and healthy to let them go and no longer worry about them after acknowledging them.
when things are out of your control and are unimportant in the grand scheme of things, no amount of panic and anger and guilt will fix it, and it is good and ok to turn your attention and energy towards other things.
Tumblr media
2 notes · View notes
yuuminni · 7 months
Text
i feel like im not supposed to be this fixated on the tragedy of youth this much but this is just what happens when im forced to confront my one single failure that i hinged my entire teenage livelihood on when i was like 18 sorry.
5 notes · View notes
psychoticallytrans · 10 months
Text
I do wish that "oppositional sexism" was a more commonly known term. It was coined as part of transmisogyny theory, and is defined as the belief that men and women, are distinct, non-overlapping categories that do not share any traits. If gender was a venn diagram, people who believe in oppositional sexism think that "men" and "women" are separate circles that never touch.
The reason I think that it's a useful term is that it helps a lot with articulating exactly why a lot of transphobic people will call a cis man a girl for wearing nail polish, then turn around and call a trans woman a man. Both of those are enforcement of man and woman as non-overlapping social categories. It's also a huge part of homophobia, with many homophobes considering gay people to no longer really belong to their gender because they aren't performing it to their satisfaction.
It's a large part of the reason behind arguments that men and women can't understand each other or be friends, and/or that either men or women are monoliths. If men and women have nothing in common at all, it would be difficult for them to understand each other, and if all men are alike or all women are alike, then it makes sense to treat them all the same. Enforcing this rift is particularly miserable for women and men in close relationships with each other, but is often continued on the basis that "If I'm not a real man/woman, they won't love me anymore."
One common "progressive" form of oppositional sexism is an idea often put as the "divine feminine", that women are special in a way that men will never understand. It's meant to uplift women, but does so in ways that reinforce the idea that men and women are fundamentally different in ways that can never be reconciled or transcended. There's a reason this rhetoric is hugely popular among both tradwifes and radical feminists. It argues that there is something about women that men will never have or know, which is appealing when you are trying to define womanhood in a way that means no man is or ever has been a part of it.
You'll notice that nonbinary people are sharply excluded from the definition. This doesn't mean it doesn't apply to them, it means that oppositional sexism doesn't believe nonbinary people of any kind exist. It's especially rough on multigender people who are both men and women, because the whole idea of it is that men and women are two circles that don't overlap. The idea of them overlapping in one person is fundamentally rejected.
I think it's a very useful term for talking about a lot of the problems that a lot of queer people face when it comes to trying to carve out a place for ourselves in a society that views any deviation from rigid, binary categories as a failure to perform them correctly.
32K notes · View notes
headspace-hotel · 21 days
Text
Symbiosis isn't just mutualism. Parasitism is symbiosis. It's uncomfortable to confront parasitic relationships if you want to see your human ideas of good and bad reflected in Nature.
But gazing into something huge and utterly Other, being uncomfortable means you're engaging your mind with it. "Uncomfortable" is actually a whole spectrum of emotions that become a vivid and satisfying rainbow.
There was a post a while back with some artwork of Dendrogaster, a crustacean that parasitizes starfish, and its body is like this branching fractal of fleshy lobes made to fit inside the body of the starfish mirroring its structure, and I was absolutely horrified to look at this, and this horror was the same emotion as a strangely visceral wave of sympathy for this parasite.
Creative works about parasites often invoke the horror of bodily invasion, which is visceral and strong for me, but this artwork inverted that horror, instead showing the horror of being made so perfectly for fitting within someone else that you lose everything you are and become unrecognizable.
I also think of the post about the cowbird chick. It's awful that the bird pushes its siblings out of the nest as it grows, and the mama feeds it because she instinctively must feed her chick, but the cowbird is just a baby. Was it wrong for him to hatch, to be alive, to be hungry, to be a baby and to need love?
Symbiosis is intensely beautiful, and sometimes it's beautiful because it's grotesque and terrible. Of course, the symbiosis between two organisms isn't an allegory for a relationship, it just is a relationship, but looking at the way organisms become entwined feels like you're seeing things that, if words described them, would also be human experiences.
Being invaded by a parasite is a horror of powerlessness and loss of autonomy, but being a parasite is also defined by powerlessness. In many cases, the parasite will die without the host, but the host can live without the parasite. I wonder why it is expected to sympathize with one and not the other.
Your immune system fights against internal parasites like a tapeworm...Imagine being a tapeworm. The body of your host is your universe. Do you find your world to be kind? Benevolent? Does your god love you?
Sometimes people call disabled people "parasites." When I think about my future sometimes I'm uncertain and afraid.
But when a rare non-photosynthetic orchid blooms in the forest, this is not the forest's weakness and failure, but its crowning glory.
2K notes · View notes
daloy-politsey · 2 years
Text
“They’re trying to discharge her constructively. Do you know what Constructive Discharge means?” She asked.
As soon as I heard the term ‘Constructive Discharge,’ I knew I’d never seen it on a vocabulary quiz.
“No. What does it mean?” I asked.
She explained.
“Constructive discharge is a fancy way of saying “being forced out.” It’s not good. And if you’re not a lawyer or in human resources, you’ll probably learn what it means when it’s happening to you.”
“Oh my God. I’ve seen this my entire career and never knew it even had a name.” I thought.
You’ve seen constructive Discharge too. You may have experienced it. We’ve all made choices to avoid it.
Constructive discharge defined
“We can’t fire you, but we’ll make you so miserable you’ll quit, and then we won’t have to pay your unemployment.”
Then there’s the textbook definition:
“A constructive discharge occurs when your employer has made working conditions unbearable, forcing you to resign.”
Or as one person put it.
“I didn’t get handed a pink slip, but when you’re not wanted, people have a way of letting you know.”
HR isn’t always the secret police.
Employees aren’t always victims of evil-doers.
However, employers push employees out all the time to maintain and protect the, “We didn’t do anything wrong, YOU did,” power structure.
Constructive Discharge looks like this:
— Meeting invitations slow to a trickle, and you’re excluded from emails and generally looped out of what’s going on.
— People stop talking to you or stop talking when you walk in.
— Your emails don’t get answers, or they arrive too late to be of value.
— Suddenly, your work is not good enough, though nothing about your work has changed.
— Reviews, once good or even glowing, are now mediocre or bad.
— Instead of a bonus, you get a Performance Improvement Plan.
— Warnings and write-ups start so they can justify your eventual termination with documentation of your “poor performance”
— Your work, clients, assignments go away, or they overwhelm you with work.
— The words “Set up to fail” were practically invented to describe this scenario.
Constructive Discharge is illegal
It isn’t easy to prove you’re a target, and it’s even more challenging if you don’t even know constructive discharge is a real thing.
If you’ve ever experienced this and don’t fully understand what’s happening to you beyond knowing you’re in the process of being excommunicated, it can be hell. It’s not uncommon for the experience to leave long-lasting scars.
Talk to anyone who’s ever been through it. They’ll tell you.
Knowing constructive discharge exists and how it’s used gives you power to predict what’s coming and to protect yourself.
Seeing the endgame helps you in two ways.
You know what to expect. Having a sense of what’s coming next is enormously empowering. You can go on the offensive and protect yourself. Constructive discharge works to crush your ego, making you feel you did something wrong and deserve this treatment.
Without strategy, you end up being a miserable pawn in your employer’s endgame.
Remember, they’re almost certainly building a case to fire you in the event the hellscape they create for you doesn’t persuade you to quit.
If you’re getting pushed out, and you know what to look for you can prove constructive discharge and you can get unemployment benefits, be released from payback obligations on a signing bonus, and protect your mental health.
You’re not crazy, incompetent, or a failure. This is real and it’s carefully executed to leave you holding the bag and feeling like you did something wrong.
If they force you out, in addition to feeling horrible, you lose your paycheck, benefits health insurance, and possibly owe them money.
25K notes · View notes
Text
the more one learns about old school queer discourse the less one should participate in modern queer discourse
0 notes
theoutcastrogue · 2 years
Text
Copaganda does three main things.
First, it narrows our understanding of safety. Police get us to focus on crimes committed by the poorest, most vulnerable people in our society and not on bigger threats to our safety caused by people with wealth and power.
For example, wage theft by employers dwarfs all other property crime combined — from burglaries, to retail theft, to robberies — costing some $50 billion every year. Tax evasion steals about $1 trillion each year. There are hundreds of thousands of Clean Water Act violations each year, causing cancer, kidney failure, rotting teeth, and damage to the nervous system. Over 100,000 people in the United States die every year from air pollution, five times the number of all homicides.
But through the stories cops feed reporters, the public is encouraged to measure a city’s safety by whether it saw an annual increase or decrease of three homicides or fourteen robberies — rather than by how many people died from lack of access to health care, how many children suffered lead poisoning, how many families were rendered homeless by illegal eviction or foreclosure, or how many thousands of illegal assaults police committed.
The second function of copaganda is to manufacture crises or “crime surges.” For example, if you watch the news, you’ve probably been bombarded with stories about the rise of retail theft. Yet the actual data shows there has been no significant increase. Instead, corporate retailers, police, and PR firms fabricated talking points and fed them to the media. The same is true of what the FBI categorizes as “violent crime.” All told, major “index crimes” tracked by the FBI are at nearly forty-year lows.
The third and most pernicious function of copaganda is to manipulate our understanding of what solutions actually work to make us safer. A primary goal of copaganda is to convince the public to spend even more money on police and prisons. If safety is defined by street crime, and street crime is dangerously high, then funding the carceral state leaps out to many people as a natural solution.
The evidence shows otherwise.
— Alec Karakatsanis, “Police Departments Spend Vast Sums of Money Creating “Copaganda”” | Jacobin, July 2022
24K notes · View notes
plounce · 3 months
Text
researching stuff for a post about misinformation regarding girl scout cookies and man this article (10/28/23) about this palestinian-american girl scout nearly made me burst into tears
In her short 17 years on earth, Amira Ismail had never been called a baby killer.
That’s what happened one Friday this month, Amira said, on New York City’s Q58 bus, which runs through central Queens.
“This lady looked at me, and she was like: ‘You’re disgusting. You’re a baby killer. You’re an antisemite,’” Amira told me. When she talked about this incident, her signature spunk faded. “I just kept saying, ‘That’s not true,’” she said. “I was just on my way to school. I was just wearing my hijab.”
Amira was born in Queens in the years after the Sept. 11 attacks. She remembers participating as a child in demonstrations at City Hall as part of a successful movement to make Eid al-Fitr and Eid al-Adha school holidays in New York City.
But since the Oct. 7 attack by Hamas, in which an estimated 1,400 Israelis were killed and some 200 others were kidnapped, Amira, who is Palestinian American, said she has experienced for the first time the full fury of Islamophobia and racism that her older relatives and friends have told stories about all her life. Throughout the city, in fact, there has been an increase in both anti-Muslim and antisemitic attacks.
In heavily Muslim parts of Queens, she said, police officers are suddenly everywhere, asking for identification and stopping and frisking Muslim men. (New York City has stepped up its police presence around both Muslim and Jewish neighborhoods and sites within the five boroughs.) Most painful though, she said, is the sense that she and her peers are getting that Palestinian lives do not matter, as they watch the United States staunchly back Israel as it heads into war.
“It can’t go unrecognized, the thousands of Palestinians that have been murdered in the past two weeks and even more the past 75 years,” Amira said. “There’s no way you can erase that.” That does not mean she is antisemitic, she said. “How can I denounce one system of oppression without denouncing another?” she asked me. The pain in her usually buoyant voice cut through me. I had no answer for her.
Many New York City kids have a worldliness about them, a certain telltale moxie. Amira, a joyful, sneaker-wearing, self-described “Queens kid,” can seem unstoppable.
When she was just 15, Amira helped topple a major mayoral campaign in America’s largest city, writing a letter accusing the ultraprogressive candidate Dianne Morales of having violated child labor laws while purporting to champion the working class in New York.
“My life and my extremely bright future as a 15-year-old activist will not be defined by the failures and harm enabled by Dianne Morales,” Amira wrote in the 2021 letter, which went viral and helped end Ms. Morales’s campaign. “I wrote my college essay about that,” Amira told me with a slightly mischievous smile.
In the past two years, Amira has become a veteran organizer. Last weekend, she joined an antiwar protest. First, though, she’ll have to work on earning her latest Girl Scout badge, this one for photography. That will mean satisfying her mother, Abier Rayan, who happens to be Troop 4179’s leader. “She’s tough,” Amira assured me.
At a meeting of the Muslim Girl Scouts of Astoria last week, a young woman bounded into the room, asking whether her fellow scouts had secured tickets to an Olivia Rodrigo concert. “She’s the Taylor Swift of our generation,” the scout turned to me to explain.
A group of younger girls recited the Girl Scout Law:
“I will do my best to be honest and fair, friendly and helpful, considerate and caring, courageous and strong, and responsible for what I say and do, and to respect myself and others, respect authority, use resources wisely, make the world a better place and be a sister to every Girl Scout.”
Amira’s mother carefully inspected the work of some of the younger scouts; she wore a blue Girl Scouts U.S.A. vest, filled with colorful badges, and a hot-pink hijab. “It’s no conflict at all,” Ms. Rayan told me of Islam and the Girl Scouts. “You want a strong Muslim American girl.”
At the Girl Scouts meeting, Amira and her friends discussed their plans to protest the war in Gaza. “Protests are where you let go of your anger,” Amira told me.
Amira’s mother was born in Egypt. In 1948, Ms. Rayan told me, her grandfather lost his home and land in Jaffa to the state of Israel. At the Girl Scout meeting, Ms. Rayan was still waiting for word that relatives in Gaza were safe.
“There’s been no communication,” she said. When I asked about Amira, Ms. Rayan’s eyes brightened. “I’m really proud of her,” she said. “You have to be strong. You don’t know where you’re going to be tomorrow.”
By Monday, word had reached Ms. Rayan that her relatives had been killed as Israel bombed Gaza City. When I asked whom she had lost, Ms. Rayan replied: “All of them. There’s no one left.” Thousands of Palestinians are estimated to have been killed by Israeli airstrikes in Gaza in recent weeks. ... Ms. Rayan said those killed in her family included six cousins and their children, who were as young as 2. Other relatives living abroad told her the cousins died beneath the rubble of their home.
As Ms. Rayan spoke, I saw Amira’s young face. I wondered how long this bright, spirited Queens kid could keep her fire for what I believe John Lewis would have called “good trouble” in a world that seems hellbent on snuffing it out. I worried about how she would finish her college applications.
“I have a lot of angry emotions at the ones in charge,” Amira told me days ago, speaking for so many human beings around the world in this dark time.
I thought about what I had seen over that weekend in Brooklyn, where thousands gathered in the Bay Ridge neighborhood, the home of many Arab Americans, to protest the war. In this part of the city, people of many backgrounds carried Palestinian flags through the street. Large groups of police officers gathered on every corner, watching them go by.
The crowd was large but quiet when Amira waded in, picked up her megaphone and called for Palestinian liberation. In an instant, thousands of New Yorkers repeated after her, filling the Brooklyn street with their voices. My prayer is that Amira’s generation of leaders will leave a better world than the one it has been given.
i believe she recently got her gold award (which, if youve never been in girl scouts, is really difficult - way more difficult than eagle scout awards), or is almost done with it. i hope she's doing okay.
this article (no paywall) about muslim and palestinian girl scout troops in socal also almost made me cry (it's like 2am). i really really hope all these kids are doing alright. god. they and their families all deserve so much better
2K notes · View notes
Your progress does not define you. If you relapse or backslide, that is not an indication of your worth. You are still doing your best and you still deserve care. You are not a failure and healing is not linear.
842 notes · View notes
dogbites-puppylove · 30 days
Text
Yandere Batfam: Incentives
TW: description of yandere mentalities and actions (obsession, possessive tendencies, stalking, etc)
Tags: Yandere! Batfam x reader
Tumblr media
Bruce Wayne: The Epitome of a Hero
Batman without fail has proven himself a near-perfect hero, impressive for the fact that he's first generation and had tackled Gotham's cursed land. But obviously, as with any being on earth, the stress of the facade weighs on him. The stretch between the isle of Bruce Wayne and the Scowl of Batman no longer cut clean. They blur and tear at him ravenously until he sometimes feels he is nothing but a ghost of obsession, of a boy in the middle of an alley with his parent's blood puddled around his knees.
Bruce, in essence, needs something to define himself, he is a man who cares for his partners painfully (each robin has chiseled a part of himself out) and yet he cannot choose them over his city (over his villains). He has nobody else to define who he is, he is nothing without them and as much as he loves being their father the cowl is the only thing he has left of what was once an unbreakable will
The darling plays a sort of anchor, a guide, a definition that Bruce can cling onto. For Bruce who cannot say confidently that he can live truly as either a civilian or a hero without regret, his darling is all he has to cling to. For even should he forsake his sacred code that defines him, forsake his morals that he clings to, and go off the deep end never to return he can still manage to drench himself in you. 
You're in his bones, his flesh, and on his lips at all times of the night and day, the cowl and fatherhood are at his core and as they conflict, chipping away at him and forcing him into nothing but a broken mess you seep into the cracks and fill him up until all of him is nothing but you, you, you. Your scorn, your praise, all of what you say, you're what he can finally define himself off of.
It doesn't matter if your nails drag into his skin as a punishment, or even if you carve your woes into his flesh with a knife. He will take them as his law all the same he will revere your kisses, your soft touches, and your smiles. His unbreakable will is nothing in the end as long as he has you.
You have him in the palm of his hand, your word is law, you define who he is with your mood, whether he is a failure and must strive to be better or whether he can finally rest is all up to you.
Even from a young age when childhood should have been grass stains and scraped knees, Dick has always known an audience's eyes and dizzying heights. He knows his role, his actions and his expressions are all being watched, and taken into account and he knows best how to play the role of the easily lovable. Responsibility and acting all of this have been him forever, he's a natural at it. Basically, its second nature for him to mold himself into the one everyone likes, he knows the script and he plays it well
Richard Grayson: The golden boy
His entire life has been a role, something that he has to put his all into acting, the perfect robin, the leader of the titans, the leader of the young justice league, Nightwing-the vigilante who garners the respect of heroes and law alike. It is a tightrope walk of never-ending smiles and actions and if he slips it all comes crashing down and he cannot risk it. If he bows to the weight on his shoulders, even if it's all too much he has far too much to lose. Of course, he loves being loved, and he genuinely does love his family, loves his pseudo father and his little brothers and his friends but he knows who they love and it might not be him as a person.
The darling for him is a slow burn. a t first their a sort of self-fulfillment, just a little fix of appreciation from his favorite person, but the more he visits them, the more he drops some prefixes, is able to be a little rougher around the edges he gets lost in it, the brunt of his feelings finally flooding out from the cracks in his perfect facade and you're his addiction. He needs you to need him, to like him, to adore him he needs you to approve of who he is without the flashing lights and cameras. It's a strange mix of needing your approval to prove that he's still balancing, that the weight hasn't yet managed to take hold and drag him down, and needing you to see the fact that he is a broken grieving man. He's been used and weaponized and he just needs to know that outside of that Richard Grayson is still useable, love him outside of his role, be his everything meld your existence into his he's begging you
It comes to a point that he can almost no longer separate where you begin and where he ends, and he's never felt so intoxicated, so in love, because if love isn't the way he can barely focus, his brain clouding over and the way he basically turns into an animal for you, your loyal little dog he doesn't know what could possibly count. As long as he has your praise, your approval, and your need for him he's a brainless pet. Just love him, love him, love him or he might finally fall. 
What many forget about the second robin is though he is the robin who crosses the lines others won't, the one who sees things to a more permanent end, Jason is the one who is more in tune with his emotions. They overwhelm him and lead him more than rationality but Jason has emotions, he bares his heart on his sleeve, and others are simply too blind to see it. Perhaps it's because of this strange self-awareness, of how fucked he is, how broken he is that he cannot delude himself in the same way his family does. He cannot seem to meld himself with you(how could something like him even think of being one with someone like you), but he's so desperate for the connection. 
Jason Todd: The monster
In comparison to the other robins, Jason understands that he is replaceable. It's so easy to swap him out with any other broken street rat, hell he might even argue it would be an improvement. He's watched Gotham from its sewer, eyes glancing over crime alleys streets from broken street lights as a child, how women were beaten into submission by men with too much audacity and beer on their breath, how good men would be turned to corpses and looted, how children stood on corners and Gotham nods her head because his city is nothing it not vile and rotten in its core
He has known death intimately and hates life just a little bit more because there isn't anything he can feel truly justifies how Gotham lets the sewage and filth thrive. He's never had the luxury of childhood, of the safety of a child's innocence because he's aware that life isn't a gift, it's a cesspool of sin prepping souls on earth for hell. There's nothing good, but there are people who need protection from it and Jason goes about his days repenting for existing because there's no divinity, no god other than the men who see themselves on the top of the chain. There's no god before you.
His darling is a light, something near untouchable, someone who can do no wrong. Jason is the type of delusional where he can justify every single thing Darling can ever say or do, say the skies green and he’ll rearrange the dictionary just to prove you right. You in a sense define what is good or evil, something invaluable, something so good that they could even pity him. A benevolent deity bestowed open Gotham and he'd be damned if he let anything from the street touch you. Jason is the robin who came back wrong, the killer, the monster, the black sheep of the family of maniacs who want better from the world, and he's disgusting but he'll do anything for you.
In a sick way, he already knows well how his presence is painfully unworthy of you, but he longs, craves, and hungers for you all the same. He's reverent in his treatment. If he cannot connect with you by becoming one he'll be your loyal slave, your servant to the ends of the earth, his hands are already stained but even his own sins become virtues if there for you. He lives and breathes on you, everything he does is for you until the dead bodies piling his work are but offerings, sacrifices all for you. Carve a place in your body for him to reside, for him to leash himself upon so he can hide and forever more belong to you. A Divine and their monster acolyte. 
Tim is a being born of neglect, constant patronization, rejection, and scorn. His only sense of motivation had been at first obsession without a sense of preservation. Tim has always known nothing but a world where he has to be able to provide to earn his right to stay, to exist. He knows intimately what it's like to be looked through, to be invisible, to have his own name replaced with another, or to have never been born, so like money he exchanges himself and all his actions in a transactional way. Every relationship for him is a simple give and take, he gives them what they want, and they let him stay and remember his name. As long as Tim is functioning and working he can't be thrown away, can't be truly invisible. As long as he is working he is kept.
Tim Drake: The Forgotten 
Tim is smart, he knows how to run the table, and play the game and he does it well, he knows exactly how to pick apart everyone around him. Tears into them and learns, absorbs, and sees what they need, how he needs to act, what he needs to provide, and remakes himself for the sake of their approval. From the constant twists and turns of his character, Tim knows how to seek out the role, how to play it, how to thrive in it, Tim sees everything, and thus he is left feeling empty because nobody sees him. Something carnal in him screams for something, anything to tear him apart as well, to meet his obsession with their own.
His darling is someone who he needs to ruin him, he needs them to dissect him, to cut him up and tear away everything and covet his entrails. He's begging you to tear away at him, until Red Robin is nothing until Drake Wayne is but a far away title, and see him, see Time in all he is. Obsessive, disgusting, and desperate. He needs his darling to keep digging even as they see this and decide he's good enough to continue unraveling, to rip him open and keep something of him in your pocket.
As is apparent the relationship with his darling is almost masochistic in a way, with a clear power dynamic but what is to be noted is that while he is desperate he will never truly give up control. He knows when he is being manipulated, but he thrives on it, that you've picked him apart and have decided him worthy to manipulate, you get what he allows but he allows a lot for you. He wants his darling to devour him whole, to stitch themselves into a Frankenstein monster just as he has with them. Take on his mannerisms, remember his coffee order, his eye color, anything. He'd thrive just knowing they have a photo of him somewhere in their pocket. (as if it equates to the massive amounts of video he has on you, the photos, the cameras, the trackers, the microphones, the bugs, and chips)he just needs you to know who he is. He needs you to prove that Timothy Drake truly exists. 
What most cannot see off the bat due to confident words and even more confident actions is that the most familiar feeling Damian is acquainted with is unsurity. He is a being born with a purpose, and the purpose was not to be human, it was to be heir, to be a leader to be everything that he needed to be. His life is a mix of criteria he needs to meet, of missions and proving himself and needing to be perfect, needing the validation of praise and a good grade. He is the heir of a league of assassins and yet he can no longer kill, he is the protege of a notorious hero and yet he contemplates lethality for too much, day in and day out Damian defines himself by this conflict and with true humanity alluding him, he cannot tell truly who he is. 
Damian Wayne: The heir 
The source of his need for competency comes from fear of inadequacy. Because if he cannot fit the criteria given, if he cannot prove himself worthy then does he even have the right to exist? When he has been born for a role he can no longer call his own, where does that leave him? Lost, he's lost and wandering and he thinks something is rotting in him. It plagues him, the fact that Damian Wayne is a leader, son, brother,heir but not human.
His darling in his case plays the role of safe haven, a little home in the form of flesh and blood where he can bury himself alive. He needs the surety they bring, there is no throne, no rubric or evaluation, there is only their own eyes and lips and Damian's own heart in their hands. They are his humanity, if Damian is a role then they are his wants and needs, they are his tears and very heart, he's sure if he could tear his chest open his darling would be there, cradled precisely within his ribs. In their arms Damian feels so painfully useless that he remembers he too has lungs that need air, that he too has basic needs, he feels helpless and ragged and he thinks that this sort of helplessness can be nothing but love.
Darling is living proof that Damian Wayne has something to himself outside of Robin, outside of al-Ghul, and outside of his last name. He is flawed, he sleeps and dreams and cries and is so very weak. He eats from the palm of your hand, everything that makes him disgustingly weak, mortal, he's putty in your hands, even if you were to feed him poison he would drink greedily. The thought of death, the foe that drove his grandfather to the pits over and over again, feels no harder than a feather brush with your arms around him.
Alfred: extra 
Apologies 
He is far too old to fancy himself a darling, and far too sensible to feel infatuation as strongly as his wayward family but he can care, and he can love and he would do anything for his family as he always has
Of course, he feels bad, lucid as he is he can see how they covet you, how they stress you and pull you so thin you might disappear but he cannot let you go, he hopes you forgive him.
He does pity you, is fond of you and your softer nature in the cave of monsters that lurk around for you as their sole prey and he’ll protect you as much as he can but ever since they've had you the manor has a bit lighter and they've smiled so much more he cannot truly let you go
He’ll provide everything but freedom, he'll coddle you through the transition and until he too must take his place in a grave but he begs of you to stay by his family of beasts
You're his only hope 
Tumblr media
Author's Note: Dipping my toes back into writing - if this seems familiar it's because it's a reupload! I was previously known as lovesick laboratories but my mental health took a nose dive but I'm back!
Tags: yandere batfam, yandere dc, yandere batfam x reader, bruce wayne x reader, dick grayson x reader, jason todd x reader, tim drake x reader, damian wayne x reader
457 notes · View notes
therobotmonster · 1 year
Note
Please don’t use midjourney it steals art from pretty much every artist out there without any compensation. I didn’t know this at first and tried it but then during the creation process i saw water marks and Getty image logos (though I’m sure they’ve hidden that now) so it’s definitely stealing.
No, it isn't. And you've taken the wrong lesson from the Getty watermark issue.
AI training on public facing, published work is fair use. Any published piece could be located, examined, and learned from by a human artist. This does not require the permission of the owner of said work. A mechanical apparatus does not change this principle.
All we, as artists, own, are specific expressions. We do not own styles, ideas, concepts, plots, or tropes. We do not even own the work we create in a proper sense. All our work flows from the commons, and all of it flows back to it. IP is a limited patent on specific expressions, and what constitutes infringement is the end result of the creative process. What goes into it is irrelevant, and upending that process to put inspiration and reference as infringement is the end of art as we know it.
The Getty watermark issue is an example of overfitting, wherein a repetitive element in the dataset over-emphasizes specific features to the point of disrupting the system's attempts at the creation of novel images.
No one denies that the SD dataset is trained on images Getty claims to own, but Getty has so polluted the image search functions of the internet with their watermarked images that the idea of a getty watermark has been picked up the same way the AI might pick up the idea of an eye or a tree branch. It is a systemic failure that Shutterstock and Getty can be so monopolistic and ubiquitous that a dateset trained on literally everything public facing on the internet would be polluted with their watermarks.
Watermarks that, by the way, they add to public domain images, and that google prioritizes over clean versions.
The lawsuits being brought against Midjourney and Stable Diffusion are copyright overreach being presented as a theft tissue. The facts of the matter are not as the litigants state. The images aren't stored, the SD weights are a 4 gig file trained on 250 terabytes, roughly 4 bytes per image. It runs local, does not reach out to image sources over IP. All you've got are mathematical patterns and ratios. I would go so far as to say that the class action suit is based on outright lies.
But for a moment, let's entertain the idea that what goes into a work, as inspiration, can be copyrighted. That styles can be stolen. That what goes in defines infringement, rather than what comes out. What happens then?
Well, the bad news is that if Stable Diffusion and Midjourney were shut down tomorrow, Stable Diffusion is in the wild. It runs local, it's user-trainable. In short, the genie isn't going back in the bottle. Plus, the way diffusion AI works, there's no way to trace a gen to its sources. The weights don't work like that. The indexing would be larger than the entire set of stored patterns.
Well good news, there's an AI for that. The current version is called CLIP Interrogator And it works on everything. Not just AI generated, but any image. It can find what style it closely matches, reverse engineer a prompt. It's crude now, but it will improve.
Now, you've already established that using the same patterns as another work is infringement. You've already established that inspiration is theft. And now there's a robot that tells lawyers who you draw like.
Sure, you can fight it in court. If it goes go to court. But who's to say they won't just staplegun that AI to a monetization re-direction bot like youtube has going with their content ID? Awesome T-shirt design you uploaded to your print-on-demand shop... too bad your art style resembles that from a cartoon from 1973 that Universal got as part of an acquisition and they've claimed all your cash. Sure you can file a DMCA counter-notice, but we all know how that goes.
And then there's this fantasy that upending the system would help artists. But who would "own" that style? Is that piece stealing the style of Stephen Silver, or Disney's Kim Possible(TM)? When you work for Disney their contracts say everything you make is theirs. Every doodle. Every drawing. If the styles are copyrightable, a company could hire an artist straight out of school, publish their work under work-for-hire, fire them, and then go after them for "stealing" the style they developed while working for said corp.
Not to mention that a handful of companies own so much media that it is going to be impossible to find an artist that hasn't been influenced by something under their control.
Oh, and that stock of source images that companies like Disney and Universal have? These kinds of lawsuits won't stop them from building AIs with that material that they "own". The power goes into corp hands, they can down staff to their heart's content and everyone else is denied the ability to compete with them. Worst of all possible worlds.
Be careful what wishes you make when holding the copyright monkey's paw.
4K notes · View notes
lnfours · 16 days
Note
"there you go. that's more like it." has been living rent free in my head at all times lately. he's so gorgeous and especially when he smiles/laughs 🥺 what about lando finding you beating yourself up after some kind of failure (plus points if it's an academic one) and cheers you up + the "there you go. that's more like it." when he successfully does so?
this clip has also been living in my head rent free, like i need him in so many different ways it's actually insane.
cleaning out my inbox
you knew you hadn't done well on the test when you had sat down to take it. no matter how much you had studied, nothing was sticking. it was like the topics on the page were going in one ear and out the other.
you tried not to let grades define you, tried your hardest to tell yourself that it was just one test, you'd be fine. everything was okay, it wasn't the end of the world.
he had noticed you were upset early on into the morning when he left to go train. you had sat on the couch under a blanket all day, switching between scrolling on your phone and watching your favorite movies, something you did when you were trying to cheer yourself up.
he had stopped at the flower shop on his way home, picking up the best bouquet they had and stopping at the corner store to grab your favorite snacks. he was determined to brighten your day, even if he didn't know the reason why you were so down, he didn't like seeing you upset. not in the slightest.
you heard the front door close, followed by his voice, "'m home!"
"in the kitchen!" you called back, standing at the pan on the stove. he walked into the room, hands behind his back to try to conceal his gifts. he walked up behind you, placing a kiss on your cheek, "whatcha making?"
"well, it was supposed to be stir fry," you said, poking around the ingredients in the pan, "but i don't think it's turned out."
he grabbed the spoon from your hands, lifting it to his mouth and blowing on it before eating it. you watched him, searching his facial features for an answer. when he scrunched his nose, you sighed heavily.
"damn it!" you were frustrated. why couldn't things go right? just for once?
he placed the spoon down, turning the burner off under the pan, "hey, hey," he said, watching you lean on the counter with your head in your hands, "it's okay, it's fine, it's salvageable."
he placed a hand on your back as you tried your hardest to fight off the tears welling up in your eyes. he placed a hand on your back comfortingly, "hey, pretty girl," he said, rubbing your back softly, "can you look at me?"
you sat up, turning around to face him as your back pressed into the counter. you bit down on your lower lip as he wiped the tear from your cheek with the pad of his thumb, "what's wrong, honey?"
"i just can't do anything right," you said shakily, "i failed my test the other day, i can't make stir fry. i feel so dumb, like what else can't i do?"
"that doesn't mean you aren't capable of doing something," he said, "we all fail, but we get back up, don't we? it's part of learning, part of growing."
he was right and you knew it, but you still had to resist the urge to feel like you were a complete and utter failure.
"you're the smartest person i've ever met," he said, "no matter what you always continue to amaze me. don't ever doubt, not even for a second, that you're something you're not."
you nodded at him, leaning into his touch on your cheek, "'m sorry,"
"don't apologize," he said, "we all need to hear it again once in a while."
you smiled, eyes traveling down to where his arm was still hidden behind his back, "what've you got there?"
he smirked, "you only get to see if you say you're smart."
you huffed with a smile, laughing softly, "i'm smart."
"there you go, that's more like it," he said, holding the bouquet and bag of snacks between the two of you, "saw these and thought they'd make your day better."
you smiled up at your boyfriend, your heart clenching in your chest. you wrapped your arms around his neck and pulled him in for a kiss. he kissed you back sweetly, the kiss turning hungry when he placed the flowers and bag on the counter, hands finding your hips instead. he lifted you up on the counter, standing between your legs, lips brushing against yours as he spoke, "i love you."
298 notes · View notes
avelera · 2 months
Text
Plot bunny idea but… what if Hob has an identity crisis after he and Dream have dated more than 30 years?
Like his relationships have always had an expiration date when he has to fake his death and leave or otherwise abandon the other person. Maybe there were a few exceptions where he stays with someone who “knows” until they get old but even then the relationship changes, inevitably.
He’s never been with someone as unchanging as him.
Would it be a little terrifying? A lot terrifying? It’s as close to “actually grow old with someone” as he can get, with the whole “not growing old at all” thing. They’re aging at the same pace, something he’s not even had to think about as an option in almost 700 years.
Suddenly it’s not about making the most of your brief time together, it’s a marathon not a sprint. It’s continuing to be interesting. It’s accepting the change in someone else when it’s a much slower to near nonexistent change and it’s not defined by aging the way the others were.
Even if Hob is resilient and bounces back quickly or even sees this as a good thing, an amazing thing, that’s gotta hit hard at some point, right?
Edit: I should add, what if it’s not just being with the same person, it’s being the same person with that person? Like, every 10-30 years, Hob becomes a new person by necessity, one would assume (this is admittedly somewhat more fanon than canon but it follows logically that any immortal with a day job would have to switch it up from time to time to stay under the radar).
On the one hand, I’m the first to say that Hob is probably overjoyed to be with someone who knows who he is and who has constantly known who he is through all his eras and personalities.
But even then, those were for very brief meetings.
Does Hob have an identity crisis when he’s Hob and he’s still Hob with Dream 30 years later? When he can’t escape from himself, when the joy of having that one person with whom he can always be himself, his literal self without lying about his age or accomplishments or failures, is great and wonderful but also really uncanny valley strange for him all of a sudden? He could always escape his old baggage, except at the centennial meetings but those were so brief. (Heh, get it, brief lives oh no…)
Hob hasn’t had to deal with someone knowing his embarrassing childhood memories in over 600 years. It’s great but also must be so weird to have a partner who knew you back when and back when is the 1380s. No one alive knows he was called Hobsie once except Dream. There is no escaping the Hobsie allegations the way he once could in a few decades minus the occasional centennial meeting. It’s great but it must be so weird.
353 notes · View notes
camilaxmartin · 5 months
Note
hello good!!Could you do something about Vanessa x reader.the reader where the reader is a security guard and has a relationship with vanessa.One day while walking home, a group of drunks harass the reader and Vanny's personality comes to light?
unwanted touch
hi dear, sorry for the wait!! i need to get back to my writing habits skshdk anyway, i love the idea of vanny coming to light when ‘we’ are in danger and doing stuff vanessa wouldn’t normally do but oh my- she wants to. also, the whole way of switching personalities was inspired by @foxcantswim fics about vanessa/vanny:)
Tumblr media
navigation // information // masterlist
summary: (request)
warnings: old gross men, harassment, unwanted touch, a bit of gore, pet names (one use of ‘bunny’)
notes: i actually loved writing this one and i’m so happy with how it turned out:) let me know what you think!!
requests: open!!
Tumblr media
i looked at the cameras checking every room for the last time on this shift. everything was perfectly still, there wasn’t any mess anywhere, all the machines were turned off and the animatronics stood right where they needed to. perfect. i looked at the time showing 5:58 am and i comfortably sat in my chair turning off all the cameras and throwing my head slightly back letting out a deep sigh. night shifts were a pain in the ass but at least i could even in the slightest help vanessa with paying the rent. oh, and my parents finally stopped thinking of me as a failure, even though they haven’t really said it straight to my face. i took a deep breathe and blinked a few times trying my best to at least stay awake until i get home. i looked at the time again, seeing 6:00 am finally came along. i smiled to myself and got up from my seat, grabbing my bag and my phone. i closed the doors to ‘my’ office and waved to the animatronics while walking past them to the main entrance. i locked the door and tried opening it, to see if anyone will be able to break in. when the doors didn’t even move, i smiled to myself once more and began walking home, daydreaming of finally laying in my bed and going to sleep.
i walked the small sidewalk lighted up by high beams, even though it was already 6:00 am the sun was not yet awake so it was still pretty dark. i watched as the lights make circles on the ground and smiled at the sight just admiring the way it looked. i felt my phone buzzing in my pocket so i immediately took it out and checked the message i apparently got.
vanessa<3:
are you coming home already? or should i pick you up?
i smiled seeing the message and quickly sent a reply, that i’m already walking home. not waiting for another text from my girlfriend i slipped my phone into my pocket once again and continued on walking by the sidewalk hopping over the broken tiles, not even paying special attention on doing so. when i jumped over the last cracked one i realised that the lights end here and i have to walk through a total darkness for a while. i rolled my eyes not liking this idea in the slightest but not having any other option. i started walking the dark path trying not to think about all the horrible things that could happen and just simply focusing on my surroundings in case something actually happens. i slowly walked past an abandoned church and scrunched my nose at the sight of it. i turned my head around and noticed some other strangely looking building not being able to define what was it purpose before becoming abandoned. i shook my head slightly and looked down at the ground trying to just get over this dark path as quickly as i could. after many of my steps i’ve noticed a light in the distance and immediately smiled knowing i won’t be so scared in just a few more steps. focusing only on the light i haven’t noticed some people started to slowly walk behind me. i took a notice of their presence when they started talking to me.
“what a pretty lady like you does alone in the streets at night?” one of them asked, from his voice i could easily tell that he was drunk. i rolled my eyes and tried to ignore him, quickening my steps.
“there’s no need for rush” another man spoke up and i felt my heartbeat rising. maybe i should’ve asked vanesssa to pick me up.
“so? where are you going?” the first of them asked again. i tried to walk straight in my direction but knew they wouldn’t leave me alone if i just ignored them.
“i’m going back from work” i said not looking back at them but feeling their presence there still. and their smell.
“at this hour? it can be dangerous, let us help you out” the first one spoke up again, i could feel the smirk in his voice. i had to physically hold myself not to roll my eyes again. i tried ignoring them once more.
“yeah, we can definitely help you” the other one chuckled and i felt goosebumps cover my body in disgust.
“thank you a lot, but i can manage” i said and started walking even faster, feeling that they also picked up their pace. shit.
“oh, don’t be like that” the first one spoke up again. “we just want to help you, nothing more” he chuckled knowing exactly what he really meant by those words. i smiled sarcastically not even being sure if they can see my full face.
“thanks, again but i can take care of myself” i said seeing the light move closer and closer as i went into its direction. i felt my phone buzz again and i prayed it was another of vanessa’s messages. i moved my hand into my pocket trying to get it out but then they spoke up again.
“hey hey-“ one of them started and grabbed my hand that tried to take out my phone. i felt my heartbeat rise up again as i was completely terrified. “tell your boyfriend he can wait while we show you how real men act” he said and laughed the other ones along with him. there were at least four of them so it was obvious i didn’t stand a chance against them. i tried to wiggle my hand out but it did nothing as he hold me in place not even letting me walk.
“i don’t have a boyfriend” i said my brain going completely numb in that situation. the one holding my hand laughed again gripping my wrist a bit tighter, i groaned at the touch.
“then it’s even easier” he chuckled and tried to pull me closer to them but then i remembered one thing vanessa has taught me recently. i should always pull my hand in the direction of somebody’s thumb. i quickly looked at his hand around my wrist, the darkness not helping in the slightest and noticed that his thumb was pointing to the right. i immediately moved my arm right snatching out of his grab as my eyes widened not believing it actually worked. all of them looked at me in shock and my brain started to work again as i began running towards the light at the end of this dark alley.
i didn’t turn my head until i reached the light and noticed a lot of homes and buildings around me. i started to breathe deeply and finally turn around not noticing anyone behind me or even further in the dark. i shook my head at the whole situation and continued walking home, doing it quicker that usual. i took out my phone finally and looked at the notification, noticing it was actually a message from vanessa.
vanessa<3:
it’s taking you a while, are you okay? are you sure you don’t need me to pick you up?
i smiled at the message and sent her a quick one back saying that i’ll be home in less than five. i shoved my phone back into my pocket again, trying to focus on anything else rather than that situation.
Tumblr media
when i opened the doors to our shared apartment my eyes have met with the blonde’s ones and i immediately smiled at that. i closed the door and locked it behind me throwing the keys on the kitchen counter.
“finally you’re back” she said coming up to me and locking me into a hug. “i was starting to worry”
i chuckled and hugged her back, hugging her even tighter than usually. “nothing to worry about” i said and laughed a bit too fake for her not to notice.
vanessa leaned away and raised one of her eyebrows at me, looking adorably considering that she was still in her pyjama. “what’s with the fake laugh? did something happen to you?” she asked visibly concerned, worry spread out on her face.
“no no!” i said throwing my hands around “just a bunch of guys wanted to probably rape me, but nothing happened” i said visibly exaggerating the situation but vanessa didn’t laugh. oh boy.
“did they touch you?” she asked her voice stern. i swallowed the saliva i had in my mouth wondering how to get out of this conversation.
“nothing happened, i’m okay, that’s what matters” i said while shaking my head and walking away to put my bag on the ground.
vanessa walked behind me almost immediately and grabbed my chin with one of her hands making me look at her. “did. they. touch. you?” she asked putting a more annoyed tone on every of the words. i let out a deep sigh.
“yes.” i said and looked down at her lips not wanting to keep the eye-contact with her. “one of them grabbed my wrist but, thanks to your practice, i got away” i explained and looked up into her eyes again, seeing a somehow crazy look slowly entering them. oh no.
“where was it?” she asked her gaze still on my eyes. “tell me” she said trying to sound more softly but making it come out as even more annoyed.
“in the dark path i had to walk from my work.” i said not knowing how to fully explain it. “close to the abandoned church if you know what i’m talking about” i added and she simply nodded her head letting go of my face.
“from this day on i’ll always drive you off the work” she said and walked to the kitchen making herself a cup of coffee to start the day. i bit the inside of my cheek not knowing what to respond still not being sure if i’m talking to vanessa or maybe vanny just now.
“i’m going to sleep” i said and yawned. vanessa looked at me with a smile on her lips while sipping her coffee.
“sleep tight, i’ll be back before you go to work today” she said starting to get ready for her day shift. i just nodded my head with a smile.
i went to our bedroom, laying down on the bed not even caring about taking off my clothes. just as i was about to fall asleep i heard the doors creak and slowly opened one of my eyes. i saw vanessa quickly walking over to me and giving my forehead a kiss. i smiled sleepily and immediately fell asleep.
Tumblr media
i groaned looking at the time sitting in my chair. five minutes left till the end of my shift. i grabbed my phone looking for messages from vanessa to see if she was still coming to pick me up but nothing came. i burrowed my eyebrows not understanding why she hasn’t wrote anything yet. i rolled my eyes shoving the phone into my pocket and taking a last look at the cameras. everything was pretty still so i turned them off, gathering my things to finally leave this place. i threw the bag over my shoulder and took out headphones from it preparing myself for the walk home again. i checked the phone for the last time - nothing. i sighed and closed the door to my office, saying my goodbyes to the animatronics as i was leaving. i locked the mane entrance and began walking home still hoping somewhere deep, vanessa would come pick me up. i played one of my playlists trying to make this walk at least a bit more enjoyable.
i was walking the path with high beams and smiled again at the sight of circles appearing on the ground. as usual, i started jumping over the cracked tiles trying my best not to step over a broken one. after many steps i’ve noticed that the dark part of my walk was approaching and i immediately felt goosebumps covering my skin. i rolled my eyes forgetting about jumping over the tiles and tried my best not to freak out at the thought alone of meeting those guys from yesterday.
i passed the last light and my dark path started. i kept my eyes at the ground not even looking around at the church or that old building, concentrating only on the task of getting out of this dark alley. a slow song suddenly started playing in my headphones making me more aware of my surroundings than i wanted. great. i still tired to just focus on my steps not caring about anything else, but of course it couldn’t go that smoothly.
“long time no see huh?” a man said suddenly appearing behind my back. from his voice i concluded it was the same one from yesterday. i tried ignoring him at my best.
“you probably couldn’t wait to see us again right?” another one of them spoke up and my heartbeat rose up again. i glanced at them seeing there were five man behind me. i was horrified.
“let us show you how real men treat women” different one of them laughed and immediately grabbed my wrist, this time holding with both of his hand so i couldn’t shove out. i felt tears coming to my eyes.
“take off those headphones” one of them said and with my free hand i did as he told me not wanting to be in even more trouble than i already was. they pulled me with them to an even darker corner of the alley, probably behind that church. my brain went numb again i literally didn’t know what to do.
the one holding me shoved me into the wall still holding my wrist waiting for the others to start their actions. i closed my eyes not wanting to see anything and just hoping for the end to come.
one of them grabbed my neck and squeezed it so harshly i thought they wanted to just kill me at the spot. another one started to unbutton my pants and the tears from my eyes started to run down my cheeks. when he finally stopped unzipping my pants i heard a noise at the end of the alley from where they previously took me. i gently opened my eyes and saw a pair of red ones in the distance. oh god.
when that man wanted to pull my pants down another one of them started screaming in pain and my eyes immediately opened wide. i saw vanny’s costume slit his throat with one swift motion of her hand. i looked in disbelief at this situation thanking in my soul for her rescue.
vanny didn’t stop there, when the rest of them looked at her terrified i almost saw her smile widen even more but maybe it was just my imagination playing tricks on me. she shoved the lifeless body of that man into the wall running up to the next one and pushing her knife into his stomach, the man yelled in pain and fear, while his shirt started to become red from his blood. vanny twisted her knife repeatedly in his body trying to make it as painful for him as it was humanly possible. when that man stopped yelling from all the tiredness she took her knife out and shoved him into the ground with one kick, letting him bleed out. she looked back at the three that were still left. one of them started screaming and running away vanny only following him with her glowing eyes, definitely letting him get away… at least for now. she then moved her red glowing eyes to the two standing the closest to me. if that was what she did for the ones who didn’t even touch me, i definitely wouldn’t want to be in the skin of those two.
she tilted her head while looking at them and waved her knife from side to side, obviously debating on what to do about them. i felt that one of them took their hands off of my wrist while the other let go of my neck. i smiled to her not being sure if she saw my face. one of the men suddenly started to run towards her which was the stupidest decision he has ever made in his life. vanny swiftly grabbed his neck, just like he did to me a moment ago, and shoved him into the wall keeping him there and looking straight into his eyes. then, she moved her knife to his face and harshly pushed it into one of his eyes. he started to scream but then she pushed the knife even deeper not liking that he was making a noise, or wanting him to make even more of them. she hardly pulled the knife out along with his eye and dropped the knife to the ground. with her free hand, she pushed two fingers inside the hole in his head and tried to crush his bones. he screamed unbelievably louder and she definitely had enough of it cause then she pulled her fingers out and shoved her whole hand so deep into his throat i didn’t even know it was possible. she somehow managed to grab his vocal cords and rip them out making him bleed also from his mouth. she let go of him and let him slide down the wall not even being able to scream anymore.
the next thing she did was quickly run up to the man who was previously holding my wrist and just shove him to the ground sitting down on his hips keeping him there. he started screaming so she slapped him on the face with her fluffy paw. she then looked back to where her knife was laying and quickly turned around to him. knowing she wanted to use her knife again i walked over to it and picked it up moving to give it to her. but when i came over, she was already playing with not one, but both of his eyeballs using them like rubber balls. i looked at that situation a bit horrified by it all but also feeling a strange satisfaction that they got what they deserved. she then turned her head around and noticed me holding her knife. she shoved it out of my hand and started slowly cutting his face. the knife went in like into a cake and again i swore her smile widened. when his whole face was cut up and i was pretty sure he already passed away she stood up and shoved her knife right into his manhood. the man screamed for the last time and then life left his body for good. vanny dropped the knife and laughed out loud, looking around and seeing everything she did.
i looked at her still a bit terrified by all of this but a small smile creeped up to my face at the thought that she did all this for me. she finally moved her head to look at me and walked over to me staring my face down with titled head. then she moved closer and connected my nose with her fluffy big one. i chuckled slightly as my hands gently stroked her mask. vanny then moved her hands and took of the mask showing me her beautiful face, with messed up hair and a maniac look in her eyes. i tried to keep my calm but my pulse sped up uncontrollably. she laughed still looking at my face and threw her mask on the ground grabbing my waist with her one blooded paw while the other she put on my cheek gently stroking it.
“you’re mine” she said, her voice sounding maniacally, i still wonder how she manages do to that.
“only yours” i whispered and smiled to her trying my best not to be scared. she laughed feeling my heartbeat rise and rolled her eyes.
she moved her head closer to me and connected our lips in a passionate kiss, showing me how deeply she cares and that she would literally do anything to keep me safe. i smiled into the kiss and wrapped my hands around her hair, keeping her in place for as long as she lets me. vanny sighed into the kiss and slowly leaned away still gripping my waist. she opened her eyes and the maniac look was still present. i smiled to her taking my hands out of her hair.
“i would do anything for you. we would” she said and laughed again this time it sounded more like a chuckle.
“i know” i said and smiled to her. “and i really appreciate it” i added and gave her lips a quick peck.
vanny smiled at me and let go of my waist as well as my cheek to grab my hand while her other one picked up her mask. she led me out of that dark corner as i looked back at all the bodies and then turned to her not knowing if it’s safe to just leave them like that. she laughed seeing my sight and gently shook her head putting the mask back on.
“don’t worry about it, bunny” she said and pulled me closer to her once again now standing almost in the light of the street lights. “vanessa will take care of it, i discussed it with her earlier” she said and my eyes went wild at the mention of vanessa realising she knew exactly what vanny did. i smiled to her and uncontrollably giggled at everything that happened. vanny laughed with me as well and pulled me in for the tightest hug i’ve ever received from her.
Tumblr media
500 notes · View notes