Big fan of sun motifs in characters not necessarily being about positivity and happiness and how they're so " bright and warm" but instead being about fucking brutal they are.
Radiant. A FORCE of nature that will turn you to ash. That warmth that burns so hot it feels like ice. Piercing yellow and red and white. A character being a Sun because you cannot challenge a Sun without burning alive or taking everything down with them if victorious.
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Since Tumblr won't let me reblog the post with this genocidal bitch's info here you go
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at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"
like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.
"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."
... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.
and i'd still keep writing.
i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.
i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley
"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"
and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.
it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.
you create because you're greedy.
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something about "your anger isn't scary to me" is making me so emotional. something about as above so below, cassandra as a mirror of kristen. something about "I've been dropping the ball a lot lately" and kristen's struggles with adhd. something about teenage girls and rage and fury and justice. something about adaine's vision of ruining fallinel and the sylvaire looking for revenge. something about sadness and doubt and anger and love. something about "I choose to understand" being the absolute core theme of d20 in general. something something.
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this is such a negligible detail in the scheme of things but ever since my friend pointed it out i haven’t been able to stop thinking about how in natla aang just like. has his bison whistle. from the start. whereas aang finding the bison whistle in “the waterbending scroll” is such a subtle yet crucial moment because it reflects how even though sky bison are thought to be extinct, there are still traces and relics of air nomad culture existing in the world. just like the central object of that episode, katara’s waterbending scroll, is rightfully returned to her as a crucial part of her heritage that has been systematically exterminated, the bison whistle is yet another object that has been paraded around and reduced to a trinket on the market, rather than a meaningful cultural artefact. and the fact that aang is able to recognize and repatriate it for its original intended purpose is microcosmic of the show’s themes overall, of preserving one’s heritage in the face of cultural erasure and genocide. it’s central to aang’s arc, as well as katara’s, that they have an obligation to preserve their cultures at all costs in a world that is so intent on eradicating them. to cling to those traces with all they have and assert their practical value as they embody their unique cultural ideals through its practice rather than merely existing as a curiosity or exotic decoration within a hegemonic paradigm. aang in particular actively functions as a living testament to counter the imperialist assertion that his culture has no place in this world. and he does that through asserting his values, but also through practicing his culture in mundane, quotidian ways, such being able to properly make use of a bison whistle due to actually having a bison, or being able to learn off of the scroll due to being an actual waterbender. and so aang finding the bison whistle at that specific point in time is specifically significant as it concerns the central theme of the episode, and how that reflects the show’s themes as a whole.
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hi does anyone else think about april throwing herself over leo to shield him in the shredder strikes back despite having no weapons no way to defend herself and probably assuming she was going to die. does anyone think about that all the time. every day. uncontrollably
[ID: Digital fanart of Ninja Turtles 2003 depicting a scene from The Shredder Strikes Back part 2. April kneels over an injured Leo, cradling his head and looking back over her shoulder to snarl viciously at the camera, though there is obvious fear in her eyes. Her hair has partially fallen out of her bun, the loose strands sticking to her face with sweat. She has a cut on her cheek. Only a portion of Leo’s face can be seen from behind her shoulder. He looks up at her with a sad, pained expression. He has a swollen, bloody shiner on his cheek in addition to other cuts and bruises on the rest of his body. They are on the wooden floor of a dark attic. End ID.]
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Remember how at the end of The Dragon Reborn, Ishamael wrapped Moiraine in black lightning and she screamed and Ishy hurled her across the room into a column where she lay unconscious for the whole duration of the book's final confrontation and then that was just never mentioned again and she was completely fine ?? Not on my watch 🤨
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