oksies hi starting a new thread of get to know you
haii I'm moth and also thea you may call me any nickname as well <3
I love musicals so so much (niche and popular!! basic-shaming is lame)
I am superhero obsessed (augh pied piper)
doctor who is my autism (yay river sonf!!!!)
good omens heoughhhhhhhh
super excited to meet you <3333333
Hi moth!! You can call me tetra. Don't worry that's not my real name or anything tho. I took it from the concept of tetrachords in music.
If we're generous about what we call superheroes, then maybe most of the things I like are superhero based. I mean obviously there's marvel and dc, but then there's stuff like dpxdc, sonic the hedgehog (idk if I've ever heard him called a superhero but he kinda is), if we count magical girls then like. Sailor moon and madoka magica
I haven't seen any episodes of good omens, but I read a really good fanfic of Crowley going to therapy a while back, and a couple funny ones with like yelp reviews of Aziraphale's bookstore. Plus I love the good omens analysis posts on here. I feel like maybe I half know some of what's happened in the show but also probably haven't scratched the surface. I'm kinda bad at watching TV shows, so there's a lot of stuff that I know from fandom but haven't seen. For another example of that, I've only watched one or two episodes of Sonic Prime. I reblog posts for it and it sounds good but idk. Just bad at it.
I'm a much more casual fan of musicals, I think for the same thing as above where I just struggle to sit and watch something on purpose. But I listen to the music from them sometimes, I've read transcripts online of a couple, and i swoon whenever I see a post analyzing the meaning of a musical song, especially when they go beyond lyrics and start going into the music theory in the tune. I don't have the skills or knowledge to do that myself but I love it so much
(when the singer changes their technique to enhance the meaning,, when this or that chord is a step outside the key to symbolize change or isolation or anything,,, using instruments as symbols for this or that character,,, tbh it doesn't have to be a musical even shout out to that youtube video by Scruffy on how fnaf's audio and sound effects make it scarier)
Lately I've been bouncing back and forth between Sonic and DPxDC. With hints of Slay The Princess in there bc I saw part of a playthrough of that awhile ago and loved the concept. I reblog madoka magica stuff whenever I see it (except magia record bc I know next to nothing about it) because that stuff makes me lose my mind. The love the pain the hope the despair!! Homura is probably like my ultimate blorbo but I love all the five girls they're so cool. I actually read the manga instead of watching the show though so I'm not as familiar with all the music. Plus I think the show had some extra scenes. Although it's a little confusing bc I think some of the extra scenes I see are magia record so idk.
Also I'm a fan of arts and crafts and will reblog that kind of thing once in a while, along with cute cat stuff.
Super excited to meet you too!
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Aziraphale: The Sword that Guards the Tree of Life
Looking where the furniture isn't
This post is dedicated to @meatballlady's excellent insistence that if we want to try to predict where season 3 will go, we need to look at where the furniture isn't. That is, what must have been there but wasn't shown?
For this one, my source material is going to be Genesis. That is, in no small part, because it does in fact fuck severely that Neil Gaiman and Terry Pratchett took the angel with the flaming sword and the serpent of Eden and made them kiss (@joycrispy, @ouidamforeman). It's also because Genesis, quite simply, exists, and it seems safe to assume that most everyone in Gaiman and Pratchett's intended audience has been exposed to at least its first few chapters dozens of times.
What does Genesis tell us about Aziraphale's purpose?
3:22 Then the Lord God said, “Behold, the man has become like one of Us, knowing good and evil; and now, he might reach out with his hand, and take fruit also from the tree of life, and eat, and live forever”—
23 therefore the Lord God sent him out of the Garden of Eden, to cultivate the ground from which he was taken.
24 So He drove the man out; and at the east of the Garden of Eden He stationed the cherubim and the flaming sword which turned every direction to guard the way to the tree of life.
@joycrispy's analysis above highlights Aziraphale's role as given in the last verse: as the angel chosen to wield the flaming sword, he was sent down after Adam and Eve were expelled to prevent them from returning. Instead, he chose to protect them by giving that sword away. His desire to protect humanity is indeed beautiful (@give-soup-please, @snek-eyes).
But wait, what came right before that? "And take fruit also from the tree of life...?"
2:9 Out of the ground the Lord God caused every tree to grow that is pleasing to the sight and good for food; the tree of life was also in the midst of the garden, and the tree of the knowledge of good and evil.
That's right: What we see in the show is that Adam and Eve were sent out of Eden so that they'd have to deal with the rain and the animals and have to work for their food, but that was never the primary motivation. God planted two special trees, and after Eve and Adam ate from one of them, God was terrified at the prospect of them turning around and eating from the other. And thus, the Garden of Eden was made off-limits and set to be permanently guarded by an angel with a flaming sword.
So, the flaming sword.
Twice now, Aziraphale's sword has helped humanity survive complete and total destruction (@nottobehornyonthemain). The first time, he handed the sword to the first two humans, which protected not just them but the entirety of the human race via Adam and very pregnant Eve.
The second time, he let it be wielded by The Them, who used it to best the Four Horsepeople of the Apocalypse and save the billions of humans already alive as well as unborn generations.
Perhaps the flaming sword was only intended as a plot point in the first season. However, if its purpose were completed, it could have easily been destroyed. As a narrative piece, it could have broken dramatically at the end of the face-off against the Four Horsepeople. Or, Watsonianly, God could have chosen to break it Herself; after all, it was already used against its intended purpose twice, so why let it keep existing?
Instead, it's carefully taken away to... where? Heaven?
The place Aziraphale is now going?
Or at least a place where he could likely find a record showing where it's being stored?
Whether you call it "rule of threes" or "Chekhov's gun," I think it likely that Aziraphale will be getting his sword back in season 3. He probably doesn't want it (@createserenity, @ineffableigh, @doctorscienceknowsfandom), but he'll need it.
The question, then, is what would Aziraphale do with the flaming sword he was given to prevent humans from reaching the tree of life?
If we're looking at where the furniture isn't, the biggest stretch of an interpretation would be to say that the missing furniture is the tree of life. If anyone knows where Eden is, it would be Aziraphale, Guardian of the Eastern Gate. We know that both Heaven and Hell want to end humanity. The opening credits have humanity walking to their judgment after their deaths; what better way to prevent that than by preventing those deaths?
The most intense version of this theory says that the audience should be familiar with the story of the Garden of Eden and know damn well that there are two special trees there and that Aziraphale was put in place to guard the second one — the one humanity hasn't eaten from yet, the one that grants immortal life. That's where, if I were truly trying to swing for the hills by aiming at where the furniture isn't, I would ideally like to end this post. If that were the case, season 3 could even open with Aziraphale walking towards the Garden of Eden, sword in hand, but this time approaching it from the outside with the intention of tearing the wall down.
But, let's be honest, making individual people immortal doesn't feel like it would fit with the themes of Good Omens, nor with Neil Gaiman or Terry Pratchett's world views.
So, let's take the tree of life symbolically: Instead of the tree of life granting individual humans immortality, it could instead represent giving humanity immortality. In that case, the thing that's where the furniture isn't is Aziraphale's sword. You know, the sword that's already saved the human race from extinction twice now, with both times being because Aziraphale gave it away.
I suspect that the sword will wind up in Aziraphale's hands again in season 3. I also quite suspect that it won't be staying there. In the end, I expect it will once again be up to humanity to reach out their hand to take the apple from that second tree.
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With a regained energy, it’s time to make another post! Under the cut to keep nsfw out of the eyes of those who don’t wanna see it <3
So, I’ve discussed before about Ashley initiating in a way to make Andrew submit, and Andrew letting himself fail in a dominance struggle. But I wonder how Andrew would initiate with submission?
It would certainly be rare, but far from impossible. He tends to want control over the situation at least in the beginning, so for him to willingly approach a sexual encounter submitting is something Ashley really savors.
The signaling tends to be subtle, with Andrew laying his head on Ashley’s lap. While this can sometimes just be how they relax, Ashley can tell when it’s the signal; he’s more tentative, and his adorably blushing face betrays any nonchalance he could be trying to pretend to have.
Ashley might play dumb at first, mostly because as time passes he gets even more obvious, ending up almost squirming on the couch because he just wants to be used already.
Eventually, she makes some excuse — it’s hot, the pants are too tight, whatever might work — to take off her pants and let Andy continue to chill on her lap.
He’s already breathing a little heavier, her soft warm thighs right on his cheek. And if she plays with his hair, he’s practically melting already! <3
After even just a couple minutes, he’s already kissing her thighs, and he’s listening to her breath hitch as his lips slowly make their way to her inner thigh. Her grip is already tightening in his hair.
Ashley spreads her legs just enough for him to maneuver, and Her Andy doesn’t hesitate at what he wants, at what she wants. Before she can even command Andrew, he’s already kissing right over the panties. His hot breath, his soft lips, Ashley is very aware of right where they are.
She’s done with the slow buildup. She doesn’t even take off her panties, she pushes them aside with her free hand and pushes Andrew in by the hair. He whimpers submissively at first, but he quickly indulges, and Ashley isn’t quiet about her own enjoyment.
He always knows just the right spot ~<3
Andrew practically feels lost in the best way possible, his tongue knows where to go, his lips know where she likes to be kissed, he knows where to suck and when, and he can hardly think outside of pleasing and tasting her.
Ashley’s weak facade of being able to hold herself back falters, her legs shivering, pushing Andrew’s face in deeper, gripping his hair like her life depends on it. Because God, his effort can be felt. Nobody else does it like Andrew…
Nobody else… Fuck, Andy does it best, he’s the best…! <3
Both sides catch their breath once she climaxes. Ashley can feel herself shaking, her breath hitching a little as residual waves of pleasure wash over her. Andrew’s breathing still comes from pleasure, though his mannerisms absolutely portray just how little time Ashley gives him for air in the moment.
He doesn’t mind though. Her praise and soft touch afterwards are great rewards. He’s a good boy, a very good one.
Plus, he likes how she tastes, so that’s a great bonus <3
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