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#huh uh. anyways. tags
penxil · 8 months
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thinks about the ark siblings. cries a million tears
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acekindaneat · 1 year
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if bones studio isnt gonna give this line from the manga, i'll do it
bonus: middleschool kids and their silly little crush
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sam/dean panty kink as per request > 🩲
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braisedhoney · 11 months
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been having some funny times aboard the hive lately
ALSO! updated crew and captain uniforms for the ship!! not 100% sold on them yet but the changes are pretty minor… just wanted to embrace the space theme a teeny bit more.
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shmorp-mcdurgen · 6 months
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OJ my beloved OJ
Rewatched NOPE recently and doodled OJ from it-
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kondietorei · 3 months
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alas the classic outfit swap
bonus doodle underneath ^^
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drew this after realizing i only drew one sea salt ice cream orz
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tim-lucy · 1 year
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Chenford in Season 1 vs. Season 5 1.20 || 5.12 — ON THE SAME SIDE OF THE WALL
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ghastigiggles · 6 months
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trickle down
RAAAAAAHHHH WOMEN!!! Furina Content for the hungry masses, apologies that it's not longer. I was very inspired by a particular post and speedran this at like 4 in the morning.
Finally. Women in the Genshin Content tag. Let's Go Lesbians
usual disclaimer; safe-for-work tickling content ahead, very cute, very fluffy - also very vague 4.2 spoilers? but you wouldn't get it without context so it should be okay for the uninitiated o7
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Being human comes with a lot of fun little quirks.
Furina loves being human. 
Furina does not, however, quite enjoy the prideful appearance she's been forced to keep for so long – so it's very nice and refreshing to finally have more and more friends at her side to drop that guard around.
At least, it's certainly nicer for Clorinde to no longer be alone in suffering Furina's drama, because –
"Would y – eeEEeeh! Ahaha – help mehehe already…!"
Paimon shuffled awkwardly in the air, glancing towards the Champion Duellist. 
"Should we, um, do something…?"
"No. Let it run its course… She'll be fine."
Lumine snorted softly, biting down her smile in an attempt to look as bemused as Clorinde when Paimon looked over haplessly. Before the three of them, taking advantage of their relative privacy and distance from society, was poor Lady Furina, her arms held above her head by Gentilhomme Usher – thus allowing Surintendante Chevalmarin and Mademoiselle Crabaletta to pinch and prod at her torso, sending her into the undignified fit of giggles she was in now. 
( very necessary A/N; the names of furina's staff are needlessly complicated even for a french speaker. sweet jesus. )
"Ahaha – y-you – yohohou are cruel! How c-cohould you fff – ahaha! – forsahake me this way?!"
"Lady Furina has a habit of, er…. Well, this," Clorinde explained poorly, nodding her head towards the scene with a tired look; "I gave up on actually helping after the first dozen repeat offenses."
The traveling pair nodded, exchanging a mildly amused look between themselves as Paimon took over replying for them both.
"Don't worry, we get it… We've got a few friends who are very similar, ehe…!"
Lumine nodded as well, turning her gaze back to Furina's song and dance. From the way her legs shook, it seemed like she'd collapse if Usher released her arms; and though she was flushed in the face, she also seemed genuinely happy…
It made the traveler's fingers itch, and she hummed, glancing towards her fairy friend.
"Hey, Paimon – since we're just waiting, why don't you and Clorinde scout up ahead? I'll stay here to keep her safe if anything creeps up on us."
"But…"
Paimon started to object, but shut her jaw with an audible click when their gazes met, her eyes widening with sudden understanding. Offering a more nervous smile, Paimon nodded quickly, whipping back to Clorinde.
"... R-right! Come on, miss Clorinde!"
"Right. Shout if you need help."
Almost grateful for the out, Clorinde marched up the path, Paimon hovering just beside her as she went. Lumine watched until they disappeared through a few trees before approaching the giddy Furina, waving her arms to shoo away her staff members.
"Alright, that's enough…"
"... Haah, ahah… ah –!"
Abruptly, they disappeared with a burst of bubbles, and, as predicted, Furina collapsed entirely, opting to commit entirely to the fall and flop back onto the grass, her hat rolling away when she landed. 
"Ahh, ow… haah, you could've been faster with the save, you know…"
"Oh, please, you could've gotten yourself out of it anytime," Lumine giggled, crouching beside the Chief Justice and savouring the flustered glare her comment got.
"Y-yes, well! Perhaps I was testing your friendship – looking to see how fast you would save me if I was in dire straits!"
"Oh, you're testing something, alright…"
The traveler shifted, somehow managing to straddle Furina where she lay before she had a chance to react – though it was less than graceful, with how their skirts overlapped. Furina stared up at Lumine with shock, stammering wordlessly while the blonde traveler smiled, a mischievous glimmer in her eye.
"I've got a question for you, Lady Furina – in operas, how much do you enjoy twist villains?"
"... Oh," Furina squeaked finally, her cheeks red – though her next words made Lumine soften the act a bit; "I – I, um… You're really…?"
"Yeah. Unless you don't want me to?"
"N-no! I mean – yes? I – mngh…"
The verbal stumbling made Lumine laugh, and Furina huffed petulantly, squirming in place with a thoroughly flustered expression.
"Just… Stop when I say so, okay?!"
"Promise. I won't push it."
Furina hesitated, gauging Lumine's sincerity before letting out a soft breath and nodding – only to tense when the traveler dug her fingers into her sides, wasting no time to profit off of the okay.
"Now, let's see how loud you can really sing…"
"AahhaaaAAH – Wait wait wahahait –!"
As Clorinde and Paimon rounded the bend again, they were greeted with Lumine helping a very breathless-looking Furina to her feet, slinging an arm around her shoulders to support the wobbly-legged damsel with an amused look to their companions.
"Unfortunately, Madameoiselle Crabaletta did a number on her… I think we might have to give up on the rest of this trip."
Clorinde sighed haplessly, shaking her head; "It's alright… It wouldn't be the first time. Come on, let's get back to the city…"
"... Haah, haah… S-sorry, everyone…"
Paimon giggled, collecting Furina's hat from the ground as they began their trek homeward and trying it on her own head, giving Lumine a knowing side-eye.
"It's okay! Paimon had fun anyway! What about you, Traveler?"
"Yeah – lots of fun. We should do this again soon."
Lumine grinned, drumming her fingers against Furina's side where they rested just to make her flinch and giggle, leaning into the traveler a little harder and ducking down to hide a giddy smile.
Furina loves being human – especially now that she has proper friends to be human with.
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notemaker · 4 months
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Okay so Sonic Prime was basically a weird game of seven minutes in heaven, right? Kissing may not have been involved but everything else sure was.
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22degreehalo · 5 months
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Okay I finished the movie. (Spoilers follow!)
I liked the parts about Barbie as an actual doll. I liked the ending! It was fun and creative and had some real emotion to it!
I didn't... enjoy the portrayal of gender.
The movie just really does not seem to want to face up to the idea that in the Barbie world, women are the privileged class. They hold all positions of power and property. Barbie doesn't even know where the men live?
Yes, it's all deliberately weird and surreal. But it's all just too weird and surreal to relate much to the real world. The climax relies on assuming that the barbies would essentially relate perfectly to a random real-world woman, which... even if it were true that all women IRL can relate to each other, their life experiences are just way too different.
(Yes, the patriarchy got introduced into Barbie land! But... how??? It's very hand-waved. Why would the privileged class suddenly completely turn the system 180 just because a guy came by with some books? It almost feels like a reverse-racism thing...?!)
And then, in the end, the kens still aren't treated equally. The movie jokes that 'someday' they'll have as much power as women IRL. But... we literally just spent the last hour exploring how shitty women have it. So now the kens have it even worse than that. And that's okay?
Again: it's meant to be dumb and silly. But we're also supposed to suspend our disbelief and live in this world for two hours. And the world just doesn't really jive with the tone. The more you think about it, the more you treat it as a real place, the less sense it makes. It only works if you laugh off the kens as just privileged white guys just because they resemble them.
Which, also! The movie in the end tries to be comforting to men and say that they don't need to be defined by their girlfriends or whatever! Which is actually a good message IRL: for too many men, being able to Date A Woman really is treated as the ultimate arbiter of human worth! (It... makes little sense in the world, where it seems like the kens really do need to rely on the barbies? But. see above.)
Except the entire way through, the idea of men having feelings is mocked and laughed off. Like I said, they imply that a gender non-conforming man would have absolutely 0 reason to fear violence at the hands of other men, which is... completely detached from reality?! Everything a stereotypical 'man' might care about is treated as being not really all that good, men's fears of abandonment or failure are eye-rollingly chalked up to 'egotism' (again, despite the status of the kens in this world), and when Ken cries at the end, it's presented as humiliating, as opposed to the dignified crying Barbie does on multiple occasions.
To be clear: I am not accusing the movie of misandry. I'm accusing the movie of being excessively cruel towards men who do not fit the stereotypical image of 'masculine', and then also being kind of pointlessly mean at those who do, as well.
Like, in the climax, one of the ultimate scenes of 'female empowerment' has the barbies pretend to listen while the kens play the guitar at them ('Push' by Matchbox 20, which is a good song IMO??? But it's treated as like. Objectively bad.), only to deliberately check their phone to show they don't care, then get up and talk to another man instead. And all of this is framed as, like 'playing on their petty egos and jealousies.' And not as like... them opening up? To someone they like? And trying to do something nice? And then being hurt when they don't feel the connection they wanted?
(Also men getting angry at other men, or staging a 'war', is treated as entirely petty and silly and kinda funny. Just an 'own goal', so to speak. Which, again, feels very insensitive when men... do in fact violently attack other men over reasons like jealousy.)
(Also also it's treated as super arrogant when a man tries to help out a woman who is literally saying aloud that she doesn't understand and wants help??? Because it's soooo offensive to think a woman can't do something she says she can't do??? even though the end of the movie is all about how women shouldn't have to be perfect and should be allowed to be just normal and not really good at anything???? I'm so confused.)
It's just... such a weird mix of a genuinely fun and creative campy setting, which then mixes in the most weirdly tone-deaf and old-fashioned gender essentialism possible. It tries to be progressive at the end, but the setting is already so stuck in those ideas (that inverting gender power dynamics would be really good actually since women are better in power, that men don't have any real legitimate reason to have emotions so it's weird and dumb if they do) that it doesn't track. It doesn't match the actual events of the movie.
It's not just an empty popcorn movie. Frankly, it'd be a lot better if it was!!!!!!! (At least for me, hahah.) It's best appreciated, honestly, if you do turn your brain off and just enjoy the pretty visuals and the nice moments at the end. Which is sad. Because it clearly does try to do so much more than that! But all those attempts just... make the movie more confused and weird and kind of mean?
Basically, the movie tries to do a whole 'haha what if we switched the power of the genders' but then still wants to treat all of the men like they're privileged white guys, even though there's 0 worldbuilding reason for that to be justified. (Plus also it has the typical 'wacky misandry' problems of being incredibly shitty to GNC and disabled men. but like I just expected that literally always nowadays.)
So yeah uhhh. unfortunately I gotta say that I don't really agree with those 'lollllll men hate this movie even though it literally just says that they're okay by themselves and don't need to base their worth on women!!!!!' like YEAH but it also implies some pretty. questionable stuff about oppression and mental health and how much we should respect men who have ~delicate fragile emotions~ too.
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deus-ex-mona · 4 months
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Heyooo so like do you think you could explain the Someya brothers relationship? It’s peaked my interest since the new songs with these two revolve around each other…
Yujiro and Koichirou aren’t related by blood, right? 🤔
Also, what do you think about the new songs that just came out?
Thank you so much for your time 💛💛 Happy New Years 💕
hi! happy new year~~!
this got kinda long so there’s a cut here for length sorry~~~
ngl i’m kindaaaaa fuzzy on the details about the someya bros’ relationship, but long story short, they’re stepbrothers (with koichiro spawning from the resident longleg tamagoro and yujiro being tae’s son, of course) who were kinda pitted against each other when it came to learning how to perform (kabuki) from tamagoro, because longleg’s gotta longleg ig.
then yujiro gets disinherited because the longleg’s still longlegging and koichiro takes to the kabuki stage by himself as the local “national treasure’s” sole heir. so, like, i’m guessing that the events surrounding yujiro’s disinherition may have led to their (frankly terrible) brotherly relationship of “an inferior older brother” and “a superior younger brother”?
though this dynamic carried on pretty much for as long as yujiro longed to perform on a kabuki stage, just like koichiro does (if we were to take the lxl movie’s word for it). then yujiro became an idol and started to work towards a different dream, breaking off from the path (kabuki) that he used to follow koichiro down, which i guess made koichiro start to see yujiro in a different light?
like, imagine you have a lifelong rival who strives for the same goals that you do. however, this rival of yours is less skilled than you, so you naturally grow to have a sense of superiority over your rival, taking satisfaction in crushing them while having full knowledge that they will never be able to beat you when it comes to your shared goals.
however, one day, your rival decides to aim for a different goal, completely ditching your shared goal and stuff, and they actually seem to be doing pretty well in their path to achieve their new goal. how would you feel?
because i get the feeling that koichiro’s initial response to that was to feel betrayed, in a “why are you running away (from kabuki)?” sense.
though, over time, koichiro seems to have gradually come to terms with yujiro’s idol activities, and their relationship naturally (albeit slowly) improved as the days passed, with them going on walks together and bickering with each other like brothers would. which, y’know, is cool of him in a way. he’s learning. he’s still kind of a brat, but he’s growing despite his past mistakes.
as for yujiro, well, he seems to have been looking out for koichiro in his own way from the very beginning? like, man chose not to go against koichiro’s mistreatment, opting to just lower his head and accept it instead.
was it an act of self-sacrifice to protect koichiro’s ego or something? heck, even in the lxl movie, he just took everything koichiro dished at him, and only fought back when koichiro dared to mock his bf aizo. which is. pretty unhealthy, yujiro bro. just tell him you have a proper brotherly love for him for goodness sake. your communication skills s u c k.
um. anyway.
tl;dr: stepbros made to learn kabuki because of their father. older bro gets disinherited, younger bro gets an attitude and mistreats older bro. this continues until older bro becomes an idol and begins to walk his own path. younger bro feels betrayed/annoyed at his older bro for “giving up” on kabuki. younger bro does eventually accept the fact that they have different dreams and supports older bro. seems like older bro has always been looking out for younger bro though, even though he doesn’t say it.
thoughhhhhh seriously, i’m not a someya expert or anything, i just like making fun of the longleg, so… if someone with a degree in someyaology could chime in, it’d be greatly appreciated~~~
as for the new songs, nagisa’s new song is the best of them all, no question. thanks for coming to my ted talk—
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perelka-l · 10 months
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a very tiny hammer for very tiny confused fleshies
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theminecraftbee · 2 years
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Grian feels the Entity mocking him as he groans and leans back against a cold, unforgiving spike of bedrock at the bottom of Doc’s cold, unforgiving pit. He has tried three times to contact help, but everyone who is online or looking at their communicators is either busy or would get stuck themselves, or maybe they just aren’t getting his messages, and he has a stupid sprained or possibly broken wing and the slimes are avoiding him for some reason so he can’t even get them to kill him so he respawns properly and god, he’s miserable and hurting and hates that he hadn’t thought through diving for diamonds and -
He makes a frustrated groan as his message to his friends doesn’t go through again and, in a brief moment of stupidity, throws his communicator. It bounces off the stone. Makes him feel slightly better, but not much.
Slowly, he feels something lethargic curl in the back of his mind. Well. There he is, facing the consequences of his actions.
Wonderful. The peanut gallery.
Grian curls his legs up to his chest. He just wants out of this hole before he starves to death. He’ll respawn, one way or another, but he doesn’t have a quick way to do it, and his wing’s a bit too injured to crawl out easily and move himself, and maybe he doesn’t want to just... hurt for like, several days, because his communicator isn’t working for some reason. He knows it was stupid, doing a dive like that around uneven terrain, okay, he’s not an idiot. He’d just - he hadn’t realized how badly the size of the perimeter would mess up wind currents, and he’d thought he had enough rockets to correct for them if they were rough, and - he knows it was stupid. He doesn’t need his other bad decision criticizing him. Even if it’s here to help.
Here to...?
Well, it will hurt anyway. Grian’s made a deal before. Surely he’s willing to deal again?
The thing curled in his head is vast, and it is interested, and Grian aches. Okay. Sure. He’d made a deal with the Entity once. It had been a gunpoint deal. It had hitched a ride. Grian had... objected. The two of them had hashed out a compromise. That time, Grian had been in control. The Entity hadn’t known what to do, when it turned out that Grian had the annoyance and the will to try to kick it out, and had offered Grian power. Some power it was, Grian was stuck at the bottom of a hole and was going to starve to death and he shouldn’t be panicking, he’s had worse, but his wing is definitely broken and even with a respawn that can take weeks to heal and he doesn’t have weeks he just has -
The Entity is not finished giving him power.
He turns that over in his head for a moment. The thing in the back of his head lets him, withdrawing as though to make sure it’s only Grian in there to think. He knows its not, but he appreciates the gesture.
Alright. He knows he got some knowledge from the Entity. It’s part of what he’s doing with the Rift. But what power is he missing?
They aren’t fully bonded yet.
Grian snorts. The Entity knows full well he’s not letting it eat him. They’ve had that little argument. They’ve had that little argument a multitude of times. Grian always wins. Grian will continue to win even as his lungs shudder at the bottom of a pit he is going to die in and be mocked for dying in (which is uncharitable to think of Doc, Grian knows he won’t, but it feels like). Grian's too stubborn to give up being Grian. It doesn't matter what the Entity wants, or if the Entity wants to win.
The Entity, the thing curled in his head explains, has no particular interest in winning anymore. No, the Entity is invested now. It could leave, it supposes, but it's... invested. It has come up with another solution.
Grian's interested in winning though.
Grian's interested in not dying at the bottom of a pit.
Grian's interested in having his thoughts to himself again, but has no interest in letting the Entity go - it's too  interesting. And he's intrigued. And if the Entity is no longer interested in winning, in controlling Grian utterly, then if it's offering power -
Alright. What’s its solution then? What power will it give him to get out of this? And if it’s a trick, Grian’s not sure what he’ll do, but...
So it explains. And it retreats again. And Grian laughs, hoarsely. “That is going to hurt,” he says weakly, because it is. It’s going to hurt a lot, and he’s going to die horribly. But it never said it wouldn’t hurt. “That is going to hurt both of us, if you’re tying us that closely together.”
But he would get out of this hole. And he would have power. And Grian - Grian isn’t really afraid of hurting, he’s just afraid of hurting for a long time.
“Alright,” Grian says. “Alright. We seal this. You only eat a little bit,” he says. “That’s the deal. And I get a bit of you. We’re stuck together now, now aren’t we?”
Good, thinks the Entity, thinks Grian, and then there are thin stone talons on Grian’s hands where they hadn’t been before and he takes a deep breath, and he swallows, and he digs them into his heart.
He does not have very long to watch the blood and flesh drip down them before he’s screaming. He’d been right. It hurts.
He thrashes on hard stone when he wakes up in it and he knows he’s not done, he has to do it one more time, he has to - to seal it both ways, so he walks to the Entity (who may or may not be there) and he holds up his clawed hand and he laughs hoarsely and asks “is that still the part you want?” because he’s going to at least be a bit sarcastic about it, if he’s doing this.
The Entity says yes.
It hurts less to tear his heart out the second time. Still hurts a lot. When he wakes up on the ground, he’s not sure he’s respawned, given that he’s still bleeding, but his wing is healed to a degree even the respawn wouldn’t have managed, and he’d made it out of the hole in the ground, and he can feel a heartbeat beneath his feathers, and it’s strangely warm and damp and he knows he’s inside of the Entity now, not in a pit waiting to die.
The Entity has flesh now. Grian’s talons are still made of sharp stone. He feels power between his teeth, and it feels good.
“Don’t ask me to do that again,” he says, and he looks down at the place where there’s still a bloody wound and promptly passes out. When a panicking Mumbo finds him about two hours later, the only sign there’s anything wrong is the frankly absurd amount of blood staining all of his clothes, but he’ll talk his way out of it. He always does.
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shmorp-mcdurgen · 3 months
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"Those webs show up everywhere near the church. Its almost like they're growing from underneath the floorboards or from the walls themselves."
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silvermizuki · 8 months
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oooo you wanna make a moon slow dancing illustration so bad ooooooooo maybe even a silly little animatic oooooo maybe its even with sun- of them both slow dancing with you oooooo
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a prime example of why me and @nubcatnoises (pika) should not be allowed to draw together ever
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