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sparring-spirals · 1 year

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oh. so. this dream and this vision and this exchange after and everything that has been building to here.

All that rage, all that desperation, Imogen's knowledge that Liliana's judgement is flawed and searching for any reason to understand, searching for a way to bring her out of it. Bring her back.

"Show me" and she does and.

Its- beautiful, its wonderful. Its the unmaking of the world and of history and it feels- so good. For a moment Imogen feels something she hasn't for YEARS. A life and a possibility and a future full of peace she hasnt had for ages, hasnt even bothered hoping for. For a moment, Imogen sees it, but more importantly- she feels it- the freedom, the peace, the dream. Stronger than any vision. She sees it. She feels it.

And she wakes up, and she- unknowingly, perfectly, mirrors her own mothers words, looks around, asks- did you see it? Did you all see that? (I wish you all could see what I could see-)

They didn't- of course they didn't. They saw Liliana, too far gone, spouting nonsense, they saw her reach out, they saw the refusal to listen to reason. They did not see the vision. (They couldn't have. Even if they'd seen it- would they have understood? How could they? No beautiful vision would have captured the thing that left the awe in Imogen's lungs- the peace. The freedom. The finality of, finally, finally, being free of this gift that has only been a curse.)

They didn't see the vision. They saw their friend, tapped on the forehead after hopeless pleas. They've been seeing their friend make further and further excuses for someone they know is a danger, someone siding with people they are working so hard against. That has hurt them. They've seen the way she can't quite denounce Liliana. They've hedged around it: If she's not on our side, will you be okay- You know if she's not on our side, we'll have to-

They've been watching. They're seeing plenty. They did not see the vision. They couldn't have.

They saw a fruitless conversation. They saw their friend rebuffed by someone she loves. They saw her wake up with a strange kind of light in her eyes and- say.

What if its not so bad? (The world ending. Half of the world being eaten. Innocent lives lost. Our loved ones cut down for a fever dream and delusions of power and grandeur. Us, cut down, for some stupid plot for a moon and petty revenge against the gods and a desire to end the world.) They've been watching her, make halfhearted arguments, sidle away. Make increasingly desperate excuses. Ask: What if.

(Its so easy to ask, what if. Its so dangerous. Sometimes the if is used to hide away lives and lives of collateral, of blood red loss. Sometimes the if has already been answered and paid for, and the act of asking is its own form of violence, all over again.)

"Well Imogen, I wish my family didn't have to die for her brighter tomorrow."

And the way Imogen collapses, a little- presses her face into her hands and crumples under the weight of the reminder, like voices piling in after weeks of being in blissful quiet in a forest. Like reality breaking in after a beautiful dream. "You're right. I'm sorry. You're right."

"I swear, I wanna see this through, I do."

"She just presented this vision of- it didn't seem so bad."

And the Bells try to help, to be kind. They say: We understand why this must be hard for you. She's someone you love, its hard to deal with them thinking a different way. What did you see?

They are trying so hard, to reason through it, to balance their own hurt with kindness and sound arguments to lead her back. They want so badly, to lead her back. Have her back.

The problem however, is not the soundness of the argument, is not the reason or the logic- but the overwhelming allure of that sensation- of that promise- of the hope- of the ideal. Of a mirage that already drew Liliana in. That is pulling Imogen's gaze, despite. Despite, despite, despite.

Hope is such a tricky thing to kill.

#okay theres like three metas here i kind of wanted to write but it turned into one frankenstein one bc i need to sleep #critical role #c3e49 #cr liveblogging #character meta #imogen temult #bell's hells #liliana temult #the three things here are something like: imigen is compromised in the way the trope of duty bound people going 'im compromised' when they #love someone- THIS is that THIS is the compromise in judgement #2 is that all discussion about flawed reasoning is- not the point. so wholly not the point. imogen is not chasing the reasoning. neither is #liliana. imogen and liliana and probably others have the sensation- have the hope- have the mirage- have a promise (they cant have)#the reasoning twists itself from there. this is how cults work! this is how like! irl dangerous idealogies work! this is why something #technically making sense CANNOT BE ENOUGH FOR A PERSON TO FALL IN LINE bc humans can reason /anything/ if the purpose is strong enough #imogen KNOWS the reasoning isnt sound. shes not convinced by the reasoning. shes hoping and her reasoning is being swayed bc of it.#she apologizes to orym. shes caught up in a sensation #3 is that the bells are so worried and i havw so many feelings about it bc they want to help her they want her to see reason #but theyre so short on time. and this hurts /them/ too. to need to defend this. explain this. at a point they need to prioritize themselves #the mission. their own emotional comfort. they need to know when- when is a lost cause and when isnt. theyve already been worried. at a #certain point- what can you do? this has nothing to do with reason. if emotional appeals wont work- what can you do.#uagahaguagahaghghgg #okay i need to sleep #im going to continue yelling tomorrow and then finish watching this convo and watch the ashton laud convo and YELL MORE #imogen meta #my meta #speculation

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lemongogo · 1 year

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#this.discussion between them is one of my favorites #this and that exchange a while earlier where vash talks ab gunsmokes reliance on plants being a consequence of the big fall #and a necessary facet of survival for the ppl who live here despite how utterly awful an experience it is #for the both of them.the plants being used and the people forced by circumstance to use them until death ykyk #and i especially like.how vash is just so . baffled by the idea that knives somehow sees his ideology as this naive dream #as opposed 2 a reaction from the anger hes been harboring for SOO long. we SAWW it we saw how he reacted on the ship #we see it in the way he struggles 2 navigate life among ppl and how his body bears the scars of his pain and frustrations #his anger is sooo.Good. and formative.and wholly vash that i cannot imagine him without it #he never forgot teslas death / never will .and it motivates him just as much as rem's sacrifice n so on.#'ever since that day we've been mad' ....... prbably one of the best lines ive taken away #hashtag shinobu's 'yes im angry..ive always Been angry' monologue #i love how he includes knives in that anger too. its not just youre angry or im angry. its that We've been angry. Ever since that day.#going2 throw UPPP!!!!!!!!!!!!!!!!!!#and the way knives reacts 2 it too.using it to cement his grief and decision that if we had to suffer than its only fair they should too #fairness.and when he talks ab making it equal...giving whats been taken..always an interesting concept to use in a vengeful sense from the #more sensitive brother. i love it.LUVE ITTT #trigun spoilers #vash #knives trigun #trigun maximum #trigun #millions knives

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scorpiusmalfoylovesoscarwilde · 2 months

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NAH NO ABSOLUTELY NOT TELL MEEE TEEEELLLLL MEEEEEEE WHY I WAS PEACEFULLY SCROLLING TIKTOK AND I SEE ONE COMMENT SECTION FLOOODEEDDD WITH SHIT LIKE "astoria greengrass hate club lol" "astoria haters ⬇️⬇️⬇️" "I can't stand astoria" WHAAATTT WHAT THE FUUCCKK WHAT ARE YOU EVEN ACTUALLY FUCKING TALKING ABOUY WHTA THE VBGAGSJSLW I CANNOT EVEN COMPREHEND WHAT THE FUCK YOU ARE ON ABOUT IM GONNA FUCKINGFHFHFJFUFKM WHAT DO YOU EVEN MEEAAANN SHUT THE FYCK UPP OH MY GOD WHAT WHAT DID SHE EVER DO?????

anywayz number one astoria greengrass defender love her so much I will skin your whole body with my teeth if you try and fuck with her that is MY GIRL <3<3<3

#WHAT ARE THEY EVEN HATING???? THE THREE LINES ABOUT HER WE GET TALKING ABOUT HOW LOVELY SHE IS???? TF???#AT LEAST SOME HAD THE DECENCY TO ADMIT THEY HATE HER JUST BECAUSE SHES WRITTEN SO HORRIBLY IN FANFICS #YEAH CAUSE ALL THE DRACO SUCK UPS NEED TO GET HIS ACTUAL WONDERFUL WIFE OUT THE WAY TO SELF INSERT THEMSELVES AS AN UNRECOGNISIBLE HERMIONE #OR MAKE HIM SOME WEIRD LITTLE DEFENCELESS TWINK THATS BEING FORCED INTO AN ARRANGE MARRIAGE W/ A MEAN EVIL WOMAN SO HARRY CAN COME SAVE HIM #OHHHH YOU GUYS ARE MAKING ME HATE FANFICTION IM SO ANGRY #THIS IS ACTUALLY WHY DISCERNING FANON FROM CANON IS SO IMPORTANT BECAUSE WHAT THE ACTUAL FUCK MAN #SHUT UP OH MY GOD #im so mad #ASTORIA GET BEHIND ME 🤺🤺🤺🤺🤺🤺🤺🤺🤺🤺🤺🤺🤺🤺🤺🤺#JUST SO YOU KNOW DRACO WOULD HATE ALL OF YOU FOR SAYING THIS SHIT 🗣🗣🗣#this is not directed at any dramione or drarry fans who actually give astoria some sense of justice i dont hate all of you <3 #JUST PEOPLE WHO ARE MEAN TO MY GIRL #astoria greengrass #astoria malfoy #drastoria #hpcc #i cannot comprehend that this angel of a woman HAS HATERS??????#fucking crazy out here bro #harry potter fans are something else oml #i hate tiktok gonna delete my entire account now ive had enough #/j

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storytellering · 5 months

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Love your art and I'm generally curious as to what the appeal of Dante/Vergil is to you? Do you have any hc that you're drawing from or is it just personal preference? I struggle to imagine the right conditions for them to be involved in that way and would like to know what inspires you.

I will premise this by saying, that I’m actually not a MASSIVE fan of just DV for its own sake, if Nero isn’t also included (or like, with the assumption he will, 100%, be included once he’s in the picture). To me it’s kind of a baseline pairing?

As in, I don’t even have to think about it. Of course they’re in love, of course they’re together, of course they’re fucking. It’s almost an afterthought to me, the way the married parent couple of the protagonist in a story inherently are. It doesn’t necessarily interest me by itself, that fact, it’s just a certainty, it just is. I guess, for me, the interest in DV specifically comes more out of what other people make of it, because for me I’m almost always approaching first from the perspective of Nero being there also, haha.

There’s also the fact that I have a lot of hc about just like, the way demons function as a species, I guess. I took a lot of things dmc canon gave me and went like, “alright, time to project this into the most self indulgent, non-human society but humanoid looking species I can think up in my brainhead”. To me a lot of the appeal comes from it being not necessarily a predestined thing as much as like, a biological inevitability - (going to speak in definitives about my own hc from here on, so not making any statement about canon dmc lol) demons mate with their kin, and with whoever deems worthy - and twins from the same litter would inevitably end up being the other’s first partner, their first choice, their other half. In a sense, to me, they’re soulmates - though honestly I prefer to think of it more as two halves of the same soul, following the implications in 3 and the 3 manga that them being twins comes from the spawn of Sparda being too powerful to just be born in one body. That might sound like I’m just saying they’re soulmates in a different way, but not really - to me, if I had to go the soulmate route, Nero would be both of their soulmate - because the two of them make one single soul, and the match to that would be Nero’s.

I kind of just go off of the assumption that they are in love and have been since they were in the womb, you know?

That colors the way I see their every interaction. To me, in their fighting, their squabbles and their feuds, there’s always love at the source. Familial, yes, but romantic and sexual as well - and to me, when I think about them, it’s all one and the same. To love each other like family is to be intwined, is to be mated, is to be a pack and is to be one.

That’s the more deep thoughts I have about it, I have more shallow/surface thoughts (and specifically ship dynamic thoughts about like, what appeals to me about them sexually lol) but if I had to quickly sum it up that’s what I would say, I think.

#Sorry if this is a bit jumbled/all over the place lol #I actually never really stopped to think about it besides just liking it i guess #Like to me things like dante’s lines to vergil read as flirting the fights read as full of tension #every time I see them fighting I could very easily picture them just stopping mid stab to make out yknow #I guess it also comes down to how much you personally like conflict in a ship #or how much rivalry/fighting reads as charged or tension to you #Plus again the whole demon thing #And in a way also ig I just really like thinking of demon twins as a mating pair #I like them hybrid the best but in that context I do like to hc vergil as super fertile and Dante as near infertile #and them navigating this nature in a sense of like. It’s not what they want out of life.#It’s not what they naturally gravitate towards nor what they would choose if it were up to them.#But its nature and its playing cruel tricks on them #and ig in a way to me that’s a feeling I like to project as a trans allegory #I don’t often veer to making characters trans in a realistic human way bc it hits a bit too close to home #And rather I prefer adding a lot of things that are exactly like being trans but not in a human way #And I think that’s that to me yknow?#Nature + instinct imposing something on you that you have to actively struggle against for the rest of your life #And compensating and making yourself be perceived as who you feel yourself to be despite of it #Yes this is still all about weird demon pseudo omegaverse bullshit no I cannot physically hold myself back from getting into it #asks #vague mpreg allegory/mention #thank you for the question! lots of food for thought lol #spardacest

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ttomeposting · 1 month

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hey remember the situation with kirb and zetto in the webseries? just asking. for no reason in particular. : ]

#my art #tome rpg #greyhat #terrain of magical expertise rpg #i remembered i technically have 2 self inserts for this game (one of which actually has a speaking line in there) and uh #it'd make a *lot* of sense if Threefold had an illegally registered alt account. just to yknow. play 'normally' every once n a while #especially considering how i rewrote him and his whole. Thing about zetto #at first i think his player would rlly just be using the alliance to get to zetto after hearing theyre participating in The Event #and then realizes “aw shit i like these people actually....”#so he sticks around! just. also with an ulterior motive . as a treat #can you tell i havent finished the game and/or cannot get over kirbzet as a character?? because i h

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zevranunderstander · 10 months

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idk how to phrase this but like. people retroactively calling Fleabag a privileged, dissociative portrayal of feminism which is Bad, Actually, are lowkey deranged to me because, yeah, Fleabag IS about the expierience of womanhood. but like. through the lens of ONE woman? like, nowhere in the show is it ever implied that fleabag's expieriences are supposed to be universal, relateable core pillars to womanhood?

its almost like half of the population of the world is female and I think it's kind of weird that all stories about women always have to be feminist and activist, and can not just be an exploration of an imperfect woman, they have to be correct about *all* of womanhood?

i also think that the people saying this don't really understand the character of fleabag and i do think that the show is feminist in many ways, but even when no person working on this show would have had any intention of making this a "feminist story", i think that would have been their right to do that?

breaking bad, fight club, american psycho, lolita, etc. all tell the stories of white men who are objectively horrible people. and these stories still treat these characters with a level of empathy and understanding of how they got there and why they are like that. the stories don't excuse their behavior because of that, they are simply a fictional analysis of a person who is not virtuous or good in a lot of ways.

but women, people of color, disabled people, and other minorities are never given the same right to just tell a story about a character, the character has to be virtuous, a good role model, a representation of their whole group, likeable, flawed only in an "unproblematic" way, never make a bad decision, and its insanely limiting in what stories can be told by writers, when they want the approval of the general audience

and i so genuinely want more fleabag women, who may interact with feminism, but who are actual human beings in a real world, who have real flaws and who can be selfish and cruel, but who are still treated with empathy by the story

#myposts #anyways fleabag my beloved #like this 'fleabag is a bad feminist' yeah so? she says that as one of the first lines in the show #like does that make the show bad or what lmao #and like i LOVE the 'we're bad feminists' scene bc #like this woman asks who in the audience would give up time of their lifespan to have an ideal body #and only fleabag and claire raise their hands but genuinely you cannot tell me that no one else in the entire rest of the audience #would want that. like the woman in the front asks for a reason and that reason is that a lot of women would want tha #because they are socialized to be concious about being attractive and desirable and fleabag and claire are being honest #im not saying ALL other women in the audience lied but some probably did. right?#because they actually do want to look like 'good feminists' who are wholly unaffected by living in a patriarcal society #do i make sense? idk

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raayllum · 1 year

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Something I’ve been mulling over bc it also stuck out to me when I first watched the season, took the symbolic reasoning, and then didn’t think too much over it. However, I think I do know the in-character / story reasoning after some time & reflection, so let’s talk about it. Or rather, let’s try to answer

Why didn’t Callum figure out the mirror?

Simply put: because he didn’t, Narratively, need to.

Let me explain.

What’s the Point, really, of Callum being interested in the mirror? We know it’s in character because he’s always in curious about magic. We know it’s in character because he already has a tendency to fixate and attach meaning to objects. And we know it’s doubly sound in-universe given that Callum knows from Rayla’s binding and the Storm Spire archway that elven stuff is hardly ever meaningless or without a deeper meaning underneath.

From a symbolic standpoint, of course it’s meant to show his parallels to Viren, even if his and Viren’s personalities and circumstances are wildly different. However, Callum has even less context for the mirror than Viren did. All he knows is that it’s something Viren has had and is seemingly elvish in design. He doesn’t know it was in the lair of the Dragon monarchy or any hint at all that it’s connected to the archmage mentioned in his father’s letter / that he has a somehow related Key.

One of the main reasons I thought Callum might go after Rayla into Xadia from a storytelling structure was because 1) we need humans in Xadia as an audience surrogate (hi all the kiddos just going into Xadia with Zubeia and Rayla to provide just that) and 2) I always thought they wouldn’t have the time for Callum to have a full fledged arc with mirror Aaravos the same way Viren had and that it could end being too similar to what had come before. (Turns out I was right because the plot didn’t have time lmao! But I digress)

Don’t get me wrong, Aaravos manipulating Callum through the mirror in terms of conversations could have worked (and I’ve written a few here and here pre season release) but that always felt like it might infringe a bit on Callum’s character for two main reasons

1) Besides Rayla being gone, he has virtually everything he ever wanted; helping his brother, a powerful mage, getting to pursue more magical resources etc. Viren only went to Aaravos out of outright desperation because he believed that had “nothing left to lose” and because he had goals he was chasing. Until Aaravos possesses Callum, Callum is a hot mess, sure, but he’s not particularly desperate. There’s no tangible way in - Callum was offered unlimited power back in 2x08 and still turned down being a dark mage. Just something nondescript wouldn’t really work this time either

2) Callum is skeptical as hell and is accordingly slow to trust, and even barring Rayla’s absence, he still had a support system of people who cared about him at the castle, particularly Ezran and Soren (and even Bait) who would keep an eye on him. Callum can be reckless and let his curiosity get the better of him, but he still listens to his instincts (2x03 with Soren and Claudia) and the people around him.

The main information Callum could’ve gotten from Aaravos, if the Startouch elf had been 1) willing and 2) truthful would’ve been details of his backstory - well before his imprisonment, as everything else (the fact that he is imprisoned, the lack of knowledge about where he is, who put him there, etc.) are all things we really knew. So it’d require more of a switch from Aaravos than Callum in a lot of ways too - elongating and stretching things out, and not necessarily giving Callum a segue into an arc where he’s actually able to start processing his feelings. And again, no desperation as a way in

But with all that out of the way, why have Callum be more obsessed with the mirror beyond the initial scene in 4x01? Why not have him investigating the cube because it’s also related to Aaravos and could communicate the same purpose? Why have it be the arguable C-plot of 4x02 at all if he’s just going to be interrupted?

Like I said, there’s the very blatant symbolic reason of Rayla’s entrance being what deters Callum from getting too close to the mirror, her halo’d by the moon figure representing the other path he’s going to choose away from the more blatant visible path of darkness (black dark magic eyes, gazing upon a fallen star, “what if i’m on a path of darkness” etc etc) in the end. I do think that’s the Surface Level reading we’re meant to have as a takeaway, kind of similar to when Rayla spares Marcos in the forest in a moment of emotional illumination. Another path.

However, I think it actually goes deeper than that:

Which is to say, step out of the narrative / audience mindset, and look at it from Callum’s perspective.

You see the six primal sources Rayla has drawn after the craziest night of your life and think of something exciting and familiar. The cube in the Banther Lodge. Conveniently on the way and free of humans. You have to go get it.

You give up on having it when shit hits the fan. You just want to make sure everyone, especially Rayla, gets out safely. You completely give up on the cube. And even though she’s pissed at you, she tosses it into your lap anyway.

It turns out that, of all the possible things and secrets your stepfather could’ve given you that you might have missed out on, he intended and left the Key of Aaravos to you. It soothes the ache in your chest. It feels like destiny, especially after a week of being lost and magic-less

You bury yourself in your work to soothe another heart break. You hate the bulk of what you’ve inherited from your predecessor. You learn how to translate runes. But no matter how much you learn, you can’t translate the mirror. The gleam routinely catches your eye. You hate a riddle you can’t solve

You have a feeling the mirror is related to the evil returning to the world due to Ibis mentioning the Fallen Star; the same way you had a feeling that the cube could help you. (A feeling that Rayla couldn’t be trusted, a feeling that the storm made you feel like it did when you cast fulminus.)

Then you cannot feel anything except numbness as your limbs and mouth move beyond your control and it’s worse. It’s so much worse.

You worry you’re on a path of darkness, that you will inevitably, accidentally, play into his hands because you almost have three times before without even realizing.

You cannot let go of the cube.

In every adjacent encounter, Callum has had a step of separation from Aaravos. He thinks and behests they make a heartfelt detour so he can go get the cube, but Rayla is the one who finds it. Before he can even know the cube is more special than it seems (although he already thinks it’s more special than Rayla does and certainly not worthless), Harrow is granting him key ;) information. He didn’t find the mirror, Viren having already stolen and hauled it back into Katolis, as the last thing Runaan ever saw. By the time Zubeia tells him what it is, it is too late.

In so many ways this exemplifies how even before Callum knew it in 1x01 for a decent chunk of the episode, the events that would radically transform and destroy his life had already taken place in more ways than one: assassins spotted, egg stolen. Harrow dead just as the narrative truly begins.

The cube is his part of the puzzle to decipher, not anyone else’s. Claudia, Viren, and Callum are all needed as equal parts of Aaravos’ plan for his pawns. For Viren, it was the staff and the mirror; for Claudia, it is the quest; and for Callum, it will likely be the cube. This is shown even in 4x01 when the two times Callum is talking about the mirror, he is Interrupted by either the guard coming to fetch him on his brother’s behalf or by Soren messing with the cube, and Callum is interrupted again by the cube glowing and then Rayla’s arrival, literally turning away from the mirror for each.

The point of the mirror and Callum’s obsession with it wasn’t to solely highlight how he’s like Viren, necessarily (otherwise they could’ve just kept throwing in the same parallels they have from the very beginning), but to show how his agency has been undermined from the very beginning and will be to the end (of S6 at least), that he and Viren are tethered by the same thing that is Worse than Death, and that while more cognizant of it, by the time Viren realized Aaravos was using his Power and that Callum was entangled, it was already, as Harrow says

If Callum had figured out the mirror and that it was a prison or even communicated to Aaravos on his own, he would be able to look back and see and know all the places he could’ve stopped, all the places he actively chose to wander down. But even that is taken away from him. Even with delays, even with self-preservation, even by both repeating and rejecting Viren’s mistakes, it adds to Callum feeling like his destiny is already written, that this path as a pawn is inevitable. That no matter how different or similar he is to Viren, there’s only one way this can end, that there are no divergences, there are no other choices - there are no safe choices except to take him out. That he will continually come back to Aaravos regardless of if he knows it or not, that his own wishes will hook him right back in, that his fate is already sealed. That it’s written in stone.

Callum has chased agency (magic) his whole arc, wanting to be able to protect his loved ones and make something of himself. However, he’s also had more agency than he was giving himself credit for even in S1, stopping Claudia from going after them, having the final say about going up to the tower or not. Thus S1-S3 is largely Callum deciding who he wants to be with the agency he has and recognizing his strengths, building his confidence. He hasn’t struggled with concepts of agency more than he has since S2, which is one of the reasons S4 mirrors S2 so heavily in how its emotionally structured for the main cast in particular. Realizing that the ability to fully commit to the choices he wants has been within him all along; that’s why he narratively gets the Sky arcanum. So of course an external factor reaching inside him and taking control is the most bone-chilling inversion of that possible.

If he went the Viren arc as a slowburn in S4, we would get the Viren S4 resolution, of Callum unknowingly giving away his agency until he has basically nothing left. If he was driven to figure out the mirror for it or his own sake, we would see him being having Claudia’s arc, falling further and deeper in with a devastating relentlessness.

Instead, we get that lack of agency on speed run to give Callum the opposite arc of having agency brutally ripped away from him, only to open up a path for him to take it back stronger than ever before. In many ways, Callum has more to lose and more at stake, the fact that he can be possessed an even greater blow now than it would’ve been in Arc 1.

Arc 1 for him was about acclimating and adjusting to Power. and believing in his own Potential .This first portion Arc 2 is about how much of a say does he have in how he uses that power, now that he’s no longer a child; now that he’s no longer free.

Callum doesn’t typically worry about making the wrong choice, however. Most of his anxiety tends to stem when he feels like he has no choice. Thus, it sets Callum up to have a really interesting arc of reconciling these dualities rather than just retreading old steps. Viren had full agency when chasing after Aaravos; as Soren says to Claudia, “Dad is dead; you don’t have to do what he wants anymore,” believing that Claudia is merely picking up where Viren left off, not that she’s steamrolling their own father into it in order to save his life.

It’s one of the reasons that of all characters, Callum arguably also parallels Zym a great deal as well. Like Zym, he’s being treated like a thing and a weapon more than a person. Like Viren believed of Zym, Callum worries he may be forced into a terrible destiny. That:

Callum being possessed is still a form of manipulation, if not also a misdirect, forcing him into a desperate position that makes him even more vulnerable to Aaravos than he ever could’ve been otherwise. But it’s a different form of manipulation than how Aaravos lured in Viren, and a different form than how he’s manipulated Claudia the past two years. Aaravos is terrifying because he knows what strings to pull, not because he’s pulling the same strings every time. For a character with such a strong breath / mouth / freedom motif, being choked / being robbed of his voice / and of his freedom is the absolute biggest smack in the face. I’ve long mandated that the worst possible thing that would rattle Callum the most would be feeling like his mind was unsafe because of Aaravos, not his body.

Callum seeking Aaravos out in S4 of his own accord is thematically / narratively opposed to the possession plot line. The possession plot line is the ‘replacement’/subversion chosen, but it’s not a bug; it’s the feature.

It also sets Callum up to have a really interesting arc of battling for control, eventually winning it (S5 and/or S6) but still losing to Aaravos, making the wrong choice or call or being forced into something anyway while he’s cognizant enough to make a choice at all, anyway. It’d be empowering and demoralizing all at once.

But still not without any hope, since, after all:

Nothing is truly inevitable. Nothing is written in stone. It is never wholly too late, not for anyone. Aaravos just doesn’t know it yet - but Callum will be sure to show him, by S7 at the very least if not sooner.

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