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#i could write a whole character analysis on him tbh
vectorworm · 11 months
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poppyseed799 · 1 year
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I feel like life series fanon jimmy is kind of mischaracterized and there’s an easy way to make sure you’re doing it right: he has a lot of unearned confidence
#the tags is where I’m going to ACTUALLY say stuff LOL!!!#but like I love life series Jimmy mkay. he’s got that curse of dying first and all. which is what I mean by fanon cuz curses aren’t real#but a lot of fans make it like Jimmy accepts the curse? or even acknowledges that it’s real. which bugs me a bit cuz No He Does Not#(side note tho. I’m not mad about it. I know ppl wanna explore the concept of someone cursed to die first and that’s what they’re doing)#but like Jimmy would just be so in denial about it okay. even if you managed to convince him he would be like ‘..BUT SURELY THIS TIME’#and this relates to ranchers too. I love ranchers ok. mostly cuz my sister does tbh LMAOO she loves them. but ranchers fan content isn’t#what I’m looking for cuz it’s so often stuff like.. Jimmy being like ‘I’m sorry I’m cursed’ and Tango being like ‘it’s ok love u anyway’#but it’s really more like ‘CURSED?? NO! WE WILL WIN!’ which I think is MORE fun for the aftermath of their death. meeting in the afterlife.#I NEED to see ranchers content where they keep denying that the curse is real then Jimmy dies and they’re ghosts or whatever and Jimmy’s#like ‘oh no. we didn’t break the curse. tango probably hates me now. he only liked me cuz we thought the curse wasn’t real.’ and tango to be#like upset at first as anyone would be when they die. but then he like notices the way Jimmy is acting and he’s like ‘no.. ranchers 4 life’#???? what am I saying. hire me for writing fanfic I totally know what I’m doing.#anyways what I’m saying is Jimmy is the canary but he’s the canary that’s like ‘SURELY I can sing for the miners the whole way THIS time’#he is NOT the canary who says ‘WELL time to eventually stop singing in this cave’#HOWEVER I do think that although he has loads of unearned confidence and is in a constant state of denial. he does also have that crumble#sometimes. so it’s not totally ooc imo for him to act like that. but it would be rare moments and also mostly post death#ANOTHER SIDE NOTE I WANNA SAY. I HATE the way I’m saying this as if it’s fact. it’s my personal analysis and just because I think it’s right#doesn’t mean I want to present it as undeniable fact. I could be misinterpreting. if you want to interpret life!Jimmy’s character different#then go on ahead. I don’t hate fanon Jimmy I just wish I saw more like how I see him. that is all.#ok I lied I also wanna add that I’m bad at explaining things ESPECIALLY personalities so it’s possible that I didn’t convey what I wanted to#say properly too. sorry. OKAY NOW THAT IS ALL.
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matan4il · 1 year
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Buddie 613 meta
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We now know that the man who risked himself to get Buck out of the line of fire during the shooting arc is Jeshan, which means ‘clear’ (if you’re interested, you can find more name meanings for 911 characters here). So let me just giggle for a second about the fact that 911 had once again reunited Buddie with a character who can be referred to as Captain Clear Me(h)ta. Coincidence? IDK. But I have to admit, it kinda made me reflect back and feel nostalgic. When I first started watching the show, I had no intention of writing meta for 911, but after going ballistic when 309 aired, I knew I would HAVE to use the s3 hiatus to write down all my thoughts about everything Buddie related so far. That’s what I did, I wrote and shared my baby, my first round of Buddie meta. That’s where it was supposed to end, but then people asked and encouraged me to write meta for the eps in 3b as they would air, too. I figured I could try, and that’s how my Buddie weekly meta posts were born. At the time, there was no one else writing proper weekly meta (I don’t mean a summary/review of the ep, or meta posts that stand on their own, but proper analysis on Buck, Eddie and those who matter to them, organized and serialized for each ep as it aired). And now, I’ve been writing them for almost 3.5 seasons. And I feel like they’ve inspired others to do the same. TBH, I can’t actually remember seeing weekly meta posts in other fandoms (maybe they exist and I just haven’t come across them, IDK). So I got all emotional, thinking about how these posts may be love notes to Buddie and the show, but most of all they’re a love letter to the wonderful people who have been supportive and encouraging, who’ve been reblogging the posts, who’ve been commenting on them and telling me that what I do makes a difference for them. Thank you so much, these posts wouldn’t exist without you. You have a much bigger impact on the fandom than you might have realized! So if Captain Mehta is indeed a nod to the meta, it’s a loving, appreciative nod that belongs to all of you. ~~
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When Chim shows up to escort Hen to work, he ends up sitting down for a talk with Denny instead, and I really enjoyed this scene, it was lovely, but it also once again emphasized the difference between the firefam kids’ relationship with their parents’ colleagues and the r/s Buck and Chris have. Chim talks to Hen’s son when he happens to come across the kid, but he only sits down for a proper conversation because Denny implies Hen and Karen are up to something intimate, and Chim shouldn’t interrupt them just yet. Consider how different that is to how Buck intentionally looks to spend time with and dedicated to Chris! And then Chim is impressed by how smart Denny is. It’s cute, but it also reveals just how little they interact that this comes as a surprise to Chim. It’s so different to the intimate familiarity of a parent, which is what we know Buck has with Chris (and that Chris has with Buck, which can even be seen in the kid’s teasing, for example regarding the snoring in 414). ~~
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You might have seen that, when the promo came out, I momentarily lost my sanity and posted this. I just couldn’t get over the fact that they actually had Eddie correct the chief on the duration of Buck’s death. It was such a spouse thing to do. It was a declaration about the anguish that each single second represented, when Eddie couldn’t breathe because Buck wasn’t. It was a confession of sorts, on how Eddie felt as he desperately NEEDED his husband to live (I’m not even joking when I ascribe him this title, Eddie said with his whole chest, “THAT IS MY IDIOT HUSBAND THAT I HAD TO WATCH DIE FOR THREE MINUTES AND SEVENTEEN SECONDS AND I WILL NEVER FORGET ANY OF THOSE SECONDS, NOR LET ANYONE ELSE DO THAT”). It was a glimpse into how time must have moved differently for him as each second etched itself forever into Eddie’s mind. And yes, it’s a clear parallel to 413, when we witness time slowing down for Eddie. And I mentioned in my post that in both scenarios, Buck is just out of his reach, so close, but simply not close enough. In one case, this forced Eddie to believe he must now accept his own death. In the other, he couldn’t accept the possibility that Buck would die, so he just fought harder, and if he couldn’t save Buck with one course of action, he tried another, Eddie just had to keep going, 'coz the idea of those three minutes and seventeen seconds turning into an eternity? Unacceptable. ~~
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But notice in my unhinged post from that day, I used the word ‘counting.’ Eddie counted the seconds, and this is revealed to us at a poker game where Buck is counting the cards. I already noticed that when we saw the promo, but this connection was reinforced in the ep itself when Chief Williams vocalized what Buck was doing. The thing about counting is that it’s reserved for what matters, what’s crucial. Buck is counting the cards in order to win, and he wants to win because it matters to Eddie. Buck wasn’t the one who initiated the search for a poker game where he could use his newfound skills, Eddie was the one to take that initiative. And he could bring Buck along without telling him where they’re going (I would normally scream for a whole separate paragraph just about Eddie telling Buck to dress nice and there being no need for any further explanation or prompting, but we were so well fed, I’ll have to scream about it into my fist for just one sentence) 'coz Eddie was so sure his husband would go along with whatever crazy scheme he’d come up with. And he was right, even though Buck didn’t think it would end well, he still went along with what his husband wanted. Please let me reiterate: Buck’s counting cards because Eddie is so important to him, and Eddie was counting the seconds because Buck’s his vital sign. ~~
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Another thing to keep in mind about the poker game is that the only other time we’ve seen Buck playing poker was in 312. In that ep, Eddie was off to meet Christopher’s school teachers (leading to his eventual lackluster r/s with Ana), so having a free evening, Buck spends it with Maddie, Chim and Josh (and is told he unequivocally sucks at Poker). Jokes were made about setting Josh and Buck up, and it was implied whatever Buck’s sexuality was, that was not the reason why Maddie abstained from making the match. What I find interesting is seeing how far our boys have come! In that ep, they were operating separately, and it led them down the wrong paths.
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In this ep, Buck and Eddie were inseparable both as a couple (even sharing the winnings from Buck’s new talent, because what don’t these two share? And I was particularly chewing glass when Chief Williams asks Buck how he wanted HIS winnings, but instead of answering her, he looks at his husband. THEY ARE SO FREAKING MARRIED), and as a family unit with Chris (which is maybe a good moment to point out that all of the romantic couples were paired off in 613, and so were Buddie! Now, one could argue that Buck and Eddie were paired off because, well... who else is left for them to hang out with? But 312 is a reminder that when the show wants to, it can push the main cast and minor characters into the same orbit, so it still didn’t HAVE to pair Buck and Eddie off here. It chose to. On top of that, by showing them with Chris as well, 911 reminded us they’re far more bonded than just two best bros hanging out together ‘coz none of their other friends are single). In short, during 312, Buck lost and Eddie was about to be lost on a detour in his romantic journey. In 613, they ARE a family, they work as one throughout the ep, not just in parts of it, and they’re both winning. ~~
Something that gets to me is that when I first shared the BTS pic of Buddie at the poker game, it was clear that Eddie was just bursting with self confidence. He looked like he would be the star of that game. But when we got the promo, we discovered that it was actually going to be Buck who would shine that night. So what makes me slightly froth at the mouth is that all of that sexy confidence we picked up on in the photo? It was real. We weren’t wrong. It just wasn’t confidence that Eddie had in himself, it’s confidence he has in Buck. All of his swagger? Is a reflection of how much he believes and enjoys seeing his husband be a star. I am gonna need 3-6 working weeks at least to recover from knowing this. ~~
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Speaking of things that destroyed me forever, everything about the Buckley-Diaz family in this ep falls into that category. I mean, not only did we once again have incredibly domestic scenes, we had one that was very reminiscent of the lasagna one in 601 (Eddie with Chris at the table, Buck fussing around them only to join in once he brings along something to be consumed), reinforcing that this is THEIR NORM, we also had Eddie and Chris being so cute and supportive when it comes to Buck’s new ability (Chris calls him a superhero, Eddie goes along with it, and when Buck’s upset he didn’t get a better superpower, naming some he would have liked to have, Eddie comforts him by saying those other options sound horrible). 
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And then to top it all off, we had Buck and Chris cooking together. Bobby’s been explicitly acknowledged as basically being Buck’s dad by both of them, and we know Bobby’s been teaching Buck how to cook. Now we get Buck doing the same with Chris, clearly marking them as father and son, especially since this is done with just the two of them, this special time that’s allocated just to their bond together. Eddie is not needed as a middleman. I know that this isn’t news, but every single time the show reinforces this truth, that Buck is Christopher’s other dad, that their bond is that deep, I gain 10 years, so I have to mention it. ~~
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For 613, I made my weekly gifset about Buck and answers, but I’d actually like to elaborate on what you see there. In 602, at the happiness center call, we see Buck looking to Lev in search for his own answers on what his happiness looks like. When he still can’t find any, he turns to Hen, because she always has them. Along this season, that’s been his theme. He’s trying to figure out what he wants in order to be happy, which is connected to the couch theme we’ve all been screaming about since 601 (and especially after he fell asleep on Eddie’s in 612). In 613, Buck suddenly finds that he’s the guy with the answers and he likes it. But has he really got them? Buck says these words to Eddie and Chris, and in addition to that, while he utters them, he’s literally captured in the same frame together with Eddie. But it’s also essential that we heard why Chris can’t just be given the answers. It’s in order to learn, Eddie tells him. That’s exactly what Buck has to do, he has to find his answers in order to learn from the search process. He’s not just there yet, but the framing of the whole scene coupled with the ongoing couch theme is very loud. ~~
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What gets me maybe most of all in a whole ep of REALLY GOOD BUDDIE CONTENT, is the way the whole thing wraps up. The storyline on Buck’s new abilities doesn’t end with any commentary on those or on his recovery process. His last scene in this ep is the one with Chris. It follows directly the one with Hen and Karen, a scene which reminds us that we’re never surprised at either woman spending solo time with and caring about Denny, even though neither is biologically related to him, because they ARE BOTH his parents. In the same way, it’s only natural that we see Buck spending alone time with Chris, without Eddie around. It is so meaningful that the last shot of Buck in this ep is not about his story line at all, and neither his abilities, nor having died for several minutes is the point. Instead, the last, and therefore most significant shot of Buck in this very Buddie domestic ep, is him smiling at their son. I feel like that says everything about his trajectory.
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opbackgrounds · 23 days
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With all respect, you sound weirdly over the top with this one Nami side-plot and demand way more coherency of it than anything else in the manga. You treat Sanji's love-heart gags way more seriously than Nami's abuse gags (or Luffy's eating ones or Chopper's infoptency ones), too. It sounds like a really bad-faith reading tbh. [For example, the dress line fits with Nami's fashion obsession which has legit reasons and her being used to being taken advantage of is literally her origin story, but you pretend like those readings don't exists?]
Well, firstly, this is my reading of the manga. I'm not going to go out of my way to think of how other people might interpret a scene, because that's not what I'm doing here.
Secondly, I've been very vocal about other storylines I don't like, including Chopper being incompetent, but the subplot with Absalom has been the most sustained bit of bad writing in the manga. It's going to get more attention, because there's more of it. There will be more negativity in the future when I get to other things I don't like. Fans of Punk Hazard, you have been warned.
Thirdly, if I've given the Absalom-Sanji-Nami story a bad-faith reading, you've given a bad faith reading of my analysis. My issue isn't and never has been Sanji's love-sick chivalry--I wouldn't have defended his fight against Kalifa during Enies Lobby otherwise--it is the tonal dissonance between the subject matter being displayed and the character's reaction to it. I even praised the parts of his fight with Absalom that highlight his self-sacrificial nature, even if it makes him act ridiculous such as taking a stab wound to avoid getting blood on Nami's wedding dress. That's silly, but it's the sort of exaggeration that suits the series, and fits in the same category as Nami hitting the boys when she's annoyed with them.
Like Hogback, Absalom's actions are coded with the language of male obsession and objectification, sexual assault, and rape. Both characters only only care for the objects of their obsessions because of their victim's physical attractiveness. The implication is Hogback gave Cindry a post-mortem boob job. Nami literally gets attacked while she's bathing. They're very similar characters, so I think it's fair to ask why they're treated so differently by the narrative.
I also said that I believe the marriage subplot could have been written in a way that's more innocent and lighthearted, but Oda merrily skipped over the line once he included the imagery of sexual assault. That is my line in the sand, and it is absolutely a black mark on both Sanji and the series as the whole that Oda decided to highlight the similarities between he and Absalom instead of their differences. It moves the character from chivalrous dweeb to sex pest, and it's a decision he's doubled down on many times as the series progresses.
Nami being okay with being forcibly changed into a wedding dress after being drugged into unconsciousness by someone who tried to attack her because she "is fashion obsessed" is patently absurd, as is her being "used to it" because of her past. What I was trying to express is that it would have been nice if Nami had gotten as angry at what Absalom did to her as she did when Lola was attacked. Perhaps I didn't express myself well in that regard, but all in all I stand by my criticisms.
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justanotherhh · 2 months
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alastor aroace semiotics: symbols/metaphors/codes (oh my!)
thinking about some of the aroace subtext, both in terms of what's definitely intentional, and things that one can pick up on within the burgeoning field of "what the heck does aspec (in this case aroace) semiology even look like in (this particular) narrative?"
there's the really obvious one of course "ace in the hole." funny as well, because ace in the hole could also reference Alastor being the card you play as a hidden advantage (potentially hinting that Rosie knows that Alastor has his own agenda and supports that, like she does in the song). Of course "Alastor is ace" is the main point of the joke, because it's a sentence that comes a little out of nowhere, and clearly confuses Alastor, because he doesn't know Stuff
2. secondly, there's the pilot episode's placing Alastor first next to and then on top of the Ace of Spades. tbh if this was an accident, it sure was a serendipitous one, because the Ace of Spades not only refers to being ace, but specifically aroace (with Hearts meaning alloace, Diamonds meaning demiace, and Clubs meaning grey-ace <- t Ace of Diamonds/Clubs are a more open to interpretation, I've seen some also use them for demiromantic and greyromantic)
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3. Body language! Alastor's reactions to being propositioned or involved in a sex joke, or having to listen to romance talk ranges from discomfort (glitching), to blunt refusal/shutting down of the conversation, to boredom/distraction. I haven't made a study of Alastor's body language in detail, but I'd be interested in how his smiles potentially shift when around very sexual and/or romantic discussion, regardless of whether he's the centre of that (but probably moreso if he is). I think this would come more to the fore in future seasons if there were examples beyond Angel Dust, who also made Husk uncomfortable in the first half of s1, but Alastor -- especially in the pilot -- had very visceral reactions to Angel's "flirting/joking," moreso than anyone else, until Angel had really gone too far with Husk in ep4 (and he come onto Alastor as strongly/invasively as he did with Husk)
4. Speaking of Angel... Alastor not being present outside of a flashback in all of episode 4, and not in episode 6 either. Both episodes featured sex heavily, including Angel showing off one of his pornos, and the gang going to a sex club. Also, Valentino was in both of them (makes sense, seeing as they were Angel-centric). I wonder what Alastor feels about Valentino's whole... existence. He's also the only main s1 hotel character to not be involved in the trust exercises that lead them to the bondage/SM club. this has nothing necessarily to do with the character, but he's very much placed outside of sexual scenarios and places by the writing/plot, which is fun to notice, especially in the first two examples, as his not being in the episodes isn't actually explained. No Alastor in the sex episodes, because his fourth wall sex repulsed senses were tingling?
5. boundaries and power fantasies. that is, Alastor is a character who has very clear boundaries and ways of enforcing them. from blowing up Sir Pentious when he grabs his coat, to noping out of any space he wants to, to seizing the narrative from Vox and telling the story on his terms, to shadow tentacles (ironic), nobody touches him emotionally/physically unless they're allowed. Niffty, Rosie, and Mimzy so far appear to be the ones who have crossed into that "allowed" space the most, but considering he lets everyone (barring Lucifer and Husk, who don't want to) hug him in the finale, some of those barriers are coming down, which is another interesting analysis to make at some point
these boundaries aren't all entirely healthy either -- the way he lashes out at Husk who seems to actually be trying to look out for him (which suggests that Husk is emotionally close-ish to him, enough that he didn't realise he was overstepping), and the way he breaks down in the finale, shows that his inability to be vulnerable in front of others is... not actually a good thing. I wrote a whole bunch about how this part of Alastor's writing play into a very aroace-in-feel narrative for him, but suffice to say... a story about someone with boundaries that seems to be completely absent of "romance/sex will fix you" is refreshing. and very aroace coded
there's also a power fantasy in the idea that one can simply bend the space to avoid ones boundaries being trampled over. to be able to either nope out of a room or to make oneself so terrifying that nobody would want to try to get up in your space... it's got a little smthinsmthin of a "wish it were me" in there. being repulsed means an often constant erosion and invasion of boundaries, from people making your disgust and/or obliviousness the centre of their sex jokes, to being hyper-scrutinised and challenged every time you do or don't let someone into your space in whatever way, or challenge their notions of what's "allowed" as an aroace person. sometimes you just want to say "Demonic Powers Be Upon Ye" and be done with it
6. An Absence. most often aspec narrative is defined by an absence of allo-narrative. that is, Angel Dust, Husk, Charlie, Vaggie, Cherri, Sir Pentious, Lucifer, are set up as allo-figures with romance and sex featuring more or less in all of their stories. the only hotel residents so far who don't have that going on are Alastor and Niffty, and Niffty's story has yet to have the foundations laid out for beyond the very bare bones, and she flirts with others (her "bad boy" preference). whatever Alastor's journey is, it's not coded as alloromantic or allosexual in any way, whether through casual jokes/flirting, or a longform romantic and sexual relationship exploration, with the possible exception of...
7. Vox. the characters that Alastor seems closest to in this story are Rosie, Mimzy, Niffty, Charlie, and Husk (with the mysterious figure that owns his soul looming in the back as well). out of them, none of them are coded as anyone he's sexually or romantically involve with or heading in that direction. the last figure in Alastor's life that's very heavily figured so far is Vox. And Vox is obsessed with Alastor in a way that absolutely can be read as a bad one-sided break-up/jilted stalker type framing, with Alastor gleefully recounting his "no" when talking about their past, and otherwise putting Vox out of his mind, while almost all of Vox' big character moments revolve around how much real estate Alastor takes up in his mind (literally, considering his error message is all Alastor messaging)
Vox being a figure who is symbolically the trampler of aroace boundaries is a very good way of showing Alastor's total disinterest and even disgust (depending on whether or not he knows that Vox was/is into him), and can act as a future potential interesting barometer for other characters to be "less" invasive, but still not quite getting it to begin with (see, Angel Dust's casual flirting, Charlie's tendency to see everything from her perspective, who knows how Cherri and Lucifer might fit into this equation, and generally the sex-and-romance framing of a lot of the other narratives)
8. I talked about aroaceness being a humanising factor to Alastor in my other big ol' post I did, just want to mention it here as well. so far it exists somewhat as a Potential, in the sense that we're firmly in s1 and there's still a lot of ways this could all go, but I think it's worth mentioning as a form of foundational signposting work that's been done for his character
he's more on the dark grey end of the grey scale of all of these characters, he's manipulative, sadistic, cruel when he wants to be, petty, selfish, likes being the centre of attention + is easily rankled when he's not, and presumably he went to hell because he killed people for kicks <- these traits are not unique to him, considering the setting, but what is is the beginnings of a storyline exploring his particular relationship to vulnerability and power and why those things are a part of him in the way they are. this from the perspective of someone who is aroace (and possibly repulsed) instantly adds a potential sympathetic nuance to who he's become, similar to the layer of power fantasy mentioned above. both of these turn his narrative from a cautionary tale or a villain-played-straight (haha) trope into something much more interesting
with the semiotics of aroaceness already in place, these affect how we read the foundations for the rest of his narrative and where it's going. quite simply, it's one of the biggest factors right now that make all his other story beats more resonant and interesting, depending of course on where they take it...
9. his smile. since we've gotten deep enough into meta territory now that we're in hc/future theorising country -- the smile is of course a mask, that's known to everyone. there's a lot of future opportunities for how to utilise that alongside aroaceness-as-theme-for-him. aroaceness, or just "someone where there is a noticeable lack of romantic (and hinted at sexual) interest," is usually coded through a certain shallowness. a pathologisation of behaviours -- which is another deeper analysis post to make at some point (jeez there's so many). Alastor is off-putting, yes, but he's also very confident and charming when he wants to be, he can put people at ease despite themselves (see, Charlie). It's a very interesting mask to give someone who's aroace, because it makes him complicated, rather than a simple ableist "point at the weirdo with no friends, that's our Outsider/killer."
(it also hearkens back to the humanising factor, in that his shallowness isn't because he's aroace, it's because he doesn't know how to be vulnerable with people as the person he is in a world that is incredibly amatonormative and focused on sex)
His smile can be unnerving, but it can also be disarming, give others the illusion that he's in control, make it impossible to guess his emotions (etc. basically what he said to Charlie)
so quite simply, his smile as a twisted distortion of society's demands upon people. he's not being abrupt, aloof, asocial, unkempt, or all the things aroaceness is often stereotyped as. he's performing the most acceptable normative person you can imagine. his surface is unscratcheable because of normative ideals
it's a very fun, unique-to-this-story way of potentially telling an aroace narrative. I'd be interested in what it takes to make him drop it (if he can, or if the story takes the route of accepting that he can't -- the man who laughs kinda vibes) and whether that will tie into a piece of his story that itself takes on aroace proportions (perhaps related to worrying for others in a non-romantic way, perhaps in relation to being able to or being forced to be vulnerable in a non-romantic/non-sexual way, etcetc).
Potentials:
we haven't seen him around the aro/ace aroace colours yet as far as I can remember, which is a fun, easy way to signpost (see, Vox flashing the bisexual flag on his screen)
since we've had an "ace in the hole" joke, I think we could have an aro/arrow-based pun in there as well, maybe even as a deconstruction of when they're used in romantic ways -- (no aro going through his heart, too aro for cupid's arrow, idk I'm spitballing here) or as literal arrows in some way. also someone's gotta call him aces at one point, right? just cos? I feel like the "<2" emoji might be too niche (heck, maybe all of this is, but that's part of the point -- all of this should be ways we're able to signpost aro and ace and aroace characters), but there's characters who know modern emoji and online lingo
other asexual symbols I know of include stating a preference for cake or pizza over sex and/or dating and the black and white rings (worn respectively on right an left middle fingers, although since they only have four fingers in this world...)
I've really enjoyed "clueless cannibal about modern lingo" Alastor comics, including the one about serving cunt and the one about eating ass both by @nouverx. it goes nicely on from his being confused about "ace in the hole," with that HH style sexual comedy. there's a whole bunch of that one could play with
speaking of slang, confirmed bachelor has often meant gay, but the aro/ace community and the gay community has overlapped as long as anyone has been non-conforming. @creepysora suggested a gentleman never kisses and tells, either as Alastor being unaware that it's actually about sex, or as an aware deconstruction of the phrase that gives him the space (similar to confirmed bachelor) to sneakily go, "go mind your own fucking business 😊!" I'm sure there are others that could fulfill a similar purpose of allowing Alastor a certain kind of old-timey buffer
similar to the episode of Bojack Horseman that had Todd visit his girlfriend's parents (both Todd and his GF are asexual and not out to her parents), which depicted allosexuality from the perspective of asexuality as something nonsensical and Other, perhaps having something from Alastor's POV in which he's the observer of the rites of romance and/or sex in a way that shows their strangeness when one sits outside of their tenets
would kind of like to see him killing/hurting people for being pushy, either when alive or dead. I already see a lot of potentials for his past as a serial killer to be framed from an aroace POV, but I especially like this idea, similar to how Hannibal often targets people for being "rude."
more on what I was saying about aroaceness as a humanising trait -- more on how this affected him in life, how he feels about Vox's consistent obsessive behaviour, how it potentially makes it harder to imagine his place in a group setting like the hotel (which is rapidly being paired off into romantic couples -- often a nightmare scenario for aromantics), more on how potentially learning these words or something better to describe himself can make it possible for him to assert boundaries without shutting everyone out to a large extent, and also, tbh, to put Big Expectations onto a story that's barely even started, I hope that none of this takes away his less savoury traits necessarily. I hope he's still kind of an asshole, but simply that he is grounded in himself enough to be able to really believe in Charlie's work/aims and support her in them for more reasons than his own ends, and can admit to really caring for something
reiterating: I am interested in how his smile-as-mask will play into all of this
Any symbolism, metaphor, coding, and straight-up telling I've missed in the show itself? Any you'd want to see in upcoming seasons?
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galedekarios · 2 months
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That gale-hate tagger... Writing up a whole post about how terrible Gale is for trying to return the piece of Netherese weave to Mystra because it could have killed her all while ignoring the crucial factor that ***he didn't know it was Netherese weave nobody told him it was Netherese weave oh my god how could he have known what it was before encountering it when nobody told him!!!*** Every post about him from them is so clearly in bad faith. Sorry to gossip in your inbox but like. Dislike a character all you want but if your criticism doesn't stand up to textual analysis maybe it's... not that good?
i haven't seen that one, thankfully, but i've seen "criticism" of the character that followed much the same vein.
you're of course free to dislike whichever character you choose. i don't care as long as it's not tagged tbh. i think it's bad etiquette to tag character hate, but that's just me.
i also think it's questionable to blame a character for something they didn't know about. for gale, it's clear that this is very much blaming him for something he didn't know he was wrong for doing in the first place.
gale tells us in act i that he sought to restore a "tiny diamond" to an "imperfect crown", a piece of weave unleashed long ago that was lost to mystra, out of her reach, both to impress her and to prove himself worthy of glimpsing at the deepest and most hidden secrets of the weave itself.
that this piece of weave is the "karsite" weave (something that solely exists in game canon) is revealed to him only act iii by mystra herself. mystra revealing this, in addition to gale's shocked reaction, as well as the way he berates himself afterwards in the conversation at the stormshore tabernacle, is clear canonical evidence that he wasn't aware at all.
since mystra knew exactly what sort of magic it was, she's canonically able to sense intent and action (wishing to go after the annals of karsus and reading it, among such examples), it would have been as easy as telling him to avoid any of this and the reasons why.
but i do have my own theory about it.
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5 and 8 for Jason, and 19 and 21 for Tim?
Hello laufire :D I've seen you around in my notes a fair few times, thank you for the ask!
Jason first bc I am predictable 😌
5. First song that comes to mind for this character?
Dana Dan by Bloodywood! I had it as his theme song long before I started headcanoning him as religiously Hindu and the music video feels all the more appropriate now that I do!
youtube
There are a LOT of runners up, sixteen in specific I could name off the top of my head bc I made a whole character playlist for him and I listen to it every time I drive (burned CD in my car :3)
8. What's something the fandom does when it comes to this character that you despise?
Hoo boy, that competition is FIERCE lol I try my best not to talk about it in terms of complaints though. That's just not the energy I wanna have most of the time. That being said, since you asked for some salt ye shall receive hehehe!
I think the through line of the most annoying stuff is that people will point at something Jason did in his villain era and twist it wildly out of proportion into something unequivocally EVIL and then everyone else will (incorrectly imo!!!) claim that it's out of character and due to writers that hated him and we should throw it out.
The worst example of this by far is his fight with Mia Dearden
First of all, it was written by JUDD FUCKING WINICK so yeah this was not a matter of an unfavorable writer!! Second of all, I think it's a goddamned masterpiece of a comic, and THE successor to UtRH
So like you have the second Robin, born into grinding poverty, having to commit crime to survive, joining up with a vigilante mentor, and killing someone for the greater good, and then being utterly destroyed... and then you have the second Speedy, born into grinding poverty, having to commit crime to survive, joining up with a vigilante mentor, and killing someone for the greater good, and then growing from that to become a fully fledged hero in her own right! So similar and yet their paths have been so different with Mia healing and becoming even stronger and Jason having been isolated and pushed to villainous extremes.
Then during that confrontation each of them know about the other through hearsay and research, but have never met before. Each make their own assumptions and then prove that they are more than what was assumed of them! Jason makes a deeply flawed but earnest attempt to try and connect with Mia and she rejects it because she has the support he never did and therefore has already long ago grown passed what has destroyed and consumed him!!
And some people REDUCE their fight to just "evil scawy Jason trying to hurt poor widdwe Mia"???????????????????????????? Might I challenge those responsible to a duel of paintball rifles at dawn?!?!?!?
Kinda the entire fucking point of an antagonist is to let the complexities and nuances of the characters shine, and that's doubly true of antagonists that used to be protagonists! Mia and Jason are such amazing narrative foils for each other, and tbh, Jason himself is an extremely good foil in general! On top of that the Arrows have long been foils of the Bats, so Bruce and Ollie also foil each other in the background brilliantly as Jason runs rings around them both!!!!
I would need to start pulling up pictures of comic pages and write a full length essay to get into proper depth with it (And I do intend to eventually!!) but the way they each interact with that fight and with their own histories going into it is great for both characters and it's just... gah... basically my favorite comic ever and it's stuck in this meaningless tug of war over "characterization" from two sides who both mostly haven't read the damned thing, let alone properly dug into the analysis of why Jason did any of that or what it might mean to Mia beyond just being unpleasant...
I would KILL to get DC to let me write a Mia and Jason comic. There's so much fun shit that they could do together, no matter if they were allied or enemies, I'm gonna have to write it as fanfiction tbh, but the fact that Green Arrow (2001) #69 - #72 is completely ignored until someone wants to use it as flat proof of 'Jason bad and ur bad for liking him' is just...
Le sigh...
Anyway what the fuck was I doing? Answering an ask lol??
Okay here we go: Timmy Time!
19. A relationship in canon that you don't like?
Its gotta be Steph simply due to how badly it was mishandled. As usual with female characters, I feel like Steph's nuance and strength as a character was in direct conflict with how the authors implemented her narrative role as a love interest. The fact that Tim was flat out casually misogynistic to her for her whole introduction and it wasn't treated properly as a flaw is a deal-breaker for me. The amount of Steph's Wikipedia biography that's Tim's love life makes me want to commit arson. The ship itself in isolation from much of the canon may have potential, and the canon material itself isn't all bad by any means, but to me the relationship still feels like a net loss.
21. I do indeed write, uh, a considerable amount of fanfiction about this dude, so: What's your favorite thing to do in fics when it comes to this character? Something that you don't like?
I like making him more unhinged. Or rather, I interpret his early actions as having been spectacularly unhinged, and like to imagine he kept that energy up into later years. I'm so not interested in Tim being a well adjusted person tbh I want him in my wonderful little Freak 4 Freak ship being spectacularly messed up and incredibly weird with nonsensical ideas about how boundaries work
For what I don't like... Hmmmm, this one's a little hard to answer because most of that falls into the neutral category of stuff I have no interest in writing at all, and so I just don't lol
I suppose I don't like to do apologies, though I have written one. I like to get down into the messy depths of sympathy and resentment by having him talk about those conflicts with the allies that have hurt him. However, I think the direct contrition and simplicity of apologies has less and less appeal to me the more I develop as a writer. Apologies retroactively cement an idea of fault and blame. I think there's more room for exploration in having the characters talk through all of the components of the issue without ever having that particular kind of confrontation.
Thank you very much again for the ask!!! I hope this was a fun read :3
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scatterbrainedbot · 5 months
Text
RAT SONS LORE DUMP #1
THE HAMATO FAMILY
okay so im looking at my first few character sheets and theres a little bit of lore/context i want to give just to clarify, specifically about the last generation (of humans) in the Hamato lineage
(long text heavy post ahead!)
so background:
in the 03 version of tmnt The Ancient One (who is not a Hamato) essentially adopts three children: Hamato Yoshi, Yukio Mashimi, Tang Shen (girls dont get surnames i guess??) They seemed to have been explicitly raised as siblings. Still, love triangle trope was hungry ig. Both boys fell in love w Tang Shen and she fell for Yoshi. to which Mashimi said ‘alright bet’ and killed her. i cant even laugh at him for his pathetic Nice Guy “i was nice to you for years and u wont have sex with me???” tantrum cos like. sir, that is ur sister. boy howdy. all of yall need to go meet some other people.
mostly i chalk that whole mess up to the fact that the writing of women in most media in the early 2000s lacking like idk?? any actual characterization?? an ounce of consideration??? not a single braincell?? they were mostly just there to be a means to some plot trope, rather than an actual character in and of themselves — like im amazed april came out as lovely as she did, with her own like life and skills and autonomy (her big sis vibes in 03 are so so nice, and tbh i love her whole character a lot — still lots of misogyny moments in her writing too but im not trying to do an analysis into that rn)
so anywho!!
for the rat sons au, i decided to go ahead and scrap all the incesty undertones (idk, are those undertones? seems p straight up to me?) and completely revamp the origins of The Ancient One, Tang Shen and Yoshi <3 (and Mashimi too ig, but he essentially got cut out entirely. sucks to suck ya entitled lil douche)
Here's the general lowdown
So, the Hamato clan is one of the oldest and well established in all of Japan. The family rose to prominence in the feudal period of Japan’s history, due to their collective skill in the art of ninjutsu, their dedication, stealth, and discretion. Like most ninja, they were assassins available to hire, either for killing or simple sabotage, for politics or personal matters – though no matter the task, a Hamato’s loyalty was always to the head of the Family over their client.
Beyond their reputation as a ninja clan though, the Hamatos also had a reputation for being extremely generous to their community and highly protective of the less fortunate. (think kinda Al Capone vibes, like oh these bitches hella dangerous. but also. will def tip over $100 soooo…) This did lead to occasional conflict of interests during assignments/contracts. Most Hamatos would then seek the advice of the head of the family, and follow their lead, be it to the benefit of their client, or not.
(This also led to several members either abandoning the clan, or being killed by their clients for failed action etc etc)
As time passes and we reach the mid twentieth century or so, there is only one final heir to the Hamato lineage. A young man, named Hamato Sho. Sho spent his youth trying to serve his family and honor their name etc etc etc. But ultimately, this got him caught up in a lot of corrupt powerful nonsense that he eventually walked away from after the death of his friend.
This friend had left behind a young daughter, Tang Shen. Since he knew she had no other family to claim her, Sho took her in, expecting to only be a temporary foster at most. Surprise! this quiet five year old kiddo melted old mans cynical heart to absolute mush. his daughter now bitch.
He only ever adopted the one child, and he adored her sm. and he tried his best to be a good papa. he nurtured her curiosity and engaged in her interests and taught her everything he knew, without ultimatums or concerns about family names. at times he could have probably been considered very lax in his parenting, or far too lenient or undisciplined, but as a kid that grew up suffocated by watching eyes and guiding hands and Destiny capital D, i think that by giving his child room to be her own person and do her own shit (especially in her teenage years) he was in fact showing her a level trust and pride than he never had been given himself. basically he did everything he could to give her the exact opposite childhood he himself had (like rise splints <3)
Because of Sho’s encouragement, Tang Shen grows up to be a very independent soul, whos never met a problem she can jerry-rig, bodily move, or roundhouse kick into being fixed. She also becomes a fucking badass ninja master (and mystic warrior, lol) though mostly all she wants in life is the maintain the quiet little farm her father has started. maybe kiss the cute boy from town who walks her home sometimes (even though he lives the other direction.)
Meanwhile, Yoshi (surname pending) is in fact not a Hamato. Yet, at least. he, however, is that cute boy from town who walks home with Tang Shen most days and has been absolutely smitten with her since like fourth grade lol
(theyre besties for like a decade before they officially start to date. They get together finally after Tang Shens been trying to figure out a good date idea (one that isnt just something they already do) to ask him on for like a month, and Yoshi just leans over and kisses her goodbye super casual one day cos he thought they already had been dating for like. six months. cue her delight and his abject horror (he never wouldve kissed her if he didnt think that was already established as okay. p sure he even like asked her before randomly like, hey is it alright if i kiss u goodbye? and she was like ????? ok??? is this cos of ur european studies class. theyre both very silly) shes gonna tease him so bad about all of this. and tell Sho. Yoshi will never know peace again /affectionate)
Mashimi doesnt make any real appearance in their story i dont think. Like he might be a friend of Yoshi’s in elementary school. probably had a tiny start of a crush on Tang Shen when they were small and tried to take the ‘pull pigtails on the playground’ route of getting her attention. what he got was a kick to the chest and a broken nose. never came near her again after that. (eventually started avoiding Yoshi too since he was with Tang Shen all the time)
All that being said though, im afraid Tang Shen is not fully free of curse of the unwanted suitor. The Hamato name still carries a fair amount of pull, after all, and there are some very dangerous people looking to make some claim to its influence.....
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allisonlol · 2 years
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Hi hi can I request platonic hcs with the Hunting Dogs? Basically reader is a new recruit and they’re slightly younger than the others (like around 18 or so). How would Tetchou, Jouno, Teruko and Tachihara treat them? (you can add fukuchi if you want)
a/n: plz this req is so cute, i don't write platonic stuff often so it's like a breath of fresh air :0 i was gonna add fukuchi but then...didn't cuz i'm still mad about what he's doing to ranpo ;-; split each character into their own section so it's more organized idk
warnings: none just the chaos of being a hunting dog tbh. also jouno and terukos' sadism if that counts??
Being a New Recruit in the Hunting Dogs (Platonic HCs)
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Tecchou
you honestly could not be in better hands??
actually i lied. you probably could but tecchou is pretty great compared to the others
fukuchi probably sticks you with this mf cuz he thinks he's the most responsible for working with a trainee...compared to jouno and teruko who might emotionally scar you
you being younger than the rest doesn't affect how he treats you (after all, ur only a year younger than tachi)
^very respectful of course <3 people on the outside wouldn't even know you were a trainee by the way he speaks to you as an equal
pretty good at explaining all the stuff that's expected out of you
^literally recites the entire manual for new recruits' word for word?? you retained almost none of it but damn was it impressive
also gives you the whole "jouno may seem evil but don't be scared of him" speech...it doesn't help
is so proud to show you his ability PLS. he was like "look at this" and started manipulating his saber n shit, you were like 😯😯
gives you a tour of the base but gets distracted by an ant colony five minutes into it...
makes you watch the ants with him but after 30 minutes you pretend to go to the bathroom so you can get away -///-
Jouno
LMAOO good luck
purposefully tries to scare the shit out of you, and damn does it work
says some "i'm only gonna explain this once, so if you forget you'll probably die" before overloading you with information about the job
side note: literally none of it is that important
jouno heard that you trained with tecchou so now he already has a grudge against you
ditches you like 10 times to go work on his own...you gotta keep going to find him again to ask questions
(why was that how my first day at my job went lol)
plz he hears you coming and uses his ability to dissolve so you can't find him 💀💀
complains constantly that you're being "too loud"?? meanwhile you were only trying to INHALE
does give you decent advice. as in, he tells you to stay tf away from fukuchi if you value mental stability
contradicts this advice immediately after tho by dragging you out on a mission with him and making you witness his torture firsthand ??
it has you re-evaluating your life choices ngl
Teruko
basically jouno 2.0
a little more chill than him tho. has more patience and is great at showing you how things should be done & answering any questions you may have
another one who is so proud to show you her ability. except she doesn't give you a warning and just morphs 3 feet taller out of nowhere
makes you carry her on your shoulders while giving you a (better) tour of HQ and will bonk you on the head if you take a wrong turn
probably makes some snide remarks about your age and how it's likely "you'll make more mistakes"?? all you can think is that's rich coming from the mf that likes to pretend to be a child
teruko is very adamant about protecting the lives of civilians so she REALLY trains you
it's kind of a morality test too. she'll rapid-fire ask you questions and def judges you based on your response
^think of those quizzes where it's like "your best friend and mom are drowning, who do you save first" pointless ass shit
reports back to fukuchi with an IN DEPTH analysis of your behavior, and doesn't hold back
it's important to be on his good side but don't try to show off to him too much. we all know teruko is an attention wh0re and she'll threaten to rip your teeth out if she suspects ur trying to be better than her
Tachihara
you'll probably find yourself gravitating towards him the most
with both of you being the youngest and newest to the hunting dogs, there's a lot you can relate about
your first day went a lot like his actually, and y'all definitely bond over that
helps you out with missions so you don't have to ask the others for assistance cuz they would def make fun of you
tachihara is chill about his job too and just arrests criminals instead of...yknow...cutting them into pieces so that's for sure easier on your stomach
being close with tachi also ensures you'll be closer with jouno since they get along so well
^same for teruko kind of
they'll still tease you guys for being the youngest recruits, but it'll be in a more good-natured way rather than contempt
tachi will randomly use his ability to mess with you, like yanking your saber or your phone out of your hand?? i stg
sits next to you at meetings too and slides you little notes so ur not bored
pls he's so sweet, like a helpful older brother ;-; out of everyone he goes the most out of his way to make you feel more comfortable
taglist: @deadmitochondria @miycutie  @scul-pted @exorcisedstraydog  @chuuyasboots @shy-socially-awkward-intovert  @stygianoir @sonder-paradise  @nervousyetconfidentway @beautiful-is-boring @alexaizawa @irethepotato @serenareiss
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sapphorror · 5 months
Note
Now that you have read the ZimVoid arc, what are your toughts on Zib and Za2r (Zib❤Zim2[2im{twoim}])?
I'M SO GLAD YOU ASKED!!! alright, maybe I was definitely going to say this all anyway, but now I have a decent excuse to braindump it all at once instead of trying to write, I don't know, coherent analysis.
Yeah, I'm obsessed with this guy. I'm still only just starting to build a proper 3D model of him in my head, so don't take anything I rave about here too seriously, but my god is Zib something else. Also, really cute. No one told me he'd be cute and I wasn't at all equipped to deal with what I got. I was operating under the assumption he was going to be at least a LITTLE cool, but this is the most pathetic wet meow meow of a character I have ever seen, and that is no small statement.
(Also also, is it just me, or does the way Zib's drawn remind anyone else of rubber hose animation like, moreso than the comics artstyle generally does? I can't quite pin down what's making it feel that way, but I like it. Gives him Vibes™, y'know?)
Anyway. Fusions like Zib are always going to be fun, just for what they imply about their component characters and the game of trying to identify what characteristics come from where. And Zib is especially fun for this because Zim and Dib are such similar people to begin with. It honestly doesn't surprise me that the Zimfluence went initially unnoticed by our Dib, not just because he's more prone to cognitive bias than he likes to believe, but because there are so many overlapping traits between these two guys that Zib wasn't so much altered by the fusion as he was exacerbated. They blend seamlessly to the point it's really hard to pick out where one ends and the other begins, and in a different kind of story, Dib might actually be forced to reflect on what that implies about him and his motivations. As is, he's just going to keep fooling himself, though.
Probably the most obvious dichotomy between them, at least where it applies to Zib, is motive, and that definitely brings up some interesting questions. When he chooses to take over the Earth, is that the Zim side disguised by Dib-passing justifications, or does it say a whole lot more about Dib's actual loyalty to the Earth against his loyalty to opposing Zim than anyone would really like it to? How about the total lack of internal conflict when it comes to decimating the Armada and wrecking the Irken Empire? What does that say about Zim's ultimate loyalties?
Granted, I am at this point pretty certain Zib didn't just put on the PAK and call it a day, I think he took precautionary measures to ensure that the Dib half remained the 'dominant' personality, given that in 10 Minutes to Doom we see him completely subsumed by Zim's coding, so this isn't a perfect equal split. But it is still a split—Zib clearly did not have the foresight to account for everything, if he even wanted to—and the fact he prepared himself for this is itself interesting, because it means the decision was premeditated, not done on a whim during some momentary mental break. This might even be why he's half-Irken; instead of the PAK altering his biology, maybe Zib altered his biology so it could survive the long-term integration of the PAK. And isn't it just insane to imagine any version of Dib willingly body-horroring himself like that, stripping away his own humanity? When he accused our Dib of being just another ignorant human, could that maybe be a sign that he didn't want to have anything in common with those people anymore?
None of this is what really gets me about Zib, though. This is.
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Admittedly, I'm sort of predisposed here, because I have this whole Thing about Dib's unfaltering belief he can somehow prove himself to humanity, despite all evidence to the contrary, being in essence identical to Zim's delusion that he's already adored by all... that's it's whole own post, tbh, but my point is Dib's ostracization wouldn't be solved by exposing Zim, and it's fun to see that explicitly confirmed.
But it's also more specific than that. Because what Zib was forced to realize here is that he destroyed the only person capable of actually caring about him. And that's why the Zimvoid is the Zimvoid, isn't it? Zib could've used those portals to escape anywhere or lure in anything, but instead he does this. Part of that's the obsessive need to succeed where he'd previously failed and decimate the Armada (+ repeatedly 'defeat' Zim because he's still too emotionally stunted to understand that's not actually what he needs), and I think all of that is important, but there's also something to be said about how deeply driven Dib is by the desire for external validation, and here he went and fused himself with the one person in the universe who might be even more love-hungry than he is. Zib's not afraid of being alone simply because he dislikes isolation—I mean, even within the Zimvoid, he still physically and ESPECIALLY emotionally isolates himself from the other Zims. Being the only person left in his reality means there's no one to admire his greatness, and given who he's a combination of, of course that's his worst nightmare. And ridiculous as it may be, he understands that Zim is the only person who's ever given him that kind of attention. So why not make a whole planet of them? Why not trick them into idolizing him? I mean, who else could even matter besides Zim?
Also? This one's sort of auxiliary to the last point, but there is something deeply, deeply sexy and thematically chewy in Dib wanting/needing Zim so badly that he quite literally became him, and that not being enough. I mean, what is the Zimvoid but a huge collector's display? And it's exactly this that makes him the architect of his own ultimate tragedy. I have a thing for characters who damn themselves not through any single choice, but by passing up a million little opportunities to save themselves, totally confident in their decisions right up til the moment it actually is too late. He could've used those portals to escape to another timeline. He could've designed the Zimvoid as anything other than a ticking timebomb of lies, conflict, and an ever inflating population of lunatics. He could've given up on his destructive plans and just enjoyed the huge fucked up harem he built for himself. He could've quit while he was ahead.
And the really funny thing is, even after the collapse of the Zimvoid, his total isolation is still a consequence of his own actions. I mean, the Zim from his own timeline literally cannot be taken away from him through any method short of murder. He's still right there. But by winning, by possessing his Zim to the point of consumption, Zib defeated the entire purpose of having Zim in the first place. They'll never be separated, and that's exactly the reason why he'll always be alone.
As for ZA2R... hm. I'm not sure if I have much to say about them just yet, but suffice to say I am Deeply Compelled. I'm always weak for that (false) god x worshipper dynamic. It's about someone as lonely and broken and closed off as Zib finding out the hard way that they're still capable of genuine love, no matter how bad they are at it, and there's something very special in every Zim's desire to be someone's favorite being so specifically exploited. I mean, the dynamic of highest subordinate is essentially identical to the one Zim likes to imagine he has with the Tallest, only actually real. Dishonest and exploitative, to be sure, but still real. And hey, important question, but what about #2's personal Dib and the fact Zib is always going to be implicitly competing against the person actually cosmically destined for his partner, because he fucked his own cosmic destiny up so badly? Or the inevitable spectacle of Dib's semi-latent yandere tendencies being brought to bear against himself?
Also! Shameless Homestuck chatter, but I take so much joy in pale ZADR dynamics (black diamond romance my beloved), and the fun thing about ZA2R is that their default pacifier/pacified dynamic swaps. In, uh, normal person terms, they've managed to contrive themselves a situation in which Zim is actually the comparatively sane/stable one, keyword comparatively, and being worked to death about it. There's nothing I love more than a justified role reversal, y'know?
THAT'S ALL I'VE GOT FOR NOW but like I've been thinking about these guys nonstop for 24 hours already, I WILL be losing my mind about them again. I don't know when, I don't know how, but it's gonna happen.
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danmei-confessions · 3 months
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I honestly haven't been in the SVSSS fandom for very long but the way that some SJ fans talk about the character disturbs me, especially when they try to downplay his abusive actions or deny them. I've had disgruntled fans come onto posts I've made regarding the character's (canonical) abusive traits, claiming that I'm attacking them or just hate the character (which is not true, SJ as both victim and abuser is just an important part of his character, and it makes me really uncomfortable when vocal sections of the fandom say that SJ actually didn't abuse LBH, or that it wasn't that bad, because any abuse is "that bad" and the "it wasn't that bad compared to other things" argument gets used to discount survivors irl).
From my experience in fandom, I hadn't seen anything to the contrary so far-- SJ fans I've argued with on my posts like to demonize LBH and even characters like YQY and SY to extreme degrees, or to claim that I'm a LBH/LBG apologist because I point out that he was abused by SJ so his desire for revenge is justified... even though I never claimed that LBG was right for what he did and yes-- LBG's actions were worse than SJ's! Just as SJ's were worse than QJL's-- if we are looking at sheer scale of the actions and their affects, nothing to do with quality or morality of a person or whatever. Even writing off everything SJ did before coming to CQM because of being under duress, he still viciously abused LBH for around 5-7 years, while QJL only abused SJ for 3 years, so like it or not, there was more abuse for a longer period of time in that situation. The dilemmas of the legal and/or moral 'rightness' of either situation could be argued over forever, but the scale of SJ's abuses was larger than the scale of QJL's abuses. And of course, LBG's abuses was honestly much larger than either of theirs-- but that's laid out in his character anyway, he goes to exponential extremes.
Honestly, I haven't seen anyone say that LBG was justified in what he did and that was never what I tried to argue, because tbh I thought it was common knowledge that he was a terrible person. But people seem to misinterpret me and think that's what I'm saying anyway-- that because SJ was an abuser, he deserved what LBG did to him, and anyone who likes him is terrible as well. Which is never what I said, but what always seemed to be what people thought I was saying...
And now that I've seen things like that discord message, you know what, I get it. I understand why SJ fans have such a knee-jerk reaction to people pointing out his abusive actions, because honestly if this is the kind of shit that people give you guys for daring to like a character that just happens to be problematic, or heavens forbid liking that character and relating to him because you know what? So do I, there's a reason he's popular, he has a compelling story and he's very understandable in the way that he is!
Like on one hand, it makes me personally very uncomfortable to see people say that SJ wasn't abusive, or that he wasn't that bad, and blaming LBH for being abused. Just like it would make me uncomfortable to say any of that about SJ irt QJL/WYZ. But on the other hand, if the only way you were allowed to like a character without being harassed and attacked and having accusations thrown at you was if the character wasn't actually problematic, no wonder you don't want to hear that kind of analysis and it feels like a personal attack!
Anyway, what I want to say to the fandom as a whole is, please don't make assumptions about people and attack them for liking or relating to a character-- any character. You have no idea why they like or relate to a character, and honestly it's absolutely disgusting to make accusations and attacks on people for something like this. And for SJ fans, I'm genuinely sorry if what was meant to be character analysis posts on canonical traits of the character, as well as a reminder that victim-blaming and abuse apologism and denial are pretty not cool, was read as an attack and calling the fans bad people for it. I get you guys have had it rough and the fandom hasn't treated you well-- but also, please try to curb knee-jerk reactions, not everyone is out to get you. If you just don't like thinking about SJ's abusive traits, or prefer to write the character OOC or with different motives, then just say that. Pointing out canon is not the same as an attack. From looking at the debates on this blog, it seems like a lot of people are reading attacks into statements where there aren't meant to be any.
Not everyone who points of SJ's abuse hates the character or his fans-- some people just like to analyze the text, or find it uncomfortable when it seems like people are victim-blaming because of their own life experiences. But also, not everyone who doesn't want to focus on SJ's abusive traits and prefers to focus on other aspects of the character is excusing abuse or anything like that-- sometimes it's just not relevant to the story being told.
The answer isn't to claim your fav was never abusive when he was. the answer is for people to not pass judgment on other fans because of what they want to write about or what characters they like, and not to read attacks into statements where they're not meant. It's no one's place to pass judgement on someone else whose life you know nothing about from behind a screen-- and it's also not good to lash out at others because you've been hurt in the past.
Fandom, please stop forgetting that other fans are actual real people with real lives, real stories, and real trauma that you don't know about. There is never a reason to send hate, abuse, and death threats to anyone, no matter how much you disagree with them.
.
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decepti-thots · 5 months
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do you wanna talk about your opinions re: Drift in fanfiction, maybe?
I think fanfic Drift is something of a game of fandom telephone tbh. There's a core that has been steadily whittled away by fanon repeating itself enough it seems shallow. The thing is that a lot of IDW1 canon has been subject to this directly, because it wasn't of much interest to folks writing fic while the MTMTE stuff was ongoing, tbh. When Dratchet became a focus in the LL run, stuff got reevaluated about Drift in shipping terms, rather than as character analysis, I think. And it became more abstract through that, and it encouraged Fanon Drift TM.
A lot of fanfic-Drift does not incorporate pre-MTMTE canon for him. This is understandable, because in its own right, that stuff is not very good tbh. But much of what we see now in fandom is... a clear reaction to fanon that sprung up independently, and so is trying to pose a counterpoint to things that only exist in fanon, and the whole thing becomes a mess of self-referential shit if you take it only on its own terms. Drift often only exists as a discussion of those issues in fandom, and where the writer falls on them right now, or when the fic was being written. (Much early Dratchet fic treats Drift as something of an afterthought and Ratchet as the obviously identifiable protagonist, lbr.) Fanfic-Drift is more a litmus test for fanon than a character in his own right, even when he's being written more strongly in canon, I think. He's a cipher. What fandom decided to make that cipher mean is interesting.
I have a whole post I could make about how people's ostensibly anti-regressive takes on 'was Drift a [metaphorical] sex worker, and if so what are our ideas about that' are still fundamentally bound up in anti-SWer ideas and fandom conversations more than canon, because it's all just a reaction to fanon fundamentally based in terrible ideas about what sex work is. (By which I mean I have one post idea I have repeatedly junked bc uh. Don't want to listen to people get shitty about sex work.) But at base level, a lot of fandom's idea of Drift is basically rooted in this idea of the 'theoretically sympathetic addict who has extenuating circumstances we need to articulate for him to be sympathetic, but who is still Abject bc of all that' which I think go so against what we see of him in pre-MTMTE media. Here are some things I think fanfic is bad at engaging with: Drift is an addict, and not the kind of addict a lot of fanfic wants to talk about. Drift is isolated in a way that is not easily explained by people being unfair to him. Drift has strong political opinions that inform both him joining and defecting from the Decepticons. If Drift was a sex worker, metaphorical or otherwise, that is clearly the least important thing in any shame he has.
But more important than those nuances, I think, is that Drift just isn't... allowed to be based on his canon stuff period? It feels honestly slightly irrelevant in the face of just. How much fanon Drift stops being based on extrapolating from his canon actions and starts being a character who exists purely to serve other characters. I think a really interesting take on him needs to do something with that sense he is someone who has deliberately buried what he wants to get what he wants. If you don't go a little meta with it, you get nowhere; and if you do you get something far more interesting than the 'ummmm sad SWer ig, ratchet kindly saves him' idea. See also: his most interesting canon relationship, and I say this as a dratchet shipper, is STILL Drift and Rodimus, because it dictates way more of WHAT THEY DO that Dratchet doesn't manage. Dratchet is great but canonically mostly exists as a culmination to a plot we are filling in behind the scenes; Rodimus and Drift exists as an ongoing discussion outside that. tbh.
tl;dr: sex worker drift would be great if anyone writing fic understood it has Zero to do with canon and approached it as such. it's not canon and people only think it's canon bc of bad opinions about what sex work is. either way i love drift. none of this is coherent sorry. we have discussed some of this before, and i have sharpened my opinions ig?
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strangertheories · 9 months
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the biggest reason I don't rlly like romantic ronance is because I don't really ship nancy with anyone - I am a firm believer in Single Nancy Supremacy! I think that the two romantic relationships we see her have (with steve and with jonathan) both struggled because of her grief in relation to barb - its much clearer with her relationship to steve as it literally breaks down as a result of her grief and guilt and that idea of faking happiness, and I think that may also be the case with her relationship with jonathan as well, and we know that she's been questioning things about the relationship and hiding that she feels unfulfilled, though in her eyes she feels like she wants steve, but i think she just remembers how easy things were with steve before all the upside-downy stuff and wants to go back to how things were back then. I feel as though she struggles in those relationships because the type of companionship she is searching for is the easy, comfortable, platonic love and closeness she had with barb back then, and its clearly a huge part of her character arc, since losing barb is what caused her to become actively involved in all the upside-downy stuff and piqued her interest in journalism through her work with murray (alongside her clear desire for solving mysteries and the like). what nancy needs right now isn't a romantic relationship, but a platonic female friendship, a connection that is not fueled by anything sexual at all - hence my stance as a Platonic ronance truther!! we already see the closeness and trust the two of them have with each other as they scheme to break in to see victor creel and as they work together later on, and I think that kind of platonic connection between two women will be wonderful for the both of them, and robin as well deserves a platonic friendship that isn't just with the guy people keep thinking she's in love with. I really hope the show does take it that way, especially since platonic relationships have played such a key role throughout the show (the party's dedication to each other (excluding byler and their romantic love for each other but thats a whole other thing), dustin's relationships with steve and eddie, platonic stobin ofc, jonathan and argyles friendship (this one is so important to me as well as robin and nancy because of how dedicated they are to each other), and especially the friendship between el and max (I could write a whole nother essay about that tbh)) and I think it would be a wonderful ending for both robin and nancy to find that friendship with each other!!
This is completely fair and valid, plus a good analysis. For me personally, I prefer Ronance to single Nancy. Firstly because I just like their dynamic being 80s sapphic enemies/rivals to lovers. Secondly, I think Robin dating an established character is easier writing wise cause the show adds too many people and has less time to flesh out Vickie because of it. However, I also like it because of Nancy's character arc.
I think her character is very male centric and the writers seem to abandon her life goals to push her into the box of being Steve's suburban wife or in other words, her canon worst nightmare. Despite being the badass feminist character, she feels so focused around men and Steve and it's really odd to me. Especially how weirdly confrontational she was to Robin because she assumed she was dating Steve. They broke up two years ago and Nancy never even loved him, it's so odd.
Anyways to circle back to my point, I like the idea of Nancy's ending not being her settling down with Steve. I'm very anti-St4ncy if you can't tell. I'm less opposed to Jonathan and Nancy but even then, she's still at risk of falling into her nightmare with him. I think this is part of the reason why single Nancy is good and canon wise, I think that's her best outcome.
However, Nancy says right from the start that she wants to truly rebel. She dates Steve as an act of rebellion but because she's rebelling in the way everyone else does, it's ultimately a way for her to safely fit in and tell herself she's doing something radical as Jonathan points out. She hides her true feelings because whilst she knows she won't be satisfied by the life she's heading towards, she's scared to do anything otherwise.
I think 80s badass sapphic feminist Nancy dating a woman would both act as her embracing her true feelings and rebelling away from the trap of being a suburban housewife that her mother fell into. Single Nancy can work for that too, but I think having Nancy canonically like girls would perfectly fit into her framework of actually truly rebelling against expectations instead of seeking safety in a boy she tried to force herself to love.
I think these two opinions can coexist but that's just why I think romantic Ronance is great for Nancy. I do agree that platonic relationships would be good for her, but I also think that this relationship romantically would work with her character arc too. Thanks for the ask!
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antirepurp · 1 year
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time for me to be obnoxious about an april fool's game at almost may wahoo ft. an unexpected moment of character analysis because i have no chill
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TRAIN.
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i hope this game is canon because rouge doing petty pickpocketing is my favorite thing actually
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he has a wallet? and a home?
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i could go on about how much i love these kids being unhinged and chaotic but unless i want to reblog this post a million times i have to cut it down. let it be known that i adore the kids and their antics tho
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you know what i also adore? blaze committing crimes in the chaos dimension because she can get away with it. i think i need more of that in my life actually
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although right after he says he doesn't wanna do more crimes i'd like to think he grows out of that opinion eventually. let the little guy steal stuff i want him to hang with rouge and have her make him worse actually
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look here shadow's had it rough in the writing department for a while but i very much appreciated this plot point of him going out of his way to get concert tickets for amy and even (reluctantly) agreeing to go with her to said concert even if it isn't his cup of tea. i know it's more presented as him trying to y'know be polite and considerate and he's going about it in an edgy way but i'd like to think it's just his way of presenting things if you will? like he know what amy's favorite band is and sees how hard the tickets are to get so he goes out of his way to get them because he cares about his friend and knows how much attending a concert like that would mean to amy. and in terms of this screenshot in particular i also appreciate amy appreciating her friends' presence at her party even if they hadn't gotten her anything! sure it does kinda come across as her being bummed about not getting gifts from them and maybe she is but i think that's okay? like she's 12 (or 13 now i guess?) getting excited about presents is pretty normal, and it's not like she's super upset about it anyway. i think she genuinely appreciates her friends attending her party more than anything
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i also found this a lovely little detail lol and it does kinda make sense! the bitch has been in stasis for 50 years and computer technology has taken leaps in that time, of course he'd be a lil rustier with them compared to his peers
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more on shadow, this guy's brain goes overdrive the second he realizes he fucked up and needs to get something nice for his friend now. like i don't have the brain power to form it into words atm but i just love what this all says about him as a character!!
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i could flail about the art in this game the whole evening honestly it's so lovely and colorful and pretty and i love how this scene is composed and shadow being seated on the windowsill idk this just put a big smile on my face when i saw it :)
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frankly obsessed with amy's unhinged energy can we please get more of this bc i live for it
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the fucking blowdart. i cannot tell you how fucking off the walls these teens are like espio's instructed to use a blowdart on sonic with non-lethal poison and he's like yeah that checks out and sonic's just like wow cool guess i'll snooze for a bit then like this shit is exactly why teenagers should be given superpowers and be put into Situations(TM) i love it
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not an april fools game making me emotional over trains
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and why yes i am obsessed obviously
it was a fun game! like tbh with a bit more content i would've been happy to pay a bit for this honestly (like. when im not broke lmao) like it's so charming and there were a lot of fun details and the jokes were enjoyable too. i just think it's neat :)
but yea that is all im glad sonic the hedgehog got murdered it was a great time
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dr3amofagame · 6 months
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If you're not already burnt out from analysis, do you have any thoughts on the Mexican L'Manberg debates?
hmm i have to rewatch the vod tbh it's been a bit--not many thoughts that haven't been regurgitated a million times though.
something that has always interested me is the whole dethronement debacle/mexican lmanburg debates in relation to how leadership has worked for the greater smp faction, largely because the dsmp was never meant to be a faction and the creation of the official kingship for c!Eret was very much in response to L'manburg at the time. and there is honestly quite a bit of conflict that rises from the fact that the greater dsmp faction was never really meant to have a king in the first place, and the confusion that would arise about what the role of the king even was supposed to be (especially as the idea of c!Dream having any kind of legitimacy was worn away over time.) it'd be an interesting meta to write if i could think of a way to word it all--but it's always fascinated me, in this conflict, how the progression of "he's in charge of the server, i'm in charge of the land" to c!Dream's no-mans-land position of leadership in the dsmp faction progresses as the server goes on is utilized in c!Quackity's favor to effectively block c!Dream out of the conversation (even with so much of this being quite directly an attack on dream in the first place.) something something being king of the dsmp comes with a level of restriction, yes, but also a level of protection--and while c!dream, viewed nebulously as a leader, was also subject to a certain level of restriction to a certain extent (see: his asserting that he couldn't publicly stand against schlatt because of the peace treaty between their two nations), the fact that his leadership was more de facto early on (because the dsmp faction wasn't yet a faction) as compared to the kingship, this conflict is a clear demonstration of how he doesn't have the same political sway as the dsmp king to be able to ask for quite the same level of protection (and hence, how his request for an apology in the peace treaty goes unheeded and how he ends up as a trading piece in the negotiations.)
otherwise, mexican lmanburg definitely has a lot in terms of echoes of c!wilbur and the lmanburg narrative, particularly regarding c!dream's view on factions, which is interesting--c!dream has never actually been "anti-people doing what they want in a group," but of course that's how things ended up being popularly seen because. gestures. and of course, there's the whole idea that every single conflict on the server ever was initiated by c!dream which...again, lmao. along those lines:
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[thinks abt lmanburg. a lot] yeah.
and lastly...this isn't really just a mexican lmanburg thing, but c!dream around this time was kinda known to reacting to threats by basically doing the thing where he would make like, a laundry list of threats, right, just really over-the-top stuff that would freak people out like hell, right? we see it in exile negotiations, we see it in mexican lmanburg debates--
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and you know, they've regularly been pointed to as you know, look how crazy evil he is an how he overreacts to shit and etc, whatever. and it does interest me how these speeches are quite similar in pattern to moments post-prison as well:
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specifically being quite consistent with moments where he's feeling, well, a bit unstable. it's an intimidation tactic that c!dream has long used, of course (white flags speech is a well-known example) but it's interesting to see it often in context of c!dream being to some degree, scared (or paranoid)--even in white flags, that was obviously a conflict that c!dream treated seriously that was quite a bit different in character from conflicts that preceded it on the server and therefore demanded a greater level of wariness and caution from him. always interesting, to me, the ways that certain actions for c!Dream are so deeply related to fear, feeling attacked (compared to, say, c!sam who would do the whole I Am The Warden power play against anyone that he felt challenged his authority)
very very scattered thoughts, but um--yeah! i really should rewatch this stream especially bc the transcript is incomplete, but alas
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frankiistein · 7 months
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come on look at this drawing. this is exactly what being in aba feels like. anyway...
bien and sar as a portrayal of a "troubled teen" with autism/adhd/aspd and an aba therapist: a breadavota analysis
finally blogging about the ending of intermission 1 of @breadavota
gui on the bbs has already noticed most of the stuff from the new update so tbh not much else left to say. thank u once again for the loyal breadposting
not related but i just noticed the bbs has the homestuck colors naur
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instead of analyzing every part of the new update im just going to focus on the depiction of sar as being a (pseudo) aba therapist, along with my "bien is so autismcoded" hc
bien as an autistic character (+ adhd and conduct disorder/oppositional defiant disorder/aspd)
first of all altho afaik none of the characters are written intentionally to be autistic and adhd but both sc and bien have traits of it, altho i will just focus on bien here who i feel is autistic, adhd and has cd/odd (which could be aspd now bcuz hes already an adult). i think the aspd hc has more credence bcuz the author has aspd
seen as "stupid" by others, especially because he has issues with working memory and attention, altho i dont think hes particularly "stupid" but more that he has trouble w/ abstract thinking and memories, he takes things literally (like when he messes w/ sars pens after being told not to touch only his books)
inexpressive facial expressions, he usually has a neutral face no matter the situation
seems to get bored easily and needs to do extreme things to stimulate himself, particularly his violent tendencies towards animals
special interests/hyperfixations. he doesnt show an interest in anything except things related to violence (murder, weapons, wars) or sc, and to a lesser extent playing the piano
on top of that some level of social inappropriate behavior, altho its harder to say w/ so few interactions between him and other characters. the one chapter where he talks to the other soldiers he wasnt very friendly towards them, and based on how he talks to ava (hard to tell if he talks like this to everyone tho) he has the tendency to bring up his relationship to sc even in situations where its not appropriate or relevant
"awkwardness" aside he has a disregard for other ppl as a whole and seems unable to emphatize with hurting others
struggles with "basic" tasks and is anxious abt leaving sc and having to live on his own
wants to have "explanations" for everything he does before doing it, seen in how he is frustrated with avas vagueness
some sensory sensitivies since he looks to be bothered by "loud noises", altho its a bit vague bcuz the demons seem to have a synthesia like (?) way of perceiving the world. bon at least has been implied to lash out from these sensitivities which 2 me is similar to meltdowns, and sar shows concern that the brightness outside might bother bien
anyway moving on to sar, this is probably noticed by some ppl from the older updates already but the premack principle (explaining more later) is what made it noticed for me, that sar acts similar to an aba therapist, or at least uses some of the same principles in aba to manipulate bien
focus on eye contact
first of all i agree w/ gui the decision to write only in sars pov and to never directly show what biens dialogue at all is great! i think it highlights that feeling of bien not being allowed his autonomy and makes it feel rly more like some therapy session where ur not allowed to make ur own decisions, it also forces us to rely on sars narration of events even tho hes not a trustworthy person
bcuz we cant see bien we also dont know if anything in the place is distracting or bothering him. the last updates established he finds the way the house "sounds" to be rly disturbing (again poiting to sensory sensitivity), and the way the story focuses not on why he might not be looking at sar and instead only looks at his "problem behavior" reminds me of my own experiences with aba before
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sar commands eye contact from bien with the simple repetition of the phrase "look at me". this very first one stands out because of how its inserted right in the middle of his dialogue, showing sars intention to make sure bien "focuses" on what hes currently saying, like he needs bien to be looking at him to "prove" he is listening. reading it in real time the first "look at me" is almost unnoticable until the next ones
i noticed the first one is also early on in the update, and he doesnt say it again until later on where all the "look at mes" are closer together. this happens when bien reads the research paper with the "blocks". i think it implies bien is more uncomfortable or stressed out from this activity and being overwhelmed by it, he looks away more frequently, its a subtle detail that i cant help but noticed!
premack principle/first, then
this is what stood out to me the most, sar pretends to "offer" autonomy to bien sometimes by letting him decide some minor things like what to eat for the break, or to let him make minor adjustments to the overall "daily schedule" but i noticed the entire "lesson" is decided by sar, who makes bien do a "harder" task first before moving on to something bien might want to do (eat cake/listen to the piano) or to "something easier"
some standing out parts:
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reading this, especially "of course, i believe you can do it" its clear that bien doesnt necessarily want to move to the "easier" tasks and he wants to keep trying the current task even if hes not doing "well". the desire to move to "something easier" is always something sar decides because of his estimation of biens incompetence, and not out of biens own unwillingness to keep trying.
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speaking of the schedule, its interesting, sar doesnt simply say he will make time in biens daily schedule to let him play the piano, he says bien will be allowed to have piano lessons, meaning hes still planning to use even biens hobbies/interests as a opportunity to "educate" him or as "reinforcerment" for him to do "good" behaviors first. i can imagine in the future biens desire to play the piano is going to be used against him, so that hes only allowed to do it if he "studies" first
reinforcements and "safe foods"
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in the premack principle/"token economy" a reward is used to motivate the "good behavior" and here we see sar using food as that reinforcement. also sar doesnt punish bien here (also hello bien and his super literal thinking, autistic king), he tells bien to keep reading while sar cleans up.
the idea of not using punishment to be more "humane" is indeed a part of modern aba (traditional aba utilized punishments before this was dropped) but that doesnt account for all the other issues with aba, and again with the lack of autonomy he assumes bien "messing with the pens" is an "accident" (instead of explaining more literally not to touch the pens - its possible bien did it on purpose but is unaware why this is a "big deal" and wouldnt understand why sar is pointing it out to begin with), and he also doesnt ask bien if he wants to help clean up, or why he touched the pens to begin with.
for all we know bien got bored and started stimming with the pens (esp bcuz chewing or clicking pens is a common stim, we dont know what sar means with "messed with" here), sar could of at least asked first why bien did that anyway and like?? let him borrow a pen??? lmao???
anyway, back to the cake, in a previous updates its shown bien likes cake and i think this establishes cake as a sort of "safe food" for bien
this is something gui pointed out that i didnt notice at first, but notably bien asks for just a chocolate cake, and sar gives him a devils food cake that has vanilla in it. its something so "small" that bien will look bad if he complains abt it, but sar ignoring a very specific request bien had is a common autistic experience when it comes to safe foods and being told just to be "picky eater"
assumptions of biens incompetence/struggles
its no secret bien seems to struggle with "intelligent" matters but notably nobody ever stops to ask what he stuggles with, its always assumed for him. while ava is more obviously dismissive, sar also does the exact same thing and just sounds "nicer" about it
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lack of proper explanations
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despite being an expository character sar notably doesnt explain things in a way that would be useful to bien. my personal observation of bien and why i dont think hes "stupid" (not in the way the others sy he is) is that he asks a lot of logical questions! whenever ava tells him a story abt the history of angels/marginals, or asks him to do a new task, bien makes a lot of sensible observations ("if angels marginals and demons are the immortals and youre not an angel then what are you?")
the things he questions the most are information that comes out of nowhere (the recursive panopticon, sars first appearance, the margibird that came out of his radio etc), and other people treat him like an idiot for just not automatically knowing these "obvious" things that would make sense for him to know!
honestly viewing bien in this lens it suddenly makes alot more sense why the story jumps around so much and introduces "weird" lore seemingly at random, i think it rly helps simulate the feeling of confusion bien (and also bread) are meant to have
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and of course where would we be w/o sars insistence that bien always say thank you even tho he never explains what bien should even be thanking him for.
general infantilization
as a whole sars tone is very infantilizing w/ how he always gives reassurances and goes "do you understand?" "___, okay?"
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also he decides to give bien storybooks (probably for kids) and plushies to help with sleeping lmao??? we dont even know yet if hes going to have sleeping problems in anselir.
ofc nothing is inherently wrong with needing things considered "childish" with accomodations, lots of autistic people benefit from simpler talking to them or from sensory aids and similar in their daily life. but again its bad here because bien gives no indication these are the specific accomodations he even needs, sar simply assumes them for him. i think especially knowing bien seems insecure over his incompetence and his ability to "grow up" and be an independent adult living away from his father, it makes treating him like a dependent child even worse in that contexts.
disrespect for personal boundaries/touching
this is definitely the creepiest part and again the lack of biens side of things makes it vague what sar is doing
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the way its immersed in the dialogue again is a good choice, just shows sar talking and acting "normally" even when things are decidedly not normal
the comment abt the hair makes it obvious that sar is touching bien, altho to what extent the "touching" goes is obviously deliberately vague. honestly it almost looks like sa :") regardless the pressure to do "affectionate" gestures is so relatable, especially as an autistic kid where adults always pressure you to hug them or show some other form of physical affection, and the way ppl touching u w/o permission is so common.
(i did ask the author abt this, to which they said its supposed to be vague so its not sexual but its also not not sexual. but that they personally wrote it to be them sitting next to each other with sar just condescendingly petting him on the head at some point like he did the last updates, and the "try not to squirm" comment was abt sitting properly, but that this was just how they imagined it and isnt "canon" bcuz its supposed to be open-ended)
bonus:
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a subtle thing i almost dont noticed but the last "what blocks" is slightly bigger as if to show a slight raise in voice, rly feels like sitting in a suffocating room with this guy. ily sar but u suck
that is the end of my breadposting thank u and goodbye. ^_^
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