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#i do not own rights to this music
that-scorpio · 11 days
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Weekend recap 😅
Also my locs look BOMB 😍
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sunburnacoustic · 9 months
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on Supermassive Black Hole by Muse?
(If you haven't seen the semasoulalai post what are you doing)
(poll option 2 is capped because of the character limit)
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kairithemang0 · 21 days
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Gahhhh drunk curtwen how I adore thinking about you
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uhbasicallyjustmilex · 6 months
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four walls playlist
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I thought I'd do a music video featuring the King of Horror, Vincent Price!
*I do NOT own rights to the song in the video*
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puppyeared · 5 months
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what if i snapped and made an oc carrd
#i mean.... i could#this isnt the first time ive thought of doing it but i drop ocs so easily its not even funny. so idk if itd be worth it#id consider toyhouse or smth but i dont have money lol. right now everythings on artfight but thats more for drawing purposes#what ocs would i even talk abt... i have some standalones like auggie and ocs i think look cool but dont plan on using#but some others have their own stories.. not like a huge thought out plot but something i pick up and twirl around in my head#like luckys whole deal is being a hiking guide who accidentally gets tied up with some werewolves pretending to be a hiking group to eat pp#and then i have the magician rivals. although i kinda wanna tie theirs with the nightguard and thief story ive been cooking. maybe in the#same universe? it would be pretty funny if they lived in the same apartment complex since a couple stories i have in mind revolve around th#its like some sort of omnibus or anthology to me. kicks my feet#and then fan characters like xin ya and sleight who i want to have their own expanded lore and stuff. i think that would be cool#im making crow a powerpoint of xins updated lore but the assignmence are making it hard. hopefully it turns out good though#i have a hard time writing personality and xins is always the hardest bc theyre probably the least like me. i tend to stick to#characters similar to myself to get in their head. but bc their backstory affects their personality so strongly i have to do some thinking#anyway. hopefully i remember this later#yapping#oc#oc talk#ive also been playing neko atsume recently for nostalgia and why did we as a society ever stop playing it. its so chill#you just take pictures of silly little cats and leave them silly little toys and treats. and the music is cute
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chiropteracupola · 8 months
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The love of the Wanderer is to wanderers.
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there's so many del conversations i really fucking love and wanted to put my own spin on before we get an officially cast delirium, so starting off with this fun one from kindly ones!
(i have also started a del themed tiktok bc i have a lot more audio/video stuff in the works, so if you're interested you can find this video cross-posted here)
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plan-3-tmars · 5 months
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something that I noticed while listening to the T2 instrumentals is that the instruments in cat are alot more dependant on the vocals
and I kind of just shrugged it off as a cool detail but then I remembered,, whats a lyric that shows up repeatedly in cat?
"lie, until it gets better, follow the king of the masquerade"
the instruments in cat are leaving kazui room to speak and then mimicking what he says, they're FOLLOWING HIM!!! BECAUSE HE'STHE KING OF THE MASQUERADE!!!!
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tothechaos · 3 months
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i saw an abba cover band tonight and honestly most of the performance was spent imagining what im sure is some absolutely insane interpersonal drama
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thedreadvampy · 9 months
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btw about Neil Gaiman I periodically agree with the 'Neil Gaiman is annoying' stuff bc I feel like both he and Amanda Palmer seem like people who I would go insane stuck in a room with bc we have very different ideas about art and suchlike. and I also do think that the career trajectory he's on lately is cynically redoing his greatest hits and pretending that was the dream all along when it clearly was not. which is at best meh.
having said which
as far as I can tell by far the most common complaint about Neil Gaiman is "Snow, Glass, Apples is problematic/gross/it's got incest and rape and frames the child as the aggressor"
which strikes me as a weird complaint to pull out of a 40 year body of work tbh when that short story is pretty clearly coming from a place of 'how far can I push this'. like you don't have to like the story. I don't really like the story. but it is. a horror story.
like and this is the thing with particularly 90s alt horror right? a lot of the interest is in transgression and sitting in the worst possible perspective and seeing what happens if you pull those strings. like I really like Clive Barker for example but there's a good chunk of his short stories that I'm like I'm not picking up what you're putting down Clive this seems Kinda Off. but that willingness to write some trite or Bad Message horror fiction that doesn't land is imo a side effect of being willing to try writing uncomfortable and unpleasant fiction at all. which is what horror is for, among other things, it's for creating discomfort as a form of catharsis or engagement.
like I am not a huge fan of the type of sex-horror that pops up in a lot of Gaiman's work and other contemporary horror writers - to me I don't find it upsetting or horny it just ends up feeling kind of edgy and tryhard - but I'm also a bit like. it does seem like a lot of people's beef with Neil Gaiman is that In The 90s He Was A Horror Writer
and this approach to Problematic Horror in Snow, Glass, Apples I find kind of microcosmic of how The Discourse often approaches art in this kind of 1:1 way. if you write a story which seems to line up with rape apologia it can only be because you agree with it. if you write a story about transphobia you're a transphobe. if you write a story that makes me genuinely uncomfortable you're attacking me.
but artwork, especially art like horror that's not necessarily trying to provoke enjoyment as its main response, is necessarily hit and miss. and if what you're shooting for is discomfort then whether it works, falls flat or goes too far incredibly depends on your audience. and making good art - as in art that makes its audience think, art that opens the audience up to discomfort and catharsis and sticks with them and changes them - requires the space to experiment and tbh the space to fuck up. like they aren't all going to be winners and they certainly aren't all going to work for you as a singular audience.
personally I don't see the appeal of Snow, Glass, Apples, less cause it's nasty and more cause it's hack. ooh an edgy monstrous version of a fairy tale where there's lots of rape and cannibalism? you're soooo original Neil. but like. that's fine. I don't really vibe with like 70% of Neil Gaiman stuff I've read but I still like Neil Gaiman because the stuff that works for me really works for me.
idk I think there's a lot of folk on this website who shouldn't interact with horror cause they clearly aren't interested in being horrified. that's not everyone who dislikes Snow, Glass, Apples, but it's a real undercurrent to a lot of the criticism and tbh this kinda vibe is shit for art. making standout art What Is Good also requires being ready to make art which stands out for the wrong reasons. sometimes they'll be the same art to different people.
#red said#not to Cancel Culture this but isabelle fall springs to mind in a lot of how folks talk about stuff like this#like she wrote a transgressive piece exploring her own negative feelings about transness and her anger around a transphobic trope#and she made something which i found really resonant and interesting#and she got torn apart for it because it Might From Some Angles Agree With Transphobia#and I'm not making a direct comparison. because i think attack helicopter is a really GOOD story and i think SGA is gratuitous and hack#but that's the thing right? transgression and discomfort and speaking about unpleasant things in an openended way are KEY#to making art that engages directly with your own pains and angers and discomforts#and that's hard to mediate tbh. but it's also very necessary.#i think as well thinking about Gaiman this is also a thought I've often had about Amanda Palmer#who over the years has written a lot of songs about things i find genuinely uncomfortable or offensive.#and i can engage with 'it's fucked up to tell your ex they transed their gender At You' or 'your partner's suicide is not about you' bc yeah#but#you can't celebrate someone for making confessional music then get mad because you don't like everything they confess#if you only take about your socially acceptable thoughts it's not really confessional is it?#if you only talk about discomforting things that people are comfortable hearing about its not really discomforting#and you can only really discern what's Good Transgressive and what's Damaging Transgressive through doing i think#so if you want challenging art you are going to have to get some art which challenges you and you go hmm no i still disagree#is what i think#so yeah you can hate the artwork but when an artist is specifically setting out to make challenging art it's weird to hate them#for making 50 pieces of art you like and 1 you hate
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that-scorpio · 6 days
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Never had to do too much
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Oh yeah! Did I forget to mention i totally ship Starclaw?… Sharpdrive??… Sharpstar???… Clawdrive????
There are just so many possibilities, like you wouldn’t believe…
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icantalk710 · 2 months
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🤔
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hauntingblue · 2 months
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Luffy eating watermelon 🍉
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welcometoteyvat · 2 months
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society moved on too quickly from furina's demo
#i think about the fontaine brawl that she imagined in her head sometimes like i feel like society needs more characters like that#ramblings!#also when she changes into pneuma form............ i've never seen something so fucking crisp in my life#the lights???? the music syncing?? it's like biting into a juicy apple cannot be topped#also the symbolism................... i was like 'hm. i actually dont really agree with that bilibili analysis video' after thinking it thr#through. <- also known as dumb behavior they almost predicted the entire 4.2 quest#tbh i feel like people also moved on too quickly from neuvis demo because that yellow field of grass is peak#i love when rando characters are dropped in the middle of nowhere contemplating existence#we also moved on too fast from ly.ney's story quest why do i keep seeing him in love with traveler#like his subtle threats to that woman... guys he's killed people dont make him just a flirt#dont mind me im just. replaying fontaine but in my head and via youtube trailers#actually something else is that while i still think most of the sumeru chars look a bit too much like they used skin bleach#the sequence right before nah.ida's burst where she's traveling through her own dreamscape is like. soo good im soooo....#references her character story... full of whimsy and elegance.. visiting children while asleep etc.. knowledge spreading something somethin#i also always liked how the 2 children floating in front of that window looked like they were guarding the gates of wisdom or smth#like sentries in front of a library. but theyre kids so its less somber and more like. idk joyful. house of learning open to all etc.#in a character trailer appreciation mood rn ig
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