Stilton, for my stats ask I mean AO3 stats like subscriber count, etc.
Oh, got it! I actually prefer not to look at those or share them, since I started TMAAF pretty soon after writing a 300K fic in a different fandom that got something like 90 kudos and 50 comments over the 16 months I spent writing it. Ignoring my AO3 stats helped me to complete the story despite the lack of engagement, and I decided to do the same thing when I joined the CQL fandom. Obviously things are different now, but I feel like this works best for me.
The only statistics I keep track of are the number of comments in my inbox (18132 since March 2020) and my word count, which is currently at 886076.
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Robin chose Steve. Robin made the conscious and deliberate decision that she could and would trust Steve. She already liked him! She had fun working and bantering with him! They were already on their way to being weird little bffs and the torture just expedited the process. Steve chose Robin just the same! He thinks she's fun and cool and likes her so much! He chose to be honest and open with her too, putting himself out there.
Even though their interests on the surface level don't match why wouldn't they share them? Steve clearly caves when Robin wants to watch a movie he doesn't think he'll like, Robin can watch a March madness game or five.
Stop trying to take away their bond oh my god people can be close to more than one person!!! Their best friend doesn't have to be dismissive or mean or whatever in order for a romance to be special to them!
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can i req some arlecchino kink headcanons? no pressure to answer! there's just a lack of new knave content lately ahhh.. ( ̄ヘ ̄)
{☆} characters arlecchino
{☆} notes drabble, hc's, gender neutral reader
{☆} warnings 18+ content
{☆} dacryphilia
arlecchino is a sucker for crying. doesn't matter if you cry easily or not– either she sees it as a challenge to make you cry in the first place or to see how much you can cry before you have to tap out. her absolute favorite way to make you cry is straight up overstimulating (or understimulating you, depending on her mood) until you're practically sobbing. if you cry prettily enough maybe she'll take pity on you.
{☆} temp play
arlecchino has a pyro vision and she is absolutely going to use it. especially prominent if you're both in snezhnaya– it provides prime opportunities for her to slip her hands under your clothes when you least expect it just to see you squirm beneath her hands. she'd never actually do anything too scandalous in public, but if you're a bit more hidden away she'll have no qualms playing with your chest. if you complain about the cold you're just giving her an excuse to "warm you up" and see you tremble like a lamb.
{☆} face sitting
nothing prettier to her then seeing you above her with her face between your legs. her tongue is just as warm as any other part of her, and she knows how to use it, too. she'll hook her arms around your thighs just to hold you down until you've doubled over from the intensity of it– if you start crying, oh, she just gets worse. absolutely ravenous. she won't stop even if her jaw starts to ache. if you don't want her to stop, she could go for hours without a break.
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happy father's day i'm thinking about this outis line again
I always thought it was a bit out of pocket considering this isn't too long after the events of Canto III, even with how Outis was being harsher this Canto.
But I then I remembered that Outis' son is the same age as Sinclair.
Her son, who thinks that she died in the Smoke War (the in universe equivalent to the Trojan War as depicted in the Iliad and the Odyssey) because she hasn't been home in years. Her son who cannot cry out to her. And her son, who is currently in much the same position as Sinclair regarding his self-perception and ability to fight, as Telemachus refers to himself as "a weakling knowing nothing of valor" (Book 2 of the Odyssey, line number and exact wording depend on translation).
I think this line reflects more on Outis and her anxieties about her family thinking that she's dead, as well as a reference to Telemachus experiencing his own journey to manhood, much like Sinclair.
I think there's also things to be said for the parallels between Sinclair and Telemachus, even just the ones imagined by Outis. Hell's Chicken had her showing a very paternal worry over his diet (raise your hand if your dad has ever said you'll be short forever if you don't eat right). Overall, even though Sinclair and Telemachus only share the bones of a coming of age narrative, Outis is seeing connections there because she misses her family.
As with this one. Again, she's showing her hand more than she means to. Though she's talking to Dongrang, I think she's also talking to herself. Trying to reassure herself that home will always be waiting. Dongrang, however, decides not to return, but to pursue glory no matter who he hurts in the process. The Odyssey also contrasts the pursuit of glory with the desire to return home. Odysseus has to choose humility in order to return.
Outis has been keeping up a careful persona around us, but it's slipping. Her desire to return home is seeping through even as she tries to assert herself by clinging to the glory from a war that's long since ended.
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It's still scaly since it's only a week old but I couldn't hold off posting it anymore - here's my Riku tattoo!!!!
Reference under the cut - it's that manga panel, of course :-)
I made an edit to remove the text boxes and the rain and sent it to my artist, and she made a few more changes like giving him a fully defined mouth!
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