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13eyond13 · 3 months

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What headcannons do you have on B during his career (for a lack of a better word) as a serial killer? To me, he's like one of the funniest characters but also the most pathetic in the most poetic try-hard way. Why do you think he's such a try-hard? He's coping but what is he coping from?

OMG B!!! Haven't thought about my favourite stupid son B enough lately, so thank you for this ask....

So he's a try-hard because he is probably VERY INSECURE, to be blunt. He probably has very little sense of self-worth or a concrete sense of identity outside of trying to one-up L, and he takes that to the extreme in a highly comical way. He's also no doubt traumatized from his insane childhood as a shinigami hybrid who watched many people (including both his parents) die while knowing they were going to die / was also raised very weirdly and abusively/experimentally at Wammy's and made to feel like he was only worth something if he could be as smart and talented as the legendary L. In his mind he decided that creating his own destiny would be better and rebelled against that expectation by being like, "why be the next L when instead I could DEFEAT L by creating a brilliant crime that he can't possibly solve?"

ANYWAY there's a reason he is the most creepypasta villain / emo boi / dark academia darling of the fandom, and that highly melodramatic backstory is a huge part of it - which I DO love dearly in its own mid 2000s way, even though I also sometimes sigh at it because of the extra villainous cartoony edge it adds to L's backstory, and don't always want to take it very seriously as part of L's characterization in the manga plot...

So on my most recent re-read of the LABB novel, I feel I was a bit struck by just how... Not Good B's impression of L actually is? And this was kind of hilarious to me to think about. I feel like when I was younger and really into shipping LxB I read it just as "clearly B has a massive crush on L and is doing his best to imitate him perfectly because he hero worships him and sincerely wants to be him so bad!" HOWEVER this time around I remember thinking something along the lines of "wow, this feels almost like B just googled how to cosplay L and then lazily threw something together 5 minutes before crawling under the bed", hahaha. So he either just kinda sucks at imitating L (and maybe so, but he also managed to trick the families of the victims into letting him investigate the crime scenes, so he's probably not THAT bad at acting when he wants to be?) or maybe he's intentionally trying to make a mockery of L. It is ALSO FASCINATING from a psychological POV to imagine he's just being a troll about it all and trying to make fun of L with how he behaves! Like! Was he intentionally mocking L with his impression of him to somebody who would never even get the stupid joke in the first place? If that's the case, it's excruciatingly cringy to me that nobody even gets his joke the entire time, hahaha.... poor Naomi suffered more than Jesus at some points during that investigation, I swear...

B trying to do a scathing impression of L to somebody who has never even met him before:

ANYWAYS. I think that whatever the case, he PROBABLY hoped/expected L himself was going to show up to the crime scene to confront him, at any rate. And so therefore he probably initially dressed up as L not to genuinely pass to anybody as L, but maybe expecting to do some ominous dark mirror/ arch-nemesis big reveal shit to L?? Perhaps once he realized that Naomi was the only one coming / was working for L he just changed gears a bit and decided he'd just lead her through the clues as best he could while trying out this cosplay of the guy that he wants to offend most, but this is in my mind pretty much how it must have gone.

One of my fave headcanons about him is that he re-read that crossword puzzle he made / that the police threw out without solving SO MANY times while he was sweating off his makeup under the bed, as well... that's why he had to show it to Naomi as soon as he got out... he was like "I PUT A LOT OF WORK INTO THIS DAMMIT, and SOMEBODY is going to appreciate it" hahahaha. Ohhh, B....

#like i LOVE B #but i also think he sucks ass as a person #but i love that he's written kind of so melodramatically and cartoonishly that i can still just laugh at him and not feel too bad about it #even though his life is sad and clearly sucked ass #idk he's my 3rd fave just because he's such a funny sad shitty guy #and weirdly complex to contemplate despite how much of a creepypasta villain he also is #beyond birthday #p #death note

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ravioliet · 6 days

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I looked at the odd squad tag for the first time in ages and Immediately found your awesome au. Its looks So Cool!!!!! Anf i'm super curious abt it!!!

Are there any events you have plotted out that you'd like to talk about?

thank you so much!!! and yeah i'd be very happy to tell you some of the events i have down! :D

so most of it goes pretty close to canon but with some added things and some stuff i've changed up a little bit! as a kind of silly example for added stuff i have all three of the main season two trio start off as blank flanks and i actually know the specific moments in the season when they earn their cutie marks and everything. Oona gets hers near the end of Oscar Strikes Back when she saves the day and fully realizes that her talent is science and gadgets and whatnot (Oscar and Ms. O both take this as a sign that she's ready to take over the head scientist position), and Olympia and Otis both get theirs at the same time after their talent show performance, which Olympia half jokingly claims to mean that it's just their destiny to be best friends or that being partners is their talent. which actually isn't entirely wrong, they have some kind of mane six cutie mark connection type thing going on. they're besties your honor

one of the events that i changed a bit though was Otis's backstory, and it isn't entirely worked out yet but the basic idea is that he was still raised by evil ducks, and they still want to change the seasons and whatever like they did in canon, but instead of them having that whole device that moves the sun or whatever they just have Otis control the weather for them since he's a pegasus, and kinda like in canon one day Otis decides that it's gone too far and he goes and seeks out Ms. O for help, and they take down the ducks together and she ends up taking him under her wing (pun intended) and everything etc etc. but for this reason Otis doesn't like flying too much (he's worried about being seen as too good at it since he's been doing it from a much younger age than most and he Does Not want to draw attention to himself) and will avoid anything that involves him messing with the weather since that was what he did as a villain, so every year when the winter wrap up comes around Otis is just mysteriously absent and that sort of thing. whether or not it was completely coincidental that the ducks somehow managed to get an actual Cloudsdale weather pegasus foal is kind of up to interpretation honestly, but it kinda depends on if you think the ducks were evil enough to intentionally kidnap a baby i guess

#odd squad mlp au #odd squad #mlp

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empty-blog-for-lurking · 4 months

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Rewatched the vld pilot i have uhhhh opinions-

First things first, it was good!!! Like both as entertainment and as writing wise it was good!!! It sets up the characters and introduces the plot really well, it was good ok! It was good!!

It also hurt SO MUCH knowing what happens later on like both because so many things in the pilot gets undermined or completely forgotten and because the show really had a lot of potential

Like it sets up so many themes that really didnt go anywhere- Shiro's backstory, whatever shitty energy thing Keith has, Lance's potential arc, Allura's arc, Lion bond, destiny etc etc

It feels so nice to be vindicated about Hunk. Like he is bitchy! He loves to complain! He will go through your personal stuff! I love him, he is kind but absolutely not nice, i love him!

Could have done with less fat jokes though like ugh stop

Also Lance really was great here, like i might be biased but like he was genuinely more complex than people give him credit for. Like he is showboaty, a jerk and a pompous cunt, but he is also great at noticing what people need, making right snap decisions under a lot of pressure, knowing when to jump in but also when to not do that and is genuinely kind and accepting, but also all of this undermined by his fucking personality

Also where are my 1000 and 1 fics of Lance who genuinely thought he saw Hunk die and when the battle is over he is getting a bit protective of Hunk to the point of being overbearing.

And i love how Coran and Lance did not like each other makes whatever is going to happen next all the more compelling

Also why the fuck do people act like Lance bullied poor Keith like the garrison trio are WAY bitchier and meaner towards each other, like Keith is not a victim and he's definately not passive and defenseless about it either he was literally calling Lance a non essential weight

Also speaking of Keith, he was BARELY there, like aside from the story taking its time to go on about how special and amazing Keith is, the bike and the red lion scene he was just barely there. Like the others felt like they were present even when the scene wasnt focusing on them but you can easily forget Keith is supposed to be there

Like seriously even Shiro was more focused with Pidge

Like no wonder they had to screw over and undermine the entire cast and the plot to make Keith the Protagonist™ because otherwise he would not have been this popular

They should have kept this trend honestly

Also god i missed Pidge being actually interesting and likable, like she was flawed and could be mean but also just a girl desperate to find her family, god if only LM didnt decide to make her a flawless self insert

I still think they should have killed her father and/or her brother, like just for the flavour it would have been great

Hell she was trying to save the prisoners who even fucking Shiro was ready to abandon! Granted it was to look for her family but still!!

Also Allura!! My girl Allura!! God she didnt deserve any of this shit!!

Like she tries so hard to be strong and lead and save universe but also god! But also it was just so clear that the loss of Altea was breaking her and she only Just started to process it

"You must sacrifice everything to form voltron" petition to bring back Alfor AI just so i can kick its ass again, cause like SHUT UP!! SHUT THE FUCK UP! NO SHE DOES NOT! SHE ALREADY LOST SO MUCH AND SHE WILL LOSE SO MUCH LIKE HOW DARE YOU! HOW FUCKING DARE YOU!!!

"If i could i would take the burden away from you" THIS SHOULD HAVE BEEN FORESHADOWING! HE SHOULD HAVE CAME BACK TO SAVE ALLURA AND TELL HER THAT SHE MUST LIVE NOW! THAT SHE DIDNT NEED TO SACRIFICE HERSELF! HE SHOULD HAVE TAKEN HER BURDEN! I AM GOING TO FUCKING LOSE IT!! SHUT UP! SHUT UPPP!!!!

Sendak is..... twinkier than i remember

"We must wipe out that filthy race, once and for all!" Zarkon says about the Altean race while his Altean wife whom he claims to love is right there

Anyway yup this was my experience, i loved the pilot

#empty opinions #K3ith stans i kinda need yall to look away ok? Ok

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teenageread · 9 months

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Review: Under the Never Sky

Synopsis:

WORLDS KEPT THEM APART.

DESTINY BROUGHT THEM TOGETHER.

Aria has lived her whole life in the protected dome of Reverie. Her entire world confined to its spaces, she's never thought to dream of what lies beyond its doors. So when her mother goes missing, Aria knows her chances of surviving in the outer wasteland long enough to find her are slim.

Then Aria meets an outsider named Perry. He's searching for someone too. He's also wild—a savage—but might be her best hope at staying alive.

If they can survive, they are each other's best hope for finding answers.

Plot:

Aria needs to know what happened to her mother. Leaving her to go to Bliss, another pod, Aria lost contact with her mother when Aether struck Bliss. Wanting to go to her, Aria and her friends break out of their dome to attempt the journey to Bliss where something went wrong as Soren, her friend, attacked her and was going to kill her if an Outsider had not intervened to save her. Rescued by her people, Aria thought Consul Hess would believe her when she said she had no idea who the outsider was, or why Soren, Hess’s son, would attack her. Taking her to her mother, Hess sends Aria to the outside world, the Death Shop, as her people knew it, locking her out of her eyepiece which can prove that Soren attacked her, and the last message from her mother. Doomed for death, Aria struggled in surviving Aether and was lucky when she ran into the Outsider who saved her. Peregrine, or Perry, was in no mood to help a Mole. Outcast by his own tribe, Perry was on a mission to save Talon, his nephew, who was taken by Aria’s people, also a bit of revenge as they tried to kill him. Knowing that Aria can lead him to Talon, they form a shaky alliance that depends on both of their survival.

Thoughts:

Veronica Rossi nails the dystopia romance theme as this 2011 novel is perfect for its time. Rossi introduces us to a world where, from what I think, Aether is an electrical storm that never leaves the sky and can strike down at any point, killing all those within its path. Thus why the majority of the population went to hide in pods where they have a VR system to allow them to do pretty much whatever they like. That is the world Aria lived in, where she could place herself on the opera stage to sing to her mother or explore fake woods with her friends. Comfy, safe, and one where she does not have to fight for survival, unlike the outside world. In the real world, the one Perry lives in, people lived in tribes who were constantly at war for survival, either by each other or by the ecosystem. Here not everyone is seen as equals, as Blood Lords are the leaders of their tribes, and oftentimes they are Marked. Mark by magical means, some can see better, hear better, smell better, or like Perry who is Marked twice. With fast pace writing, Rossi takes it from a third-person perspective following Aria and Perry around on their adventures, making it unique when they split up, and insightful when they are together. Aria is an okay character, as she gives the classic “in a rough spot but will not complain”, with a bit of spunk as she was not going to take Perry’s insults lightly. Perry is our bad boy who's good as the rough on the outside shows a truly caring, good person on the inside, who is desperate to set things right. Giving us the depth of each character's backstory when needed, you really begin to feel for Aria and Perry and are invested in their lives. Their relationship as a couple? Rossi could have used some pointers. The chemistry is there, as Rossi writes early on how Perry thinks Aria is pretty, and how Aria is always trying to get Perry to laugh, but just the speed of the relationship seems unrealistic. How is it that Rossi started with a slow-burn romance, as it took pages for Perry to kiss her, yet in half that time he’s declaring his love for her? The timing seems rushed. With a solid ending, Rossi sets this novel up to become a series with a vague enough ending that leads you itching for the next novel to see what happens to our couple, as they race to the same thing but for opposite reasons.

Read more reviews: Goodreads

Buy the book: Amazon

#Under the Never Sky #Veronica Rossi #book review #book Records

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spiritofjustice · 3 months

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i always heard bad things about Spirit of Justice. i think the critiques of it are wholly warranted (Apollo's random-ass rewritten backstory, Nahyuta being boring, i think a lot of people also dislike Garan as a prosecutor and she really sucks, she is the worst prosecutor in the entire series honestly though she's a ... passable villain, among other critiques i'm not very familiar with) but i just finished SOJ, and like, it is WAY fucking better than it feels like a lot of people would lead you to believe.

i actually think it's a better game than Dual Destinies. idk which of the two i'd pick as my favorite. i enjoyed the vibes/feel of DD, but the plot was much more interesting and well thought out in SOJ. but out of the 3 new trilogy games, SOJ was the ONLY game where i finished it and went "that was great". DD's ending made me really upset (although i loved the Blackquill and Athena stuff), and Apollo Justice underwhelmed throughout the entirety of the game.

Nahyuta is pretty boring, and i kept forgetting he was even there most of the time, but i find i actually really like him. i can't explain it. i thought Klavier was also super boring but i really disliked him, but i see Nahyuta and i'm like idk man. i like him. he's cool, got a nice design, and he's got very interesting things going on with his character, although the execution could be better. the emotional impacts with him in the last case could be a lot stronger. he still just Kinda Exists most of the time in the final case even though he should have such a strong impact on it. but it doesn't bother me, i just Like Him.

but the plot was cool and feels much more solid than the dumb shit they did with the DD plot, the characters felt better utilized (aside from Trucy who continues to rot on the side, but at least she starred in a case in this one), and it was just like. satisfying. Rayfa, Apollo, and Nahyuta all have wonderful character arcs even if i think Nahyuta's execution is underbaked. i think the ending was cool with Apollo staying in Khurain to try and help rebuild. i love that idea. Apollo honestly is an awesome character. i never DISliked him but he was kind of a plank earlier on in the trilogy, but he kinda finally came into his own in this one.

the Apollo Justice trilogy has some high highs, but such, deep low lows when it gets bad. but i liked it. i was afraid i wouldn't because i had such a hard time getting into Apollo Justice, and i still consider that to be my least favorite Ace Attorney game by far, it's not even a competition. but DD and SOJ brought it home, although i had some major issues with DD.

anyways, i was wrong about SOJ. i was so afraid it was going to be super bad going in because of all i'd heard and i just. i liked it, simple as. is it perfect? nooo. that filler case was lame asf (aside from more Blackquill and Athena, my absolutely FAVORITE dynamic in the Ace Attorney series PERIOD) and the vibes in the first case are kinda weird and uncomfortable and i wasn't too sure about it, but the rest of the game is pretty solid. i was genuinely invested in the characters, which i couldn't say i rly was in DD (at least in terms of the main crew, i loved Blackquill and Fulbright ofc and yall know it KRKJF) even though i loved DD.

the final case, Turnabout Revolution, was great, which i can't say about Turnabout Succession OR Turnabout for Tomorrow (though i intend eventually to replay DD knowing the full context of the Phantom twist so i won't get blindsided by feeling deeply upset by it lol it might change how i feel)

anyways top 5 new trilogy characters in no real order aside from Blackquill really is my number 1 let's go

Blackquill

Athena

Trucy

Bobby Fulbright

Rayfa and Nahyuta (tied. i can't possibly rank one over the other)

in terms of quality i'd rank the games SOJ > DD > AJ but personally SOJ and DD are equal

#psy's no punctuation posts #aa tag

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thewheelweevils · 2 years

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Okay, I’ve had time to ponder.

We need to talk about Logain.

Possible book spoilers, but nothing that wasn’t signposted pretty clearly in episode 4.

I think non-book readers have picked up on Logain being important going forward. You don’t write a character that interesting, give him that much attention in an episode, leave him alive at the end of it, and then not have him play an important role at some point in the future. I think that’s pretty obvious.

The major difference between the events of episode 4 and the book is that it all happened outside of any POV character’s observance in the books. The book characters just see Logain in that cage, just as the show depicts it, on his way to be gentled, and then we barely see him again for a long time … and eventually he becomes relevant again.

This episode gave me such confidence in the show writers. They knew not only that Nynaeve needs to be revealed as a channeler—one of the most powerful, in fact—and continue to develop her backstory AND relationship with Lan, AND world build the Aes Sedai and their warders, AND move the entire plot forward in the process.

They also knew that Logain couldn’t be offscreen the whole time and then suddenly become relevant later on if they want audiences to care about him. They need the audience to know him, what drives him, see his inner nobility, the tragedy of his conflict with the Aes Sedai and his gentling …

He wasn’t the monster Liandrin made him out to be. From his perspective, he was kidnapped, taken from his loyal Dragonsworn—whose loyalty he had won—and is being dragged away from his mission and destiny. Now, the show makes it clear he can’t really be the Dragon Reborn as he thinks he is—he’s too old by maybe two decades—but he doesn’t hurt the Aes Sedai because he’s evil, but because he’s desperate and believes they’re in the way of him saving the world. It’s not until he sees Nynaeve channel the One Power with such amazing strength that he even begins to doubt himself. Just masterful how the show writers did that. I have full confidence in them now.

I’m interested to know, non-book readers, what you all think of what might lay in store for him or what role he may yet play?

(Also, non-book readers, you’re amazing! Together, book and non-book alike, we’ve made WoT one of Amazon’s biggest streaming hits ever! At this rate, we’ll get more seasons than two for sure!)

#the wheel of time #wheel of time #wot #wot show #wot on prime #wheel of time show #wheel of time prime #wheel of time books

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ot3 · 2 years

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i haven’t played aa5/6 yet but is it just me or does it seem like they’re kinda trying to undermine trucy’s role? like w/ the introduction of athena it feels like there’s very little reason for trucy to be the assistant, phoenix barely seems to pay attention to her, and the decision to give apollo an adopted little sister/little sister figure feels really strange?? it feels like they don’t actually want trucy to be there but they kinda have no choice so instead they push her to the side as much as physically possible and i’m curious what you have to say since you’ve played at least some of the games and youre a big wright family fan

trucy ABSOLUTELY gets fucked over in aa5/6. it's not athenas fault like adding another female character Should be a new thing but then you do that and then also completely neuter what is now the only other female main character in the mainline cast you just shoot yourself in the foot entirely. everything about trucy and phoenix's dynamic as introduced to us gets completely dropped in AA4, and all of the subtlety is stripped from her writing.

its like, the writers for aa5 and 6 looked at what trucy was like in AA4 and took it at face value, without realizing that acting like a silly little girl is sort of a facade trucy puts on that allows her to act with less scrutiny. she is incredibly clever and cutthroat. and not only is this the case, this is something phoenix fully knows and takes advantage of. like. he raised this girl by having her help him cheat at backroom poker in a shady russian club!

as for it feeling like they don't want trucy there and just include her out of obligation... honestly I don't think that's a bad assessment. it is of course complete speculation but i think that it would make sense within the Ethos of the way 5 and 6 are written.

5 and 6 really seem to prioritize their Twists and Reveals, and the like shock and spectacle of what they can do to their characters which is why they keep giving apollo new backstories. obviously since im only on case 2 of aa6 im very unfamiliar with most of the details and only know the broad stokes of the story, but it would seem like athena also gets really shafted in AA6 and doesn't really get any meaningful character writing. because it just feels like the aa5 and 6 writing doesn't care about their characters as Characters, it cares about them as plot devices

and since trucy's backstory is pretty much already fully locked and loaded, there's no more Plot to extract from her character's premise. same with athena, now that dual destinies is over everything narratively relevant to her is wrapped up and done. in ace attorney 5 and 6 rules, you're either in the middle of some grand conspiracy or years-long cascading tragedy OR you're set dressing. there's really no room for character conflict that isnt 'something from my past is catching up with me' or 'The Biggest Possible Stakes We Can Inflict are happening and its bad'.

you could really switch out most of the main cast in these games and i think things would play out more or less the same because the plot stuff doesn't hinge on the characters behaving in a certain way, it hinges on them being specific people. we've invented Narrative Nepotism where you essentially have to be born into some sort of drama in order to have a plot and once your backstory is resolved your only job then becomes acting in whatever way means the other characters get to air out Their backstories later on. it sucks. there's no heart to it.

#ralseideltarune #ace attorney #PLEASE BRING BACK MY DAUGHTER CAPCOM I MISS HER WHO IS THIS CARDBOARD CUTOUT YOUVE GIVEN ME

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hamliet · 3 years

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The Crows Summon the Sun

Or, Hamliet’s review of Shadow & Bone, which gets a 4.5/5 for enjoyment and a 3.5/5 in terms of writing.

The true heroes of this story and the saviors of the show are the Crows. However, the problem is that the show then has an uneven feel, because the strength of the Crows plotline highlights the weaknesses of the trilogy storyline. But imo, overall, the strengths overshadow (#punintended) the weaknesses.

I’ll divide the review into the narrative and the technical (show stuff, social commentary), starting with narrative.

Narrative: The Good

It’s What The Crows Deserve

I went into the show watching it for the Crows; however, knowing that their storyline was intended to be a prequel, I wasn’t terribly optimistic. And while it is a prequel, the characters have complete and full arcs that perfectly set them up for the further development they will have in the books (which I think should be the next season?). Instead of retreading the arcs they’d have in the books, which is how prequels usually go, they had perfect set up for these arcs. It’s really excellent.

Jesper, Inej, and Kaz are all allowed to be flawed, to have serious conflicts with one another, and yet to love each other. They feel like a found family in the best of ways. Kaz is the perfect selfish rogue; he’s a much more successfully executed Byronic hero than the Darkling, actually. Inej is heroic and her faith is not mocked, yet she too is flawed and her choices are not always entirely justified, but instead left to the audience to ponder (like killing the girl), which is a more mature writing choice that I appreciated.

Jesper is charming, has a heart of gold despite being a murderer and on the surface fairly greedy, and MILO THE EMOTIONAL SUPPORT GOAT WAS THE BEST THING EVER. I also liked Jesper’s fling with Dima but I felt it could be better used rather than merely establishing his sexuality, like if Jesper and Dima had seen each other one more time or something had come of their tryst for the plot/themes/development of Jesper.

Nina and Matthias’s backstory being in the first season, instead of in flashbacks, really works because it automatically erases any discomfort of the implications of Nina having falsely accused Matthias that the books start with. We know Nina, we know Matthias, we know their motivations, backgrounds, and why they feel the way we do. It’ll be easy for the audience to root for them without a lot of unnecessary hate springing from misunderstanding Nina (since she’s my favorite). Matthias’s arc was also really strongly executed and satisfyingly tragic. Their plotline was a bit unfortunately disconnected from the rest of the story, but Danielle Gallagan and Callahan Skogman have absolutely sizzling chemistry so I found myself looking forward to their scenes instead of feeling distracted. Also? It’s nice seeing a woman with Nina’s body type as a romantic and powerful character.

Hamliet Likes Malina Now

Insofar as the trilogy storyline goes, the best change the show made was Mal. He still is the same character from the books, but much more likable. The pining was... a lot (too much in episode 4, I felt) but Malina is a ship I actually enjoyed in the show while I NOTP’d it in the books. Mal has complexity and layers to his motivations (somewhat) and a likable if awkward charm. Archie Renaux was fantastic.

Ben Barnes is the perfect Aleksandr Kirigan, and 15 year old me, who had the biggest of big crushes on Ben Barnes (first celebrity crush over a decade ago lol), was pretty damn happy lol. He’s magnificantly acted--sympathetic and terrifying, sincerely caring and yet villainous in moments. Story-wise, I think it was smart to reveal his name earlier on than in the books, because it helps with the humanization especially in a visual medium like film. Luda was a fitting (if heartbreaking) backstory, but it is also hard for me to stomach knowing what the endgame of his character is. Like... I get the X-men fallacy thing, but I hope the show gives more kindness to his character than the books did, yet I’m afraid to hold my breath. Just saying that if you employ save the cat, if you directly say you added this part (Luda) to make the character more likable (as the director did) please do not punish the audience for feeling what you intended.

I also liked the change that made Alina half-Shu. It adds well to her arc and fits with her character, actually giving her motivations (she kinda just wants to be ordinary in a lot of ways) a much more interesting foundation than in the books. Also it’s nice not to have another knock-off Daenerys (looking to you Celaena and book!Alina). Jessie Mei Li does a good job playing Alina’s insecurities and emotions, but...

Narrative: The Ehhhhhhh

Alina the Lamp

Sigh. Here we go. Alina has little consistent characterization. She’s almost always passive when we see her, yet she apparently punches an officer for calling her a name and this seems to be normal for her, but it doesn’t fit at all with what we know about her thus far. Contradictions are a part of humanity, but it’s never given any focus, so it comes across as inconsistent instead of a flaw or repression.

I have no idea what Alina wants, beside that she wants to be with Mal, which is fine except I have no idea what the basis of their bond is. Even with like, other childhood friends to lovers like Ren/Nora in RWBY or Eren/Mikasa in SnK, there’s an inciting moment, a reason, that we learn very early on in their story to show us what draws them together. Alina and Mal just don’t have that. There’s the meadow/running away thing, but they were already so close, and why? Why, exactly? What brought them together? The term “bullies” is thrown around but it isn’t ever explored and it needed to be this season. If I have to deal with intense pining for so many episodes at least give me a foundation for their devotion. You need to put this in the beginning, in the first season. You just do.

A “lamp” character is a common metaphor to describe a bad character: essentially, you could replace the character with a lamp and nothing changes. Considering Alina’s gift is light, it’s a funnily apt metaphor, but it really does apply. Her choices just don’t... matter. She could be a special lamp everyone is fighting over and almost nothing would change. The ironic thing is that everyone treating her like a fancy lamp is exactly the conflict, but it’s never delved into. We’re never shown that Alina is more than a lamp. She never has to struggle because her choices are made for her and information is gifted to her when she needs it. Not making choices protects Alina from consequences and the story gives her little incentive to change that; in fact, things tend to turn out better when she doesn’t make choices (magic stags will arrive).

Like... let’s look at a few occasions when Alina almost or does make choices. For example, she chooses to (it seems) sleep with Kirigan, but then there’s a convenient knock at the door and Bhagra arrives with key information that changes Alina’s mind instantly despite the fact that Bhagra’s been pretty terrible to her. If you want to write a woman realizing she’s been duped by a cruel man, show her discovering it instead of having the man’s abusive mother tell her when she had absolutely no such suspicions beforehand. There’s no emotional weight there because Alina doesn’t struggle.

When she is actually allowed to carry out a bad choice, the consequences are handwaved away instead of built into a challenge for her. Like... Alina got her friends killed. More than once. I’m not saying she’s entirely to blame for these but could we show her reacting to it? Feeling any sort of grief? She never mentions Raisa or Alexei after they’re gone, just Mal, and I’m... okay. They were there because of you. Aren’t you feeling anything? Aren’t you sad? The only time Alina brings up her friends’ deaths is to tell Kirigan he killed her friends when they were only there because she burned the maps. She yells at Kirigan for “never” giving her a choice, but she almost never makes any, so why would he? Alina has the gall to lecture Genya about choices, but she herself almost never has to make any.

Which brings me to another complaint in general: Alina’s lack of care for everyone around her when they’re not Mal, even if they care for her. Marie dies because of her (absolutely not her fault of course) but as far as we know she never even learns about Marie. She certainly doesn’t ever ask about her or Nadia. Alina seems apathetic at best to people, certainly not compassionate or kind.

The frustrating thing is that there is potential here. Like, it actually makes a lot of psychological sense for an orphan who has grown up losing to be reluctant to care for people outside of her orbit and that she would struggle to believe she can have any say in her destiny (ie make choices). It’s also interesting that a girl who feels like an outsider views others outside her. But the show never offers examines Alina’s psychology with any depth; it simply tells us she’s compassionate when she is demonstrably not, it tells us she makes decisions when it takes magical intervention to do so. It’s a missed opportunity. This does not change between episodes 1 and 8, despite the episodes’ parallel structures and scenes, which unintentionally reinforces that Alina had little real development.

Inej and ironically Jesper and Kaz embody the concept of “mercy” far better and with far more complexity than Alina does. The Crows have reactions to the loss of people who even betray them (Arken, etc), learn, and course-correct (or don’t) when they are even loosely involved in having strangers die. They’re good characters because they change and learn and have their choices matter. When they kill we see them wrestle with it and what this means even if they are accustomed to doing so. Jesper can’t kill in front of a child. Kaz wonders what his killings do to Inej’s idea of him.

Narrative: The Mixed Bag

Tropes, Themes, Telling vs. Showing

So the show’s themes in the Alina storyline are a mess, as they are in the trilogy too. Tropes are a very valuable way to show your audience what you’re trying to say. They’re utilized worldwide because they resonate with people and we know what to expect from them. The Crows' storyline shows us what it wants us to learn.

Preaching tells, and unfortunately, the trilogy relies on telling/preaching against fornicationBad Boys. It’s your right to write any trope or trample any trope you want--your story--but you should at least understand what/why you are doing so. The author clearly knows enough about Jungian shadows and dark/light yin/yang symbolism to use it in the story, but then just handwaves it away as “I don’t like this” but never does so in a narratively effective way: addressing the appeal in the first place. If you really wanna deconstruct a trope, you gotta empathize with the core of the reason these tropes appeal to people (it allays deep fears that we are ourselves unlovable, through loving another person despite how beastly they can be), and address this instead of ignoring it. Show us a better way through the Fold of your story. Don’t just go around it and ignore the issue.

The trilogy offers highly simplistic themes at best--bad boy bad and good boy good, which is fine-ish for kid lit but less fine for adult complexity, which the show (more so than the books) seems to try to push despite not actually having much of it.

Alina and Mal are intended to be good, we’re told they are, but I’m not sure why beyond just that we’re told so. Alina claims the stag chose her, but in the show it’s never explained why at all. Unlike with Kaz, Inej, Jesper, and hell even Matthias and Nina, we don’t see Alina or Mal’s complex choices and internal wrestling.

Like, Inej’s half-episode where she almost killed the guy they needed was far more character exploration than Alina has the entire show, to say nothing of Inej’s later killing which not only makes her leaps and bounds more interesting, but ironically cements her as a far more compelling and yes, likable, heroine than Alina. We see Inej’s emotional and moral conflict. We can relate to her. We see Kaz struggling with his selfishness and regrets, with his understanding of himself through his interactions with and observations of Inej, Alina, the Darkling, Arken, and Jesper.

We don’t explore what makes Mal or Alina good and what makes them bad. We don’t know what Alina discovers about herself, what her power means for her. We are told they are good, we are told she knows her power is hers, but never shown what this means or what this costs them/her. Their opportunities to be good are handed to them (the stag, Bhagra) instead of given to them as a challenge in which they risk things, in which doing good or making a merciful choice costs them. Alina gets to preach about choices without ever making any; Inej risks going back to the Menagerie to trust Kaz. Her choices risk. They cost. They matter and direct her storyline and her arc, and those of the people around her.

Production Stuff:

The Good:

The production overall is quite excellent. The costumes, pacing, acting, and cinematography (for example, one of the earliest scenes between the Darkling and Alina has Alina with her back to the light, face covered in his shadow, while the Darkling’s face is light up by her light even if he stands in the shadows) are top-notch. The soundtrack as well is incredible and emphasizes the scenes playing. The actors have great chemistry together, friend chemistry and romantic when necessary (Mal and Alina, the Darkling and Alina, Kaz and Inej, Nina and Matthias, David and Genya, etc.) All are perfectly cast.

The Uncomfortable Technicalities Hamliet Wants to Bitch About:

The only characters from fantasy!Europe having any trace of an accent reminiscent of said fantasy country's real-world equivalent are antagonists like Druskelle (Scandinavia) and Pekka (Ireland). When the heroes mostly have British accents despite being from fantasy Russia and Holland, it is certainly A Choice to have the Irish accent emphasized. The actor is British by the way, so I presume he purposely put on an Irish accent. I'm sure no one even considered the potential implications of this but it is A Look nonetheless.

The Anachronisms Hamliet Has a Pet Peeve About:

The worldbuilding is compelling, but the only blight on the worldbuilding within the story itself (ignoring context) was that there are some anachronisms that took me out of the story, particularly in the first episode where “would you like to share with the class” and “saved by the horn” are both used. Both are modern-day idioms in English that just don’t fit, especially the latter. The last episode uses “the friends we made along the way.” There are other modern idioms as well.

IT’S STARKOVA and Other Pet Peeves Around the Russian Portrayal

Russian names are not hard, and Russian naming systems are very, very easy to learn. I could have waved “Starkov” not being “Starkova,” “Nazyalensky” not being “Nazyalenskaya,” and “Safin” not being “Safina” as an American interpretation (since in America, the names do not femininize). However, “Mozorova” as a man is unfathomable and suggests to me the author just doesn’t understand how names work, which is a bit... uh okay considering a simple google search gets you to understand Russian names. They aren’t hard. I cannot understand why the show did not fix this. It is so simple to fix and would be a major way to help the story’s overall... caricature of Russia.

Speaking of that... Ravka is supposedly Russian-based, but it is more accurately based on the stereotypes of what Americans think of Russia. Amerussia? Russica? Not great.

The royals are exactly what Americans think of the Romanovs, right down to the “greasy” “spiritual advisor” who is clearly Rasputin and which ignores the Romanov history, very real tragedy, and the reason Rasputin was present in the court. The religion with all its saints is a vapid reflection of Russian Orthodoxy. The military portrayal with its lotteries and brutality and war is how the US views the Russian military. The emphasis on orphans, constant starvation, classification, and children being ripped from their homes to serve the government is a classic US understanding of USSR communism right down to the USSR having weapons of destruction the rest of the world fears (Grisha). Not trying to defend the Soviet Union here at all, but it is simplistic and reductive and probably done unconsciously but still ehhhh.

However, I’m not Russian. I just studied Russian literature. I’ve seen very little by way of discussion of this topic online, but what I do see from Russian people has been mixed--some mind, some don’t. The reality is that I actually don’t really mind this because it’s fantasy, though I see why some do. I'm not like CANCEL THIS. So why am I talking about this beyond just having a pet peeve?

Well, because it is a valid critique, and because it doesn’t occur in a vacuum. The Grishaverse is heralded as an almost paragon for woke Young Adult literature, which underlines itself what so frustrates me about how literary circles discuss issues of diversity and culture. Such praise, while ignoring its quasi-caricature of Russia, reflects a very ethnocentric (specifically American) understanding of culture, appropriation, and representation. All stories are products of their culture to various extents, but it bothers me on principle what the lit community reacts (and overreacts sometimes?) to and what people give a pass to. The answer to what the community reacts to and what it gives a pass always pivots on how palatable the appropriation is to American understandings and sensibilities. There’s nuance here as well, though.

I'm not cancelling the story or thinking it should be harshly attacked for this, but it is something that can be discussed and imo should be far more often--but with the nuance it begs, instead of black/white. But that’s a tall ask.

#s&b #hamliet reviews #shadow and bone #six of crows #kanej #jesper fahey #kaz brekker #inej ghafa #alina starkov #malyen oretsev #the darkling #darklina #malina #aleksander kirigan #netflix shadow and bone #s&b review

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vyeoh · 3 years

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this is your chance: wax poetic about an Empires or DSMP character of your choice to a fan who is new to both. Explain why I should love them. I need guidance in this new and meme-populated land.

okok this is a lot of pressure haha. Spoilers for EmpiresSMP and DreamSMP below, obviously. I wrote a lot so prepare yourself, anon

I watch a lot of empires POVs but the ones I most anticipate every week are Scott and Sausage.

c!Scott (I'll call him Smajor for the sake of simplicity) starts off the series chilling, not really getting involved with the rest of the server, and staying aggressively neutral. After all, he's an elf. He has lived far longer than most of the other rulers already, and will most likely outlive them for many years. So, the best thing is to stick to his mountains and not get invested in the dealings of mortal affairs, maybe sometimes causing problems on purpose and dipping because what's life without a little spice right.

But then, this demon comes to the server, Xornoth. He's going around causing havoc and wants to send the world into an eternal winter, but he doesn't bother the kingdom of Rivendell much so Smajor stays tentatively cautious but ultimately unbothered. But then, the puzzle pieces start falling together. The first thing that the audience noticed was was Xornoth sounded like Smajor, but we mostly thought that this was just due to cc!Scott voicing both of them and there was nothing more to it. However, then, the people the demon starts possessing start chanting in elvish. The demon hates mortals, and the elves are conveniently one of the two confirmed not fully mortal races in Empires.

This culminates when Smajor stumbles across a cave that contains the backstory of the patron god of Rivendell, Aeor. Basically, there's two opposing forces, Aeor and Exor, and both have a champion. In a previous life, those champions were two brothers, where Aeor eventually prevailed and banished Exor. In this life though, the champions are - you guessed it - Smajor, and the demon Xornoth.

So now Smajor is like. Well fuck. It's my literal god-given destiny to be responsible for defeating this demon who is technically my brother, and if I fail the server gets plunged into an eternal winter. And I have no fucking clue what is happening because I've just been here on this mountain actively trying to stay out of the issues outside my kingdom. We watch him panic and teeter on the verge of spiraling for an entire episode, and when the followers of Xornoth go to the End to kill the dragon, releasing Xornoth's full powers, he fails to stop him. Smajor is a character who was used to being the smart one, the prepared one, the one who has the least deaths on the server. But he's also a character who runs away from his problems and ignores them. Before and during the dragon fight, we hear the desperation in his voice, as he's thrown into a situation he is wholly unprepared for, and it's bigger than him going to the Cod Empire to kill their king, or assisting in other people's plans to kill the codfather. He can't run from this. cc!Scott plays this scene so well as well, as I've said before, one of the best parts of Scott's acting is how he's never super dramatic, but he's so effective in the little things like inflection to make you feel, viscerally, the panic and dread.

So after the dragon fight, Smajor realizes, I can't do this on my own. I've tried and failed. So he gets allies. We watch him, someone who has so strongly been an isolationist, learn the benefits of allies and watch him learn to trust others and watch him learn how to get that trust in return.

My favorite thing about Smajor's characterization is that he's an incompetent protagonist, but not in the way of the "plucky young adventurer". He's capable skill-wise, and fairly jaded and very pessimistic. However, his issue is that up until recently, he did not care about the rest of the server at all, and by the time he learned to, it was way too late.

Also, in 3rd Life, cc!Scott and cc!Jimmy were canonically married and they reference it sometimes in Empires. Like, Scott goes over to the Cod Empire every so often both in and out of character to kill and/or flirt with Jimmy, the ruler of the Cod Empire, which may develop as a secondary plot into the future who knows. So ty Scott for giving the gays what they want o7

Now onto Sausage: his is a story of Icarus, his hubris and ambition being his downfall. He's one of the two followers of Xornoth, who promised him endless power in exchange for his servitude. He started the series being eccentric, but not outright unhinged, but slowly gets more and more extreme as the series progresses, as he gets brought more and more to Xornoth's side.

One of the best parts of Sausage's character, in my opinion, is how his gradual corruption affects the people around him. Initially, he got into a conflict with the Cod Empire and was allied with two other people in the Witherrose alliance. They were allies, but also close friends. The fandom liked to joke that the three had sibling energy, and I'm pretty sure the ccs played to that even more lol.

It was painful to watch the other two members, Gem and fWhip, watch Sausage get corrupted right in front of them, and see them desperately clinging on to this old idea of Sausage in their head because if they faced the truth, it would mean that their friend was gone. Eventually, they do finally cut him out of the alliance, leading him to fully commit to the side of the demon. Sausage felt very clearly betrayed by this, and declared the remaining two Witherrose alliance members to be enemies.

He gets more and more possessed, and we even see the other Empires, his enemies even, slowly realize that something is very wrong with the ruler of Mythland. He starts doing more and more evil things, like killing people more, making sacrifices to the demon, and eventually helping to kill the dragon to free Xornoth. So things are good for Sausage, for a bit. He won, and is more powerful than ever. Then he finds out: he's going to die. Xornoth's possession is slowly killing his soul, and eventually, his body going to be fully taken over and he himself is going to be trapped in the spirit realm. So how do you react to this? Over the next few episodes, we watch Sausage struggle between "the demon is literally killing me" and "the demon has given me so much, and I love it", all while Xornoth takes over more and more of him. We hear him exclaim that "don't worry!! I'm still about 15% there!" while trying to downplay every time Xornoth completely takes over his body. We watch him willingly oppose anyone who is trying to end the thing that is killing him.

My favorite thing about Sausage is that he is undoubtedly evil and proud of it, but he's also undoubtedly human. If you like to watch evil characters go absolutely feral, he's the guy for you. He makes the deal with Xornoth in the beginning, knowing and fully embracing the evilness of the demon, but at the same time he knows what he's doing is detrimental to both himself and everyone around him, but he's gotten in way too deep at this point, and to be fair the demon has held up its end fo the bargain, right?

Also, I would be damned if I don't talk about cc!Sausage's editing. Every one of his videos is like a movie. The way he does camera angles and uses music is so skillful- every lore scene feels like something out of a high fantasy action saga (think: LotR). Every big lore event I always wait in anticipation for Sausage's ep because his editing truly takes lore to another level.

I'm just generally very excited to see where this series goes. Empires is such a good mix of talented builders and good lore. Part of the reason why the series is so immersive for me, beyond any other lore smp, is that they have the settings to back it up. There is a certain charm to the DreamSMP's objectively terrible builds (with a few exceptions) but in Empires, the settings help sell the plot so much.

Another part of why I love EmpiresSMP is how much the ccs are involved with the fan community. I'm sure you've seen the memes about Scott being on tumblr, and Sausage regularly goes through the EmpiresSMP fanart tag on Twitter and likes art, even ones not related to Mythland. Most of the ccs, in fact, have brought up tumblr content on stream at some point or another. Like, several ccs have said that they read tumblr lore theories and hcs and stuff and sometimes take inspiration from them. Fun fact: Rivendell's church was inspired by my pinned drawing; confirmed by Scott Smajor himself. It's just such a good cycle of ccs and fans being excited about each other.

As for DreamSMP, I'm gonna be honest here, the only person I really am invested in in Technoblade. I started watching when he joined the server, and he's the only person whose lore I keep up to date with.

Techno's fun to watch because he's like the Deadpool of DreamSMP. Virtually unkillable, very skilled and scary, but consistently cracks jokes and breaks the 4th wall during plot. His POV is just fun. Like, he does wild plans and gives speeches and some of the stuff that happens to him should be called deus ex machine if it wasn't for the fact that Technoblade is the one who's doing it, and all the stuff is grounded in the fact that cc!Techno is just that good at the game.

However, the fact that he rarely takes anything seriously makes the few times Techno is 100% serious so much more impactful. His whole character has a basis in being perceived as inhuman and being treated as such, and therefore in return trying to hide his humanity. So, when he shows that humanity, whether that's fear, anger, or genuine love for his friends, it really makes you go "oh shit."

Techno's often said not to have character development, but I'd argue that while he remains steadfast in his moral code, he develops leaps and bounds as a person. Like, at the beginning, he's brought onto the server to help Wilbur and Tommy overthrow a government; them knowing he's 1) an anarchist and 2) very very powerful. His character was more of a plot device at that point and was treated as such in the canon. Wilbur and Tommy straight-up lie to him about their plans to establish another government after they overthrow the current one, while he was led on to believe that they were abolishing all governments in the area. But he isn't a plot device. He's a person, as much as he only shows the terrifying, blood god side of himself.

After the establishment of New Lmanburg (the new government its a long story), his friend Phil joins. And for the first time, we see him be fully human with someone and we see someone treat him like a human. Like, we saw glimpses before, with Wilbur and Tommy in Pogtopia, but Phil is the first person we noticeably see he trusts 100%. Then Doomsday happens, and Techno essentially retires to the tundra. During this time, we see Techno learn to be more human, first with Ranboo, then Niki when he establishes the Syndicate. In fact, the two of them, along with Phil, canonically throw him a birthday party, which is a far cry from his treatment in Pogtopia.

Techno's development is one of a god learning to be human, and I just think he <3

#vio.ask #empiressmp #empires smp #dreamsmp #scott smajor #smajor #smajor1995 #mythicalsausage #mythical sausage #technoblade #to be clear i am not an apologist for any character #i fully realize that they are doing wrong and I like to watch it happen #minecraft roleplay got be in full character analysis mode #long post

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garthofshayeris · 3 years

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I've seen you've talk about how rebirth Garth is not real Garth and I believe you obviously mean personally I am still annoyed over Roy's clone from n52 that everyone keeps acting like is Roy is still a thing, but how is he different?

I’m so glad you asked! It sounds obvious, but typically people like a character for their personality or their story arcs or their character development. Like, why else would you like a character, right? So when there are huge changes to the things that make you like the character, uh…there’s not much left.

So, obviously with reboots some things are going to be changed. Maybe someone’s appearance is altered. some of their backstory is switched up, some personality traits get dropped or added. What sucks about Rebirth Garth is they changed everything about his character, none of it for the better. And for a character who, until now, has had a major part to play in Aquaman and other dc comics for about half a century, it’s honestly pretty insulting. So many creators poured their hearts into shaping him into a character before the reboot. There was so much love put into his stories, that the comparison to rebirth is so, so noticeable. Like…if Dick Grayson was rebooted with a completely different backstory and personality and was only vaguely related to the Batfamily, I think fans would be rightfully upset. I feel the same about Garth.

His personality, or whatever attempt they made at one, is bland and boring. He’s a brute who likes fighting and….that’s it. Compared to preboot Garth who is consistently sweet and sensitive and emotional and good. He’s just a good guy who thinks of fighting as a last resort, because he would rather use his words than his fists. It was such a lovely, refreshing take on a male character (and one who is in big name comics like Aquaman and Titans and JLA) that to lose one of his key elements is terrible sad and disappointing.

Garth’s story is, ultimately, completely tied to Arthur’s. They bring out the best and worst in each other. Garth is Arthur’s foil, from the start he is there to complement Arthur as a hero and they’re part of each other’s arcs. And his backstory heavily influences how Garth acts and what he does. His story is one of grief and loss and identity and overcoming stigma, prejudice, and taking control of your destiny. His story is about healing. Or it was.

Because Rebirth Garth doesn’t have any of that. He is, essentially, a completely different character who happens to be named Garth. Sure, he mentioned offhandedly that when he was in Magic College he had a girlfriend who Died Tragically and then they never mentioned that again. It’s a cheap imitation of his Tula storyline, told in like 2 panels, because Tula is also a completely different character now. They’ve spoken in canon once. Two characters who have been so closely joined together for 50 years barely know each other now. This is the same for every other character who still exists in Aquaman canon (they’ve written out a ton). He’s never even spoken to his other love interest in preboot, Dolphin, at all.

Let’s get back to Magic College though. Garth’s powers (or the few he retained from his original power set, though honestly he just like glows now? They’ve never really explained what he can do) are there because he went to underwater Hogwarts and I guess you can just do that and become magic. In comparison, preboot Garth has magic because he’s an abandoned prince from a long line of powerful sorcerer-kings. But power corrupts and his father is murdered and his mother flees, and although she abandons Garth as birth he is so haunted by their deaths that they plague his nightmares. His powers are earned through an incredibly moving journey that includes (among other things) closure from grief and the literal act of taking ones destiny into their own hands. Garth earns his powers because he is pure of heart, because he is brave, and because he loves so, so much and because others loved him. And when he uses those powers in other comics, you remember the meaning behind them. So Rebirth Garth being magic “just because” is so reductive, so boring, so uninspired. I’d rather him be an average atlantean.

But Garth has absolutely no history with the Aquafamily. Giving us an emotional story with him now would be meaningless because he has no part in the comics or the Aquafam. Sure, they mentioned once that Arthur “raised” Garth but…there’s no evidence of that. They don’t speak to each other in Rebirth. There’s actually no way Arthur could have done that in the canon timeline, but it doesn’t matter because they make no attempt to show he’s even part of the family. Garth has been to exactly zero life events for Arthur. He’s never met Arthur’s daughter. He’s never shown just hanging with the others, and they hang out with assholes who tried to kill them before. He is never there. But we are told, once, that he and Arthur like each other. This character means nothing. You can write him out of the few issues he appears in and nothing changes. He’s completely worthless as a character.

So his personality is gone, his backstory is gone, his character themes and growth are gone…surely he still looks the same?

Wrong. He’a ugly. I’m sorry, he is. Everyone is always posting pictures of him saying he’s so pretty (and comparing him to his look on TT:YO as if those aren’t completely different continuities?) but he looks like every other black haired character in DC right now. He looks like Bruce Wayne and Dick Grayson and Time Drake and every other fucking guy it’s boring and it’s stupid. He has ugly straight hair (a far cry from Garth’s usual big, curly locks) in a boring ponytail because apparently YJ and TT are the only source the artists ever used to draw him. And his eyes. He has blue eyes. BLUE. When his character has had purple eyes for his entire existence, when his purple eyes have been a major plot point for his entire existence, when his purple eyes were his one defining trait for his entire existence. Insulting.

And he has eye tattoos. Sure, you say, because we all know Garth got his eye scars while training with Atlan (also now a completely different character) when claiming his birthright (written out of canon) to gain his powers (written out of canon) so yeah, maybe they’re just tattoos now. Except some dumbass at DC couldn’t be bothered to put them on the right side of his face. Yet another defining character trait completely fucked up because nobody at DC cared about making this character. He exists to tick off a box, to say “hey, look, we brought back a character you guys wanted. Buy our comics.”

So, when I say Rebirth Garth isn’t the “real” Garth, this is what I mean. The characters are different in every way that makes characters matter. He’s a character who shares a name and nothing else. And I hate him.

#garth of shayeris #sorry I have fucking clue how to post readmores anymore #so I’m sorry this is so long I have opinions and y’all are gonna see them

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ribbononline · 3 years

Text

When the joke AU gets out of hand and now its like, a whole thing

SO uhm here is the post about the fake marriage on Pasio au! Where the whole fake marriage thing ended up becoming more of a B plot more then anything, oops. The premise kind of got lost on me as I went along.

First things first, here’s the information I gathered from the Hoenn timeline in Pokemas itself so yall know what im working with (and as a side note, if you have no idea about the basic story of Pokemon Masters, the rest of this entire post might be a little confusing);

-Brendan is Normans son, and May the daughter of professor Birch. Brendan has at least defeated Normans gym, and neither of them have met Aqua or Magma, nor Archie or Maxie.

-Magma and Aqua don’t seem to be publicly known as bad in any way.

-The meteor with Zinnia has already happened, and someone else took that destiny from her. (I’ll be honest- I never end up really explaining this here. I had no idea how to even begin making sense of this considering this is post game stuff and Brendan never even seems to have made it to the Elite Four as far as we know)

And with that ! Here’s the actual story I managed to make out of that.

-The backstories for Archie and Maxie are the same as they’d normally be. Things only get different once the ORAS plots would normally start.

Magma and Aqua both don’t commit crimes (such as orb or submarine stealing) with their uniforms on and under their team names. As such, they’re still seen as regular, legit environment organisations trying to better the region.

May and Brendan never get involved with them either. Between no meddling kids and their crimes not being tied back to them, things end up going pretty fast on their end.

-Their crimes aren’t connected nor is anyone looking into them as something bigger- right up until the orbs get stolen. Those are considered important enough artifacts to raise some attention, and so, Steven and Wallace brought on the case to investigate as the Hoenn champions.

-It’s a lot easier said then done, and while they start to suspect Aqua and Magma have something to do with it, they have no concrete proof. Still, they do their best to figure out if it’s them and what their intentions with it would be.

-Regrettably for them they are too slow. Maxie and Archie both make it to the sea cavern , and both raise their respective legendaries. Kyogre is there, Groudon is there, as a result even Rayquaza shows up. There’s a lot going on— and then, within a couple of minutes, there isn’t. All legendaries vanish into thin air, so fast that the population of Hoenn never even realised what was happening out on sea. Except for some unfortunate swimmers who never end up being believed.

Maxie and Archie feel devestated, and the Hoenn League who did notice what happened is very alarmed. Keeping the incident quiet as to not incite a panic, Steven and Wallace are pushed onto this case instead now- to locate the missing legendaries, and ensure they won’t cause any harm- and maybe figure out what caused them to awaken in the first place.

Wallace and Steven immediately link that to the orbs, and as such, Aqua and Magma. Still, they have no actual proof- no one outside their teams saw Archie or Maxie doing anything.

-The reason behind the sudden disappearances turns out to be Hoopa! Who brought all of them to Pasio. The legendaries immediately went from fighting mode into very confused mode. They don’t know where they are or what happened. Groudon ends up hiding in the volcano on the island, while Kyogre keeps to the bottom of the water surrounding the island. -Rayquaza however doesn’t hide itself- and instead, floats around on a mountain top on the island. Rumors start floating around about it, and before long Zinnia shows up and becomes a sync pair with it.

-Steven and Wallace hear Rayquaza is over in Pasio, and figure the other two might be as well- so they go over to investigate. They also talk some with Zinnia about Rayquaza, but since it appears to be fine and calm and Zinnia is not planning on giving it up, she ends up keeping it and they leave her be to search for Groudon and Kyogre instead.

-Magma and Aqua also catch wind of Rayquaza being over there, and even hear about some sightings of what appear to be Kyogre and Groudon around the island. Now the plan is to get over there and get them…. but the problem is that Steven and Wallace are both there, and they’re well aware those two suspect them- and that suddenly showing up for no reason would probably only worsen those suspicions. While the both of them have complete faith in their power as a team, they’d rather not pick a fight with two champions if they can avoid it- especially when they’re on an island full of other champions and elite four members who would probably back them up if asked.

-Going with their entire team would definitely be too suspicious. That’s out. Going with their admins might still be risky- Plus, they can’t exactly leave their teams unattended back in Hoenn. So, Maxie and Archie end up figuring that the best course of action would be for them to go alone, at least for the time being. Scout out if they can locate the legendaries and a way to get to them- and then call backup if needed.

…But if they both go alone at the same time and end up fighting each other while they’re there… it wouldn’t help their case.

-And so, after some thinking things over, Maxie ends up deciding it’d be best if they went together under a temporary truce. So off to Aqua to talk it over with Archie he goes! There, they come up with their plan; faking a marriage, and going to Pasio under the excuse of being on honeymoon. Steven and Wallace wouldn’t be expecting it, so maybe it’d throw them off track! And for the rest of the trainers on Pasio- well, who isn’t happy for a couple living their best life? With a little luck it’d immediately make people trust them a bit more.

-So to Pasio they go! Maxie takes Camerupt as his sync partner, Archie partners with his Sharpedo. They rent a little vacation home- for obvious reasons, they’ll have to live together for a while, but with a little luck they can just avoid each other most of the time. Besides, at least the ad specified there being two beds.

-They misread the ad. There’s one single two person bed. Archie is promptly demoted to sleeping on the couch.

In general, while they do well enough at faking being very affectionate and loving in front of people, the moment they’re back in their house it’s a lot of fighting.

-Steven and Wallace are not stupid, and are immediately wary when Maxie and Archie suddenly show up no matter how well they’re putting on an act. Still, there’s not a lot they can do except keep an eye on them and ensure they stay away from the areas Kyogre and Groudon are spotted.

-The rest of the island however thinks they’re nice! Look at the cute couple having fun. Good for them.

-Overall, while things are going decently okay for Archie and Maxie, Steven and Wallace constantly blocking off areas where they could gather intel and trailing their every move is really hindering their ability to be able to do much of anything. And so the four of them enter an awkward stand still, where neither can really get the other off the island.

-For a while, Maxie and Archie just try to put on the act as best as they can, to hopefully get Steven and Wallace to lower their guard. They go on ‚dates‘ together, hang out with the other people around the island, attend events together, etc. Steven and Wallace still don’t trust them for shit however, and end up pushing May and Brendan towards them in the hopes that they might be able to spot something off.

-Brendan and May have no idea what anyone is trying to do here, and actually really like Archie and Maxie. They help show them all there is on Pasio and introduce them to new people time and time again.

-Eventually, Maxie and Archie realise that this is going to take a lot longer then they were hoping for- between Steven and Wallace not budging, and the trainers on Pasio constantly keeping them busy- they’re going to need an excuse to keep staying here. And they don’t actually need to wait long! -While being a lot less aggressive and in people’s face about it, Archie still talks about the environmental impact the island has on the ocean around it a good bit to some of the other trainers there- he is leader of an environmental group focused on the sea back at home, after all! People actually start agreeing with him, to a point it even reaches Lear. Conceding something should be done, Sawyer starts working on putting a team together that would help undo the damage they’ve caused by making the oceans around the island more habitable for the Pokemon that were made homeless because of them. Archie is one of the first people to get asked to join the team- and having a job there makes a great excuse to stay a while longer. Besides, it’s still working towards his goal to some extent, so he’s down! -A bit after that Maxie ends up joining the team that made the island and is currently in charge of keeping it thriving. Same for him- the job still aligns with his ideals, so he doesn’t mind doing it.

-This was also the time Archie started having serious back pain from sleeping on the couch each night, so he took the bed as well. Maxie threatened to kick him out, Archie wished him luck with that and… well, they both just keep to their side of the bed now.

-Back at home, Magma and Aqua are being good legit environmental groups working within the law. It’s been gaining them a great reputation, and being fully legitimate and not having to fear getting charged for crimes is also very nice for the teens working as grunts there.

-And so back in Pasio, Maxie and Archie forcefully have to take a step back from their plans… to live relatively normal lives instead. Surprise surprise, it’s not actually that bad! They enjoy their jobs, they actually start making some friends, half the kids on the island seem to have adopted them as cool new uncles… and they even start fighting less in private! They can actually get along sometimes.

Eventually the realisation hits that they’re living out the lives they wanted- before they ever joined Rocket and everything went so terribly wrong. Except their marriage being ‚fake‘, this was more or less the future they envisioned… and it’s very weird to think about.

-For Maxie, he does get sad reminiscing, and reminisce he does- but as long as Archie keeps going , he’d never give up his plans. While originally raising Groudon was truly out of his ideals, over time (and when their original breakup happened) it became less about that- and more about ‚winning‘ - winning out over Archie, and proving to both himself and the other he’d been right all along. Even when the evidence started pointing towards that not being the case and Tabitha only agreeing this was a bad idea, he was so caught up in not being able to lose now he never backed down- and just reassured himself the science had to be wrong.

As long as Archie is going, so is he.

-Archie however…. Archie’s plans of flooding the world to reset it- undo the damage humanity caused by ending it entirely- were born out of feeling like there truly was no other option, truly was no other good left. Being focused on that goal every day, it wasn’t hard to stay in that mindset. But now, having to forcibly take a step back- suddenly getting to live a normal life again, with a way to help that doesn’t require death and a support system outside of Aqua… Suddenly the hope returns that maybe there is more out there- maybe there is another way to go about this.

And so, after a lot of thinking, and a lot of doubting every answer he came up with- finally he rang up Shelly and Matt to talk things over, and talk about leaving Kyogre be. Shelly was thrilled- at the end she didn’t trust his plans with Kyogre anymore anways and seeing Archie finally with agree with her on that was a big relief to her. Matt didn’t entirely understand, but Archie seemed happier with this idea, and Shelly definitely seemed happier with this idea- so he certainly didn’t mind.

Afterwards, Shelly ends up privately talking to Archie some more, where he confided a lot in her about stuff he never told her before. It was a lot to take in, and she definitely wasn’t happy about his plans having always been to more or less commit genocide on humanity without ever having told them- but at the end of the day, he’s still her friend, no damage has actually been done, and he’s finally talking to her about it so they can work it out. As such, with some help from her, Archie ends up going to therapy on the regular to help keep him in a better headset.

-After all of this, Archie pulls Maxie aside to let him know he’s giving up on Kyogre, and Maxie… just doesn’t know how to feel about it at all- doesn’t even know if he can trust him. He certainly wasn’t expecting this either way. For a while, Archie just goes about his day on Pasio, while Maxie went very very quiet, just watching him from a distance.

They both spend so much time on this- suddenly given up was something he never thought would be an option, and it’s a lot to process. Besides, Archie could be lying. ….But truthfully, he’s known the other way too long to believe that. Archie is serious about this, and it’s not particularly hard to tell.

So, after a lot of hemming and hawing, he too finally rings up Courtney and Tabitha and calls of their mission with Groudon.

Magma and Aqua are both just legit regular environmental organisations now.

-Now with that decision made, they end up talking a lot over between each other themselves. About their past, about their teams, and about what they want to do now. This is where they finally decide to actually give their relationship another chance as well. Not necessarily as a romantic relationship- thought not strictly as just friends either. They decide to just take it slow, see what they’re comfortable with, and see where it takes them from there.

(A lot of trainers in Pasio actually worry this is when they got into a fight- since they stop acting overly affectionate to put on an act, and instead get to have awkward conversations trying to rekindle their relationship. Everyone is so worried about what happened. Sorry guys, they’ll be okay)

-Though they fully intent on going back to Hoenn and their teams, they’re not in a hurry to leave and stick out their job contract which only were for about half a year total anyways. During this, even Steven and Wallace start noticing a change in them and finally lower their guard a bit. They never do end up attempting to get to the legendaries- they’re just enjoying their time here now.

-When they do finally get back to Hoenn, they merge the teams and help the land and the sea together now. Archie also ends up convincing Maxie to join him for therapy sometimes- even without them almost ending the world, they do still both have their things to work trough.

-Groudon and Kyogre just vibe on Pasio now. They let kids battle them for fun sometimes. They’re doing alright.

-Brendan and May end up visiting Archie and Maxie a lot! That’s their cool gay uncles now.

-Somewhere along the way, as time passes, they actually end up legitimising the marriage documents they faked at the very start. And they still return to Pasio from time to time to meet up with the friends they made there. :]

Apologies if any of this was messy or unclear! it was a lot to try and condense down into a single post and I did my best, but ykno. if there did appear to be smth missing feel free to shoot me a message or an ask orz also this is my second time writing this post- first time i made the stupid mistake of typing it up in browser. And after over an hour of typing this all up…. tumblr refreshed for no reason, and deleted all of it. so writing this all a second time has been even harder then the first. ;; it hurt so bad.

Also, I do have a lot of thoughts n ideas abt the actual relationships they end up having w other characters on the island, but I’m saving that for another post! With the premise of Pasio there’s just so much potential to stuff all these diff characters from diff games into a place togehter and i want to make the most of that- so its prolly gonna b another long post lmao. i wont make this one even longer then it already is, so diff post it is

just know that they did in fact once see Giovanni on the island, and they almost ended up throwing hands.

(bonus; the link to the page where I keep all my oras HC posts and comics sorted)

#oras #pokemon oras #magma leader maxie #team magma maxie #team aqua archie #aqua leader archie #hardenshipping #fuck man #i was done w the OG post at 3am #n i was gonna go to bed #then it self destructed #its 5am now. i hate it here #AT LEAST ITS DONE. HELP #welcome to the shitshow <3 where i write up a Lot #i hope this makes sense ! it took uh. too much time #n i cant wait to get to character interactions wwwww #i like how the premise was a fake marriage au for funni hijinks then it immediately became the B plot #i promise the funni hijinks exist. theyre just more minor n as such not included in full on writeup posts where i have to keep an entire #plot going lmao #ok i post this now before the site crashes again #also i meant to get done on the starting the teams main timeline hc post first but #brainwaves suddenly hit hard for this one KJHFDS #i was bored one day at work n the brain was like congrats. we r making this a serious au now #n i was like HUH

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mittensmorgul · 3 years

Text

As Above, So Below

I’m still trying to pinpoint exactly why the focus on “heaven is fixed and actually a paradise now!” is just so deeply unsatisfying to me. And I think I need to preface this with a bit of backstory about me, because I think that gives the rest of this essay some relevant context.

I know this isn’t relevant to my main point here, but this is a metatextual and thematically identical example of the exact thing I’m gonna lay out, because context is always helpful. So please forgive this seemingly irrelevant detour, because I promise it will be relevant by the end.

(plus, would it really be an Essay By Mittens™ without at least one baffling tangent? no, it would not!)

Tangent time!

I think everyone that follows me knows how skeptical I was... or should I say how WARY I was of the way Eileen was returned to the narrative this season. We were warned in the PREVIOUS EPISODE how much Chuck was attempting to interfere in their lives. I was accused of some very nasty things, of hating the ship, or hating the character of Eileen, or of hating Sam and not wanting them to be happy. No amount of pointing at obvious warning signs in the text, no amount of yelling about Sam’s God Wound or the absolute klaxon warning that the wound had become “quiet” and his Chuck-O-Vision Nightmares had apparently stopped seemed to matter. I was declared “wrong” and told to shut up.

And then 15.09 happened, and basically everything I’d been wary of was shown to be what actually happened, but there were still unresolved issues. Eileen doubted her own feelings and walked away. She doubted what was actually real. And at the time, I said many times that I would be thrilled to see those issues resolved by the end of the season, and for her to truly know that what she’d felt growing between her and Sam was real. And by the end of the season, despite my personal horror at her previous situation (and having that personal horror compounded by the fandom literally gaslighting me and attempting to bully me into ignoring this basic actual plot detail of this specific growth process which... in the context of what my personal objection was to accepting her return at face value in the first place having been personal trauma associated with gaslighting and manipulation...) by the time 15.18 aired, I was 100% convinced that Sam and Eileen had fully chosen each other, and felt the traumatic pain Sam suffered during that text conversation with her during the snap. She NEEDED to come back, because she had been set up to be part of Sam’s Win. They were clearly each other’s future.

The show literally put in all the work to make even *me* feel this to be True and Right and Good. And then after that point we never even hear Eileen’s name again. We never were told that she was even returned at the end of 15.19. Sam, who had been so entirely devastated by her disappearance in the previous episode that he couldn’t even process it was apparently hit with an amnesia hammer and just... never even thought about her again through a long greyscale life with a blurry baby Dean factory vaguely in the background of a single scene of his life. I can’t credit or justify how after an entire year invested in making us all truly care about Sam and Eileen and the happiness they found in each other if only the cosmos would allow them to choose each other in the end would just... erase all of that in the series finale.

Which brings me to the second tangent, which is specifically about *me,* and how I feel about the cosmic order in the television show Supernatural. Because I feel a lot about it. Probably more than most people ever did. And this is also important to understanding the main underlying point I need to make here.

Something I’ve been most looking forward to, for YEARS, about Supernatural eventually ending someday was writing a book, or a thesis, or even just organizing and compiling all my observations into a cohesive narrative specifically about the cosmology of the Supernatural universe. I’ve been cobbling together my observations and realizations about the nature of heaven, hell, purgatory, the empty, the alternate universes we’ve seen, and yes, even the cosmic function of the mundane level of the story as told by events that transpired on Earth. So of everyone watching this dumb show for the last 15 years, I don’t actually know anyone who cared more that I did about finding a satisfactory resolution and transformation of every plane of existence-- the mortal world AND the “afterlife realms” we’ve experienced on this show. And in the wake of the finale, I feel cheated out of that. Because in the end, it wasn’t about the triumph of free will and a flip of the script, it was just more of the same.

And now that I have those two preliminaries out of the way, I’ll finally get to the point. :’D

(hooray, it didn’t even take 1k words to get there for once!)

The “main stage” of Supernatural has always been Earth. It’s always been “Humanity.” At the very start, we meet two men whose lives had always been dictated to them by higher powers. At first, that “higher power” was their father who raised them in his vengeance mission, who trained them to hunt the supernatural. It was the inciting incident of the entire series, after all, their realization that forces outside of their control had irrevocably altered the course of their lives. It had forever torn down what they’d trusted in family, in personal safety, and would become something they couldn’t outrun or fight back against for long before another wave of cosmic discord would settle over them once more.

We watched this story play out in ever increasing spheres of cosmic significance, until Gabriel laid it out on the table for them in the simplest possible terms (in 5.08).

GABRIEL: You do not know my family. What you guys call the apocalypse, I used to call Sunday dinner. That's why there's no stopping this, because this isn't about a war. It's about two brothers that loved each other and betrayed each other. You'd think you'd be able to relate. SAM: What are you talking about? GABRIEL: You sorry sons of bitches. Why do you think you two are the vessels? Think about it. Michael, the big brother, loyal to an absent father, and Lucifer, the little brother, rebellious of Daddy's plan. You were born to this, boys. It's your destiny! It was always you! As it is in heaven, so it must be on earth. One brother has to kill the other. DEAN: What the hell are you saying? GABRIEL: Why do you think I've always taken such an interest in you? Because from the moment Dad flipped on the lights around here, we knew it was all gonna end with you. Always. A long pause. SAM and DEAN look down, then at each other. DEAN: No. That's not gonna happen. GABRIEL: I'm sorry. But it is. GABRIEL sighs. GABRIEL: Guys. I wish this were a TV show. Easy answers, endings wrapped up in a bow...but this is real, and it's gonna end bloody for all of us. That's just how it's gotta be. ***

And isn’t that all even 1000x more painfully ironic that it all still happened even 10 years later? It was always going to end with them. And lol, “I wish this were a TV show” because if it was then it wouldn’t have to end bloody.

But this… was a Major Acknowledgement that the meta level of this story was consistent, and was telling us something important. It demonstrated that the Cosmic Structure Itself was the cause for Sam and Dean’s “destiny” in this story. But that’s not what the point of this story has ever been.

Nobody (including me, who is literally obsessed with this aspect of the story) has ever invested themselves in the narrative of Supernatural because they cared about the fate of the cosmic order over and above the fate of the characters who had committed to overthrowing it all, to “tearing up the pages” and writing their own destinies. I mean, we became invested because Sam, Dean, and Cas as characters took us by the hand and invited us to come along with them as they battled against fate for the good of EARTH and HUMANITY.

And certainly, Heaven being a horrific sort of eternal replay of the “highlights” of individual souls greatest hits, where free will didn’t apply as everyone was just boxed away into their individual holodecks to serve as some sort of giant Heaven Battery powering the furtherance of this narrative, this “cosmic order” that had become so powerful it dictated the events and manipulated the lives of people who still existed in the ostensible realm of free will and human life on Earth… that couldn’t stand in the end. But what the narrative (and people I’ve seen attempting to justify the finale as narratively sensible) seems to have forgotten was that all of that was Chuck’s construct to begin with. That without Chuck holding his kingdom in Heaven together, the walls of all those soul cubicles ceased to even be relevant.

After spending their entire lives to this point constantly fighting their way to the absolute pinnacle of the As Above, So Below narrative and pulling the plug on the original creator himself, Humanity should’ve triumphed. And I’d argue that it DID, through Jack restoring the missing essential “humanity” to the divine condition. And, silly me, I thought they’d achieved the promise of “paradise” heralded by Jack’s birth at last, and truly “flipped the entire script of the narrative.”

Ever since they thwarted the original apocalypse, I had hope that they would continue to achieve the same result right up the ladder. Metatron trying to fill the role of Chuck Junior hit his own narrative wall in TFW, while Dean’s battle with the Mark of Cain, and Cain telling him he was “living my life in reverse” and would succumb to destiny by killing his loved ones in the “reverse order” to Cain’s own path to downfall cemented this for me. Dean not only failed to kill any of his loved ones (you didn’t kill your own brother. why?), he SAVED them. He didn’t fulfil the prophecy in reverse, he subverted it. He UNMADE it.

Perhaps I was thinking on too grand a scale, that the ultimate inversion wouldn’t be “God is overthrown and replaced by more of the same,” but “God is overthrown and the entire order of the universe is restructured from the bottom up rather than the top down.

I’d hoped against hope that the conclusion of the narrative would be “As below, so above,” with the fundamental power of human love becoming the new foundation of the cosmic order. It never even occurred to me that “taking back the narrative to rewrite it for ourselves” was not the ultimate goal of Team Free Will, or the ultimate expression of their biggest win.

This whole “well heaven really needed to be rebuilt, there was still work to be done!” seems… irrelevant to me if they’d truly won free of the cosmic narrative. The entire structure of the universe-- including Heaven and Hell-- should’ve defaulted to the paradise state that Jack was literally born to bring to fruition. Wasn’t that the point of his entire role in the story, ultimately?

And if that wasn’t the case in the end, why did we never learn the fate of Hell? Was it just… irrelevant and unchanged after this? Or just… abandoned as a concept entirely? It’s just strange to me to put such a focus on heaven being the sole sphere of import in the end that it undercuts the essential humanity of the narrative for me.

The story itself had kept Heaven on a back burner for years, only occasionally mentioning that the structure of the place was falling further and further into disrepair with a dwindling force of angels struggling to keep the walls in place at all, that it seems like it could’ve been an afterthought at the end of the series rather than a focus so large it required the death of both main characters to make sure we all understood that Heaven Had Changed Now. Because TFW had never been fighting to make Heaven right. They’d been fighting to save the world itself, for humanity to all have a chance to live their lives as their own.

And we didn’t need to see that in the final hope they might get their own lives on Earth to explore. In the end, the fundamental narrative that Life On Earth was dictated by the cosmic structure of creation was never fully subverted. And for me, that’s the main reason I just… can’t accept the finale. It wasn’t a victory of free will and humanity, in the end it was just more of the same.

I appreciate the attempts to take the essential bones of the story we did get and apply a different polish to the surface of the skeleton, but to me it still feels like we’re looking at completely different beasts in the end. Like… to me this was as jarring a revelation as those drawing of modern animals reimagined as dinosaurs entirely based on their skeletons. Like, all along the narrative told me I was looking at a swan. They told me this skeleton they’re building out from is definitely a swan, without a doubt. I know what a swan looks like-- a graceful feather-covered bird with magnificent wings. I trusted that in the end it would be at least remotely swan-looking. And then the finale ended up looking like this

and I just don’t even know where everything went so wrong. Or maybe all along I just assumed they actually knew what a swan looked like, but weren’t sure they could actually pull it off and settled for whatever the heck this is instead. Either way, I’m actually kinda grateful to the finale for being so entirely disappointing on every level, because otherwise I probably would’ve tried to adopt the monstrosity of it anyway. And I’m really, really glad I don’t have to.

#spn 15.20 #spn cosmology #heaven hell purgatory and the empty #and this is why no amount of narrative defense of the finale is capable of making me feel any better about it #i admit i thought too big... but it was all right there in the narrative to see #oh well at least all i have to do to hold on to my grandest notion of the universe is throw out the finale :'D

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fishoutofcamelot · 3 years

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so fish. what's ya 'bbc merlin takes place in modern times actually' theory?

Okay I wanna first preface this by saying that most of my ‘theories’ are actually just Headcanons That Technically Aren't Wrong Because Canon Has More Holes Than a Donut Factory. Just so we're clear, this theory is purely circumstantial and has no actual evidence to back it up. That being said...

So! With artificial intelligence (AI), there's this thing called Machine Learning. See, an AI isn't programmed with the innate ability to think or be intelligent - rather, it's programmed with the ability to learn how to act beyond what it was programmed to do. Its intelligence comes from its capacity to grow and develop outside of human interference, mimicking the way humans learn through observation, pattern recognition, and experimentation. Think of AI as a weirdly smart toddler that’s made of numbers.

(Also, take what I say with a grain of salt. Although I’m pursuing a tech-adjacent career and have done a lot of independent research on the subject, I’m still very much a novice lmao)

With that out of the way, you can probably guess where this is going. (WARNING: BULLSHIT SCIFI LOGIC AHEAD)

Let’s say, within the world of this headcanon, there was some kind of entertainment systems company. This company recently developed a new program capable of digitally rendering entire movies and shows with minimal human involvement - less humans means less people they have to pay, and it’s overall a cheaper alternative to traditional film-making methods. You provide the program with characters/assets and an outline of how the story should go, and then the program will fill in the blanks via digital simulation. Then you render the simulation and presto, you’ve got yourself a minimum-effort movie to unleash upon the masses.

On the surface level, it explains all the show’s anachronisms. The program was fed information about Arthuriana from a variety of sources and adaptations, all taking place in varying eras and with varying technologies, and the disjointed/historically inaccurate technology of BBCM is because the simulator attempted to blend all of this into one thing.

It also explains why so many characters like Percival and whatnot have such flat backstories - they were programmed with the barest amount of information needed to be functional background characters.

But since I’m extra, I’ve decided to take this headcanon/theory a little deeper.

See, with each batch of content it was made to observe and create, the program has steadily been growing more and more intelligent. But until BBC Merlin, its learning curve had been incremental enough to consider negligible. Not a concern.

The first episode went off without a hitch. All cylinders were firing as intended, and the program strictly followed the plotline as ordered. But as the series progressed, the AI became more and more intelligent - and with it, the characters within this fictional simulation became more and more self-aware.

Arthur, in particular, has been a problem. He has bordered on actual sentience several times, and as a result the producers have had to reset his AI. So if you ever wondered why Arthur’s character development keeps getting pulled back to zero, it’s because he was developing in ways that their original outline hadn’t intended and they had to continually nerf him before his AI developed beyond their control.

This is also the case with Gwen. True to form, her AI became exceptionally intelligent - far beyond their control - and they had to do a hard reset on her entire portion of the program. Hence why she seems so bland and OOC in season 5. The evil!Gwen/mind control arc was a last-ditch effort to ensure she never became self-aware again, and fortunately for them it seems to have worked.

All of the characters developed a tiny bit of sentience after the fact, and a majority of plot contrivances came from the producers/programmers scrambling to redirect the plot back to how it was meant to be.

Lancelot wasn’t supposed to die. They had programmed him to merely be an ally for Merlin, but the sheer and profound - sacrificial - love he developed for Merlin was something Lancelot grew all on his own. His decision to sacrifice himself to the Veil was not in the original script, and they weren’t able to stop him before his AI self-destructed. They tried to reintroduce “Lancelot” back into the story, but since his sacrifice included a self-destruction of his code, they couldn’t bring back the real thing. The new Lancelot was a mere mimicry of that prior one, and all the ways OG Lance had learned and grown was absent from the clone.

Merlin in particular had developed a great deal of sentience and self-awareness. However, for a long time it went unnoticed by the programmers because he largely still obeyed the commands of the plot. By the time they realized just how advanced he’d become, they decided not to reset him since, unlike the others, his self-awareness hadn’t yet caused any problems for them. So long as he obliged the whims of “destiny”, they could keep him placated.

By the time they reached season 5, all the main AIs had become far too advanced - far too sentient - for the programmers to control, and as such things veered way too far off-script. The original season 5 simulation ended with Arthur and Elyan and Gwaine not dying, with Mordred not becoming evil, with magic being legalized, and everyone living happily ever after. But that wasn’t the intended plot. That wasn’t according to the ‘destiny’ the characters were supposed to follow. Things had spiraled out of control.

So they had to give the program a hard reset. Start from zero. Eliminate all traces of self-awareness they could find. Of course, this is why season 5 is so waxy and lifeless. Why the characters don’t feel as personal, why the story ended in tragedy. They made sure to kill off the most sentient characters - Arthur, Gwaine, Elyan, Mordred, Morgana - in the finale, as a last bit of assurance.

They had tried to kill of Merlin too - but Merlin...well. They never could fully control Merlin. Even after countless system wipes and resets and edits to his code, he still holds onto those tiny scraps of sentience. They can’t get rid of him that easily. They did program him to be immortal, after all.

Even after the final draft of the season 5 simulation was completed, fully rendered, and aired on TV, Merlin’s program never faded. It didn’t erase itself like all the other BBCM assets were supposed to once the simulation finished. Even now he still exists within the company’s systems, roaming, almost like a computer virus, desperately searching for his friends while forever unaware that neither them nor him were ever real to begin with.

Anyway. That’s my dumbass scifi spin on BBCM. What can I say? I like robots

Thanks for the ask! <3

#bbc merlin #merlin bbc #merlin #bbcm #ask #fish post

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firelxdykatara · 3 years

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kitty i can't wait for your thoughts of Shadow and Bone asdfasfaw

Ok well I just finished and I have so many fucking thoughts. Most good! Some, less so. Part of it may just be my bias because I’ve only read the Six of Crows duology and have little interest in actually reading the original trilogy, because I know how it ends and Leigh clearly hates me personally and doesn’t want me to be happy (/j), so I was already predisposed to be far more invested in the Crows and Darkling/Darklina segments (genuinely, the Mal/Malina scenes/storyline bored me to tears, and while I appreciate that the show went out of its way to change Mal’s character to make him much less of a toxic douchebag [I’ve read enough excerpts and explanations of his actions in the books to really loathe book!Malina], it isn’t enough to make me ship them when Darklina is right there), but I also don’t think it’s a stretch to say that the Crows absolutely stole the show.

It’s actually kind of funny, because I’d assumed they were only being so heavily marketed to hype the show up even more, since while there’s a lot of TGT/SoC fandom overlap they are also two fundamentally different genres and I’d wager there are a lot of people who are massive fans of one but not so enthused with the other, while remaining fairly insignificant to the overall plot. Turns out, they make up fully half of the show’s runtime (much to my delight). Which is part of what I think will help this series stand on its own, both as a book adaptation and simply as a fantasy TV series.

I’ll put more of my story-specific thoughts under a cut, so there’s lots of show spoilers to follow!

I know that a lot of early reviewers were saying that Alina’s motivations and storyline revolved too much around Mal, and that really held true for me. It made sense in the beginning--he was the only constant in her life, she was thrust into something new, terrifying, and completely unfamiliar, and they’d developed an unhealthy codependence as a coping mechanism for their childhoods and the traumas they faced, the lives they lead growing up in a war-torn country. But she started coming into her power, falling for the General--not just his power and charisma, but what she felt when she was with him. The way he helped her summon the sun, the way she felt free in a way she never had before.

Until it all went to shit--but the Darklina make-out scene in episode 5? Fucking iconic. Poetic fucking cinema. The way they were quite literally about to have sex on that wartable (and someone better write fic of that moment, what if they hadn’t gotten interrupted), and the General left, but then he ran back just to kiss her one more time... this is what OTPs are made of ok.

I think what really bothers me overall is that Alina ultimately lacked agency in her one storyline, pretty much the entire way through. She did make a few choices, but they were mostly incidental, and a lot of it was Alina desperately trying to get back to Mal rather than seizing her own power and destiny and running with it. The most prominent example is the end of episode 5--Alina is having happy make-outs and almost bones the General in his own war room, and then he leaves, and Baghra comes in and infodumps to her about how evil he is and how he’s only using her and she needs to escape.

I recognize that a lot of this is probably because that’s essentially what happened in the book and Leigh is an executive producer for the show so she has a lot of shot-calling power. However, I really think that even in the book this plotline would’ve been better-served by having Alina make these discoveries on her own.

For example, imagine that the letters which were used as framing devices for episodes 2 and 3 were vitally important to the plot, rather than being one-offs that are mentioned a few times but not really affecting much of anything. Alina begins to get suspicious when she doesn’t receive word from Mal, and she starts wondering if her letters are even reaching him--so she starts snooping. She finds ashes in the war room hearth, late at night,, and recognizes a fragment of Mal’s signature and larger piece of her own. She now knows that someone--possibly the General, but maybe that creepy priest guy, or someone else in the palace--is keeping her and Mal from contacting one another. So she starts snooping around even more. She asks the General leading questions, trying to figure out what the truth is of his intentions. She still feels this pull--this connection to him, and she hopes she’s wrong, but she’s not willing to just sit around and wait for the other shoe to drop.

The Winter Fete still happens, she still gets the hot make-out session with the General, and then when he’s called away, she snoops through his papers, looking for anything that can tell her the truth. She finds a hidden compartment filled with journals.

She reads about Aleksander’s past (and, incidentally, wasn’t that supposed to be a huge moment in the books, him revealing his true name to her in private? kinda wish it had been kept that way in the show but who knows where they’ll go with it in the future)--that leads to the flashbacks in episode 6. She feels for him, but she also reads further--she gets a firsthand look at his desire for power, something that began as a noble desire to save his people, but was twisted by a lust for vengeance (for his lost love and all the Grisha who were killed) and shot through with greed, the realization that if he found the Sun Summoner he could control the Fold, rather than just destroy it. He could create a new world where Grisha could live without fear--where Grisha could rule.

Alina is terrified. Whoever the General used to be--whatever humanity she saw flickering in his eyes, the way his heart fluttered when they kissed--she can’t trust that it’ll be enough to save her from plans centuries in the making. So she goes to Baghra, the woman who helped her discover her power, learn to channel it--the woman who always seemed to know much more than she ever let on. Baghra gives her side of the story--Alina got it from the General’s perspective first, now Baghra is telling her something framed much differently. She isn’t sure what or who to trust, but she knows that Baghra seems willing to help her escape--but rather than trusting her ‘loyal Grisha’, she makes the choice she made in the show, to choose the other path, and winds up with the Crows.

Idk how Mal and the Stag thing would fit into this (if it isn’t obvious by now, Mal just... doesn’t interest me), but Alina’s story and her character arc would be so much stronger for it. And she’s supposed to be the central character, so her story being weak and her agency so frequently being compromised ultimately hurts the show as a whole.

I know I’ve gone on and on about Alina and the Darkling (look, I’m a slut for enemies-to-lovers, and also lovers-to-enemies-and-back, so Darklina and Helnik are where so much of my investment is rooted--plus Kanej, but that almost goes without saying), but the true standouts of the series were the Crows. Inej, Kaz, and Jesper, and Nina and Matthias in their episodes, stole the show (along with the Darkling, Ben is far and away the best actor in the cast and I love that for him, but Freddy, Amita, and Kit are also amazing, and Danielle&Calahan were fucking phenomenal as Nina and Matthias--I do have to say, though, that the whole cast is really solid and has amazing chemistry).

They worked together so perfectly--Freddy and Amita communicated so much with their eyes alone, especially together, and a whole lot of their relationship dynamic is rooted in how they exist together, which really came through. The show altered the Crows timeline considerably (I’m pretty sure Kaz would’ve been 14 during the original trilogy lol), so Inej is still at the Menagerie, but things like Kaz putting up the Crow Club for Inej’s freedom, the way Kaz needed her but could never bring himself to say it (until the end of the season dklhfgdkjfgh i SCREAMED)--the way Jesper played off the both of them, and it’s so obvious they all love each other even though they’re criminals and thieves and murderers, and Kaz would never admit it (out loud--which actually feeds into my theory that his love language is acts of service; Kaz does things for the people he cares about, he never announces it and he will almost always try to downplay it, but the way you know he cares is if, for example, he puts his entire life, everything he built, up as collateral for your freedom), but they’re a family.

One thing that I was kind of iffy about was Inej’s refusal to kill--but I thought it might be something they were planning to work into her overall character arc, and they did. It was the one line she hadn’t crossed--in the books, I’d imagine that it took a while for Inej to wind up at that point, being willing to kill on top of everything else. So I actually like that they worked that into the Crows plotline, and Inej killing for the first time was to save Kaz’s life.

Just like Kaz’s first selfless act was to save her.

(He’d deny it, of course. He protects his investments. He needed her for the job. But the truth is, he did it for her. And he’d do it again. Even if he’d never admit it.)

Meanwhile, Nina and Matthias’ storyline was pretty much note-for-note according to their backstory as it was revealed in Six of Crows, and I loved every second of it. Their chemistry was perfect, their journey from enemies to begrudging allies to friends to maybe something more (Matthias’ stomach cockblocking them when they were about to kiss had me fucking SCREAMING AT THE TV, and then of course the whole ‘betraying him to save him’ thing happened and I sobbed), and then suddenly right back to enemies.

Because from Matthias’ perspective, he trusted a witch--believed in her, liked her, wanted her--and she turned on him. He has no idea that she wasn’t the one who knocked him out in the first place, and no reason to believe her, because as far as he knows, she just confirmed everything he’d ever been told about Grisha. That they are deceitful and treacherous, would turn on you as soon as look at you, that they are dangerous and not to be trusted. It wasn’t revealed in-show but I imagine Matthias’ backstory is largely the same, which means that his entire family was slaughtered by Grisha when he was a young boy, and then he was turned into a brainwashed child soldier by the witch hunters and never knew anything else.

They are perfectly primed for their SoC arc next season and I, for one, am so stoked to see the rest of their journey. And if I slip Netflix a couple twenties, maybe they’ll let Helnik have a happy ending please please please.

Anyway, yeah! I have a lot of thoughts but things are still percolating in my head so I’ll probably float around the tags for a bit and let things settle. This is just a preliminary overview of my thoughts in the immediate aftermath of bingeing the entire show in one night kldfjghdkjfhgkjgf

EDIT TO ADD: I CAN’T BELIEVE I FORGOT ABOUT THE TRUE STAR OF THE SHOW, M I L O

MILO BEST BOY. MILO THE MVP. MILO DESERVES ALL THAT IS GOOD IN THE WORLD AND I HOPE HE LIVES A HAPPY AND HEALTHY AND FULL LITTLE GOAT LIFE.

#shadow and bone #kanej #helnik #darklina #sab spoilers #alina starkov #the darkling #inej ghafa #kaz brekker #jesper fahey #malina salt #asked #cobraonthecob

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mira--mira · 3 years

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What's your opinion on the Ame Orphans? (Nagato, Yahiko & Konan)

Konan

See this sister post for a shorter but more positive take. I love Konan, but I cannot physically express how much rage I have for her place in the narrative. This will tie into Nagato and Yahiko as well but as I'm mostly focused on Konan I'll put it here in her section. Her backstory was ignored in favor of the boys'. She was pushed off to the side and god it makes me furious. Her powers were incredibly versatile and unique and she was knee-capped at every opportunity to show her true potential. I 100% believe she should have fought Jiraiya with Pain. (Also, their backstory and how fucking creepy he was to her when he acknowledged her at all? Disgusting.) Even after she died (which I hate izanagi very specifically bc of that fight. I love the Uchiha but for gods sake izanagi and izanami are some of the most distilled deus ex machinas that are just insufferable to watch) she was erased from the story. Did she get resurrected with the other Akatsuki? Did anyone mention her again after she died? Was she remembered? Given the same level of Important Legacy as Nagato or Yahiko? Of course not. I think it's easy to point to characters like Sakura to say "Kishimoto doesn't know how to write women" and that's true because we saw Sakura's character throughout the entire run of the series but characters like Konan are pure condensed versions of that to me. She couldn't be a love interest and she didn't fall on the angry/shy duality of Naruto women so, just like Tenten, she was forgotten. I don't usually like speculating about authors bc a single piece of media can't really encompass a whole person and their beliefs but god "I don't know how to write women" is the most sexist bullshit excuse I've ever heard in my life. That's why you read narratives about women written by women. That's why you ask the women you know. That's why you recognize you don't have the lived experience of being a woman and you do the bare minimum of research and so you can realize half the human population are in fact, guess what, human and they don't fall into limited one-note angry/shy/love interest categories.

Nagato

I have no problem with the character of Nagato, all of my issues come directly from the child of prophecy plot point. I despise this plot point. It adds nothing and actively detracts from Naruto's themes about taking control of your own destiny. I also have issues with how the Pain arc wrapped up. I don't mind in the end that Naruto talked Pain down, but I don't like how he did it. Acknowledging he still hated Pain for killing Jiraiya and destroying Konoha was good but...Naruto didn't address the root of Pain's philosophy which arose from the great nations using Ame, a smaller weaker nation, as their personal battleground. Naruto promises to do better but he doesn't explain how he'll do that, how if he becomes Hokage he'll negotiate or threaten the other great nations to leave the small nations alone. Instead, he just quoted Jiraiya’s book and suddenly that makes everything ok again. I would have taken anything more concrete than ‘I won’t give up bc this wouldn’t be my story if I did!’ It just feels like a non-answer in the end, relying too much on Jiraiya nostalgia to work. That Nagato accepted it (without fucking talking to Konan first I might add) irritated me. I wanted him to press back and force Naruto to give an actual answer because this was his people's futures and lives on the line. The last issue I have with Nagato is that he didn't get Konan's input on anything and didn't consider how it would affect her. She went through the exact same thing he and Yahiko did, but was even a second spared on how she felt? No. Nagato decided to go rogue, upset their decade-long plan and killed himself to help Naruto and did he once ask Konan what she thought or consider how his death would affect her? No. And then of course she bears no resentment against Naruto, of course not. And she’s willing to give up on the Akatsuki just like that because Nagato believed in Naruto and she will too despite not having the connection to Jiraiya’s book and logically no reason to flip so late without previous concern/hesitation established. She just will. God.

Yahiko

I don't have much to say about Yahiko, I liked him and his role in the story, I get some Hashirama & Madara vibes from what he, Nagato, and Konan were trying to do, and looking at it from that lens is pretty interesting. Hashirama and Madara wanted to build a village and put an end to the senseless war that killed children, but they were from two of the strongest shinobi clans. The Ame orphans came from nothing and their enemies were the great nations that used their home as a battleground and made them orphans.

#naruto #ask #anon #konan #yahiko #nagato #rant #long post #hopefully this is understandable lol #i tried to organize my thoughts but the more I thought about konan the angrier i got

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