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#i love them in all their different versions
emphistic · 3 days
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Greedy
A/N: requested by @charbunxxi — i did something a little different, lmk if you would rather me repost a more accurate version to your request
The first thing Sukuna thought about after getting off his shift was you. You were the only thing he thought of while working, too. And, on the drive home, he almost crashed his car due to the fact that you were the only thing on his mind.
Some might say he's obsessive. Some might say he's deranged. Some might say he's a man deserving of nothing.
But then there's you, who says he's just a man in love.
He's a man who makes you breakfast and coffee — the way you like it. He's a man who draws you baths and washes your hair. He's a man who carries your bags after having gone shopping — with his card, obviously. He's a man who arrives at the apartment and — even then, still looks for home. He's a man who looks for you.
However, this time — unlike all other times, after slipping off his footwear and coat, he is unable to find you.
Maybe you were taking a shower? No. Maybe you were watching TV in the living room? Nope. Maybe you were doing laundry? Not even close.
When Sukuna finally succeeded in his search for you in your shared bedroom, he facepalmed. "'m so fuckin' stupid," he grunts out, as he crawls into bed.
You had fallen asleep while trying — but failing — to stay up in order to greet Sukuna after he returned home from work; but, he had had a longer shift than usual, and forgot to tell you.
He didn't mean to wake you. After all, it's not his fault that your pet cat just had to let out the world's loudest meow, announcing his arrival.
"You've got to be kidding me," he whispered, glaring at the little nuisance laying in the bed, cuddled up in your loving arms. The loving arms where he should be, not some ugly, good-for-nothing feline.
"My bad, baby. Swear, didn't mean to wake you—" He goes in to place a kiss on your cheek, but you simultaneously swerve away from him.
"No," you softly whine, shoving your head into the pillow.
"The fuck you mean 'no'? You seriously gonna deprive me of my well deserved kiss? After working a twelve hour shift?"
"No kisses." You mumble, your voice muffled.
Sukuna blinked at you, once, twice, thrice, until he finally concluded that you weren't just fucking around with him, and you were actually denying him of something totally essential to his well-being.
How was he meant to go on without your kisses? How would he live, breathe, eat, sleep, without your affection?
He tried to remove you from the pillow, but you instantly shoved your face back. "Noo."
"Sweetheart, I love you, y'know that already. And I wouldn't force you to do anything against your will. But, you don't understand, baby. What you're doing is completely and utterly cruel. This is wrong, on so many levels." He tried, again, to peel your face away from the pillow. And he succeeded, this time. But this time, you had a nasty pout on your face.
"You wanna know what's cruel? The fact you haven't showered, and yet, still have the audacity to crawl into bed. I'll have you know, I just replaced the bedsheets, and now here you are — dirtying them up."
"Babe, please—" He started.
"You are stinking up the whole goddamn apartment, Sukuna."
"You don't gotta be this way. We can talk it out."
"Sukuna—"
"C'mon, pretty girl. Just one? For little ol' me?"
You grumbled, but complied, albeit begrudgingly. "Fine, only one. But you have to take a shower after—mmph!"
Sukuna grabbed your face in his hands and tackled you down onto the bed, smashing his lips against yours so zealously that even the cat jumped out of your arms and off the bed.
-
It, indeed, was not just one kiss. But, it wasn't a total loss. Sukuna did end up taking that shower. And he gave you a reason to, as well.
Taglist: @beyond-your-stars @sad-darksoul @mochimoee @r0ckst4rjk @lillycore @deepchromatose @yinyinyinyinyinyin @fivehoneyharg @desihopelessromantic @taiyakii @hannas16 @acroso @msvalsius @call-memissbrightside @kelerina-ballerina @emikokomura
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rosesdrop · 2 days
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Pick a pile
Who are they as a person?
(Pick from left to right)
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Pile 1:
The person you're inquiring about values honesty and straight-forwardness more than anything else; they're someone who likes to wear good clothes, put some perfume on, take care of their hygiene, and appear as their best version. They do care about how they look in other people's eyes. This person may have cat eyes. They like to analyse other people; they can be a bit judgy. They like to take other people's views and opinions into consideration. This person likes to end up with the best solution possible, so they're not actually quick on acting on things; they like to sit, contemplate, take different points into consideration, and then decide how to act. They're controversial in a way where they care about others outlook in a situation where they can become a sheep in the herd, and other times they listen only to their thoughts when deciding on something. This person believes in taking what is theirs and what is considered their right by every means possible. Air signs, capricorn.
 Pile 2:
This person is very artistic and creative; they have a genius about them; they're youthful in spirit, mostly joyous and lively; they're people who believe in friendships and like to form strong emotional bonds with other people. They're very sensitive, and they take criticism to heart. They care about other people, and they don't want their loved ones to be hurt. They mostly think of other people's feelings before doing something. I see that they're mostly introverted and secretive. Because of their emotional nature, they could worry about things that aren't always that grave. They sometimes have trouble discerning good from bad people; they could have gotten backstabbed several times before, so they started being more careful now about who they let into their circle. They're not very serious people; they like to explore and question everything. They like to be free. Although they're a bit introverted, they like to have company, they like to express the way they feel, they're good with words, and they like to show how they feel using body language as well. They get easily irritated; their emotions can get a hold on them sometimes. Pisces, Scorpio, and Sag.
 Pile 3:
This person likes to make deals and they're really good at what they do. This person is too involved in their senses and in things that are going on around them at their work, in their business, in whatever they do; they're skilled at it, but they're stuck with their all in there. If they don't get what they're aiming for, then they get really competitive and forceful. They're very competitive people; if they see something they like, they want it; they like the finer things in life; they want to reach their goals. They are generally complicated and layered people; their intentions are not easily known, and they're not open about themselves. They're generally not clear because of the competition around them and the battle going on inside them. Gemini, Leo, and fire signs. They are pretty aware of how cruel the world can get. 
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peachesofteal · 2 days
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I might be reaching or something but is the title of Cool Girl a Gone Girl reference or something?
Yes, it’s a direct reference to the cool girl monologue. I hear it in my head (in Rosamund Pike’s voice because I love her) all the time.
Men always say that as the defining compliment, don’t they? She’s a cool girl. Being the Cool Girl means I am a hot, brilliant, funny woman who adores football, poker, dirty jokes, and burping, who plays video games, drinks cheap beer, loves threesomes and anal sex, and jams hot dogs and hamburgers into her mouth like she’s hosting the world’s biggest culinary gang bang while somehow maintaining a size 2, because Cool Girls are above all hot. Hot and understanding. Cool Girls never get angry; they only smile in a chagrined, loving manner and let their men do whatever they want. Go ahead, shit on me, I don’t mind, I’m the Cool Girl.
Men actually think this girl exists. Maybe they’re fooled because so many women are willing to pretend to be this girl. For a long time Cool Girl offended me. I used to see men – friends, coworkers, strangers – giddy over these awful pretender women, and I’d want to sit these men down and calmly say: You are not dating a woman, you are dating a woman who has watched too many movies written by socially awkward men who’d like to believe that this kind of woman exists and might kiss them. I’d want to grab the poor guy by his lapels or messenger bag and say: The bitch doesn’t really love chili dogs that much – no one loves chili dogs that much! And the Cool Girls are even more pathetic: They’re not even pretending to be the woman they want to be, they’re pretending to be the woman a man wants them to be. Oh, and if you’re not a Cool Girl, I beg you not to believe that your man doesn’t want the Cool Girl. It may be a slightly different version – maybe he’s a vegetarian, so Cool Girl loves seitan and is great with dogs; or maybe he’s a hipster artist, so Cool Girl is a tattooed, bespectacled nerd who loves comics. There are variations to the window dressing, but believe me, he wants Cool Girl, who is basically the girl who likes every fucking thing he likes and doesn’t ever complain. (How do you know you’re not Cool Girl? Because he says things like: “I like strong women.” If he says that to you, he will at some point fuck someone else. Because “I like strong women” is code for “I hate strong women.”)
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TTPD Twin Storylines weaved together & double meanings throughout! ✌️👯‍♀️💕
Attention ALL Swifties (particularly Gaylors) and associates of the Tortured Poets department
PLEASE READ!! (and read with an open mind!!)🤍
Listening to the amazing TTPD on repeat this past week, I am certain that I have made an important discovery that I haven't seen talked about anywhere else yet and would like to get the coversation going, in hopes that Taylor will see that we are all finally listening to her! I'm still piecing everything together, as there is so much to unravel and am far from calling myself an expert on her exact timelines and dates, so am looking forward to hearing thoughts from others that are more knowledgable in her history.
I have been of the belief for a while now that Mastermind and Dear Reader were foretelling of her future, and also that the album title had a double meaning (evidenced by the lack of apostrophe in 'poets'). That the tortured poet would be departing. Note that I am also a believer that she has been closeted by those closest to her and is preparing to ruin her name and perceived reputation, give up the false public version of herself and come into her own true self. Everything as we know it will be destroyed and it is all playing out now, coming together as part of her plan.
Falling in line with all of the two's - the double album, the double meaning in the album name, the two sides of taylor etc, I have found that there are two intertwining stories told throughout her tracklist, AND that all songs also have a double meaning!! None of which are about the perceived muses of Travis, Matty or Joe. The 'evidence' for those relationships are all red herrings (for example 'putting narcotics into all of my songs' - but only in the songs with obvious reference to her beards), to make it seem ambiguous and open to interpretation of who the songs may be about, which is seen often throughout her discography. She uses an incredible amount of metaphors and we must look beyond those to decipher her lyrics - do not take anything at face level with Taylor. Most should realise that she is so much smarter than making obvious songs about whichever male muse she is 'dating' at the time. She has always played into that public view to cover her true self. Many songs have themes of secret and hidden love, which juxtaposes with the public 'relationships' she is seen as having.
She tells us in 'The Manuscript' that "lookin' backwards might be the only way to move forward". Therefore we must listen to TTPD in reverse, from track 31 (13 reversed!) to track 1. I believe The Manuscript also acts as a bookend for both of her stories and should be listened to as a closer after the last song of the story 'Fortnight' ends, to get a complete picture. Once we have listened to the album in reverse order, can we see so plainly that each song tells a different story of a period/situation/muse/love/heartbreak in her life - beginning at her parents meeting in The Manuscript, to current day. I think the songs may also actually have a sister song from the corresponding album/period in time, with similar sound, lyrics or theme that connects them. I believe that each song also has a double meaning and can be interpreted as messages to her fans about things that have happened to her over the years or that are about to happen, and she is trying to communicate her feelings of being trapped, which is honestly so heartbreaking. Many relate to her being caged and forced to hide her true self, in particular by one person closest to her - her father. It is devastating to listen to.
The really brilliant part I discovered next, is that The Anthology tracks also have another hidden storyline being told which intertwines and intersects in the exact right place to fit in with her life story. It includes all of the "THE" songs and is in reverse order from the parallel life story and vinyl variants order of issue (but chronological track list order).
The Tortured Poets Department
The Smallest Man Who Ever Lived
The Alchemy
The Black Dog
The Albatross
The Prophecy
The Bolter
The Manuscript
Rather than presenting my interpretation of the timeline and each story told in every song, I urge everyone to listen to both stories, in these exact orders, with an open mind as to what she could possibly be describing! My mind was completely blown when I figured this out!! Her mind is incredible, there is no other way to describe the album, other than a masterpiece! I feel so much for the pain she has gone through. This album explains her feelings and reasons for hiding her true self over the years for any fans that will inevitably be feeling upset and deceived. We all need to show compassion for everything Taylor has sacrificed and give her what she needs. She truly deserves love, honesty, happiness and peace. ✌️💜
I'm in the process of creating a document trying to piece all of the hidden connections together just to wrap my head around this amazing body of work, so may possibly link this when I have it completed, otherwise I will add it to this post for anyone that might be interested.
I have a couple of extra personal thoughts, theories and hopes for anyone still reading…
The manuscript of her life story may possibly be the manuscript for a future book/film.
I think one meaning of "Fortnight" is a foretelling message to the fans that havent been noticing any of her many hair pin drops - she has been trying to get the message across but they aren't listening. For the fans she loses when she comes out - she touched them with this album for only a fortnight, before she lost them. She loves the fans but staying in the closet is ruining her life. I think something big could be happening a fortnight after release? Friday 3rd May is International Sun Day. ☀️ Karlie Kloss was always 'sunshine' to Taylor. According to Karlie, their first meeting was at the 2011 Met Gala on May 2, however, there is a possibility that they could have met at the afterparty - after midnight, making the anniversary May 3! 2024 Met Gala is a few days later, could they both make an appearance? If nothing big occurs, perhaps some seeds of doubt will be planted on the 3rd? Or.. It could also be a surprise rep TV (with or without Karma and Debut - surprise triple drop?) with wlw vault tracks?! Who really knows.. I honestly have no idea, but whatever happens, I know Taylor has it all meticulously planned out and everything will happen when it is supposed to.
Taylor is chairman of the Tortured Poets department - the leader of the mass coming out we are about to see. As Chely Wright put - 'we need someone at the top' to come out and pave the way for others to do the same, and to stop the forced closeting in the celebrity world. I think Travis and the majority of her former beards are also queer and there will be many more 'tortured poets' that will join 'the department'.
Karma will be album 1 (TS12) in the 3,2,1 countdown, TS13 is 0 - the album in which she gets all of her full colour back, reclaims her glitter gel pens and finally can sing her truth proudly! She has destroyed her own name and reputation, burnt down the lover house and all her former selves.
Last of all, PLEASE BE KIND! If anyone has made it to the end of this and doesnt agree, I'd love for you to have a listen to the songs in the orders above before commenting. If not, lets just agree to disagree! We all have our own personal takes on Taylor's lyricism and I would never dream of being unkind to another just for having a difference of opinion. 🫶
For Taylor - if you somehow happen to see this - please know you are truly a mastermind, you are loved and we've got you!
🌈💛💛💛💛💛💛💛💛💛💛💛💛💛🌈
❤️ gerimegs
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angelbitezzz · 20 hours
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I did mention that the Dancetale pair were like one of the first to start dating and I thought it'd be really funny if the hypothetical universe meetup had the pair from classic Undertale before they got together because they took it so slow
Angel stared at the two in front of her, jaw almost touching the floor. Her face felt hot, eyes nearly popping out of her head. She didn't look at the skeleton next to her, knowing without even seeing that he'd gone as stiff as she had. After all, it wasn't every day you saw an alternate universe version of yourself kissing someone you consider a good friend.
Star parted from her Sans with a bright grin, finally looking over at the classic pair. Her expression morphs into confusion.
"What's up? You guys look like you've seen a ghost."
"I. Uh. I'm fine."
The other Sans opened his sockets and looks at her, those eye-lights just a little fuzzy. (Her Sans looks at her that way sometimes. She doesn't let herself think of why.) They sharpen almost immediately though, and she feels that all too familiar sensation of being CHECKed, a crawling up her spine and a silent awareness of her soul.
His gaze switches between her, her Sans, and then back to her. That all too familiar look passes over this stranger's face, that amused understanding like he'd figured out a puzzle of some kind. And she wonders if all of them share that expression.
"heh."
He turns his head and mutters something into Star's ear. Her doppelganger blinks owlishly at them before understanding dawns.
"...snrk—" She covers her mouth with a hand, but Angel saw that grin coming a mile away. She can't even bring herself to be mad about that, because she'd do the exact same thing in her shoes. "Sorry, sorry! I'm gonna go ahead and steal my boyfriend now. It was nice meeting you!"
Star drags her Sans away in the direction of two others, calling out like her goal was to embarrass Angel and Sans even further. "Can't wait! Gonna dance with the love of my life! The fire of my loins! Etcetera!"
...Would it be morally correct to choke your alternate self?
Angel shakes her head to clear the thought, mortification crawling up her back. She risks a look over at Sans.
He's usually so put together, features betraying nothing beyond a lazy grin and a curious stare. Now though, he's just as flushed as she is. One hand is over his mouth, covering the twitching teeth as he fights to keep his grin intact. It's about the closest thing to a frown from him that she's ever seen, the sight punching her slightly in the chest. All of a sudden, it's like she's been transported back into grade school, classmates laughing. Little jerks tapping her on the shoulder, saying "So and so likes you!" And the target always, vehemently, denying with a clear disgust.
Angel chokes down the poison and laughs, startling the skeleton. The sound is thin.
"That was, uh, something! Sorry about that."
"...eh. it's fine. different timelines, different people." What she perceives as disgust is wiped from his face as he pulls himself back together. "guess we're getting back to mingling?"
"Sure." There's a pit in her stomach. "Onward!"
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alllgator-blood · 2 days
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All of your bishops are so skrunkly and I love it. So! This is how I rank them.
S tier- Shamura(The amazingly chill little guy. I could go to them for therapy and feel better cuz I saw them no matter what they say), Leshy (Legit just worm on a string. Idk how to describe its just the energy), Heket(she feels like the chill wine aunt that also smokes weed), Kallamar (I just love him)
.
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Narinder tier- Narinder (I wanna punch him but also put him in my pocket. He's so low he gets his own tier. I hate him so much that I love his snarky ass)
SKRUNKLY IS SUCH A GOOD WORD, THANK YOU-- THIS IS SO FUNNY TO ME CAUSE THIS IS SO CLOSE TO BEING MY PERSONAL BISHOP TIER LIST, JUST IN GENERAL REGARDLESS OF HCS. The only difference is that leshy and heket are switched for me, but otherwise it's this same order. I don't dislike any of the bishops by any means, idk if there's a single character I outright dislike in this game (BESIDES MIDAS AND MAYBE SHRUMY) but I for sure have a slight hierarchy going on lmaooo. I appreciate you taking the time to rank my versions of the bishops, I love your analysis and love that narinder got his OWN tier KJDFHKJSD-- I wanna write more but I am so wore out from today that I'm not forming words that make sense???
HOWEVER. The phrase "heket feels like the chill wine aunt that also smokes weed" was for some reason really funny to me and I made this crusty ms paint jpeg image of her live laugh lighting a spliff because that's what weed smoking wine aunts do in my experience
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youcouldmakealife · 9 hours
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SOTM: Gabe/Stephen; largesse (pt I)
For the prompt: Gabe and Stephen being sappy at SOME point
Feat. everybody's favourite: Soft Stephen Petersen (but don't you dare call him that to his face)
I'm going ahead and posting this a day before the poll even closes, because it was winning by a landslide and also, well, Passover. This thing decided to grow legs, as so many prompts do. The second half will be posted next week.
Stephen loves holidays.
It takes a long time for Gabe to figure that out — he's talking literal decades — because Stephen’s actually pretty good at hiding it. Or maybe it isn’t that he’s good at hiding it so much as it’s exactly what someone would expect from him. Stephen exudes ‘too cool for holidays’ energy.
But then, to be fair, Stephen exudes a lot of things that aren’t true. Like how he pretends to hate hugs, but that’s only true in limited circumstances: he dislikes hugs from strangers and distant acquaintances, that’s true, but he liked hockey hugs, and hugs from his family, even though he always scoffed before he got them, just so they wouldn’t get the right idea, and a good hug is often enough to get him out of a bad mood. The thing Stephen hates most about hugs is how much he doesn’t hate them.
He’s like that with a few things: he spent years pretending he couldn’t stand math, even as he was getting straight As in it, helping Gabe out with his homework, but never without muttering how pointless math was. He still pretends to hate his sisters, and groans when Dmitry and Oksana come over, even when he explicitly asked Gabe to invite them, and constantly pretends he isn’t absolutely delighted to find a kindred soul in Jared. Gabe can see right through all of that. Always has. But Stephen’s apparent holiday hatred managed to fool even him.
That is, until Stephen accidentally shows his hand when Passover arrives. Stephen’s been doing something or another for it for years, packing Gabe little lunch boxes so he has options on the road, even including uncharacteristically sweet little notes during one playoff run.
Gabe always figured it was because Stephen knew it was hard to be across the country from his family, especially when Passover fell at the same time as their birthdays, or the last stressful days of the season, or the even more stressful start of the postseason — it’s never been great timing. And as much as Stephen would like to deny it, he’s always been thoughtful about those kinds of things. Always been kind.
But this year it's different. Gabe’s Passover planning usually just extends to hitting up the kosher section at the grocery store to stock up on non-leavened alternatives, maybe head to the deli he likes to get some inferior version of something his mom would make if he’s feeling particularly homesick.
Stephen’s putting a little more effort in. For one, he's decided to cook. Relatedly, he's spending half his time on the phone with Gabe’s mom, it feels like — recipes can’t take that long to convey, no matter how chatty Gabe’s mom is — and shooing Gabe out of the kitchen with his traditional Passover lunch box, even though he isn’t on the road this year, and, thank fuck, it’s still the regular season this time. It’s rough, having to abstain from all of his favourite ways to carboload just in time for the postseason.
And then there's Seder. The fact they're having one, but also the fact they've got a guest list: a few of Stephen's university friends, a Jewish colleague of his who also lives across the country from his family, and Jared and Bryce, Dmitry and Oksana.
He spends Gabe doesn’t even know how much time and energy getting it together, brushing off most of Gabe’s offers to help. Gabe’s exhausted just doing his minor part and low-key worrying about Dmitry or Jared saying something to set Stephen off.
Everyone's shockingly well behaved, though, to the point where Gabe wonders what Stephen threatened them with. Something horrible, he’s sure. At the end of the night, everyone parts with leftovers, which Gabe is a little wistful about — he knows they kept a little of everything but it’s his favourite, and Stephen did good job with it, if not a Miriam job — and Gabe starts clearing the table, because Stephen looks like he’s hit his limit.
The kitchen is such a disaster Gabe doesn’t even know where to start — he didn’t think they had this many dishes. He doesn’t even recognise all of them. Gabe has never been more grateful to have a dishwasher. He only wishes they had two. Or three, even. Three would be good.
“I think that went okay,” Stephen says as Gabe starts rinsing the dirtiest of the dishes.
“It went great,” Gabe says. “What’s the occasion, anyway?”
“Passover,” Stephen says.
“Steve,” Gabe says.
“Oh, well,” Stephen says. “It’s important to you.”
But he’s flustered, and not just flustered in the way he gets whenever he has to admit he’s done something nice for someone.
That doesn’t typically apply to Gabe anyway. Stephen claims that it’s inherently selfish to do nice things for Gabe, because they’re a partnership, and helping his partner helps him. Gabe figures whatever helps Stephen sleep at night after doing embarrassing things like offering Gabe the last piece of pizza — obviously not during Passover — or telling him he likes his playoff beard when they both know it’s mid at best.
Though, Stephen actually seemed pretty into it, last year, to the point where Gabe was starting to think he might have a bit of a thing for the beard. So maybe that was selfish after all.
Gabe, equally selfishly, hopes they make it even further this year, just to test that theory.
"Well," Gabe says. "Thank you," and notices Stephen looks relieved that he's letting it go. Even grateful.
So of course that's when Gabe starts paying attention.
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wonbin-truther · 11 hours
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casual jaemin x afab! reader - 6.6k words warnings- smut, jaemin can't commit for shit, some jeno x reader, jaemin calls the reader a slut, drinking and smoking, oral (m and f), fingering, pet names (princess, pretty girl, babe), overstimulation, unprotected sex
"not that loser again," chaewon groans as she watches you check your pinging phone for the millionth time. you rolled your eyes at her as karina scoffed, "girl, he's for the streets. please just block him and move on. you're hot. you can pull someone new easily." you gave them a sad smile as you packed up your things, "i have to go." you sped walked into the parking lot where jaemin was leaning against his car. when he spotted your figure he got into his car and started up the engine. you opened the passenger seat and threw your bag into the backseat. "hey jaem," you settled into the passenger seat of the car. you were quick to notice the bright pink acrylic nail on the door. you sank down into the seat as he gave you a kiss on the cheek and sped off towards his house.
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"isn't that the girl you always fuck on the dorm couch?" jeno asked jaemin. he turned around and followed his gaze to your figure across the room. you were pressed up against the wall with a man in front of you. he recognized the 'fuck me' eyes you were giving the man as he was all too close to your lips. jeno patted his arm, "man, if you're jealous maybe you need to ask her out. "no, it's just casual."
casual is the word that rung in your ears since the day you met jaemin at a party for his frat. he had just fucked you dumb as the party echoed downstairs. your legs were shaky as you tried to get yourself decent, but as you looked over at him, you saw him throwing his shirt on casually. his eyes locked on yours before he left the room, "no attachments. remember, this is just casual."
obviously, the two of you had different versions of causal. casual to you wasn't this fancy dinner with his parents. they sat across from you as you sat next to jaemin. "honey are you okay?" his mom asked. you smiled and nodded the best you could with jaemins index and middle finger dragging along your walls under the table. "i-im fine. can i just excuse myself to the bathroom?" you asked. they nodded, concern filling there eyes as you fixed your dress and quickly ran off. "son, go check on her," his dad waved off jaemin who happily stood up and left behind you. that's how you ended up bent over his sink as he moved in and out of you. your moans were muffled by his hand over your mouth as he pounded repeatedly into you. for a moment, you forgot there was nothing casual about being fucked against the bathroom counter as his parents sat out there completely unaware. the thoughts were quickly pushed out by your incoming orgasm. jaemin fucked you through your release and then came inside of you. he waited for you to fix yourself up before leaving the bathroom. you stared at the makeup running down your face and the strands of your hair that stood up. "it's just casual." you reminded yourself.
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you were cuddled up to jaemin's chest as he played with your hair. nothing had happened; he just called you over and pulled you into his arms. "you're pretty," he said, kissing the top of your head. you smiled and looked up at him, "so are you." "we make quite an attractive duo, don't we," he left a soft kiss on your lips. no matter how sweet the lingering taste of his chapstick was, it wouldn't overpower the bitterness you felt as he left kisses on your lips as if it were nothing. he always did it. he would kiss you with the passion of 100 men or leave sweet kisses on your lips as though he were in love with you. you hated the soft kisses more than anything. with every feather like peck, you imagined the white picket fence house and two kids but were soon pulled down to reality.
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you were at yet another frat party with chaewon and karina. you hated them so much, especially after meeting jaemin. the reason why stood about 6 feet in front of you with his tongue down another girl's throat. "i'm surprised you haven't gotten mono yet," chaewon handed you a red solo cup filled with some mystery liquid. "you need to move on already. he's a bum," karina groaned. "he's nice," you could feel the tears brimming in your eyes. "do not cry over that loser," chaewon grabbed you harshly by the shoulders. "what you need to do is get some non diseased dick and show him what he's missing by playing around." you nodded, downed whatever was in the drink, and made your way through the crowd, knowing exactly who your target was going to be.
naturally you had met jeno within the first couple of weeks fucking around with jaemin. you knew jeno was attracted to you but had some kind of bro code going on. you were quick to find him sitting on the couch, smoking a blunt. you sat in the empty spot next to him, making sure to get as close as possible. he adjusted so that his arm was around you, pulling you into his side. "you saw him, didn't you?" he pressed the roll to your lips and you happily took a hit. "yea. it's nothing serious between us, so it's whatever." "so that's why you came to press on me? because it's whatever," he let out a low chuckle. you put your head on his shoulder, already feeling the weed mix with the alcohol in your system. "if he can go around with other girls then I can be with other guys. it's only fair," you pressed a kiss to jeno's jawline. "careful princess," his hand moved down to grip your waist as you continued to leave open mouth kisses and marks around his neck. he swiftly pulled you into his lap, so you were straddling him. you took a quick glance up and locked eyes with jaemin who looked like he was about to kill jeno. you gave him a smirk before you got up from jeno's lap, taking him by the hand and pulling him upstairs.
jeno watched from his spot on the bed as you cried into your hands. "i just want him to want me like i want him." you were pacing back and forth around the room. "yn that's how he is. did no one warn you?" he replied. "they did and i'm a dumbass for fucking around with that loser, but..." you let out a scream that you hoped was drowned out by the music downstairs. "you're in love with him," jeno laughed. you threw yourself face down onto the bed next to him, "i hope his dick breaks." jeno let out a louder laugh. "i hope so too. being his roommate is rough. maybe if it broke, he wouldn't have a girl over every night." "you're so not helping right now." you got up and gave a light punch to his arm. "if it makes you feel better he's never been as consistent as he is with you." you rolled your eyes and said, "Yeah, that makes me feel so much better. a new girl every night makes me feel a million times better." "just tell him you like him. trust me, he doesn't even know it yet, but he likes you back," jeno stood up and stretched. "i'll tell him we fucked if it makes you feel better." you stood up and followed behind him, grabbing his hand, "yeah we can tell him that."
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contact with jaemin after that night had been minimal. "don't tell me you're stressing over that dumbass," karina sighed loudly. you were sitting beside her, jumping at every notification. "i'm not," you lied right through your teeth. "i saw you and jeno go upstairs at the party. why not get one over on him and start fucking his friend?" she stood up from her seat next to you. "maybe. good luck on the test," you pulled up jeno's contact and sent him a quick 'jaemin there?' text.
you paced back and forth in jeno's room. "is this going to become a reoccurring thing?" he asked. jeno was sitting at his desk shirtless for whatever reason and doing what looked like calculus homework. "no but why won't he text me?" you punched him repeatedly on the back. he spun around, grabbing your hands, "he's jealous, that's why." as jeno said that, the door swung open. "hey bro, have you seen my-" the clear voice of jaemin was cut off mid-sentence when he saw the two of you. he quickly walked out of the room as you freed yourself from jeno's grasp. "well now he really thinks we're together," jeno said. you stood there frozen for a moment before throwing yourself onto jenos bed, kicking and screaming into the sheets, "he hates me!" "he doesn't. he's just jealous. he probably hates me, though."
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you rummaged around in your drawer, looking for the white lacy bra you had taken a liking to. "what the fuck, where is it?" you mumbled to yourself as you took out everything from your drawer. you sat on the floor with your back against the dresser, thinking back to where it could possibly be. if you could see your complexation right now, your face would probably be drained of color. you pushed yourself off the floor and made your way to your bed. you sat on the soft white sheets as you shakily picked up your phone. you stared at jaemin's contact.
hey jaemin ik we havent talked in a while and you're probably not too happy with me but do you have that white bra i really like
as soon as you sent the text, you practically threw your phone to the other side of the room. it took 15 minutes for a notification ping to come from your phone.
i think so. come over
you couldn't fight the smile forming on your face as you got up, grabbed your bag, and rushed out of the house.
you knew the directions to jaemin's frat house better than you knew your way around your childhood home. you rang the doorbell and bounced on your heels as you waited for someone to answer the door. you were met with the face of mark lee. "dude it's been so long," he said as he pulled you in for a hug. you returned the hug with a huge smile on your face, "it really has." out of everyone in the frat, mark had always been your favorite. you two became close through your late night cravings when you stayed the night with jaemin. mark was always up late, strumming his guitar in the living room as you made ramen. you would listen to him play, eventually growing into you eating in the living room as he told you stories about Canada and explained the meanings of each song he played on his guitar. "Is that yn?" another voice piped up. you pulled away from mark to look in the direction but were engulfed in another hug. you could recognize from the grasp the man had on you that it was haechan. he was another member of the frat you had a natural gravitation to. he had been your lab partner in your first year biology class but quickly became a close friend due to the amount of time you spent around the frat. mark and haechan were also the first to warn you about jaemin. you pulled away as he asked, "why are you here?" "why do you think?" you sighed out as you walked farther into the house. mark nodded, "figured. he's in his room." "I could treat you better. you need to leave him already," haechan whined. you just laughed as you walked up the stairs to his room.
you knocked on the door and pushed it open, not waiting for a response. jaemin was sitting on his bed but stood up when you walked in and said, "it's in the top drawer." you went over and opened it. it was the first thing at the top, along with a lipgloss you knew wasn't yours. you sighed as you picked up the bra and closed the drawer. you turned around and dropped the bra, nearly jumping back at the sight of jaemin so close to you. you tried to take a step back but bumped into the dresser. he held your chin with his thumb and index finger and lifted your head up until your eyes met his. "so jeno huh?" he smirked. you wanted nothing but to kiss the smug look off of his face, but you stayed strong, just nodding. "i'm not yours, jaemin," you moved away from his grasp and tried to move aside but he trapped you with his arms. "oh yea?" "yea. i was never yours to begin with."
jaemin moved some of your hair behind your ear. "you have quite the attitude now, princess." you could feel your resolve weakening with every inch he moved closer. all you could do was stare up at him. "no words now?" his nose was practically knocking into yours. you decided to close the gap, kissing him with as much force as you could muster. your hands found their way into his hair as his found their way to your hips. he picked you up and moved you to the bed, breaking the kiss. he was quick to move on top of you and pin your hands above you so you couldn't move. you squirmed in his grasp. "such a slut. fucking my friend and now wanting me?" he tsked. his kisses trailed down your neck to your collarbone. you let out whimpers and moans as he left love bites and hickeys all over. "jaem the door," you tried your best to free yourself of his grasp but his grip only got tighter. "what? don't want jeno to see how good I can fuck you?" he let go of your wrists so he could take off your top and bra. he was quick to rid himself of his own shirt. "gonna be a good girl?" he asked, leaving a soft kiss on your lips.
the kiss left you unable to speak, only nodding and staring at him. "use your words pretty girl," he tapped your cheek lightly. "gonna be a good girl," you whimpered out. his hands had found their way into your pants and his fingers were hovering over the wet patch on your panties. "does jeno get you this worked up," jaemin's fingers moved the thin material out of the way and slipped into you. "only you," you threw your head out as he moved in and out. he could feel the way you were clenching around him as he hit the gummy spot inside you with his index and middle finger. jaemin knew your body better than you knew your own so he could tell from the way you clenched around him you were close to your orgasm. he pulled his fingers out of you and you stared at him wide-eyed. "dont you think you deserve some punishment for being a slut? fucking my best friend and then coming back here. what would jeno think, pretty girl?" he pulled off your bottoms and moved down so that he was eye to eye with your clit. "jaem please," you whined as he kissed the inside of your thighs."have patience, princess," he said as he kissed your wet clit.
he flicked the bundle of nerves with his tongue as he started to suck and lick at it. jaemin always ate you out like a starved man. at first, you had been hesitant to let him after the bad experiences you had with your ex boyfriend but jaemin was quick to reassure you. you could feel your release coming quick again and you were a little embarrassed. you realized he was under the impression jeno had fucked you but in reality you hadn't been with another person since the last time you were with jaemin, which was around a month now.  "close," you managed to get out, pulling at his hair and arching your back. "let go, princess. i got you," he pulled away for a moment to say but quickly got back to work. with those words, you allowed yourself to release all on his tongue. He continued to kiss and lick at your clit, overstimulating you. you pulled at his hair as you begged him to stop. it fell upon deaf ears as he continued to eat you out. jaemin knew if you really meant it, you would call out the safe word you two had made up around your second meeting. he continued to eat you out through your second release. he pulled away and made his way to your lips.
you pulled off his pants and boxers. "ready to repay the favor?" jaemin asked and sat on the edge of the bed. you nodded and rushed to your feet, only to drop to your knees in front of him. he tapped your lips with his cock in his hand and you happily opened up, taking his tip into your mouth. you could already taste the salty precum as you took more and more of him into your mouth. he threw his head back and let out low groans as you moved your head up and down his length. jaemin was never shy about the noises he made. it was another shock you got after being with him for the first time. he grabbed a handful of your hair and pushed your head down until you took in all of him. you gagged and dug your nails into his thighs as your throat adjusted to him. he waited a second before using the grip on you hair to move you again. you closed your eyes and focused on not gaging as he continued to use you. "eyes open, princess," he said between groans. you opened your eyes and stared up at him. the sight alone had him faltering in his grasp, allowing you to move on your own again. he came down your throat, and you pulled off him with a pop.
you climbed back onto the bed and laid down. jaemin moved on top of you and lined himself up, "ready? he never asked before he fucked you, so you hesitated a little before nodding. "we don't have to. i mean you can leave now if you want," jaemin was fumbling over his words as he rushed to get off of you. "please just fuck me already," you said, grabbing his hand. he smiled and kissed your nose, moving on top of you again and thrusting into you. he bottomed out and waited for you to adjust to him. you nodded, and he started to move. your nails dug into his back, and he lifted your legs to allow himself to move deeper into you. "jeno didn't fuck you this good huh, princess?" he said as he quickened his pace. "no one like you, jaem," you babbled out. you continued to babble his name as though it was the only word you knew. he hit your g-spot repeatedly, making you clench around him. your release hit you line a train, shaking and clenching around him. he was quickly behind you, opting to let out inside of you. he collapsed onto the empty spot next to you as both of you caught your breath. after a few minutes of silence, he broke it, "you should leave before jeno gets here."
"and I didn't even get my stupid bra I hate him," you screamed from your bed. karina sat on her bed across from you and chaewon was on the desk chair. "i cant believe you," chaewon groaned. "he's never made me leave right after sex before. what does he think i am? a piece of meat?" you cried. "yes!" the two yelled in unison. "you need to ignore him. block him on everything. he's no good for you," karina tossed her pillow at you. "i can't" you watched as the pillow dropped right in front of your bed. "give me ill do it," chaewon walked over to you and held her hand out. maybe a jaemin cleanse is what you need. you put your phone into her hand and fell back onto your bed. when she handed you the phone back, his number had been deleted, and any trace of him in your life was gone.
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"she blocked me," jaemin yelled out. everyone around the table looked up at him. "which one?" chenle asked. there was some snickers from the other guys. "i'm not some common whore; what do you mean, which one," jaemin glared at the younger boy. jeno started laughing, hitting the table as he nearly choked on his food. jaemin switched his glare from chenle to jeno, "anyways. yn blocked me." "it's about time," haechan clapped. "it was bound to happen," jisung patted jaemin on the back. "you're all my biggest haters. i've done nothing wrong," jaemin went to check your instagram and noticed he was also blocked there."dude i mean you have led her on for a while now. girls are always blocking you, so why does it matter," mark asked. "it's different," jaemin sighed and placed his phone down. "how is it different?" the older male asked. "it just is." "so you like her?" jisung asked from beside him. "what happened?" renjun walked into the room, sitting on the other side of jaemin. "his crush blocked him," haechan responded. "oh yn?" renjun turned to jaemin who groaned and buried his head in his hands. "well dude, you fumbled, so now you need to find a way to get her back," chenle said as he stood up, excusing himself from the room.
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it was hard to avoid jaemin when it seemed like he was everywhere you went. "he's doing it on purpose. just ignore him," chaewon said as she picked at her sandwich. "im trying, but it's hard when he's literally everywhere." the nerves from trying to avoid jaemin all day had severely affected your appetite. any glimpse of him had you feeling nauseous from anxiety. "think with your brain, not your pussy," karina scolded you. "what if i gave him one last chance," you whined. "be serious. he's been on his last chance for 10 chances now," karina hit you in the back of the head. "what good does he serve you anyway? and dont mention his dick," chaewon's question made you think for a moment. "see nothing," the black haired girl said. "he's nice to me," you pouted. "no he's nice to your vagina." "i need air," you said, standing up and walking out the cafeteria doors.
the school's campus had a lot of greenery. you always loved walks around the campus because of it. however you had no time to enjoy it as an all-too-familiar person walked up to you. you tried to walk faster, but he grabbed your wrist, keeping you in place. "please just talk to me," jaemin begged. you were about to give in, but decided it was finally time to stand your ground to the man, "let me go." "please. i didnt do anything wrong; please talk to me," jaemin begged. the sentence made your anger completely wash over you. "you didn't do anything wrong?" you laughed. "you never do anything wrong. leading me on for months is completely fine. so is treating me like your girlfriend and then telling me there's nothing serious between us? oh also fucking other girls but getting mad at me for even talking to another guy is completely okay too." "you had sex with jeno and i didn't say anything," jaemin tried to rebuttal, but you just scoffed at him. "i didn't. i didn't have sex with anyone. i went to that room and complained about you the whole time because i like you, jaemin. i've liked you since the moment i met you. but you're too much of an idiot to even realize what's going on in front of you. i'm done with your games, jaemin and i'm done being just another body," you turned on your heel and sped away from him. jaemin stood frozen in his place. the only thought that ran through his brain was that he fucked up big time.
you sat on your bed, crying into your hands. you sobbed from the anger you felt. his words echoed in your head. did he seriously think he did nothing wrong? did he really think screwing with your feelings was okay? you also sobbed from the sadness of it all. you missed him. you missed sitting on his bed as he helped you with chemistry homework. you missed the late night talks about the future and your lives, but the memories were overtaken by the anger of how you were just another girl to him.
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"why did you tell me you two had sex?" jaemin yelled at jeno who was seated on his own bed. "i didn't tell you shit. you jumped to that conclusion on your own. all i said was, i went upstairs with her," jeno watched the brown haired man pace around the room, the scene all too familiar from the last time you were over to talk to jeno. "i'm such an asshole," jaemin groaned. "glad you've realized," jeno said, standing up and patting jaemin on the back. "it's going to take a while, but she'll come around. just don't screw it up in the meantime. which means stop fucking random girls every night." jaemin nodded in response. "i have class, but i'll try to talk to her after," and with that final word, jaemin was now alone in the shared bedroom. he laid on his bed and stared at the ceiling. he definitely fucked up big time.
"babe whats wrong?" karina had walked into the room and was met with your figure bundled in layers of blankets and crying. "maybe i messed up," you wiped your eyes and moved over so she could sit on the edge of the bed. "messed up what?" she pushed some of the hair from in front of your face back. "with jaemin. i think i messed up," you cried harder as you told her what happened on the walk. she let out a soft sigh and pulled you into a hug, "listen. me and chae might give you shit about him, but if you're sitting here sobbing over him, then maybe there's things we don't know. if you like him this much then go for it. we'll support you." you sobbed into her shoulder and clung to her. "wanna go get ice cream from the cafeteria?" she asked. you pulled away and nodded.
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it had been a week without contact with jaemin. to say it was hard on you was an understatement. you felt too embarrassed to unblock him and dm him like a normal person but every time you saw him in the cafeteria, you would feel a pull to talk to him. however whenever you started making your way over, he would walk away as if he had a fifth sense for your presence. "don't look now," chenle nudged jaemin at the table. jaemin looked up from his phone slightly and was met with you laughing with your friends at the table across from his. he didn't say anything and just looked back down at his phone. "she still has you blocked?" haechan asked. jaemin chose not to respond. the answer was already clear. haechan just groaned, "why can't you two just make up already?" I miss having her around." "no you miss someone doing the dishes," jeno sat down next to jaemin. "listen you just need to talk to her," jeno said. "i can't. she blocked my number and my instagram. how am i supposed to talk to her," jaemin put his phone down and put his head in his hands. "like a normal person. just walk up to her," mark chimed in. all jaemin could do was let out a groan and put his head down on the table.
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it had now been a month since you cut jaemin out of your life. after that first week of regret, you started feeling better and better. you felt less on edge as the days went on. that's probably how you ended up at a frat party with chaewon and karina, who disappeared within the first few seconds. haechan had found you a few minutes into standing against a wall and pulled you into the kitchen, where the makeshift bar was set up. it had started with haechan making you do one shot with him. then mark walked in and you did one with the three of them. by the time you knew it, you had lost count of how much was in your system. you were stumbling around until you bumped into someone's broad chest. you looked up, and your eyes started to glaze over as your gaze met jaemins. you felt a tear slip down your cheek as the shocked look on his face only grew. you tried to get an apology out and move away from him but nothing came out. you tried to move back but stumbled over your feet. a strong arm wrapped around your waist, and a soft sigh was let out, "lets get you upstairs."
you were situated on jaemin's bed as he rummaged around for spare clothes for you. he pulled out an old t-shirt and pajama pants and laid them down next to you. "i'll turn around and close my eyes," jaemin said, facing the wall and shut his eyes, as to respect your privacy. it was a little ironic seeing as how many times jaemin saw you in your natural state. there was some rustling before you spoke up in a hushed tone, "can you help, please?" the quietness of your voice was something jaemin had never heard before. if it weren't for the silence of the room and the door drowning out the party downstairs, he would have never heard you. he turned around knelt on the floor in front of you. he slipped off your shoes and placed them on the floor next to the bed. he then undid your pants and slid them off you, replacing them with the pajama pants. he stood up and smiled as you lifted your arms up for him. he was quick to replace your disregarded shirt with the new one. as he folded the clothes and set them on the dresser, you spoke up again, "please dont leave me." your voice was shaky, and it broke jaemin to a million pieces to hear you so torn down because of him. "are you sure?" he turned to face you. "i need you to stay," a tear slipped down your cheek. he moved to pull you into a tight hug as you sobbed into his chest. you had fistfuls of his shirt as he stroked your hair, "i'm not going to leave, princess. not again. i promise." he whispered to you. eventually the sobs got quieter, and your breathing evened out. he laid you down on the bed, covering you with the cover. he was about to get up and move to jeno's bed until he realized you still had a handful of his shirt. so there he lay in his jeans and t-shirt with you cuddled into his chest and his arms wrapped around you as if you would fade to dust at any moment.
you woke up with a throbbing headache, but that was the least of your worries after you tried to shift around but couldn't move. you were too scared to open your eyes but you found the courage after you realized your arm was falling asleep. the first thing you saw was a chest. you followed it up and saw jaemin's sleeping face. you tensed up for a bit and quickly scanned your body, but you found yourself completely dressed. you relaxed, trying not to wake him up as you slowly wiggled out of his arms. his grip only gor tighter as his eyes fluttered open. he had a soft, peaceful look on his face as he tried to adjust to his surroundings. once he realized what was going on, he practically jumped out of bed. "i'm so sorry. i meant to sleep in jeno's bed i forgot," the apologies stumbled out of his mouth as you sat up and let out a laugh. "it's alright. we didn't do anything, right?" "no. of course not. you were drunk," jaemin ran his hand through his hair and began to fidget with his fingers. "we need to talk," you two both said at the same time.
"you first. i probably did enough talking last night," you could feel how sore your eyes were and assumed you had been crying, which also took you to the conclusion you let something spill. "yea you did and i'm sorry for being such an asshole. if you dont want to forgive me it's okay but i'm so sorry. you're the best thing to happen to me and i don't know how i fucked it up so bad," jaemin sat on the bed in front of you. "i forgave you a long time ago," you cupped jaemins cheeks in your hands, wiping the tears he didn't even know where coming out. "i'm so serious about you this time. please just give me another chance. ill treat you how you should be treated," jaemin put his forehead against yours. "and how should i be treated?" you asked. "like a work of art," jaemin's lips were ghosting over yours. "well show me how serious you are," you closed the space between you two.
the kiss was gentle, unlike all the others you two had shared. this one was slow, and nothing felt rushed. you could taste the fading vanilla of his chapstick as his lips moved rhythmically against yours. you pulled away but moved back with your arms wrapped around his neck. you pushed him back, and his hands met your waist. he pulled away, "we don't have to." "i want to," you said, moving on top of him to straddle him. "you sure?" "i've never been more sure in my life." he locked your lips again as his hands moved underneath your shirt. you broke the kiss so he could lift it over your head. he flipped the two of you over, taking off his shirt and then fumbling with your bra. he left open mouth kisses down your neck and towards your chest. he pulled away, "you're so beautiful." you could feel your face going red. this wasn't the first time he'd called you beautiful, but somehow it felt different. "i love you," the words slipped off your tongue as if it was a natural statement. jaemin smiled and kissed your forehead, "love you too." you smiled and started to pull at the button on his jeans. he helped you take them off along with his boxers and then took off your own pants and underwear.
he pecked your lips before sliding into you. the two of you let out matching groans as you fluttered around him. although you had told everyone you moved on from jaemin in the month the two of you weren't together, you found it hard to have sex without thinking of him so the stretch felt almost unnatural. you dug your nails into his back, eliciting another loud groan from him. "you can move," you said. he nodded and started to rock back and forth. he kept a gentle rhythmic pace. it was different from all the other times when he would drill into you with no care, moving hard and unsteady, just looking to chase his own high. he kissed you again, and he moved a little faster when you started to squeeze around him. you kissed him back, moaning into the kiss. you were close and he knew that. his hand traveled downward, rubbing circles into your clit with the pad of his thumb. you were first to come, leaving a white ring around his cock. he fucked you through the orgasm, pulling out and coming on your stomach when he felt it hit him.
he stood up, throwing on sweats and walked out. you threw your head back and sighed, thinking this was the same as all the other times you had been with jaemin. you were about to get up and gather your things when jaemin walked back in with a towel. he gave you a confused look and went over onto the bed. "lay back down. i got you," he said, cleaning you off with the towel as you let your head fall back onto the pillow. "i thought you were going to leave or kick me out like you always do," you were quiet, and jaemin could sense the sadness in your voice. "i told you yn. i'm serious about you. i want this to work," he threw the towel into his laundry bin and found an oversized shirt for you. he slipped it onto you and then laid next to you. you were hesitant to move closer to him, but he pulled you into his chest and kissed the top of your head. "i want you to trust me. i know i haven't been that trustworthy for a while but i need you to believe me." you looked up at him with a small smile on your face, "i trust you. i've trusted you for so long already." 
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 you sat on your bed, recounting the events to karina and chaewon. both of them were speechless by the end of it. "so what happened after?" chaewon broke the silence. "we took a nap and when we woke up we had a talk on how we wanted to take things slow," you were giggling and kicking your feet on the bed. "even if we dont like jaemin that much we support you. this is the first time i've seen you come back from a hookup with that man with the weird post sex glow," karina said, making chaewon nod. "how do i usually look," you tilted your head, staring at the two across the room.  after a moment of thinking chaewon responded, "like a bus hit you." you were about to argue with her until your phone lit up. you were quick to pick it up, seeing it was a text from jaemin. 
meet you in the park in 10?
you were quick to text back 
yea see you there
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the days flew by and soon enough, they became weeks. you were walking hand in hand with jaemin around the dimly lit campus. he suddenly paused, making you stop and turn towards him with confusion written all over your face. "be my girlfriend," he was practically yelling from nerves. "jaem quiet; it's nighttime," you scolded him, your voice hushed. you then processed what he had asked you, "wait what?" "be my girlfriend," he repeated. you tackled him into a hug, kissing all over his face. he caught you in his arms, stumbling back a little, "is that a yes?" you nodded and left a kiss on his lips, which he happily returned. so much for being casual.
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Hear me out. Chauffeur takes the vees out in one of their sports cars and someone on the road challenges them to a race.
What are the reactions from each of the vees?
Drag Racing
PolyVees x GN!Reader
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TW:Valentino and the mentions of some NSFW
A/N:YES YES- MORE CHAUFFEUR READER
Let me preface this with you know better than to listen to some demons who think they are better than the Vee’s but also..you know every back road and fastest route around Pentagram City. It’s like you have a digital map in your head, also it’s very easy to remember when traffic gets heavy.
Stick with me here cause I know nothing about sports cars or anything of the like and I’m not going into specifics cause I’m too stupid for that shit. But- all three have different tastes in cars, especially personal cars.
Vox likes the new high tech sports cars while he can appreciate the looks of old cars. I feel like he likes Lamborghini’s mostly. He has many of his signature colors, but if he wants more privacy (especially if he gets overwhelmed) I’m thinking he has an Audi.
Valentino Most definitely likes the classics but can appreciate the modern versions. He mostly does have classic cars like the cars made by the Morgan Motor company. It has that old classic look that he absolutely eats up all the time. But he does have a few Ferraris’ all of them having some sort of his signature colors to it. He doesn’t let ANYONE except you drive his cars cause he knows while it’s your job- that you do take care of them and if something comes up they are immediately fixed by the best people.
Velvette is a Mercedes-Benz girlie, she has the least amount of cars out of the three. She can appreciate the look of it and loves how the roof can collapse (if that's the word Idk). She can also appreciate BMW's. She's not a hater (yes she is..shhh).
ANYWAYS BACK TO THE PLOT-
You were driving the Vee’s around one day and a demon drove up next to the car, their vehicle tricked out to well..hell and back. Sadly for you, you had your window rolled down so you were able to hear all the curses and name calling before the taunts started. You looked over to the Overlord next to you, wondering what to do cause this person would not shut the fuck up. 
They all have different reactions from this but either way, they find it so fucking hot that you can easily beat someone’s ass in a race without having to gloat about it. Also the way your eyes lock in on what you're doing and how your jaw locks? If you weren’t kicking someone’s ass in the race all three would probably jump your bones.
If you're with Vox he’ll most likely tell you to ignore them which you do easily unless he’s in a mood. Then he lets you race the idiots trying to one up him, he’s not scared. He has more confidence in you winning than he does in himself. 
Valentino…is a different breed. He will allow you to race against someone and he will gloat about it, but the only rule is it can’t be in one of the Morgan cars cause he will actually fucking kill you if you race in that car, those are his relaxation around Pentagram City cars. The Ferrari's? He couldn’t give a shit about, don’t be afraid to mow people down if they get in the way too. He has his hand on your thigh the whole time as well.
Velvette  does care but if she’s annoyed enough by the person she will look at you and give you the go ahead, she will livestream the whole time too. Just don’t hit anyone or anything cause she will throw a huge fucking fit, that’s her car.
Once you win the race? Oh boy, get out a gloat for a bit cause the others surely will. Even if you didn’t demand money, they will. Most likely Valentino will kill them or destroy their car.
Vox will pull you in and tell you how he didn’t have any doubts about you losing. 
Valentino will more than likely use this as a way to get you to sleep with him or he will try to put moves on you the whole ride back to the tower.
Velvette is gonna be kissing up on your face and leaving lipstick stains all over your face and then going online to tell everyone how you were the best.
A/N: IF YOU WANT MORE PLEASE LET ME KNOW
Tag List: @aboyscriminalrecord, Come get some food bestie-
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zhoufeis · 2 days
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What just bothers me simply about the discussion of TTPD being all so great is neither the fact that some reviewers literally ignore some of the very gruesome lyrics this album has to offer nor the fact that the whole album has the same tune and I could not tell apart these tracks even if I wanted to, no. After all, we can always argue that tastes are different... arguably. It's something utterly different that's bothering me.
It's three things entirely different.
1) The fact we pretend 31 break-up tracks, written entirely out of the perspective of victimhood, of some love stories are worth calling "The Tortured Poets Department". Mind you, Swift, I like love songs, I like break-up songs, I like them poetically, I like when they touch me. But writing 31 break-up songs (not entirely, right, more like 25 or so) for one album makes me wonder if there is anything deeper... more touching to write about. You stay on the surface describing relationships (romantic as well as parasocial) in which you come out as a victim. But the self-reflection is missing entirely. And if I learned one thing in language classes it's that it's poetically dull if we only ever stay on the surface. We gotta dig deeper. And I'm not referring to some poetic lines to make a song sound more beautiful. I'm talking about true depth, true self-reflection, something that makes you defenseless. Cause all this woman does is writing songs out of the perspective of defense - and victimhood. Never does she actually draw herself as defenseless or vulnerable, always knowing how to use the right words to make her fans defend her.
2) Which leads me to that other thing that really bothers me. Her PR team was more involved in this album than the persona of Taylor Swift could ever be. Or maybe Taylor Swift is only PR at this point. Maybe there is no actual person behind all of this. Cause if there's one thing that's utterly apparent, it is that this album hinges SOLELY on any media drama she was involved in. Everyone out there trying to decipher which song is about whom - is this storytelling? Is this poetry? If I only care about songs and judge them by who they are about? The beauty of music is that it binds people together, makes people feel heard or seen through the text and voice of another person. What she's doing isn't that. She is not binding people together by selling her songs as something that could happen to anyone, no, all of it is always only about one person's story - her own. She also doesn't create fictional stories to write about, things to further the limits of our imagination and tell a story that doesn't even exist, and never will. She doesn't use imagination, she doesn't try to connect to other people, she's trying only to connect people to HER. Can this album even be judged neutrally if everyone just knows about her relationships and is guessing who the songs are about? Is there one person out there like "I have never seen any of the TS relationship drama and the like, and I only like to review this album lyrically and sonically by the lyrics and tune within"? Because she is SO present in everyday media press, it is impossible to miss her relationship drama. So are we actually still reviewing Swift's album as a standalone media for its sound and lyrics? Or are we actually just reviewing TS's terrible love life which she apparently has no responsibility for? And mind you all - she knows exactly what she's doing. Don't even think for a second she doesn't know that you all are following her every footstep. Don't think she doesn't use it to her advantage. (Aside from that, she has been considered a storyteller for so long, but she seems to have a lack of stories she can come up with if the only ones she writes about are her own...)
3) Which leads to the entire capitalist thinking behind the release of this album. Not only did she publish 19 different versions of this album to be acquired, no, she also literally had millions of fans pre-ordering her (normal-length) album, only to drop an extended version right after its release. Which means that all these fans had to buy yet another album. And don't think she meant this as a surprise for her fans - she did that cause that's how you make money. Cause that's how capitalism works. And she's part of the problem.
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bestworstcase · 2 days
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So, regarding your Tai post,
https://www.tumblr.com/bestworstcase/748954216598470656/the-perennial-tai-discourse-is-really-interesting?source=share
I had some thoughts: I technically cover it in a separate post
https://www.tumblr.com/tumblingxelian/749060919422861312/really-solid-addition-here-much-like-with-qrows
But I'm unsure if the links will work so here is a slightly edited & expanded version:
Now, the idea that Ruby & Yang had very different childhoods is not an idea I strictly disagree with. But, I also think it is a bit inaccurate to treat it as outlined in your post.
What I mean is that while Yang is definitely more overt in the fact she feels Tai and the other adults failed them and defaults to centering family moments on Ruby. (For instance she frames the Zwei package as something to cheer Ruby up, its not for her & Ruby's the one really excited, Yang's just kind of there about it)
Despite that, Ruby herself doesn't have a simple relationship with Tai, or in fact she just might but that's not a good thing.
See, Ruby does not think about Tai very often, he's largely an afterthought in her letters for one. But more to the point he is not someone Ruby goes to for advice or guidance or even comfort.
Post Beacon, she mostly gets an update from him and is not bothered to see him go. She is OK being a bit more vulnerable around Qrow.
But the person she actually seeks out and seems utterly shocked at not receiving comfort from is Yang. It was also Yang who she questions for what to do next and Yang whom she confided her plans in before leaving.
Again she is shocked when Yang cannot supply these things to her.
Tai is her dad, but its a superficial relationship, he's nice, he can be fun, she does love him. She does not however, seem to perceive him as a reliable or responsible adult from whom she seeks protection or guidance.
The person she always defaulted to for that was Yang until she could no longer fill the role post V3 which likely fed into her issues with showing vulnerability in V9.
I tend to think she might have been more open to it in V5 given the breakdown tears & hug, but then Yang demonstrated she was still very much not all right & Ruby had no clue what to do. So she just sort of locked into her head that Yang needed 'her' protection now, not the other way around.
I would also just straight up note that even Ruby said it was Yang who raised her. Like, that wasn't even subtle, she knows who the parent was in that house and it wasn't Tai or Qrow. I don't think she'd say that if their childhoods were 'so' different that Tai was a functional parent to her but not Yang.
She definitely has a less... frosty relationship with the two grown men who she grew up around, Largely because they project the saintly Summer onto her and the Wretched Raven onto Yang.
Again, let's not forget Qrow's entirely willing to accept Yang brutalized a kid for shits and giggles or is "crazy". Or that Tai outright sees a lot of Raven in Yang, despite most of the traits he described not meshing with Yang's demonstrated or self described persona.
But even with that more positive relationship being projected onto and still raised by a sister two years your senior isn't exactly ideal. Both sisters had a shitty childhood, both were deeply neglected and failed and suffered because of that fact.
all true! but the nature of parentification is that the children experience the neglect in very different ways; the elder child is forced into an adult role, parenting the younger child, who is harmed in more invisible ways because they do have a caretaker—their sibling. anecdotally nearly every account of a childhood i’ve read by an adult who was raised as a child by older siblings has either alluded to or outright described 1. a much better childhood than their caretaking sibling(s) got, 2. because their sibling(s) shielded them from the worst neglect or abuse.
with that in mind and taking into consideration things like the different reactions to the package from tai (this will cheer ruby up vs ooh, something from home!) and yang staying behind at beacon when tai takes ruby to visit the memorial stone, and now these clear differences in how the girls feel about the boba shop (yang: unsure, downplaying the surprise, maybe it’s dumb / ruby: boba!!!) which probably reflect their emotional experience of the outings with dad (yang: fun, happy that ruby is so excited, not that special otherwise / ruby: magical)…
well, let’s put it this way:
yang did not have a real caretaker starting from age five, when she became the de facto main parent to her three-year-old sister with at best sporadic breaks when qrow wasn’t too blackout drunk / tai was having a good day.
ruby had a primary caretaker who struggled but was always there (yang) and a dad who had to work a lot but made time to do special things like the boba trips so that he could spend quality time with his family (tai). plus an uncle she sometimes needed to help her sister deal with.
yang being parentified has the effect of insulating ruby from the severity of tai’s neglect; in a functional single-income household where one parent stays home and the other works to support the family and both parents are adults who chose this dynamic and enjoy their respective roles, the working parent is not bad or neglectful simply because they aren’t around during the day to take care of the kids, and they can foster close, loving relationships with their children by making the most of the time they have at home. the childhood ruby had was a dysfunctional imitation of that dynamic.
and then factoring in the summer-vs-raven projection, when tai was around he focused on bonding time with ruby moreso than yang.
the net result is that the harm to ruby is much more invisible (yang by virtue of being a child herself could not provide ruby with healthy parent-child boundaries or the emotional stability children need from their parents to feel secure and develop good emotional regulation; tai’s favoritism of ruby being intertwined with idealizing of summer fucked ruby’s sense of self really badly; in the first few volumes ruby feels hurt and bewildered every time yang acts like her sister instead of her parent).
ruby sees clearly and states in volume nine that yang raised her; i don’t think she would have been able to articulate that so plainly in volume one, and this is something she’s come to realize after leaving home / living independently. in v1 it’s “yang used to read to me when we were little” and i’d bet that’s how ruby would phrase everything yang did—as discrete habits, not the combined pattern of “yang raised me.”
whereas yang like. the first thing she does at beacon is try to step away from ruby: encouraging her to meet new people then ditching her to catch up with friends, not wanting to partner up with her for initiation… much as yang loves her sister and enthusiastically supports her, it’s also pretty obvious that yang saw beacon as an opportunity to focus on herself for once. which says to me that she’d already grasped that their home life was messed up and that she needed to break those patterns once she left.
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autistichalsin · 3 days
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I tried to have this conversation a few weeks ago and it didn't go well, so after giving it time to calm down I am bringing it up now on my own page, about the importance of allowing fans who can't afford the game, or who otherwise can't play for themself due to disabilities, etc, a space in the fandom. And in particular, this involves deconstructing the idea that Let's Plays aren't a valid way to experience this media, and that people who didn't purchase the game don't belong here, both of which are harmful, classist, ableist ideas.
(Tone: genuine. Not angry or aggressive, but passionate.)
I want to say that as much as I enjoy playing BG3 and am glad I bought it, there really isn't anything that I have gained, in terms of understanding of the plot, lore, characters, relationships, etc, that I didn't already have when I was watching Let's Plays and using the datamined dialogues exclusively. Nor has my emotional experience been significantly different in any measurable way. I mean, I WAS very happy to recruit and romance Halsin in a way that I didn't feel when I watched a Let's Play, but that's it. It didn't change my understanding of, or feelings towards, him at all. I knew Halsin's entire story before, and I knew his entire story after, too. My feelings on each and every one of Halsin's scenes has remained exactly the same.
There wasn't any character I thought was a bad guy who I saw something new in when I played for myself, or vice-versa. I didn't have any paradigm shifts in my understanding of the plot. The bad guy was still a Nether Brain controlled by the Chosen of the Dead Three in each playthrough. The good guys were still a group of traumatized weirdos (/affectionate). Astarion was still a victim of rape and slavery, Shadowheart was still a cult escapee, and Halsin still struggled with the burdens of leadership. There were still choices that could make the companions bar Jaheira and Minsc fall in love with you, and choices that could make them despise you. There were still choices that could push some of the characters to be better or worse versions of themselves. There were still a lot of notes and books to pick up, some of which were important to the lore, some of which provided random factoids about bit characters you may find interesting or may find useless, and many of which were completely useless and a waste of inventory space. I didn't learn anything new in the informational sense, about the plot, the characters, the flow of the game, nothing.
(Well, there was ONE different thing, which was that I ended up being an edge case where I accidentally shot Lae'zel with my arrow when trying to free her and got yelled at by her for it. Does that actually count as a unique-to-playing revelation though? Everyone who watched me stream that day would have learned about it too.)
I didn't experience some overwhelming emotional shift in response to the events onscreen that wasn't there when I watched Let's Play, either, which is also an argument that has been made. There's been a case presented that it's not so much that the events themselves change but that playing somehow alters your emotional response which affects how you view the plot and characters. But that didn't happen for me, either. I didn't go from "I do not care one single solitary fuck about Barcus Wroot" to "oh my god I will give this poor liddol guy the world." I still do not care about him. I didn't go from "yay, the moon lesbians are free!" to some sort of more intense emotion like "omg I'm going to cry now!" I still love them and am happy they're free, but hardly moved to tears. I didn't go from "fuck Orin" to "MEGA fuck Orin." Making the choices and fighting the battles myself didn't change anything for me in that sense. There was no emotion I hadn't already felt before that came to me in my own playthrough. Every emotion I had when watching a Let's Play was almost exactly the same when I played the game for myself.
If anything, the only real change was that I started to have annoyance as a sort of background radiation for about 90% of the companions because I kept accidentally talking to them when trying to click on items and things, and I got really fucking tired of hearing their greetings? "Shut up, Astarion, I wanted to loot the corpse, not talk to you, please back the fuck up. Why is my party always halfway up my ass? Personal space, guys?" Otherwise nope.
My understanding of canon, my understanding of the characters, my emotional resonance to the events that happened, those were all exactly the same. I literally don't know what people are referring to when they say that there was some magical new dimension of feeling that can only be unlocked when you are the one playing. Whatever that magic was certainly wasn't there for me, and that disproves the idea it's "impossible" to fully experience the game through LPs, because having played the game, I can say that I DID get the full experience through LPs. Maybe some people can't get the full feel of things by watching, which is 100% valid, but some people very much can. I did both, and I can tell you that they conferred 98% similar intellectual and emotional experiences.
In fact, I'd argue that there's more of a difference between playing as a Tav or an Origin vs playing as a Dark Urge than there is between playing yourself vs watching an LP, but I don't often see the case made that people who haven't completed a Durge playthrough don't understand the game properly and therefore can't/shouldn't contribute their analyses/interpretations of canon to the fandom. And I mean, there is some HEAVY lore you only get in a Durge playthrough. You would have a FAR better case that completing/watching a Durge playthrough is the event that marks you as understanding/having a complete knowledge of canon than you would that playing the game yourself instead of watching someone else do it is, though I still wouldn't ultimately agree that it's a prequisite.
People who watch LPs are valid, your way of experiencing the game is valid, and don't let anyone else tell you otherwise because honestly, people who gatekeep are never worth listening to in the first place. The idea that your understanding becomes more complete when playing yourself isn't true for everyone. You can say they weren't the same experience for you, and that is PERFECTLY valid and understandable, but that's only you. You can't say what others are and aren't able to feel when playing vs watching Let's Plays. The only correct statement here is "some people are able to fully comprehend the plot through Let's Plays, and some aren't, and the mode of consuming the game ultimately doesn't determine whether a person belongs here. Both groups still belong in the fandom and have just as valid opinions to contribute as the others."
Further, I have seen absolutely brilliant, on-point analyses from people who only watched Let's Plays, and absolutely horrible, nuclear hot takes from people who spend all day playing the game. Just the other day, for example, I legitimately witnessed a Redditor VEHEMENTLY argue that 1. There was a scene in the game where Halsin called Thaniel "beautiful", 2. This nonexistent scene was ABSOLUTE proof that Halsin was a pedophile, and 3. Halsin's time as a sex slave had clearly caused him to become a pedophile. People who had seen only the intro of the game on an LP would STILL have a better understanding of canon than this person who claimed to have played dozens of times. If we're going to judge people's understanding of the game, it should be based on the understanding their posts convey directly, not based on assumptions about who can absorb what amount of information through what mode of consuming the game.
So I repeat: LP watchers, you're fine. Enjoy fandom in a way you can experience. You shouldn't be locked out of discussion of the game just because you can't afford hundreds of dollars for a game system. To suggest otherwise would be appallingly cruel and exclusionary behavior, on the level of saying bootleg watchers can't be part of discussions about Broadway shows. You all belong. You don't have to buy your way into a fandom space.
And bringing it to that issue: yes, Let's Plays ARE an absolute necessity for both poor people and for people with certain disabilities (blindness, since the game doesn't have a narrative-only mode, and severe disabilities affecting the hands being the two that jump to mind right away). Gatekeeping fandom from poor people based on whether they've bought an expensive game and gaming setup, much like being an anti-bootleg Broadway fan, serves the sole purpose of shaming and punishing poor fans for not properly engaging in the capitalist system. I know the intention isn't to gatekeep the poor and people with certain disabilities from the fandom, but that ends up being the effect when this particular argument gets made.
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tuesday again 4/30/2024
most annoying book i've read so far this year under the jump
listening
a lovely polyrhythmic instrumental piece with previously-featured tuesdaysong artist, terrifying master of the cello, abel selaocoe. this is very textured and kind of scrubs at the inside of my skull in a pleasing way. like the kind of back scrubber you can buy with a bamboo handle and the long soft bristles. popped up on my recent releases playlist from spotify.
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reading
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really fucking pissed about this book and i am not able to be reasonable about it. i was really thrown, much like the fantasy prince's mother from her carriage as she was being chased by regency gossip reporters, that this was a prince harry/meghan markle RPF AU. i am a bit uncomfy about the fact that our female lead, the fantasy AU meghan markle, is some flavor of fantasy Gaelic instead of fantasy mixed-race. now, i have no particular moral or physical beef with RPF but i don't typically seek it out. but/also/and, much like works about marilyn monroe, i think works with the specter of princess diana are in poor taste. can we leave these women alone maybe
i got about halfway through the book before this revelation and didn't really feel like it succeeded at much of anything it was trying to do. oddly informal and choppy, like it was originally intended as a contemporary romance with some urban magic and changed to regency in a late draft. this is combined with some fairly weak prose: more simple sentence structure than i would expect in a book for young adults, far too many proper nouns, and a lack of interest in showing not telling.
i straight up don't understand why the leads are attracted to each other if she keeps making very public mistakes and he's a rude cunt. i have read other books (most recently the t kingfisher books) where someone grows to love a very gruff or taciturn man, but it takes time and mutual trust and an effort on both sides, none of which happen here. the core conflict is duty to family in all its various forms vs the heart wants what the heart wants. the conflict is not much of a conflict, though, because characters come to realizations within three sentences of confronting them and then vocalize them with therapyspeak. someone literally pats someone else's hand and goes, "It's hard, I know." the author mercifully did not describe the sad little pursed sympathy mouth but i'm sure it was there.
i'm also deeply annoyed with how this author chose to go about characterization. while the character concepts are people i would love to meet in a ttrpg, it feels very concerned about Good Representation and it makes everyone feel very wooden. i think when you put together characters from a list of various oppressions and disabilities it starts feeling like a grownup version of a children’s ensemble show meant to sell little blind box figurines. here is the Chronically Ill one, and her color is pink! here is the Addicted one, and his color is green! here is the Goth and Depressed one, and her color is black with some bones! here is the Gay one who was once badly hurt by the Addicted one, and we don’t care enough about him to give him a color! here is the superficially fantasy-Jewish one, and we don’t care enough about her to give her a color or an action figure either!
while normally i would love to read a book with two! TWO! canonically bisexual leads of different genders! this book is written for the "folx" spectrum of gays instead of the "fags" part of the spectrum and it strays very close to a modern morality tale for me.
this popped up on a list of books with bi leads i think, but if it was here or on libby i cannot remember.
anyway! fucking hated this one.
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pleasantly surprised these came in back to back off my holds lists, bc they are about the perfumer Grace and Grace's former landlord, the spy Marguerite. my favorite of these Saint of Steel series is still the one with the werebear nun. i have nothing to complain about these books and not much to say about them either. they were such a delightful and competent change of pace after the annoyance of the previously discussed book.
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oh i loved these. oh i LOOOOOOVED these. how the fuck does novik do it. she is so good at capturing the very specific feel of a grandpa military historical novel. except with dragons. i love these in the same way i know i will love the patrick o'brien books if i ever get around to reading them. i was a navy brat and unfortunately this is fucking catnip to me. truly i have inherited all my father's tastes
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watching
largely fallow week. i don't have anything particularly great to say about The Bad Batch, but when have i ever. have not caught up with dunmeishi bc my siblings have once again inadvertently locked me out of the netflix account i pay for. considering a vpn for many reasons but watching netflix and watching porn (the state of texas does not want me or anyone else to watch porn within her borders) are the two big reasons for. idk. cashing out the paltry cash-back credit card rewards and coughing them up for a vpn. vpn opinions welcomed, i know most of them are straight garbage
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playing
i straight up ran out of money in genshin, which is pretty hard to do since they're pretty generous with it? i have spent several million in-game currency on leveling up neuvilette (i am so so so happy to not have to collect any fucking starfish mats for him anymore [mats are different materials you have to collect or buy in-game in order to level up a character. very grindy most of the time]). anyway i am now scrabbling around for the last couple chests and puzzles i marked on my map in fontaine. i haven't bothered with grinding for his specific boosting artifacts or leveling up his talents all the way yet but this is really not shabby. i have the bad habit of completely levelling up all my 5-stars and then ignoring them until i need them for a specific fight or a specific level of the monthly..battle royale puzzle? i don't really know how to describe the abyss. anyway when i do eventually need his pretty intense water AOE attacks i will frantically grind for his talent mats. right now we're grinding for other things thanks
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this latest update contains both the best and worst new areas so far. the underwater lost city of Remuria is a fuckin banger. gorgeous. incredible puzzles. very fun music-based quest line with new abilities and giant whale. however, im kind of disappointed by the new coastline area in the map: there is pretty much nothing there. almost no interactable plants to harvest, very few enemies, almost no chests. i get that they are focusing their time and attention on the new underwater area everyone will be focusing on (killer, btw, super dense and great use of vertical space). very lore-heavy expansion, sort of what if atlantis was a bit roman-inspired and also. hold on. wait a second.
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sorry this has just occurred to me at 10:21 PM on Monday night as im drafting this but oh my god are the fucking fontanians the Sea Peoples of the bronze age collapse. this is hysterically funny lore if true. im going to have to go back and reread a lot of the environmental storytelling notes but oh my GOD that's extremely funny if true. genshin has some of the most batshit lore of any game ive ever played and im so sad that so few game journos are focusing on it.
where was i. leveling up characters in legally-not-france who may or may not be descendants of the sea peoples. i often find myself leveling up characters in genshin not based on how useful they are to the party but by how fun the bosses i need to fight for their mats are? for example: neuvilette is a water-based AOE character with not a lot of on-field time. however this big electric seahorse, whose antlers i need to level him up, is really fun to fight and i can knock it out in about thirty seconds.
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making
my sister's birthday is tomorrow! my birthday package to her was kind of heavy on stupid little trinkets and art books and not very much like. homemade? so i cranked out a little sampler. it's framed i promise i simply forgot to take a picture of it framed. about 3"x3", slightly adapted from a piece in Julie Jackson's Subversive Cross Stitch. i do think the F and C turned out way better (or at least the backstitching stands out way more) but hey. sometimes you need to hastily stitch a gift with the limited colors you have on hand
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lostinvasileios · 2 days
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Hi! I’m sorry if my question seems to be silly, but I really was wondering.
Have you ever saw and/or heard you deities? How do you do that? I’ve never experienced something like that, but I see people sharing this sort of experience. Like… they can describe appearance, voice etc of their deities. How? I fully rely on my gut in my journey, but I do wish to see, hear and know my deities in face. So, if my question doesn’t bother you, could you share your experience and tips, please?
Thank you!
Hello there, lovely!! Your question isn't silly at all, don't worry. Thanks for asking. 🤍🌼
I indeed have! I've seen/felt and heard my deities before. And, the process to be able to do this is different for everyone.
But, for me, it took countless hours of meditation with them, I was spending so much time focusing on my already existing abilities. Like my active imagination, my sense of visualization that came from that, and so on and so forth which would eventually allow me to begin to see my beloved deities. Being able to recognize their energy soon led me to being able to comprehend their voices and feel their touches. Then that got me into the process of being able to see them.
Gut feelings are actually one of the ways you can get to learn your deities appearance as well. You could try and picture them from whatever comes to mind. A pop culture artwork of them, maybe a livened version of their statue, someone pretty on Pinterest with a few extra features, ect. Deity appearances are very fluid, and can change depending on any factor, so there's no pressure on finding out what they "exactly" look like. Because, they have no exact look. Just take whatever feels best for you. That's what it will come down to most of the time, anyway. What resonates. Like always, lol.
Actually, for about 6 months of being able to see them at first, I couldn't register their voices outside of when they would speak. If that makes sense, lol. Like, I'd understand it when they'd talk to me, but when they weren't speaking, I couldn't recall their voice, just what they had said. Sometimes, their appearance will do the same. You'll see it in the moment, you'll feel or hear them in the moment, then whenever that interaction/meditation ends - so does the...sensation? of them. You know?
For some part of my time with Apollon at first, I'd simply spend my time scrolling through Pinterest for pictures that reminded me of him. I kept them in a sort of e-altar board for him so I could go back and refresh my mind if I was having trouble seeing him in my imagination. Since, sometimes, it helps to simply - daydream of their appearances. At least for me. Getting more used to their eye colors, their body languages, imagine them speaking to you every now and then to try and have their voice be easier to comprehend, stuff like that.
Don't rush it, I can almost guarantee that you'll see and sense your deities in these ways eventually. However, they know what's best in the end. Seeing deities, feeling them, hearing them, ect - can be quite the energy drainer because of how high frequency they are and whatnot. Even if they lower themselves to some extreme degrees to be able to show themselves to us in these ways. So, if you aren't experiencing it just yet, that's probably because you aren't ready for it. Comprehending deities is a difficult task for anyone at first, and can be a persistent struggle even over months. And that's perfectly fine. Because these are celestial beings of the stars and all that other universe-y stuff, we as humans are conditioned not to believe these astral realm things because of how unlimited it all is. Of how... Ironically unbelievable the experience is.
So, even when you're sensing them, your brain will be like "mm...no" most of the time when you're first getting the hang of it. Out of the want to protect you and whatnot.
Deities will 9/10 times try their darndest to help you comprehend them by coming in appearances of like... TV characters, like I've heard some people see Loki as the Loki from the marvel series. Or, how you see book characters. There's been a few times where Aphroditus has appeared to me as a fanart of Lucien from ACOTAR that I loved and made the way I see him whenever he's present in the book. Their voices just the same. They might sound like a singer you very much enjoy, or like a comfort character of yours. I could go on, but I think you get the point, haha.
I saw Apollon as the Apollo from Blood of Zeus without ever having watched or have had heard of it, I only noticed he was taking that form after I looked up his name on Pinterest, and I just went with it. Same with Dionysus. Point is, let them show themselves to you however your brain allows them. I put so much tremendous pressure on myself to perfectly memorize how my higher self looked or how my deities looked, just to be reminded how their forms are infinite. How - they don't want you to stress over that.
They don't want you to feel less because you cannot experience them in the way another devotee can, because that's them, this is you. And they love you. And they'll meet you where you're at to help you progress and grow.
My motto for this? It'll happen when it happens, and when it does - I know they'll be refreshingly, ravishingly beautiful.
I never liked surprises, but, hey. When your deity pops out with a new look entirely and it takes the breath out of you to see it - you get more accustomed to it over time, haha.
Sorry if I dragged this on, I love questions like these lol. I hope it helped!! Blessed be. 💛🤍💛
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dunmeshistash · 60 minutes
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How do you feel about Milsiril? Like what do you think of her interactions between the canaries, her goals, her intentions and morality? I keep seeing people with mixed feelings about her, some saying she's just toxic or morally grey or doing bad but with good intentions or that she's just a mentally ill and literally so much more, also with the comic about Otta calling Milsiril love for her children/Kabru as just love for a pet, I always saw people take it at face value and say yes, Milsiril did love them more as pets instead of children, did she take up raising/adopting non-elf children because she felt like none of them could ridicule her like the elves did because they didn't know what an elf was supposed to be like (and also because they were children) or did she inherently view them as less? I mean the canaries and I'm pretty sure almost all of the cast in dungeon meshi have some sort perspective on different races especially because how they were taught about them, i just think it was interesting to finally see someone interpret it as Otta just misinterpreting Milsiril, I'm just really interested in her, i think shes neat, sorry for the rant!
Ooh, well to preface this, I hadn't really realized Milsiril was such a controversial character before my last post, I kinda live under a rock. She's really not a character I had given much thought besides what I wrote there before it, but I can do my best to express what I have thought since with sources for it. I'm not sure what order to go thru so I'll just go by manga appearances and then extras, this will probably be quite a long post
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This is the first time she shows up in the manga, c h55, Kabru is wondering about what future they might have if the elves take them because of the ancient magic, he thinks about Milsiril as a get out of jail card, and mentions "There's a chance they would make us become permanent resident of the elven lands." with the image of Milsiril holding him. I don't think that means she would be the one to not let them leave, since this would be an issue of them being criminals, it does set up that Milsiril is quite overprotective tho, with Kabru's reaction to her teary hug. (rest is under a cut)
The next time she shows up is in ch61 right after Kabru falls down the dungeon along with Mithrun, he faints and has this flashback
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She's being her overbearing self treating Kabru's little injury as if its something you need to be in bed for, feeding him like he's a toddler, and when he insists he wants to learn how to fight and be strong like her, she hugs him revealing to us for the firs time her arm scars, she's cleary in distress too, so you wonder "what has happened to her?"
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It continues in the next pages, as she tells him to stay were its safe and there's cake, and describes the bad things he might encounter. Until he tells her he will go with or without her help
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Honestly this is a Kabru we don't see often, this is the version of him that is usually in thought bubbles, he's blowing out in frustation over being smothered and demanding straight up what he wants, instead of trying to manipulate Milsiril, very blunt for him. Milsiril straight up flips a switch into battle mode tho, when she decides to train him for real.
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I really thought this was funny, the visual of these cuddly toys and this Mom that was being so soft just a second ago completely flipping into something menacing is very amusing to me. The phrase "I'll give you an exhaustive, thorough training in how to use a sword... until you finally decide that you're ready to give up." although it sounds cruel, it seems she really trained him as best she could to make sure he would survive the dungeon, if he couldn't take the training with her he wouldn't be able to take the dungeon, but he was, so much so that he managed to go. I can see this being seen as her trying to prevent him from going but to me it seems more like some tough love from a traumatized war veteran in this case.
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The last thoughts he has is admitting his Mom was right, "Not only were there plenty of traps, monsters, and malice... but there were times when I felt so hungry and cold that I couldn't stand it.
And he concludes with "I never once thought that I wanted to go back there. That room where I could eat all the cake that I wanted..." While I can understand the interpretation that he means he would rather go thru all this than go back and I think its rather a statement to how committed he is to defeating the dungeon, the visuals show him in rubble vs him in a soft big bed, the rough reality he fought to face and the comfyness of what his life could be. Plus is mirroing exactly what Milsiril said to him. Admiting she was right about the bad things but that he won't give up for the safe easy life he had.
After that visuals of milsiril are used while Kabru tries to sus out Mithrun but she shows up again in Mithrun's backstory.
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Here she's straight up called Gloomy, which wasn't really the version of her we saw so far, gotta remember this is also how Mithrun saw her and that she was called gloomy as a way of bullying. Kabru mostly cuts off her part in the story until the end, when she's the one to find Mithrun after he was eaten by the demon
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She doesn't really care much for Mithrun as we see in some extras, and she was ready to mercy kill him, but she is also the one to spare his life, this could be seen as her thinking he can still be of use, and it's how it sounds with how Kabru tells the story, but I do think this was mercy, Mithrun was in rehabilitation for 20 years after being saved, by the time he was actually useful for anything Milsiril had already left the canaries and adopted Kabru.
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Now for extras... For Mithrun/The Canaries, Milsiril was cleary someone that hated the people around her. This is her extra in the Adventurer's Bible
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Milsiril seems to be the type that hates "popular kids" so to say, her description says she was bullied by other elves for being so introverted so I believe she has a grudge against people that succeeded where she failed. Realizing he was a twisted person like her seemed to make her feel more sympathetic towards him, that's why I think she really did act as mercy when she saves Mithrun, he's now someone she sees as similar to her, she sees he also suffered like her
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It also mentions she left the canaries specifically because she was disgusted with how the Utaya situation was dealt with. Yet it seems like she came back to help Mithrun with his rehabilitation once she quits.
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There's an interpretation to be made that she did this only to get "revenge" on the demon since she just saw the destruction of Utaya and that she's using him. On the other hand maybe she want's to help him find a motivation to live, she's no longer a canary and she has time to actually help him now. I don't know which one is the truth but it's not obviously something self-serving if you ask me. Especially in the context that right before this scene Milsiril admits she wishes they could have talked before.
My interpretation of her relationship with the canaries and other elves is that she's someone depressed that was mistreat for her 'quirky' side, the dolls are clearly one of the ways she used to cope with anxiety/depression but it only caused her to be bullied by her own kin, she's the daughter of an important family and it's shown in other extras, including one about Mithrun, that nobles send out the kids they don't want around to become canaries often. It's an easy way to get rid of someone undesirable and I think it was the case for Milsiril. (Pattadol even assumes her parents love her less for sending her to join the canaries).
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No wonder than that now that she's finally free from the canaries she chose to seek her own happiness away from the society she felt she could never fit into, she clearly likes to take care of children too, I think it's mean to assume she only likes them because she's "superior" to them when there's no indication that this is the case.
And I don't think it's a coincidence she's so overprotective of Kabru after Utaya, it's literally the tragedy that was the breaking point for her, and he's a surviving small child from it, Milsiril cares about Kabru and wanted him to have a comfortable safe life after everything he went thru...
This ended up getting way too long so I'll make second part tomorrow about the rest of the extras and Kabru, and some other things I've seen said about Milsiril, but to answer the questions...
I don't think she treats her children as pets, Otta is just salty she was called out for dating like Leo Dicaprio.
Every single dungeon meshi character can be called morally grey because they all have flaws that in our world can be considered unforgivable, but they don't live in our world. To me Milsiril is doing her best in the context she lives in.
Who even is neurotypical in dungeon meshi, Milsiril is yet another flavour of a neurodivergent traumatized character among so many.
I believe she thought of the other canaries, especially Mithrun, as the same type of people that were cruel to her, probably because some of them really were, but that she generalized it to the point she thinks of all of them as bad by default. You can only get hurt so many times before you assume everyone will hurt you.
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k0fii · 19 hours
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Mutual Love and One-Sided Obsession
Love is mutual and that's the fundamental difference of MiziSua and IvanTill. That's what Ivan understood in his final moments - and that's why he said his feelings were shallow.
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Prefacing this, not really an analysis but more of a personal connection and overview of the songs of alnst, with a quote from Richard Siken on love.
"If it was unrequited, it wasn't your first love, it was your first desire. You've got all your loves ahead of you. That sounds pretty great to me."
My Clematis; Love and the Significance of a Duet
My Clematis is a song that stands out amidst all other Alien Stage performances. Not only because it's a duet with the intentions of a tie, but also because Mizi and Sua are singing this song to and for each other. Instead of catering to the audience before them, they look to each other. In an act of defiance, they love each other. Sua sings to Mizi, as Mizi sings to Sua and this performance isn't for anyone else but them. It's beautiful, enchanting and Sua's death is made more painful by that love that's so clearly shown to the audience. Even as Sua is taken away from Mizi, nobody can deny the fact that they love each other. That the feeling between them was undeniably love.
Unknown (Till the End...); Idolization
In juxtaposition to My Clematis' heavy focus on the duet between Mizi and Sua, UTTE makes it a point to show how Till takes the spotlight all for himself one-sidedly, not even allowing his opponent to sing. In a way, this represents the extent of Till's idolization - only his feelings, the admiration for this idealized version of Mizi he has in his head are sang and borderline shouted out. The other singer is drowned out in Till's intense voice and declaration of love;
"Ain't nobody but you're the one that I'm feeling it's love"
However, Till fails to realize that the thing he wanted - Mizi's gaze to look back at him too - is rooted in reciprocity. It means allowing the other singer to get their voice out, it means allowing this preconceived notion he has of her in his head to be shattered by the reality of who Mizi truly is. UTTE is a representation of how Till's deluded image of Mizi overpowers the reality he currently lives in, it's a form of escape for someone who has always been shackled by chains.
It's a contradiction present in the song itself;
"I wanna know all about you (ya)"
For all Till sings that he wants to get to know Mizi, he never attempts to get closer to her and always, in his view of her, she's far away like an idol he can't reach. Like a god to a sinner that needs saving. It's the first desire of wanting to be saved, of wanting a saint to reach out their hand to you. And that first desire, as much as Till proclaims it to be love for its intensity, is known as something that's not love, something closer to obsession because of that very same intensity. Because that intensity prevents him from loving who Mizi truly is apart from who she represents in his head - again, it drowns it out.
Black Sorrow; Unrequitedness
Black Sorrow starts off with an admission; Ivan can't reach Till. He'll always follow him, even if he recognizes that all this will end in is tragedy. He constantly speaks of an absence - foreshadowing of Cure perhaps, but also of Till leaving him and turning back, of Till always choosing to not stay by his side, to chase for an unreachable idol. To the viewer, Black Sorrow is a song solely focused on Ivan but we can see in the video that Ivan allows his opponent to sing - a representation of his subservient nature but also perhaps of the fact he sees Till. He allows Till to sing out in deafening roars and sees him for what he is, and admires him for that. In contrast to UTTE's idealistic nature, Black Sorrow is very much rooted in reality. Till is pointedly not awake during this song - once again, he doesn't see Ivan but also he is not woken up to the reality that Ivan forces him to face. If not rooted in love because of the acknowledgement of unrequitedness, then what is Ivan's desire? It's to drown in his chosen black sea of sorrow.
Cure; Obsession and the Significance of a Duet
Ivan and Till both sing to someone who is not listening, they both sing to someone who is not looking at them in contrast to My Clematis.
"Dissolve me in your gaze
...
Please, leave me scars
Please, hurt me so that
Not a single drop of me remains
Let me drown in you"
Till wants to drown in the fantasy he's created for himself - going back to the sinner analogy, he wants everything of him that he views as wrong cleansed by Mizi's saintly presence. For once, Till lacks the same conviction he did before - he's pleading now, and asking as if praying to a dead god. Maybe it's because he thinks Mizi is gone, maybe it's because he thinks he's beyond saving.
"May they linger on your tongue
You can break me apart
...
I'll drown in you"
Ivan remains the same, steadfast in his determination and doubling down on his declarations in Black Sorrow. He doesn't ask - he knows his 'love' is unrequited, but that he will drown in it anyways.
"To this everlasting melody
Face to face we dance
With our story
Lost in forever's embrace"
Despite the lyrics stating that they stand face to face, they don't - one is always looking away. That's why, the story of what they are and what could've came to be is lost in the embrace of a time that's both not there and forever there. What they could've been is not what they are because of that everlasting melody, the obsession the two of them have that is distinctly not love because it's unrequited. Because they will always ask to be consumed in another's gaze instead of simply looking at each other and seeing. Because Till's first desire is to be saved and Ivan's first desire is to drown, the round would have always ended that way.
"Thank you for being the victim of my shallow emotions."
Ivan thought he and Sua were similar at one point. He felt jealous when he realized that the fundamental difference between them was that Sua was loved, and he was not. I think that in his final moments, he recognized this jealousy for what it was - the incessant human need to be loved and to be wanted. And what does that love entail? He sees it in Mizi and Sua, it means loving and being loved in return. That's what love is, and with heartbreaking clarity, he understands that it's not what has driven him or Till this far. A one-sided obsession could never be love, because love is always mutual. To love is to be seen, to be known. Ivan was not the former, Till was not the latter.
He steels himself, he will drown in these shallow emotions, just as he always planned (even if the sacrifice was not). He knows this sacrifice seems hypocritical, but it couldn't be with such a simple yet clear difference.
Compared to the deep grief brought about by the deep and intense emotions of love and loss, the pain he will cause Till will only be as shallow as his own emotions. Because it only reached Ivan, only drowned him and it never seemed to reach Till.
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