Jason as a nibbler, a neck biter, a vampire. Not literally, he doesn't need blood to survive, no, but the way his mouth somehow always finds your neck, always finds a way to catch his teeth on your carotid, you'd think he did.
He comes up behind you so innocently sometimes, his hands ghosting over your hips and his hair tickling your jaw. His beautiful, soft, jet-black hair that is so quickly replaced with sharp nips of his teeth. You pull away, pushing his head back with your hand, and he groans; what did I do, his eyes say when he lifts his head to look at you. "You're biting me." you point to the teeth marks on your neck, indents a little deeper where his canines were. "I'm loving you."
You patiently wait for the day he gets carried away and accidentally draws blood, the day when the permissiveness of your flesh gives way to this indulgent behavior of his. He'll nose at the tiny droplets of blood collecting around the puncture wounds, licking and laving as a pool of iron collects on his tongue. Pulling away, looking like a wolf who's just devoured its prey, with blood smeared on the tip of his nose and his pupils blown wide.
He'd tasted blood before when he'd punched too hard, when he'd been punched too hard; the taste was always bitter in his mouth, too metallic, and always lingering long after he'd washed it away with water, but not yours. No, yours was welcome, just as bitter and metallic but also sweet? Comforting? Welcome? Yes, welcome. He'd welcomed you into his life a multitude of times, made room for you in places he'd previously thought to be too cramped. In his home, in his mind, in his heart, but the one place he could never figure out how to integrate you was his body.
Of course, he'd had sex with you, let you touch him in ways he had never been touched before, seen him at his most vulnerable, but it would never be the same for him as it was for you. You could never be inside of him the way he was inside of you. He thought he'd never know how it felt to walk around with ghosts of you inside of him the way you did when he came too deep or stretched you out too much. He thought he'd never know what it felt like to carry a part of his lover around with him outside of a material object. Now, he knew otherwise; he knew there was an alternative—a painful, bloody alternative—but an alternative nonetheless.
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“This is unnecessary.”
At Blade’s snide comment, you pull sharply at the strands of his hair in your hands. He grunts in displeasure before obediently quieting down, only a little scared of you scalping him if he annoys you any further.
Perched behind him on the couch while he sits on the floor, your hands find themselves coming through his hair (long, smooth, untangled despite the fact that you’ve never seen him take a brush to it). Your efforts to part his hair with just your fingers are fruitless. His hair is thick on the top, so much so that you’re surprised his neck doesn’t constantly ache with the weight of it. Your hands pause, resting on the top of his head while you try and figure out how you’ll style it.
“Be nice,” you warn, two hands on the sides of his head tilting it from side to side, treating him as a foam mannequin on which you can project your very thorough cosmetology skills. “Your fate is quite literally in my hands. I could knock you out and shave you bald very easily.”
“I don’t doubt that,” he says earnestly, and you can’t help the way your lips twinge into a smile. “This is clearly a hassle. My hair looks fine the way it is.”
“It does,” you admit, “but wouldn’t it be nice to try something new? And at no cost to you, aside from mild scalp pain. I’m good at hair. I did Kafka’s that one time.” You fail to mention that it was only one time for good reason. Kafka said that you handle hair the same way a lobster would handle a violin—that is, with clumsy hands and a clear lack of refinement. She had to hide every pair of scissors from you in fear that you'd give Silver Wolf microbangs.
As if on cue, your fingers get caught in an unexpected snag in Blade’s hair, and you pull and tug and yank as if expecting it to untangle on its own. Blade hisses and reaches a hand back to smack you on the wrist, turning around to glare at you.
“Watch it,” he orders, gentle but firm. There’s not enough heat in his words to scare you, and his eyes are a particularly beautiful shade of copper in the dim, flickering light of this dingy lounge room. Whatever you say, beautiful, you think to yourself hysterically.
After a few half-willed apologies from you and some nudges of encouragement, Blade finally relaxes enough to turn back around and tilt his head back in your lap, letting your fingers play with his hair nonsensically. A braid, you decide, would look quite nice on him. One long one down the back. If you had ribbon, you’d use some to tie his hair, but all you have is one of Kafka’s tragically thin hair ties.
“It’s a nice color,” you comment absentmindedly, pretending that you can’t see the way Blade’s eyes have shut in contentment at your gentle prodding. “It changes in the light a little bit. It looks very blue now, but I’ve always thought it was black.” You section his hair off into three pieces, loosely laying one over the other over and over again. The aged gold ornament still hangs securely in his hair, and you don’t do anything to move it. It suits him.
“It’s natural, if that’s what you’re getting at,” he tells you, the slightest twinge of a joke in his voice. It plays at your smile and at your heart, too.
“You say that now, but you’ll be scrambling to come up with a lie when I find box dye in your bag.”
He only hums in response, reluctantly enjoying the feeling of your hands on him—they’re gentle, and you can imagine he’s not quite used to this. It’s an addictive feeling, to have him at your mercy, even with just your hands in his hair. There’s trust, unspoken, lingering warmly in the air and settling like condensation on your skin. You could very easily do a number of things that would hurt Blade—kill him, almost. You’ve only ever thought of it a few times, and those were all a very long time ago.
You don’t think of it that often anymore. All you’re paying attention to is Blade and the splitting ends of his hair and how nice he’d look with a red ribbon tied in.
“We should go shopping,” you tell him, voice close to a whisper now. You’ve secured the end of his braid already, and your handiwork is admirable. The strands are neatly crossed over each other, uniform in size with each other as they taper down into the end. “Some clips for you would be nice.” Absentmindedly, you comb through the layers of hair near his face, digging your fingers gently into the sides of his face and scratching at his scalp.
“And where exactly would we go shopping? We’re not exactly upstanding members of society in some people’s eyes.”
“Then I’ll make clips for you,” you say, a naive kind of dedication in your tone. “I used to work with metal, a little bit. I could make jewelry. Ornaments for your hair. I’ll put a ribbon in next time.”
“What makes you think there’ll be a next time?” Blade asks doubtfully, in steep contrast with the way he lets your hands roam along his scalp, and the way his head leans back into you as if he’s comfortable.
“You’re a loyal customer,” you quip, “you’d never let somebody else do your hair when you have me as a dedicated stylist.”
“I’m your only customer.”
“I know,” and in a moment of weakness—because at the end of the day that’s what you are, weak, malleable and moveable when you’re with Blade like this—you lean down just a little bit, pressing a stupid clumsy kiss on the crown of his head. Your fingers trail down to trace the bumps of the braid, the divots and grooves in it, made by your hands, and yours alone. “That just means I can put all my effort towards you alone.”
“You shouldn’t.” And he means it when he says that, and it hurts you, puts a sickly pang in your chest that you want to reach for and tear out before it grows into something worse.
“But I will,” you tell him. Blade is stubborn, but not stubborn enough to keep it up. Not now, not here, not when the overhead lights are flickering and making his hair look just a little bluer, illuminating the warmer ends of his hair, glinting off the metal ornament still clipped into it. He rests between your hands, still sitting on the cold floor, pretending that he isn’t falling asleep with you like the fool he secretly is.
—°+..。*゚。*゚+.*.。.—
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Some thoughts on Lucifer's mental health, relationships, and role as king of hell!
Lucifer’s perception of himself as the king of hell is really interesting to me because he’s very blase about it in canon while totally using it when it suits him.
I think it’s really telling that the first time he actually brings it up himself is when it’s something he can leverage to help Charlie out. He reads to me like someone who objectively knows that he’s the hottest shit in town, but also just doesn’t really think that it matters most of the time because it's not relevant to his personal problems. Being Lucifer Morningstar did not allow him to achieve his goals in petitioning heaven. Being the most powerful person in hell didn’t even un-fuck his family life!
...Except for when suddenly it might in fact help un-fuck his relationship with his daughter.
It's the main thing he can desperately and dramatically showcase as a worthwhile reason for Charlie to maintain a relationship with him, because he as a person is depressed, half-functional, and barely has enough spoons to pay attention to a conversation he's having with her while he's actively having it, nevermind remembering their last one.
He wants to! And it doesn't start with his song at the hotel! It starts with him answering the phone, heavily fumbling actually connecting with Charlie despite clearly desperately wanting to, and then realizing she's asking him for something and promptly choking on his tea before excitedly telling her, "Yeah! Of course! Anything within my power is yours for the asking, you just name it." He knows that there is a great deal 'within his power,' and he's happy and relieved that he can offer her that!
Lilith has been gone for years but he's still wearing his wedding ring. His walls are still covered in family portraits. He's just been sitting in his room making thousands of rubber ducks he thinks suck instead of ruling hell, because his daughter liked that one duck he made one time.
Charlie needed him to support her in her mission, but damn did Lucifer also need Charlie to get him out and moving and actually doing things again.
Anyway, someone get this man on an SSRI.
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