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#i want to watch more sci fi
songofsaraneth · 6 months
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tv show reccomendation: Scavengers Reign!
adult animated series on HBO Max about survivors of a spaceship wreck surviving on an alien planet, a pal originally pitched it as "Nausicaa meets Annihilation vibes" in terms of whimsy + body horror elements, and I think that both fits and is a compelling way to describe it. the plot isn't the most in depth but I think that allows the show to wrap everything up nicely in the 12 eps and maximize screen time on the best part which is the alien planet's ecology and worldbuilding.
it was also just very refreshing i feel like theres been a divide in western animation in recent years where a lot of "adult" shows are that way solely because they're crude/sexual/edgy, and meanwhile anything "whimsical" gets slotted into kid genres and is therefore limited in how far it can push anything. so its nice to get a show that balances whimsy with body horror elements without relying on like, sex or fart jokes.
also the last episode has a really gorgeous animation sequence nearish the end, you rarely see animation of earth-biology/geology/evolution done with such care and attention to detail, and it was really wonderful to see how much effort the writers/animators put into that aspect of the show and clearly loved it + wanted the viewer to love it too
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pinemangoart · 7 months
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What’s that one post that goes “the rule of fandom is to attach yourself to 1 obscure character and make them your whole personality” or w/e bc I am reeeeeeeally feelin that one
Anyways I have only 3 more of these to go
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ssaalexblake · 11 months
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I feel like 13's era is much more grounded in reality than the others. I think that throws people. It's still ridiculous and fantastical but it leans far more into the idea that This, for however silly it can be and that the doctor is real here, is the world You live in. These are your problems be it societal or personal. The doctor can and will help, but they can only do so much. They cannot magically fix a societal issue no matter how much they want to, they can't solve us killing our planet. They cannot stop violent people using violence for the sake of it. They can't solve systematic poverty. There is optimism in hope in that 'hey You can fix this if you want to and try' but the Doctor isn't expected to have an answer. They cannot come up with a band aid to fix a societal issue in one fifty minute episode but they sure can yell at people about it.
It puts it on Us.
Which honestly, the state of the world? It's not a bad challenge to issue.
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freckleslikestars · 1 year
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Trust me, sweetheart, running away isn't gonna make things better for you. Workin' tables here, it may not feel right, but at least you got a roof over your head, and some friends who care about you. May not feel like your life right now. Just give it some time, okay?
Stargate SG-1 | 10.08 Memento Mori
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bossladytae · 1 month
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~
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ketchup-monthly · 2 years
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Batfam members favorite sci-fi shows:
with the help of @space-specs
Bruce- Doctor Who (i vote he’s either a 12 fan or a 9 fan -ketchup)
Dick- Star Wars: The Clone Wars series (2D and 3D)
Babs- Firefly (just look at the cast.)
Jason- Babylon 5 (also probably a big Star Trek TNG fan)
Tim- Star Trek: Discovery (but grew up watching Voyager and is definitely a Harry Kim fan)
Cass- Star Trek: The Animated Series (has so many of the gifs and screencaps to use as reaction images)
Steph- Star Trek: Lower Decks (its so much goofier than live action star trek stuff and she really vibes with Beckett Mariner)
Duke- Star Trek: Deep Space Nine (there’s so many complex interpersonal stories and also Commander Sisko is a badass and a fantastic dad that a kid who lost his dad would look up to so much)
Damian- Astroboy (just look at it. just look at it. like gently holds -specs)
Cullen- Star Trek: The Original Series (idk he just seems like he’d enjoy some really homoerotic-not-at-all-homoerotic space dramas)
Harper- The Mandalorian (just LOOK at the suit designs, omg -specs)
Kate- The X-Files (gay people. also badass hot redhead)
Alfred- The Twilight Zone (its a classic, and he’s a classy man. plus i imagine that when he has time off, he just wants to indulge in something wacky and lighthearted instead of all doom and gloom)
Terry McGinnis- Quantum Leap (i have no explanation except that i think he’d like it -ketchup)
Matt McGinnis- Cyberchase (”it’s so retro!~” -ketchup, as Matt)
Jarro- Futurama (it just is. look at him. then look at futurama. then look back at him. then look back at futurama. now look back at him. now it makes sense to you.)
Drake Winston- Westworld (he’s a batfam member in my heart and deserves to be here. also he just would be, and specs agrees with me -ketchup)
Carrie Kelley- Misfits (robert sheehan. -ketchup)(enough said -specs)
Jim Gordon- Hitchhiker’s Guide to the Galaxy (yes it was a show. he’d like the books as well (all 5 of them), and the movie)
Bette- Lost (she just seems like she’d enjoy it)
Luke Fox- Battlestar Galactica (i vibe-checked it and it checks out -specs)
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piebutt · 3 months
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scavengers reign was so fucking good i'm fucked up
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sorenlionheart · 4 months
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you want to hear about my ocs so bad
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thefanciestborrower · 2 years
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Proposal: safe vore is wildly underutilized as a tool in sci fi projects. All these aliens and you're telling me none of them went "I can store my friends inside of me" or "smuggling people is way easier when they're tiny and in your stomach"
I've been looking at star trek tng for a rewatch recently and I think adding that to part of the culture shock would be excellent
YES YOU! YOU GET IT! Vore as a sci-fi plot device is already top tier, but when you couple it in with cultural differences it’s actually amazing. Like, considering the amount of animals that have weird ways of carrying their young it would honestly be weirder if aliens didn’t have a similar sort of thing built into their culture and/or anatomy. To them it’s as logical as putting something in a pocket or bag, but of course humans don’t tend to associate being eaten with anything good, so the amount of misunderstandings that would crop up is hilarious. Plus there’s ample room for translation errors as well which would be super entertaining 
PARTICULARLY in the TNG series though oh my gosh. I imagine if it’s something done by a species the federation is familiar with it would definitely be covered in the academy, but hearing about it a lecture hall is waydifferent than seeing/experiencing it first hand. The more experienced of the crew would most likely be pretty adept at handling such a situation, but of course you’re always gonna get an ensign who freaks out about everything coughWesleycough. 
I have, way too many thoughts on every member of the tng crew tbh so I’m not gonna dump them all here but...just know I absolutely headcanon Data to have a functional stomach. Why? Well if there are certain species who use eating someone as a means of protection and transportation and such, then I feel like putting that sort of function into an android might be seen as a useful thing to do. If nothing else it makes internal maintenance easier lol. And also I just like robot vore and have a pred crush on Data don’t judge me. No one except maybe Jordi knows he can do that until it becomes relevant so I’m just imagining the chaos such a discovery would cause and wheezing about it lmao. 
Now don’t get me started on how everyone would react to finding a species who sees eating someone for one of these reasons to be perfectly normal for the first time. Now that would for sure cause some misunderstandings and just try and tell me it wouldn’t make a fantastic episode. Just try. Ughhh sci-fi alien/human culture shock is already way fun but when you add vore in there I swear it becomes so much more entertaining 
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sketchy-galaxy · 7 months
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Have been hearing from several professional and unprofessional critics alike that 65 was a disappointment, can you give a more thorough explanation as to how the script is lacking? Most importantly what about Driver's acting,did the poorly written script managed to affect his performance in a degradable way?
The actors did great with what they were given, the main problem was that they were barely given anything. It felt like a first draft because the characters have almost no personality, the relationships and themes are undeveloped, and it doesn't do anything with any of the ideas it introduces.
Like, first the set-up is super paint by numbers, serviceable but ponderous and overdone. Then the sentimentality they're trying to bring to it to give Mills pathos is just incredibly hacky. He's a pilot going on a two year assignment to pay for his seriously ill daughter's medical treatment, analogous to a technical diver or someone in the military. The daughter has Occasional Cough disease and is classically precocious while being played by an actress too old for how young they're writing her.
Anyway, they keep hammering on Mills having pictures and videos of her and constantly play them. These videos are entirely free of content and tell us nothing about either character. It's like placeholder dialogue. This is very tedious. I get it, he has a daughter.
But the main thrust of the film is the crash, the desperateness of the situation, and the renewed quest to escape once he realises there is another survivor. Mills the character has to carry almost the entire movie essentially alone, because Koa the other survivor does not speak a language he (or we the audience) can understand. And I think Adam could easily do that, he's a very engaging screen presence even in this, but they give him zero tools. Mills sends one message and then does not make further attempts or audio diary entries or anything like that. He doesn't talk to himself. He doesn't talk to Koa much and when he does talk to her the writers haven't thought at all about how people who don't share a language can communicate.
There's one scene where he draws for her, but it's horribly executed and for the rest of the film he just shouts slowly at her and when the plot needs her to understand, she magically does. There's just barely any effort made to establish a connection between them, we're supposed to care because she's a little girl and remember he has a daughter. It's especially stupid because one of the few things the movie bothers to tell us about Mills is that he's heroic. He considers suicide when he thinks he is the only survivor in a hopeless situation, he doesn't want to endanger anyone by calling for rescue and clearly has guilt issues, but he becomes determined to save that person the moment he discovers someone else is alive. It's clear he would have done this for anyone, it's not because Koa is a young girl.
If he'd had a monologue where he recorded his experiences for anyone who might recover the ship, or messages to his wife, or if he just thought aloud, or if he'd really tried to communicate with Koa, we could have seen some personality from him and the whole movie would have worked imo. Adam is more than charismatic enough to carry that off. But with the boring dialogue, no personality, and cloying hack sentiment the only thing going on... it's just empty when they try to make us care. You can see all the strings. Every device they use is so obvious and so unthoughtful.
There were one or two really funny/cute moments, but it's sold entirely by the actors with no dialogue.
There's also some bad blocking and confusing scene construction that undermines the performances, but it's not super embarrassing or anything, it's just not good. There's no support for the heady emotional moments or some of the intense physical moments, the actors are just adrift trying to sell it without context. So the script didn't really degrade Adam's acting apart from not giving him anything to work with, but the director does let him down. It's not an impressive showing for anyone.
But like, what is the point? We find out his daughter died while he was away despite the treatment. Was that necessary? He needs a dead daughter to bond with this orphaned girl on a hostile planet? He doesn't have an arc about learning to value life or wanting to live again, he is willing to give up out of guilt and despair and then instantly changes his mind when someone else's life is at stake. He's a selfless person, he already was, the only reason he's on this mission in the first place is because he's willing to do anything to save someone. Nothing happens on a character level. I'm not asking for much, it's a very simple story and that's fine, just something to invest in. It also has nothing to say about emotional connection without words or communication or language- why make them unable to communicate if you're not going to do anything with it?
He lies to Koa that her family is waiting for her at the escape pod to get her to come with him and that's supposed to be our stakes (the only stakes the film has besides 'will they die'), but it's just goofy because it's so haphazard and it's so unclear what she even thinks is happening. She's even more of a blank slate than Mills so I felt no tension about the lie or their relationship. When she finds out, it's deeply blah.
It just feels like there's no thought behind it and there's not enough effort put into it to make it as mindlessly entertaining as it should be either. Even a dumb action thriller needs character. There are good sequences, but way too many parts of it seriously drag because of how underwritten it is. I'm also really annoyed about a) the replacement goldfish plot of them killing his daughter so he can bond with Koa as though a man can't just care about a child in danger because he's a decent person and b) his wife is in the opening scene doing exposition and then she is literally never mentioned again. He has no pictures or videos of her. Getting back to her is not part of his motivation. We will endlessly harp on his dead daughter but the wife is chopped liver. Fuck you, movie.
But yeah the scene with the flower may be bog standard but it worked. Adorable, funny, A+ no notes. Again, credit to the actors because this is a super paint by numbers moment but they sold it. If they had leaned into the comedy a tish more, this would be a blockbuster. Every moment of deadpan with Mills, usually completely non-verbal, is stellar. He is funny and letting him be more funny would have saved this. Let him John McClane it up. They already have him getting progressively more injured as the film goes on, if they'd just let him talk to himself and be sarcastic this thing would have worked.
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plowolffe · 7 months
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naomiknight-17 · 2 years
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I have finished watching the Orville
What a great finale. If this is the end of the show, I'm happy. If there's more, I'm also happy. Great job to everyone involved
Man was I grateful for the levity in the final episode, we really needed that after how stressful most of the season had been. And I'm very happy that the couples I support (and their children!) all seem to be doing well
But on that note... Bortus, uh... Bortus should not try to do Gordon's job in any way shape or form ever again
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happybunnykat · 10 months
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The best episodes of sci-fi tv shows are when they are clearly making it about a social justice issue they feel strongly about and want to see changed. The second best episodes are when the writers have what is clearly a thinly veiled obscure fetish as the plot.
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lesbiten · 1 year
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ianto jones. send tweet
ianto jones post tweet
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hometownrockstar · 2 years
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look i also dont watch kids cartoons bc im older now and theyre obviously not written for me and i greatly enjoy the various adult shows n stuff ive watched and find it more narratively interesting and fun to analyze but i dont think its like the fall of society if an adult still likes some kid shows or games ok not even talking abt the people who refuse to let go of harry potter or whatever else ok can i be a centrist on this for once.
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