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sunkupng · 2 days

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𝜗 ˖ Grave/goth frames

⏝︶︶⏝︶︶⏝︶︶⏝︶︶⏝︶︶⏝

╭╨╮ ✦ F2u . . . creds if you repost

╿░╿ ˖ ≽ Graveyard/goth inspired frames ︵︵

╿░╿ The left one works better with dark mode ✚

╰╥╯ ⟆⦂ and the right one with light mode

#rentry graphics #rentry #rentry resources #rentry decor #sntry #rentry stuff #sntry decor #sntry graphics #sntry resources #rentry frames #transparent png #rentry png #goth #black graphics #image frames

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lavendergalactic · 4 days

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☆ 　pink graphic frame!

f2u WITH CREDIT, reblog appreciated from my dottore edit

i don't know what character to use for this and i don't want this really pretty frame to go to waste so you know what, you can have it LMAO

#☆ ◟ my edits !#aesthetic #aesthetic decor #aesthetic resources #frame #image frames #rentry decor #rentry frame #rentry resources #rentry #sntry decor #sntry frames #sntry resources #sntry

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weandthecolor · 1 year

Photo

Download this Frame Gallery Wall Mockup for Adobe Photoshop

Download here.

Follow WE AND THE COLOR on: Facebook I Twitter I Pinterest I YouTube I Instagram I Reddit

#design #graphic design #adobe #frames #image frames #pucture frame #frame mockup #photoshop #photoshop mockups

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littlemsterious · 10 months

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i was thinking about that post comparing Jessica Rabbit as an asexual to Barbie and an asexual and then i thought of the Neil Gaiman post (was it a post?) about Crowley and Aziraphale being asexual sexless and then this happened.

anyways. thoughts?

sorry it took so long I meant to do this a week ago but my brain is full of rocks.

[Image ID a three sided venn diagram. the big circles show Margot Robbie's Barbie sitting in front of a mirror, Jessica and Roger Rabbit from the poster of Who Framed Roger Rabbit, and Aziraphale and Crowley from Good Omens standing back to back. Between Barbie and Jessica Rabbit it says "sexualised by society". Between Jessica Rabbit and Aziraphale and Crowley it says "Knows what sex is". Between Aziraphale and Crowley and Barbie it says "no reproductive system(?)". the center is the asexual flag. End ID]

Also i haven't seen the Barbie movie as of this edit so at least please tag your spoilers.

#please enjoy this i made it look so pretty #barbie #jessica rabbit #who framed roger rabbit #good omens #ineffable husbands #crowley #aziraphale #asexuel #i will do an image id later I’m sorry words dont exist right now #i’ve had a lot of the same questions i will respond eventually. maybe. we’ll see

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mahoneys-framing · 2 months

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Photo Frames

Mahoneys Framing specialises in creating excellent photo frames to enhance your treasured memories. Our professional craftspeople create frames that not only highlight your images but also provide an air of refinement to any environment. Mahoneys Framing brings your photos to life in elegantly fitted frames, preserving your memories as everlasting keepsakes.

#Photo Frames #Image frames #Photo frames #Photo frame #Australia photo frame company #best photo frame company

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egophiliac · 27 days

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bring back zooterkins, the best 17th-century swear word

I don't normally do Just Characters Swearing, but. ...this kind of wrote itself and then wouldn't leave my head. it comes from both a piece of character-writing advice that has always stuck with me, and also my conviction that Leona is 1000% funnier as a character if his dialogue has to stay G-rated. let Kalim say fuck, but don't let Leona say bastard.

(I'm sorry)

#art #twisted wonderland #(sort of atemporally somewhere between episodes 6 and 7?)#(i - i wanted that lilia joke okay)#long post #tumblr went 'you can post up to 30 images now :)' and i was like well okay then #anyway once again i'm sorry #i'd say i don't know why i did this but actually it is because i wanted kalim to scandalize everyone #i tried to keep it...you know...tasteful. a tasteful amount of fucks.#hey remember how the framing premise for the original birthday interviews was that yuu worked for the school paper #because i have never forgotten. in my head they are still getting up to all kinds of wacky reporting hijinks.

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nemfrog · 3 months

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British mammals. n.d. Title page detail, processed image.

Internet Archive

#graphic design #title page #animals #processed image #frames #nemfrog #1k

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horang-07 · 6 months

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FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!

i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.

i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.

in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.

this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable

it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.

then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.

he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.

finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.

it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.

in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.

#fnaf #fnaf movie #eden rambles #william afton #matthew lillard #springtrap #five nights at freddy's #fnaf spoilers #idk i thought it was a great scene #ppl just need to manage their expectations of what fnaf 1 Actually Is in isolation #not the years of other media and fandom and lore and theory #we literally saw him get springlocked one time in 8 bit with no audio and four frames. how is this worse in comparison #wanna make another post talking abt how the film explores images vs the reality when you look deeper #specifically abby and her drawings/the drawings at freddys vs mike’s motivation being based on the images he sees in his dreams #and how it’s so perfect for fnaf 1 being a game almost entirely made of just scary images without actually exploring the reality #that these robots are Children and Scared and Lost #tldr the fort scene was necessary

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seraphmaws · 5 months

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Sanrio Overlay Frames!

[Hello Kitty -> My Melody -> Kuromi -> Cinnamoroll -> Pompompurin -> Keroppi -> Chococat -> Aggretsuko]

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I know there’s already a hello kitty mask floating around out there, but i made masks of some other popular sanrio characters as well! some of these aren’t as clean as the others, but eh, minor oversight /s. have fun with these! (the dimensions for these are 768x768 btw!)

#〔♱〕 a nephilim’s creation﹒⟢#rentry graphics #rentry resources #resources #overlay frame #overlay #image mask #sanrio #hello kitty #my melody #kuromi #cinnamoroll #pompompurin #keroppi #chococat #aggretsuko

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crabsnpersimmons · 3 months

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This one goes out to all the slow burn enjoyers, the dense Y/Ns, and the soft robo jesters that suffer in silence!

Inspired by @bamsara's “Solar Lunacy” fic.

If you feel like reading my ramblings and want to experience more heartbreak for fictional jester blorbos, check under the cut where I detail all the planning behind the frames!

so i heard this song for the first time in a while and the opening lyrics immediately made me think of moon, so i was daydreaming some scenes and then i decided to thumbnail some ideas:

and it all went downhill from there as everything became a metaphor and a parallel to each other, which i will now go into detail on!

you thought the animatic itself was sad?

*writing muse laughs maniacally* IT'S ALL A METAPHOR

Frame 1. "turn down the lights" We start with a back view on Moon. The lights are out, the Moon is out, but we do not see his face. The music and the greyscale atmosphere are enough to establish the weight of the moment and the weight on Moon’s mind.

Frame 2. "turn down the bed" We cut to a shot of Moon's body, kneeling on the ground of the daycare, like a padded cell. Moon’s hands are twitching with the effects of the glitch, with purple sparks coming from his hands. We still do not see his face.

Frame 3. "turn down these voices inside my head" Cut to an extreme close up on the dark half of Moon’s face. Now we see his face, but only a portion of it. His left eye is wide open, red and glitching out. The voices in his head can refer to the glitch but also his repressed feelings. Or maybe it could be Sun's voice in their shared headspace.

Frame 4. "lay down with me" Y/N's hand enters the frame from the upper right corner, lowering down to meet Moon where he kneels on the ground. Only a corner of Moon's face appears on the bottom left corner of the frame, his starry nightcap beginning to cover his glitched left eye.

Frame 5. "tell me no lies" An full shot of Moon on the floor and Y/N standing in front of him with their hand stretched towards him. A light spills out from behind Y/N, creating a boundary between them.

Now we see more of Moon. It is only when Y/N enters the frame—enters his world—that Moon’s body is shown in its entirely. When Y/N is here, he is no longer fragmented. He is whole.

Frame 6. "just hold me close" pspspspsps Playfully, Moon extends his own hand, beckoning Y/N to come closer, to join him. His right hand crossed over his body as he uses the playful gesture to hide his true feelings—to put distance between him and Y/N. His hat continues to cover his glitching left eye. He doesn’t want to worry Y/N.

Frame 7. "don't patronize" In response, Y/N’s hand pats Moon on the head, returning his playfulness. Moon looks surprised by the action. Moon, notably, does not lower his hand—perhaps he has forgotten it or perhaps his invitation is still open.

Frames 8-9. "don't patronize me" Moon rotates his faceplate so Y/N’s hand is touching the side of his faceplate, a more intimate gesture than a head pat. However, his hat is in the way. At this angle, his starry nightcap fully covers his glitchy eye and the dark side of his face, hiding his defect and acting as a veil between him and Y/N. A self-imposed boundary. So close, yet thinly separated. It's better this way. It's safer this way.

The lyrics are broken up by Y/N's arm, both to illustrate how the song is sung ("patronize" is drawn out and "me" is briefly added in before the chorus starts) but also to show how Y/N interrupts Moon's resolve, highlighting the irony between the visuals and the lyrics. Demanding not to be patronized, yet Moon happily accepts this play at intimacy. Don't patronize me, I am weak for it.

This is also the only instance where the red light of Moon's eyes glow and tint the surfaces around it. Visually, it makes it look like Moon is blushing (heavily inspired by @restinsodaroni's art). But also, in this moment of honesty, Moon's intrinsic light spills out, colouring the greyscale world. In this brief moment of honesty, Moon touches the world with his own colours, his own light.

(and this is also where i forgot to clean up the shading on Y/N's arm, but it's okay it doesn't need to be perfect it simply needs to be. And Moon will still love Y/N even if they are a continuity error.)

Frame 10. "'cause I can't make you love me if you don't" A parallel to a frame 4, Y/N retrieves their hand away and immediately Moon is reduced to the corner of his faceplate in the frame. Only now his glitched eye is fully covered by his hat.

The lyrics here (and in the next frame) in particular grow lighter to emphasize Moon's diminishing resolve and agency.

From here on out, the lyrics here are broken up, carrying on this theme of fragmentation. Y/N is pulling away, Moon is breaking up, the words are breaking up. Everything is coming apart.

Frame 11. "you can't make your heart feel something it won't" Y/N turns to leave. The lyrics, broken up as before, highlight the irony of the situation. Y/N, a human, can’t feel something they simply don’t feel. Whereas, Moon, the machine, feels something his code never intended him to feel.

Frame 12. "here in the dark in these final hours" Another full shot that parallels frame 5, as Y/N steps towards the light and Moon leans forward into the space Y/N once occupied. Y/N is leaving—that which makes him whole is leaving. And he is only capable of making it to the boundary where the light cuts into the darkness. The "final hours" suggest it might be the end of Y/N’s shift, or perhaps this scene takes place right before the glitch takes over—the final hours that Y/N has with the true Moon. Either way, time is running out—and only Moon knows it.

There is a contrasting display of body language here. Moon is on the floor leaning towards Y/N with his hand still left out. Whereas Y/N is turned away, walking away, and has already slipped their hand away and into their pocket. Y/N is closed off while Moon is limply open. Y/N is actively moving while Moon is on the floor, waiting, hoping, for that which he lacks the agency to reach for himself.

Frame 13. "I will lay down my heart" A close up on Moon’s hand, rising up again, perhaps to beckon Y/N back once more. This is a slight parallel to Y/N's hand reaching out to Moon. While Y/N can freely reach out and touch Moon, Moon cannot. He can't enter the light and more importantly he can't risk potentially harming his relationship with Y/N—be it through the glitch or by his feelings. He can only lay down his heart—put aside his feelings or hope that someone will pick up his pieces and make him whole.

Frame 14. "and I'll feel the power" Still on a close up on Moon’s hand, now clenched in slightly. This initially was going to have the glitch effects. However, I felt it more meaningful for it to be left without. Leave it up for interpretation why Moon pauses his hand. What is the power that he alone feels and stays his hand?

Frame 15. "but you won't, no, you won't" A parallel to frame 1, a view of on Moon's back with his hand stretched out towards the light, and Y/N walking into the light spilling through the open daycare door.

The placement of the lyrics suggest two different “you won’t”—Y/N who won’t realize Moon’s feelings, and Moon who won’t dare speak them into reality.

Another note on the parallel to frame 1, this time we also see Y/N's back, but it is notably different from our view of Moon's back. With Moon, we literally see inside him through the hole for his loop. However, Y/N is shrouded in shadow, just a solid, obscure silhouette against the bright light of a world Moon—and Sun for that matter—are closed off from. We don’t see into Y/N, just as the Daycare Attendant doesn't have any vantage point of Y/N's life beyond their time at the PizzaPlex. (The unfortunate reality of a being a character made for the purpose of being a vessel for the reader.)

Frame 16. "'cause I can't make you love me" We finally cut to face Moon head-on, frozen in place with his hand stretched out, unable to cross the boundary into the light. His eyes have gone dark. Where we began by seeing bits and parts of Moon, and never seeing his full face—now we, the viewer, see the full Moon, open and vulnerable—unbeknownst to Y/N.

Frame 17. "if you don't" But in the dark, behind closed doors, there is no one to perceive him—no one to receive him. The light dwindles as the daycare doors are closed. Moon stays frozen where he kneels. It is no longer the glitch that plagues him, but a far deeper dread.

But a lone streak of light peaks through the gap in the daycare doors. Perhaps that is just enough. A silver lining. A frail hope. A single, ethereal thread out of darkness and into light.

Thanks for reading and watching!

We'll be back to our regularly scheduled fun and games shortly!