There are some scenes in BSD you could have fun with actually
A doctor becomes the leader of an organization by killing the last one, making it look like natural causes somehow with the witness being an apprenticed aged guy telling him to say that the former leader said that his successor was the doctor
Like that would be cool as shit in bonewarriors. Evil medic that gained power in a way that people can’t question but also like… should? Would be a hell of an exploration I think
Ok but like, that's Good writing. Good writing isn't as much fun to fix. From what you're telling me, Bungo is a Good series
If there was any anime I was going to beat with a hammer until it's a good story it's Naruto. That is the kind of anime that's so close to being good its ending will fold a protein in your brain wrong and become a prion disease
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If I could get tooth rottingly sincere here for a second.
The thing is I want TBB to have a happy ending more than I want air. And I know that all the predictions are more trauma, more death, more sadness, maybe everyone gets rogue oned and Omega grows up alone, and I'm not even saying that it's unlikely but god I do not want it. At all.
TBB has been about adapting to change, their changing lives and circumstances, their changing dynamics as a family, the change of having Omega in their lives, losing Cross, everything. But if it actually fully has a tragic ending, it will feel like all that change was for nothing. They were born in tragedy, lived a tragedy, died a tragedy. What's the point?
I am holding out a hope that this is just one long earn your happy ending that ends with them safe together as a family, whether they retire on Pabu or they are going to be doing missions for the clone rebellion, helping to rescue and ferry clones to Pabu as refugees, maybe. I think that the most meaningful thing that any clones can be allowed to do in this story is live. We've watched them be sacrificed by the hundreds for years, I just kind of want them to be allowed to fucking live. All of them, the batch and Omega. If they do a sequel series that follows the clone rebellion in a more general way, if someone dies for good there I can deal with it, but I want at least one story, one series, to show a little bit of change in the clones lives from start to finish.
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i think, and this may just be my zekrom bias speaking, that if someone wants to experience the full value of bw's story it's better to play through white first. black has the issue of coming off as very dismissive towards plasma's legitimate and well-founded claims that pokemon abuse DOES occur (and it does! from the kanto games' marowak to bw2's liepard there's instances where it's put in the spotlight, so it certainly does happen)... by assigning the protagonist to truth, it feels pretty evident that n's beliefs are "wrong", and the game just seems to brush any questioning aside.
on the other hand, white giving n the hero of truth role means we're basically forced to think about what that means for the relationship of people and pokemon at large. to translate a point n makes in chargestone cave: if you allow people to coexist with pokemon, even if the majority of trainers treat them well, there will always be someone somewhere out there who abuses or neglects them instead. are we okay with that? should those pokemon still be allowed to suffer, just because what they experience is an outlier to the general rule? while not outright stated, zekrom's association with hope and the strive for the ideal suggests that we don't brush off these facts, but instead take them into consideration, and aim to change the world based off of them... like how in bw2 society in unova puts a lot more emphasis on the bond between people and pokemon, and on pokemon as equals (see: iris's dialogue before entering your team info the hall of fame).
i think black version has its own unique avenues to explore, but on the surface level, it's a much more cut and dry, "no, you're just wrong", type of story that kind of makes you work harder to fit it into bw's overall theming of "the world's not black and white, there's not a singular objective right or wrong perspective."
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If you don't mind me asking - what do you think Dream's attitude/reaction towards Tolkien's works (including the legendarium!) would be? (I'm asking a lot of Sandman bloggers this, because I'm extremely curious regarding your takes on this.)
oh! hang on i gotta brush up on my tolkien because i haven't actually read any of the books since like. 2011.
i guess my main thought would be about how dream missed like, 95% of his work when he was stuck in his Jar. my understanding (read: google search) is that tolkien was building up the mythology for his stories before 1916 (when dream was captured), but most of it was not finished/published until a while after.
(this became an insane and mostly unrelated rant i am so so sorry)
i think a lot about how much of his own... area of work and power dream missed when he was trapped. the 20th century, generally speaking, was a time of rapid growth in storytelling methods and media more generally. dream missed almost all of radio, particularly radio as it became a medium for stories. radio was invented in the late 1890s but didn't see a proper rise into a storytelling medium, rather than mainly a direct communication one, until around the 30s. so dream missed the creation and growth of the first, i guess you would call it, networked storytelling, and technological storytelling, and what was... probably? the biggest return to an auditory type of storytelling since the original oral tradition, folk tales, great epics etc, for radio at its peak of cultural relevance (at least in the US and probably the ""West"" more generally, alas i can't speak as knowledgeably for other parts of the world, obviously plenty of other parts of the world had radio in the early 20th century and onward, but i don't know much about its use as a fictional storytelling medium versus for news and government broadcasts. something to look into! part of why radio became such a medium in the usa was because of our rampant capitalism and commercialism lol, so less capitalistic places might have approached it differently - here, advertisers wanted to figure out a way to monetize radio better, but obviously people aren't going to just listen to hours of ads, so they packaged them around stories, live music performances, and variety shows. that's where soap operas as a form come from -- they were originally sponsored by soap companies! also serials, though of course books have also been serialized in the past. and sponsored radio programs also birthed the sort of episodic comedies that eventually evolved into the half hour TV comedies we know today)
which also means - as a direct result of missing radio, dream also missed the rise of television as a medium - it grew directly out of radio, even the big networks we know today, CBS, NBC, and ABC were originally radio networks. television has ended up being a huge change in visual storytelling, not only in its inception, but especially in its more recent years - it's probably the only long-form audiovisual storytelling medium, which is something that didn't really exist before. huge shift in storytelling possibilities. he also missed the development of comic books, and the internet, and the resulting increased accessibility of art and storytelling to both artists and art lovers. he missed an absolutely huge, HUGE shift in the democratization of art and the ability to share it. and, once again, the development of totally new methods of storytelling in the form of internet video! not to even mention the accessibility of MUSIC, music recording and sharing was still in its infancy when dream was imprisoned and now you can get, and make, and share pretty much any music imaginable! and the new genres! and the intermediality of everything and the cross-cultural awareness!
this is not even getting into the new ease of photography, or film, which was also relatively new in 1916. imagine going into a coma when there were only silent films, and waking up to everyone and their mother making tiktoks. the last film you saw was one of chaplin's or something and then you come back and see interstellar in imax 3d. i think i'd explode. (dream would love film, too, it's very dreamlike)
dream returning to the waking world in 2022 and immediately having the entirety of tiktok beamed directly into his head:
(another thing i think about a lot but won't get into because i'm already rambling - hob witnessing the entire development of accessible writing from the printing press to fucking social media. insanity. i want to pick his brain on it
what pushed hob over the edge, do you think. what's the one thing he saw written online that briefly made him regret ever getting involved in printing at all and wish everyone was illiterate again. it was not porn, btw, mr. monsterfucker gadling can handle anything, ok. no, it was something much worse...)
anyway. rambling over. this is all to say that i am not a tolkien expert and haven't read much of his stuff anywhere recently - though i was quite obsessed with it in middle/high school - so my main thought is in relation to dream getting cut off from all of these great stories. it must have been like, to put it flippantly, your favorite tv show getting cancelled halfway through after a cliffhanger XD. he has all these stories from great storytellers - tolkien included - storytellers who are building their whole own worlds in his realm, storytellers he's nurturing and supporting in his own way - and gets ripped away from them. and when he returns, they're all gone.
here's hoping someone who knows more about tolkien can give you an answer more specifically relevant to that. that's all i got for now 😂
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