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#is a phrase you don't think you needed to hear but....
magadauthan · 2 days
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Ep 25: Live Through
@trigun98watchparty My time has come.
I watched "Live Through" in Japanese and English for this recap. For science. It's not because this is my favorite episode, no. That has nothing to do with anything.
--How did Milly and Meryl get Vash away from LR? Does 1 ile = 1 mile? Did they swipe Legato's Cinderella coach?
--that floppy hair *swoon*
--Some have criticized Meryl for ducking outside as soon as Vash begins to talk. Perhaps that is merited, and she does carry a good measure of guilt for following him, but it felt to me more like she wanted to give him space and / or privacy. Having loud emotions all over the place is frowned on in Japanese culture, and Meryl is very, very polite. Maybe she just doesn't know what to do and panics (Vash has not always been encouraging in terms of having her around, in general). Either way, it tears her up inside to hear him wailing in despair.
--Obviously Meryl has been home tending to Vash while Milly works. It's nice to see Meryl recognize that Milly is busting her butt, but she doesn't know how to address Milly's feelings, either.
--Vash should not be up and about - he's weak and feverish and not a little delirious. Good thing Milly can carry him.
--Get in there, big sis, and tell Meryl it's okay that she loves him. She's absolutely right in that Legato would have found a way to make Vash shoot him whether or not the two of them were involved. Never hold back in matters of the heart.
--My favorite scene. Meryl, alone in the light of the fifth moon, diligently mending Vash's coat. She wants to put him back together and make him whole again, even if she gets hurt in the process. She's desperately in love with him, and she holds the kind person he is close to her heart... but he was the one who put the hole in the moon. How can she reconcile that?
--Vash does look happier.
--He tries to pet the kitty, and Kuroneko gives him a swat, which some interpret as the Trigun Goddess telling Vash to get it in gear. This is incorrect. Cats are just assholes.
--It didn't stop with Legato, now, did it. Knives is pressing harder.
--"Sound Life" must be a song they teach in NML kindergarten. Many people seem to know it, including Kaite and Meryl. (the lyrics really need to scan better, it's so awkwardly phrased)
--This scene is such a tough one. It's lovely - two lovers out under the stars, right? And Meryl is so happy that Vash is considering staying with them. But it's also plain to see that he might have given up. It would be easy, wouldn't it? Let the girls take care of him while he hides. Don't do anything, and wait for an answer.
--What were you doing up so late, Meryl? (we had some ideas)
--There's no way that the townspeople could have captured someone like Vash if he hadn't let them do it. He's so broken that he won't fight back. He's a sinner now, like Knives, like Legato, beyond redemption.
Except...
...Knives assumes that Vash would sacrifice himself for everyone else. Someone else sacrificing herself for him had never been part of the equation.
--So many have stopped believing in Vash, or he thinks they have. They turn their backs on him and he accepts it as the normal course of things. Jessica's crush was childish (I was gonna marry Luke Skywalker when I was four, just saying) but even she ran away after what happened to the ship. That's why it's so important that Meryl loves him. She has made her decision, and she's steadfast in it.
--Maybe Vash doesn't realize how much she loves him until she puts herself between him and the gun, and he hears Rem's words from Meryl's mouth and sees Rem one more time. If Meryl still loves him, then Rem can still love him too. Mistakes happen but you can learn from them, and if you have the right people in your life, they will love you through your mistakes and help you to make it better.
--And finally, Vash realizes that Rem's words apply to him, too, and that he is no less deserving of a second chance and a future than any of the others he's impressed those words on. Does that make Meryl the analogue to Alex? I think it does.
--Awww, such a sweet snuggle. And then Vash has to go doof it up like normal and Meryl has to freak out like normal. It's their love language. (TBH I'd punch my husband too if he rubbed his stubbly face on me like that.)
--What happened after that? (we have some ideas)
--Vash gets ready to go. Seeing him wash up and shave is oddly pleasing, a reminder that despite his Plant-ness, he's a regular dude who has to wash his face and brush his teeth and get haircuts and have breakfast and do all that human stuff.
--Meryl wants to say something to Vash, but she's gotten wiser too. She recognizes that even though there might be a lot that she wants to tell him (and, I think, he might want to tell her too), stating her feelings in the open would be a distraction (or even a burden) he doesn't need right then. Milly is right. There will be time when he gets back.
It doesn't come through in English, but he's so gentle with her in Japanese. He knows what she wants to say. In his own way, at that time, he's saying I love you too.
--Vash takes WW with him, with Milly's love and blessing. May you go with God's protection.
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crownmemes · 2 days
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The Traitor in Our Midst Sentences
(Sentences for traitors, moles, and other double agents - as well as those trying to find them. Adjust phrasing where needed)
"I'm proud of what I am. I believe in what I do. Can you say that?"
"Well, aren't you just full of surprises?"
"I warned you; don't get involved."
"You can never be absolutely sure of people, can you?"
"I didn't lie. I just neglected to say anything."
"You know I'll find out what you're up to, don't you?"
"Did he offer you money to spy on me?"
"He wasn't the mole, was he? You are."
"So I'm the bad guy because I'm trying to do what's right?"
"The art of being a traitor is being one with the crowd."
"Who the hell are you? Because you're obviously not the person I thought you were before."
"There's something else I haven't told you about myself..."
"I hear you've been interfering with my work."
"I came here to put a bullet in you."
"Everything I do, I do for my country."
"No one can know about me!"
"I can't spy on a colleague!"
"I'm not the only liar here."
"You need to believe that I've got a problem so that your betrayal has the illusion of nobility."
"Who's the mole? Where is he?"
"It's okay to want out. It's not betrayal; it's self-preservation."
"The reason, by the way, I don't like the word 'traitor' is because I'm not a fucking traitor!"
"I can't believe you thought I was dirty. I may be a prick, but I'm a patriot!"
"Someone has betrayed the whole investigation and compromised everything."
"Who is it? Who's betraying me?"
"I know you're hiding something."
"There's a word for people like you, and it's not 'patriot' - it's 'traitor'."
"I'm not the person you think I am."
"My superiors insisted we not be seen together."
"What the hell has my country done for me?"
"Late for a secret meeting?"
"I knew it would be you."
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fidget-scribbles · 4 months
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Meowy Little Christmas on Ao3
Complete 10/10 - 48k - E rated - last two chapters are spicy
Draco gets roped into catsitting for his coworker/crush over the holidays. It's adorable Holiday Fluff Featuring: Cat Puns, Wholesome Family Dynamics, The softest Draco, Relatable Adult Situations, Draco & Crookshanks Bromance, Facetime Flirting, Eventual Smut, and Kittens. I don't even really like adorable things and this is everything.
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i could draw anything but i decided to draw this. carlo and rocco in 1932 aka my headache
#^ this isnt real ofc but its what happening inside their heads (well in carlo's at least)#mfs when their old friend doesn't break under manipulation#“Lift up the receiver I'll make you a believer” punching the wall with fist#rocco was the underboss not eddie can u hear me!!!!!!!!!!! HELLO!!!!!!!!! (capo henry situation in terms of complexity)#no m2 did smth to my brain and now im incapable of writing normal relationship between people#anyway. things that makes sense only to me rn unfortunately:#“AND YET ALAS I WELCOME YOU KNOWING ABOUT YOU” its carlo @ rocco but works both ways i think. RAHHHHHHHHH#YET YOU THINK WE'RE THE SAME RAHHHHHHHHH#youre not who u are to anyone these days im not who i am to anyone no not me at all these days not at all RAHHHHHHHHH#carlo who was afraid of rocco (for a reason) when he started to run the family rahhhhhhhhh#“That son of a bitch!.. I fuckin’ knew it!” <-watch me put a lot more meaning into a phrase that shouldn't make so much sense#2kczech need to pay me for developing rocco's character btw if u even care . and for writing this fucking falcone family backstory#“Холодный и острый осколок гранита; Смерть Голиафа в руке Давида”#<- “A cold and sharp shard of granite; Goliath's death in David's hand”#i've listened to this song too much it became certifed rocco song to me#let's say rocco helped carlo a lot w preparing moretti family for a new don. just bc i don't think it was this simple#“your capo killed your don lets all pretend that its cool and normal and it doesn't matter that he ran the family for 23 years😋😘”#avart#m2#i wont tag this w fandom tags dear god this shit is so delusional#dear god rocco been a gap and a blank spot in this story for so long but now i genuinely like him#tho i'm still not done with his character yet but there's enough for me to like him#sorry. not normal bout them. not at all .#rocco & carlo
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something something about how the rings not just symbolised Yuuri and Victor's bond and was not just an omamori for them something something Victor was the first person Yuuri wanted to hold on to and share his dreams with and depend on after fighting for so long ALONE something something the rings symbolising this exact same thing something something about how Yuuri's arc still is wonderful even when he didn't win the gold because he finally learnt to actually depend on people, share his dreams and aims with them and not fight alone which is something he struggles with for the whole show
#yuri on ice ///#I am not sure about how to intrepret the whole of yuuri's arc but that's purely because I've watched the show only once#It always felt a bit off to me when the whole winning gold was a bit rushed in the last episode#And of course you could blame that on the pacing and you could say that there was flaws in the writing/the writers got confused#I've seen multiple posts about it and while I personally disagree I do think it is a valid interpretation#But I want to work with what DID happen in canon so I can be at peace with the episode lol#I choose to intrepret his arc as being one where he learns to not beat himself up over his failures (In lack of a better way to phrase it)#His anxiety plays a huge factor in it too though#One could argue that maybe winning gold would've given him that final push in believing that he is in fact extraordinary and not just#A dime a dozen skater (and I think that would have been wonderful too!)#And yeah they could have made him win gold AND have him not retire! But I don't think what we got in canon is inherently bad writing#(I mean excluding the scoring which from what I hear was inaccurate? But it doesn't bother me because Idk anything about scoring lmao)#Or maybe it's because this is a lesson I personally am struggling to learn and accept - that regardless of whether you win or not you#can and should strive to be better and better without losing hope#also a bit related to this but to me the emotional climax in the finale was actually Yuuri's free skate and him breaking the record#It was what further cemented my#thoughts about Yuuri's arc being about him and his need to be satisfied with his skating regardless of winning or losing#also fyi the takes I talked about aren't inherently ones I came across lol I just was thinking of various counter points#The whole reason I am writing this si because I want to understand this whole thing myself gdishsjshdh so writing it down seems like a good#thing#n rambles#Also hopefully this post doesn't show up in tags djsbdjbdjd
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moinsbienquekaworu · 1 year
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Oh my god is today Thanksgiving??
#damn i completely forgot this was a thing#we've adopted so many american holidays but i'm so happy we haven't taken that one#like we already have family time at the end of the year. that's called christmas.#and if a real actual person asked me to my face what i'm grateful & thankful for i think i would bite#(not because there aren't things i'm technically thankful for. there are many and i think about it.)#(but it just come organically y'know? like my parents will do something and i'll be like. damn they really did a good job raising us.)#(and i'll tell them)#but the specific phrasing is soooo christian to me and being asked that question just makes me think of like#when adults tell you you should finish your plate/do your homework because 'there's little orphans in africa who don't have that chance!'#it feels like people are expecting things and using it as a 'things could always be worse'#and i Do Not Need to feel even more invalidated in my negative feelings because 'some people have it worse'#also it has this weird undertone of like. you Should Be Grateful you exist. ?? the weird like. christian sentiment??#how do i say this. when i hear people say how important they think it is to take a moment to reflect on what you are thankful for it just.#it's really this 'you could have it worse you should be happy you're even here' vibe??#also a weird performativity#like the hashtag influencer vibe of 'i'm so grateful for x y and z look at me announcing i'm better than you!!'#i too am glad my parents were good and they had enough money to raise us and they want to see me succeed.#i'm glad for my computer and my opportunities#but like. i do not need to performatively announce it to the world???#i'll tell my parents i'm happy they did x thing a specific way. but just announcing it?? that's useless#anyway. tonight we will eat Soup and i won't have to see my extended family. THAT'S what i'm thankful for lol#wow i have a ramble tag now
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Out of curiousity, do you think most national museums are participating in the same kind of thing that the British Museum is, i.e. holding onto items that they stole in conquest / archaeological items that other nations are requesting back?
I always wonder if we should be looking at the bigger picture rather than just this one spotlighted issue (not that the spotlight isn't important in raising the issue originally).
oh goodie we're digging up stuff I wrote from 2 years ago...yay
Okay, for starters, let's look at how you've phrased your question. Currently, the heavy implication is that this is all the BM is (i.e. it only holds colonial loot and contested items), which is false. Yes, it does hold colonial loot from the British Empire. No one is disputing that. It also holds contested items such as the Parthenon Marbles and the Rosetta Stone. What it also holds are many items taken from digs where the country in question permitted them taking them, and then also gifts and other such non colonial requisitions.
Mostly, I need to stress, because as someone who's adjacent to museums this drives me insane: Framing all museum collections as Bad and only containing Bad Items from Bad Deeds doesn't give you the full picture and if you don't have the full picture you can't really address the issue of repatriation properly. It's the classic 'All or Nothing' mentality and I'm begging people to seek nuance on complex topics such as this. Also governments suck and so hearing repeated 'well museums suck because XYZ' means they're more than happy to simply defund them, which they already are doing and that's not helping stuff like repatriation either.
In short, if you're asking does any other museum have a law like BM63 (I wrote 68 in the post because...I'm bad at numbers)? Not as far as I'm aware, no. The BM is unique in that instance where the government literally created a law to prevent it from divesting of its collection.
Do other national museums hold colonial looted artefacts and contested items? Yes. Lots of them. All over the world.
Germany's Neues Museum holds the bust of Nefertiti, which is contested.
The Louvre in Paris has multiple Italian artworks that were stolen in the 1790s that Italy wants back.
The Horses of St Mark's (in Venice) were stolen from Greece by Constantine in the 1200s. (Not really all that contested but they were definitely stolen).
Yale University holds numerous items from Machu Picchu. The 1911 dig had permission from the Peruvian Government, but the items were supposed to be returned. I believe (don't quote me) that less than half were originally. They have subsequently been returned, but this is not an uncommon story.
There's a bunch of Nazi looted artworks that are in museums that need to be returned to their rightful owners.
The MET museum in the US and everything it got from Douglas Latchford (this is ongoing, with some repatriations having already happened)
The National Museum of Australia also got caught out by that guy.
To be fair, the MET Museum has a problem with looted artefacts in general from the 70s onwards as they tried to compete with the European collections and thus ended up gaining a lot of 'not properly provenanced artefacts'. There was a gold sarcophagus they returned only recently that was looted from Egypt post-2011.
The Bible Museum in the US has...stuff it shouldn't (there's a lot and I'm not listing it).
*voice dripping with derision* Whatever the Hobby Lobby is up to
I could go on!
Focusing solely on the BM is a result of a US-Centric mindset, and a pervasive anglophone bias in things people will read. (Or in other words: It's fun to shit on the Brits and most of you only read English anyway.)
This has the unfortunate effect of making it seem like the BM is only museum in the world doing this, and they're not. Not in the slightest. Many museums, national or not, will have colonial looted items if that country has, at any time in the past, waged expansionist wars against other nations, no matter how brief. If your local museum has artefacts from Not Your Country there's a good chance they were looted! Again, I stress that many many artefacts that left places like Egypt were part of agreements with the Egyptian government (called partition agreements) whereby the Egyptian government took first pick of artefacts from a dig and then the dig organisers could take the rest. This hasn't happened since UNESCO World Heritage Convention 1975, which prohibits new artefacts from leaving countries which is also why I will bonk on the head with a cardboard tube anyone who says Archaeologists/Museums are still stealing things.
So yeah, if you're looking at repatriation, you'll be much better looking at the bigger picture and understanding how all this came to be in the first place than you'll ever be making memes about the BM stealing things on the internet.
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kaijuposting · 9 months
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"Saw traps for people with moral OCD" is a phrase that has embedded myself into my brain because, well, Saw traps for people with moral OCD are everywhere.
Stuff that basically amounts to...
"You have to listen to my opinions on [issue], or else you don't care about [issue]. (Constantly talks about how people like you are the absolute worst.)"
Anything that's functionally like, "you have to let me tear you down over things you can't control or you're a bad person."
Anything that's functionally like, "you have to let me vent to you whenever and however I want or else you're a bad person."
"If you enjoy X media/trope, you just hate Y people."
"Everyone knows that X thing is harmful/hateful; if you engaged in it, it's just because you were fine with perpetuating hate/harm."
"You should have just known better/should know this already!"
This thread over here talks about the inherent issues of putting this kind of stuff out there. The TL;DR is that it really only works on people who are mentally unwell and have poor boundaries, while just pissing off everyone else. It really doesn't matter if you're technically correct; you're still attacking people, and that means they're not wrong to block you.
I think that many of these Saw traps are created when people effectively write posts directed toward people who don't want to help, rather than the ones who do. Like, if you catch yourself writing an angry, shame-laden post, ask yourself: who are you writing it for and what are the odds you're going to change their minds? If your mental image is some smug fuck or angry reactionary, you're writing for the wrong person. Write for the person who's curious, who's willing to learn.
Also? Work on figuring out how to transmute negative feelings into positive, encouraging rhetoric. EG:
"Why is there no X positivity?" -> "Let's hear it for X!"
"No one cares about Y problem!" -> "Hey, we need more recognition of Y problem" or "I haven't seen many people talking about Y problem, so here's some info on what's up."
"If you don't reblog this, you don't care about [group]" -> "Please reblog this, it would mean a lot for us [group]."
And if you're really super duper frustrated and want to vent with a lot of nasty words and sentiments? Consider taking it to a private vent channel or a journal or somewhere that a stranger with moral OCD/scrupulosity isn't likely to run across it.
Remember, most people don't want to hurt anyone. More people are ignorant than malicious. People naturally want to do the right thing, so if you feel like you have to guilt them or shame them into it, there's probably a fundamental communication issue somewhere, or they simply lack the context to understand why what you're saying is so important.
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listen to me y'all. listen. hear me out. i know the hesitating to kill the monsters with your children's face angst is spicy. i know it's tempting. don't fall for it.
phil didn't fucking hesitate for a second. he's the one who got everyone else to stop hesitating. once he logged back in, he attacked the codes immediately and shouted for everyone else to do the same. he hates the imposters and he hates them more for daring to use his children's faces. the angst isn't the idea that he would struggle to obliterate a threat to his family.
no, the angst is what happens after.
the angst is the next time tallulah needs her papa's attention when he has his airpods in and she shakes her maracas and he doesn't hear and she has to decide between asking him about the botantical garden and "it shook its maracas too much so i killed it"
the angst is the next time chayanne is feeling clingy or scared and wants to stick close to his father's side but in the back of his mind is just "it got close to me too much so i killed it"
the angst is that phil can see their fear because he knows them and he reassures him as much as he can that he would never hurt them and he would always know the real them but all of them have to live with the question of "but what if you don't"
the angst is phil giving them passwords and code phrases to memorize to prove its really them to soothe their fear of him not being able to recognize them because he solves his problems in the most straightforward, practical way he can but now they're just scared of what if the codes learn the passwords and phil explains that the passwords are just another layer of protection they're not everything and then they're right back where they started
the angst is two children huddled up together in a hotel away from the windows trying to decide if it would be better for their father to kill them by mistake or die by the hand of a monster wearing their face because he didn't think to strike first
the angst is chayanne privately asking phil the question he's trying desperately to pretend tallulah hasn't also thought of: what happens if wilbur comes back and it isn't wilbur?
the angst is phil replying with "he's my son too. i'll recognize him." and he doesn't remember everything from before the island but there's an old ache in his wing that seems to tell him that recognition may not have been enough
the angst isn't that phil hesitates. the angst is that phil doesn't. the angst is that phil loves his children too much to hesitate. the angst is that sometimes doing the best you possibly can by your children will still fuck them up so so so bad
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anantaru · 9 months
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neuvillette eats pussy to distress
cw. oral (fem! receiving), you're a lil bratty, fem! reader
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what comes out of your mouth are nothing more than short-planted whimpers, little, hesitant cries, and then a filthy moan of neuvillette's name, but you tell yourself that you do not want to give him that certain satisfaction he had longed for all night— and you sneakily trace along his scalp with your trembling fingers, he hisses when you tug on his roots, then whines into your pussy when you do it again, eyes growing wide at your fine-drawn pursue.
"there certainly is no need to hold yourself back for me." he suddenly claims and it has you avert your eyes, the way he had phrased it was almost a little too detached and apathetic to your own liking— almost as if he didn't take this whole thing serious and believed that he gave in, just for a second, in one of the lewd, obscene pleasures of human kind, before adding, "because you do, in fact, hide your voice."
"am i correct?"
"i don't!" sweet sweet liar, because you do, you've been blocking them out this entire time, "maybe you're not as good— fuck, as you think you are!"
the man laughs, a little aloof, and evidently, neuvillette was aware on what he was capable of doing to you and his fingers are cool and persistent in fucking in and out of your little hole, and despite it being only a digit, not even fully in, your toes curl and your legs clasp around his head when he adds his tongue, it has your sticky slick pooling between the folds of your cunt and merging with his spit, fuck, acting as if he didn't bring you unrecognizable pleasure was harder than you originally thought.
especially since he appeared to be exceptionally fatigued and certainly used your body as a way to distress from day to day work— for him, this type of work life balance was the most sufficient one.
neuvillette slides his warm tongue up and down your pussy in long swipes when you shiver at the mere sight of him doing so, feeling like everyone in the giant building can hear what's happening to you right this second, more so know who is pulling those lewd noises out of your sore throat.
your glowing eyes, in a sudden haste, spring open when you feel how he languidly spits on your cunt, once, twice— so you're wetter for him, he claims you taste better that way, lubricating you so he can drag his tongue into you faster, just like you so desperately wanted him to, yet in secret, you'd never tell him that— while, the chief justice most definitely preferred it if you're adequately messed up whenever he comes to see you, your exposed core luminous, hole clenching around his digits and you swear you can feel him smirk faintly, although he wasn't a man of great emotions, while proceeding in this particular task, he couldn't possibly suppress this feral, animalistic desire housing deep inside his chest, rumbling and aching for a possibility to escape.
the twist in your stomach builds up quickly, quicker than you initially had anticipated, "how— how, fuck!" you manage to say, "how are you so fucking good at this?" and your fingers find themselves wounding in his hair, holding onto him for your dear life when a tremor of cold shivers crossed over your figure when he groans into your pussy by the nature of your rough tugs on his scalp, his breath hot and wet when it ghosts over your soaked folds. 
"there they are." he moans into your cunt, not giving a single flying fuck if his face was slicked up in your juices, as said, he adored making a mess, "those noises i've been looking forward to."
at last, when he adds another finger into your hole and curls them up, the tightened thread in your stomach snaps in half and you shake violently while pinned down with one of his arms strongly locked over your stomach, with a cry of his name, that you originally preferred to stay hidden in your throat, your loud moans tumble and bounce from your lips to his ears as you cum all against his mouth so he could finally taste you.
but the long-rooted waves of your pleasure have not dissipated as he continues to flick his tongue over your clit, your slick by now basically coating the entire lower half of his face, his eyes fixated on nothing but your addictive, more so intoxicating expressions— you knew neuvillette wouldn't stop, there's no such thing as leaving a case half finished, he had a habit of prolonging your orgasm until you're overstimulated to the hilt, always, whenever he had you under him, it's his way of fucking you, until you're nothing but satisfied, such as he was whenever a trial ends with no complications.
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©2023 anantaru do not repost, copy, translate, modify
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slayingfiction · 1 month
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Mastering the Art of Dialogue
Dialogue is the lifeline of any narrative. It brings characters to life, propels the plot, and creates depth in the story. However, writing dialogue that feels real and engaging can be challenging. Here are some tips to help you refine your dialogue-writing skills:
1. Listen to Real Conversations
The foundation of great dialogue is authenticity. Spend time listening to how people speak in real life. Notice the flow of conversation, the interruptions, the ums and ahs, and the unfinished thoughts. Real speech is rarely grammatically perfect or fully articulated. Incorporating these nuances can make your dialogue more relatable.
2. Each Character Should Have a Unique Voice
Your characters should be distinguishable by their dialogue alone. A teenager will speak differently from an elderly person; a doctor will use different terminology than a street artist. Think about their background, education, and personality. These factors should influence their speech patterns, vocabulary, and even the rhythm of their dialogue.
3. Use Dialogue to Show, Not Tell
Dialogue is a powerful tool for showing the reader what’s happening without explicitly telling them. Through conversations, you can reveal your characters' thoughts, feelings, and intentions. For example, instead of narrating that a character is nervous, you could show it through their stammering dialogue or their avoidance of direct answers.
4. Keep It Concise
In real conversations, people often meander through their thoughts. In written dialogue, however, it's important to be concise. Every line of dialogue should serve a purpose, whether it’s moving the plot forward, revealing character, or creating tension. If a piece of dialogue doesn’t add value to your story, consider cutting it.
5. Read Your Dialogue Aloud
One of the best ways to test your dialogue is to hear it. Reading your dialogue aloud can help you catch awkward phrasings or unnatural speech patterns. Better yet, have someone else read it to you. This can provide insight into how your dialogue will sound to your readers.
6. Use Subtext to Your Advantage
Not everything needs to be said explicitly. Subtext—the underlying meaning behind the spoken words—can add depth and complexity to your dialogue. Characters might say one thing but mean another, based on their emotions, relationships, or situations. This layering of meaning can make your dialogue more engaging and thought-provoking.
7. Balance Dialogue with Action and Description
While dialogue is critical, it should be balanced with narrative description and action. This balance helps maintain the pacing of your story and ensures that your scenes are visually and emotionally compelling. Action and description can also provide context that enhances the meaning and impact of your dialogue.
Conclusion
Great dialogue can transform a good story into an unforgettable one. By applying these tips, you can craft dialogue that captures the essence of your characters and engages your readers on a deeper level. Remember, writing is a craft that improves with practice. Keep experimenting with your dialogue, and don't be afraid to rewrite until it sounds just right.
Writing dialogue is a skill that can be honed over time. The more you practice and read, the better you'll become at capturing the essence of conversation on the page.
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steddiealltheway · 3 months
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"I want you," Steve says, staring deeply into Eddie's eyes, watching several emotions flitter through them before stepping back and gesturing to him expectantly.
Eddie swallows hard and takes a deep breath before looking at the ground and mumbling, "I want you."
Steve sighs and hits his arm. "You have to speak up and make direct eye contact. Come on, try again." Eddie groans loudly and rubs his hands over his face. Steve laughs, "You said you wanted my help sounding sexy or whatever for Hellfire."
Eddie huffs and corrects him, "I don't want Jeff and Gareth making fun of me again when I'm acting out a talented seductress."
Steve raises his eyebrows and puts his hands on his hips. "Then, try it again. Picture someone you actually want, and pretend you're talking to them. Don't think about the Hellfire guys. Just think about that person."
Steve watches as Eddie takes a moment to stare at him before dropping his gaze to the ground. He huffs out a humorless laugh and shakes his head before collecting himself and slowly sauntering up to Steve. Eddie looks up at him through his lashes and lowly, very convincingly says, "I want you."
Goosebumps make their way down Steve's arms and his heart starts practically beating out of his chest. He can't help it as his eyes dip down to Eddie's lips, taking in how soft and pink they look. His tongue darts out to wet his suddenly dry lips, and he has the intense urge to lean in and close the distance between them.
Instead, Eddie takes a step back, and Steve finally looks up at his eyes, seeing a multitude of emotions once again. Neither of them says a word as they stare at each other, a tense silence filling the space between the two of them as Steve takes the moment to process what the hell just happened.
Eddie clears his throat and quietly asks, "Was that... good?"
Right. That's what they were doing. Steve nods and runs a hand through his hair. "Ye-yeah. That was... that was great." He settles his hands on his hips again and nods with a tight expression on his face.
"So... should we continue?"
Steve shrugs and decides to simultaneously torture and confuse himself. "Yeah. We have to see if that strategy works with more phrases, right?"
"Right," Eddie says sounding as hesitant as Steve feels.
"Okay," Steve says with a clap and ignores the way Eddie jumps at the abrupt noise. He juts out his hip and crosses his arms. "So what are some of the other things you'll have to say?"
Eddie's brows furrow and his tongue sticks out momentarily, thoroughly distracting Steve before he asks, "You want to kiss me, don't you?"
Steve's eyebrows and pulse shoot up at record speed. "Sorry?"
"It's... one of the phrases," Eddie says, staring at Steve with concern. "Are you sure you want to keep helping me?"
"Yeah," Steve answers a little too quickly and continues, "Okay, try that one again. Really have fun with it this time. Less like you're telling me- I mean, them, and more like you know a secret of theirs."
Eddie nods. "Less accusatory, more flirtatious. Got it," he says with a wink, a small smile appearing on his face showing off his cute dimples. He reaches up into his hair and twirls a strand of hair around one of his fingers as he asks, "You want to kiss me, don't you?"
Without thinking, Steve blurts out, "Yes."
Eddie's whole flirty act drops. "What?"
"Yes!" Steve says with a weird overabundance of energy that usually only Eddie contains. "That was it! Yes as in, you got it. That was perfect. Next line," Steve rambles out, trying to distract Eddie from his own reaction.
"Why don't you come closer, sweetheart?" Eddie asks, not even pausing to get into character as he just slips into the flirtatious persona effortlessly.
Steve turns away and runs a hand through his hair. "Jesus Christ," he mutters because yes he wants to come closer and-
"Hmm?"
"I said, 'Do another,'" Steve lies.
"While you're not facing me?"
Steve nods. "Need to hear if it's convincing when I can't see you." That's definitely a good lie.
He hears Eddie take a deep breath behind him. "I can't stop thinking about you."
Steve squeezes his eyes shut and finds himself yearning for the phrases to be truthfully directed at him. He tries not to give himself away as he asks, "Isn't D and D interactive? Like you'll have people responding to you?"
Eddie hums in confirmation behind him, and Steve finally turns around, catching a glimpse of fear before Eddie's face goes carefully blank.
"Should we practice that?" Steve asks, truly torturing himself.
Eddie stares at him for a moment and nods. His mouth opens and closes a few times before he finally commits to asking, "What's someone like you doing here, pretty boy?"
Steve's heart flutters in his chest at the nickname but sinks when he reminds himself that it's not real. "I'm not sure."
"Really?" Eddie asks and steps closer to him, smiling teasingly. "Because I think we both know why you're here."
Steve swallows heavily.
"Why don't you follow me, and I can help you figure it out," Eddie suggests innocently, but there's an edge of something in his voice.
"Okay," Steve answers weakly, completely forgetting how he got here.
Eddie smiles wickedly and grabs his hand, tugging him to the couch and guiding him to sit back. Steve's breath catches when Eddie leans over him and whispers, "Did you come here with anyone else?"
Slightly confused, Steve answers, "No?"
"Good," Eddie says as he straddles him and tilts Steve's head up in a way that has Steve nearly groaning. Eddie leans forward, breath ghosting over Steve's lips as he whispers, "And this is when I kill you."
Steve frowns as Eddie's hand lightly comes down to the top of his chest, clenched in a fist as if holding something. It takes him a few seconds before Steve finally gets what's happening and asks, "This was all a trap?"
"She's not a good character," Eddie states, still hovering mere inches away.
"I agree," Steve says and tilts his head slightly. "She should at least kiss them first. Give them what they want before they die."
"Won't they regret the last thing they ever did was kissing her?"
"Never," Steve states.
Eddie's chest rises and falls noticeably quicker than before. "Even after she betrays them?"
"Never," Steve insists, staring intently into Eddie's eyes, leaning ever so slightly closer.
Something between them breaks, and Eddie's hands fly into Steve's hair, tugging him close as Steve's lips meet his rushed and hungry. Eddie pushes back with the same passion, feeding on the tension that settled between them before.
Steve lingers in the kiss for as long as he can until Eddie pulls away and lightly hits his chest. "Regret it?" he pants against his mouth.
"Never," Steve answers honestly, moving forward to kiss him again.
Days later, when the seductress is reintroduced in the campaign, all the Hellfire guys shift uncomfortably in their seats and beg Eddie to never talk to them the same way he talks to Steve.
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striving-artist · 1 year
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We need to fricking stop with this CinemaSins TVTropes style crap in fandom. Actually, we need to stop that attitude in all creative fields, but I'm talking about fic right now.
I have seen many posts ragging on over-used phrases in fanfic, and yes, I find 'cerulean orbs' deeply strange, but if I ever said anything hateful on the topic I wish I hadn't.
You know why we say 'smirk' a lot in fic? cause its faster than 'gave a tiny smile to one side with their lips closed, a little cocky and provocative' Smirk is an easy way of saying it. It's the correct word. We say it in fic a lot because people smirk a lot in real life. Go people watch, its all over. Also. Bring me a true synonym for smirk, and I'll use that instead, but these ain't it.
If you have a better way of saying 'took off his shoes without untying them, just levered the heel with the toe of the other' that isn't saying 'he toed off his shoes' I'd love to hear it. Cause that phrase is perfect for it.
'Huffed a laugh'? Yeah, they did. Cause I'm not going to spend extra words describing how they 'exhaled through their nose once, amused, but not enough to fully laugh aloud' Its a specific action. You think people don't do that all day? five bucks says its exactly what you do when you see a meme most of the time. You didn't lol. You huffed a laugh.
The idea that something that's been used before is inherently less valuable is ridiculous. Same with the inverse.
If the phrase you want to use is common or widely used, but is the best way to communicate it? Use it. Don't fall for this trap that is currently consuming hollywood. You don't have to have a clever twist just because 'they survived and were happy' is a trope. You don't have to use some insane alternate phrase just because someone thinks fandom uses 'smirk' too much.
And, as always, if someone gives you hell and you don't want to fight them? let me know, cause I volunteer.
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cozymaples · 5 months
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job offer
a/n: part 2
warnings: age gap (within reason, the reader is not a minor of course !) workplace fucking, power imbalance ig? , degradation, cumming!inside without clear consent
steve "i've got a job for you" raglan, who's so desperate to fuck you he doesn't even care about your credentials. steve raglan who can't stop staring at your tits as you sit across from him. "i really need a job," you'd pleaded, desperately.
"you need a job?" he'd ask, hips snapping against your flesh as he pounded you from behind.
you were facedown, bent over his desk, the tits he once ogled at now pressed into the cedarwood beneath you. he keeps his hand beneath your jaw, cradling your neck, but not pressing too tightly.
"uh-huh," you'd answer, though the phrase is stretched through a desperate whine. you can hear him grunting above you, every ounce of his effort poured into fucking you. his pace is agonizing, and you feel your eyes lull back into your skull with pleasure. the only other noise you can hear is his coffee mug, rattling against the desk with each thrust, threatening to spill over his morning dose of caffeine.
"a good pounding is what you needed," he disagrees. "good fucking to get you nice and set, yeah? nice and ready for your workday?" you can't even answer him, moans spilling from your mouth. they double as he degrades you, and you can't explain why it makes you so wet. "harder-!" you plead, and you hear a low snarl rip through his throat. his grip around your neck that had once granted you ease now squeezes tightly with dexterity, and you don't think you could breathe even if you wanted to. you're all fucked-out, near drooling and dizzy and reaching your orgasm. both of you are holding your breath, only moaning through exhales every few seconds. his grip on you is deathly, his cock ramming into you the only thing keeping you grounded.
"come for me, you fuckin' slut. you whore," he antagonizes, demands. it somehow makes your clit throb more, aching with each slap of his balls against it. "wanna hear you," he demands, and his grip on your throat releases just enough for you to spill each and every noise that's been bottled up. "mr. raglan-fuck-!" you spill over, fingernails dragging along the wood beneath you as you unravel him.
"there you go, you fuckin' slut." he coos, "hold still." you gasp as you feel his load shoot inside of you, writhing beneath him. he finally parts from you, and you immediately stand up, turning around to face him as he sits you on his desk. "you're lucky i'm on fucking birth control-" you sputter, and he chuckles. "yeah, well. you're lucky i fuck you at all, so..keep that routine up, if you wanna keep this routine up." you're taken aback at his confidence, and how quickly it makes you succumb to his demands. "..okay." you say, nodding as you smooth out your skirt. "and thank you, by the way-for, um-" you stutter, gesturing with your hands as you gather your belongings. he watches in amusement, and unbeknownst to you, adoration.
"same time next week?" he asks, twirling a pencil between his fingers. you nod rapidly, a small grin growing on your features before exiting the office.
this was a routine you could get used to.
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tgcg · 5 months
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argument
its a big one
TG: alright this is probably a bust
TG: more i think about it how the fuck do you even make a marinara
TG: can i even alchemise cheese or do i gotta like alchemise the milk and curdle it myself
TG: how do you even curdle
====================
TG: make a goddamn
TG: curgler
TG: whatever
TG: internet archive gonna pull through
====================
CG: ALRIGHT DAVE
TG: shit
====================
CG: YOU BETTER BACK THE FUCK OFF. I DON'T KNOW WHERE IN BULGEMUNCHING VIRULENT FUCK YOU GET THE IDEA YOU HAVE ANY RIGHT TO TELL ME WHAT I SHOULD THINK ABOUT MY OWN GODDAMN PLANET. SORRY TO HAVE TO DEAL A BLOW TO YOUR IMPOSSIBLY INFLATED FUCKING EGO, BUT HAVE YOU EVER CONSIDERED THAT YOUR SIDE-EYE SLACKJAW HOPELESS DEADPAN BULLSHIT BEHAVIOUR IS ACTUALLY INCREDIBLY FUCKING CONTEMPTIBLE AND DOESN'T PUT YOU ABOVE OTHER PEOPLE? HAVE YOU CONSIDERED THAT?
CG: OR DID YOU JUST ASSUME FROM THE MOMENT YOU FOUND OUT I'M A REVOLTING FUCKING MUTANT LOWBLOOD FREAK THAT I'M SUDDENLY NOT ALLOWED TO LIKE THE IDEA OF MY LIFE MEANING SOMETHING AT SOME POINT?
TG: okay you are wildly misquoting me where the fuck did that come from
TG: also you scared the hell out of me
TG: im just trying to science some pizza here
====================
CG: OKAY THEN, DAVE! EXPLAIN TO ME AS WELL AS YOUR AMBLING ONE-NOTE SMOOTH EXCUSE FOR A 'THOUGHT'SPONGE CAN
CG: IN SOMEWHAT COHERENT TERMS, ALTHOUGH I KNOW THAT'S A TALL ORDER:
CG: HOW YOU SAYING MY ADOLESCENT DREAMS OF BECOMING A THRESHECUTIONER ARE "FUCKED UP AND IRONIC IN A NASTY ASS WAY" DOESN'T QUALIFY AS UNDERHANDEDLY KICKING ME IN THE MANDIBLE PRONGS!
CG: YOUR AUDIENCE AWAITS YOU WITH BATED BREATH! TAKE IT AWAY, M.C. BRAIN HEMORRHAGE.
====================
TG: okay i dont
TG: know how you got a hold of that phrasing because i said that shit in confidence
TG: get out of my business bro
CG: NEWSFLASH, ASSHOLE: THIS METEOR IS A PHYSICAL, LITERAL LOCATION WE'RE BOTH IN. IT'S NOT A FUCKING PRIVATE CHATROOM. THIS MIGHT BLOW YOUR PITIFUL MIND BUT PEOPLE CAN ACTUALLY HEAR OTHER PEOPLE TALK WHEN THEY HAVE TO SHARE A SPACE! BRO!
TG: ugh
====================
CG: AND IT'S VERY INTERESTING YOU ACCUSE ME OF MISQUOTING YOU, AND THEN SUDDENLY TURN AND SPOUT FROM THAT SHITTY DRONING GROANSHAFT OF YOURS THAT I'M INVADING YOUR PRIVACY WHEN I DIRECTLY QUOTE YOUR SMARMY LITTLE SHAMEGLOBES!
CG: WOW! TURNS OUT KARKAT IS ACTUALLY BEING GENUINELY FUCKING UPSET ABOUT SOMETHING — WHO KNEW, RIGHT? WHO WOULD'VE GUESSED THAT I ACTUALLY HAVE GENUINE COMPLAINTS TO LEVEL AGAINST THE PEOPLE WHO GO SPOUTING HOOFBEASTSHIT ABOUT ME BEHIND MY BACK TO THEIR ECTOSIBLINGS?
TG: no dude can you shut up a second
CG: I MOST CERTAINLY FUCKING WILL, THANKS FOR THE OFFER! I'M NEVER TELLING YOU A GODDAMN THING AGAIN, SO I HOPE YOU MANAGE TO GAIN SOME WRINKLES TO THAT VESTIGIAL FLAWLESS ORB FLOATING AROUND IN YOUR CAVERNOUS NUGBONE FROM ALL THIS. I HOPE IT WAS WORTH ALL THE EFFORT ON YOUR END.
TG: listen!!!!
====================
CG: MHM! MY AURICULAR CHAMBERS ARE WIDE OPEN!
TG: jegus
TG: okay
TG: i have no defense for my literal phrasing but how expeditiously did you shadowstep the fuck away after i said that
TG: because that is some shrek tier "princess and ugly dont go together" level misrepresentation of my sweet self
TG: like if this wasnt obviously a heated platonic argument we were having i would probably be digging what the reference even if it was a shitty trope
====================
TG: i just
TG: have been thinking about some things and none of those things have got an iota of a thing to do with you or your blood
TG: thing
TG: man
TG: i dont know why you think id be so pressed about your vein juice its like
TG: a normal ass color for a normal ass guy
TG: and obviously it was a major fucking deal from how you talk about it but it doesnt need to be anymore
====================
TG: the thing is i just dont like have the same attitude as you about fighting and stuff and thats not something i am getting into right now but i am gonna make it expressly clear
TG: that its just kind of fucked up for me to sit my ass down and listen to someone spew gold and medals and confetti colored shit going googoo all over tall and loathsome ass bloodletters he never knew
TG: and have him tell me he wants to be the best guy at combat since samurai fuckin jack
TG: and thats my capital B business believe me the emphasis is there
====================
CG: SO IS THIS ABOUT ME WANTING TO BE PART OF SOMETHING YOU DON'T AGREE WITH? BECAUSE THRESHECUTIONERS DON'T EVEN FUCKING EXIST ANYMORE. I LITERALLY COULD NOT DO THIS IF I TRIED AT THIS POINT, SO YOU CAN UNKNOT YOUR “KNIGHTY WHITIES” ABOUT IT.
TG: being anti-military is not my point but damn if it isnt a thing thats probably true anyways so good job sleuthing that out
CG: WHAT IS YOUR POINT, DAVE.
TG: bluh
TG: i just said i dont wanna talk about it man
====================
CG: OKAY,
====================
CG: OKAY.
CG: I MEAN. IT FEELS KIND OF IMPORTANT TO THE CONTEXT OF THIS WHOLE UNAMBIGUOUSLY PLATONIC ARGUMENT WE'VE BEEN HAVING
CG: WHICH I'M RELIEVED WE AGREE ON BY THE WAY
CG: BUT IF YOU DON'T WANT ME TO KNOW I'M NOT GOING TO WRING IT OUT OF YOU. IT'S FINE.
====================
CG: …IF YOU DECIDE AT SOME POINT THAT YOU WANT TO TELL ME THOUGH, MY RUMBLE VESSELS ARE STILL OPEN.
TG: i swear youre making those up on the spot at this point
CG: I'M KEEPING MY LANGUAGE'S ART ALIVE, DAVE. IT'S BASIC DECENCY TO THE PLANET THAT RAISED ME.
TG: heh
====================
TG: yknow we got these things called anatomical snuffboxes
TG: its got that right amount of vague nose wrinklage to it that i feel like youd be right at home saying that
TG: snug as a grub even
CG: WHAT PART IS THAT???
TG: its that little weird bone bit that sticks out on the back of your palm when you flex your thumb right
====================
TG: look
CG: HUH. LOOKING AT THAT IS KIND OF WIGGING ME OUT.
TG: yeah its kinda gross rose told me about it
TG: but anyways
====================
TG: are we cool
CG: I MEAN… I GUESS SO. YOU WEREN'T ACTUALLY INSULTING ME, RIGHT?
TG: hell no dude never
CG: OKAY. I COMPLETELY RESCIND THE MYRIAD OF WAYS I JUST INSULTED YOU. AND I'M SORRY.
TG: nah i know its just fluff at this point
====================
CG: I STILL DON'T APPRECIATE YOU TELLING ROSE THINGS I SAY TO YOU IN CONFIDENCE. THAT WAS BETWEEN YOU, ME, AND MY NOW NON-EXISTENT HOME PLANET ROTTING AWAY TO A CRATERED GRAY HUSK IN ANOTHER DEAD UNIVERSE.
TG: i swear that was like the only thing its just that she gets it and i cant keep my mouth from going on about the gettable stuff
TG: they call me the babbling brook the way my flows so audible
TG: i wont do it again
CG: NO,
====================
CG: I GET IT HONESTLY.
CG: I'M BASICALLY THE NUMBER ONE PROPRIETOR OF AIRED GRIEVANCES IN ALL OF PARADOX SPACE AND THEN SOME, AND I'D ALSO BECOME ITS BIGGEST HYPOCRITE IF I HELD IT AGAINST YOU.
TG: thanks
TG: but i mean
TG: at the gigantic risk of sounding uh
====================
TG: ………..
CG: ?
====================
TG: well
TG: i kinda just think youre better at being a guy to chill out and watch movies with than a guy to tangle fists with
TG: and i dont think theres anything wrong with being that
TG: i think its cool
====================
CG: …THAT'S AN ALARMINGLY BRAZEN OBSERVATION TO MAKE OF SOMEONE YOU'VE KNOWN FOR ABOUT THE SPAN OF SEVEN SEASONAL EQUINOXES, DAVE.
TG: i dont know what that means but it sure is probably
CG: AM I ALLOWED TO ASK WHAT EVEN GIVES YOU THAT IMPRESSION????
TG: i just got that inkling about you man
====================
TG: and you can do whatever you want with that info
TG: throw it in the load gaper or whatever if you want i dont really care
TG: give it a swirly and slam it in a locker call it a nerd break its glasses whatever
TG: but beyond this whole lord english thing weve got going on i am pretty content to never aggress my fellow man slash alien slash monster again if i can help it
TG: i think thats pretty fair given what thats been like so far
====================
TG: and yknow its cool to have some company when im waxing emotional over the narrative depth of click starring adam sandler which we are watching next by the way
CG: UGH, FIIIIIIIIINE. JUST TO MAKE UP FOR CALLING YOUR THINKPAN SMOOTH AND SUPERFLUOUS.
====================
TG: score
TG: we should argue all the time
CG: SNRK
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konigsblog · 7 months
Note
Heya! Sorry if it's stupid ask, but I have read your post a while ago that you're Scottish (If I'm wrong then I'm sorry and I would feel embarrassed.🙃) And I want to write Sergeant Johnny Mactavish and Captain John Mactavish x reader. And since they are also Scottish I want to write/them say some Scottish lines, or just words. So I was hoping what usually Scottish people will say, I don't want to mess up. I only know aye, shite and lass but that's much about it.
Sorry if my English is bad.
And I wish you an great day/night/evening!😊
SCOTTISH PHRASES AND WORDS TO USE WHILE WRITING FOR SOAP MACTAVISH.
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— yes! i am scottish, so here's some phrases and words i hear, and say, in scotland and what other scottish people usually say. :)
bonnie = that means calling someone pretty, like bonnie lass means pretty girl, since lass means girl. i'd say this is usually aimed towards girls, like a man would call a woman a bonnie.
lad means boy, like a friend usually. lads is plural ofc, and you could use it to say soap and the lads, or his pals. — “me and the lads.” (lads isn't scottish, it's british - which obviously being scottish means your british, but anywhere in great britain you'd hear this. as well as the one below.)
pals means friends, friend is a pal. — “thought he was yer pal.” = “thought he was your friend.”
dinnae = don't, it's how we say it in our accent. “dinnae do that.”
dae = means do, again, how we say it in our accent. “dae that for me.”
“haud yer wheesht” means shut up, like be quiet.
blether means talk, you might call someone a blether if they gossip or they're a chatterbox. — “stop blethering.”
crabbit means to be annoyed or grumpy. — “why ye crabbit?”
aye means yes. — “aye, dae that.”
ken means know. “a ken that.” not the barbie doll, it means know :) — “a ken that.” means “i know that.”
eejit means idiot. — “yer' an eejit.”
“ah umnae” means im not. ‘ah’ means im, or i, ‘umnae’ means not. it's hard to explain, just our accents though.
‘peely wally’ means pale. (heard this too many times towards myself, im pale as paper..) — “yer' lookin' a bit peely wally.” honestly, i don't think you'd need to say this that often in fanfics with soap, but maybe if someone is ill, you'd say that.
“gonnae no do that” means don't do that. “gonnae” means gonna, so like “gonna not do that” you'd say to someone if they did something you didn't want them to do.
“yer bum's oot the windae!” you're lying, being dramatic, or over exaggerating something.
“dafty” means stupid. — “yer' a dafty.”
VIDEOS TO WATCH FOR HELP AND UNDERSTANDING OF THE ACCENT:
it shows the accent differences between a scottish person, an english person, and an irish person.
https://youtu.be/Z-WliS0HHF8?feature=shared
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