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#it's a very fascinating theory though
moodyseal · 3 months
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I got too deep into the Schema Theory while writing the paper for one of my exams and it got me thinking about Apollo's coping mechanisms yk
Basically the gist of this theory is that, in the eventuality that their primary needs are not satisfied during their formative years, a child might develop a bunch of different behavioural schemes in their adult life (which are too many to be listed here oh my god) that are a direct reflection of how the parent failed them during childhood
For example, one of these schemes is emotional deprivation, which is a person's tendency to emotionally distance themselves from other people due to the fact that they believe they won't be able to comfort them, and it's a scheme that's formed due to the guardian not satisfying the child's emotional needs. Basically it's formed through a "If my parent couldn't do it, then how could others?" sort of mentality
Another one, which I believe is very relevant here, is the sense of failure, which originates due to the guardian's immensely overbearing nature and the continuous dissatisfaction with the child's efforts. As an adult, the child in question believes that they're inept at everything, even if evidence points to the contrary, because of the fundamental belief that they hold that they're a failure
(Does it remind you of anyone?)
Now, these schemes tend to go hand in hand with modes, which are essentially coping mechanisms that the person uses to deal with whatever life throws at them and whatever negative emotion these schemes bring on. One of these modes is the *squints* scheme overcompensation? Anyway what it says on the article I got the info from is that basically people who use this coping mechanism tend to do the opposite of what their behavioural scheme tells them to do. If they're ashamed, they put down others. If they feel like a failure, they boast. (Again. Who does this sound like.)
AT FIRST it seems like a good coping mechanism but it's actually not, because the overcompensation leads to this vicious cycle where the more a person overcompensates, the more the scheme worsens. In Apollo's case, the scheme we're examining here is his sense of failure; in his overcompensation mode, to avoid feeling incompetent he tries to constantly put himself in the spotlight, drawing attention to his talents. However, he does it in such a ridiculous way (perhaps actually in some form of self-sabotage?) that the people around him insult those talents, call him a failure, and thus worsen his feeling of worthlessness.
(This might be tied to the punitive scheme as well, maybe? Considering how keen Zeus was on punishment, Apollo might've developed this scheme as a result, though over the centuries it could've shifted its focus from everyone to just him idk. The change between "I'm punishing everything and everyone for being so stupid, even my own son + this Ptolemaic god who breathed wrong in my direction" to "Actually I'm chill" seems pretty suspicious to me tbh)
ANYWAY all of this is to say that everything he does is so intrinsically tied to the damage Zeus did to him that it hurts. All his behaviours all his coping mechanisms. Everything
The arrogance is not just a façade he built over the years to hide his feeling of unhappiness and guilt!! It's quite literally an abuse response!!!!
And yeah maybe Leto was the one who spent the most time with him and Artemis and who took the most care of them so technically she should be considered his figure of attachment instead of Zeus but then again. How much time did Apollo spend beside her compared to the time he spent at Zeus' side, after the twins became Olympians? What do a few moments with her in a year do against entire centuries with him?
Leto's influence never really mattered. He was doomed since the beginning
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unhelpfulfemme · 3 months
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I just realized that Ekaterin Vorkosigansaga's maiden name is Vorvayne because the structure and nature of her and Miles's romance are heavily inspired by Sayers's Wimsey novels, in which the romantic heroine is called Harriet Vane.
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lambjock · 10 months
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me when i write about the culmination of tyler's complexity with being a violent person, and his overarching neverending guilt about the game's events, AND the constant stream of misplaced resentment ... chef's kiss! oh & his want i guess
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figureofdismay · 4 months
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sometimes I think about Scully being assigned to Mulder, and him meeting the little spy that wasn't, and connect it with that part in King Hereafter when Sulien comes to see Thorfinn for the first time since Gillacoemgain and the arrangement to marry Groa to secure his part of Orkney and Moray, and Sulien laughing at Thorfinn's 'oh no she's hot and smart, this is going to be much more inconvenient than i thought' spiral. i'm sure he had a very similar spiral, maybe to frohike, oh no, she's hot and smart, she's going to be a lot harder to shake off than i thought and i don't even think that i want to shake her off anymore, but protecting her from [particular kinds of] trouble is going to be a full time job.
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ennaih · 6 months
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Every Film I Watch In 2023:
208. Forgotten (2017)
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vveakfish · 11 months
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thinking abt reading as part of the writing process
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esoteric-goblin · 4 months
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on worldbuilding, and what people think is going on
there is one facet of fantasy worldbuilding that is, to me, the most interesting and essential but i don't see it come up in worldbuilding guides or writing prompts or anything, and that is the question of:
what do the inhabitants of your world believe about how the world works, and how are they wrong? a lot of fantasy media will set up their cosmology, gods, magic systems, planar systems, concepts of the afterlife, &c., and proceed as though the inhabitants of the world know and understand them.
from someone whose entire academic career is focused on studying human culture in various regions and time periods, with a focus on belief systems (religion, occultism, mythology, folklore): that sort of worldbuilding is unrealistic and missing out on so much fun.
people are always seeking new understanding about how the world works, and they are mostly wrong. how many models of the solar system were proposed before we reached our current one? look at the long, turbulent history of medicine and our various bizarre models for understanding the human body and how to fix it. so many religions and occult/magical traditions arise from people disagreeing with or adapting various models of the world based on new ideas, methods, technologies. many of them are wrong, but all of them are interesting and reflect a lot about the culture, beliefs, values, and fears of the people creating/practising them.
there is so much more to the story of what people believe about the world than just what is true.
to be clear: i think it's fine and important for the author to have a coherent explanation for where magic comes from or who the gods are, so they can maintain consistency in their story. but they should also be asking what people in the world (especially different people, in different regions/nations and different times) think is happening when they do magic, or say a prayer, or practise medicine, or grieve their dead. it is a rich vein for conflict between individuals and nations alike when two models of the world disagree. it is fascinating how different magic systems might develop according to different underlying beliefs.
personally, i think it is the most fun to spawn many diverse models of the world, but give none of them the 'right' answer.
(bonus points if you also have a thriving academic system in the world with its own theory, research, and discourse between factions! as an academic, it is very fun to imagine fictional academic debate over the topics i'm worldbuilding. sometimes i will be working out details for some underlying mechanic of the world and start imagining the papers being written by scholars researching it)
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punksocks · 9 months
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Placements For Romantic Archetypes Pt.2: The Siren (18+ Only)
*Adults only! Minors dni
*just based on my experiences, only take what resonates
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She’s absolutely hypnotic and the only thing she did was walk into the room. Someone with a magnetic air, that always catches attention from the people around them. Seen as sensual and mysterious, some people think they’ve got to be paid to look that good. In a lot of people’s fantasies, even if it’s only for a moment. Gives off maneater energy and brings out some sort of obsessive tendency in others.(Can apply to all genders but is often seen in the form of femmes that have a lot of mascs run after them.)
***
-Scorpio rising/Pluto in 1st: Classic placement for this vibe lol. I’ve been working on understanding exactly why this placement tends to catch so much obsession (and bruh I don’t know). I have a few theories, but for this one I’ll focus on s*x appeal and power. Scorpio rising gives the native a naturally heavy aura, the kind of energy that can’t be ignored when they walk into the room. Everyone immediately has a reaction to energy like this, and typically it’s either disgust or fascination. When people are fascinated it can easily slip into obsession. Everyone wants to know how you got so -magnetic-, so -powerful-. But not only is the native the mysterious sort that won’t exactly broadcast that information- this sort of power is second nature to them. Death and transformation is the way they’ve moved through this world as long as they could remember. I’ve noticed, this sort of short circuits some people. They want to pick apart every detail. They want to know why they’re so hooked on you even though they barely know you. They want to be immersed in the well of you. It’s intoxicating. (The natives also tend to be compelling and magnetic in general, the type to hold an audience’s captivation)
-Lilith in 1st/10th: Always gotta mention Lilith lol, she explains a lot. So it’s like the birth and death of Scorpio ascendant with something more. Twice as polarizing. It’s like that sort of energy with this potent, heavy dark feminine energy. It’s like they unlock these hidden primal desires in people that people didn’t even know they had. (Typically someone heavy in their feminine energy will have the Lilith energy and be like unlocking something in everyone else). There’s a lot of power in walking into the room and setting people off. Some people (dominant energies)tend to see this as a challenge and then these people want to cage that s*nsual, intoxicating native, and keep them all to themselves. (They also tend to be like curvier body types, so take that as you will)
-Lilith in 12th: People’s secret fantasies. They subconsciously desire the native. The native also brings peoples deep rooting cravings to the surface with their presence alone.
-Scorpio Venus: Power and presence. The native has a very heavy and influential energy. People often find them charismatic in an enigmatic sort of way. They attract powerful friends and romantic interests. They have a very seductive aura and typically can be as obsessive as some of the energies they attract.
-Venus hard aspects (especially conjunct but also square/opposition) to Pluto: Pluto’s tension with the native’s Venus tends to make them have a Scorpionic tinge to their romantic lives and the way they act as a friend/romantic. They can be dark and obsessive and have trouble taking things slow, they tend to attract romantic interests with this energy as well.
-Venus/Mars in 12th: Hidden desires. And also the native (subconsciously usually) has this ability to tap into whatever their romantic/s*xual interest desires on a subconscious level. A lot of like not just having s*x but tapping into and healing or bonding with someone on a soul level. (Sometimes on accident lol, doesn’t make them any less addicted though!)
-Venus/Mars in 8th: The natives have a heavy s*xual aura. They are also very memorable and they probably are a lot of people’s s*xual fantasies. Tendency to go deep in relationships and trysts to find out all they can about what makes their partners tick.
-8th/12th house/Lilith synastry: Ahahaha, Ah yes, the synastry that tends to f*ck people up (usually dudes, when is it ever not dudes). 8th house synastry tends to be dark and taboo and s*xually charged. Like the passion is so intense you find yourself all wrapped up and out of control. 12th house synastry is that like person that gets so on your mind they’re in your dreams. Just when you think you forgot about them they’re running through your mind again. It’s dizzying (especially since this usually is the house of hidden enemies, confusing stuff). Lilith synastry is just.. it can be so messy. The Lilith energy is often going to shine a light on what the other person is dealing with on their shadow side. This could be insecurity, anxiety, s*xual inadequacy, anything deep dark and hidden away. It’s often dizzying for anyone even a bit insecure (and let’s be real, most of us are), and can bring a reactive nature to the chemistry. (Bonus points if any of these placements are in Scorpio)
-How do you get her to be yours? Forever? Slow down, cowboy (very cool of me I know). Before you try to cage the siren (learning nothing at all from all the mythology that says hey don’t do that) have you tried to approach them like a person? Do they have a rich inner world outside of being a s*x object? Try to take a deep breath, look at why you’re only seeing this person as a goal to score or a bird to cage. And then have a polite conversation with them like a person. And expect nothing in return. That’ll put you ahead of 50% of the competition right away, and maybe you’ll get lucky and get invited into understanding the siren and their complex inner world. (Or maybe they are in their maneater phase, in which case have fun or steer clear, it’s up to you lol.)
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yanderenightmare · 7 months
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more gojo with curse!darling please! i lobe this concept<3
Gojo Satoru
P1 & P3
TW: abduction and captivity, mild condescension, mild coercion, NSFW hints, some descriptions of darling, but nothing too specific, a joke dissing people with blue eyes and pale skin
gn reader - fem labels (drama queen) & fem accessories (jewelry: various)
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He kept you like one would a stray cat. Leaving you be as you found places of comfort around his apartment, hiding when you wanted to be left alone – which was almost always.
You hadn’t warmed up to him yet. Understandably so.
He’d set out food for you, locking the door with seals when leaving – scoffing out a laugh after coming home only to find the dish still on the table. He keeps forgetting you don’t eat.
You may look it, but you’re not exactly human.
But you are getting thinner, unfortunately. Suppose his apartment isn’t ideal hunting ground for a curse. And as you’ve gotten weaker, you’ve become wilder – primitive in a way – hissing at him when he gets too close – feeling vulnerable. 
You’re very cute.
But, cute or not, he doesn’t want to starve you. He isn’t cruel. So he walks and wonders what it is that you would find appetizing. 
Watching your behavior – how you sneak around his apartment looting – like a crow – collecting shiny objects to deck yourself in. Stealing all his rings, chains, watches, belt buckles, manchets, any gold or silver-rimmed glasses, and anything else you can use as jewelry – old coins, can tabs, all the silverware – along with everything else you deem pretty – fabrics, flowers, decorations, all his silk shirts. 
You rob anything and everything of value, making a nest of it all in the tub. 
His theory is that the bathroom is the shiniest place in the house and, therefore, where you feel you most belong. You sleep there despite him having given you a room – coveting all your findings.
He’s never really thought about how a curse can have such behaviorism. It’s not too odd to keep tamed ones as pets, but still, he’s never thought about why one would aside from utilizing them in combat. But you weren’t made for such intents and purposes. You were… just fascinating to have. Not far off from being an exotic pet.
But even for a curse, you’re unusual.
It’s not fear or death you thrive on. It’s… something a lot more innocent, actually – which is probably why you have no malicious instincts to hurt him – not that you could if you tried. But he can tell… you don’t want to be a curse, do you? In fact, those few times he has nicknamed you curse, you’ve scowled at him a little more than usual. 
No, what you desire is devotion – to be worshipped. 
What you want is to be a god.
Quite like him, actually. You like having your ego stroked. 
It’s your pride that needs feeding, and he can only asses that it feasts on people’s mad desire for you – of which he has plenty to give.
But you reject it.
“I won’t rely on the pity of a filthy jujutsu sorcerer. I’d rather starve.” You tell him with a sneer, curling yourself up with folded arms upon your chest – pouting with eyes closed, drowned in your treasure bath as though everything wasn’t nicking your skin, trying to ignore him.
He slants his head to the side, crouched down beside you with his arms resting on the tub, a smirk on his face – playing cute as he reaches a slim finger out to touch your cheek.
“Won’t you let a filthy jujutsu sorcerer worship you a bit? Trust me, a curse has never made me feel so weak before. Don’t you think I’d make for the best beggar?” 
You grimace, brows deepening into a vexed frown without opening your eyes, but you don’t flinch away. “I won’t be patronized. You keep playing with me like I’m your toy.”
“Maybe a little,” He chuckles softly. You’re such an honest and expressive little curse. “But I do think you’re the most beautiful thing I’ve ever seen~”
“Naturally.” You reply simply, the furrow in your brow softening, but you don’t offer much more.
“Come on, pretty curse.” He drawls. “Let me help you before you waste away.”
You scoff. “Tch- foolish, selfish human… you really are such an ugly thing to behold.” The furl returns, but still, you keep your eyes closed. “Do you honestly think that your rancid touch is going to save me?” Then you laugh – harshly and mockingly. “Please, don’t flatter yourself. A god requires offerings left at their shrine, not the filthy touch of the peasants that leave them.” Your nose scrunches suggestively. “You should consider it a blessing to even be allowed to look at me.”
Vain and stubborn, he thinks. You are the curse of beauty. But still, he's never experienced rejection before.
Suppose he has to try a little harder…
He soon finds himself courting you. Trying to make you comfortable.
He starts giving you gifts – first, silver silk bedsheets that lure you into sleeping in your bed instead of the bathtub, along with other changes that make your room more appealing – ornate wallpaper, canopy drapes surrounding the bed, and a smaller chandelier for the ceiling. Happy to see you abandon your former treasure in the tub in favor of your new dwelling.
Then he gifts you other pretty articles – clothes and such that actually fit you – patterned silks and lace. He attempts to give you clothes you can use to cover up more of yourself, but you seem partial to wearing less – most comfortable in just an elegant kimono you can easily discard on the floor.
You’re confusing like that – walking around his apartment half-naked but hissing and scowling at him when he stares.
It’s more the jewelry you enjoy wearing – crowns, earrings, necklaces, body chains, rings for your fingers and toes, bracelets for your wrists and ankles – everything in abundance. Jingling when you step about.
You seem healthier after receiving his presents. Also, a bit less skeptical – now engaging in conversation with him – although often about what his next gifts will be and if he can buy you diamonds and rubies for you to bead your hair.
“Sorry, but the banks closed. I’m not giving you a single dime, your highness.” He laughs one day, eyes bright and smiling, watching the puzzlement befall your face before the spread of horror that soon followed after hearing his next words. “In fact, I’m gonna start taking things away.”
“You wouldn’t-” Your voice had dropped into something so weak it was adorable, no longer having that strident overconfidence you’d built up.
It makes him feel almost bad watching your face drain and become so distressed like a spoiled little brat who’d just been told no for the first time.
“Oh- I would.” He grinned like it was all only a cruel joke to him – something just for shits and giggles. “Satoru Gojo giveth and Satoru Gojo taketh away.”
“But-” Your lip wobbles, and he can spot the tears brimming in your eyes already.
He doesn’t let it bother him. Or at least he doesn’t let it show.
“I think I’ll start with all your jewelry- how about that necklace you’re wearing right now?” He threatens, pale hand reaching towards your neck to pull your pearls off – but you shrink into a ball on the floor before he has the chance to.
“No, no, no, don’t-” You start sobbing, and he thinks it’s the first time he’s seen a curse be so sad and desperate.
Not to mistake those countless curses he’d made cry and plead for their life, but that wasn’t what you were doing. You were grieving. 
You’re really such a simple thing, aren’t you?
His smile softens into something not so cruel. Crouching down to your level, placing his hand atop your head where you’re bowed and bawling, petting you soothingly. “Okay then, drama queen. Stop your crying. I’ll let you keep it.”
You raise your head, hopeful. Looking at him with terribly puffy eyes - cheeks streaked with teardrops hanging off your lashes. Looking so pained and vulnerable, it made his heart ache at the sight. 
You don’t say anything but he can tell there’s a question on your lips you’re unable to voice.
“Under one condition.” He answers. 
You flinch when his hand slides from your hair to cup your cheek, holding your chin as he rolls on his feet and places a kiss on your salty lips.
You gasp and allow it for a second but then abruptly push him off – falling back on your butt. “No- you’ll make me filthy.” You rush out. “Beauty is meant to be admired, not reaped. It’s not right. You can’t-”
He watches you blush and stutter and thinks it’s silly how he hasn’t thought about it before. But now it’s become clear. Curses spawn from human fears, after all. It’s not strange that they’re so similar. But still… he’d never think a curse would be afraid of losing their virginity.
“It’s okay,” He coos, setting his knees down softly – crawling forward to where you sit, hiding your face behind small hands decked in too many rings. “I’m not gonna stain you…” He promises, his breath warm on your skin. “I’m gonna make you feel like the most desired diety in the world.”
Your breath shivers as he takes your hands and uncovers your face – eyes wide looking at him.
“And after I’m done admiring you, I’ll get you more diamonds and rubies than you can count.”
You swallow – eyes skittering from one of his blue ones to the other.
“Really?” It’s below a whisper.
“You bet.” He answers with a smile, flashing you a smirk. “I’ll get you enough to swim in.”
Your nose does a little twitch like it usually does, but this time, it’s not to express disgust. “Do you promise?” You bite your lip – staring at him.
“Let’s make it a binding vow.”
And that’s the arrangement.
You let him admire you in ways you’ve never let anyone else before, but only if he fulfills all your greedy heart’s desires.
He doesn’t mind. It’s nice to have something to spend money on that’s worth it.
You’ll lie next to him and he’ll get to study you up close – finding things that betray you – model details that aren’t in line with human imperfections. Missing bone structure, flawless symmetry, hairless skin devoid of any and all accent of mark or spot – just smooth milky texture without a single fault.
He says it’s sad – that the standard for beauty isn’t even achievable, to which you reply that it’s only fair everyone should be subject to the same disappointment, never to achieve perfection like you.
He asks if you think he’s really that ugly. And you say yes.
“Liar.” He accuses. Head propped on his hand, his hair a tousled mess lying in the bed beside you.
You’re looking up at the ceiling but close your eyes insouciantly at his comment. You tip your chin a bit as you speak – lips pouty and proud. “Lies are an ugly trade- in which I don’t partake.”
“Oh, really?” He rolls on top of you and you give a whine. Looking up into his sparkling blues and how his pearly hair falls loose and wispy. “Then look me in my eyes and tell me I’m ugly.” He dares.
“Puh-” You scoff, folding your arms above your puffed chest, looking off to the side, still with eyes closed as though to dismiss him like you so often do. “Men with beady bright blue eyes and pink skin look like pigs.”
You sneak a peek with one eye when he doesn’t answer. He’s still looking down at you – still daring you. 
And you continue. Raising a finger to nudge his nose up. “Say oink-oink, piggy.”
He brushes your finger away as he leans in closer. Now with his nose rubbing yours.
“Tell me I’m ugly.” He repeats – his voice dipping low into that serious tone that makes your breath tight and your stomach flurry.
“You’re-” You try but it ends up swallowed, stifled beneath those big worldly blues. “You’re…” You try again but it’s worse than the first time, making you bite your lip. He’s not budging.
You look away. Feeling defeated and mopey because of it.
“You’re not as pretty as me.” You finally sulk.
So cutely grumpy with your pursed lips and vexed brow, he just has to laugh. “Tch- now that we can both agree on.”
And then he forces you to laugh too – beginning to snort like a boar into your ear, placing sloppy kisses to your neck while you scream out that it tickles.
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P1 & P3
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ennas-aesthetic · 6 months
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What the fuck is Jesus up to in Good Omens season 3?
This is a question I've been thinking long and hard these past couple of days and I have some THOUGHTS SO. Buckle up.
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Aziraphale and Crowley watching the Crucifixion (Good Omens, 2019)
First off. The answer to the question posited is relatively simple. What is Jesus up to in GO3? With s2's ending in mind and with the hints we've gotten for 668: Neighbor of the Beast over the years, we know he's descending to Earth to initiate the Second Coming. And that Aziraphale would probably make that happen - or do everything that he can as Supreme Archangel to sabotage it.
But I wanted to examine on how Jesus might fit into Good Omens' overall narratives and established themes - about morality and humanism and free will, and. I'm just saying, there are A LOT of fascinating routes they could do for his character.
(Disclaimer as usual: this is a theory that I obsessed over when I was stuck at the cemetery during All Souls' Day and must be treated as such. In no way am I insisting this should be how canon events must happen. I am just doing this for the funsies.)
The THING about Jesus if you situate him in the world of Good Omens (with the assumption that most of the pop culture Christology mythos associated with him remain intact) is that in this context he very quickly becomes: 1. Adam Young's narrative foil; and 2. an Aziraphale parallel.
Now, the first one is obvious. Of COURSE he is Adam Young's foil, duh. Adam isn't called the ANTICHRIST for nothing. Brought into the world just for the sole purpose of ending it. However, when the time comes for him to fulfill the Will of his Satanic Father, Adam flat out REFUSES.
Both the book and the show attribute this to Adam's human upbringing. He was raised as a human, and because of that he has the trait that the book uses to DEFINE human beings: free will. At the end, Adam had the AGENCY to reject the destiny planned out for him.
'Adam stood smiling at the two of them, a small figure perfectly poised exactly between Heaven and Hell.
Crowley grabbed Aziraphale's arm. "You know what happened?" he hissed excitedly. "He was left alone! He grew up human! He's not Evil Incarnate or Good Incarnate, he's just… a human incarnate—"'
- (Good Omens, 1990)
That is NOT what happened to Jesus.
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Adam Bond as Jesus in Good Omens (2019)
Like Adam, he was raised as a human -- being a human incarnate was his WHOLE DEAL in Christology. In the beginning was the Word, and the Word was made flesh and dwelt among us... yada yada yada.
UNLIKE, Adam, though, Jesus wasn't able to REJECT his Destiny of Dying Really Horribly and Painfully on the Cross. Narratives in the Bible also made it clear that the Crucifixion was NOT his Will, but that of God's. Like... him begging to be spared from torment but ultimately following God's Will is such an important event entire devotional practices are made out of it.
"39 And he went a little farther, and fell on his face, and prayed, saying, O my Father, if it be possible, let this cup pass from me: nevertheless not as I will, but as thou wilt."
- (Matthew 26: 39, KJV)
We get a glimpse of that in s1ep3 of Good Omens, too:
"JESUS
(muttering through the pain)
Father, please . . . you have to forgive them . . . they don’t know what they are doing . . .
Crowley, in black, comes up next to Aziraphale.
CROWLEY
You’ve come to smirk at the poor bugger, have you?
AZIRAPHALE
Smirk? Me?
CROWLEY
Well, your lot put him on there.
AZIRAPHALE
I am not consulted on policy decisions, Crawley."
- (The Quite Nice and Fairly Accurate Good Omens Script Book, 2018)
SO. Here we have the character of the Christ whose free will and agency had been STRIPPED from him in the guise of a "noble sacrifice." He comes back again on this Earth to fulfill another "inescapable destiny."
Aziraphale and Crowley need to stop him. The solution the Good Omens narrative offers to "inescapable destinies and systems" (both in s1 and s2) is for the character to realize they have the freedom to choose their own fates. It happened with Adam, and it happened with Gabriel, and perhaps it will happen to Jesus.
(At this point my sister frowned and said: "Are you telling me you think Aziraphale and Crowley are going to help Jesus realize he has agency and that him Dying on the Cross for the 'Great Plan' was kinda fucked up actually?" which sounds crazy when you put it like that BUT NEVER SAY NEVER BABIE.)
Because that brings me to my second point: if this all happens, Jesus becomes an AZIRAPHALE parallel.
In the same way Anathema is an Aziraphale parallel and Sergeant Shadwell is an Aziraphale parallel. Here is a character stuck in a suffocating status quo. To save the world, he needs to know he can escape that status quo and decide for himself. In the same way Anathema has to learn how to stop being a descendant or Shadwell to stop being a Witchfinder, or Gabriel to stop being an Archangel, and Adam to stop being an Antichrist, perhaps Jesus has to learn he can stop being... Well, the Christ, as well.
And this, of course, supplements Aziraphale's journey of letting go of the idea of being an idealized vessel of God, so he could finally enjoy the freedom of personhood and choice on Earth, with Crowley.
Or they could turn Jesus into a cackling villain who Aziraphale and Crowley need to kill in season 3, and I'd probably eat that up, too.
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fumifooms · 1 year
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Analysis of Laios’ succubus and theories on what it means - deep dive on Laios’ desires in human connections
Laios’ succubus is a very odd incident. I have some particular interpretations of why it was Marcille, and why things went down the way they did.
We know that a succubus shows what one desires, stated in canon as “an alluring form”; yes often in a romantic or sexual sense, as seen with Chilchuck’s succubus being entirely set on looks and seduction, meanwhile Marcille’s does have a focus on chivalrous noble demeanor as well, showing romantic behavior and personality. BUT with Izutsumi we also see that the liaison doesn’t have to be romantic or sexual at all, either, in Izutsumi’s case it’s a familial bond she craves. So perhaps we can say that the succubus exploits a desire based on connection, in whichever form that takes. Marcille wants an emotional connection foremost(which is also reflected in how it’s a character she knows very well and not a stranger. Perhaps romantic.), Chilchuck wants pleasure(a simple pleasure not unlike alcohol, perhaps such a connection is free of the more risky or unpleasant parts of a relationship, he doesn’t have to worry or to think and can just let himself go. Sexual.), Izutsumi wants a mother figure that can offer her warmth and comfort with who she doesn’t have to be tough (Familial), and I believe Laios’ is platonic and centered on his desire to have people with who he belongs and can be himself with…
But Laios’ case is more complex, it has layers. The thing is, even if Laios wanted to have someone able to turn him into a monster—which it didn’t even have to be, could straight up have just been a monster with such powers—, it didn’t have to be someone he knew. You could say the succubus wanted to disarm Laios’ suspicions with someone he knew and that was nearby, but the succubus seem very direct in every other case, simply appearing with someone’s greatest appearance even though both Marcille and Chilchuck were fully on guard and the succubi knew it. "Believability" isn’t an important factor. No, his succubus being someone he knew was important. It being Marcille was important.
There’s a TLDR at the end of this if you want to cut it short. For everyone else, strap in everyone, if you don’t know me hi I’m Fumi and I made this 3k words long analysis and theorizing bc I am autistic much like the character in question and I think this is both fascinating and has a lot to say. In this I offer both platonic and romantic reasonings and I do go rather in depth in Laios’ psychology and relationships to dissect what ever could this damn cryptic event MEAN. Spoilers for the succubus chapters obviously and also the last few arcs of the series so… Spoilers for the series as a whole!
So attraction wise it’s kinda unsure where Laios stands. He does sort of logically list off aesthetically pleasing traits of the orc’s wives, but besides that… Not really, or he never voices it anyways. He and Marcille never share like “omg you’re pretty” moments or anything. Senshi gets more compliments than either of them through the series lmfao. Maybe Laios is asexual, maybe he simply doesn’t show outwardly his attraction much or even maybe isn’t self-aware about it, regardless… Laios HAS implied preference for Marcille’s looks in the past. With the orcs, he said that “tallmen like long ears”. Laios’ shapeshifter of Marcille has her hair down just like her succubus, which by Kui is explained to be because she had it down when she revived Falin and it really marked him, though it could also be interesting to see it as his mental image of her as her most authentic self, I’ve seen it theorized that it’s a preference too but I think that’s disproven. But of course the most damning evidence itself… The succubus scene. It could have been anyone else in the party, certainly Senshi shares Laios’ interest in monsters much more already. We shouldn’t discredit the way Laios was blushing madly once she revealed she was a monster, that made her more attractive to Laios for sure, but he still wouldn’t have reacted that way if it was just anyone. The contexts are very different, but we can compare it to how Laios reacted when Lycion turned into a wolf man in front of him for instance. Laios certainly doesn’t act that way with Izutsumi- and it’s confirmed like a page later that he does see Izutsumi as a monster already. AND!! Laios starts blushing madly BEFORE she says that she can turn him into a monster- and we can safely assume that the blush isn’t out of simple fluster but out of desire/infatuation since he clearly wants her to bite him in the next page and his blush does not relent at all.
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There’s something we could say about Laios’ liking of Marcille being born out of companionship rather than aesthetic attraction, on familiarity and intimacy. As members of the same party they’ve spent a lot of time together and we’ve seen that Laios trusts in her and relies on her for her skillset and avice. If Laios’ interest in her developped more naturally and gradually, valuing the familiar bond they have, I don’t see why he’d be acting all blushy and lovesick every time they interact or whatever, which is the explanation I have for Marcille genuinely being Laios’ most alluring form but him not freezing at the sight of it. That could also be a reason why he physically rejects succubus!Marcille instinctively, because something about her feels off or different (which is sorta the most direct interpretation of the scene, since Laios’ first thought is that it can’t be Marcille and must be a monster).
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 [Edited in: Oh my god. The picture above is the last page of the dullahan chapter, chapter 57, a chapter that centers around Laios and Marcille’s relationship through flashbacks as Laios is on the brink of death and sees his life flashing before his eyes (he remembers how they first met, etc, which is also interesting to note that on the brink of death he reminisces about her the most). The last page of that chapter, more or less the thesis of the chapter in which we see Laios opens up about the real reason he and Falin go dungeon diving to her after them having a rough meeting but she turns out to also have an interest in dungeons, has Laios go "she starts out frowning but she ends up smiling! Wether its’s about eating monsters or about me :)”. That chapter is the one right before th succubus chapters. Laios’ most alluring form wasn’t “just” Marcille, it’s a SMILING Marcille. Which is why the succubus had such a weird and off demeanor right away (which gets knocked off once it doesn’t work and becomes a more Marcille-like Marcille)! It was only focused on smiling because it was the angle it was working from.
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Oh my god it makes sense. It’s a direct narrative link, it’s as explicitly put with its story structure without Kui just stating it, besides, you know, the many times Laios says how precious her smile is to him. He’s like “I love her smile” and right next chapter the succubus is like “yes this is what he likes seeing most”. But… This also does mean that the focus might be less romantic, like Marcille’s significance doesn’t diminish, but then the alluring form might be less about her and more about the smile itself. About having a friend who looks at him like that, about someone who smiles after eating monster dishes or surpassing obstacles together… Or it can actually be so much more romantic. Like, maybe the smiling Marcille doesn’t work is because well, it’s not like Marcille, she wouldn’t just be smiling like that and behave like that (esp since his musing is about how her smiles are sort of “earned”, that she doesn’t smile right away but it’s sort of like a rewarding sight when she does). So then the most alluring form of Marcille doesn’t work because she doesn’t convincingly BEHAVE like her. His most alluring form isn’t a Marcille-lookalike, it’s her as a whole. More on the succubus shifting/switching in its approach later.]
Anyways.
Where was I. Ah yes, “It could have been anyone else in the party, certainly Senshi shares Laios’ interest in monsters much more already.” But then that’s the point isn’t it. I think Laios’ succubus being Marcille is because his wish isn’t so much focused on her, or on becoming a monster, but on not being alone. On being understood. On having others finally share his interest. On not only becoming a monster, but having someone to share that with. A trusted friend, a companion, or a lover, it matters little in my interpretation, the bedrock of it stays the same. And this is why it’d be someone he already knew instead of someone new, because it’d defeat the point, and it was maybe Marcille because she’s the most vocal about finding monsters disgusting: it’d have finally been a shift in her that she now liked monsters. And again this brings back to when he talks about her smile, when he says that she starts out unhappy with eating monsters, but ends up smiling by the end of it. Her smile itself represents that though first impression or reflexive dislike, someone can turn around and end up liking it anyways, it’s hope for his interests to be liked and perhaps for him to be lovable as well, that it’s possible to be accepted.
But I do think it would be a mistake to say that there’s absolutely no romantic interest, that it’s plainly platonic or another kind of interest misplaced and idealized in her. What we saw with the other succubus is that they 100% act in ways that the person desires, sure Izutsumi’s start attacking after a while, but that was after pushing them over the edge, and succubus Marcille wasn’t being agressive nor did she have a reason to be (even when she could have with Laios’ choking, she didn’t turn to violence, so she was 100% still in seduction mode). Ultimately the goal of the succubus is to make physical contact to be able to suck their essence, but the way they go about achieving that is tailored to the individual’s desire, Marcille’s kissed her hand and Izutsumi’s offered a hug.  The succubus can identify and embody complex desires, often subconscious ones, shown with Izutsumi’s. They go straight to it without complex subterfuge either. Chilchuck’s succubi were very direct because that’s what he wanted, Marcille’s was courtly because that’s what she wanted, Izutsumi’s offered motherly comfort and affection because that’s what she wanted, and Laios’ is Marcille attempting to kiss him. Let that sink in.
Laios why are you choking the supposed key to your heart?
Ok so the theory that Laios’ desire is to have a deeper companionship from an existing companion is pretty tame and surface level I’d say, but strap in… The way Laios reacted violently to Marcille trying to kiss him is VERY interesting. The first thing he thinks about is that she isn’t Marcille so she must be a succubus, then confusion at to why it’s her. He’s even afraid of what the others would think, feeling… Shame? With how he imagines Marcille would be horrified that he likes her that way. Fear of rejection?
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But no no, what interests me is the shift that the succubus makes. It seemed very confident at first, went straight in, but when overpowered shifted the direction it was going in- shifted from a desire for Marcille to a desire for a monster Marcille and whatever deeper desire that hides. But??? Succubi did not make mistakes as to what someone wanted thus far, possibly that has never ever happened before by human records. Could the succubus truly have miscalculated what Laios desires? It’d be hard to imagine that the succubus would misunderstand what type of companionship someone wished for or what approach to take, since it’s done complex cases before too, Izutsumi being very much in denial before it & at first. In Izutsumi’s case, even with her complex feelings over it and her two souls desiring different things, the succubus did not miss its mark, and ultimately it was having a second soul for who the succubus wasn’t alluring that allowed her not to be frozen to the spot. But with Laios the succubus fully switches strategy.
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The thing is that succubi don’t usually need to switch strategies, because the form and approach they take always work and always leave the victim frozen. Izutsumi bypassed this because of her two souls, but was still frozen and struggling to reject the succubus at first. And yet? Laios did. A succubus’ victim is supposed to be instantly frozen, and yet Laios acts on instinct and defensively agressive as soon as his reaction time allows. And well, it’s hard to really come to a logical conclusion as to why, since we have no idea of what rules can override a succubus’ temptation besides multiple souls… C’mon regular Marcille can’t be the winged lion/kenksuke’s desire bc of the loose hair being Laios’ mind-Marcille we’ve gone over this /hj Although, since it’s confirmed that the winged lion was watching with the dream Laios gets induced right after, maybe he’s what allowed Laios to be moving? It’s possible that it’d have frozen him otherwise, even if Laios with his full rationale wouldn’t have accepted the kiss faced with supernatural allure he might have gotten paralysis from being overwhelmed, similarly to how if Chilchuck had his full rationale he wouldn’t allow a woman like his succubus to kiss him (he’s always stayed faithful to his wife even after 4 years of separation, give the guy his earned credit). Getting somewhat offtopic, but something to say about how if that’s the case once again the theme of ‘irrational desire you crave vs what you truly want/need’ that is present throughout the manga would be reflected.
My best guess however on why Laios reacted so quickly and forcefully is: trauma. The more recent arcs with Laios suggest that Laios has deep-seated trauma over humans. He dislikes humans as a whole, that was like, pretty much stated, though perhaps exaggerated. As a kid he fantasized about monsters wiping out human towns. We know Laios has been ostracized for most of his life by others, in his village and in the military, and beyond social rejection it’s shown he got beaten in group too and it was implied that it happened regularly. But damn, disliking humans to the point of wanting to be a monster and murderous genocidal reclusive envies and all of that stuff? That is massive trauma, massive identity & belonging issues and hint at massive trust issues.
So then, the negative reaction could be because of Laios’ deep trauma with humans. Because of trauma getting activated, not due to a miscalculation on the succubus’ part but due to a contradicting dislike of the desire that makes the form inherently and straight out of the gate un-alluring, Laios’ repression being so strong that he’s able to affect his own desires in that way, or an instinctive defense response to the trigger (a human).   Even though Laios hides it well, once again recent arcs (and some other moments) make it clear that Laios still has some innate dislike of humans, which in canon is a term that all races like elves fit in. He has a bias against them, perhaps even an innate distrust of them. Who knows how aware he is of it, or how much control and will he has over it. What if Laios reacting agressively to it was his defense mode tied to this kicking in, a survival and security instinct, stopping any possibility of Laios wanting a romantic relationship with a human? Any chance of that human getting close and being hurt by it, either rejected or stabbed in the back? It’d then make sense if Laios is unaware and doesn’t understand his attraction to Marcille then, if it’s a sort of self-made blockage, denial. And that’d make full sense with how, when Marcille is suddenly a monster, then all of Laios’ reluctance is gone and he’s fully enthralled, all that it took was taking away that one blockage for Laios to be utterly charmed. It takes away the trigger element, humans, and replaces it for something safer. A desire for connections, but connections with people that are ‘safe’, people who also don’t fit in with society, who are part of his interest in monsters, who would accept and understand him. I think that Laios does desire human connections, specifically, but can’t allow himself to pursue them either from conscious or unconscious trauma, so though he does desire it he can’t accept that he does/can’t accept the relationship even if it’s handed to him on a silver platter.
Conclusion
The succubus’ shift could then be either that it switched from one wish, a wish for Marcille, to another, a wish for companionship in monster-liking, or that it stayed on the same fundamental wish, but had to improvise with the new information (that Laios is human-averse)(not bc it didn’t exist previously but bc it wasn’t manifested) to take out of the equation the thing that was holding Laios back (from giving in).
But well, the fact that the rest of the party is included does lean towards the former, but in any case that doesn’t erase all I’ve spoken about, all about how Marcille is 100% the focus of this whole thing. It could still be a bit of both. But it is interesting that he worries about the party’s reaction to seeing his succubus being Marcille, and when she shifts into monster Marcille he *still* worries about the others: “b-but what about the others?” He’s a mess, with his most alluring form seducing him, and he still has a shred of resistance in him to question how the others would react, and it’s only when she says that they’re already monsters too that he truly gives in. Is he really so afraid of ostracization? Of losing the people he cares about due to judgement? Then the mention of the others in the party can simply be something the succubus added on top to unlock another “blockage”, the same way she added Marcille being a monster on top of the basic premise of Marcille; Take out the immediate dismissal of humans first, and then the fear of loss and judgement from other friends so Laios can finally stop worrying and give in. That worry/framing I’d say makes the latter more credible, because it’s not the premise of the alluring form but an extra.
In the end, like the recent arcs kind of spell out, the thing central to Laios’ character is less so a love for monsters and moreso a dislike for humans, and this is what this puts on full display.
Laios’ most alluring form is Marcille, a human that doesn’t understand his interests and thus him, and regardless of everything else that Marcille is, that is so traumatic to him that all of his being immediately rejects it.
Thanks for coming to my ted talk! I’ve spent so much time thinking about this and wording and rewording this same train of thought, also it’s the end of my college semester and I’m going crazy
Tldr: My personal fav theory for Laios’ succubus is that Laios really values Marcille’s smile a ton like it’s often mentioned, and that’s what his most alluring form centers on. I’ve got a ton of different interpretation on the why it’d go for a kiss? Since it tailors its approach to the person’s desires, but obviously something goes wrong with Laios’, which is really interesting because even with Izutsumi who resists because she has 2 souls so one part of her can always remain unaffected, the succubus hit bullseye on her most alluring forms. But regardless of that, I think his desire for Marcille (either her or what she represents, wether as a platonic ideal or something else) isn’t wrong/untrue perse, but that Laios has such a complex with humans and intimacy and connecting with others that his defense mode kicks in and that’s when the succubus has to shift into a different, safer desire: one that doesn’t involve humans but that still shows connections and acceptance and belonging. Also Laios realizes that it isn’t Marcille when she goes in for the kiss, which if his allure for her is based on familiarity since they’re friends and all could make sense that it��d break him away from it, or since it’s a liking based on familiarity he doesn’t freeze, or maybe it’s because the winged lion has its eye on him. I think that’s so much more likely with how Kui makes even her jokes be character moments or at least consistent, and also with the tension of the scene, than just the scene being a gag about how Marcille doesn’t mean much to Laios actually.
I think there’s a lot to be said about why Marcille is special to Laios, why her smile means something to him, etc, and I don’t think saying Marcille is special to him is exaggeration or reaching at all. Laios, Marcille and Falin are the golden trio, she’s the deuteragonist, she’s the only other character in the main party whose goal in going back for Falin is Falin and who has a bond with her and Laios outside of being coworkers, in post-canon they live together, happily, in the anime’s ending they’re emphased on by dining out all three together... I could go on.   Marcille has the benefit of being very trusted by Laios, not only with the time they’ve spent together but how she was Falin’s friends first, the person he himself feels so protective of and has been so consistently ostracized throughout her life. Marcille represents a positive odd one out that’s like, the good example of "humanity can be good and safe and warm actually".  Which is a big reason why imo Marcille is like, the secondary protag and with Falin they form the golden trio. She’s central to the story in many ways including making Laios see that humanity is worth saving and sticking with, but that’s a topic for another analysis. One such reason is how his first meeting with her went: it started really badly but ended with her coming around and unexpectedly sharing their interest in dungeons, which made him and Falin open up about the real reason they go dungeon diving, perhaps for the first time. There is just so much that goes into it but Laios seems generally very expectant of rejection: in the climax chapters after he transformed back as a human and was hiding out in the woods, pre-canon in an extra where we see him battling himself on if he should suggest eating monsters or not. But another one, the one I truly want to bring up in this post, is how genuine Marcille is! And funnily enough, how dramatic she is, and how her elf ears change position depending on her emotions. Like, let me compare her affectionately to a dog for a second, but dogs move their ears and use whole body language to communicate, and I think that part of Marcille, really strong emoting, with her ears and body language on top of her often dramatic facial expressions, reassure him. Like ok, maybe he can’t tell when Shuro and Kabru would lie to him, but Marcille? She wears her heart on her sleeve and her feelings on her whole self. And that takes away some of the stress and trauma he has with humans, explains why her smiles would “put him at ease”, doesn’t it?
I don’t remember wether I’ve mentioned this somewhere or just in my reblog linked at the end of the post, but while at first I thought the succubus going for a kiss on the lips heavily implied a romantic desire in Laios,  now I have a couple different theories on why the succubus would have gone for that approach. I think the most likely is that, if the principal allure of his succubus is her smile, the succubus is like "as long as he sees her face right up until i can suck up his blood and he passes out I’ll be gucci", so it’s not about the kiss but about him seeing her face all the while until the very last moment, so he stays charmed.
Btw chapter 34 explores Laios’ relationship with touch too imo, and we see that he is uncomfortable with touch to some degree, very unsure and hesitant and tense. I feel like it’s something more shown in a bigger picture sense with his whole struggles with humans and extras, than just in any one page so go reread the beginning of that chapter if you want I’d say, but putting a page below as example anyways. I think it’s notable that it’s a character moment shared with Marcille too, she acts sort of like a bridge to humanity with social propriety and being extroverted in many cases. In the chapter Chil and Marcille point out how awkward he is with touch, but he learns to be casual/comfy enough about touch to do healing magic with her (something that was also enforced through him having to practice magic on Marcille turned to stone, he got a lot of touch exposure and magic practice done in those days. Dammit Laios, MArcille and touch is worthy of a whole analysis of its own). She’s just like, his human comfort zone, even if they aren’t that close at least at first, besides Falin he has literally like no friends and I think that itself shows how he doesn’t fit in well socially and that it’s a significant struggle for him. But yes what I was saying here is I believe there’s setup for him recoiling from touch like he did with the succubus (due to an instinctive aversion to touch made especially intense due to the succubus’ oddness and forwardness).
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I have even more theories and rambling on details on the succubus here in a reblog, but unless I want to put in some pictures of Laios repressing himself around others and such I don’t think I’ll be touching this post again in a while
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spockandawe · 1 year
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Here we go! I have some smaller books to share as well, but I've been absolutely VIBRATING with excitement to share a BIG one, and I'm going to indulge myself and post that today, then figure out words for the rest. Because I bound a new cnovel. Check it out, guys, I bound jwqs/clear and muddy loss of love :D
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Let me indulge myself and backtrack a little! First, these are quarto books, so they're short. But I think these average a little under 500 pages each, and jwqs is a LONG book (my beloved), and this adds up to a total eleven inches of lesbians. More like twelve once they're in their cases. It's over a million characters in Chinese and I think the English translation comes in somewhere around 890k, it's HUGE
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Making these books was SO FUN, I hadn't read jwqs and still haven't, and will probably read on my phone when I do. I don't have any exciting photos of the typesetting, but I knew this was an imperial succession story, and that made me nervous, those stories don't always click for me. Well, the process of typesetting and adding footnotes for this beast definitely confirmed that I'm going to have a good time with this thing when I have the time to read it, but there was also so much going on that only the vaguest of spoilers sank in. I went into an absolute FRENZY of typesetting, and after I printed, cut and folded it, well. That was one afternoon of sewing. You're looking at the reason I'm scrambling to make up a few hours of missed work, hahaha
After that, I needed cases. At the very beginning of march, I received a shipment of some FASCINATING bookcloth. It's called Duo, and it's made by layering a thin gauzy fabric of one color over paper of a different color. Depending on the combos, you get a really cool range of color-shifting effects. And they've gone out of production! But I was part of a group order to get some of the goods, and hadn't yet finished a new project. Reader, I went for it.
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That purple and green is bananas!!!! It's so hard to photograph, this midnight picture of a few cases is one of my most successful attempts to capture the full range up close. Originally I'd been thinking of trying to evoke imperial gold, but I figured this was still the kind of drama and luxury suited the book, and also something something the hidden colors suited Qi Yan's character. I tied it back a little to the imperial gold with the endpapers, then titled them in silver foil, since the endpapers had silver in them.
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But once the books were made, I felt like it wanted something... more. Something like a BOX!
And me, I chase novelty. A set this large would be tricky for anything clamshell, but a slipcase for all seven would leave books tipping all over if it was wide open, but putting walls between slots would be demanding in terms of precision and would risk similarly-sized books getting stuck in the wrong slots. Then I remembered learning about slipcases where you could put in a little insert to support the weight of the text block, and the concept SNAPPED into place.
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Colors aren't going to photograph well at midnight, but I made the supports using the scraps and off-cuts from my endpapers, to tie it back into the bindings. The back of the case is lined in more of the duo, and the walls are lined with a faux leather bookcloth I like a lot, it feels buttery smooth and seemed like a good neutral material to tie the papers and bookcloth together. I listened to some of the DEEPEST layers from the nine-hour conspiracy theory iceberg video while I was working on this, haha, it was a TRIP.
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And in the end, each of the supports is sized to comfortably sit in the smallest of the volumes, and evenly spaced, so I believe it will take the books in any order with no problems. It's easy to grab the books without having to cut notches into the walls to grab them from. And even though weight is less of an issue for quarto sizing, the books in here have their weight supported no matter what angle the box is at! I'm so, so pleased with how this concept worked out and definitely plan to do more with it in the future.
So there we are! Jing Wei Qing Shang! I had such a fabulous time with this project, and I'm so excited to get to share it with all of you. The story was fun to work with, the bindings and box were fun to make, and everything here came together just as well as I could possibly have hoped. I'm so proud of this, and incredibly, incredibly excited to show it to you!
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scoobydoodean · 26 days
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would love to hear more about the “chuck was the one who brainwashed cas and kelly actually” theory, thank you :)
Okay so I'm going to sound like I'm not addressing your question at all at first but just bear with me.
One of the primary reasons that the baby brainwashing incident fascinates me is that Cas's actions are a betrayal of his and Dean's bond on a foundational level. I'm not talking about The Colt or the mixtape (though they're related).
Dean and Cas's relationship as handler and charge was shed and a real, genuine bond bloomed in 4.22, after this exchange:
DEAN Destiny? Don't give me that "holy" crap. Destiny, God's plan... It's all a bunch of lies, you poor, stupid son of a bitch! It's just a way for your bosses to keep me and keep you in line! You know what's real? People, families -- that's real. And you're gonna watch them all burn? CASTIEL What is so worth saving? I see nothing but pain here. I see inside you. I see your guilt, your anger, confusion. In paradise, all is forgiven. You'll be at peace. Even with Sam. DEAN You can take your peace... and shove it up your lily-white ass. 'Cause I'll take the pain and the guilt. I'll even take Sam as is. It's a lot better than being some Stepford bitch in paradise. 
These are the words that convince Cas to rebel. These are the words that dissolve Cas's doubts in doubt, and convince him to follow his convictions instead of act on blind faith. Shortly after this conversation, Cas flies Dean to Chuck, who tells them what they're up to isn't supposed to happen. This becomes a theme of Dean and Cas's relationship.
Together, Dean and Cas do things that aren't supposed to happen—that aren't part of God's plan. They do something Chuck explicitly says isn't supposed to happen in 4.18. They do something that Chuck explicitly says isn't supposed to happen in 4.22. They do something that Chuck explicitly says isn't supposed to happen in 5.22.
Dean and Cas's relationship, at its very core, is built upon the rejection of two things: 1) Destiny and 2) Paradise—and by the end of "The Future", Cas explicitly (in the production draft) embraces destiny and paradise... and that screams Chuck.
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This is what Cas says to Kelly right after the devil baby brainwashing at the very end of "The Future". The "Paradise" part doesn't make it to the final cut—just the "future" part... but the Paradise part is implied by the "future" part anyway.
What else happens in "The Future"? Kelly says the line.
It's not supposed to happen this way.
She says the line that Chuck said every time Dean and Cas defied the writing during the first apocalypse by doing something Chuck couldn't or didn't anticipate. Kelly says this after Sam and Dean catch up to Castiel—after Sam and Dean convince Cas to just talk through all of this with them and not jump to the nuclear option of murdering Kelly—to consider an alternative plan where Kelly and Jack's lives are both preserved because Jack is born a regular baby. The moment Cas begins to agree to talk, Kelly says "It's not supposed to happen this way."
Now let's talk about Kelly. Her behavior this entire episode is insane. She begins the episode despairing because giving birth to Jack will kill her. She then tries to kill herself, but Jack won't let her die—and this throws Kelly into a sort of religious fervor—convincing her that Jack is actually good and could revolutionize the world. Her belief in this is so powerful that when Sam and Dean arrive, she immediately rejects the plan they've come up with that will spare her and Jack's lives:
Sam: No, Kelly, if you go with Cass, you die. Your baby dies. Kelly: I go with you, you take away the thing that makes him special.
She sounds nuts. Like. Imagine saying you'd rather you and your baby DIE than have a "normal" baby. Your baby HAS to be a special baby or you'd rather be dead? Uh... ew—and to a point that screams supernatural brainwashing.
Of course—Kelly's actions aren't quite as irrational as they seem because right before Sam and Dean arrived, Kelly was shown something by "Jack". She got Cas to lay his palm on her belly, and "Jack" showed her a vision of the future. After she takes off with Cas in the impala, she says,
When you put your hand on my stomach, I heard him. He spoke to me. He told me that even if it seems scary, if I just went to the gate, if I just followed your plan, that you would make sure he was born.
So even as she's driving herself straight into Cas's plan to kill her and her baby, Kelly believes everything will be fine—because "Jack" showed her the future... and the thing is? She's... not wrong. "Jack" did show her the future. "Jack" showed her a tiny moment that actually does happen at the end of the episode—Cas standing between her and Dagon and saying "You stay away from her".
Why do I keep putting "Jack" in quotes here? Because Jack never displays the ability to see the future after his birth, and yet "Jack" did have this power from the womb... only? Yeah... I'm not so sure. I'm wondering if it was someone else—someone who showed Kelly what they had already written.
I'll also note in 13.01, that Jack doesn't seem to remember... any of this happening—at least not in the same way. In fact, he recalls very little leading up to his birth. The way he describes it, his sole knowledge of the world prior to his birth came from Kelly speaking to him while he was in the womb... but also... not? Because he says he was Kelly?
SAM: How do you speak English? JACK: My mother taught me. SAM: So you talked to her. JACK: I was her. JACK: My mother, she said Castiel, he would keep me safe. She said the world was a dangerous place. That's -- that's why I couldn't be a baby or a child. I... That's why I had to grow up fast. That's why I chose him to be my father. Where is he?
It's all pretty confusing, but something blinks at me here: Jack says Kelly told him Castiel would keep him safe and indicates that he chose Castiel as his father based on Kelly's assessment. However, Kelly told us Jack showed her the future which told her that Castiel would keep Jack safe back in 12.19. These are two contradictory stories. What if a third party sowed both?
Two other little bits:
First:
Kelly: Maybe – maybe everything that I've been through, everything that I still have to go through, is happening for a reason. Maybe it's part of some plan. Castiel: No, it isn't. I used to believe in a plan. I used to believe that I had some mission. But I have been through enough now to know that everyone is just winging it. 
Castiel does a 180 on this by the end of the episode and it screams Chuck Chuck Chuck Chuck.
Second:
If you go to the 12.19 production draft (graciously provided to the fandom through @/spnscripthunt) on page 45, you'll see something that never made it to screen—Cas's vision of paradise.
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Only—these visions don't seem to come to fruition unlike Kelly's vision of Cas protecting her. The bits with Dean and Castiel's wings don't feel like the future anyway—they... just feel like what Cas wants most desperately at that time—to be a protector and provider who can handle everything on his own—who needs a "win". This is another theme of the episode. Cas stole The Colt in a misguided attempt to protect his family from having to be directly involved in the ruthless murder Cas had determined would be necessary. He didn't believe there was any other choice, and he wanted to spare Sam and Dean the pain of being involved in the dirty work.
Sam: Then – Then why didn't you call us? Cas, we could've helped you. Castiel: I know. I wanted to keep you out of this. I-I was trying to keep you safe. Dean: You're not our babysitter, Cas, okay? That is not your job. And when in our whole lives have we ever been safe?
This probably stings for Cas because he knows they aren't, and he wants them to be—he wants his family to be safe... all without having to discard his conscience by killing Kelly. He wants her to be safe too! The stuff he sees gives him what he wants--Sam and Dean and Kelly happy and safe—Dean thanking him—Cas once more a fully powered angel who doesn't need anybody's help.
But all of this stuff he sees? It's a lie. It's a lie because it never happens, but it's also a lie because destiny is always a lie. Paradise is always a lie. God's plan is just a way to keep them all in line... and Cas is trying to secure paradise for someone who said they'd take the pain and the guilt over someone else's vision of their paradise.
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noneorother · 7 months
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The grand unified theory of Good Omens S2 hangs on - you guessed it - a double meaning (and art). *Part 4*
Part 1 l Part 2 l Part 3 l Part 4 l Part 5 l The End?
This is major spoilers for season 3 territory. You have been warned. I'm also going to split this into parts because wow, I have so many ✨Clues✨! Friends, we have arrived at the prestige! Metatron come at me bro, catch these hands. Oh wait you can't, you always have your hands in your pockets...
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People smarter than me have talked all about Aziraphale's magician outfits on this show, so I won't steal their thunder. Suffice it to say, The Metatron is wearing a weirdly dark coat and tie over his whole outfit. Which gives him a very only a white floating head look, but also keeps in the theme of ✨I am a magician✨. He's here to perform a trick!
I also won't talk a lot about him in the coffee shop because that's been done already. If we have learned anything from part 3, analyzing the coffee to death is what we are supposed to be doing, because He is distracting everyone with a benign object that we can inspect. So while he's waving this coffee around in the shop going "SEE I KNOW HOW EARTH WORKS" he's also doing something fascinating: Checking to see who recognizes him.
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Weirdly, even though Aziraphael saw him in season one, and the angels all work with him, no one does right away. EXCEPT for Saraquiel and Crowley, who just saw his face not in person, but in a video tape of sorts up in heaven at Gabriel's trial by farce. And then something funny happens. Saraquiel is scared shitless and pretends to have 'forgotten' like Michael, but Crowley admits loud and proud that he does. Then Uriel gives THE BIGGEST SIDEYE I have ever seen on screen to Michael, as in "You don't recognize our boss? I am very afraid for what that means."
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As far as I can understand, this is the reason the Metatron is here : "Are we in the version of events where I lose?" And the answer The Metatron gets after the question is : We are in the version of events where I have severely fucked with Michael, sort of fucked with the other angels, I have fucked with Aziraphale, and Crowley has seen me already in heaven. Now we're missing a lot of information as to WHY this specific answer is good for The Metatron, and how much Saraquiel knows, but it seems like he interprets this as an "I haven't lost yet, and I can still do my trick".
So now here we are, at the most important part of the episode, in my (and Aziraphale's) opinion. THE double meaning.
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This line is insane. On the surface we have meaning 1) The Metatron is scolding over-zealous angels for meddling in this affair, and over reaching with their power, especially threatening to use the book of life on people. He's the good guy! But under the surface we have meaning 2) I HAVE THE BOOK OF LIFE and I have been using it on everybody in this room. If I don't get my way this time around, I will edit you guys again, and you will have done the right thing. And with that admission, Aziraphale severely twigs and becomes very afraid. From then on his voice shakes and he babbles, and he has trouble looking the Metatron in the eye. I'm willing to bet that this is the moment Aziraphale realizes what The Metatron just admitted: I am creating a version of reality as we speak where I change you and Crowley (and everyone else) so that you lose to me. A terrified Aziraphael goes off with The Metatron to have a chin wag. Now here's the trick.
We've already established that Maggie and Nina are here as stage assistants to The Metatron, so they need time to work on Crowley alone. If they talk to A/C together, like they would have without The Metatron's appearing in the scene before, better communication might have happened between them. He made Aziraphale disappear from the scene!
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This does NOT look like the face of someone getting good news. We never heard what the details were besides inviting Crowley to the job promotion, so who knows what he threatened him with, but
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This looks like the face of someone caught in a trap. So we are now seeing the prestige! We don't need that coffee anymore, that cup is GONE BABY. Aziraphale has been removed from the Nina/Maggie confession like a dove, and placed in The Metatron's dark coat pocket. Now he just needs to make our angel reappear in the scene the assistants have prepared for him and let him fail, thus completing the trick (uhg I hate it. So cruel).
I'm going to turn the final 15 into it's own post because this is already very long. Let's skip it for now, but we know our lovebirds get separated by heaven, and Aziraphale leaves. The Metatron breathes a huge sigh of relief in the elevator as he thinks his trick has worked, and he has won.
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So it's finished now, and there's seemingly no way out. Aziraphale now knows what The Metatron meant when he communicated "I am creating a version of reality as we speak where I change you and Crowley and everything else so that you lose to me."
BUT! ARE YOU READY FOR THIS SHIT? BECAUSE IT HIT ME LIKE LIQUID JET FUEL. And I think it hits Aziraphale right here, (when he makes the creepy face after being hit with a beam of light i.e. realization)
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That means that in the original version of events before all the edits, Crowley & Aziraphale won.
------
If you've gotten this far, thanks so much for reading. I'd love to hear what you thought, or even reblog it with your ✨Clues✨! Want to read more about the timey wimey business that we're gonna see in season 3, and why all this changes the final 15? Well I have *part 5* coming in just a bit. Parts 5 and The End are here! Part 1 l Part 2 l Part 3 l Part 4 l Part 5 l The End?
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berriweb · 10 months
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Hey! If it’s okay, may I request Hobie Brown, Miguel O’hara, and Miles Morales headcanons where they find out from Miguel and Layla (of in Miguel’s case, finds out himself) that this s/o is the only variant of themselves the exists im the multiverse (like America Chavez)? I’m very interested in seeing how you’d think the boys would react to this kind of information and maybe what Miguel would do since there is only one other person (America) that is in the readers situation where there is no other version of them.
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╰┈➤ ❝ one of a kind ❞
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: ̗̀➛ ft. miguel o’hara, hobie brown, miles morales
: ̗̀➛ synopsis. miguel, hobie and miles finding out that their s/o has no other variants
: ̗̀➛ a/n. i LOVE this idea it’s so original, also trying out headcanons to see if I fw writing like this we’ll see, and a little side note: i had the s/o NOT being a spider-person in mind when i wrote this so keep that in mind
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— MILES MORALES
in an fictional world where miguel isn’t a psycho and miles actually joins the spider society, I imagine he finds out about your situation through miguel one day during a meeting
miguel wouldn’t even intentionally share the information, if anything i feel like he’d avoid telling miles anything he didn’t need to know
it was lyla who spilled the not-so-secret secret by making an off hand joke during their conversation about his lover being one of a kind
miguel tries to brush her off and act like she was talking crazy but by then it’s too late and the way lyla worded it now has his interest piqued so miguel pretty much has no choice to either tell now or tell later when he gets tired of miles bringing it up
he explains to miles how he found out that unlike every spider-man, gwen stacy, etc. you have no other versions of yourself in any other universe, you’re the only variant
miles is absolutely FASCINATED by that idea, and while he promises not to go blabbing about it to every per miguel’s request, the next time he sees you it’s the first thing he brings up
whether or not you already knew about this, you enjoy listening to his interest in the fact as he talks about it, going on and on about how crazy it is that in the infinite amount of dimensions and universes there are, there’s no other person like you
he feels incredibly lucky and grateful that you ended up in his universe and doesn’t stop telling you that
miles also enjoys theorizing with you in random moments where you both have nothing to say about what other versions of you would be like if you did have variants
his favorite theory was a universe where you became spider-man instead of him
you both enjoyed imagining that reality for two completely different reasons (he just wanted to see you in the suit)
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— HOBIE BROWN
unlike miles i don’t think hobie would find out directly from miguel because i’m a firm believer that he’s hellbent on being a nuisance whenever he can
he found out by snooping through miguel’s database when he was away from the spider base
hobie hadn’t been looking for anything on you in particular, but when he saw his s/o’s name he couldn’t help but be just a little nosy
who wouldn’t want to know what other versions of their lover was like?? and at the moment he realized that like other prominent figures in every other spider-man universe, he’s never seen any of your variants
so imagine his surprise when he wasn’t able to find anything on you
he ends up nonchalantly fessing up to Miguel when he returns wanting to know what’s up and about the other versions of you, and after sitting though Miguel cursing him out for getting into his database (and him fussing at Lyla for letting him do it) he breaks the news to hobie that there are no other versions of you
Oh???
he’d be more amused by this than anything
after learning this his compliments will change to him constantly making comments about how he’s the luckiest guy in the world multiverse to have the only y/n
will make sly jokes about keeping you safe because if he loses you there’s no replacement, which earns him a nice smack on the head
he’ll ask about how you feel about knowing you’re the only version of you, since as cool as it is being able to see other visions of how you could’ve turned out would be something you’d have to miss on
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— MIGUEL O’HARA
in my eyes miguel wouldn’t react as chill or as positive as either of the other two would’ve
he finds out when he’s regularly checking up on the universes and starts to notice a small detail that no matter where he searches he’s never seen another you, which was likely unusual considering the amount of repeats and variants of every other person
when he asks lyla to go through the database to see what she can find, she confirms his suspicions that the only pattern in every other universe aside from your own is that there is no other version of you, not a single person even remotely close to your looks or personality in fact
i don’t think miguel would bother telling you this after he finds out and wouldn’t let you know unless you ever came to the realization yourself and asked him about it since of course he of all people would know
he’d appreciate the fact that he still ended up with the only version of you to exist, but due to what happened with his daughter during that absolute disaster a little voice in the back of his mind would be worried that if he lost you you’d truly be gone forever
one day after he finds out you two would be relaxing somewhere by yourselves and miguel would casually bring up what you think your variants would be like, just to hear you voice your thoughts on the matter
he’d be lying if he said the thought didn’t cross his mind once he found out there was no way to confirm it because there’s only one y/n
miguel would ever in his dreams think of just going to another universe to replace you with another variant of you if something happened (or would he? that’d be such a good fanfic idea i’d so write that for the angst), it was a cruel thought, but know that’s not an option makes him appreciate and treasure being with you way more often that he did before, so expect him to be more clingy for no apparent reason for a while once he finds out
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elysiansparadise · 2 years
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Degrees Observations VII
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🟫Lilith at 02°, 14° or 26° usually has a very evident beauty in the eyes of the public, they seem to be the biggest and most valuable diamond of all. They know their value and it is precisely this trait of their personality that makes them so attractive and fascinating in the eyes of others. That mentality of knowing what they want and going after it slowly, that natural seduction and power of charm that the more they seek to be perceived, the more they amaze whoever crosses their paths with them. In relationships they seek stability and if you cannot offer them that, they will easily throw you out of their way and continue with their lives, they will not depend on you in any way but sooner than you expect they will become a necessity for you. These natives tend to attract people who are very possessive of them, people who only want them for themselves because of everything they manage to evoke.
🟫Those with planets in Cancer in the 03°, 05°, 15°, 17°, 27° or 29° may have an aptitude for acting. The previously selected ones are Gemini and Leo degrees. Having Gemini degrees in Cancer placements facilitates emotional versatility, they can be very adaptable and able to achieve rapid and profound change of emotion at the same time. In the case of Leo degrees, let's remember that beyond talking about fame, it tells us about talents, so talent lies in managing emotions with charm and intensity. Standing out for how well we express our emotions. Similarly to this, having Leo/Gemini placements in Cancer degrees may indicate this too. [Especially Sun, Moon, Saturn, Mercury, 1st/3rd/5th house].
🟫Having Sun in the 08° or 20° makes the native a very attractive and magnetic person in the eyes of other people, they are somewhat reserved and do not usually reveal much about themselves. They can attract people who are very intense with them or fascinated with them. These degrees in the Sun can cause the native to be somewhat sexualized by other people, especially men. They are very intuitive people and they know how to read people very easily, both their true personality and their intentions. They may see themselves as complicated and at times may feel that they do not understand themselves. They may have had a very big change from a very young age, such as maturing before their time.
🟫Having Venus at 10° or 22° can make natives feel that love is not their forte or that they do not have a very active love life. They are not people who place expectations on people when it comes to having a relationship, however they know perfectly well what they want from a relationship. They are capable of walking away from someone even though they love them if they are not good for them or if they perceive that life with them would be too draining or would bring them more sorrow than happiness. They tend to like the most experienced couples in all areas of their lives, someone who can guide or teach them will always catch their attention.
🟫Mars in 03°, 09°, 15°, 21° or 27° are very active and expressive when upset or angry. They may wave their hands a lot or feel the need to do something to vent their anger. They communicate a lot physically when they get upset and this makes them people who don't hide their anger very well regardless of whether Mars is in Earth/Water signs or houses. It is worth mentioning that it is difficult for them to get really angry, but they can quickly get annoyed by certain behaviors.
🟫Part of Fortune in 02°, 14° or 26° can indicate that the native can become very lucky once they value themselves, when they have that mentality of not needing anyone or that no one provides for them. When they understand that everything they really need is in them, that they are enough and that they deserve good things to happen to them. They will need to work on their self-esteem. These natives can attract a lot of abundance in their lives and most likely money is something that comes to them very easily.
🟫I have begun to develop a theory, and that is that adapting the traits of the sign to a certain planetary degree can help you to obtain the benefits of the positive side of the planet. For example, the sign that corresponds to the degree of the Sun can tell you by acquiring what personality trait you can become recognized, and a similar meaning with the degree of your MC. In the case of Venus, by acquiring which personality trait you can feel and be more attractive. With Mercury, with which you can become more intelligent or increase your knowledge. And so on. Here some examples:
🟤Having the Sun in a Leo degree [05°, 17°, 29°] tells you to dare to be under the spotlight, to be authentic and genuine and to do what you are most passionate about. May you destroy your insecurities and become much more confident with who you are, what you are worth and the beauty behind what you do. Show your talent and charm to the world and not be easily intimidated by others. Dare to do what you want and turn your desires into actions.
🟤In the case of a Sun in Libra degree [07°, 19°] it would be indicating that you have more balance on you, that you do not get carried away by extremes. That you do to dress in something that makes you feel seductive and attractive. That you make more connections with people and dare to work as a team in a harmonious and cooperative way. Don't let the poor mental and emotional state of others overshadow you.
🟤With Venus in an Aquarius degree [11°, 23°] would be telling us that you dare to experiment with styles, that you do not stay with the same and allow yourself to express yourself through your clothes. Always keep in mind that what makes you unique is what makes you beautiful. That you don't live following trends or putting on/letting others put labels on you of any kind, that you simply be yourself and find confidence in it.
🟤When it comes to a Mercury with Sagittarius degrees [09°, 21°], I would be asking you to never limit yourself to what you know, if you are curious about something, throw yourself into it and dare to learn as much as you can. Let your inquisitive side lead you to new areas of knowledge, new cultures, intriguing stories, languages ​​and interesting people. Allow yourself to travel intellectually and keep your mind active. Do not be intimidated if you feel that a topic is very extensive and complex, there is nothing that your mind can achieve. Put more faith in the power of your mind.
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🟫Moon in the 07° or 19° can indicate that the native grew up in an environment with little stability and balance, it could have been a place with a lot of tension or problems, so the native develops a need to find peace and tranquility. They may have difficulty feeling in control of their emotions and fear the idea of ​​being too explosive in how they express their emotions. The reality is that these natives tend to have the facility to give others peace of mind and understand their emotions, but they do not see themselves that way easily. Some of them could feel that their parents put lots of expectations on them and due to that, they subconsciously put too many expectations on themselves too. 
🟫Having Lilith at 11° or 23° makes you be that forbidden fruit, the one that seems so far away but that you are dying to reach. From her beauty to her personality, they seem not to be like the other interests that others may have, that authenticity makes you shine and dazzle whoever is given the arduous task of knowing you in depth. You are complex and they love this, you are independent and fearless, that intrigues them, but deep down you are someone inspiring who goes after what they aspire to and that paralyzes them. You don't settle, you don't restrict yourself, you just go for what makes your heart move and that personality, so go with the flow and indifferent, fascinates everyone. It is normal for these people to attract people who imitate them or who want to be like them, but they will not be even a quarter of what these natives are.
🟫Those who have Venus at 03°, 15° or 27° are people who need a lot of mental stimulation, since being degrees of Gemini they are ruled by Mercury. They are people who express their concern for others verbally, they are not happy just being there by your side without saying anything, conversations are meaningful to them. They will seek to know a lot about you, know you deeply and simply know what every corner of your mind is like. The mental connection is something of the utmost importance for them, and they need you to be verbal with your needs, tell them what you need, what you think, what you feel.
🟫Similar to those previously mentioned, those with Venus at 06° or 18°. In the case of these natives, they also want to know about you, they feel very curious about you, but they show love in a different way, being that they seek to support you in everything you want or need, they seek to achieve fellowship with you, that you trust in them and allow them to love every side of you, even if you're not very happy with it. They deep down crave for this same devotion and fascination. They are not demanding or asking much of you, they just want you.
🟫People with Jupiter in the 10°, 22° can reach a high degree of prestige, from being a well-known person in their work or in any subject for which they feel passion. They can earn a lot of money through their hard work and will always prefer to accomplish things on their own without depending on someone else. These natives can feel much luckier after getting a job or becoming independent. They have something about them that projects a lot of strength and can be slightly intimidating to other people.
🟫Singing abilities can be visible in having 02°, 03°, 10°, 15°, 14°, 22° or 27° in Mercury or Neptune. Mercury because it is directly tied to the way we speak and Neptune because it is the faithful representative of musical talent. The degrees of Taurus and Gemini are very common, especially in Mercury and those of Capricorn in Neptune. The relationship between Capricorn degrees and Neptune in my opinion is that it gives you a professional touch when it comes to singing, you take music seriously and can develop exceptional skill over time. As far as Taurus degrees and Mercury is that you have a very graceful way of expressing yourself. Let's remember that this sign is ruled by Venus. Whereas Gemini degrees and Mercury give that versatility to the way you sound and communicate.
🟫Those who have Mercury at 02°, 14° or 26° have a very relaxing vibe to other people, they do not usually raise their voice very much and they usually have a very pleasant voice to listen to. It is very likely that they have a lot of singing ability or that talking to them gives you a lot of relaxation. They can have a very attractive voice to other people and have this ability to communicate tactfully. They will always try to be very honest while maintaining respect.
🟫When the natives have 02°, 06°, 10°, 14°, 18°, 22°, 26°  in the 2nd house cusp, they have great skills for handling money and many of them have the facility to save and use it very well. These people like to save and may have a hard time indulging in some treats. They are excellent gift givers and always try to go the extra mile to give memorable and meaningful gifts.
🟫Saturn in 03°, 15° or 27° have a tendency to keep their thoughts to themselves. They may seem very quiet people in the eyes of others but they do not feel it necessary to talk more, they just say what they think is fair, a trait that also makes them seem very direct and brutally honest in their way of communicating. They may find it difficult to be very warm verbally and only limit this to a few whom they know. They are people who find it hard to concentrate on their day to day life, but surprisingly they tend to be very focused when they are passionate about a topic, sometimes perhaps too much.
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