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#it's horrid i love it
bravest-notts · 8 months
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my midst evangelist mutuals will be happy to know i started listening today! it's very good so far. really cool worldbuilding, very interesting setup getting slowly dripped in over time. they do a great job of setting up the tension where i'm sure that these background class frictions and political motivations are going to boil over at some point in the near future but as of right now, i can't begin to guess what that tipping point's going to be.
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popsicle-stick · 1 year
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funniest thing is when it turns out someone actually has exactly the same takes on a fictional character as me but they finish like 'so yeah that's why i detest this guy' and it's like. ah. i see. i am a fundamentally different person however
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dizzybizz · 1 year
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family trip to the grocery store
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piss-stained-jorts · 4 months
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"i wanna see something other than the same edgy horror stuff when a beloved character becomes public domai-"
FUCKING MAKE IT, THEN.
the literal only difference between you and those horror directors who took mickey and winnie the pooh and made them into the horror you hate so much is that they made something and you didn't.
MAKE the romcom. MAKE the deep and existential meta horror you want to see. MAKE something cozy and child friendly. MAKE MAKE MAKE MAKE MAKE
don't just sit there and bemoan the things you don't want to see! MAKE THE THINGS YOU DO WANT TO SEE. BECAUSE NOW WE CAN MAKE ANYTHING. THAT'S THE FUCKING POINT!
YOU DON'T NEED PERMISSION. YOU DON'T NEED TO BE SOMETHING FIRST. JUST MAKE WHAT YOU WANT TO SEE.
YOU CAN'T STOP AN ARTIST FROM TAKING A CHILD FRIENDLY THING AND MAKING IT INTO HORROR. THE LITERAL ONLY PERSON YOU CAN STOP, AND ARE STOPPING, IS YOURSELF.
DON'T FUCKING WAIT FOR SOMEONE ELSE TO MAKE IT FOR YOU. PICK UP A DAMNED PENCIL/KEYBOARD/WHATEVER AND MAKE THAT THING YOU WANT TO SEE, GOD DAMMIT!!!
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stuckinapril · 3 months
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I literally thought this track list was satire when I first saw it because who the fuck greenlit these
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fungerisms · 4 months
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horrid henry cuz ive been rewatching this series while working and im having quite a lot of fun with it :]]
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pallanophblargh · 6 months
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Another desperate strike at the art block and a tribute of sorts: super rusty linocut to reinitiate me into the world of printmaking. It’s not as attuned to my working style as intaglio was, but this is fun, tactile, and enough of a departure from my way of thinking that is super welcome.
It’s nothing special and definitely technically lacking (over-inked block and such) but it’s something, which is a big deal lately. Also it’s my favorite species of fish and we all know Kuhli loaches deserve all the tributes we can give.
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nerdepic · 6 months
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modern/non-fantasy au bloodweave !!!!
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unclekaz · 7 months
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springtrap: 'i understand i am dirty.. but it's not like it's a serious problem! at least not yet! i insist, i'm perfectly-'
me:
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redwitchrune · 1 month
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the commanders batch and their adopted captain go to 79's
plus a little close-up :)
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siwy-3 · 2 months
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hjey did u know he was my fav since middle school. yeag . still figuring out how to draw him i havent done undertale adjacent fanart in 2 million years.
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psygull-arts · 10 months
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Ouroboros
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paper-lilypie · 2 years
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@opudontdonut pls let me smooch my unimaginable horrors challenge
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ganymedesclock · 1 month
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Tell me more about parasites and their hosts. Do you think the dynamic works if neither is aware of the other?
Before all else, any simplified dynamic has nigh infinite potential and how you explore it depends entirely on what you personally are looking for.
In my own case, a lot of my relationship with the idea of parasitism comes from my own mental health being strongly dependent on where I live- being able to return to home like a save point in a horror game. This sense of constantly being dependent on comfort, not merely as a normal person is but to the extent that I've felt like I'll be unable to cope if I can't get home in time or haven't built adequate mini 'safe rooms' (e.g. my car or a hotel room) to recharge, has formed a lot of my relationship with the idea of parasitism and the idea of haunted houses.
Both, to me, centrally focus on the idea of dependency on equilibrium. A house can't really chase you down- while there's certainly haunted house stories that give it the power to trap or pursue, to me, the most compelling angle is often one of necessity. Someone weighing the ghosts, the violence, the blood on the walls, and having to ask themselves if this is really worse than being homeless, or losing some advantage or shelter that you have here that can't be found elsewhere.
In the case of parasitism, the host is the haunted house. It may be simply indifferent to the parasite's survival; it may be actively hostile to and trying to rid itself of the 'guest'. But both parties have to weigh the odds- is it worth tearing into your own walls just to get at the interloper, is it worth staying in a place that unknowingly tolerates your existence at best and hates you at worst if the alternative is being laid barren in the world?
As a child, I remember reading the Animorphs books and one thing that always struck me as an unexpected source of pathos was how bleak and miserable the yeerks' default existence was. While we mostly experienced them from the horror of their would-be victims, people terrified and paranoid that those around them were being controlled, made prisoners in their own minds... the book where Cassie is briefly host to a yeerk and the first thing said yeerk does is, rather than focus on their agreement or advantages, start running around wildly and making use of Cassie's morphing power for the sheer wild euphoria of being able to.
As much as they are the Bad Guys in the story- invaders, body snatchers, sometimes sadists- there's something to be said about the torture of a fully sapient and intelligent being living as a nearly senseless, barely mobile creature by default. A tapeworm is perhaps lucky it cannot evaluate its existence in comparison to other life forms.
And, yeah, sure, parasites trip a particular contrarian reflex in me that I always want to root around and play with things that are seen as too icky or evil to be 'worth exploring', whether or not there's even any actual morality attached to things. Parasites do nothing on a basis of sadism- 'parasitism' is how they survive just as much as herbivory is how a rabbit survives.
It's instead on a basis of need.
And the point where we need others- especially imperfectly, reluctantly, warily, always hesitating on these dynamics of exploitation- and especially when it comes to the body which we often see as the most private bastion of the self- is where some really juicy dynamics can spring from.
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space-writes · 3 months
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wip intro - claws
sharp objects x carrie x hellraiser
🩸 Genre: Queer Horror
🩸 Features: teacher/student relationship (university edition), toxic romance, gender fuckery, broken identity, demonology, murder, self-harm, obsession, stalking, infidelity, a lot of blood, pact-based magic system, corruption, jealousy, eldritch entities, love is a wound, body horror, attempted suicide, and a little bit of arachnophilia
🩸 Status: First draft completed
🩸 One Sentence Summary: A young student’s obsession with his demonology teacher sparks a twisted romance that draws him to the limits of his humanity—and into the web of an eldritch horror.
🩸 Series Tag: wip: claws
summary
love makes monsters of us all...
When Vivien Webb breaks into Rainier Mortem’s office, he's only following the whim of his obsession. Love makes you do things like that. Things you shouldn’t. But when he finds—and impulsively steals—a hidden vial of demonic ichor, it sets in motion a chain of events at once everything he’s ever wanted and a nightmare made real.
In Rainier’s defence, sleeping with a student was never something he intended to do, things just sort of shook out that way. Vivien is different. Special. Addictive. And Rainier’s never been good at denying himself what he wants. Besides, if the kid stole his ichor, he needs to know sooner rather than later, because he has plans for it far greater than whatever street corner Vivien’s planning on selling it on. But it isn’t the ichor either of them should be concerned with—it’s the thing it came from. Because demons, much like lovers, want nothing less than all you have to give.
cast
Vivien Webb - gay transmasc nightmare boy. loves spiders, eyeliner, and Rainier Mortem. many issues, none of which he's dealing with. undiagnosed autistic (no, he hasn't figured it out yet either. it's not going well for him.) ftm in this case being female to monster.
Rainier Mortem - wretched bisexual demonology professor. hot and charming and knows it. incapable of taking responsibility for anything. the closest thing demonology has to a rock star. astonishingly good with his mouth. dirtbag trans ally and horny bastard.
Wolfe Talbot - Rainier's oldest, longest-suffering friend. former army medic, current paramedic. regrettably still a little bit in love with Rainier. regularly calls Rainier on his bullshit (not that Rainier listens).
Holly Barker - Wolfe's girlfriend and former classmate of Rainier's. feminist, pagan, and prone to speaking her mind. would stab Rainier in the balls given the opportunity. possibly the only actually sane person in this book.
Alice Vox - hottest, gothest sex worker. owns the nightclub Wonderland. another old friend of Rainier's who is actually smart and never slept with him (much to his neverending despair). enjoys fucking with people.
taglist: @belovedviolence @foxboyclit @coven-archives @mjjune @revenantlore @sarandipitywrites @noblebs @k--havok @asterhaze @verba-writing @indecentpause @bootstrapparadoxed (ask to be +/-)
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Have you ever seen a bird and thought “wow, that thing is fucked up” and you didn’t have anyone to tell? That changes NOW.
Welcome to the Fucked Up Bird Competition. A competition to find the most fucked up bird EVER.
Mods are
GF (he/him) (goose apologist) (signs off with 🦢)
Corvid (he/its) (eats humans) (signs off with 🦇)
Nominate your weirdest and most evil and fucked up birds below. May the worst bird win.
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