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catholic-character-tournament · 11 months

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Round 1 - Side B

Propaganda below ⬇️

Matt

Matt's faith in the show is really important and well explored; one of the first scenes of the show is Matt going to confession (or, well, talking to his priest since he's not really confessing at that point). Matt struggles a lot with what he's supposed to do; everyone's telling him to kill the villain and he kinda wants to, but he literally says: "I know my soul is damned if I take his life". He struggles with his faith and goes with his doubts to his priest, and it's beautiful—also when he finally gets a costume for his vigilanteing he chooses to dress as the devil, lol. (His priest tells him that nothing makes people run to Church faster than the feeling of having the devil on their heels.)

a lot of the show is about how he justifies his vigilante actions with his faith, and whether he's doing the right thing in trying to help people or just using it as an outlet for his anger. the literal first scene of the show has him in a confession booth talking to his priest (who is a really interesting character too). this is not the scene I was talking about but it's such an excellent scene with matt talking to his priest: https://youtu.be/XHZ3NbEIDdw

canonically catholic but dresses like a demon to be quirky

honestly i dont wanna type too much but i feel that matt is a great example of someone who battles with his faith because he rarely loses his faith but rather fights with why he was made the way he was and put through what he was. He believes himself to have the devil inside him but believes that God put him there

ok in the comics barring the most current run matt has Mostly been a non-practicing Catholic that very rarely actually does any catholic Activities but ends up falling back into the Mindset and very occasionally dramatically taking confession (ex. in that one issue where he takes confession, basically tells the father that he is uniquely terrible and is thinking about violently murdering someone and when the father says "you can be forgiven" hes like "AUGFH-- NO!!!!!!!!!!" and runs out) when he's gone through some shit. and i love that its so relatable

hello its me cct organizer. i have to come clean, i made this tournament because i need matt to win something. i dont think hell win the sadboy and he lost the ginger tournament and >:( hes my favoritest guy ever. Also @ who said he has religious trauma is wrong and i will fight u about it (nicely) on my main @usaigi

This guy so catholic he spends an ungodly amount of time just chilling in the church. And goes there whenever there is a moral conundrum about killing people being Bad even though it would solve a lot of problems and stop said people from killing other people. This happens every other episode. Matt is the Catholic Guilt Guy. There's actually a lot of catholic stuff in the show as a whole. Just a compilation would be like three whole episodes long.

Hes great hes catholic enough to not outrught murder people but not catholic enough to not fuck before marriage hes a bisexual disaster at all times hes besties with a priest might i add hes great hes my special little guy

his catholicism is a huge piece of his characterisation he was raised by nuns in a catholic orphanage, the first scene we ever see him (as an adult and not a flashback) is him going to confession, he is good friend with his priest and has regular debates with him, etc also in s3 he has a huge crisis of faith after he lost A Lot where he stops believing for a while and it's linked to his identity crisis where he actually wants to kill another person (a hard line he previously chose never to cross) and wants to be only daredevil and not matt murdock, when he is both and needs both to exist also when he was a kid his grandmother used to say "watch out for the murdock boys, they've got the devil in them" and it created a surprising lot of his issues

So he's both catholic in the comics and the show but he's More Catholic in the show. Like, raised in a catholic orphanage by nuns (ONE OF WHICH IS HIS *MOTHER*), second scene in the show has him in a confession box kind. Matt Murdock goes out and gets the shit beaten out of him nightly and also beats the shit out of other people and purposefully leaned into devil iconography as his theme. When his nurse friend says, he takes a lot of punishment without one complaint he says "That part's the Catholicism." It is a Core Aspect of his character (at least in the show). He makes me insane. Also the same chemicals that blinded him created the teenage mutant ninja turtles and everyone should know that.

They went to confession to a priest who they had saved as their costumed counterpart and the guy recognized them by the voice, proving that it's possible and everyone else is just dumb

he takes "i wanna fight god" to new and incredibly violent levels, while also being a sweetheart and a goofball

Actually strictly WILL NOT kill criminals. Goes wayyy out of his way to avoid it. Fights with the Punisher about it. Goes to confession booth after nightly vigilante excursions. Feels so much guilt. "How have you been holding up?" "Like a good Caltholic boy" "that bad huh" - actual conversation with his priest

So Daredevil struggles with his mission as a crime fighter because killing criminals goes against his faith. He makes it a point to not kill criminals, believing that even bad people deserve a second chance. This philosophy puts him at odds against The Punisher, who is a relentless killer. As a Catholic myself, while I love the concept of a morally conflicted superhero, I think the worldbuilding around Daredevil is lacking. If he struggles with violence and killing, why doesn't he pray to warrior saints like Saint Michael, Saint Ignatius of Loyola (a former knight), or Saint Joan of Arc? Why isn't there a community of other Catholics he can turn to for guidance, considering New York City has a sizeable population of Catholics? And why are the churches he goes to always empty? Doesn't he know that the Catholic Church supports the just war theory? I think that would have made his burden more bearable.

He goes to church and confesses to punching people and says "imma do it again can i apologize in advance" and the father dude says "no you're meant to stop now" and Matt says "no" and they do this everyday. I'm not remembering it properly but this is a canon interaction i swear

HELLO HI YES I LOVE HIM AND WILL INFOR DUMP ok so. he is a vigalantty and he got named daredevil and he is an orphan and after the age of 12 was raised in an orphanage at a Catholic church and his therapist is his priest via confession abd. also his mother is a nun he has a whole mental breakdown over god and called Job a pussy because he liked god until he got better and liked god again he said "I'm dearedrvil and not even god can stop that now" and he's so cool

matt is a freakish little babygirl who was raised by nuns and definitely has religious trauma. i hate him so much (affectionately)

he’s literally fucking insane about it i don’t know what to say here. he thinks he’s chosen by god to go on some sort of holy quest to save hell’s kitchen. joan of arc ass.

i already know hes in by default j just wanted to give him a personal shout out i love this angsty catholic dweeb

how practicing he is depends on the run, but in my favorite he is quite literally confessing to a member of the last extant order millitant who happens to be a priest at a church in hells kitchen.

i love him for having the funniest version of a trope i usually hate (person gets into confession booth and asks forgiveness not for what they've done, but for what they're about to do). usually this trope just looks silly to me bc like. the priest would just say "i can't do that" and you would have to either awkwardly explain yourself or just Leave. it's funny when matt does it because fr. lantom is probably like "what are you gonna do???" and matt's like "lol. lmao. 😊 hehehe." anyway we love this angry catholic man who dresses up like the devil to beat people up in hell's kitchen

Harrowhark

I'm pretty sure you've already got plenty of submissions for her so I'll just say she was raised in what is basically a cult (technically a nunnery but let's be real) dedicated to keeping the body of the thing that will kill God behind the rock. One of their prayers is actually "I pray the rock is never rolled away". Harrow is extremely devout as penance for her earlier heretical actions in the tomb as a child (spoiler!) so the Catholic guilt really comes through

imagine being a catholic nun and you meet god, but it turns out he’s a twitch streamer from new zealand who became god because everything got a little bit out of hand. and just before you met him you gave yourself a diy grief-fuelled lobotomy with the help of your best frenemy. imagine how insane you’d be. now multiply that insanity by nine. that’s the fictional love of my life right there.

she meets god. she’s not inspired

she’s number one practitioner of space Catholicism. The locked tomb is chock full of Christian (catholic) imagery themes metaphors etc. just look at her she’s got a bone rosary

They're Catholicism with extra bones. Everyone is a nun. They have what is basically a rosary made from knuckle bones. They technically worship the same God as everyone else, but they're waaaay more focused on The Body in the Tomb (Mary) and we get a moment where we find out that while everyone else prays the equivilent of The Lords Prayer, they're doing the equivilent of Hail Mary. And they paint their faces with skulls.

She thinks leaving dry bread in a drawer is taking care of someone. She's in love with a 10,000 year old corpse (the same one they worship). She spent ALL NIGHT digging with her bare hands to make sure a field had bones every 5 feet so she could fight her girlfriend - I mean, greatest enemy. Spoiler territory: She's been puppeting her parents corpses since she was 8 years old. Instead of grieving her dead girlfriend, she gives herself a lobotomy. She makes soup with bone in it so she can use the bone IN THEIR STOMACH to try and kill them.

The author is/was Catholic and the entire series had heavy Catholic overtones. https://www.tor.com/2020/08/19/gideon-the-ninth-young-pope-and-the-new-pope-are-building-a-queer-catholic-speculative-fiction-canon/ A good breakdown of how it's Catholic

#matt murdock #daredevil #marvel #Harrowhark Nonagesimus #The Locked Tomb #cct polls #tumblr tournament #tumblr bracket #tumblr polls

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nateconnolly · 2 months

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I made a Patreon lol.

Here's the free sample post:

THE CREATION MYTH OF KILL 6 BILLION DEMONS

INTRODUCTION

I love fantasy religions. I love it when fictional humans try to understand worlds like Brandon Sanderson’s Cosmere and Tolkein’s Middle Earth through a religious lens—especially because in those books and in many others, the fantasy religions are somewhat true, and somewhat false. It’s really fun to look at a fictional universe through the eyes of a character who might not see things objectively. Religion usually plays a role in that. But, if I’m being honest, a lot of fantasy religions are just Christianity wearing a fun hat. Don’t get me wrong, I am fascinated by Chrisitianity, and I really enjoy a lot of fantasy versions of Christianity. But it’s a great special treat when a fantasy story goes the extra mile and portrays another concept of the divine. That’s one of many reasons that I love the webcomic Kill 6 Billion Demons. The webcomic’s fictional religion Atru has parallels to Taoism, Gnosticism, Advaita Vedanta, theothanatology, Biblical divine nomenclature, the list goes on. I just threw a lot of big scary words at you, but I promise, this is a beginner level essay. I’ll break everything down into bite-sized pieces. I just wanted to list out some of K6BD’s religious influences to show that they are complicated, and diverse.

This is specifically a essay about the creation narratives. K6BD is an amazing comic—later on, it tackles questions about time, free will, and optimistic nihilism, but I won’t dig into that stuff here. Those things would require their own essays. Here, I’m going to try to explain how the seven-part world came to be. More specifically, I’ll examine the stories that White Chain, Cio, Michael, and the old devil’s tale tell us; then I’ll look at fictional holy texts found in the Concordance.

I’ll also compare and contrast with a lot of real world religion and philosophy. I want to be clear that the creator Abaddon and I have never spoken. I don’t know where he got most of his inspiration. I’m not revealing any information that wasn’t already available, I’m just compiling it and offering my own thoughts. Unless I specifically quote Abaddon, assume that I’m not even talking about his inspirations. I’m drawing parallels because it’s fun, even though it probably won’t give us new insight into how the text was created.

I promise I’m not trying to convert you! I genuinely don’t want to make other people believe the religion that I believe—or any religion at all. I’m just trying to show you how understanding some real world religious and philosophical concepts can deepen your appreciation of K6BD. Obviously, there will be tons of spoilers, so go read the webcomic if you haven’t already. It’s absolutely genius.

Lastly, I want to say I will discuss suicide and murder.

Ok, let’s get started.

PART ONE: THE FIRST AND GREATEST DIVISION

Let There Be No Genesis

White Chain begins the history of the universe with the words, “Let there be no Genesis,” closely echoing the in-universe fictional Psalm I. “For indeed, there was [no Genesis]. God has always existed and has never existed.” As White Chain tells her story, we are shown the god YISUN. This figure is sometimes described with it/its or she/her pronouns, but for the sake of simplicity, I’m going to follow the example of the fictional Psalm I, and use he/him. I might call him “YISUN” or “God” with a capital G depending on the context.

YISUN was eternal, and the “undisputed master of the entire omniverse.” He predates everything else, and without him, nothing would exist.

YISUN has at least twelve bodies, probably more. Some are smiling, some look mad; some resemble insects or animals; most hold weapons; and all are different colors. The central white body has four arms. Abaddon has said that YISUN’s appearance is directly inspired by the Hindu god Vishvarupa. Hindu gods are frequently depicted with multiple body parts, an artistic tradition that Doris Srinivasan calls “the multiplicity convention.” She explains some of the religious and artistic reasons that many Indian gods have multiple body parts in her book “Many Heads, Arms, and Eyes: Origin, Meaning, and Form of Multiplicity in Indian Art.” The tradition of Hinduism is long, and diverse, so the multiple limbs in one text can mean something very different from the multiple limbs elsewhere. Srinivasan closely examines a vast expanse of Indian history, and I don’t have time to present all her ideas. I would like to specifically focus on the interpretation that multiple limbs represent the manifestations of a singular godhead.

Srinivasan writes that “Multiple versions of a myth are facilitated by the idea that there exists multiple aspects or manifestations of a godhead.” Think of the difference between Greek and Hindu goddesses. Bruno Snell suggests “that these four women signalize the four aspects of all womanhood,” but Srinivasan qualifies his interpretation. The Olympian women “are not multiple forms of [one] Divine Woman, as is the case in Hinduism.” Artemis and Athena are different people who are both women, plural. Parvati, Sati, and Uma together are Woman, singular. Zeus, Demeter, and Poseidon are gods, plural. Shiva, Vishnu, and Krishna are God, singular. That’s not how all Hindus see things, but it is one Hindu perspective that I find especially comparable to K6BD.

Similarly, the multiple bodies are only manifestations of a single God: YISUN. All of his bodies are a single person. In Hinduism, the plurality of the divine can be seen as empowering and liberating. Multiple body parts signify that the god is a well-rounded entity. But Abaddon makes it look like a curse. He turns the artistic convention around. Using the same symbolism and metaphysics, he tells a radically different story. As White Chain says, “Being was only circular.” “YISUN had no equal… It was a wretched life, without meaning or perception. Imagine infinite stories to tell… and nobody to tell them to.” Perfection is lonely. At this point, YISUN is the only thing that exists, and that can’t be fun. All those arms and heads cannot satisfy YISUN’s need for companionship. It’s fascinating to me that when White Chain says YISUN had no one to whom it could tell its stories, Abaddon chose to illustrate multiple heads right next to each other. Even if those heads told each other stories, the speaker and the listener would still be the same person. Dissatisfaction with isolation is why YISUN created the world.

Although not all Hindus follow the school of Advaita Vedanta, in this case, I think it will be helpful to compare and contrast with Advaita. As Ram Shanker Misra writes in “The Integral Advaitism of Sri Aurobindo,” “Brahman [ is] perfect, absolute, infinite, need[s] nothing, [and] desir[es] nothing…” Brahman is full of all perfections. And to say that Brahman has some purpose in creating the world will mean that [Brahman] wants to attain through the process of creation something which it has not. And that is impossible.”

But that’s exactly why YISUN created this world. He wants to gain something that he does not have: companionship.The universe is God’s escape from himself. There was no Genesis, but there was “the first and greatest division: division of self”: “God committed holy suicide.”

2. The Divine Suicide

White Chain’s story is similar to Friedrich Nietzsche’s famous claim that “God is dead,” but Nietzsche did not mean God was a real entity that had literally died. He meant that intellectually, it was impossible to continue believing in God, and that all intellectual achievements founded on belief in Him had to be abandoned. Nietzsche’s claim is a famous example of a philosophical school of thought called death of God theology, also called “theothanatology,” which means “the study of God’s death” in Greek.

“Death” can mean a lot of different things in this context. Sometimes it’s metaphorical, sometimes it’s literal, and usually, it’s a very confusing mixture of both.

Nietzsche proposed the death of God as a social claim about humans. He’s talking about what we can believe, what we should do, and what we need to accept. God never really existed, but as religion loses followers and influence, even the idea of God has begun to “die” because it no longer has power over the real world.

“Death” can also mean God exists, but in a way radically different from what people usually mean when they say “God.” The Rabbi and philosopher Richard L. Rubenstein thought God exists as a “ground of being,” but not as a supernatural entity that made a covenant with Abraham. Rubenstein proposed the death of God as an intellectual change in what humans think the word “God” means.

And, finally, “death” can just literally mean “death.” The Protestant theologian Thomas J.J. Altizer wrote “we shall understand the death of God as an historical event: God has died in our time, in

our history, in our existence.” This isn’t a social claim about humans—it’s a metaphysical claim about God.

Death of God theologians usually mean more than one thing when they say God is dead. Nietzsche wasn’t just trying to convince Christians to become atheists; he was also trying to convince many atheists that they disbelieved in God in the wrong way. Altizer had radical thoughts about what human beings are able to believe.

White Chain means that God is dead in the literal sense. She is proposing a metaphysical belief that God, as a historical figure, chose to actually kill himself. White Chain is not rejecting or critiquing religion—she’s asserting that her religion, in which God has died, is fact.

You can see slight parallels to Nietzsche, Rubenstein, Altizer, Hegel, Zizek, and Blake in White Chain’s version of the fictional religion Atru. But there is no better comparison than the king of sad philosophers Philipp Mainlander.

Mainlander was an atheist—but not in the sense that people usually mean when they say “atheist.” Mainlander believed that there was a God at some time, but that time is now over. There isn’t a God anymore. Mainlander is pretty unique among death of God theologians because he explicitly describes God’s death as a suicide. Whittaker explains that Mainlander thought “[a]ll things have their origin in what may be called… the ‘will’ of the absolute being… to annihilate itself.” Essentially, the cause of the universe is God’s suicidal desires.

God was a “real unity,” but his death caused a “collective unity”—that’s the universe where we live now. God had been a total and undivided One, but now the universe is made of distinct parts. God cut himself apart into the pieces of the universe. God created the world by becoming it, and he became the world by dying.

Mainlander said “the knowledge that life is worthless is the flower of all human knowledge.” He thought suicide was desirable, and ultimately, he put his money where his mouth was. The biggest difference between Mainlander and White Chain is that she doesn’t seem to think ordinary people such as herself should follow God’s suicidal example. Even beyond the views of a specific character, the story of Kill 6 Billion Demons reads as an affirmation of life’s beauty and value.

But the webcomic clearly argues that making a better world is a bloody project. So it should come as no surprise that making the world itself involved bloodshed. First and foremost, the blood of God. What’s so interesting to me is that both White Chain and Mainlander equate God’s suicide to the creation of the world. Our life comes from God’s death. Creation and destruction aren’t opposites—they’re different ways of looking at the same process. At the end of Book 2, Allison destroys Mottom’s evil tree and a lot of her palace—but this destruction is also part of the creation of a more just and free world.

So, what did God’s destruction create? What came after YISUN?

3. The Duality of Un and Yis

The destruction of the total unity creates duality. I know that’s a little confusing because YISUN had many faces, but remember that behind all of those faces was one God, and only one. Not anymore. “From division was birthed duality. White Un, Lord of empty and still places, master of all that is not. Black Yis, infinite mother of the rampant flame. Master of all that is''

I cannot avoid comparing the White and Black gods to the Yin and Yang—a spinning black and white symbol usually associated with the religion Taoism. Yin and Yang represent a cosmic duality. Yin is associated with femininity, darkness, passivity, and even numbers, among other things. Yang is associated with masculinity, light, activity, and odd numbers, among other things. Mainstream Taoist philosophy asserts that the universe can be understood through duality. So, why are these pairs important? And why do things get paired together in the first place?

As is written in the foundational Taoist text the Tao Te Ching, “Being and non-being create each other. Difficult and easy support each other. Long and short define each other. High and low depend on each other. Before and after follow each other.” What’s so interesting about the pairs is they “create,” “support,” “define,” and “depend on” each other. Black can’t exist without white, and white cannot exist without black.

As the Encyclopedia of Philosophy puts it, “...yinyang is emblematic of valuational equality rooted in the unified, dynamic, and harmonized structure of the cosmos. As such, it has served as a heuristic mechanism for formulating a coherent view of the world…” Essentially, neither of these opposites are “dominant” or “truer.” Choosing one side won’t help you understand the universe because the universe is their partnership. Their equality gives “structure to the cosmos.” That structure is order, not chaos, but it is differentiated. There are two different things: Yin and Yang. They contradict each other, but at the same time, they make the universe. Yin and Yang are a productive paradox.

I’d like to return to the notion that “being and non-being create each other.” At this stage of creation in K6BD, UN and YIS could not exist without each other. Their very existence is the fact that they are not a unity. If there was only one of them, then there wouldn’t have been a division—and they are nothing more than the product of division. Just like how being and non-being create each other, the Master of All That Is and the Master of All That Is Not create each other. YISUN was characterized by his totality—he was the total sum of the omniverse, there was nothing else. After the division, Un and Yis experience otherness. The first otherness in the omniverse. It’s difficult for them to find balance—in fact, they immediately went to war for seven years. At the end of their seven-year war, Un and Yis made love for seven days.

I want to be very clear that this is not a depiction of actual Taoism. Yin and Yang are not gods with faces and minds. Notably, the Tao Te Ching asserts that yin and yang are “older than God.” so make of that what you will. But I think Taoism is thematically relevant to this era. Two opposites have to come into balance with each other. The whole universe is a duality of interconnected forces.

K6BD repeatedly emphasizes the need for community. As Allison says at the end of King of Swords, “I couldn’t have done this without any of you… We make mistakes. We learn from each other. We all still have so much to learn. Once I saw that as a weakness, now I’m certain it’s not. Someone who lives still thinking like that… struggling to do everything themselves… I can’t help but think how alone they must be.”

YISUN had to do everything all by himself, and we saw that Allison was right—isolation was a struggle, even for God. But the struggle is over, and in its place is duality. Partnership. The first community.

These are the first four parts of a fourteen-part critical essay. You can read the rest here.

Bibliography is on the free Patreon post.

#patreon #nate's writing #original post

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sparrow-in-the-field · 2 months

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The other day youtube suggested a compilation of Jack Mulhern as grizz scenes from the society and I decided to watch it, cuz I wasn't sure I'd ever get around to watching the actual show (teen dramas aren't super my thing and also just like, *gestures vaguely at life and lack of time*).

Anyway, here are my thoughts:

I kinda knew this from pics already but it just solidified the fact that Jack was a cutie freaking patootie in this?? He's so baby and I love his long hair omg (very excited to use these visuals in my modern tbitb au)

I literally just said it but his hair deserves its own bullet point lmao. It's cute when it's down and a little in his face, it's adorable in that silly little bun, it's just so so cute wtf

Jack has a really nice voice?? Listen, we love Don Hume and his quiet awkward self, and Jack did a great job of portraying a character with limited lines, but watching this compilation made me realize just how few lines Don actually had lol. He has a nice voice! Let him speak!

Obviously I didn't see much of the other characters from the show but I'm pretty confident grizz would have been my fav. Kinda nerdy but still sporty gay boy with a heart of gold? Yeah that's ticking a lot of boxes for me.

That being said, ooff, the plot with him and that other boy! Almost made me glad I didn't watch the whole show lol I think that would have made me so upset. Literally at the pregnancy reveal in the compilation I just went "oh okay, this show is messy!"

However, that scene of grizz telling off sam about it really gave Jack a chance to show off his acting chops. I felt that scene, and I didn't even watch the whole show! I was really impressed. (I could probably go on another rant about how I think he's really talented from tbitb too, which I kinda hinted at above, but yeah. Talent!)

Based on the last few clips I think it must have been frustrating that the show got cancelled. Netflix why are you like this.

Tldr; I think Jack is quite talented and I hope he keeps getting cast in stuff, and they should let all of his characters have long hair lol

#jack mulhern #I'm not gonna tag the show because it's not really about that #I'm just fangirling over jack #don't worry about it

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adarkrainbow · 10 days

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As I have been reblogging and looking back at Sleeping Beauty stuff around the Internet, I realized the thing that is bothering me a bit... When it comes to the you know "original" format of Sleeping Beauty.

Everywhere on the Internet you have these posts and videos and whatnot about "The dark truth behind Sleeping Beauty" or "The Horrifying Origins of Sleeping Beauty!", and they all refer to the fact that in the "original" version of the tale, she got raped in her sleep. This is the "dark fact" everybody LOVES to spread around and talk about. Except... Except the version they refer to is Basile's "Sun, Moon and Thalia".

Why does that matter? I'll explain.

Everybody depicts "Sun, Moon and Thalia" as this sort of dark, horrifying tale of a grim and gruesome crime. They will have in their video a dark background, and creepy illustrations, and they will take an ominous horror movie voice and whatnot.

But there's a big problem with that. Basile's stories were all except serious. They were humoristic tales. Or more precisely, they were farcical stories. Farces. There's a reason its "twin compilation", Straparola's fairytale collection, is called "Facetious Nights". So the very idea of presenting these stories as if they were meant to be taken seriously is completely misreading the story's tone. Yes there was a rape - but if you extract this from the entire context and storytelling, you make this tale sound like something it is absolutely not.

"Sun, Moon and Thalia" is not meant to be a horror story. It was not meant to be read as "serious" story. It has nothing to do with either the Grimm or Perrault fairytales. The entirety of the "Pentamerone" is basically a folk-sex comedy. If such a thing can exist.

Every fairytale of the Pentamerone is opened by a small recap of the story announcing what it will be about - and already from the get-go the very two lines opening this recap give the humoristic nature of the tale away. "Thalia dies because of a splinter". I mean come on - the joke is obvious. A girl gets a splinter, she dies. And if this wasn't enough the rest of the sentence can be translated as following: "she is left in a room where the son of the king penetrates and makes her two children". The choice of the word "penetrate" is to highlight the pun in the original line where the prince entering Thalia's bedroom and the prince entering Thalia's body is resumed in one same verb.

For more breakdown of the jokes of the story, see below the cut:

As I said before from the get-go the "curse" is treated as a joke. You have this king that summons scholars to make his daughter's horoscope, right? And what does it say. "She is in great danger... BECAUSE OF A SPLINTER!". This is literaly the killer rabbit of the Monty Pythons.

In this story, what does the little old woman that offered the princess the spindle does, once the princess falls dead? (Because she is dead in this version, a magical death, but dead still). Does she warns everybody and cries for help as in Perrault's version? No! "She was quick to find back the stairs [from which she came in]" and she runs as fast away as she can without warning everybody, because she's not going to get into trouble because of some random girl that wanted to see how to spin.

The whole arrival of the prince is very, VERY unprincely and part of the joke. (Well it is a king here but I'm going to call him "prince" so as to not lose people). So he is hunting, right, and his hunting falcon enters the countryside building in which the king locked up his daughter's corpse. The prince wants to get back his bird, so he knocks - because he believes the house is inhabited. And since nobody answers and he REALLY wants his bird back, he fetches a ladder and is forced to climb up a window like a vulgar thief. And he is royalty, remember.

What is the prince's first interaction with the dead Thalia? Believing she is asleep, he starts talking to her. And since she doesn't answer he kind of shakes her around in trying to wake her up. And then suddenly, realizing she kind of looks good (an that she is visibly not alive anymore), he "does his little business" and promptly puts her back where he found her and leaves. Because he is, like most men in the Pentamerone a stupid horny dog without much morals that has the most sudden and bizarre bursts of sexual desire. Cause again the Pentamerone is a sex comedy.

In fact, in the story of "Sun, Moon and Thalia", the prince is MEANT to come off as quite stupid. He is stupid. First off he didn't get that Thalia was dead when he saw her. Then, as soon as he leaves the funeral-house, it is said he "forgot all about this adventure". Like literaly, he forgets all about it - and only suddenly remembers it randomly when Thalia wakes up. (The narration itself highlights the randomness of the events - the fact the prince remembers Thalia is random and for no reason, and in the same way there are two fairies that randomly appear out of nowhere to take care of the two babies and we are never explained anything about them - they even frighten poor awakened Thalia because she doesn't know who brings her magically food every day). When he sees back Thalia, he is all joyful and happy and he is like "Let's start a family! I'm a dad, woohoo!" ; and then the narration drops the bomb that nothing had foreshadowed: "Now, his wife was waiting for him back at the palace." The randomness of dropping the fact he has a wife is meant to be the joke, since we were led to believe he was a bachelor. But given the prince's tendency to forgetfulness it is very likely that he simply forgot he had a wife.

More of the prince's obvious stupidity and air-headedness. On one side how he betrays Thalia and her children's names to his wife - because he just can't stop repeating and singing their names out loud, day and night, even when eating or sleeping, due to how silly-happy he is. On the other, the reason why he is absent while his wife tortures Thalia: he got angry at a comment of hers, and because he was furious, he literaly had to go to ANOTHER LAND just to vent his anger. Literaly, he leaves his palace and moves to another of his domain just because he got pissy. And why did he get pissy? Because his wife kept ironically singing to him "Eat, because what you eat belongs to you" when she served him his "children" - and the stupid prince, unable to understand what she meant, literaly answers "Of course it belongs to me: I'm the bread-winner of the family, while you're doing nothing and bringing nothing to the house". [Which by the way, highlights the fact that in this couple, the wife is depicted as profiting off the king's wealth and power].

Speaking of the dinner around the fake "children": this meal is another sex joke. Because the two of them, the wife and husband, are "panting with desire" around the dishes, and keep singing stuff like "Oh that's good, oh that's good!" and "Come on, eat, come on eat!" making it all an erotic scene. A ridiculous, grotesque, perverse erotic scene around what one character believes to be a cannibalistic meal, while the other just very loudly appreciates good meat.

When the queen tries to have Thalia killed, Thalia tries to defend herself by the fact she didn't know of the queen's existence, and that any sexual thing that happened between her and the prince was in her sleep - which the queen of course does not believe because of how ridiculous it all seems. I mean you catch who you believe is your husband's lasting extra-marital mistress and what is her excuse? "Oh no you see, he made me my kids when I was asleep. Well kind of dead. I didn't know. No he did not wake me up. I didn't wake up either when the kids were born. I'm a really deep sleeper. And it was because of a splinter you see..." Literaly, imagine yourself in the place of the jealous queen hearing all that.

Thalia gains time on her execution by asking the permission to remove her clothes, and the queen accepts, but as a joke she accepts out of greed because she literaly wants to take back Thalia's dress and jewels for herself. And each time Thalia removes a piece of her clothes, she screams. She screams in hope of alerting the prince. But since the prince is far away, he doesn't hear until the very last scream. Meaning that Thalia literaly strips herself in front of the queen, while screaming every time she takes off a piece of clothing, to visibly no effect (which must leave the poor queen quite confused), and it is only when Thalia gets naked and pushes the final scream that the prince suddenly arrive. You can imagine Thalia going: "FINALLY! I've been screaming for hours now!" (especially when you consider how much pieces of clothing princesses wore at the time).

Literaly one of the threats the prince gives to his wife is "Get ready to go fatten up the broccolli". As a metaphor for being dead and buried underground. Tip-top manly threat. In fact the prince is here quite proficient in ridiculous poetic metaphors: when the cook reveals he saved his children, the prince says "Get ready to move out of the small kitchen of my castle to the vast kitchen of my heart."

And of course the final "moral" of the story is also part of the entire farcical joke that is this story. "People who are lucky receive good fortune, even in their sleep". You literaly have a girl who is randomly raped in her sleep and gives birth to children in her dead-sleep, and then is almost murdered by the rapist' wife... And THAT'S the moral of the story? If you take it all literaly, then you are a fool. Or at least Basile would have called you a fool.

Again, people tend to forget that when it comes to literary fairytales (but also a lot of folk-fairytales) there is a TONE that is important. It is the brothers Grimm and other collectors after them that imposed the idea that fairytales were meant to be read "seriously". A lot, LOT of fairytales were originally humoristic - even going into dark humor or sex comedy. And whenever you go by Straparola or Basile, you HAVE to look at them under the angle of a joke or humor, and search for the puns and caricatures and ridiculousness within these tales. Because these books were meant to be read as such. They are like Rabelais' Gargantua or Shakespeare's comedies. You can of course reinterpret them as "serious" tales... But it won't remove the fact the original was humoristic.

#sleeping beauty #dark fairytale #thalia the sun and the moon #sun moon and thalia #thalia sun and moon #basile #pentamerone #italian fairytales #fairytale history #humoristic fairytale #sex jokes #sexuality in fairytales

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ricksanchezbignaturals · 6 months

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suicide attempt mention and s7e3 spoilers

ok aaaaa omg episode 3 was insane. im just gonna compile my feelings here.

i absolutely loved the unity episode in season 2 so getting to see it again was a pleasant surprise.

despite thinking he has some weaker episodes, i really like curtis and think this was a great one. he's a little bit insane and i appreciate that about him.

and i think the wong/curtis/rick dynamic was fantastic. "suck my dick and lose my number" "if you invite me to the wedding i'll shit in the punch" (or yknow whatever those lines were, my memory's not great), absolutely hilarious.

"don't talk to them like that" or something when the president called unity bitch. idk what exactly is the deal with unity's pronouns, but you know that line made my nonbinary ass happy. i do sort of wish they committed to it/its or they/them for unity since even though it's a hivemind it's sorta like female coded? like there's been a lot of drama and bullshit about rick being queer even though unity was like his first love interest we got to see. and hey there's nothing wrong with banging hot alien chicks under the control of a hivemind. i just feel like rick's queerness gets danced around a lot, and dating an entity like unity is sort of a cool microcosmic expression of pansexuality and that aspect could be leaned into more.

rick was a tad too quick to put a gun to his head for comfort, but he has clearly made a lot of progress. where the first unity episode ended with him making an attempt on his life after getting dumped, when unity says it doesn't trust him, here he grabs a drink and goes and sees curtis. i need to actually watch the scenes side by side when i get the chance but the end of this episode did feel like a very intentional parallel to the suicide attempt. that scene has stuck with me for a long time, to the extent that even as i didn't think he was going to attempt again, my stomach flip flopped when he was in the garage.

and i am really proud of rick, don't get me wrong, but does anyone else think it's a little suspicious? i don't think the way he's been taking to people or dealing with stuff has been out of character, just that it's been weird timing, yknow? like there's been a lot going on with his personal relationships this season and he's clearly making an effort to treat people better and work on his mental health. but like why now? when the last season ended, rick was having a mental break the likes of which we've never seen. what brought him from how he was doing at the end of season 6 to how he's doing now? it does worry me a bit to be honest.

this is more about the season as a whole so im just tacking it on the end here, but the animation??? as someone who knows nothing about animation and has square brain, i don't know the right words to describe it, but it's feeling real different in a good way.

#rick and morty #rick and morty season 7 #rick and morty season 7 spoilers #rick sanchez #unity #rick and morty unity #president curtis #dr. wong #suicide #suicide attempt #suicide cw #cw suicide #rnm #r&m #rick & morty #pansexual rick sanchez #air force wong #my nonsense

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xoxo-ren-xoxo · 2 months

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What the Hell is Comms AU?!

Well first of all, Comms AU is a Hermitcraft fic I am writing. If you want to go into it blind, then the link is here!

[also, hey, if you like it, perhaps consider reblogging this post ;) ]

But if you'd like to know a little more before diving into it, I've decided to compile a fun little resource introducing the fic, its format, some of the most basic pieces of lore (so very mild spoilers, but it is stuff you would pick up on by chapter 3 or 4, honestly!) and a few tidbits about the characters. BELOW!

What the hell is Comms AU (For real this time)

I started Comms AU (full name INCOMING MESSAGE - COMM RECORDS) back in the middle of 2023, after reading some really great fics like the From The Archives series. It is a multiverse drama first and foremost, with elements of horror, betrayal, personal agency, and some religious themes [though the latter is mostly aesthetic]. There are also some comedic moments, and some sad moments. There's a lot of moments.

Comms AU follows five versions (universes) of Hermitcraft as they are all just kind of subjected to The Horrors. It is formatted as a series of transcripts recorded from different characters' communicator devices (or comms) which I imagine as sort of like sci-fi wrist watches with touchscreens and buttons. Though each universe could have slightly different models!

Formatting

As I mentioned, the fic is set out like a series of audio transcripts (though I kind of bend the rules to be honest, it can be read as if it is being played back as a recording), so the writing style is more like a script or screenplay than a standard prose piece. Your average chapter may look like this:

GRIAN: I'm saying a line now. SCAR: I'm also saying a line. [square brackets and italics to indicate a non-dialogue sound] GRIAN: Dang what was that?!

I also play around with writing out the communicator's 'screen' prompts such as its logging out message, 'call incoming' functions, etc. These I try to keep consistent between chapters, but I'm pretty sure I lost that consistency in a couple of places. Oops.

You may be wondering how you know which universe a certain scene is taking place in. It's quite simple, really! Each scene starts with a line of text like this:

[COMM RECORD: P#003]

The letter indicates the character whose comm we are listening/reading through (i.e., the perspective) while the number indicates what universe we are in [or what universe that character comes from, anyway...]. So the above example would be Pearl from universe three!

Lore?!

Okay this isn't really 'lore' as that would be total spoilers, but I want to talk about what kind of themes and things come up a lot in the fic - especially in terms of who is 'what'. For example, I've written Xisuma as a voidwalker, a type of end-hybrid which breathes better in thinner oxygen environments.

Scar and Cub are generally vexes, though there are differences between universes that become important later. Grian (at least, the times we see him) is a Watcher, and EvoSMP is canon [to some universes] but I try to explain everything within the fic itself so there shouldn't be too much confusion if you don't know much about all that.

Themes-wise, the fic revolves a lot around conversations and relationships between the characters, obviously. Words are very important, while actions must be left mostly implied through the audio medium. Characters aren't always reliable, and neither is sound. The fic takes a bit of digging and theorising to truly enjoy, but I am slowly revealing more and more as I write, so things will mostly get cleared up!

Also this fic mostly takes place in season 9, and there are references to season 9. There's some reference to season 8 too!

Characters

This is the important bit! I can't write all the hermits, obviously, as that would be too much to manage, so instead lets focus on the names that come up the most often:

Grian, Scar, Cub, Pearl, Xisuma, and Mumbo are probably the most 'recurring' characters, though Etho, Bdubs, and Cleo show up quite a bit especially towards the start.

[I am a Grian girlie and this is obvious from... everything about this fic, but I wouldn't say it is entirely about him! He does show up in most chapters though haha]

Relationships get a little complicated, due to the multiverse stuff, but I will say that there is mumscarian endgame because I love them. The actual 'romantic' side of things aren't that important, though, and most of the other relationships can be read kind of ambiguously. Just check the tags for more info!

It's still gay as hell but the multiverse horrors are more important, to be honest.

Or are they... ?!

YOU'LL JUST HAVE TO READ TO FIND OUT!

[psst, I also did some art, you can find it in my #comms au tag on my blog]

[psst psst, if you ever wanna message me, send an ask, or even make art (!!!!!!) to support this fic PLEASE feel free to do so. I love every comment, every ask, and all the bits of creative work people have made. REBLOG, COMMENT, GO CRAZY, ILY!!!!!]

#ben chats shit on the internet #comms au #hermitcraft #hermitblr #hermitshipping #hermitcraft fanfic #hermitcraft fic #hermitcraft s9

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crescentfool · 4 months

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5, 9 and 16 for that artist ask meme!

5. favorite little detail in a drawing you did

this one was kind of hard to answer because i lean so much more to simplification over 1:1 detail... that said, i really loved these ones!

the bag from the top photo is from here, minato nui on left is from some con-related draws, the ballpoint splatling on right is from a vintage draws compilation!

i just really enjoy drawing little objects and props, and as much as i'm allergic to backgrounds, i hope to overcome that next year because my friends know i love getting obsessed over random objects for a few days...

9. any new art mediums youve tried (or overall styles if you havent tried new mediums)

i haven't gotten to do much mediums outside of digital art unfortunately.... but i would say this year was the year of chibification! i turned so many characters into little guys this year (shoutout to the nui tree!). which is really ironic because i also realized this year i find full illustrations more satisfying to work on throughout the process, despite the "simplicity" of chibis.

i did some limited color styles too! (blue, purple, and red + b/w). hopefully i can do more deliberate color palette stuffs though. i think it'd be a great exercise.

stylistically wise i think i could've tried more, but. its ok! thats what 2024 is for. yipee!

16. favorite piece of art from someone else (if you have one)

it feels like a cop out answer to say this but any gift art i got of my splatoon character... LOL... i didn't expect to get so attached to him (i changed my name in game to minatoast a JOKE!!!!). um. drops this gallery link here and scuttles away. im so very grateful. you're telling me people actually took time out of their day to draw my little guy? incredible!

ocs aside, i'd like to take the time to highlight some art from people on twitter (kitaro havers rise up!), since i do consider the things i reblog to be art i'm very fond of...

this art from tin of ryomina with flowers is so. oh my god. i was SO BEWILDERED AND HAPPY!!! i was minding my own business and then saw this rt'd on one of my friend's pages... i forget who lol but i was like "WAIT TIN Kick_TheeCan DREW RYOMINA??? I LOVE THEIR ART OF THE P3 PROTAG WHAT." i feel like i got pushed down a staircase in tartarus (positive)

and this art from chris (str3wberryy), my god, the composition fucks severely. i want to eat it. he also has an alt account on twitter (@/makotoyukilover) if you want to see more of their p3 protag arts :D

i also enjoyed seeing p3 arts from yamad_125, BSZZOWL, and elulit2. im so serious if you like ryominaigis you'll probably like taking a gander at these artist's media tabs! i find my way to see the twitter arts one way or another, nothing can stop me 👁👄👁

#lizzy askbox #RAAH IM SO GLAD YOU ASKED QUESTION 16!!!#i am filled with love for artists. and similarly to the question of what styles you take inspiration from #it was really hard to not write a text wall or link multiple..#but i've been itching to outlet somewhere how much i adore some of the art i see on twitter...#like ik i can just log into my acc again but the idea of being perceived on twt makes me antsy so i just dont #i literally vibrate in place and shake back and forth and quake whenever i see art. sometimes it occupies my brain for HOURS like. wow...#i want to draw like you... or.... wow.. it's so clear to me that you really love what you draw / that you're putting in time to practice...#and i know i linked p3 mostly but sometimes i see peoples portfolios for visdev and i go GODDAMN IM IN LOVE WITH YOU WHAT DID U STUDY #anyway... thank you again! this is so fun. my appreciation for 2023 is going up from this hehe

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ieatsmallorphansnamedtom · 2 years

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Stardew Bachelor/Bachelorette Halloween Costumes!

In celebration of the start of spooky season, I compiled a list of what I think the Stardew bachelors and bachelorettes would wear for their trick or treating! I know they have Spirit's Eve, but I'm yet to see connections to that holiday and costume wearing (if someone does have anything do hit me up).

Bachelors:

Sam

He's either going as a video game character or something classic like a clown. Either way, he looks like he's just come back from a night of killing. Tons, and I mean TONS, of fake blood everywhere. It doesn't even look authentic at that point; it just looks like he's dipped himself in a bucket of red paint. He'd have to have a second costume for when Vincent is around, hence the video game character. He's a whole cupboard full of Prairie King merchandise and costumes.

Elliott

Some infamous historical figure/legend. Think Sweeney Todd. He's always dressed like he came straight from the Victorian era in London, so you best believe he's got some cool costumes he just wears on the regular. Also, the acting is dialed up to 100%. Some townies (mostly Alex) can't even understand what he's saying because he uses a combination of Shakespearian, cockney rhyming slang, and drunken slurs.

Sebastian

Vampire, skeleton, or both. Lots of effort was put into his, so it looks really good. It's mostly made of up cycled old costumes and random merchandise he has. He went to Emily for a lot of help with actually putting it together, and it paid off! He spends most of the night trying to sneak up on Sam and scare him (which he does well). Lots of fun Sebastian times and scared Sam times.

Harvey

His costume is pretty tame. Honestly, he's just a more stereotypical doctor. He's not all too creative with these things. But when the farmer comes along, he tries stepping it up with a pilot outfit! A more historical one, of course. He does not have the money to go out and buy a whole suit for these modern uniforms. Some of the stuff is a bit old, seeing as it was mostly outfits from many years ago, but he still looks cute.

Shane

If it weren't for Jas, he's going as a bedsheet ghost. Not even holes cut out for the eyes, just crudely scribbled on magic marker ink. But Jas wants to be a princess, so he's going to be her knight in shining cardboard armor. Jas and Emily spent hours making it, and for what it's worth with its mounds of silver glitter, it looks pretty good! Shane swapped out his sword for a glorified pool noodle and is hitting whoever annoys him under the excuse 'it fits his character.'

Alex

Gridball player, but zombie. Halfway through makeup with Haley she realised he was using actual paint, not face paint. Cue them both panicking and rushing to get it off his face. A little bit of paint got on her floor and now he's doing all her chores for a week. But for the costume, he took great care not to get paint on his helmet. If he could, he'd wait days until he's certain the paint has dried and most 'damage' it. He's having the time of his life in it, living out his literally dead dream (being a zombie and all).'

Bachelorettes:

Penny

Queen of the Junimos! It's got a very floral design and is pretty light. Bell-shaped skirt and sleeveless top. Lots of green, but also little bits of oranges and yellows to fit the season she'll be wearing it. Haley went crazy when she asked for help with her makeup and spent hours and hours making sure it looked perfect. She looks like she came straight out of a fairy tale.

Leah

Some sort of mythological forest being. Probably some sort of tree person. Either her outfit is lowkey high-key very revealing, or a straight up tree with a hole for her head. That, or something very weird and mixed media. She's trying to get the feel of a personification of her sculptures.

Abigail

Dead Red Riding Hood. Blood everywhere. It looks like someone murdered her violently in her sleep. She also has one of those fake knives that can retract into itself to make it look like she stabbed someone. That, or Sebastian hid some packets of fake blood in his jacket and Abi comes swinging at it with her sword. They both got in massive trouble and nearly killed Harvey, but it was worth it.

Maru

Alien! But hers is actually based off what aliens would look like under different planets with different environments. Each year is something new, and every time she looks amazing. She's even wired some electricity in some of them to make flashing lights or to equip a voice box inside. It's super stuffy though, so she's taking it off after a few hours for a break.

Emily

Her outfit is less of a costume more of her having fun making the most extreme clothing possible. Two-and-a-half rainbows of colours only visible to shrimp. She is the easiest to spot by far, having giant accessories. Each costume is based off a different animal, but her favourite is birds because she gets to use a ton of feathers.

Haley

A ghost! She's dressed in her best clothing; all white and grey. Her makeup took the whole day to do, and it paid off! She is by far the most beautiful townie and looks absolutely ethereal. She and Emily also came up with a fun backstory for her new ghost self, and when drunk Elliott hears it, he loses it entirely (in a good way). Little bits of glitter everywhere so she shines in the moonlight.

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yukipri · 1 year

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The Bad Batch Season 2 Wrap Up Thoughts

I never ended up sharing my thoughts on the Bad Batch S2 finale. Since we're hopefully getting news of S3 tomorrow, this seemed like a good time?

First, to be clear, I love so much about the show. This is not meant to be a complaint thread. But I'm also critical of certain aspects. You're warned.

This is also a compiled Twitter thread!

Spoilers through the end of Season 2!

First off, I can't understate how beautiful the show was, just as an experience. The cinematography, the visual designs, the music. The unique worlds and unique characters. There were so many shots that were breathtaking, haunting. When a scene hits, it HITS.

I love both TCW & Rebels dearly, but cumulative skills + experience as well as new technology clearly shows. TBB, TotJ (and of course TCW S7) are just so captivating to watch as works of art. These shows are, frankly, worth it for that alone. But of course that's not all.

One of TBB's strengths is the depth it gives the worlds the characters visit, as well as the side/guest characters. Perhaps due to the nature of many of the episodes being more of an exploration than straight up war like TCW, but we can see more of these places. TCW also had so many neat planets/aliens/cultures, but due to the constantly pressing war, we were only ever allowed a glimpse and I constantly wished there was more. TBB really scratched that itch. I'm thinking specifically of Kashyyyk, with its fauna and wookiee traditions.

The same with side/guest characters. They all had such great flavor, with fun designs and motives. Phee was a standout among the non-clones. I also loved how it gave us such a personal exploration of characters we knew and loved before, like Riyo.

The thing about TBB is that it's set in such a fascinating time period that we don't have too much media of, at least in new canon. The formation of the Empire is a time where we know all these other characters must be alive and working hard, but we haven't seen it before.

This leads me to the writing. Oh, the writing...

How do I say this. The writing in this show gave me whiplash. Some of the episodes were beyond brilliant, giving us deeply personal character moments, layered metaphors, and context in how it affects the greater SW universe.

Others...not so much.

I understand this is not the case for everyone, but for me personally to enjoy a story, when there are any stakes involved, I need the characters to show some awareness of them, and for these to affect their actions. There are a limited number of episodes and that time must be spent wisely. I don't mean this at all to say that I didn't enjoy the lighter fun adventure missions with the Batch, nor do I think these episodes can't be used productively.

But TBB S1 started off with Crosshair siding with the Empire.

I kept waiting for them to *show* that the others cared. It could be they were troubled, it could be they missed him, it could have been shown in so many ways. I kept expecting these brief moments in the Fun Times episodes, which would have given me some emotional continuity.

The writers are absolutely capable of it! After Plan 99, when Echo glances at the co-pilot seat—stuff like that, I was personally expecting it through all of S1 and S2. I get that the Batch feel they have to do other things and Crosshair made his own choice, but I thought the point was they care about their brother regardless.

Mind you, I'm not the biggest fan of Crosshair, but I do find him interesting. And I felt that in the two episodes most centered around him, he had such tangible growth that was depicted so well. He went from stating that the Batch are superior to regs in S1 finale, to having clear doubts after working with Cody, to shooting a natborn officer because he didn't help a "reg" he'd just met. We see Crosshair being included by the clones he disdains, we see how it compares to the Empire he thought he wanted to be a part of. The writing in Crosshair's episodes were tight, and he went far within them, few as they were.

In comparison, the rest of the Batch...with their far greater number of episodes...what were they doing??

I love character-centric eps, but even on a personal level, I wasn't sure what the charas gained. Tech is the sole exception; he was given many introspective moments, from Sorenno, to Phee, to the cave talk with Omega. Not sure how much he changed, but he expressed himself.

To also be clear, I'm also not including Echo in any of this. He has been the voice of trying to get the Batch to do things, to *change*, since S1. I felt his frustration keenly. Which is why I felt that when he left to go with Rex...I sort of left the Batch with him.

I mean this in the sense that Echo didn't *want* to leave the Batch, not necessarily. He wanted, and he *did* try to get Hunter to care about what their brothers are suffering, and he has been since S1. Echo can't stand to leave them chipped when he could do something.

He wanted the Batch to feel the same. *I* wanted the Batch to feel the same. But they didn't. I see Echo breaking with them less as him leaving, and more as they (or at least Hunter) firmly telling him that that's not their fight, and they're not going to do it.

This isn't the Batch going out of their way to help, or not knowing how. Echo and Rex have given them an open invitation. The Batch know how to help, who needs it, and why. They know their "reg" brothers don't have many if any others fighting for them. The Batch (Hunter) have these opportunities to help and know they are among the few positioned to offer it...and they still walk away.

The Batch (Hunter) sees the other clones fates as none of their business. On one hand, I get that they never fit in, were called names and weren't allowed to sit with the cool kids at lunch. On the other, "they were mean" and "therefore they should be mind-controlled slaves" is grossly disproportional. Likewise it's not as though this fight doesn't concern them. Even if they can't find it in themselves to care about "regs," it's Rex who told them to remove their chips and went out of his way to make sure they did based on info that Fives gathered, without which Wrecker would have killed Omega. Perhaps I wouldn't go as far as to say they *owe* other clones, but my opinion of them certainly continued to drop as they made explicitly clear that they're fine with this being the fate of other clones.

So okay, fine. TBB isn't a story about the Batch discovering they have more alike with other clones than they first thought (other than Crosshair, who actually does get that story). That's what I wanted, alright, I know I'm not getting that at this point.

But then, where does that leave them? What do they care about, what do they fight for?

Their brother...right?

Except...they don't really do that either??? (points at earlier in this rant) At least, until the very last episodes, where an opportunity presents itself, and most of the Batch jumps on it...except Hunter.

The way he's written just *baffles* me. I can't say anything about his personality other than "he cares about Omega," but even that, when at the expense of his other brothers, is tiring. Immediately after Tech gives his life on a mission he wanted to go on to try to save Crosshair, he suggests they all hide away on Pabu (even with the knowledge that Omega is wanted and they're being hunted). I get that he wanted to hide from the pain, but in that context?? Even then, he can't care about Cross??

And then when Omega is kidnapped, the difference in his reaction between that and what happened with Crosshair...it was, frankly, painful.

I feel like by the end of the series, Tech would have been more open to joining Echo/the clones' fight. Wrecker will just go along. Echo has already plunged headfirst into helping others, Crosshair got character growth and defected from the Empire. And Omega has always wanted to help even strangers, but only doesn't when Hunter tells her no.

I feel that Hunter's the one dragging his heels for the Batch to progress, and he's supposed to be the leader.

All of this to say, I've been trying so hard to like the Batch since S1, and they didn't really click for me (other than Echo, who I don't count since I loved him from long before, and still consistently have). But by the end of S2, I think I've concluded that I'd like the others perfectly fine if they were under different leadership that encouraged them to care, to act.

I don't want to say I *dislike* him, but man...I'm super disappointed in Hunter, and I'm not sure if/how that might change.

This leads me to my final thought, which is: I would strongly prefer if "the Clone Story" be told from a different lens than Hunter-centric TBB.

What I mean is, throughout the show, there have been multiple pivotal events that affect all clones, not just the Batch.

The fall of Kamino, the failure of the clones' rights bill are the big ones. But even without those, through the glimpses of the "regs" like Howzer, Gregor, Wilco, Cody, Slip, Cade, and Mayday, we see how the Empire is treating the rest of them as a group.

I'm deeply invested in these boys and their stories, and frankly, all of these boys instantly became my faves in their few moments of screen time. I want more of these, and it feels deeply unfair that they've done so much to tell compelling stories but have so little time.

They are an extension of the clones I love from TCW in a way that the Batch just aren't, and don't seem to be interested in becoming.

Not even that, but we know from Hunter's rejection of Echo that the Batch (Hunter) don't *care.*

Fine, they don't care. But I'm admittedly deeply concerned about how S3 will go, because even if the Batch doesn't care about the Clone Story, they (Hunter) don't seem to be doing a great job progressing their internal story either (Crosshair).

I understand Omega has some crucial background we're *finally* getting to. I want to know why she's special, why she's unaltered. I want to know what she has that Boba doesn't, or if she's just Nala Se's favorite. Maybe that's relevant to the Clone Story.

But frankly, personally, I would prefer if TBB S3 goes full in focussing on building Hunter and Wrecker up emotionally, and just going full in on what it means for them as a Batch to be there for each other. They need that, desperately, without distractions.

I would prefer if the Clone Story (frankly, the story I'm far more invested in) is told through Rex and other clones, who passionately care and are in the fight. If Echo jumps between the 2 groups and links them, great! I think the Batch would make excellent guest characters. But NOT protagonists of a story where they don't care while everyone else does.

I guess all of this to say, it's sad that I think I liked the Batch the most in TCW S7, and my impression of them as a group (which I recognize is largely due to Hunter) has only gone downhill since.

Again, to be clear, I did enjoy the show.

I LOVED eps 3, 7, 8, 12, 14, to the point I'd say they're possibly my favorite eps of any SW show. These eps are conspicuously non Batch-centric. I loved many *parts* of other episodes.

The *show* has given me so much to love. Unfortunately, none of those things are Hunter.

#YukiPri rambles #TBB #The Bad Batch #Spoilers #the Bad Batch Spoilers #TBB Spoilers #TBB S2 #The Bad Batch Season 2 #longpost #rant post

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thewertsearch · 2 years

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Asks Compilation 23/10

Done and done. I'm surprised I didn't already have a tag for them, to be honest!

Oh, fun! I always wonder if people are reading for the first time along with me. I'm sure you've overtaken me already by now!

I don't think I'd have as much fun with the blog if it was less blind. Even the knowledge that the trolls existed was enough to heavily influence my theories.

Aren't they thirteen?

Granted, we don't know if trolls mature at the same rate as humans, but they certainly seem to be in that age range to me.

Nepeta, resident matchmaker, seems unsure about the current status of the Sollux/Aradia relationship, but she'd definitely drawn a heart there before. Plus, Aradia immediately identified the '8oyfriend' as Sollux, so there is something going on with them.

If it does, and he did, then that's pretty clever - but unfortunately for him, it's probably futile. There are surely a million other ways she could manipulate his desires.

I know Homestuck is controversial, but I always had the vague idea that, like Undertale, its reputation had a lot more to do with the fandom than the property itself.

I'm surprised there's that many people who say the comic is bad. The comic is great. Even if, worst-case-scenario, it jumps the shark on the very next page, there's still so much to love.

I guess this is a good explanation for why his name is so close to Lord British - thus, their similar invincibility schticks really are coincidental.

The former works well - although, I've just noticed on reread that he hasn't actually referred to himself as a doctor. He's just 'Doc'.

That said, I have reason to believe that he is, in fact, a real doctor.

Maybe he really is a gambling man.

Well, Terezi is referencing his comic before Earth even exists...

So it's like the SBaHJifier gag, but for the whole comic?

That sounds ambitious, but interesting, especially if it's doing everything you say it is. Any fanwork that people think was written by Hussie must be something special.

It's fun, getting both of these messages in the same week. Glad you're enjoying it!

Yeah, I didn't consider Equius as an option, back when Aradia was talking about this. I don't think I'd have picked him at the time, though.

Both Equius and Vriska convinced themselves that they had an arrangement with Aradia.

In retrospect, her own statement - which came after the two above - was, indeed, deliberately vague. It's supposed to make you wonder which of the two options she was talking about. As far as I can tell, there was no reason to assume it couldn't be Vriska - she'd even told Karkat that she was going to be the 'real leader', so we knew she was planning a power grab.

Anyway, I defaulted to her, since she'd talked about her co-leader arrangement only a couple of pages beforehand. I don't think I even remembered Equius was an option until he spoke to her later. Can't catch 'em all!

Pop! Team! Nepic!

Thank you! Yeah, Vriska's attitude is completely understandable at this point. Would she really have survived if she wasn't cruel?

I was skeptical about that line initially - but Vriska honestly doesn't seem to be much of a liar, so I think part of her really did see Aradia as a friend.

I personally doubt Aradia ever felt anything positive towards Vriska - she's a blue-blood, after all, a hateful sn0b - but that doesn't stop them being friends. After all, the same could be said about Karkat, towards Gamzee. Trolls just seem to see friendships differently.

I try to avoid queueing stuff - gotta put the live in 'liveblog', after all!

There are occasional exceptions, though. For example, if I answer a lot of (non-compiled) asks at once, and don't want to fill up people's dashboards, I might queue them to space them out a little - but never more than an hour or so in advance.

Really, the answer to your question is 'neither', since I don't have a schedule. Lately, I've been posting about four days a week, and each liveblog session will last for two to four posts - but that's all subject to change, depending on my mood, my energy levels, random life stuff and, frankly, the phase of the moon. Properly scheduling this blog has proved impossible, so I'm just embracing it at this point.

If there's one thing that Aradia and Vriska can agree on, it's that an Equius-made arm is good for only one thing - rippin' out hearts!

Sorry - no breaks longer than a week? Since Act 1?

I suppose if your website pays your rent, you don't really need a day job - but still, I'm surprised that no life stuff got in the way in all that time. Hell, it's already happened to me - and this comic is surely way easier to analyze than it is to write!

Well, I'm only on 2300 now, so I haven't seen much!

I'm just curious as to why he's seeking out Karkat, specifically. Jack seems to work independently, not taking orders from his Queen - so what's motivating him, this early in the game?

No reason it can't be both, right? This is probably one of the most emotionally intense things to happen to her since her death, and it just so happens to coincide with her 'resurrection'. Frankly, I'd have been more surprised if she didn't lose her shit.

Also - damn, I didn't notice he was mirroring her '0k' catchphrase. No, Equius. No one was 0k with that.

Welcome! You can thank a few of my readers for helping me optimize my tagging system, too. I think it was @krixwell who first suggested I add a tag which included asks!

#asks #full liveblog #act 5

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catholic-character-tournament · 10 months

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Quarter Finals - Catholic Character Tournament

Propaganda below ⬇️

Matt

canonically catholic but dresses like a demon to be quirky

They went to confession to a priest who they had saved as their costumed counterpart and the guy recognized them by the voice, proving that it's possible and everyone else is just dumb

he takes "i wanna fight god" to new and incredibly violent levels, while also being a sweetheart and a goofball

matt is a freakish little babygirl who was raised by nuns and definitely has religious trauma. i hate him so much (affectionately)

he’s literally fucking insane about it i don’t know what to say here. he thinks he’s chosen by god to go on some sort of holy quest to save hell’s kitchen. joan of arc ass.

i already know hes in by default j just wanted to give him a personal shout out i love this angsty catholic dweeb

how practicing he is depends on the run, but in my favorite he is quite literally confessing to a member of the last extant order millitant who happens to be a priest at a church in hells kitchen.

I'm sure Harrow is lovely and I respect the space lesbians but listen to me. Listen.

Matt Murdock is the Catholic character of all time, and if you make him lose, I am blowing up this website and everyone in it.

He is Catholic. His mother is a nun. He grew up in a catholic orphanage. Half the episodes in the show include him going to confession. When he needs therapy, he talks to his priest. He dresses up as a devil partly because of the Catholicism.

One time he got godly powers on loan from Heimdall (see below), and he did a lot of good with it, and then the second it was over he just... well. Also see below!

This man's every coping mechanism is Catholicism.

Please vote for Matt in the @catholic-character-tournament because he's the best and most realistic representation of what it means to be Catholic. Someone who's been punched and bet and crushed by life but still gets up every day to try. No, he's not a nun like his competition but he's not less devoted because of that. Not everyone is called to service. In the day he works at a defense lawyer to help people. Not for the money but to help people not get screwed over by the law. And at night, he dons a mask and beats up assholes when the law fails them. Is he perfect? No, that's the point. Matt is a broken man who is just trying his best to do well and live like Jesus.

He fully embodies the Catholic doctrine of faith and good works. He has faith in what he's doing even if others challenge him. He believes in forgiveness and repenting even when going up against "the devil."

"The people you murder deserve another chance." ... "No, Frank. To try again, Frank. To try. And if you don't get that, there's something broken in you you can't fix, and you really are a nutjob." "You think God made you a one-man firing squad. But you're wrong. There is goodness in people, even in you. And you're gonna have to kill me, 'cause I'm never gonna stop coming for you, until I take you down."

Daredevil Season 2 Episode 3

He (tries) to love his enemy. He believes in Elektra and Frank and maybe Dex and their ability to change. To be good. And when he can't, Matt refuses to compromise on his morals. While not quite "turning his cheek" he never scoops to their level. Because they don't get to destroy who he is.

Daredevil Season 3 Episode 13

All he does is for the love he has to his neighbors, his community. He loves New York. Not for self-fulfilling needs or for the money or for the fame. He does it because he believes in justice. Because the law was created by humans and is inherently sinful.

"But his competition met God and was disappointed and blah blah"

Daredevil is more grounded (at least the show, maybe less the comics). So now, Matt doesn't met God. But he sure gets mad at him. All of season 3 he angry at God for all the trauma he expired.

"You see, that was me, Sister. I suffered willingly. I gave my, uh... sweat and blood and skin without complaint. Because I too believed I was God's soldier. ( chuckles ) Well, not anymore. I am what I do in the dark now. I bleed only for myself. ( scoffs )" ... "You might hate God right now, but the feeling is not mutual." "No, I don't hate him. I've just seen his true face, is all."

Season 3 episode 1

As a Catholic I don't really want to fight God in a parking lot. Well I do but not in the same way that I've understood (primarily Jewish people but probably other Abrahamic religions) want to fight God in a Denny's parking lot. I want to yell and scream and cry at God and for the feeling to not be mutual. For Him to never stop loving me. As long as I have faith, He will reach out his hand.

Homura

she is a catholic lesbian whose girlfriend became god. she has been through so much.

shes such a lesbian for amdoke

Catholic guilt literally turned her into a demon

she literally watches everyone she knows die over and over and over again just so she can save madoka, the one girl who showed kindness towards her. when madoka ends up basically becoming god in order to stop the cycle of death and violence, homura RIPS AWAY THE HUMAN PART OF HER SOUL so that she can create a world where she and Madoka and their friends can live happily, effectively becoming the devil to madoka’s god

She has so much religious symbolism when it comes to her relationship to Madoka. Madoka is God and Homura becomes Lucifer so that she can save Madoka and give her happiness. She literally rips God from heaven and rewrites reality though. The way she sees her self and shapes reality is through the lense of Catholicism.

most fucked up little catholic girl. we love that for her.

Okay homuras entire fuckin arc is stemmed from the fact she is Catholic. Look at her trying to save Madoka over and over again and suffering for it because she thinks if she suffers enough and works hard enough Madoka will stay. Normal people do not go into time loops willingly. Catholics will.

#tumblr tournament #tumblr bracket #tumblr polls #polls #cct polls #marvel #matt murdock #daredevil #daredevil born again #mcu #charlie cox #r6 #homura akemi #demon homura #pmmm #puella magi madoka magica #madoka magica

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sublimecatgalaxy · 2 years

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♥️ Celebrity Masterlist ♥️

This is a compilation of all of the pieces that I write about the celebrities of Hollywood! Take a look at my Character List in my Masterpost which is pinned to get a good idea of which celebrities I write for since I only write for a few.

This is a mix of headcannons, oneshots and blurbs :)

Zendaya:

Subtle:

Summary/Request: "Hello! Would you mind doing how Zendaya would react to other celebrities/artists flirting with an oblivious reader online? Male Reader if you're comfortable with that, but if not, gender neutral is fine! :)"

Rise and Shine:

Summary/Request: "zendaya/mj fluff please?"

Moving In:

Summary/Request: "Hello, can you do a headcanon of move in with Zendaya?"

Dating Zendaya:

Summary/Request: "Hi! can you write headcanons about zendaya x fem reader dating?"

Zendaya Fluff Alphabet

★・・・・・・★・・・・・・★・・・・・・★・・・・・・★

Dominic Fike:

Interview:

Summary/Request: "hey this is a dominic request! can you do one where an interviewer says something offensive to u and dominic stand up for u and it goes viral"

Our Time:

Summary/Request: "can u write dominic fine smut pls"

Bustling:

Summary/Request: "could you do a fluff blurb for dominic like whatever you want just really sweet stuff lol"

Compared:

Summary/Request: "idk if this makes sense but could you do a dominic imagine where the reader is getting compared to his ex (could use diana or just a random name) and he stands up for her like she sees comments on her instagram or smth idk lol"

Not Feeling It:

Summary/Request: "Can I request where the reader is comforting Dominic when he’s sad?"

The Look:

Summary/Request: "reader and dominic are together in an interview and he looks like that and she gives him that “look” and there’s tension and then when the show is over he pleasures her on the car ride home"

Need You:

Summary/Request: "imagine thigh riding dominic i would die to read that"

All About You:

Summary/Request: "dominic fluff please? Like i’m fine with anything I just want like gut wrenching, tooth rotting fluff"

Sing A Song:

Summary/Request: "could u do a dominic fluff where they write a song together? like the reader is also a singer and just cute moments of the process of them writing a song 🥺"

Back Together:

Summary/Request: "Can you do one where dominic and the reader have a kid together but they aren’t together anymore and then they realized they want to get back together"

Dating:

Summary/Request: "could you do a dominic blurb where the reader is like a youtuber as she films like her going to his concerts but their relationship is lowkey private so he just makes small cute appearances in her videos

Dominic Fike Fluff Alphabet

★・・・・・・★・・・・・・★・・・・・・★・・・・・・★

Timothee Chalamet:

Sick:

Summary/Request: Timothee Chalamet x Reader- "i’m all over the place but i’m the one with the Timothee Chalamet fic. Maybe sick timmy, and the reader just takes care of him and it’s all fluff…"

Life Is a Nightmare:

Summary/Request: Timothee Chalamet x Reader- "So after the oscars and Timmy's look i had an idea of either of him or his s/o having and nightmare and its all fluff <3 thanks have a great day"

Paps:

Summary/Request: Timothee Chalamet x Reader- "Idk after seeing timmy at the oscar’s ima need a timmy fic… maybe protective timmy when the paparazzi or people get too close and touchy, really whatever you want but i need to feed my timmy addiction lmao… he rocked!"

Chaotic:

Summary/Request: "How about a fic in which Timothee and the reader are dating and are co stars in a movie. They go on an interview but every interview with them is chaotic af because they cant be serious most of the time. Bonus points if the movie was Dune and Zendaya joins them on their goof offs <3"

Jealous More Often:

Summary/Request: "Jealous smut - Timothée Chalamet ❣️"

#zendaya #zendaya x reader #dominic fike #dominic fike x reader #timothee chalamet #timothee chalamet x reader

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monkey-network · 6 months

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Good Stuff: EVERY MF DOOM ALBUM (1)

And if you can believe it, it's Doomsday once again. MF DOOM has been at the top as one of my all time favorite rappers, but I've admittedly never really delved into his discography beyond the occasional single I vibed with. So for this month this year, that changes as I marathoned most of the Metalface's career. We're only doing the solo and main collab albums this year. No EPs, remix albums or compilations, we're doing that along with KMD's works next time. Also don't expect detailed analyses of these, I'm both not a Monkey of musical expertise or actually researching anything for more than 3 minutes. We're going in chronological order, let's hit it.

OPERATION: DOOMSDAY (1999)

Prod: MF DOOM Absolute Banger Track: 'The Finest' Surprise MVP: 'Gas Drawls'

This is how you do a debut; exhibiting the best strength of DOOM's full throttle approach to verse and defining his new character as well as King Geedorah in certain tracks. It is weird hearing Dumile through the years where this and his time in KMD are when he sounds vocally younger. It's an overall consistent turn-of-the-century bop that you can feel the emcee's fire being made into this.

TAKE ME TO YOUR LEADER (JUNE '03)

Prod: Metal Fingered Villain, E.Mason Absolute Banger Track: 'Krazy World' ft. Gigan Surprise MVP: 'Fazers'

I'll be real, Geedorah is the weakest link persona and it doesn't help that this album, while consistent, didn't strike a chord with me. Maybe it's because I'm not a big kaijuu fan, maybe because the distinction lacks here compared to the next persona in the universe. Overall, it's still good, continuing on rampaging energy founded from the previous, but it's not one I could get into as much as I would've hoped.

VAUDEVILLE VILLAIN (SEPTEMBER '03)

Prod.: King Honey, Heat Sensor, Max Bill, RJD2, Mr Ten Absolute Banger Track: 'Vaudeville Villain' Surprise MVP: 'Open Mic Pt. 1 & 2 (Skit)'

If Geedorah showed that DOOM was more than a fluke emcee, Viktor Vaughn reset the meta and laughed maniacally while doing it. The power in this came from the story it told, more explicit than the previous, and it was a consistent banger throughout. The Viktor alias feels like a prototype for what's to come; a nasty Stagolee type that'd spit in your direction and songs like Lickupon and Raedawn reflect that. Especially loved the open mic skits cuz that was a rare time I laughed listening to music.

MADVILLAINY (MARCH '04)

Prod.: Madlib, MF DOOM Absolute Banger Track: 'Figaro'/'Accordion' Surprise MVP: 'Rainbows'

I always heard about how this was one of the greatest MF DOOM album ever, if not the GOAT of rap period. And they weren't lying, this album is fucking powerful. It is flawless? To me, no. The only real critiques I have is that '3.214' in Madvillainy 2 was 'Great Day' done better and I couldn't vibe 'Rhinestone Cowboy's instrumental. Otherwise, the synergy and nonstop lyrical power of DOOM & Madlib here is actual peak. It's I say on par with Kendrick Lamar's TPAB where every track speaks of the MC at his most motivated. I'll say if Vaudeville Villain worked with him at his nastiest, this is him at his most imposing if that makes sense. This is where I felt they were having a grand old time making this, especially considering the story surrounding its production.

VV:2 (AUGUST '04)

Prod.: System D-128, Diplo, DiViNCi, Swamburger, Session 31, DJ I.N.C., Dub-L, The Analears Absolute Banger Track: 'Fall Back/Titty Fat' Surprise MVP: 'R.A.P. G.A.M.E.' ft. Manchild, Iz-Real

I think it's no surprise to say this is the weakest album in the timeline. This definitely has an air of diminishing returns where it not only felt like Viktor was barely in it, it's like he didn't want to be in this. It doesn't help that for all the producers you see, you get a 30 minute album that feels like Viktor was in it for a third of that. The monologues feel scattershot and with more guests than favorable that barely left an impression. Dumile is good as usual, it's everything else that really bogged this down.

MM..FOOD (NOVEMBER '04)

Prod.: MF DOOM, Madlib, Count Bass D, PNS Absolute Banger Track: 'Rapp Snitch Knishes' ft. Mr. Fantastik Surprise MVP: 'Guinnesses' ft. Angelika & 4ize

When it comes to DOOM's peak, Madvillainy is the strongest album while Mm..Food is the most memorable. This is a consistently bop where the concept theme makes for a more memorable vibe. I mean if Rapp Snitch Knishes wasn't on here, I would have a hard time picking the absolute best single. One day, it's Hoe Cakes. No, Beef Rapp. No, Deep Fried Frenz. Nevermind, it'd be One Beer. Mm..Food is that album where most of the songs stick with you and that's barely getting into the fun interludes using the old Spider-Man and Fantastic Four cartoons. This feels like the flipside of Vaudeville Villain where the atmosphere's uplifting and everyone's enjoying themselves. Plus again, it has Rapp Snitch Knishes, one of the all time greatest rap songs. Need I say more?

THE MOUSE AND THE MASK (2005)

Prod.: Danger Mouse Absolute Banger Track: 'Old School' ft. Talib Kweli Surprise MVP: 'Mince Meat'

If Madvillainy was the strongest hitting, Mm..Food being the consistent bop, Mouse and the Mask I consider the most fun. This has notably been labeled the "Adult Swim album" and frankly, if it combined with Occult Hymn was all we got for a thematic soundtrack for the channel, I would've been more than satisfied. Danger Doom is great if you're familiar with early era AS and if you're not, then this'll all probably feel annoying. Otherwise, this is the most fun knowing the references and hearing many of the classic characters like Aqua Teen and Brak. I'm in a way thankful this was their only collab with Adult Swim because I don't want to imagine MF DOOM trying to make bars for Rick & Morty; that... would wound my soul.

Now I said this marathon would be chronological, but I feel I had to jump ahead to the remaining collaborative albums since I wanna save DOOM's final solo for last...

KEY TO THE KUFFS (2012)

Prod.: Jneiro Jarel Absolute Banger Track: 'Winter Blues' ft. Indigo Surprise MVP: 'Banished'

Honestly, I know now how old Gorillaz fans felt when the band went shifted to synth pop post Plastic Beach. Thanks to youtuber Absurd Existence, shoutout to them, I decided to listen to the Butter version. It did not help because I could not vibe with the more techno sounds from JJ; the beats don't have the comical fun like Mouse or the consistent DJ power that Madlib brought. Key to the Kuffs isn't bad, but while DOOM doesn't falter in the least here, it's not as strong as I hoped.

NEHRUVIANDOOM (2014)

Prod.: MF DOOM Absolute Banger Track: 'Caskets' ft. DOOM Surprise MVP: 'Om'

I mean... never think you can appreciate a king rapper until you hear from an amateur. Don't get me wrong, it must've been great getting to collab with the villain himself, DOOM taking the backseat for a possible protege, but the emcee's bars felt very basic and inexperienced to me. It doesn't help that it felt like DOOM pulled random tracks from a Special Herb volume; nothing for this had as impactful a flow as it could have while I could understand the theme thanks to the interludes. Hell the absolute banger track is the only one of nine there I really enjoyed because DOOM is featured in it and Bishop was able to keep up and it felt like his moment too. I don't hold it against Bishop, as if he was too good to work with Dumile. The album's not bad, but I was just not into most of this whether or not DOOM was producing.

CZARFACE MEETS METAL FACE (2018)

Prod.: 7L, Jeremy Page, Todd Spafadore Absolute Banger Track: 'Meddle with Metal' Surprise MVP: 'Captain Crunch'

This marks the last full album Dumile would do before his death and it feels like a match made in heaven. It's a great throwback to 90s underground and Czarface is THE go-to for nerdcore rap. Then again, this admittedly didn't have the same highs as Mouse and the Mask even when there barely exists an actual bad track on this. There were a couple I noticed done better with a remixed beat that I came across way before listening but I can't spoil here. I guess my overall beef was that I couldn't vibe as much with Czarface and the runtime doesn't help admittedly. I recognize the strengths of Czar, but it's an album I'm not as much in a rush to replay.

SUPER WHAT? (2021)

Prod.: The Czar-keys Absolute Banger Track: 'Break Into Action' Surprise MVP: 'The King and Eye' ft. DMC / 'DOOM Unto Others'

I'll say this album was just what the world needed regarding any posthumous work from the villain. I think it works better than their previous LP not only because the runtime, but the beats I enjoyed better here because it's a more upbeat bop. Just saying, The King and Eye is one of my favorite openers to an album and it's emblematic to this feeling like a celebration of sorts while still having meaningful dark themes behind the tracks, especially when it was around COVID's stronger period. I recommend this if you want to get an more digestible feel of Czarface's music because I honestly prefer it over Czar Meets Metal.

BORN LIKE THIS (2009)

Prod.: DOOM, Mr. Chop, J Dilla, Madlib, Jake One Absolute Banger Track: 'Gazzillion Ear' Surprise MVP: 'That's That'

Consider it a theory, but this felt like Dumile's genuine final solo record whether or not he was gonna live longer; a tonal inverse of Operation Doomsday where he wanted to immortalize how far he came as an emcee and producer with the album having a loop with the end and beginning. Speaking of tone, this really feels like the darkest album with DOOM at his gruffest popping off for minutes on end. I mean it has ''Batty Boyz" making this instantly nastier than I expected. The use of Bukowski's "Dinosauria, We" and taking the "MF" out his name really shows that he was serious about his skill here and this was him taking a bow in a way. An imperfect but hardknocking album to close this marathon.

Next to Kendrick Lamar, I have seen very rare artists manage to be as consistently versatile and great as Dumile. He was basically a king of underground hip-hop and I wouldn't have done this if I thought his legacy wasn't worth remembering. Not every album is flawless, but every album showcases the greatness of not just Metal Fingers but the many he's worked with. This is by no means a ranking, don't want to downplay any of them in spite of my criticisms, but I recommend the tracks I've listed for newcomers to get a feel of each album.Of course this wasn't every album, but for next year. In the meantime conclusion, MF DOOM is forever the GOAT and may he continue to rest. Thanks for reading.

#MF DOOM #Viktor Vaughn #King Geedorah #Madvillain #hip hop #rap #music #underground hip hop #reviews #Good Stuff #Long live the villain

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solipseismic · 11 months

Note

i hope you know that every day i wish i could read your book and really enjoyed reading the nanowrimo tidbits you sent, you should infodump about it 👀

CROW ... this is so so sweet i am kissing u gently on the mouth . also this is great timing bc i am just about to compile a vigilante's guide to knowing when to die into a goog file that i can send to my friend (part of our bargain in me convincing him to do nanowrimo w me this year)

snippet from book 2 for u:

The Rift gave a sudden convulsive shudder. Skysteel felt it all the way to her ankles as it threw her out—and away. She was freefalling before she even knew it, pinwheeling through the air like a shitty paper airplane. Sky-ground-sky-ground-BUILDING passed in a dizzy blur right up until she smacked into a billboard with a comedic sound. She would have laughed, except her lungs seemed to have gone on impromptu strike at the time of impact. It really was a hard-knock life, huh? Black spots swarmed her field of vision. An Avian shrieked at the sight of her and dove, the razor talons of its feet extended fully and bladed wings gleaming in the bright sun. Poltergeist and Eidolon were both yelling something over comms but she couldn’t parse anything—all she could see was the golden light of the Avians surrounding her, all she could feel was the agonizing feeling of the Rift splitting open wider far above her. The golden light of the Avians turned blinding. Skysteel’s secondary eyelids dropped down for a split second. But— That was no fucking Avian. A man shining like a blue sun reached down and gently plucked an Avian off Skysteel’s prone body laying in the ruin of the billboard. One moment his hand closed around its shoulder and the next—it was a still-glowing pile of fine, off-white ash on the ground. “That was stupid,” he said. Skysteel took the hand he offered and heaved herself up out of the pieces of billboard she’d fallen to the ground with. “That’s what I want on my headstone,” she told him, wincing and touching a hand to her ribs.

anyways i rarely talk abt a vigilante's guide (which some of u who have been following for a long time may know under the previous title of "demon city" and / or "demon eyes" and so all the stuff i've posted abt it r under those tags) bc it's like That One Big project for me. like u know how brandon sanderson has the stormlight archive that kind of is the hub / culmination of all his works across the brandonsandersonverse (official term is brandon sanderson's "cosmere")? for me that's vigilante's guide. also it's exceedingly self-indulgent is the other reason.

it's gone through like 50 different iterations bc it's existed in my brain for nearly as long as i can remember (i think over a decade at this point) and the Ira Neda i talk about (my supreme blorbo, if you will) is the protagonist! i have ambitions for it spanning five books with the second (formerly "demon eyes") titled a vigilante's guide to destroying the world but right now books 1 and 2 are existing in the same doc (DEMON MEGADRAFT) because i'm trying to see what gets shaken out of it while i play with a non-linear timeline between the two

as a result, there are a lot of ideas that are getting spun into it (and even more ideas that i've had trial runs of before editing or cutting them entirely) but it's got the run of the mill superhero genre setup: we have a recognizable earth set in the near-ish future / a time that's somewhat similar to our own, we have a bunch of vigilantes running around fighting ordinary crime and supervillains (tho these are mainly just called "terrorists" in-world bc, well.), and different people have different powers from different things (but mostly it's because they're alien / part alien lol)

book one (knowing when to die) follows ira neda's arrival in anehaven, a (fictional) city in new york, where she is trying to unravel the circumstances that led to her twin brother's death several years ago. she promises herself, her family, her friends, and a lot of strangers that she isn't in that vigilante business anymore, if she ever really was: she's retired now. she just wants to live a quiet life (lie) and she doesn't intend to instigate anything (lie) and she is never picking up the mantle again (lie). but anehaven, like ira neda herself, has secrets of its own. the city is alive--and it hungers. people have been disappearing from the streets without a trace for over a year now, more and more with each month that passes. she makes some friends (criminal empress and her two partners in crime as well as ... actual partners), she makes some enemies (her fellow vigilantes) there are three questions now that have no answers: what happens to these people? why does the sidewalk have teeth? and who the FUCK is this other guy calling himself a vigilante?

book two is a little more abstract on account of I Still Haven't Figured out Subplots for it, but it's your stock alien invasion with ensemble cast: here we introduce cori sanchez, the (also) (formerly) retired HUSH, a mirek'ar necromancer; alec iakabos, SOLSTICE, and noah harper, EQUINOX, whom you can think of as "gosh, i really was VERY inspired by wildstorm comics when i was fifteen, huh," if you're familiar with apollo and midnighter from them; along with some familiar faces from the first book--alan and blue wilson (POLTERGEIST and EIDOLON, respectively) and ira neda. names capitalized to make it easier for me to keep track of them lol.

#THANK U FOR COMING TO MY BLORBOTALK ....#croidhe #demon city #demon eyes

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