#jah hill

[boricuacherry-blog]

#lauryn hill #twitter #yg marley #praise jah in the moonlight #2023

[page-28]

Boom

#how we grew up #notting hill #laylow ladbroke grove #grove #jah Shaka

[curryvillain]

YG Marley Shares Visual For Viral Hit, "Praise Jah In The Moonlight"

2024 is the year of the Marley. Bob Marley’s biopic “One Love” hit Theatres and did numbers, Julian Marley won a GRAMMY, The Marley Brothers announced a tour, Sharon Marley returned to music, and the Grandchildren of Bob Marley including King Cruff and YG Marley released music, and gained global recognition. YG Marley has been doing well for himself, his “Praise Jah In The Moonlight“, despite…

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#13thstreetpromo #13thstreetpromotions #blog #bob marley #Cole Bennett #jamaica #Jesse Royal #kabaka pyramid #Lauryn Hill #Lyrical Lemonade #music #music video #Pop Music #Praise Jah In The Moonlight #reggae #riddim #video #Yanah #YG Marley #youtube

[lauradipjama]

"Praise Jah in The Moonlight", YG Marley (Single premiered December 27th, 2023)

For + ❤️💚💛

#art #music #praise jah in the moonlight #love this #ms lauryn hill #bob marley #joshua omaru yg marley #yg marley #so nice #reggae #música #reggae music #praise jah #give all thanks and praises #arte #Youtube

[popmusic101]

Praise Jah In The Moonlight - YG Marley

5th Feb 2024

Huzzah! A new #1, finally! Jack Harlow has thankfully stepped down from the podium after ten weeks on top and we have a brand new artist to take the reins.

This one's kind of cool - YG Marley's 'Praise Jah in the Moonlight'. It's Marley's debut single and New Zealand is the first country where it's reached #1.

YG Marley is, as you can probably tell from the name and the music, the grandson of the inimitable Bob Marley, but less obvious perhaps is that he's the son of Lauryn Hill who he co-wrote 'Praise Jah in the Moonlight' with.

The song samples Bob Marley's 1978 song 'Crisis' which didn't make it onto the charts here (although he did score two #1's, both posthumously, and one of them with Lauryn Hill).

'Praise Jah in the Moonlight' is a really nice interpolation and expansion of the original and YG Marley definitely stakes himself out as an artist to watch.

The song, despite hitting #1 in NZ, hasn't done massively well elsewhere so far. It's next highest chart position is #20 in the UK, and in other countries it's somewhat lower than that. But I don't think it's surprising that it's doing so well in New Zealand. Us Kiwis love some roots, rock, and reggae style music, and 'Praise Jah in the Moonlight' has the perfect vibe for a New Zealand summer soundtrack to backyard bbqs.

We'll see if YG Marley can hang around another week or two in the top spot. He's currently got Noah Kahan and Teddy Swims nipping at his heels, as well Benson Boone's new single and Sophie Ellis-Bextor's early 2000's flashback 'Murder on the Dancefloor' (thanks to it's use in Saltburn) racing up the charts. See you next week!

#praise jah in the moonlight #yg marley #lauryn hill #bob marley #crisis

[msrogershood]

Burn away till away till it all turns red.

Hold close to the way you feel.

I still remember everything you said.

Cause time gives just the way that it kills.

The way it starts is the way it all ends.

In paradise filled with all its thrills.

Lonely Hills- Jah PHNX

#jah phnx #jah #lonely Hills #time kills #thrills #remember everything you said #run away #broke my heart #heartbreak #broken heart #break up #Spotify

[am-i-the-asshole-official]

AITA for opting to walk places when it's cold even tho it sets my partner's asthma off?

I (30) have never owned a car and it is absolutely default habit for me to walk places. I am also relatively poor, so don't have aircon and rarely use my heater. My partner (35) is accustomed to having their car, their house, and their office very climate controlled their whole life.

They realised they're unfit since being with me (hadn't noticed that they couldn't take a hill until we walked up one together and they needed a break) (their words, not mine). So they've said they'd like to walk more, but even so it's cold weather out and whenever we go anywhere they suggest we drive for the comfort. I basically do what I want, if I'm feeling lazy I say sure, if I feel antsy I suggest we walk and they tend to agree.

But if it's chilly they have an asthma attack on the walk (cold air makes it worse apparently). They don't know what the weather is, I cannot stress how disconnected this person is to what the air doing outside their car/home/work. So they'll always say they wouldn't have walked if they knew it was so cold but like? I don't really think that's my responsibility? I'm not forcing them to walk, just stating my preference.

Whenever we do walk anywhere they end up panting and I have to carry the conversation so it's basically me monologuing about work which makes me feel like a total dick tbh, like I'm showing off that I can breathe easily. But it seems kinder than just listening to them panting. I don't know.

Still, when we discuss it they say they want to get fitter and (in their words) the only way to get used to walking is to walk.

Basically, am I the asshole because I don't warn/remind them it's cold outside when i suggest we go for a walk?

What are these acronyms?

#aita #am i the asshole

[aita-blorbos]

WIBTA for hitting a young child named Polly with a train so I don't have to hit five grown adults?

I work for a train company and there's five people tied to a train track- uh oh, not good, there's no way to avoid them.

That's what I thought, until I realised that if I derail the train, I can avoid them! Unfortunately, by doing so, the train would fall down a hill towards a sandpit in a park, killing a young girl named Polly who's currently sculpting her dream hospital. Apparently she's going to grow up to save hundreds of lives as a doctor but also- I can't hit five people on a track!

WIBTA if I save those five people but killed a future doctor?

#aita #am i the asshole #unreality #child death #trolley problem

[benuebaby]

Jah love I. Giving thanks and praise for everyday for the gift of creation. i’n’i heart so full. Showcased my art at the emancipation day @ Richmond Hill Library. Received a certificate from government officials on being an influence to Canadian cultural art spaces. Had with my attire on me with the scarf 2 match 222. Decolonizing this colonial space one at a time. Freedom ain’t free all love to indigenous Afrikanns worldwide #givethanksforlife #ehik0studio

[potatothatcanwrite]

~Arrows and Dragon Hide~

Kili Durin x [Dragonshifter}FemOC Part 1/?

A/N-this whole fic idea came to me in a chaotic ass dream, so, uh, ya. oh and the oc's name is pronounced (Eye-Jah)

Word Count- 1.3k

Summary- At the request of Gandalf, a dragon shifter joins the company of Thorin Oakenshield on the quest to reclaim Erebor.

Warnings- Canon typical violence, talk of death and torture

Next Part

The night hung quiet and peaceful over the small town of hobbits, many of the locals already tucked cozily away into bed. But at the top of the hill, with an emerald green door, lay a hobbit hole with a winding trail of smoke rising from the chimney. Warm light spills from the windows as a limber, cloaked figure makes their way silently to the door with the small glowing mark. The well kept garden path was encircled by a small wooden fence, the wood remained unpainted but smooth. The gate slowly creaks closed, and the small path crunches beneath the boots of the mysterious figure. Raising a hand to the door the figure delivers a sharp knock, and the sounds of conversation and movement behind the firm wooden door quiets before a solitary set of footfalls approach the door. As the knob turns and the door swings open, a gust of warm air ruffles the cloak of the newcomer. A small hobbit stands in the open space, blonde curly hair ruffled. the figure bows, and with a slight lilt to her voice says, "Eyja, at your service, you're Mister Baggins I presume?"

Rising to meet the smalls mans gaze, the hobbit gives a small nod and shuffles back a step, leaving room for woman to enter the small entry room. Removing her cloak allowing her waved brown hair to fall free and the light from inside to catch on the rings of metal in her lip and ears, she hangs the dark fabric on the wall and lays down her long slender blade on a small chest.

The sound of voices comes from down the hall and as Bilbo moves towards the sounds of ruckus, Eyja follows on nearly silent feet. Rounding the corner, her gaze is met with 13 dwarves all laughing and shouting, and one taller man in grey robes.

"Ah there we are, Thorin, this is the shifter I was telling you about," Gandalf's calm voice drifts across the room and Eyja turns to see the wizard and the raven haired dwarf watching her, "Eyja, this is Thorin Oakenshield the King Under the Mountain." The dwarf nods briefly, as she bows.

"Your majesty." Thorin stands, and the rest of the group quickly falls quiet. Bilbo moves to stand beside the grey wizard as Thorin begins to detail the quest they will be going on, and how the dwarfs will receive no assistance from the dwarven kingdoms of their kin.

"We are here to collect a burglar, and a shifter to assist us in our adventure." Thorin's cool gaze drifts from Bilbo to Eyja, drawing the rest of the companies eyes to the two aforementioned people.

Gandalf clears his throat, and places a map upon the table, "The journey to Erebor will be long and treacherous, but with this map we will find a way into the mountain, where our burglar will be able to find the Arkenstone, and in the worst case scenario where the dragon awakens Eyja will be there to handle it quickly." Gazes travel to the woman in the corner, wondering how she would be able to best Smaug the Terrible.

A dwarf with a dark mustache, pipe and large hat raises his hand and interrupts the wizard, "Now, no offence lass, but how is that wee girl meant to kill the infamous Smaug the terrible, the greatest calamity of the age?" Eyja raises her head watching as Gandalf brings up his own pipe, taking a large puff before sighing, leaning back in his chair he begins to explain.

"Master Bofur, Eyja is a skin changer, one of the very few that still roam Middle-Earth, now shifters often turn into great beasts, but she can shift into a dragon large enough to rival the size of the one currently residing in your mountain." At those words all heads turn swiftly to the woman who stands in the corner, picking at her nails. The dwarf, that she now knows is named Bofur, nods and brings his pipe to his mouth.

The other dwarfs murmur to themselves about the newest information about the only female member of the company. Bilbo however speaks up from behind the monarch, "What were you saying about a dragon?" The fear in his voice is evident in the way it warbles a bit at the end. Bofur speaks once more, going into detail about Smaug took over the mountain years ago, leaving Thorin's people to wander in search of a new home, and how those who tried to fight against the beast were scorched beyond recognition, which all lead to the small hobbit fainting.

"Eyja if you would be so kind to carry Master Baggins to his bed, so he may recover." Gandalf's soft voice breaks the silence that followed the hollow thud of Bilbo's body hitting the floor. Moving forward the shifter swiftly scoops up the burglar and begins to wander the halls attempting to find the bedroom of the company's host.

The pitter patter of feet follow her down the hall and a tall dwarf with dark hair and a shadow of stubble begins to walk beside her before bounding ahead to look into rooms. Once the two successfully find the room, Eyja gently places Mister Baggins upon the bed and both the dwarf and the shifter exit the room. "I'm Kili," the dwarrow breaks the silence while they walk slowly back to the rest of the company, "are there many other shifters like you in Middle-Earth?"

Eyja smiles at the young dwarfs curiosity, turning her head to meet Kili's dark gaze she slows her pace even more, "There were once many shifters roaming the world, for we were here before all else, we lived as one with the land and we a happy people. We protected those who could not protect themselves. But now," She brings in a ragged breath, "there are merely two left." Her walk ceases and she turns to face the warrior fully, "When the orcs first came they killed many of the shifters, capturing the rest, as it brought them amusement to torture us in cages and chains." There is a sullen pause where Eyja's hand drift to the sleeves that cover her wrists, old pain swimming in her yellowish gaze. "As far as I am aware, only two of us were able to escape the painful death we would have received, me, and Beorn; a mighty man who shifted into a great bear. Once free of the orcs grip we separated to find hidden corners of the world where we could remain safe."

Kili stands across from the woman mouth open, eyes wide, he had never meant to bring up painful memories and now the shifters eyes darken with the memories of her past. "Forgive me, I never meant to-"

She silences him quickly with a wave of her hand and a dry chuckle, "It is no worries master dwarf, you had no knowledge of it, those are old memories that I must learn to deal with eventually." Her lips close, and her golden eyes soften, "Besides, it is aways nice to talk of the times before the orcs came." The two grow silent, a contented peace settling as they continue back to the company. Returning to the table, Eyja finds the dwarfs dispersed amongst the residence setting up bedrolls and beginning to relax in preparation for the long journey ahead of them. Though Thorin stands by the door speaking with an older dwarf with a long silver beard. Kili turns to the woman again face turned up towards her with a gentle smile playing on his lips,

"I am going to go find my brother, so until tomorrow madam shifter." he bows his head a little and his grins widens at Eyja's quiet laugh.

"Just Eyja is fine, goodnight to you as well Kili." Turning away from the dwarrow the woman wanders away in search of the meddlesome grey wizard who had summoned her to Hobbiton.

#fluff #kili durin #fanfiction #the hobbit #bilbo baggins #thorin #bilbo #hobbit #botfa #kili durin x oc #kili x oc #oc fanfic #dragon shifter oc #bofur #bifur #bombur #dwalin #balin #oin #gloin #ori #dori #nori #fili #Eyja #kili durin x oc smut #kili x oc smut #kili smut #kili and fili

[pugzman3]

Psalms chapter 68

1 (To the chief Musician, A Psalm or Song of David.) Let God arise, let his enemies be scattered: let them also that hate him flee before him.

2 As smoke is driven away, so drive them away: as wax melteth before the fire, so let the wicked perish at the presence of God.

3 But let the righteous be glad; let them rejoice before God: yea, let them exceedingly rejoice.

4 Sing unto God, sing praises to his name: extol him that rideth upon the heavens by his name JAH, and rejoice before him.

5 A father of the fatherless, and a judge of the widows, is God in his holy habitation.

6 God setteth the solitary in families: he bringeth out those which are bound with chains: but the rebellious dwell in a dry land.

7 O God, when thou wentest forth before thy people, when thou didst march through the wilderness; Selah:

8 The earth shook, the heavens also dropped at the presence of God: even Sinai itself was moved at the presence of God, the God of Israel.

9 Thou, O God, didst send a plentiful rain, whereby thou didst confirm thine inheritance, when it was weary.

10 Thy congregation hath dwelt therein: thou, O God, hast prepared of thy goodness for the poor.

11 The Lord gave the word: great was the company of those that published it.

12 Kings of armies did flee apace: and she that tarried at home divided the spoil.

13 Though ye have lien among the pots, yet shall ye be as the wings of a dove covered with silver, and her feathers with yellow gold.

14 When the Almighty scattered kings in it, it was white as snow in Salmon.

15 The hill of God is as the hill of Bashan; an high hill as the hill of Bashan.

16 Why leap ye, ye high hills? this is the hill which God desireth to dwell in; yea, the LORD will dwell in it for ever.

17 The chariots of God are twenty thousand, even thousands of angels: the Lord is among them, as in Sinai, in the holy place.

18 Thou hast ascended on high, thou hast led captivity captive: thou hast received gifts for men; yea, for the rebellious also, that the LORD God might dwell among them.

19 Blessed be the Lord, who daily loadeth us with benefits, even the God of our salvation. Selah.

20 He that is our God is the God of salvation; and unto GOD the Lord belong the issues from death.

21 But God shall wound the head of his enemies, and the hairy scalp of such an one as goeth on still in his trespasses.

22 The Lord said, I will bring again from Bashan, I will bring my people again from the depths of the sea:

23 That thy foot may be dipped in the blood of thine enemies, and the tongue of thy dogs in the same.

24 They have seen thy goings, O God; even the goings of my God, my King, in the sanctuary.

25 The singers went before, the players on instruments followed after; among them were the damsels playing with timbrels.

26 Bless ye God in the congregations, even the Lord, from the fountain of Israel.

27 There is little Benjamin with their ruler, the princes of Judah and their council, the princes of Zebulun, and the princes of Naphtali.

28 Thy God hath commanded thy strength: strengthen, O God, that which thou hast wrought for us.

29 Because of thy temple at Jerusalem shall kings bring presents unto thee.

30 Rebuke the company of spearmen, the multitude of the bulls, with the calves of the people, till every one submit himself with pieces of silver: scatter thou the people that delight in war.

31 Princes shall come out of Egypt; Ethiopia shall soon stretch out her hands unto God.

32 Sing unto God, ye kingdoms of the earth; O sing praises unto the Lord; Selah:

33 To him that rideth upon the heavens of heavens, which were of old; lo, he doth send out his voice, and that a mighty voice.

34 Ascribe ye strength unto God: his excellency is over Israel, and his strength is in the clouds.

35 O God, thou art terrible out of thy holy places: the God of Israel is he that giveth strength and power unto his people. Blessed be God.

[1000-year-old-virgin]

200 Best Songs of 2023

Janine - If I Call *FAVE SONG OF THE YEAR*

Kim Petras - Brrr

Sam Smith, Koffee, Jessie Reyez - Gimme

ILIRA - Work of Art

Joseph - Nervous System

Mariah the Scientist ft. 21 Savage - 77 degrees

PinkPantheress & Ice Spice – Boy's a liar Pt. 2

Ryan Destiny - Lie Like That

Latto ft. LU KALA - Lottery

Chrissy Chlapecka - I'm So Hot

Ashnikko - Don't Look at It

serpentwithfeet - Gonna Go

Don Toliver ft. Lil Durk & GloRilla- Leave The Club

Don Toliver ft. James Blake - Let Her Go

Miley Cyrus - Flowers

Miley Cyrus - River

Meghan Trainor - Mother

Ice Spice & Nicki Minaj - Princess Diana (Remix)

Melanie Martinez - DEATH

Natalie Jane - Seeing You With Other Girls

Amelia Moore feat. jxdn - FUMD

Ashnikko - You Make Me Sick!

Flo Milli ft. Lola Brooke & Maiya The Don - Conceited (Remix)

Flo Milli ft. Monaleo & Gloss Up - Bed Time (Remix)

Astrid S - Come First

Ashnikko - Want It All

salem ilese - PainHub

Libianca ft. Ayra Starr & Omah Lay - People (Remix)

Labrinth ft. Billie Eilish - Never Felt So Alone

Katie Belle - The Best You'll Ever Have

Emilie Nicolas - Everyday

Donna Missal - Flicker

Donna Missal - Out of Me

Donna Missal - Move Me

Donna Missal - God Complex

Donna Missal - I Saw God

LØLØ ft. girlfriends- 5,6,7,8

Jackson Wang & Ciara - Slow

Troye Sivan - Can't Go Back, Baby

Baby Tate & Saweetie - Hey, Mickey! (Remix)

Shania Twain - Number One

Shania Twain - Got It Good

Empress Of ft. Rina Sawayama - Kiss Me

NLE Choppa ft. SexyyRed / Sukihana - Slut Me Out (Remix)

Maggie Lindemann, Siiickbrain - deprecating

Ed Sheeran - The Hills of Aberfeldy

Rita Ora ft. Fatboy Slim Praising You (Fatboy Slim Remix)

Tyla & Ayra Starr - Girl Next Door

Kesha - Only Love Can Save Us Now

Ciara ft. Lola Brooke & Lady London - Da Girls (Girls Mix)

Jeremy Zucker - OK

CXLOE - Flight Risk

Josh Levi - See Low

Josh Levi - BIRTHDAY DANCE

Alex Vaughn & Summer Walker - So Be It (Remix)

Alex Vaughn & Ari Lennox - Demon Time (Remix)

Taylor Swift ft. Ice Spice - Karma (Remix)

Taylor Swift ft. Lana Del Rey - Snow On The Beach (More Lana Del Rey Edit)

Boris The Lucid - BOYFRIEND

Carrie Underwood - Take Me Out

Libianca - Jah

Conan Gray - Never Ending Song

The Aces - Always Get This Way

Madison Beer ft. Timbaland - Home To Another One (Remix)

Äyanna - Girlfriend

Nicki Minaj & Ice Spice ft. Aqua – Barbie World

Rita Ora - That Girl

Rita Ora - Unfeel It

Tanerelle - Feel Good Inc. X Sidetracked (Perfect Lover Mash Up)

Sleater-Kinney - Hell

Saweetie ft. YG & Tyga - BIRTHDAY

Mae Stephens ft. Meghan Trainor - Mr Right

Brooke Candy - FMUATW

Ben Kessler - When I Hate Myself

Eliott ft. Vancouver Sleep Clinic - Happy On My Own

Reneé Rapp - Pretty Girls

Leah Kate - Bored

Chappell Roan - HOT TO GO!

Rina Sawayama ft. Amaarae - Imagining

GAYLE - Leave Me For Dead

Selena Gomez - Single Soon

Äyanna - Change Your Life

Julia Wolf - Wishbone

Cloudy June - Devil Is A Woman

Anne-Marie ft. Shania Twain - UNHEALTHY

Leaf ft. Bandmanrill, DJ Drewski - 2 Freaky

Olivia O'Brien - I should've fucked your brother

SIIICKBRAIN - Psychopath

Adekunle Gold - Do You Mind?

Duncan Laurence - I Do

Dizzy - Open Up Wide

Leigh-Anne ft. Ayra Starr - My Love

Troye Sivan – Got Me Started

Cate - Girlfriend

NERIAH - Falling 4 Somebody

Cardi B ft. Megan Thee Stallion - Bongos

Amelia Moore - Over My Ex

Johnny Orlando - Boyfriend

Tyla - Water

Tems - Me & U

Mette - Mama's Eyes

Wrabel - Beautiful Day

Chxrry22 - MORE

Norah Jones - Can You Believe

Kanii ft. Trippie Redd - sins (let me in) [Remix]

Niall Horan & Lizzy McAlpine - You Could Start A Cult (Encore Version)

Travis Scott ft. Beyoncé - DELRESTO (ECHOES)

Addison Rae ft. Charli XCX - 2 Die 4

Gyakie - Rent Free

Kim Petras - Hit It From The Back

Kim Petras ft. Banks - Bait

Kim Petras - Dirty Things

K. Michelle - Blame Yourself

Sunnitharapper ft. Salma Slims - Moody

Troye Sivan - One of Your Girls

Lady London ft. Jeremih - Do Something

Zara Larsson, David Guetta - On My Love

cassö, RAYE, D-Block Europe - Prada

Serpentwithfeet- Damn Gloves

Dove Cameron - Still

Kenya Grace - Paris

Dua Lipa - Houdini

Tokischa ft. Sexyy Red - Daddy

Zach Seabaugh - Helium Balloons

COBRAH - 10/10

COBRAH - BAD POSITION

COBRAH - TEQUILA

Clinton Kane - PANIC ATTACK

Megan Thee Stallion - Cobra

Nick Wilson - For You It Was Him

Nick Wilson - Way Back

Ice Spice - Deli

Enchanting - Needy

SZA - Kill Bill

Kylie Minogue - Padam Padam

Summer Walker - Girls Need Love (Girls Mix) ft. Tyla / Victoria Monet / Tink

Tate McRae - exes

Tove Lo - I like u

Kim Petras - Je T'Adore

Doechii - Booty Drop

Kim Petras - Claws

Sam Smith & Madonna - VULGAR

Kim Petras - uhoh

Borgore x Cupcakke x Chase Icon - Abracadabra

Clinton Kane - DISAPPEAR

Nicki Minaj - Big Difference

Nicki Minaj - Pink Friday Girls

Charli XCX ft. Sam Smith - In The City

Reneé Rapp ft. Megan Thee Stallion - Not My Fault

Flo Milli - Never Lose Me

Kim Petras - Thousand Pieces

Kim Petras - Minute

Charli XCX - Speed Drive (jamesjamesjames Remix)

Chrissy Chlapecka - BRAT

The Last Dinner Party - My Lady of Mercy

Shania Twain - Waking Up Dreaming

Nicki Minaj - Fallin 4 U

Jessie Ware ft. Pabllo Vittar -Pearls (Brabo Remix)

Shania Twain - Queen Of Me

Chiké, Oxlade - Spell [Remix]

Anycia - REFUND

Lah Pat ft. Flo Milli - Rodeo (Remix)

Biig Piig - This Is What They Meant

Niall Horan - Save My Life

Bronze Avery - Sex In The Room

Ava Max - Cold As Ice

Peach PRC - F U Goodbye

Suzanne Sheer - Off Limits

Nicki Minaj - FTCU

Madison Rose - Girls Girls Girls

Kaliii ft. GloRilla - Can't Get 'Em

BIA - FALLBACK

Miley Cyrus - Jaded

Kylie Minogue - You Still Get Me High

Miley Cyrus - Violet Chemistry

Miley Cyrus ft. Sia - Muddy Feet

Bebe Rexha - Visions (Don't Go)

Coi Leray - My Body

Coi Leray ft. Saucy Santana - Spend It

Maiya The Don - Luv U Better

The Last Dinner Party - Nothing Matters

IDK ft. Jucee Froot & Saucy Santana - Pinot Noir

Tinashe - Uh Huh

Nicki Minaj - Beep Beep

Nicki Minaj - Pink Birthday

Duckwrth - Big Bewts

Nicki Minaj - My Life

Trippie Redd & BANKS - Saint Michael Myers

Tamera - Frozen

Shygirl & CoSha - Thicc

Ari Lennox - Get Close

Flo Milli - Fruit Loop

Mette - For The People

Amaarae - Angels in Tibet

Jamila Woods ft. Saba - Practice

Rachel Chinouriri - Maybe I’m Lonely

Jonah Kagen - Save My Soul

The OMG Girlz - Lover Boy

Karin Ann - A Stranger With My Face

Victoria Monet - Alright

2022's List

#ashnikko #rita ora #donna missal #charli xcx #troye sivan #taylor swift #nicki minaj #kim petras #ice spice #2023 #music #flo milli #beyonce #dua lipa #miley cyrus #meghan trainor #shania twain #summer walker #doechii #cobrah #serpentwithfeet #dove cameron #janine #clinton kane #megan thee stallion #saweetie #travis scott #madonna #tove lo #tate mccrae

[paisholotus]

JAH FREE THE PEOPLE. OVER HILLS AND VALLEYS TOO

#black reader #black writers #black tumblr #self post #tumblelog #black representation #black girls #black excellence #poc reader #poc writer #Jamaican #bujubanton #over hills and valley's #paisholotus

[deadcactuswalking]

REVIEWING THE CHARTS: 17/02/2024 (Beyoncé, VULTURES 1)

For a seventh week, Noah Kahan stays strong at #1 with “Stick Season” - but it’s Bey season and Ye season… no, those words don’t rhyme, and welcome back to REVIEWING THE CHARTS!

Rundown

Welp, as always, we start with our notable dropouts, songs exiting the UK Top 75, which is what I cover, after five weeks in the top 75 and a peak in the top 40, and this week, we bid adieu to: “HISS” by Megan Thee Stallion (that was quick), “Gas Me Up (Diligent)” by Skepta, “Feather” by Sabrina Carpenter, “When We Were Young (The Logical Song)” by David Guetta and Kim Petras, “Surround Sound” by JID featuring 21 Savage and Yung Baby Tate, “Northern Attitude” by Noah Kahan, “Runaway” by Ye featuring Pusha T, “Can’t Catch Me Now” by Olivia Rodrigo, “Is it Over Now?” by Taylor Swift, “Black Friday” by Tom Odell, “Agora Hills” by Doja Cat, “My Love Mine All Mine” by Mitski and finally, “Baddadan” by Chase & Status and Bou featuring IRAH, Flowdan, Trigga and Takura. Yeah, bit of a bloodbath here.

You know, we actually have barely any returns or gains as a result of the influx of 13 new songs, so we have some vague post-GRAMMYs impact and that’s kind of all, with it mostly being in our returns - “Coal” by Dylan Gossett at #73 (probably not GRAMMYs), “FE!N” by Travis Scott featuring Playboi Carti at #71 and on a much more positive note, Tracy Chapman’s classic original version of “Fast Car” all the way at #38. It first charted at 1988 and peaked at #5 (when Glenn Madeiros’ schmaltzy “Nothing’s Gonna Change My Love For You” was #1) and then returned in 2011 and peaked at #4, when… “Party Rock Anthem” was #1. This won’t last or peak nearly as high, but it improves the net quality of the chart for the time it’s here. As for the gains, “Anti-Hero” by Taylor Swift at #57 and “Home” by Good Neighbours at #34. Yup.

As for our top five, we see Mr. YG Marley creep in maybe in part to his grandfather’s documentary as “Praise Jah in the Moonlight” is at #5. Then “Lose Control” by Mr. Teddy Swims is at #4, “Beautiful Things” by Mr. Benson Boone is at #3, “Murder on the Dancefloor”by Sophie Ellis-Bextor breaks my gag at #2 and finally, Noah is building his seven-week ark at #1. Now our real stories, of course, are in our influx of new entries, many of which are pretty damn high and have exceedingly more to talk about than I wish they did, so I suppose let’s start rounding those off.

New Entries

#64 - “ONE CALL” - Rich Amiri

Produced by Rio Leyva and Zuko

Now, I am not familiar with Rich Amiri, which is a pretty generic rap name all things considered so for all I know, I’ve listened to his mixtape, but I am familiar with some of his producers. Rio Leyva has credits across a lot of recent pop-rap mainstays like Lil Tecca, The Kid LAROI and even Yeat, and he tends to produce in a style many would say is rage-adjacent… so it makes sense that this is a rage song, with some genuinely wiry, menacing leads in the synths and a dirty, factorial trap skitter. The song’s barely two minutes, so it doesn’t really give Mr. Amiri much time to even finish his one verse, which is full of personality-void Auto-Tune and mindless repetition, but he isn’t exactly derivative of any specific person, it just sounds like he hasn’t figured out his exact voice yet, which is expected with up-and-coming rappers. The content obviously isn’t worth speaking of - it’s just flexing and violence and sex all delivered pretty plainly - but he’s not the worst at it? I don’t know, this is great production but I feel like there are rappers who could make this pop out a bit more. Maybe 454, SoFaygo, someone with a high-pitched squawk to make this feel dynamic? If you still want to go for relentless cool, get Thouxanbanfauni on the remix and this could be a slam dunk.

#62 - “Made for Me” - Muni Long

Produced by Jermaine Dupri, Bryan-Michael Cox and JordanXL

“Hrs and Hrs” is not a song I remember much at all let alone fondly, but the voice behind Muni Long is Priscilla Renea, a very prolific songwriter, so I imagine that with Jermaine Dupri on the boards, there could be some R&B wizardry to make her chances at a second hit much more solidified. As for if I like it or not, well, I can see it being a hit considering the 2000s throwback sound with the classy (yet almost basic-sounding) pianos, even down to the groove and the incessant sound effect that’s a bit distractingly loud in the mix, but by the end of the song, you almost forget it’s there and think it would sound weird if it wasn’t. Even if I generally like this song, I don’t really think it fits the song too much, which is about finding your soulmate and… NOT losing them. There should be some grandiosity to this, especially with that powerful voice and chorus, but it feels a bit lost in its own attempt to be “cool”, which… I don’t know, will it be a theme this episode? Probably not, but the first two songs definitely share the element of just not going far enough with good ideas. This is still a solid tune, though.

#60 - “Dance Alone” - Sia and Kylie Minogue

Produced by Jesse Shatkin and Jim-E Stack

Sia. Kylie. Two pop stars of very, very different prepositions but ultimately in the same niche. I have no hopes for anything Sia does, pretty much, never liked her, but what else would I have to say at this point? Her songs produce so little analysis from me because a lot of the time, it’s just kind of immediately obvious what will happen and what I’ll think. There are painfully basic vocal melodies, very typical disco-house beats, and Sia tries to actually play down the hamming but lets her natural characteristic of her voice end up preventing her from doing so because, well, that’s just how her voice sounds. A “subtle” Sia is just an awkward fit, and she may be trying that on purpose so she doesn’t put off pop listeners, but it just results in her being completely outclassed by Kylie, who eats this up as expected. That little “woo!” in the pre-chorus is to live for, as is the “(dance)” ad-lib in the final chorus, but by the time we’re in the “bridge” (see: the post-chorus again, same phrase repeated ad nauseum), Sia’s clipping in the mix again and nothing sounds like it cares about me caring, so I’m not caring. It’ll go hard in the Mumsnet forum voice chats. Do they have those? They should have those.

#55 - “Birds in the Sky” - NewEra

Produced by Karl Durkan and Ben Williams

Okay, I’ll bite: Who are NewEra? Well, according to Genius, they’re an EDM production duo from Dublin and this track from last year is their only song to appear on streaming, yet it’s released on Warner interesting. Either way, it’s clearly blown the Irish duo up a bit, so there must be some merit and well, the sample - wherever it’s from, I genuinely can’t find it - is about as weirdly mixed as they always are on these piano-led EDM cuts, but it doesn’t stick out too much amidst the more typical trance grooves and very basic, almost preset-sounding drums that lead into a constant anticlimax, leading the pianos and barely impactful drop sound like they’re teasing you into a false sense of confidence that the song is at all moving. It damn well works though, it’s pretty hypnotising, so when I was lulled into the drumless glitching section where the cheap pianos actually build up to a pretty good pounding drop, I was thoroughly immersed. These guys have done something right.

#50 - “Make You Mine” - Madison Beer

Produced by Madison Beer and Leroy Clampitt

Madison Beer is one of those ostensible “pop stars” that don’t exactly make innovative, experimental or often even interesting music but still exist only on the peripheries of the mainstream, many of which eventually get some kind of breakout chart hit, and this might just be Ms. Beer’s… well, if this is supposed to convince me on the personality and character of Madison Beer, I am not impressed at all, she doesn’t sound interested in developing that. If it’s supposed to convince me on her production ability… yeah, I’m hopping on this train. This is incredible. My comment on her vocal performance is not a detracting remark of the song, her emotionally confused, at times static and always intimate vocal take adds a lot of depth to the intense, but more accurately hallucinatory sensuality of the song. There’s a lot of staccato repetition, sure, I mean, it’s deep house, but it’s all a luring act as you can “slip inside her mind” (sure), against the warped synth basses, echoed and fuzzy vocal production, mesmerising synths that are incredibly well panned and mixed - the sound design is immaculate, and that’s not even mentioning the incessant groove or one of the catchiest nonsense hooks in pop of recent years. The drop barely registers as such, it feels like a natural climax that the song just slides into, despite all the little intricacies in both the build-up and the catharsis that transform the song into a fizzling journey of sexy club-pop that goes a lot harder in the details that I expected it to. I mean, the overdubbing of synth leads and curious glitches in the outro - nothing’s going to go exactly “wrong” in this hook-up, but it’s not where either expected to be… and for that night, it’s life-changing. I didn’t think I’d like this as much as I do but oh, my God, please make this a hit. ASAP.

#47 - “Heaven or Hell” - K-Trap

Produced by Nathaniel London, Jester Beats and Godwin Sonzi

Well, K-Trap’s back, this time without Headie One, and I guess this is his song for the ladies. There’s a swash of R&B keys, a Central Cee acoustic guitar - or an *NSYNC acoustic guitar relistening - and an actually interesting choice in making the drill hi-hats and really the rhythm section in general a bit papery, with a bass that feels mixed a bit too low yet still being relatively busy. K-Trap is just rambling misogynistically over all of this, and not just in a typical rap way, it’s a bit distracting and groan-worthy, but his comical delivery of some of this as well as the female spoken interludes kind of explain away his hypocrisy a bit. Not too effectively, of course, but it’s worth pointing out that it’s somewhat of a two-way street. I still find the soft percussion resemblant of sample drill pretty refreshing and enjoyable, I just wish maybe there was a more melodic presence of a rapper on it. Still okay.

#44 - “16 CARRIAGES” - Beyoncé

Produced by Beyoncé, Ink and Dave Hamelin

So, Queen Bey released two country-influenced songs on the Sunday - one’s in the top 10, the ballad is at #44. I will wait until this act two of RENAISSANCE is actually out before making any statements on Beyoncé doing country outside of that I hope she ends up shouting out or giving chances and/or feature spots to other Black women in that field, as a way of propping up that community within an industry that pretty flagrantly prevents that instead of just doing a genre switcheroo because she can and convincing nobody about anything systemic in the meanwhile. Hell, that’s more for me, personally, because I’d like to know a lot more Black country artists, and given that I’m obliged to listen to this album, I mean if you care about the genre, Bey, it’d be cool to point me in some directions. Not that it’s her job, but it would be a worthwhile light to shine especially since Beyoncé is both a hitmaker and a bit of a tastemaker.

As for the first of her country efforts though, this is a pretty heartfelt southern soul track that could almost act as a campfire song if not for Bey just not being in that zone as a singer, but it definitely has the clapped rhythm of one and some compelling lyrics regarding her time touring with Destiny’s Child. Now it’s less smoky than I’d really want a song like this to be, it doesn’t sizzle as much as it stagnates, particularly with that crash into the guitars and church organs that doesn’t really surge the way I so badly wanted it to. I do find the vocals excellent, the narrative interesting and still surprisingly relevant to her as a modern touring act as well, and the rapping is surprisingly well implemented, it feels just like she’s shooting the shit in the middle of her country storytelling song. In that regard, I’d like there to be a lot less grandiosity to the presentation, maybe do without the soaring overdubs or horns, make this more of an explicitly acoustic effort. I know it wouldn’t fit Beyoncé and all her harmonies and belting, as her presence isn’t always fit for minimalism, but she could pull it off. The problem with that would be is it doesn’t emulate the theatrics of a stage performance and the abrupt shock of showbiz being put onto her at an early age, so there’s some great mirroring there that almost makes up for me not being greatly into the actual sound of these tracks. Regardless, it does have me excited for the more solemn moments on this album, but we won’t be covering that until the end.

#37 - “Abracadabra” - Wes Nelson featuring Craig David

Produced by Mike Brainchild and Rndm Beats

CRAIG DAVID?! And it doesn’t appear to be a sample? The crowd says “bo selecta” indeed. Whatever about this Wes Nelson guy, he sounds like an AI amalgamated what every R&B singer has sounded like since the planes hit, or realistically, just Jeremih, but the beat is a rough-around-the-edges 2-step jam with harder bass than you’d think and some blocky space synths. It’s all very rote but it’s also Craig David and man, you can put however many filters on his voice, it’ll still sound like Craig David, and I can’t even seriously critique him anymore. I’m sure he’s a complex, nuanced human being with flaws and feelings but to me, he’s just an unexplainable deity figure. Also, there is a moment during the drop of this song - and the outro - where the beat cuts out for Craig David to say “Bruh”, and I just needed to point this out.

#31 - “Forever” - Noah Kahan

Produced by Noah Kahan and Gabe Simon

The Vermont singer-songwriter has released what appears to be the final deluxe edition of his #1 album Stick Season, subtitled “Forever”, henc ethe name of its sole original song. I’m honestly surprised this didn’t debut higher, but there is a lot debuting above it, and Kahan tends to have sleepers. Speaking of sleepers, I’m not really feeling this one as much. It’s got the wistful acoustics but it’s a lot slower in its pace, especially for its first half, which makes Kahan’s frail, nasal vocal that I’m still not that big on not nearly as ignorable, especially as it punctuates the lyrics so exactly and ends up making the harmonies, especially in the pre-chorus, somewhat haunting, which given the deterministic lovelorn lyricism, doesn’t seem to be the intention? It eventually picks up a nice little bluegrass-esque groove but nothing too far from an average Lumineers track in terms of just lacking bite and punch, whilst forcing Kahan to strain more than he needs to, to sell pretty resonant content.

#18 - “BACK TO ME” - Adolf Hitler and Ty Dolla $ign

Produced by Hitler, Ty Dolla $ign, 88-Keys, Wax Motif, AyoAA, Feez, Nic Nac and James Alex Hau

88-Keys, huh? Now, I’m not saying that Kanye West is Hitler, I’m just doing him a favour and comparing him to his idol. There are a lot of things that he loves about him. In a perfect world, I have the choice to completely ignore this album, especially since two of the debuts from VULTURES 1 (debuted at #2 on this week’s album charts) are considered widely to be the best tracks by both me and a lot of the fans, though I am a sucker for the darker, problematic last quarter that people don’t tend to like that much. I don’t want to admit that, of course, and I’m kind of torn between not feeding into exhaustive discourse by not mentioning any controversy and then feeling bad for not doing so because I’d be supporting his cult of fans who supposedly only care about the music, regardless of how his music is constantly reminding you of his controversies. It’s also not easy when you have two pretty damn good tracks from an album that largely consists of the man embarrassing himself and, well, Ty Dolla $ign, who sounds wonderfully smooth on this track and many others. He stands out particularly well over the punchy breakbeats and bass that entrench the mix. Hitler does embarrass himself as usual, but the minute-and-a-half Auto-Tuned quoting of an old comedy movie that he probably doesn’t even remember the rest of is an almost poetic reflection of where he is as an artist and a man. Oh, and Freddie Gibbs shows up to steal the show so effortlessly with his tightest, rapid flows I think I’ve heard from him in years, some excellent, topical wordplay that feels like it’s what the album wanted to be: playful and effervescent in its hedonism. He steals the show so much in fact that the song just ends after he does, he takes complete ownership. Nice one, Gibbs, do it on someone else’s album, for the love of God.

#17 - “BURN” - Adolf Hitler and Ty Dolla $ign

Produced by Hitler, Azul, Morten “Rissi” Ristorp, Chrishan, The Legendary Traxster and Leon Thomas III

This is just what this guy’s album used to sound like. We have a mid-album reminder that he can still do it, but only for two minutes, and half of that is Ty the Tasmanian Tiger over here carrying the album with his sloppily-mixed but still incredibly passionate and incessantly catchy chorus - I’ve had it in my head for the whole damn week, pretty much - over a very conventional, punchy chipmunk soul beat that lasts less than two minutes and it just ends up on a bittersweet note. The Hitler verse is his most coherent during the whole album, it’s pretty fun, it’s pretty traditional, not worth the attention paid. And neither is…

#12 - “CARNIVAL” - Adolf Hitler and Ty Dolla $ign

Produced by Hitler, TheLabCook, Ojivolta and Digital Nas

Now, thankfully, there really is nothing of value to cover here regardless of how and where you slice it. The song is like 60% Rich the Kid, which should show you how inspired the former GOAT has been lately. Hitler spends most of his verse just being cheaply transgressive for attention, pretty much explaining why I’m not a fan of prominent critics covering this album, dignifying it as more than an ego trip surrounded by yes-men. That’s not to say transgression can’t be art, there’s a lot of discussion to be had about the value of transgressions against the audience. And Hell, maybe a rage song about riding dick featuring Rich the Kid and Playboi Carti warrants that level of analysis, but that’s exactly what Hitler wants me to do here, and I’m not taking instructions from Hitler! I’m not following orders!

#9 - “TEXAS HOLD ‘EM” - Beyoncé

Produced by Beyoncé, Killah B and Nathan Ferraro

Alright, this is just fun. I’m sure someone more equipped than me to talk about country than me will have a lot to say about this song, but I just got a kick out of Bey’s sultry voice, as always perfectly layered with energetic ad-libs and riffing, over that acoustic rolick and clearly programmed thumping production and generic country ambiance. You can tell that this isn’t produced by Nashville staples as much as it’s a semi-outsider attempt at fusing country with Beyoncé’s more natural pop and R&B territory, but it doesn’t detract from it being a sick groove about just having a lot of fun on the dancefloor, boogieing with somebody who makes you forget about everything that’s going wrong. That whistling post-chorus with all the traditional fiddle - if I’m getting that correct - in the background is such a cool little moment, especially with the panning that replicates the live hoedown feel. It absolutely feels much more like a costume party than “16 CARRIAGES”, but to be honest, I might prefer this one just because of how easily Bey dresses up in this particular set of clothes. That’s not derogatory either, she literally lists off “hoops, spurs, boots” in that gorgeous outro. I’m actually glad that such a large, potentially problematic but still full of music to discuss ends on such a delightful, carefree note. Love it.

Conclusion

It’s not getting the best, though, Best of the Week is going to… surprisingly enough, Madison Beer for “Make You Mine”, but Bey obviously grabs the Honourable Mention with “TEXAS HOLD ‘EM”. As for the worst, I mean… there is a song with Rich the Kid on this week. “CARNIVAL” is a shoe-in, but given this was actually a pretty great week in terms of overall quality, it’s difficult. I think I want to give it to K-Trap for “Heaven and Hell” but that’s really because it appears as the lazier, less interesting of the songs I wasn’t a fan of. On another day, it probably would have been Sia, but K-Trap doesn’t have a Kylie Minogue feature. Anyway, with all of that chaos out of the way, thank you for reading, rest in peace to country legend Toby Keith, and I’ll see you next week!

#uk singles chart #pop music #song review #ye #ty dolla $ign #beyonce #k-trap #rich the kid #playboi carti #freddie gibbs #madison beer #wes nelson #noah kahan #craig david #newera #sia #kylie minogue #muni long #rich amiri #vultures 1

[lindsaywesker]

Deaths In 2023

January

1: Fred White (67, American drummer, Earth Wind & Fire)

3: Alan Rankine (64, Scottish musician/producer, The Associates)

6: Gianluca Vialli (58, Italian football player/manager)

10: Jeff Beck (78, English guitarist, The Yardbirds/The Jeff Beck Group/Beck Bogart & Appice)

11: Yukihiro Takahashi (70, Japanese singer/drummer, Yellow Magic Orchestra)

12: Robbie Bachman (69, Canadian drummer, Bachman Turner Overdrive)

Lisa-Marie Presley (54, American singer/songwriter, daughter of Elvis, mother of Riley Keough)

16: Gina Lollobrigida (95, Italian actress)

18: David Crosby (81, American singer/songwriter, The Byrds, Crosby Stills Nash & Young)

27: Sylvia Sims (89, English actress, ‘Ice Cold In Alex’)

28: Barrett Strong (81, American singer/songwriter, co-wrote ‘I Heard It Through The Grapevine’/‘Papa Was A Rollin’ Stone’

Tom Verlaine (73, American musician/songwriter/producer, Television)

Lisa Loring (64, American actress, ‘The Addams Family’)

February

2: Calton Coffie (68, Jamaican singer, Inner Circle)

3: Paco Rabanne (88, Spanish fashion designer)

8: Burt Bacharach (94, American songwriter, co-wrote ‘Walk On By’/‘Anyone Who Had A Heart’/‘A House Is Not A Home’/‘Raindrops Keep Falling On My Head’)

10: Hugh Hudson (86, film director, ‘Chariots Of Fire’)

12: David Jolicoeur a.k.a. Trugoy The Dove (54, American rapper, De La Soul)

15: Raquel Welch (82, American actress)

16: Chuck Jackson (85, American soul singer, ‘Any Day Now’/‘I Keep Forgettin’’)

18: Barbara Bosson (83, American actress, ‘Hill Street Blues’)

19: Richard Belzer (78, American actor, ‘Homicide: Life On The Street’/’Law And Order: Special Victims Unit’)

Dickie Davies (94, British television personality, ‘World Of Sport’)

23: John Motson (77, English football commentator, ‘Match Of The Day’)

March

2: Steve Mackey (56, English bassist/producer, Pulp)

Wayne Shorter (89, American jazz saxophonist, Weather Report)

3: Carlos Garnett (84, Panamanian jazz saxophonist)

Tom Sizemore (61, American actor, ‘Saving Private Ryan’)

5: Gary Rossington (71, American guitarist, Lynyrd Skynyrd)

8: Topol (87, Israeli actor, ‘Fiddler On The Roof’/’Flash Gordon’)

10: Junior English (71, Jamaican reggae singer)

12: Dick Fosbury (76, American high jumper)

13: Jim Gordon (77, American drummer, Traffic/Derek & The Dominoes)

14: Bobby Caldwell (71, American singer/songwriter)

15: Greg Perry (singer/songwriter/producer)

16: Fuzzy Haskins (81, American singer, Parliament/Funkadelic)

17: Lance Reddick (60, American actor, ‘The Wire’/’Oz’/’John Wick’ films)

23: Keith Reid (76, English songwriter, Procol Harum)

Peter Shelley (80, English singer/songwriter/producer, ‘Gee Baby’/’Love Me Love My Dog’)

28: Paul O’Grady a.k.a. Lily Savage (67, English comedian)

Ryuichi Sakamoto (71, Japanese musician/composer, Yellow Magic Orchestra, composed theme to ‘Merry Christmas, Mr. Lawrence’)

29: Charles Sherrell a.k.a. Sweet Charles (80, American bass player/singer, The JBs, ‘Yes, It’s You’)

April

5: Booker T. Newberry III (67, American singer, Sweet Thunder, ‘Love Town’)

6: Paul Cattermole (46, English singer, S Club 7)

8: Michael Lerner (81, American actor, ‘Barton Fink’)

12: Jah Shaka (75, Jamaican sound system operator)

13: Dame Mary Quant (93, English fashion designer)

14: Mark Sheehan (46, Irish guitarist, The Script)

16: Ahmad Jamal (92, jazz pianist)

17: Ivan Conti (76, jazz drummer, Azymuth)

22: Barry Humphries a.k.a. Dame Edna Everage (89, Australian comedian/actor)

Len Goodman (78, English TV personality)

25: Harry Belafonte (95, American musician/actor/civil rights leader)

27: Wee Willie Harris (90, English rock & roll singer)

Jerry Springer (79, English-born, American TV host)

28: Tim Bachman (71, Canadian guitarist, Bachman-Turner Overdrive)

May

1: Gordon Lightfoot (84, Canadian singer/songwriter, ‘If You Could Read My Mind’)

3: Linda Lewis (72, English singer/songwriter, ‘Rock-A-Doodle-Doo’)

18: Jim Brown (87, American football player/actor, ‘The Dirty Dozen’)

19: Pete Brown (82, poet/singer/lyricist, ‘Sunshine Of Your Love’/’White Room’/’I Feel Free’)

Andy Rourke (59, English bass player, The Smiths)

24: Bill Lee (94, American jazz musician/composer, Spike’s dad, scored ‘She’s Gotta Have It’/‘School Daze’/’Do The Right Thing’

Tina Turner (84, American-born, Swiss singer/actress, ‘River Deep Mountain High’/’Nutbush City Limits’/’What’s Love Got To Do With It?’)

26: Reuben Wilson (88, American jazz organist, ‘Got To Get Your Own’)

June

1: Cynthia Weil (82, songwriter, ‘You’ve Lost That Lovin’ Feelin’’/’Here You Come Again’)

6: Tony McPhee (79, English guitarist, The Groundhogs)

12: Treat Williams (71, American actor, ‘Hair’/’Prince Of The City’)

14: John Hollins (76, English football player, Chelsea/Arsenal/England)

15: Glenda Jackson (87, English MP/actress, ‘Women In Love’/’Sunday Bloody Sunday’)

27: Julian Sands (65, English actor, ‘A Room With A View’)

29: Alan Arkin (89, American actor, ‘Catch 22’/’Little Miss Sunshine’)

30: Lord Creator (87, Trinidad-born, Jamaican singer/songwriter, ‘Kingston Town’)

July

3: Vicki Anderson a.k.a. Myra Barnes  (83, American soul singer, Carleen’s mum)

Mo Foster (78, English songwriter/musician/producer)

5: George Tickner (76, American guitarist, Journey)

16: Jane Birkin (76, French/English actress/singer, ‘Je t’aime … moi non plus’, banned by the BBC in 1969)

21: Tony Bennett (96, American singer, ‘I Left My Heart In San Francisco’)

22: Vince Hill (89, English singer, ‘Edelweiss’)

24: Trevor Francis (69, English football player, Birmingham City/England)

26: Randy Meisner (77, musician/songwriter, Poco/The Eagles, ‘Take It To The Limit’)

Sinead O’Connor (56, Irish singer, ‘Nothing Compares 2 U’/songwriter, ‘Mandinka’)

30: Paul Reubens a.k.a. Pee-Wee Herman (70, American actor/comedian)

31: Angus Cloud (25, American actor, ‘Euphoria’)

 August

4: John Gosling (75, English keyboard player, The Kinks)

7: DJ Casper (58, DJ/artist/songwriter, ‘Cha Cha Slide’)

William Friedkin (87, American film director, ‘The French Connection’/’The Exorcist’)

9: Robbie Robertson (80, Canadian musician/songwriter/singer, The Band)

Sixto Rodriguez (81, American singer/songwriter, subject of 2012 documentary ‘Searching For Sugar Man’

13: Clarence Avant (92, owner of Sussex Records/Tabu Records, film producer, ‘Jason’s Lyric’)

Magoo (50, American rapper, Timbaland & Magoo)

16: Jerry Moss (88, music executive, the ‘M’ in A&M Records)

17: Bobby Eli (77, guitarist, MFSB/songwriter, ‘Love Won’t Let Me Wait’)

Gary Young (70, American drummer, Pavement)

19: Ron Cephas Jones (66, American actor, ‘This Is Us’)

24: Bernie Marsden (72, English guitarist, Whitesnake/songwriter, ‘Here I Go Again’/’Fool For Your Loving’)

29: Jamie Crick (57, English radio broadcaster, Jazz FM)

31: Gayle Hunnicutt (80, American actress, ‘Dallas’)

September

1: Jimmy Buffett (76, American singer/songwriter, ‘Margaritaville’)

4: Gary Wright (80, American singer/songwriter, ‘Dream Weaver’/’Love Is Alive’)

Steve Harwell (56, American singer/rapper, Smash Mouth)

8: Mike Yarwood (82, English comedian/impressionist)

13: Roger Whittaker (87, Kenyan-born English singer/songwriter, ‘Durham Town’)

16: Sir Horace Ove (86, Trinidadian-born, English film director, ‘Pressure’)

Irish Grinstead (43, American R&B singer, 702)

25: David McCallum (90, Scottish actor, ‘The Man From U.N.C.L.E.’/’N.C.I.S.’/musician)

28: Michael Gambon (82, English actor, ‘Harry Potter’ movies)

30: Russell Batiste Jr. (57, American drummer, The Meters)

October

2: Francis Lee (79, English football player, Manchester City/England)

8: Burt Young (83, American actor, ‘Rocky’)

11: Rudolph Isley (84, American singer, The Isley Brothers/songwriter, ‘That Lady’)

12: Michael Cooper (71, Jamaican musician, Inner Circle/Third World)

14: Piper Laurie (91, American actress, ‘Carrie’/’The Hustler’)

19: DJ Mark The 45 King (62, DJ/musician/producer, ‘The 900 Number’)

20: Haydn Gwynne (66, English actress, ‘Drop The Dead Donkey’)

21: Sir Bobby Charlton (86, English footballer, Manchester United/England)

24: Richard Roundtree (81, American actor, ‘Shaft’)

28: Matthew Perry (54, American-Canadian actor, ‘Friends’)

November

12: Anna Scher (78, founder of the Anna Scher Children’s Theatre)

19: Joss Ackland CBE (95, English actor, ‘White Mischief’)

22: Jean Knight (80, American soul singer, ‘Mr. Big Stuff’)

25: Terry Venables (80, English footballer, Chelsea/Tottenham Hotspur/England manager)

26: Geordie Walker (64, English guitarist, Killing Joke)

29: Sticky Vicky (80, Spanish dancer and illusionist)

30: Shane MacGowan (65, English-born Irish singer, The Pogues/songwriter, ‘Fairytale Of New York’)

December

1: Brigit Forsyth (83, Scottish actress, ‘Whatever Happened To The Likely Lads?’)

5: Denny Laine (79, English musician, The Moody Blues/Wings, songwriter, ‘Mull Of Kintyre’)

7: Benjamin Zephaniah (65, English poet/writer/actor, ‘Peaky Blinders’)

8: Ryan O’Neal (82, American actor, ‘Love Story’/’Barry Lyndon’/’Paper Moon’)

Nidra Beard (71, American singer, Dynasty)

11: Andre Braugher (61, American actor, ‘Homicide: Life On The Street’/’Brooklyn Nine-Nine’/’Glory’)

Richard Kerr (78, English singer/songwriter, ‘Mandy’)

15: Bob Johnson (79, singer/songwriter/musician, Steeleye Span)

16: Colin Burgess (77, Australian drummer, AC/DC)

17: Amp Fiddler (65, singer/songwriter/producer)

#mixcloud #mi soul #dj #music #new blog #lockdown #coronavirus #books #weekend #democracy

[am-i-the-asshole-official]

AITA for eating ants

I want to preface this by saying this is 100% genuine and I'm not making a pet post or anything of the sort. I'm sorry for the weird post but I'm struggling with this way more than I should be and all my friends are probably biased.

Genders and ages excluded (except my own) because they don't matter

Background: I (19m) have eaten ants since I was a child. This is not a cultural practice, my aunt (who I lived with at age 5) had an ant infestation and I refused to eat anything in her house because sometimes there were ants on stuff, but especially in the juice. She told me it's ok to eat ants because they don't carry bad bacteria and won't make me sick and bugs have protein which you need to be big and strong. My young child brain turned this into "go outside and grab handfuls of ants and ant hill dirt to be big and strong".

I was recounting this very amusing tale in a public server where I only know one other person on a personal level, because said person had made a joke in bug posting that they should keep me away from the bugs.

At one point I said "Sometimes I'll still eat ants if one or two get in my food or drink at some kinda outdoor event or something, but I don't go out of my way to. I'm just not bothered about it." and this statement started an argument. I didn't care or take it seriously until someone said

"If you're open about this then children at these events could start eating bugs that are potentially dangerous because they don't know what bugs are safe to eat or not"

And that is something I did take seriously because I have a younger sister and what if she eats a dangerous bug because I'm yapping on about my ant consumption? I am genuinely at a point where I just don't know what to make of it all. So the question I'm really asking is "AITA for talking about eating ants?" rather than the act of eating them.

What are these acronyms?

#aita #am i the asshole #unsanitary cw