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#les trois ours
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I’m sighing with d’Artagnan here, because I was so ready to love the new movie and then… didn’t.
I felt like the film didn’t quite know what it wanted to be - a period drama, a mystery, an adventure story? Political or funny? Suspenseful or a slow build?
The pacing felt uneven, the changes they made to the novel were, imho, not making the story better, and they left out some iconic scenes that needed to happen. (The Wine Cellar Incident™️!)
Some of the casting choices weakened the movie and erased a good amount of chemistry between several characters.
The action scenes were confusing because everyone looked alike, dressed in indistinguishable brown. (Whatever happened to the iconic blue in the Musketeer uniforms? Just a splash would have made such a difference!) I did like the very feathery hats, though.
Eva Green didn’t get the right moments to shine. She may still get a chance when she plays off Vincent Cassel in part 2, but so far I’m underwhelmed by her performance.
Aramis looked like an aging gigolo who smells of horse dung and bad teeth, and while that’s certainly authentic, this version of him has nothing to do with Dumas’ Aramis in the novel. The fact that they put guyliner on him mellows my grudge a bit.
Athos? Looks like he’s in his sixties and Vincent Cassel, too, couldn’t really showcase the full force of his acting skills. The writing simply didn’t allow for that.
Porthos gets an okay from me. I really liked his energy, his positive attitude, and I was very surprised and fully agree with the writers’ decision to make him snack both men and women. He’s a man with an appetite, and I am here for it!
D’Artagnan was my favorite in the movie. He has a sparkle to him, and a youthful headstrongness that is very book!d’Art. His love story with sweet, self-confident Constance was the best part of the movie for me.
They tried a bit too hard to make the film more political-historical. Would’ve been a good idea if they’d executed it well. But again: the pacing is off, sometimes it all drags, and except for creating a good action scene in the cathedral, it didn’t work for me.
I did like that they fleshed out Milady’s backstory in terms of how she became a criminal, and I hope they will use the changes they made to make her character more ambiguous in part two.
And the musical score? I don’t know. I can’t remember a single note. Nothing stuck. Nothing swelled. That’s not how it should be, is it?
That’s the short of it: The whole movie simply wasn’t compelling.
There are worse ways to spend an evening, and there are worse movies, but this is a French adaption of “Les Trois Mousquetaires”, and I really and wholeheartedly had expected something to come out of it that was more than acceptable average.
I’ll watch part two, because I’m still curious how they’ll wrap it up, and I still hope it’ll draw me in. But until then I’ll remain sadly underwhelmed.
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ecoleplonevez · 2 years
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Leny, Ms nous a raconté : “Boucle d’or et les trois ours.”
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Each day we face challenges. Those times require us to observe, analize, and act. The choices we make often are a great indicator of our cognitive intelligence. In this video each of three donkeys faces the exactly same obstacle and the same environment. Which choice do you feel is the most prudent path ???
Chaque jour, nous sommes confrontés à des défis. Ces temps nous obligent à observer, analyser et agir. Les choix que nous faisons sont souvent un excellent indicateur de notre intelligence cognitive. Dans cette vidéo, chacun des trois protagonistes font face exactement au même obstacle et le même environnement. Quel choix vous semble le plus approprié ???
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tallsc · 8 months
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Hello fellow QSMP Tumblr people, I would like to make a offer and would love to see if this can catch on.
If we're adopting A1, let's go all out. We're taking care of this kid.
At least three times a week, someone on Tumblr, under the "qsmp a1 tasks" tag, should draw or write something about A1 doing at least one of the official tasks for that day or the prior few days (cause I know it takes time to draw or write). It doesn't have to be huge, could be anything from a sketch to a full picture or comic, from a few sentences to a full short story, as long as it appears under the tag and has something to do with A1 and one of the recent tasks! (Please say somewhere what task you're doing and what day it was from.)
A1 doesn't mind what name you use - Ai, Aaron, Ivan, just A1, something else entirely - as long as you still use the right tag so everyone can see that there's been a task completed. They also use any pronouns and have a whole wardrobe of accessories, again as long as it's clear in the art or story that the egg is A1 and not one of the other eggs.
Feel free though to include yourself or your OCs or one of the QSMP members or none or all of them, this is just a series of writing/drawing prompts with a purpose, go wild and have fun!
Due to it being Saturday already, required tasks won't start until this Monday. After that, let's see how long we can keep our community's new kid going!
Updates account
If anyone would like to translate this into any of the other three languages, I will gladly add the translations to this post and credit you for doing so. I want to make this visible and accessible to as many people as possible.
Translations below (French by @lb1412, Portuguese by @aurora-bore-aura)
Portuguese:
Oi pessoal do QSMP Tumblr, eu queria fazer uma oferta e eu adoraria ver se isso irá se espalhar mais.
Se a gente tá adotando A1, vamos com tudo. A gente vai cuidar dessa criança.
Três vezes por semana pelo menos, alguém no Tumblr, na tag "qsmp a1 tasks", tem que postar um desenho ou escrever sobre A1 fazendo uma das tarefas oficiais daquele dia ou uns dias antes (porque eu sei que leva tempo pra fazer arte). Não precisa ser muito, pode ser um esboço(sketch) pra um desenho completo ou quadrinho, de algumas frases para uma pequena história completa. Que precisa é ao menos aparecer na tag e ter relação com A1 e as tarefas recentes! (Por favor diga em algum lugar que tarefa se tá fazendo e que dia foi ela)
A1 não tem preferência com o nome ou pronome que você usar — Ai, Aaron, Ivan, só A1, algum outro que se faça — desde que você ainda use a tag dita pra que todo mundo veja que tarefa foi feita. Além de liberdade de pronomes ele tem um armário cheio de acessórios, então por favor deixe claro em algum lugar da sua arte ou história que o ovo é o A1 e não um dos outros.
Sinta-se livre pra incluir você, ou um dos seus personagens, ou um dos membros do QSMP, ou ninguém, ou todo mundo acima. Isso aqui é só uma série de sinopses para desenhar/escrever com um propósito, se solta e se divirta!
Como já é sábado, as tarefas necessárias não vão aparecer até segunda-feira. Depois da revelação, vamos ver por quanto tempo podemos manter a nova criança da comunidade!
French:
Salut les fans du QSMP, j'ai une proposition à vous faire et j'adorerais voir si ça peut devenir concret.
Quitte à adopter A1, sortons le grand jeu. On va s'occuper de cet enfant.
Il faudrait qu'au moins trois fois par semaine, quelqu'un sur Tumblr dessine ou écrive quelque chose où A1 fait au moins l'une des tâches officielles du jour ou de l'un des jours précédents (parce que je sais que dessiner ou écrire, ça prend du temps), et le poste sur le tag "qsmp a1 tasks". Pas besoin de faire quelque chose d'y mettre énormément d'efforts, ça pourrait être n'importe quoi, d'un croquis à une illustration ou BD complète, de quelques phrases à une courte histoire complète, tant que c'est posté dans le tag et que ça a un lien avec A1 et l'une des tâches récentes ! (S'il vous plaît, notez quelque part de quelle tâche vous vous chargez et le jour auquel ça correspond.)
Peu importe quel nom vous utilisez pour A1 (Ai, Aaron, Ivan, juste A1, ou même un tout autre nom), cela ne lea dérange pas tant que vous utilisez le bon tag pour que tout le monde puisse voir qu'une tâche a été accomplie. Iel utilise n'importe quels pronoms et possède toute une galerie d'accessoires, tant, encore une fois, qu'il est clair dans le dessin ou l'histoire qu'il s'agit d'A1 et pas d'un autre œuf.
Sentez-vous libre de vous inclure vous, vos OCs, l'un des membres du QSMP, tous les membres, ou même aucun, ce ne sont qu'une série de prompts de dessin/d'écriture avec un but précis, faites-vous plaisir et amusez-vous bien !
Puisqu'on est déjà samedi, les tâches nécessaires ne compteront pas avant lundi. Après ça, essayons de voir combien de temps la communauté peut maintenir notre nouvel enfant en vie !
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taylor swift lyrics x colors x textiles in art – blue
Tim McGraw – Taylor Swift // Portrait of Marie-Joseph Peyre – Marie-Suzanne Giroust 💙 Tim McGraw – Taylor Swift // Lady in the Boudoir – Gustav Holweg-Glantschnigg 💙 A Place in This World – Taylor Swift // Portrait of Prince William Henry, Duke of Gloucester – Jean-Étienne Liotard 💙 Dear John – Speak Now // Young Woman in a Blue Dress – Jacopo Negretti 💙 State of Grace – Red // Portrait of Mrs. Matthew Tilghman and her Daughter – John Hesselius 💙 Red – Red // An Unknown Man – Joseph Highmore 💙 All Too Well – Red // Portrait of a Man with a Quilted Sleeve – Titian 💙 Everything Has Changed – Red // Portrait of the Marquis de Saint-Paul – Jean-Baptiste Greuze 💙 Starlight – Red // Mrs. Richard Brown – John Hesselius 💙 Run – Red // Judith with the Head of Holofernes – Felice Ficherelli 💙 This Love – 1989 // Fair Rosamund – John William Waterhouse 💙 Delicate – Reputation // Miss Elizabeth Ingram – Joshua Reynolds 💙 Gorgeous – Reputation // Marguerite Hessein, Lady of Rambouillet de la Sablière – workshop of Henri and Charles Beaubrun 💙 Dancing with Our Hands Tied – Reputation // George Albert, Prince of East Frisia – Johann Conrad Eichler
Cruel Summer – Lover // Peter August Friedrich von Koskull – Michael Ludwig Claus 💙 Lover – Lover // Lady Oxenden – Joseph Wright of Derby 💙 Miss Americana & the Heartbreak Prince – Lover // Portrait of Ivan Ivanovich Betskoi – Alexander Roslin 💙 Paper Rings – Lover // Young Woman in a Blue Dress – Jacopo Negretti 💙 London Boy – Lover // Queen Henrietta Maria with Sir Jeffrey Hudson – Anthony van Dyck 💙 Afterglow – Lover // Portrait of Prince Dmitry Mikhailovich Golitsyn – Fyodor Rokotov 💙 Christmas Tree Farm – Christmas Tree Farm // Portrait of Mary Ruthven, Lady van Dyck – Anthony van Dyck 💙 invisible string – folklore // Two Altar Wings with the Visitation of Mary – unknown artist 💙 invisible string – folklore // Portrait of Madame de Pompadour – François Boucher 💙 peace – folklore // Fair Rosamund – John William Waterhouse 💙 hoax – folklore // Portrait of Charles le Normant du Coudray – Jean-Baptiste Perronneau 💙 coney island – evermore // Portrait of the Marquis de Saint-Paul – Jean-Baptiste Greuze 💙 Carolina – Carolina // Mrs. Daniel Sargent – John Singleton Copley 💙 Bejeweled – Midnights // Elsa Elisabeth Brahe – David Klöcker Ehrenstrahl 💙 The Great War – Midnights // Portrait of Françoise Marie de Bourbon – attributed to François de Troy 💙 Hits Different – Midnights // Mrs. Benjamin Pickman – John Singleton Copley
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randomfoggytiger · 8 months
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The X-Files 30th Anniversary
Day 7: 30th Anniversary Extravaganza
Today, I'm thanking The X-Files community for bringing me across a wonderful show-- its amazing cast and writers and fans-- and inspiring me to get back on my own creative hobbyhorse.
My Thanks
Being a part of a collective who want to celebrate this show and others' creative endeavors with heartfelt good wishes has been exciting, fun... and humbling.
My special thanks to the many people who welcomed me with open arms and contribute to this space, even if it's "simply" (but it's never just anything, is it?) answering asks or reblogging or even liking a random post that passed from one blog to another.
There are too many to list, so I'll just chat about my most remembered moments:
@baronessblixen, for being so kind and encouraging that you drew me out of the anon shadows; for liking what I create; for giving me a logical mind to bounce my ideas off of in asks; and for inadvertently teaching me the joy of appreciating animal videos (and convincing me, along with Vavie, to watch Return to Me.)
@dd-is-my-guiltypleasure, for our cherished Duchovny talks; for your heart and your amazingly detailed dedication; for your artbook that I prize dearly; and for your warmth and good humor.
@suitablyaggrieved, for your spectacular and refreshing meta takes; for persevering in your creative works and this fandom; and for sharing the progress pics of your beautiful X-Files themed sweater.
@welsharcher, for being my mini Kermit-loving pool noodle~ (I love brightening your day as much as your messages brighten mine); for your gifs and posts that make my heart soar; and for our shared, priceless sense of humor.
@agent-troi, for being a solidly intelligent third party to the Pre-S1 Mulder Singleton Club; for your hilarious hashtags and great insights; and for your amazing fic output.
@mondfuchs/@annablume, for swapping XF fic recs in my early Tumblr days; and for making my year by drawing my little boopy-tongued tiger in Mulder's arms to celebrate our collective birthday (post here. Still makes me sappy thinking about it~.)
@amplifyme, for returning to Tumblr and giving me a chance to meet you; for sharing your excellent BATB series (in general and Nan Dibble in particular); and for sharing your thoughts as you slowly peel back the psyche of Vincent and the worlds Above and Below.
@demon-fetal-harvest, for being one of the first to die over my Scully Les Miserables amv (it's one of my favorites I love to rewatch; and I think of you every time I do); and for your hilarious reblogs and even more hilarious tags.
@xxsksxxx and @two-microscopes for being the first to reblog and like during a rough time. I'll cherish that moment forever~.
@medicaldoctordana, for being cool and creative and driven; and for hating the mainstream MBTI system as much as I do (and for your philosophy recs-- will get around to them someday.)
@ibringyouasong89, for being my fellow warrior in the trenches. We're new of acquaintance, but I think this will be a beauuuuuuuuuutiful friendship~. ;))))
@writingwell, @enigmaticdrblockhead, and @perpetually-weirdening, @spidey-is-tired, @cyb3rpeach, @scullys-scalpel, @frogsmulder, @teenie-xf, @dreamingofscully, @freckleslikestars, @cecilysass, @slippinmickeys, @gabby-msr, @thatfragilecapricorn30, @television-overload, @pianogirlxf @mollybecameanengineer, and @settle-down-frohike for being mutually supportive and welcoming. The world is both large and small; and I'm glad my path was able to intersect with yours.
And thank you to the silent-but-always-theres who take the time to drop in and give my posts the time of day~: @samucabd, @sonictacocat, @kiivitaja, @freckleslikestars, @nimlurks, @redteekal, @mindibindi, @marinas5099, @chavisory, @sizzlingempathspybat, @enigmaticxbee, @inflappible, @metamayou, @invidiosa, @txcb1013, @dytttt, @borogirl, @agentbluefox, @agentwhalesong, and ALL OF YOU. I can't tag anymore because Tumblr is tapping me out; but I include you-- yes, you-- in this as well.
My Projects
While The X-Files turned 30, my fandom experience turned (a little over) a year old! Wow, time does fly when you're... speed typing out multiple essays worth of fic rec lists, meta analyses, and personality typing posts (or even wrangling a video editor, compressor, and uncooperative Tumblr site to upload an amv.)
My full list of accomplishments can be found here; but these are a few highlights that were standouts to me personally:
My First Fic
randomfoggytiger’s Son of Egypt (Prince of Egypt twist on television-overload's what if: Samantha adopted and raised William.)
Fic Rec Lists
Meet the Mulders
Creepy and Cozy Cabins  
Time Travel, Time Loops, and Just Wrong Timing 
Car Wrekt 
S9 Mulder Stays or Returns While the Mytharc Barrels On
Fics That Deserve More Comments (Part I) 
Poll Results Fic: 1st Place- Scully Injured but In-Charge
Poll Results Fic: 2nd Place- Cleaning Out the Vineyard House
Poll Results Fic: 3rd Place-- Tithonus Mother Hen Mulder
The Field Where I Fix-It Fic-ed
Analysis Posts
Arcadia Analysis: Scully Was Enjoying Herself Immensely 
Never Again: An Intensive Essay (and its paired twin: Never Again and Fear)
One Son: An Intense, One-Shot Analysis of “You’re Making This Personal”  
The Mulder Family In-Depth (Part VI): Talitha Cumi and Tena's Lies
S5 Is a Pretty Dark Time for Mulder
The Scully Family In-Depth (Part VII): Mulder, Maggie, Melissa, and the Snake
Mulder Trauma Responses: Fight, Flight, Freeze, or Fawn? 
Scully Trauma Responses: Fight, Flight, Freeze, or Fawn?
Mulder and Dreams
Milagro In-Depth (Part II): Loneliness Is a Choice and Lamps Go Dark
How the Ghosts Stole Christmas In-Depth: Full Analysis
Scully Is the Conduit Conductor and Mulder Is the Dancer
How Scully Taught Mulder to Hug
Mulder and Dreams
CSM Inflicted Insanity On the Syndicate
Fire and False Romance, Ice and Love
All IVF Roads Lead Away from The Unnatural and to Millennium 
Jungian Personality Typing Posts
{{Extraction: Proving Mulder Is an INTP, Not an INFJ/INFP}} 
SCULLY, The Enigmatic ISTJ
XF Fanvids/AMVs
Les Miserables AMV: Scully's Solo
The Muppets AMV: Drivin’ Right Along
Fiddler on the Roof AMV: Mulder and Samantha
Bonus Content (Fandom Adjacent)--
React: "Return to Me" from the POV of Someone Averse to RomComs
Personality Typing: Return to Me
HAPPY 30TH ANNIVERSARY, XF!
And cheers to all~!
Enjoy!
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chic-a-gigot · 2 months
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Le Petit écho de la mode, no. 8, vol. 15, 19 février 1893, Paris. 1. (1) Grand vêtement de demi-saison en drap léger; — (2) Robe indéplissable en crépon. Ville de Paris / Bibliothèque Forney
(1) Grand vêtement de demi-saison en drap léger. — Le dessous forme redingote cintrée derrière, tombe droite devant, fermée sous une bande de marabout qui fait tout le tour du manteau. La pèlerine forme entonnoir coupée de trois bandes de marabout; cette pèlerine est ouverte devant, les bords terminés par des revers de velours formant étole devant finie en pointe avec un gland de soie assortie. Les revers continuent derrière sur la pèlerine et viennent jusqu’au bas de la jupe avec deux mêmes glands. Elle peut se mettre à volonté sur ce vêtement ou sur toute autre robe.
(1) Large mid-season coat in light cloth. — The underside is a frock coat, fitted at the back, falling straight in front, closed under a band of marabou which goes all the way around the coat. The funnel-shaped cape cut from three strips of marabou; This cape is open at the front, the edges finished with velvet cuffs forming a front stole finished in a point with a matching silk tassel. The lapels continue behind on the cape and reach the bottom of the skirt with the same two tassels. She can wear this item of clothing or any other dress at will.
Matériaux: 9 mètres, de drap, 3m,50 de velours.
(2) Robe indéplissable en crépon chamois. — La jupe tout unie, le corsage plissé, ainsi que les bouffants sur les poignets plats qui sont en soie brodée bois et or. Figaro en soie brodée entouré de plumes comme les poignets, ceinture de soie unie. Le journal se charge de faire plisser n’importe quel tissu à raison de 2 francs le mètre à plat. On peut plisser des tissus de 1m,20 de hauteur. Ce genre indéplissable sera la grande vogue de la saison prochaine, aussi sommes-nous heureux de pouvoir être utiles à nos lectrices en leur offrant de faire plisser leur étoffe. Pour cette toilette il faut 8 mètres de tissu en 1m,20 et 2m,50 de soie brodée.
(2) Non-wrinkle dress in chamois seersucker. — The plain skirt, the pleated bodice, as well as the bouffants on the flat cuffs which are in wood and gold embroidered silk. Embroidered silk figaro surrounded by feathers like the cuffs, plain silk belt. The newspaper takes care of pleating any fabric at a rate of 2 francs per meter flat. We can pleat fabrics 1m.20 high. This non-wrinkle style will be the big fashion for next season, so we are happy to be able to be useful to our readers by offering to pleat their fabric. For this toilet you need 8 meters of fabric in 1m.20 and 2m.50 of embroidered silk.
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lyralit · 2 years
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50 books to read in a lifetime.
The Magician's Nephew, C.S. Lewis
The Lion, the Witch, and the Wardrobe, C.S. Lewis
The Horse and His Boy, C.S. Lewis
Prince Caspian, C.S. Lewis
The Voyage of the Dawn Treader, C.S. Lewis
The Silver Chair, C.S. Lewis
The Last Battle, C.S. Lewis
Anne of Green Gables, Lucy Maud Montgomery
Anne of Avonlea, L.M. Montgomery
Ender's Game, Orson Scott Card
The Invisible Life of Addie LaRue, V.E. Schwab
Alice's Adventures in Wonderland, Lewis Carroll
Charlotte's Web, E.B. White
Charlie and the Chocolate Factory, Roald Dahl
James and the Giant Peach, Roald Dahl
Harry Potter and the Philosopher's Stone, J.K. Rowling
Anne Frank: The Diary of a Young Girl, Anne Frank
Pride and Prejudice, Jane Austen
The Giver, Lois Lowry
Ghost Boys, Jewell Parker Rhodes
The Golden Compass, Philip Pullman
Macbeth, William Shakespeare
Ready Player One, Ernest Cline
These Violent Delights, Chloe Gong
Our Violent Ends, Chloe Gong
Holes, Louis Sachar
Aristotle and Dante Discover the Secrets of the Universe, Benjamin Alire Saénz
Life of Pi, Yann Martel
Le Petit Prince, Antoine de Saint-Exupéry
Little Women, Louisa May Alcott
The Secret History, Donna Tartt
The Mysterious Benedict Society, Tristan Lee Stewart
Les Trois Mousquetaires, Alexandre Dumas
The Hate U Give, Angie Thomas
Winnie-the-Pooh, A.A. Milne
The Wonderful Wizard of Oz, L. Frank Baum
Mary Poppins, P.L. Travers
A Wrinkle in Time, Madeleine Miller
The Fault in Our Stars, John Green
Looking for Alaska, John Green
Genuine Fraud, E. Lockhart
Scythe, Neil Shusterman
The Night Circus, Erin Morgenstern
Le Horla, Guy de Maupassant
Percy Jackson and the Lighting Thief, Rick Riordan
To all the Boys I've Loved Before, Jenny Han
The Summer I Turned Pretty, Jenny Han
If We Were Villains, M.L. Rio
Dracula, Bram Stoker
Le Tour du Monde en Quatre-Vingts Jours, Jules Verne
side note: all of these are in different genres with different age groups and levels of appropriate-ness. some are older and may contain controversial subjects. I speak for none of the authors: I liked the book, and that's it.
tag and comment your favourite books to be added to the list!
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tiger-willow · 2 months
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Je suivrai temporairement la balise « qsmp discourse » afin de pouvoir obtenir plus de mises à jour sur cette situation et lorsque le serveur s’ouvrira à nouveau.
Je viens de trouver toute cette putain de situation très bouleversante et même si je continue à penser positivement et que ça va aller mieux, avec tout ce qui se passe sur Twitter avec les admins, les CC’s le syndicat français et l’admin de Pomme, je commence a avoir mon les doutes. À un moment donné hier, j’ai eu une putain de dépression nerveuse à cause de toute cette situation et je ne veux tout simplement pas que Qsmp se termine si tôt si cette situation n’est pas résolve.
Désolé si j’ai l’air de faire du doomsposting, je suis vraiment très très inquiet de ce qui va se passer car je commence à ne pas être convaincu que l’os choses s’améliorent. Je dirais que pour que cette situation soit corrigée, il faut une communion entre Quackity, les higher ups et les admins pour trouver une solution approprié à ce problème.
Je suis juste très fatigué de cette merde et même si cela ne fait que trois jours, je m’attends à d’énormes changements de la part des admins et du côté français de la communauté. J’en ai fini avec le grand post et j’espère que les choses s’amélioreront et que d’énormes changements se produiront.
J’en ai fini avec cette merde…
(English:
I will be temporary be following the ‘qsmp discourse’ tag so I can get anymore updates on this situation and when the server does open up again.
I have just found this whole fucking situation to be very upsetting and although I still have been thinking positive and that it will get better, with all the stuff on Twitter with the admins, CCs, French union and Pomme’s admin I am starting to have my doubts. At one point yesterday I had a fucking mental breakdown over this whole situation and I just don’t want qsmp to end so soon if this situation is not solved.
Sorry if it sounds like I’m doomsposting, I’m just really really worried about what is going to happen since I’m starting to not be convinced that things are getting better. I’d say what it needs for this situation to be fixed is communion between Quackity, the higher up’s and the admins to find a proper solution to this.
I’m just very tired of this shit and although it has only been three days, I do expect huge changes on behalf of the admins and the French side of the community. I’m done with the large post and I do hope things get better and huge changes come our way.
I’m fucking done with this shit…)
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patron-minette · 3 months
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Babet and Molutor in ‘Le Monde des Prisons’
There are many interesting references made to Les Misérables in Le Monde des Prisons (1887) by Georges Moreau. This relatively unknown work features the detailed recollections of Moreau’s own interactions and conversations with real prisoners (“reproduire mes conversations”) during his tenure as an ‘aumônier’ at La Grande-Roquette prison in Paris. 
Throughout the account, Hugo’s writings on crime and criminal archetypes as featured in Les Misérables are frequently cited. This even extends to fleeting discussions about the police and prison system (click here for a rather intriguing comparison involving Javert).
However, there is a particularly notable chapter where a real-life criminal, identified only as Molutor, is compared extensively to the character of Babet:
“Victor Hugo a crayonné de main de maitre un joli quatuor de bandits, Claquesous Gueulemer, Babet et Montparnasse, qui, dit-il, gouvernaient, de 1830 à 1835, le troisième dessous de Paris, cette cave d'où sort Lacenàire. [...] Molutor (François-Joseph), le père de notre fugitif de la Petite-Roquette, avait été plus favorisé de la fortune que le Babet de Victor Hugo. Sa femme lui avait donné trois enfants qui, pour n'être pas nés avec un mufle de veau, lui avaient rapporté une petite aisance.”
[Trans. Victor Hugo has masterfully pencilled a lovely quartet of bandits, Claquesous, Gueulemer, Babet and Montparnasse, who, he says, ruled the third substage of Paris from 1830 to 1835, the cellar from which Lacenàire emerged. [...] Molutor (François-Joseph), the father of our Petite-Roquette fugitive, had been more fortunate than Victor Hugo's Babet. His wife had given him three children who, though not being born with a calf's muzzle, had brought him a small amount of wealth.]
I find these comparisons truly captivating, as— despite initially seeming rather trivial— allusions such as this uniquely blend real-life criminality with fictional realms.
Moreau goes on to elaborate that Molutor and the character of Babet share additional similarities because they both extend their criminal activities into theatrical spheres; Babet’s vaudeville performances and his displaying of ‘freaks’ are indirectly compared to Molutor’s activities as innkeeper of a real club named Le cabaret des Pieds. In an even more intriguing detail, Moreau describes Molutor as occasionally collaborating with a brute named ‘Gueule-de-Sac’— which makes me think of ‘Gueulemer’!
Moreover, even the physical attributes of Babet and Molutor are paralleled… echoing a disconcerting, though unfortunately unsurprising, ideology (whether on purpose or implicitly) wherein certain physical traits were believed to correspond with particular criminal behaviours.
“Ce Molutor était un homme petit, maigre, blême, anguleux, osseux, chétif, qui avait l'air malade et qui se portait à merveille; sa fourberie commençait là. Il souriait habituellement par précaution, et était poli à peu près avec tout le monde, même avec le mendiant auquel il refusait un liard. Il avait le regard d'une fouine. S'il rappelait Babet par certains côtés il faisait encore plus songer à Thénardier. Comme Thénardier, il s'était établi gargotier à Alger. / Souvent, il s'absentait plusieurs semaines de suite et l'on remarquait que c'était toujours du côté et à l'époque où nos soldats se battaient contre les Arabes. Il partait avec une petite carriole attelée d'un mauvais cheval, emportant quelques provisions qu'il vendait fort cher aux troupes.”
[Trans. “This Molutor was a short, skinny, pallid, angular, bony, puny man, who looked ill and was doing wonderfully well; his deceitfulness began there. He usually smiled as a precaution, and was polite to just about everyone, even the beggar to whom he refused a liard. He had the look of a weasel. If he reminded us of Babet in some ways, he reminded us even more of Thénardier. Like Thénardier, he had established himself as a gargotier in Algiers. / He was often away for several weeks at a time, always on the side and at the time when our soldiers were fighting the Arabs. He would leave with a small cart hitched to a bad horse, carrying a few provisions which he sold at a high price to the troops.”]
The line “Il souriait habituellement par précaution, et était poli à peu près avec tout le monde, même avec le mendiant auquel il refusait un liard” instantly brings to mind Boulatruelle’s introduction in Les Misérables:
“Ce Boulatruelle était un homme vu de travers par les gens de l'endroit, trop respectueux, trop humble, prompt à ôter son bonnet à tout le monde, tremblant et souriant devant les gendarmes, probablement affilié à des bandes, disait-on, suspect d'embuscade au coin des taillis à la nuit tombante.” — Book II.II.II
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I have movie theater tickets for The Three Musketeers: d’Artagnan for tomorrow, and I am ridiculously, childishly excited. It’s been too long since the Inséparables have swashbuckled their way across a movie screen!
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gothhabiba · 4 months
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btw, if Jonathan Olivier wanted to point to early, primary evidence of a distinction between gumbo févi (with okra) and gumbo filé (with powdered sassafras leaves), he would have been better served by this 1784 journal article (M. P. de la Coudrenière, "Observations sur la sassafras, arbre de l'Amérique"; in M. L'Abbé Rozier & M. J. A. Mongez Jr., eds., Observations sur la physique, sur l'histoire naturelle et sur les arts, Book 24 (January 1784), pp. 63-4).
the part that has to do with gumbo reads:
Ces feuilles [de sassafras] employées dans les sauces, les font filer comme de l'eau gommée, & leur donnent un gout agréable. [...] Le principe gommeux qu'elle contiennent est tel, qu'une pincée de cette poudre suffit pour rendre un bouillon visqueux. C'est ce mets que l'on nomme en Amérique gombo. Cependent il faut distinguer ce ragoût américain, de celui qu'on nomme gombo fevi. Celui-ci est fait avec les gousses d'une espèce de grande mauve, connue des Botanistes sous le nom de Sabdariffa. Toutes les parties de cette plante contiennent un suc visqueux; & les gousses, lorsqu'elles sont vertes, rendent l'eau plus gluante encore que ne le font les feuilles de sassafras. La première fois que l'on mange de ces gombos, on sent une sorte de répugnance, à cause de cette viscosité; mais quand on en a goûté deux ou trois fois, la répugnance passe, & l'on voudroit ensuite en manger tous les jours, principalement du sassafras, qui est beaucoup plus savoureux que le févi. Les Créoles de la Lousiana l'aiment si passionnément, qu'ils ne peuvent manger d'autre potage que celui qu'ils font avec du boillon, du piment, du sassafras, & du maïs ou du riz cuit à l'eau. Il faut avouer que ce potage est bien plus sain & bien meilleur au goût que toutes nos soupes de pain. On fait du gombo aves toutes sortes de viandes, de volailles & de poisson. On en fait aussi avec des chevrettes & des écrevisses. Celui de choux est le moins estimé; il se mange, ainsi que celui de chevrette, le soir, & tient souvent lieu de souper. (p. 63)
translated to English, let's say that's:
These [sassafras] leaves, when used in sauces, make them form strings like gummy water, and give them a pleasant taste. [...] The thickening power that they contain is such that one pinch of this powder is enough to make a broth viscous. This is the dish that we call gombo in America. However, it is necessary to distinguish this American stew from that called gombo fevi. That one is made with the pods of a species of large mallow, known to botanists as Sabdariffa. All parts of this plant contain a viscous juice; and the pods, while they are green, render water even more glutinous than sassafras leaves do. The first time that one eats one of these gumbos, one feels a sort of repugnance because of this viscosity; but when one has tasted gumbo two or three times, the repugnance disappears, and from then on one would like to eat it every day; principally sassafras gumbo, which is much tastier than the févi. The Créoles of Louisiana love it so passionately that they cannot eat any soup other than this one, which they made with broth, pepper, sassafras, and corn or rice cooked in water. It must be admitted that this soup is much more healthful and much better-tasting than all of our bread soups. Gumbo is made with all sorts of meat, poultry, and fish. It is also made with shrimp and crawfish. That of cabbage is less esteemed; it is eaten, as is that of goat, in the evening, and often takes the place of supper.
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evupdates · 2 months
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GuitarWorld: “I did everything by working my ass off. I played in bars six nights a week, 300 shows a year, three one-hour sets every night for eight years with no record deal”: Evanescence’s Troy McLawhorn on his guitar firsts, favorites and embarrassing moments https://trib.al/khFs88q
Interview Behind The Read More
In this Inquirer column, we reach out to Troy McLawhorn of Evanescence to answer the essential questions in any guitar player’s life. We’re talking first songs learned, first guitars played, and what would McLawhorn do if he had a time machine?
Well, maybe we know the answer to that – he’d take that damned trench coat back to the store…
What was your first guitar?
“My mom and dad had guitars in the house, and though they didn’t play them that much, those were the first guitars I grew up playing on. The one I really started to learn how to play on was my mom's nylon-string classical guitar.
“I played that for years before they bought me my first guitar, which I picked out in a music store down the street from my house. It had a black Gibson Explorer-style body with a maple neck and was made by a company called Lotus.”
What was the first song you learned to play?
“House of the Rising Sun by the Animals. I figured out the chords and then gave a little concert to my mom and dad. I was around 12.”
Do you remember your first gig?
“My first gigs were playing at parties. In my hometown, older kids would have what they called keg parties, where they’d buy a couple of kegs of beer and have a band play. So my first gigs were in people’s backyards, playing at parties for older people who were getting drunk. One of the earliest bands I can remember being in at the time was Hellrazor. By default, our only payment was beer.”
Ever had an embarrassing moment on stage?
“I can't think of anything in particular that occurred in Evanescence, but I do remember one embarrassing moment back in the early ’90s when I was in Still Rain. Whenever I performed, I’d wear snakeskin boots and a leather trench coat that went all the way down to the ground.
“One night, I was playing a solo at the front of the stage and totally rocking out. When I was done, I took a step back, but because my trench coat was so long, I stepped on it and couldn’t stand up straight.
“Each time I tried stepping back, the trench coat got shorter and shorter, until I fell down on stage on my back into the drum kit. I rolled around for a second so I could get my shit together, and I finally got up.”
What’s your favorite piece of gear?
“One piece of gear that I regret letting go of was a Mesa Boogie Mark IV. It was a combo that had a beautiful tweed front. As for my favorite, it’s my 1985 Gibson Les Paul Custom that was given to me for my birthday by a good friend.
“It was used when I got it, but it’s a beautiful guitar that’s got this amazing piece of leather artwork on the front. I’ve never seen anything like it and it just sounds and plays great.”
Suppose the building is burning down; what one guitar from your collection would you save?
“My wife gave me a really great American Telecaster for Christmas a few years back. It’s one of my favorite guitars to play when I’m at home, and it means a lot to me because my wife gave it to me.”
When was the last time you practiced and what did you play?
“It would’ve been last night before the show. I warm up before every show, playing guitar for 20 or 30 minutes. I will usually go through some exercises, and maybe a couple of things in the show that I may have fucked up the night before.
“I don’t really have a routine, as I don’t actually sit down and practice all that much when on tour, as I concentrate on maintaining and getting ready for the show I’m about to play. But when I’m home, I practice a lot and like to learn new things.”
What aspect of the guitar would you like to improve?
“I’d love to have more of a knowledge of music theory. Growing up, I learned everything by ear. I just listened to records and tried to figure out what I could. I think it would be great to have more of an educated knowledge of theory and scales and all that stuff.”
What advice would you give to your younger self?
“I’d say invent a time machine so it can take you to now, where you could watch YouTube videos! I think it’s amazing that kids have YouTube now, because it would’ve been a whole different thing for me if I had all the knowledge that’s on YouTube."
“I did everything I could by working my ass off. I played in bars five and six nights a week, playing 300 shows a year, playing three one-hour sets every night for about eight years with no record deal. The experience was amazing. I don’t know what more I could have done outside of what we did in that time.”
Fallen (20th Anniversary) is out now via Craft Recordings.
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leveloneandup · 1 year
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re—inc Our vibe this holiday season: meaningful dialogue and gatherings amongst more people who usually aren’t together at the same table. Because of this, we reignited our Reset the Table event on November 15th, 2022 in New York City. We gathered with a diverse group of pioneers who share a mission: creating more equity and opportunity. The location: Les Trois Chevaux, the restaurant of talented chef and fellow warrior in reimagining the status quo, Angie Mar.
We hosted our first Reset the Table event back in 2019 to inspire exploration, collaboration, and reflection. We invite you host your conversations with our Reset The Table Cards to dream big, think differently, and act with purpose.
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cerulane · 2 months
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Sherlock a fait jurer à Mycroft de protéger John coute que coute. Mais quand il est capturé en Serbie, c’est ce dernier que Mycroft envoie sauver son frère.
L’histoire est intéressante. Elle est séparée grossièrement en trois temps : le sauvetage en lui-même, la convalescence et le retour à la normale. Le récit est bien construit et bien rythmé. Le point de vue de Sherlock est bien exploité.
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tournoi-francophone · 11 months
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Matchs de Poule
Bonjour à tous.tes, on a reçu énormément de suggestions, c'était super. En tout on a 160 livres et BD pour le tournoi ! On va donc commencer par des poules, pour ne garder que 64 livres. Les groupes sont notés ci-dessous (on ajoutera les liens pour les votes au-fur et à mesure qu'ils seront publiés), il y en a 32. Les deux livres recevant le plus de votes de chaque groupes seront séléctionnés pour la suite du tournoi.
Groupe 1 Le Château d'Anne Hiversaire ; Le Petit Prince ; Les Chants de Maldoror ; La Geste des Chevaliers Dragons ; L'Incal
Groupe 2 Les Furtifs ; Un Jacques Cartier Errant ; Même pas Mort ; Yoko Tsuno ; Les Trois Mousquetaires
Groupe 3 Un Sac de Billes ; Malpertuis ; Vango ; Mémoires de Louise Michel ; Les Schtroumpfs
Groupe 4 Femmes d'Alger dans leur appartement ; La Quête de l'Oiseau du Temps ; Bérénice ; La Rose Ecarlate : Vingt Mille Lieues sous les mers
Groupe 5 U4 ; Le Jardin, Paris ; La Passe Miroir ; Romancero aux étoiles ; L'île mystérieuse
Groupe 6 Les 4 As ; Les amis inconnus ; Tobi Lolness ; Persepolis ; Le Jeu de l'Amour et du Hasard
Groupe 7 Vendredi ou la vie sauvage ; L'Autre ; Oh boy! ; Julie, Claire, Cécile ; Le Journal Tintin
Groupe 8 Etudes et Préludes ; Lou! ; Sur les Terres d'Horus ; L'élégance du Hérisson ; Parle-leur de batailles, de rois et d'éléphants
Groupe 9 Lancelot-Graal ; Les Fleurs du Mal ; Chien Blanc ; Mélusine ; Une Tempête
Groupe 10 La Métaphysique du Vampire ; Pot Bouille ; Les Mémoires d'Hadrien ; La bête humaine ; Le Misanthrope
Groupe 11 Tara Duncan ; Trois Oboles pour Charon ; Gaspard de la nuit ; Le Pacte des Marchombres ; Sambre
Groupe 12 Kid Paddle ; Père Castor ; Dom Juan ; Ces Jours qui Disparaissent ; Le Message
Groupe 13 Astérix ; Les animaux dénaturés ; Fantômette ; Germinal ; Mathieu Hidalf
Groupe 14 Le Cid ; Les Carnets de Cerise ; Tant qu'il le faudra ; Rhinoceros ; Dans la Nuit Blanche et Rouge
Groupe 15 Thorgal ; L'arbre à soleils ; Les Faux Monnayeurs ; Alcools ; La Mécanique de Cœur
Groupe 16 Aya de Yopougon ; Chat Noir ; Blake et Mortimer ; Le Survenant ; Le Deuxième Sexe
Groupe 17 Au Bonheur des Dames ; Nadja ; Mille francs de récompense ; Le tour du monde en 80 jours ; Le Butterlyland
Groupe 18 A comme Association ; La Nuit des Temps ; La Guerre de Troie n'aura pas lieu ; Quatrevingt-treize ; Une Famille aux Petits Oignons (Histoires des Jean-Quelque-Chose)
Groupe 19 Le forçat innocent ; Phaenomen ; A la mystérieuse ; Le Livre des Etoiles ; Le Livre de Perle
Groupe 20 L'écume des jours ; Max et Lily ; Petit Ours Brun ; Les Dingodossiers ; Cyrano de Bergerac
Groupe 21 Thérèse Desqueyroux ; La fin du monde ; 47 cordes ; Garin Trousseboeuf ; Oksa Pollock
Groupe 22 Le Grand Secret ; Lucky Luke ; L'Illusion Comique ; Pardonnez nos offenses ; Les Liaisons Dangereuses
Groupe 23 Un Secret ; Fortunes ; Querelle de Roberval ; Manuel de savoir-vivre à l'usage des rustres et des malpolis ; 38 mini westerns (avec des fantômes)
Groupe 24 Les Misérables ; Magarcane ; Frangine ; Les Eveilleurs ; Archives des Anges
Groupe 25 Le Dit de Vertigen ; Spirou et Fantasio ; Antigone ; Le Prince Eric ; Les Colombes du Roi-Soleil
Groupe 26 Cédric ; Sept Jours pour une Eternité ; La Petite Fille de Monsieur Linhl ; Gouverneurs de la Rosée ; Gaston Lagaffe
Groupe 27 Corps et Âmes ; Claudine ; L'œil du loup ; Boule et Bill ; Le Dernier Jour d'un Condamné
Groupe 28 Les Fables de La Fontaine ; La Dame Pale ; Chansons ; Marsupilami ; Les Aventures de Loupio
Groupe 29 L'Enfant de la haute mer ; Du Domaine des Murmures ; La Bibliothécaire ; Ondine ; Dieu n'a pas réponse à tout
Groupe 30 Le Horla ; Réparer les Vivants ; Freaks' Squeele ; De Cape et de Crocs ; L'automne à Pékin
Groupe 31 Ouragan ; Contes des cataplasmes ; Le Monde, Tous Droits Réservés ; Vipère au Poing ; Comment Wang-Fo fut sauvé
Groupe 32 Les Derniers Contes de Canterbury ; Le Compte de Monte-Cristo ; Storm ; Manifeste Assi ; Les Lumières d'Oudja
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