listen, i absolutely get ramon not wanting to talk to sunny & feeling hurt/betrayed by her helping tubbo
like, i'd hazard he might even feel more betrayed by them than tubbo himself—bc sunny & ramon probably talked about what family meant to him (during their sleepovers or something) and ramon has no insight into why they'd do that whereas tubbo, for all his actions have hurt ramon, very clearly has the emotional capacity of a wet paper plate and issues running deeper than marianas trench
but that makes it all the more heart wrenching that he won't hear her out (and you can see in the backgrounds of vods her multiple attempts over several days to get his attention just to be rebuffed) bc i bet if she could explain herself even a little things could be so different
it reminds of the situation from the other week where sunny wasn't talking with em and tubbo tried to explain that, even if you're mad at them, suddenly stopping talking to someone you love could make them feel awful and worse than you intended
and that is what's happening to sunny. it's miserable to see bc she was already so isolated and ramon, as her big brother, is someone she put a lot of trust in to be there for her and listen to her and it must feel to her like that was an empty promise to have him not even hearing her out.
and it's particularly tragic bc sunny didn't even want to mess with fit and pac. yes, she was "tempted" to aid tubbo in his quest, but I really don't think it was bc she was actually worried about being left behind when she agreed. i think she could tell tubbo was scared and hurting and not ready to accept the change and didn't want him to be alone. she didn't really have another option and every adult can see that but ramon is young and blinded by his hurt
and now sunny is left feeling abandoned and forgotten and replaced and it's exactly what their pa said would happen; self fulfilling prophecy :(
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the thing that really gets me about mizumono is that will doesn’t even fight back. he saw alana mangled outside. he knows jack might be dead. he has a loaded gun in hand. but not once does he try to hurt hannibal. he doesn’t even shoot. will just lets him caress his cheek, fingers curling into his hair. there’s no resistance. when hannibal stabs him, will leans into it. he doesn’t want to escape. and it all hurts so badly because it’s not like will tricked hannibal into loving him; he simply persuaded him that he might love him back. because that’s what will thought hannibal did to him in s1, and only now does he realise that maybe it was more real for hannibal than he thought. or worse, that maybe he wants to be with hannibal regardless of whether hannibal genuinely loves him. that maybe it’s worth it to be close to him, even if his touch splits his stomach open
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one of my favorite things about El is that she comes off like the sensible oh honey wife but given half an excuse she is exactly as likely as any hardened thief to break into the neighbor's upstairs room and then need to be coached through picking the locked door by Neal . and then they sit there on the couch together while Peter goes lecture mode and defend each other indignantly and they have been like this since the very first episode when he comes downstairs and they both look up bigeyes at him like hiiiiiii . she's not Neal But Woman though she's many things he absolutely isn't but not one of them is Too Sensible Mom Friend . she is tolerant but not naive, she looks not at the letter of actions but at the intent behind them and always factors that in, and she IS ready to go on a con at a moment's notice because running an apparently very prosperous event business isn't introducing enough complexity into her life
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I think my desire to gatekeep Speak Now from the general public stems from how vulnerable of an album it is. It came at a time when there were so many expectations on her after Fearless did so well and the first seeds of doubt about her as an artist and songwriter started to sprout. The decision to write it completely independently and not hold anything back was so gutsy of her and that sentiment is echoed on the album.
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Very funny to me how Stansas present her character as being so interesting and complex because of her vulnerabilities, while simultaneously ignoring those same vulnerabilities in other characters. Dany is sold as a bridal slave and lacks agency throughout AGOT and after. Her dragons are either too young/small to utilize effectively or locked away for the majority of the story. They aren't some all-powerful trump card that protects her from harm. Arya is captured as a prisoner of war, forced to watch countless people tortured and murdered, and then essentially enslaved in Harrenhal with no way to fight back. She has an entire arc of feeling powerless, of being a "mouse", during ACOK. She doesn't have "kung-fu" or the ability to magically fight her way out of every situation, she's a young child lacking physical strength with only the most basic sword training.
Sansa isn't the only female character, she isn't the only young character, she isn't the only character who suffered, and no one is obligated to prioritize her. I'm so tired of Dany and Arya being mischaracterized and having their stories erased to prop Sansa up. "Sansa has kept her dignity" In other words, let's praise her for having a level of security that Dany and Arya don't have access to. She hasn't ever been forced to make a hard decision which of course means that she's morally superior to them. They can't even admit to themselves that her lack of action is due to her own passivity. If it doesn't fit their delusion, they erase it from the story and expect the rest of us to play along. Ask one of them what they like about her character without bringing up her being the ultimate victim, and I genuinely don't believe they'd be able to give you an answer. They belittle other characters more than they talk about her and these takes just scream insecurity/jealousy at the content and development other characters have in their POVs.
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as a certified Diagnosed Autist(TM) i cannot stress enough that i am not only pro- self-diagnosis, but also pretty anti- legal medical diagnosis. it is, at best, a cruel hoop we have to jump through so privileged people will deign to give us what we need. don't fucking do that shit unless you have to, it was disgustingly expensive, fucking humiliating, infantilizing, and dehumanizing, and would probably actively cause problems in my life if i didn't have some really good allistic (-passing) people in my corner and also wasn't so fucking disabled that it mostly doesn't matter.
literally get that diagnosis if you need it for job/school accessibility shit or SSI or whatever, and otherwise dont tell the government SHIT about yourself. there is zero good reason for them to want that information. that's between you and the people you want in your life.
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ok so death and the queen in Really Really good and you should all listen to it ( here it is!!) but there another one of those bits where donna gone off to do something and ten thinks shes leaving Forever but THIS. THIS. LITERALLY HE JUST SAYS THAT?
(sorry for the bad audio quality i was recording it off my computer speakers into garageband lol its wayyy better than that in the actual thing)
Transcript
[end of doctor who theme]
Ten : I'm sorry, because, I lied to you.
Donna : Oh? About What?
Ten : I said... I was fine. Fine about you leaving, and, I'm not. So many of you have come and gone, I never get used to it, you'd think I would've done by now, but, but, but, no... just when I think it's all going well, and we'll be... together forever, you're wandering off to go and save another universe, or, get married - How do you lot fall in love so quickly?
Donna : Well,
Ten, interrupting : I just don't get it!
Donna : Funny you should say that,
Ten : It's- ehhhh short lives I suppose - still! So long as you're happy, and, you're with the right man, and, and, he is the right man,
Donna - *starts to speak, gets cut off*
Ten : Yeahhs yes of course he is-
Donna : mhm-
Ten : -course he is I mean - I mean, well, no man ever gonna be good enough for my Donna, but yes, yes! Off you go, every time, one of you leaves, I'm not ready, I never am. You lot. Euurgh. *sharp inhale* Every one of you a heartbreaker.
Donna, indignantly : That's why you've got two of them, stupid, listen, I'm -
Ten : I mean yeah, I s'pose, but it doesn't make it -
Donna : mHMHMmm
Ten : - make it any easier, you all leave... even the robot dog left me. Twice.
Donna : Alright, Doctor, I'm trying to tell you-
Ten : And another thing - the universe never gives me a break!
End Transcript
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Something about how in chapter 4 of trc Adam is insecure about the fray on his second hand sweater, and how it's a symbol of his background and insecurities, and how most people don't notice it, and if they did, they didnt think better of him for it
And how Blue saw it immediately and it was something she liked about him, a girl too good at seeing the vulnerabilities of other people, but Adam didnt want someone to see his insecurities, didn't want someone to acknowledge that life
But Gansey did. Gansey needed someone to see him at his worst and love him for it, and blue did that
And how Adam needed someone to see him at his most unruly, and encouraged that
And Ronan makes Adam loud
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