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orlandooo · 9 months
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Catherine Deneuve as Geneviève Émery
Nino Castelnuovo as Guy Foucher
Anne Vernon as Madame Émery
Marc Michel as Roland Cassard
Ellen Farner as Madeleine
Les Parapluies de Cherbourg (1964)
Dir. Jacques Demy
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The Umbrellas of Cherbourg (Jacques Demy, 1964)
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cinematicjourney · 2 years
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The Umbrellas of Cherbourg (1964) | dir. Jacques Demy
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lamiaprigione · 10 months
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Le Trou (1960)
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cinearche · 1 year
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Opening credits from movie Lola, directed by Jacques Demy. France, 1961.
Lola, a flor proibida.🌸
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omnivorouscinephilia · 7 months
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The Umbrellas of Cherbourg: A Musical about Mundane Tragedies
As a double bill with my Past Lives review, here is one of the other great romantic films that can get me to cry, Demy's masterpiece Umbrellas of Cherbourg. If you have somehow never seen the film, watch it, and then read my review!
The resurgence of the musical as a popular cinematic genre is in theory a welcoming sign for a greater diversity in the contemporary American film landscape, even if the works are more marginal than what had come before. While specialists in the genre never went away, there have noticeably been fewer inclined to work extensively within that particular mode. Figures like Rob Marshall and Tom…
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byneddiedingo · 2 years
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Jean Keraudy, Marc Michel, Philippe Leroy, Raymond Meunier, and Michel Constantin in Le Trou (Jacques Becker, 1960) Cast: Michel Constantin, Jean Keraudy, Philippe Leroy, Raymond Meunier, Marc Michel, Jean-Paul Coquelin, André Bervil, Eddy Rasimi. Screenplay: Jacques Becker, José Giovanni, Jean Aurel, based on a novel by Giovanni. Cinematography: Ghislain Cloquet. Production design: Rino Mondellini. Film editing: Marguerite Renoir, Geneviève Vaury. 
All prison break movies have to be judged by the standard set by Robert Bresson's 1956 masterpiece A Man Escaped. Most of them are found wanting, but Jacques Becker's last film, Le Trou, though it lacks Bresson's moral intensity and political significance, makes a good try at it. What Becker's film has going for it is a fine ensemble of actors, including one of the men who participated in the attempted prison escape in 1947 on which José Giovanni based the novel that Becker turned into a film. Under a screen name, Jean Keraudy, Roland Barbat not only plays the prisoner Roland Darbant but also introduces the film as a "true story." This touch of documentary realism gives Le Trou a solid grounding, and Becker uses it to great effect, especially in a long take in which the prisoners break through the subflooring of their cell into the basement beneath. For a long time we see them hammering away almost ineffectively at the concrete, but just as we fear that this is going to be like watching paint dry, the seemingly impervious substance begins to chip away, revealing the larger rocks and looser material underneath. It's a tour de force of sorts, because the concrete must have been poured especially for the filming and designed to resist the hammering just enough to build suspense. What plot there is other than the elaborately detailed escape focuses on Claude Gaspard (Marc Michel), a young prisoner who is moved into the cell after the other four have already made their plans for the escape. Initially they mistrust the newcomer, but he earns their acceptance -- up to a point. The film eschews a music soundtrack, relying instead on the sounds of the prison for atmosphere. There are some darkly comic moments, as when two of the prisoners, having made it into the basement, have to hide from guards making their rounds. We don't see how they do it at first, but then it's revealed that one of the prisoners is standing on the shoulders of the other, dodging the patrol behind a convenient pillar, around which they just barely manage to make their way as the guards circle it. In hindsight, there are lots of things to cavil about, such as how the escape plan was devised and the necessary tools acquired -- matters that A Man Escaped details more interestingly -- but Le Trou holds up well while you're watching it, relying on solid characterization and vivid details to disarm skepticism.
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jbaileyfansite · 14 days
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Jonathan Bailey with Jeff Goldblum, Michelle Yeoh and Marc Platt at Cinema Con [x]
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doyouknowthismusical · 6 months
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kevotsuka · 3 months
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Lo que me destruye esta imagen, pobrecito denle aunque sea un perro para abrazar
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skulsakz · 1 year
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michèle lamy for heavn by marc jacobs, 2023
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Since “Werewolf by Night” was the MCU Halloween special, how about a Valentine’s Day special?
My idea is a series of shorts that highlight different romantic couples in the universe. It’s basically the same idea behind “Love Actually”. Just a hypothetical outline of who could appear in the special:
1) Clint Barton and Laura Barton going on a date night to celebrate several years of marriage
2) Phastos and Ben attending their son’s piano recital
3) Shang-Chi and Kate Bishop getting paired up on the MCU’s version of a popular dating app
4) Carol Danvers reminiscing about the time she went on a date with Monica Rambeau
5) Peter Parker imagining a date with Michelle Jones-Watson, before he remembers what happened to him
6) Sam Wilson and Bucky Barnes going on a double date (presumably with newly introduced characters) that leads to shenanigans
7) And for the big surprise that’s actually gonna be a plot point in the next Moon Knight season, Marc Spector/Steven Grant wake up in Jessica Jones’ bed, unaware that Jake Lockley had a one-night stand with her.
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demifiendrsa · 2 months
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Wicked - First Look
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Teaser poster
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quattroneuville · 28 days
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Jean Ragnotti and Michèle Mouton, 1983 Tour De Corse
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Marc Jacobs - Spring 2001 RTW
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missin-you-already · 3 months
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Sanitation || Resident Evil
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