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#maybe I just personally prefer no romance this campaign because it feels like these characters specifically are using dating as therapy.
utilitycaster · 8 months
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I feel like something so many ppl just don’t get is it’s improv. I’ll see ppl be like “I hate this arc” or “this dragged on” I’m like?? If you want to watch a curated tight fantasy story with a normal beginning middle and end maybe don’t watch long form improv media? Also maybe I’m just fundamentally misunderstanding what ur post is about. I’ll constantly think and say “it’s their game” not as a “they’re above criticism” way but more in a “cmon it’s not like this is a script that’s being poured over by ten ppl sitting in a room debating whether this 30 seconds drags or not”. Like I love Play it By Ear from Dropout but I’d never hold it to the same standard as like Six the musical or whatever. Improv/normal media requires a completely different rule set for criticism imo
Hey anon,
So here's the thing - I agree with this in terms of formal, published criticism (Ebert's Law, if you will) where you are, to an extent, grading on a scale; you should be judging on what the work is trying to achieve and not some abstract ideal that applies equally to all works regardless of provenance.
However, for personal discussion (including your own personal Tumblr blog)? This is totally irrelevant. You're allowed to dislike things, whether it's a 30 minute improvised musical or whether it's the Marriage of Figaro, for any reason. It is 100% valid for someone to look at the Mona Lisa and say "eh, doesn't do it for me," and, moreover, it's just as valid for them to say "it doesn't do it for me because I don't care for representative art and prefer abstract, modern works, but Da Vinci's sfumato technique is indeed masterful" as to say "It doesn't do it for me because it's fucking weird to me that she doesn't have eyebrows." People's enjoyment of a work is not necessarily reliant on effort put in or how much the artist cares about - it should be based on how much the art appeals to them.
It's fine if people hate an arc. If they hate it so much that they aren't able to enjoy watching, then I think they should probably stop watching...but that's a choice for them to make, and as someone who loves complaining, I've talked about arcs dragging and had it interpreted by total strangers as "you clearly seem to hate this" when really it was just a case of me...not liking some aspects of a larger whole, and choosing to talk about that because I had things to say. Like, I do think the early Campaign 3 pacing was deeply frustrating, and I do think that this wouldn't be the case if it weren't improv, but there have been many improv actual plays that I felt had great pacing, and also it was still frustrating to me and I wanted to express that.
In fact, what I was getting at in my post is that if you're trying to provide a counterpoint to other people's criticism, you need to focus on the points they're making; and if you're trying to defend something in general, you need to be talking about what you find good that is specific to that thing, rather than making excuses like "the cast likes it" or "it's improv".
To give an example: I love the Aeor arc, which was, to an extent, divisive. Here's two responses I could have:
"I think the Aeor arc built up to a satisfying and emotionally charged final boss fight that was thematically resonant with the Mighty Nein as a group. I think the path there had a good balance of adventure, combat, and RP scenes, especially given its position as the final arc of the campaign and the one in which many of the character romances were realized. Eiselcross was a fun and well-crafted environment that was challenging for a party of their level, and Aeor provided new insight into the Calamity, which at the time had not been explored in depth, while also providing a lot of opportunities to tie into the arcs of the various individual characters, notably Caleb and Caduceus. I also personally am a big fan of exploring fallen technologically advanced civilizations in a fantasy setting as a trope."
2. "Well, it's the cast's table, and it's improvised."
Both are true, but the first one lets people know what I see in that arc and why I love it. The second one ends the conversation, is true of almost everything Critical Role does, probably doesn't address anyone else's complaints, and doesn't even explain why I like it. And for what it's worth I don't think meta needs to address anyone's complaints - you're allowed to look at the Aeor arc and say "cool, I think it took too long and dragged and was too stressful" and we can part ways knowing we are different people with different tastes. But if I were, hypothetically, passionately trying to defend the Aeor arc and were openly resentful towards people who disliked it, the first option is obviously superior to the second option, which makes me look like someone who cannot come up with a single specific reason why this thing I allegedly love is good, and who is whining because I lack the maturity to accept that my opinions are not universally shared by all.
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triviareads · 2 months
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I've always have a problem with contemporary romance, maybe its the writing but idk, I don't find myself reading many through the year
I was talking to friends about it and I totally get it- one of them mentioned the realism takes them out at times because they enjoy reading for the fantasy of it all (also some of the language can feel a little cringe to them because we're so aware of what modern slang is in and out, as opposed to historical slang and language), which is why they prefer historicals. I agree to an extent, but I feel like there are just so many things out there I'll never experience so contemporary romances can very easily become fantasy/unrelatable to me in a good way. But that's also the reason I can't handle a lot of contemporaries I see being peddled that are so, so formulaic: cis-het white boy, white girl, cartoon cover, and they're "enemies" who are fake dating for like, rooming purposes (I'm pretty sure that's an actual premise I came across). I'm not saying that premise is too real, but it is horribly boring to me. And then on the other hand "dark" romances have the drama, but they quickly seem to become all about suffering for suffering's sake and I can't handle that either. The sweet spot in terms of contemporaries for me is
a) DIVERSE contemporaries with racially diverse rep, queer rep, neurodiverse rep, physically disabled rep, etc. And like, as a South Asian I enjoy the relatability factor that comes with reading romances with South Asians because it's very much a novelty in a space taken up by mostly white authors and white characters.
b) I'm a sucker for well-done billionaire (and to a lesser extent royal) shit. Some Harlequin authors tend to do it excellently and consistently in my opinion, but there's also books like The Boyfriend Subscription by Steven Salvatore (mm Pretty Woman retelling), Minx by Sophie Lark (billionaire/escort), Lush Money by Angelina M. Lopez (she's a billionaire, he's a prince, both Hispanic and she's a Latina), the All The King's Men duology by Kennedy Ryan (he's an environmentalist billionaire and she's a political campaign strategist)
c) erotic romances, again, well written and diverse. Basically, Sierra Simone lolol
And the theme here for me is that diversity does a lot in terms of making for a better story, better plot, better romance, etc. That's not to say I don't have my white girl favorites (see: Tessa Bailey's older body of work; also my personal theory is that everyone has white girl favorites, like, they write super white content but it works, even if others don't see the appeal), but these are the kinds of contemporaries I gravitate towards.
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ramblingnerdsposts · 1 year
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First rambling of account! This will be about one of the D&D campaigns I am currently in, a Curse of Strahd game. I am just super excited about it, with the character drama and development possible! Before I go further with the rambling, let me present the cast of this campaign really quickly: we have our DM, my character, the walking Castlevania reference known as Adelhelm Van Helsing, a Hexblade Warlock, an anthropologist wizard called Cassini, an excitable but naive tiefling, our bard Eri, a young woman with mysterious origins and a peculiar way of seeing the world, the human fighter Sarrith, a gruff woman haunted by a mysterious shadow, a Kender cleric named Hope Lost, a cynical woman who only has her faith to rely on, and the dhampir rogue Deryth, a professional conman that is really hard to read. (This is my reading of the characters, so if you find another description of them it might differ).
Anyway, for this ramble I’ll talk about my boy Adelhelm. He’s a bit of a complicated guy. His family, the Van Helsing, have made a deal with the Raven Queen generations ago to become monster hunters. It’s the family business to hunt vampires, liches, fiends and demons. It’s pretty much all he knows too, and because of this he lacked friends growing up, only having his family as people he cared about. Then, one night, he comes back home to find most of his family massacred, his sister and father gone, the library containing the knowledge of hundreds of his ancestors now turned to ash. He learns with the help of his family’s employees that vampires attacked and that Strahd was likely the one behind it. He is now in Barovia, trying to put an end to Strahd and avenge his family, while also trying to find where his sister and father ended up.
So, in terms of psychology, Adelhelm feels insane pressure to carry on his family’s legacy, as he’s pretty much the only one left who can do it, while also grieving the loss of the only people he has ever cared for and feeling guilt for his absence during the massacre. In short, Adelhelm is not exactly happy, and he’s more kept alive through sheer hatred and drive than anything else. He also has a really hard time really opening up to anybody, preferring to take on his problems by himself.
Now, for recent events, the party has fought a bunch of living trees and kicked their asses, and they slept under Leomund’s tiny hut with a new person that Adelhelm doesn’t trust very much. During the night, Sarrith took Deryth’s coat from him and ended up keeping it for a while, hinting at feelings between the two, while Adelhelm got cuddled by Cassini during the night (the wholesome kind of cuddles). And he actually liked the physical contact. So he’s confused, he’s developing feelings for Cassini, though even with prodding from Eri he didn’t admit to it. He was awkward for a bit and tried to keep his distance, but eventually with convincing from the bard, he decided to apologize for staying away from Cassini, which she accepted, then he said in an indirect manner that he wouldn’t mind it happening again. You know, romance subplot stuff.
But in Adelhelm’s mind, a lot was going on. He realized through the night that despite his annoyances with her (she tends to ask a LOT of questions), he cares for her. A lot. More than a friend. And he also realized he cares about the others. And he is TERRIFIED by that prospect. Getting close to people again is a risk. A risk that what he went through with his family’s death could happen again. And he does not want that. So now Adelhelm is torn and has a choice to make. He either pushes them away and becomes alone again, to wallow in his own misery, or he tries to open up to them and make new friends and maybe find love, but takes the risk of Strahd or another undead taking these people away from him too. And he does not know what to do.
If you stayed until the end, thanks for reading my rambling! There will be more in the future, on both this campaign, the other one and stuff like video games and anime I enjoy. Until then, later!
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morrigan-le-faye · 3 years
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Critical Role Predictions: Campaign 3 Edition
So I caught up with CR during quarantine, and now I have brainrot. This will be the very first time I start a campaign at the same time as everyone else. So for the future, my posts regarding critical role will be tagged as “CR spoilers”. I am sorry for everyone who follows me for something else. I am sorry that you have to witness the person I will become tomorrow. But I’m not going to apologize for becoming that person, cause nerdy ass voice actors playing DnD make me very happy. Also, no race predictions here. I just don’t have enough knowledge of what races the cast like to play and what they like about the races to make a prediction I’m happy with. With that, onto my guesses.
Ashley first. I think she’s gonna go with Paladin. Pike and Yasha were both heavy hitters very connected to their deities. I think Ashley enjoys giving damage, and the strong religious associations help her build her character. Of course, I could be wrong, Fearne didn’t have the religious associations, but it’s nice to try something different. In terms of subclasses, I think there’s gonna be a lot of Tasha’s rep, so Oath of Glory would be good.
Laura now. I think Laura absolutely loved Jester’s trickery abilities, but wasn’t the biggest fan of the cleric’s base abilities. She’s shown a preference for mixed classes (Ranger, Cleric, Four Elements Monk with Farriwen) I think Laura would make a fantastic bard. Specifically I think Creation or Whispers would suit her playstyle. Laura can be a mastermind if the situation calls for it, and just loves doing insane stuff.
The one, the only, Mr. Sam Riegel. I could see him doing a Life cleric purely to dunk on Laura for Jester not healing, but more seriously, I’m thinking Sorcerer, possibly Aberrant Mind or Wild Magic. Sam brings a special kind of chaos to the table, and while Nott/Veth got some of that good magic as an Arcane trickster, I feel like he missed the amount of spells Scanlan had during campaign 2. Plus, we haven’t had a sorcerer since Tiberius, so I wanna see at least one person try it.
Travis, I’m thinking he got a taste for spellcasting with Fjord. Druid maybe? Circle of the Shepard, just because I love the thought of Travis with an animal companion.
Taliesin, in my heart of hearts, i’d love for him to play a Warlock. I don’t think he will though, just because it’s too obvious, King of the Goths being a warlock. Since Tasha’s revamped the Ranger, I think it would be great if someone took another crack at it. I‘d love to see Tal do Horizon Walker or Fey Wanderer, I think that’d be fun. Or he‘s gonna do another Matt Homebrew Class, cause he seems to really like them.
Liam, I wanna say Blood Hunter. He seems to like both martial and magic classes equally, he had as much fun with Vax as he did with Caleb. Order of the Lycan, because he just seemed so happy with being the big strong guy in Darrington Brigade, and I feel like he wants a break from super-squishy Caleb.
Marisha is a wildcard. I feel like she hasn’t found a playstyle she really really likes yet, so she could go with anything and it would make sense. She’s gonna romance a goth with wings though. Girl is consistent in that respect.
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a-tired-narwhal · 3 years
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Tell me more about your feelings about the details of Caleb's backstory!
Okay listen anon. LISTEN. This is going to be LONG. Did I immediately rewatch/go back through the entire wrap up to take notes? YES I DID. Anon I'm sorry this is so late, I didn't see your ask until after the stream. I hope this finds you (*^3^)/~♡
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Caleb fucking Widogast. Liam O'Brien always creates/portrays characters that CAPTURE ME. And it is purely the undertow of SUFFERING that I crave.
As a survivor of an abusive childhood, specifically with manipulation, neglect, and physical trauma, and having a controlling abuser in a position of power over you - I was surprised and delighted by Liam's playing of Caleb, and I'm sure that I'm probably not the only one, but Caleb's backstory just had me nodding along. Was not surprised at all by what was revealed about the blumentrio's relationship being trauma-bonding and probably why I'll never be an avid shipper of them. Nothing about Caleb's backstory left me gasping - because it's a relatively common abuse survivor story, except it's in the world of dungeons and dragons with high fantasy and magic and more common place murdering than today in places where most Critters presumably live.
Let's break it down.
Caleb was born as Bren to a less than well off family, who wanted their child to have a better life than them. Bren is a gifted child, and this will immediately put a bullseye's target on a child's back, make no mistake, for abusive persons. Now, I don't know if it's a pretty obvious that parents would trust in a teaching figure to take their child for that child's betterment, because I don't have parents who wish for my betterment ¯\_(ツ)_/¯, but I like to think that Bren's parents handed him off hoping for his brightest future.
Trent is basically the textbook example of a Cult Leader. Beyond the experimentation he did on his students; everything he put the Blumentrio through is how you beat down and brainwash people, especially children/adolescents. Textbook. TEXTBOOK. It was the dnd equivalent of the Hilter Youth. Now my personal experience featured the tool of isolation, so I didn't have two childhood friends to pour myself into and have threesome's with, but that's actually smart of Ickythong, because when you're left alone with your whirling brain for too long, and there's no one to hold over your head - we start thinking those rebellious thoughts, and at some point we decide we have nothing to lose, and we will do ANYTHING to shake that control. No, he left them in that abandoned tower together so they would be forced to bond with each other, as well as allowing them not to die of exposure alone.
Trauma-bonding CAN be a manipulation and used against you. Now. We have three adolescents trying not to freeze to death by being as close as physically possible. For those that don't know; sharing body heat works best skin to skin - ya get naked and THEN you wrap up together to stay insulated. Awkward groping is going to happen, and it's more than likely accidental. But when you add raging hormones to the mix, yo it's not going to stay accidental for very long (that in no way indicates non consent, it can be either way), and the feelings can catch hard when you're young and physical and EVERY HEALTHY RELATIONSHIP YOU HAD HAS BEEN TAKEN FROM YOU, IF YOU EVEN EVER HAD ONE. (I do not know Eadwulf or Astrid's home lives so your guess is as good as mine. We should probably ask Liam)
So you've got horny teenagers, with above average intelligence, being systematically abused... Bam. Trauma-bonded Blumentrio.
BUT HERE'S THE THING. Trauma-bonding can only get you so far. And they are children, actively being raised to NOT HAVE THEIR OWN THOUGHTS AND IDENTITIES. The relationship they built, the romantic and sexual, are based off of a shared hostile environment and survival needs. And when those circumstances are no longer there, the relationship tends to fall apart.
I love that Matt talked about Astrid for a bit, sad we didn't get more on Eadwulf - but Matt didn't really spend a lot of time roleplaying Wulf compared to Astrid, so he'd have more insight into her. I also find it interesting that the Blumentrio took 3 very different, but again SO COMMON, paths in dealing with their abuse. But that's a different rant.
Focus with me now on what Matt said about Astrid. She was actively seeking power throughout the campaign, looking always to climb that ladder to the top, for her own purposes which were not stated, and was willing to do anything, sacrifice anyone, to get that power. Was it a burden to her? Yeah I think so. Did it weigh on her? Again I personally think it did. But she was goal-oriented and she wasn't going to let anything stop her, not even herself, and she hated Trent. Matt implies that all three of the Blumentrio did/do. Astrid, Wulf, and Caleb were wildly different people - I don't think they would have stayed together even if Bren had stayed Bren instead of becoming Caleb.
I know A LOT of people were miffed over how Liam and Matt showed Caleb's and Essek's love for each other; and I am SO glad that Liam touched on this; Essek reminded Caleb too much of Astrid and Eadwulf. Now I know we love to joke that that Redhead Dirt Wizard has a Type (smart, ambitious, vaguely amoral), and believe me I LOVE THE JOKE, but Caleb pumping to brakes on Hot Boi makes THE MOST LOGICAL SENSE AND I WAS SO DELIGHTED WHEN LIAM PLAYED IT THAT WAY. Caleb was still trying to heal himself; WHY THE HELL WOULD HE JUMP INTO A MESS CALLED ESSEK? That's some mf UNHEALTHY, TOXIC romance trope ya got there. People fix themselves, not each other. THAT'S WHY CANON SHADOWGAST IS SO GOOD. THEY ARE WORKING TO IMPROVE THEMSELVES FIRST. THAT'S SO HOT.
Ahem.
So the Blumentrio hangout in Astrid's room to sex and study, in threes and twos (I have weird polyam questions, Liam). Now, I'm foggy on the exact timeframe that was together at Academy > kill your parents > Bren is chucked into the Sanitarium; but it's clear that after the murdering of parents, Bren is tagged as the "weakest link" - maybe he broke because he actually loved his family/had a loving family, maybe the manipulation spell from Ickythong didn't sit on him as well as Astrid and Wulf, maybe boi wasn't made for killing (a lie, the boi is a total killer, you have to be in most dnd campaigns), who knows. But he broke, and Astrid and Wulf handed him over - it would be dangerous for them if they tried too hard to protect him.
Because in that environment, in those circumstances, in that set up; you do what you have to, to survive. You hurt people you love, you hurt people you don't know, you even hurt yourself if it means improving your own odds. It's instinct. It's not your fault. You are doing the best you can with what you have available.
I don't hate Astrid and Eadwulf; I just have more emotional attachment and investment in Caleb, and prefer the color purple on him.
Which is actually a great segue into THE WOMAN AT THE SANITARIUM WHO FREED HIS MIND; Matt Mercer you beautiful man, thank you for giving us a Moonweaver connection, my lil widomauk heart was sent aflutter! So, here's the thing. Places like that, sanitariums, psych wards, etc - if you are not certifiably insane before you go in, you will be eventually. One Flew Over The Cuckoo's Nest is not a fucking joke. But the thought of some forgotten Moonweaver Cleric recognizing Bren's torment and just, poof, dissolving that spell? *Chef's kiss* glorious, wonderful, everything I needed.
Anon, I don't know if this is what you wanted or expected - but here it is, my sincerest apologies 🐳
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mircallablue · 4 years
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So, in the wake of BeauJesters seeming passing, I’m going to take a moment to be more than a little self-indulgent and explain why I love these characters and their unique dynamic so goddamn much, as well as why I’m so disheartened by the way the show seems to be taking them. Warning: essay ahead lol. This is just a rambly rant that I’m writing because it’s cathartic to vent a little bit of frustration, and I love these characters so much. (and I love the entire cast, every goddamn one, and every other character in the show too. This is about love, not hate). 
So, for a few brief and wonderful episodes in this campaign, I actually believed that I was being told a love story about falling in love with your best friend, and figuring out your sexuality, while also unlearning all of the untrue lessons that the world taught you about love while you were growing up, and in so doing, finding value in yourself. Which, for me personally, is just super relatable. Like, that ticks every damn box I have lol, which partly explains why I love BeauJester so much, and I know a lot of B/J shippers feel the same. I’ve shipped B/J from super early on, but I never in a million years really believed it would happen, for a lot of reasons. Mostly homophobia, biphobia and heteronormativity. But I enjoyed their dynamic nonetheless, even though I thought (and was often TOLD by other shippers) that it didn’t stand a chance in hell of happening. 
So you can imagine how VALIDATING it was when Marisha, both in character and out of game, confirmed that Beau had very significant romantic feelings for Jester. All of the crumbs we’d collected over the course of the campaign were finally coming together and all of the gaslighters who told us we were delusional suddenly had to acknowledge that there was something there. And once it had been acknowledged, it was OBVIOUS. Omg it was so obvious and I loved every second of it. It was so undeniable for the next few episodes, and in hindsight, that there was something building there between them, there was potential. There was definitely a connection between these two characters. And for a few weeks, it was great. 
Then Liam - out of character - mentions that Caleb is in love with Jester. And it is immediately, fandom wide, treated with more respect than Marisha and Beau. 
I know a lot of people get very very angry when this is brought up, but it is just the ugly, unfortunate reality that a lot of people in this fandom treat Jester like a manic pixie dream girl. Even the people who do not consciously believe her to be that (and I don’t think there are many that genuinely believe it), are perfectly fine /treating her/ like one, as long as it serves one of the straight men that they love so much, usually Caleb. And this is where the heteronormativity comes in. Because even though it was an out-of-game confession with no bearing on canon, Calebs feelings immediately took precedence over Beaus in terms of the fandom narrative. 
I personally have never liked the way Liam handles romance in game. He did pretty much the exact same thing in campaign 1 as well, where his sad boy pines after the happy girl from afar until he’s uncontrollably in love with her, and then with no warning he drops it like a bomb. He just happened to drop it out of game this time. The main reason I don’t like this style of romance is because of how (unintentionally) manipulative it is. You see it in bad romcoms all the time. The guy makes a public declaration of love that pressures the girl into reciprocating or looking like the bad guy. But the main reason I don’t like /this particular/ declaration is the timing. 
Liam - who has always said he likes things to come out in game - inexplicably decides out of game reveal something as major as Caleb being in love with Jester, right after Marisha IN GAME took steps towards Beau and Jester being together. And it completely changed the narrative. Suddenly it was “top table top table”, and that's if Beaus feelings ever got mentioned at all. It was not at all helped by the fact that a lot of cast members (sam) still pushed Fjorester HARD, even with Jester telling Nott to stop, which must have sucked for Marisha/Beau. But even as recently as episode 99, Beau was still flirting with Jester, and there were definite hints at Jester maybe having unacknowledged feelings for Beau.
Then the hiatus happened. When we return, Beau is throwing herself at Yasha, and there’s not even a song for Jester on her playlist.  And then Travis reveals (also out of game, like Liam) that Fjord has feelings for Jester (in a playlist heavily curated by known fjorester, Dani Carr). And even /that/ is treated with more weight by some fans than Beaus in canon confession. And Yasha is having all of these super convenient dreams where Zuala tells her its ok to move on, and Beau and Jester are barely speaking. And now Beau is calling Yasha her GIRLFRIEND? WHAT??? Did I miss 20 secret episodes that aired during hiatus or something???? Beau and Yasha have still, in 107 episodes, only had ONE meaningful conversation and yet their relationship is being treated as deep and inevitable. Sure, you can read into their other interactions if you want. But as a queer person, I am sick to death of my love needing to be represented as subtext.
And so it has become pretty clear that the cast has decided out of game to go in a different direction. And of course they are well within their right to do that. But I just can’t help feeling incredibly disheartened, and again, more than a little bit gas-lighted. It really does seem as if Beaus' feelings for Jester have just been scrubbed from canon - as if they never even happened. All, seemingly, to make way for a typical happy-girl-sad-guy relationship with either Fjord or Caleb, and a typical pair-the-spares barely-any-depth relationship between the two out lesbians because its easy.
For the entirety of campaign 2, BeauJester has been treated as one thing - inconvenient. Inconvenient by the fans, who prefer other ships and have treated BeauJesters terribly, and now it seems, inconvenient by the cast, who have seemingly discarded it and scrubbed it from canon. 
And one thing that really upsets me is the amount of genuine viciousness and vitriol coming from (some) BeauYasha shippers. I really wish BeauYasha was something I could get on board with, I do. And a lot of people who are sending me hate seem to assume I don’t want them to end up together. But I would be fine with that. But as it stands, they’ve literally only had one real conversation in 107 episodes, and they’re calling each other girlfriend? While literally having not spoken about anything like that? While one of those characters is supposed to have canon romantic feelings for another woman? Imagine that situation with any other characters and it would be comical.
I swear, the queer ladies in this fandom have been done dirty. All of us. Imagine if, in campaign one, Grog and Keyleth, in episode 107, started calling each other boyfriend/girlfriend in the middle of a battle. (I picked those two because they probably had the fewest moments together of any VM pairing). That’s pretty much what happened here, and we’re supposed to like it - be grateful, even - because it’s wlw rep? And I swear, the number of times I’ve been called lesbophobic in the last month is absurd - all because I’m not comfortable with a canon lesbians canon feelings being swept under the rug. All because I want wlw relationships to be allowed to have the same depth and growth as the straight ones. Yes, even if that relationship is B/Y. We should not settle for less. Imagine if they had done this with any other character's canon feelings for another. People would be angry.
And I know there are going to be a lot of people saying “It’s their game, they can do what they like”. 
True. I never said otherwise. But it is also a show. It is a product. They sell merch. It is something that they have taken the time and the steps to make sure that we care about. And this is what that looks like. 
I know what happened here isn’t technically queerbaiting, but damn if it doesn’t cut the same.
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echozone · 2 years
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Finished WotR for the first time. Thoughts, feelings? Spoilers obviously.
Went Azata for my commander, who was based off a pathfinder tabletop campaign that I’ve been in for about a year now. Azata was... probably not the route I would’ve gone with him if I played true to his character -- personality-wise he’d probably be closer to angel > legend I think. 
But also uh, dragon. Aivu is adorable and I loved her. Best part of the Azata path by far. Also absolutely ridiculously strong. Watching her strip buffs off Areelu and Baphomet/Deskari/Areshkagel with her caster level 35 dispel was absolutely hysterical.
I wasn’t a huge fan of the tonal dissonance of Azata during the crusade. Like I get the whole freedom loving hippies thing but I had chosen Azata largely because (dragon aside) it seemed like the natural choice for a chaotic good character. Silly things that are also kinda charming/badass aside (the treants, the mimics), like... is the middle of a crusade where hundreds of thousands are dying REALLY the best time to urgently call the commander back to ask him whether it’s better to make a shiny mosaic or an edible statue??? C’mon... But I can see it fitting for like a bard or something.
Ended up with positive relationships with all my surviving companions.
I completely fucked up Wenduag and Lann’s storyline somehow. I’m actually not entirely sure how I fucked up Lann’s since I did every step of his character quests, but he would’ve died during his personal mission without me going against his wishes. And he guilts me like the entire time about it too like, bud. Buddy. Listen. I would’ve just let him do what he wants if he weren’t part of my core party. Ultimately I wasn’t a huge fan of his character, though. Wenduag died during her betrayal in Alushinyrra and she was ALSO a core member of my party SO!! Apparently I just am bad at keeping my Neathers alive ig. 
I actually found Wenduag to be the far more interesting character between the two of them -- I really liked how perceptive she was in her banters, but my character also... would not have tolerated her beyond the bare minimum necessary I guess. I wasn’t surprised she backstabbed me ngl but I did like her. 
I found Lann kind of... eh I guess? I can see they were going for kind of like an Alistair Dragon Age or Eder PIllars of Eternity with him, but he really did not have the dorky charm of either one imo. I can’t quite place my finger on why I felt that way, since I usually find those kinds of characters charming. I think he was just a little too determined to die and shockingly callous towards other fringe minority races (like whenever Woljif mentions his struggles, or Arue who is genuinely trying). I would’ve thought he’d be a little more sympathetic, being a fringe minority race himself I guess? Just ended up not feeling it with him.
Killed Camellia. Sorry Camellia stans. She uh. Sure is something. I would like to do a playthrough to see What The Fuck Her Issue Is at some point, but my character this playthrough would not have tolerated her ahah.
Nenio is fine. I thought she was funny. I actually am maybe in the weird minority that kind of enjoyed her personal quest. Owlcat needs to make their puzzle interface a bit less of a nightmare, but it wasn’t so bad. I didn’t bring Nenio too much because I prefer spontaneous casters, but her phantasmal killer/weird spam is hilarious and great. I was pretty neutral on her over-all.
Daeran had a lot of depth and I was not really expecting that? I mean, I really love charming unapologetic assholes when it comes to characters (which... y’know, I was kind of expecting Camellia to grow on me because, yeah, they are both kinda in that camp, but Camellia was just... not even a little charming about it). He was definitely my personal favorite companion. I also really loved how foppish his VA sounds. Also his romance route was really surprisingly sweet.
I love Woljif that’s my rude son. I would’ve used him a lot more if he didn’t have hardcore class/skill overlap since my commander was a rogue. But still, immediately adopted. Fight me. That’s my boy.
Ember is charming. I know her character is kind of polarizing with people finding her a little too Miss Perfect Everyone Listens To Me and people who would defend her to their dying breath. I think they struck a fair medium with her character. If I remember correctly, The Redeemer Queen is actually part of Paizo’s canon trajectory of Nocticula’s character arc. I thought it was a really neat easter egg thing to include. She was part of my core party and she was my boss melter.
Seelah’s such a good girl. I loved how she’s kinda chaotic for a paladin. I kind of wish she had a little more confidence in herself as the story went on, but her big sis energy was super sweet imo.
Regill is excellent and I think everyone tends to like him. My character caused him constant headaches. I made him ride a triceratops into battle. Go gettem, little man.
Sosiel! My boy! It’s nice to see a soft lad in a video game. I know generally people find him kind of boring, but I was really invested in helping him get his brother back, and I was pleased that I did manage to get Trever back in the end. I dunno if it’s just me, but his voice lines sound weirdly... loud? In comparison to the other characters. I kind of wish that he had a bit more development (from what I understand from a friend, he gets a lot more development if romanced? My character did not date him.) in general. I think that he could’ve benefited from a few more banters or conversations. Still, he’s a good boy.
Trever is.... fine? Glad I got him back for Sosiel. He basically had no dialogue for the rest of the game. I was told that he gets a few more scenes if Sosiel is romanced. I uh, basically forgot about him. Poor guy.
Arue is adorable and kinda dorky. I will probably use her over Lann in a new playthrough unless I grit my teeth and recruit Wenduag over Lann which feels weird to justify unless I play an evil or just straight up chaotic character, since Wenduag is pretty up front about being a total psycho. But anyways, back to Arue. I found her story pretty sad. WIsh we could’ve helped her Azata friend, but also that guy was... pretty beyond saving I guess.
Greybor....... is fine. I like how Ember brings out his dad side. I was actually delighted that he mentions Daggermark and the River Kingdoms, since in the tabletop campaign, my character is actually from there, so I think that added to me liking him. But his character is pretty one-note over all, and I can see why people don’t like him. If it weren’t for the extremely niche fact that I have a very soft spot for Daggermark in particular, I think I would’ve found him much more forgettable LOL. Every time he brings up the assassins during council meetings I’m just like :) that’s my home town!! Daggermark represent!!
My main team was my commander (half orc pure rogue knife master, River Kingdoms Daredevil), Ember, Seelah, Sosiel, Daeran, Lann. Occasionally I swapped Sosiel out for Regill or Lann out for Arue. Sosiel replaced Wenduag when I was forced to Unlife her :’);;;;;
Over-all very fun game. I thought the difficulty spikes were a little weird sometimes Mythic Vavakia Vanguard In A Random Cave is more powerful than any demon lord let’s be real.
I ended up meeting the (asinine at certain points) requirements to do the ascension ending. which was ultimately what I went with. Areelu ascended as well, since we can’t leave my hot mom behind.
Also hello????? Areelu Vorlesh is turbo hot holy shit. I felt so attacked. By her existence. Her VA is so, so good. I absolutely adored sinister tiger mom Areelu Vorlesh. I can’t believe she is my mom. Blessed.
Trying to avoid rambling on about my own character too much. Mostly he was a kinda rude chaotic good/neutral. He kinda toed the line between those two alignments tbh. I enjoyed it for the most part and felt like I could play him pretty true to his personality, though I feel like he would’ve absolutely told Galfrey to shove her fist up her own ass during the conclusion part of the Midnight Fane arc and then fucked off back to the RIver Kingdoms LMAO. But it’s fine, I understand the story must go on HAHA.
Speaking of Galfrey, I wish they had gone a little further with her character. She’s supposed to be this hyper-competent queen/commander of armies, but then in the plot, you pretty much spend your time cleaning up her messes, and then she just kinda yells at you for being Not Good Enough. I don’t gotta take your sass, woman! I didn’t even want to be here!!!!!! The complete dissonance between like when I’m retaking Drezen and she’s like YOU’RE A GR8 COMMANDER A++++++++++ and then when I took the midnight fane (early, because Azata path. And I had no casualties!!!) where she is like HOW DARE YOU!!!! BAD!!!! SIT IN THE CORNER AND THINK ABOUT WHAT YOU’VE DONE!!!! Was like!! OKAY??? UH.... SORRY YOU DIDN’T GET A SLICE OF THE PIE I GUESS??? WHATEVER??? SUCKS TO SUCK?
I wanted to like her more than I did, I think, but who she’s supposed to be narratively did not match up with how she was portrayed through the story if that makes sense.
Also Anevia and Irabeth forever <3. Adored those two. Their relationship was so sweet and also Anevia’s big character reveal delighted me beyond words. Honestly the queer rep in this game made me so, so happy.
Loved the game over-all. Excited for a second playthrough when I have time. Wanna draw some more fanart, too, when I have time...
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pointnumbersixteen · 3 years
Text
A Head Cannon Biography and Character Analysis and of the Captain, Part 3: the Military and a Start of My Explanation of Why the Captain Is Probably Actually the WORST at Being a Captain Even Though I Love Him
By a narrow margin he would have missed being old enough to go off and fight in WWI. While I sometimes enjoy thinking about baby-Cap lying about his age to go fighting in the trenches and ending up in over his head, it’s unlikely he did, as he doesn’t have any campaign ribbons for it. Also, his enthusiasm for the idea of fighting is the kind only borne by people who have never done any. Plus, his face when they present flashbacks in s2e6 of the ghosts watching Pat die shows Cap being one of the most shocked and horrified of the group. It was probably his first time actually seeing a person die a violent death, whilst at the very least Fannie and Thomas both died violent deaths themselves and the rest of the group had watched those two die. If he’d served in WWI, he wouldn’t have had that reaction; violent deaths would have been commonplace to him.
A bit more rational progression: he likely went to whatever type of higher education was appropriate to his social position and future career- I like to think Oxford as Ben Willbond went to Oxford, but that’s just a preference and quite possibly not the most appropriate one, I’m not sure how to research that one, maybe a military institution is more likely- and then was commissioned as a lieutenant in the army as an artillery officer (from his uniform insignia) when he was finished. And stayed in the army until he died. And with years and years of trying to conform, ever since he was elven years old, he became institutionalized to the military, the identity he’d been faking became the identity his psyche was attached to.
But, unfortunately for him, despite doing his best, he probably sucked at it. Being a military officer. I say that with the upmost love. I adore the Captain. But he just didn’t measure up. As head cannon: I imagine he made a good artilleryman. He has good planning skills, attention to detail, and is punctual (see s2e4), which are many of the traits needed to be a good artilleryman (the last is more important than one might think, the artillery failing to be punctual was a major reason for many infantry deaths in WWI, it probably would have been stressed afterwards, in the inter-war period). Most of the rest is understanding the equipment and geometry, both of which can be taught. Being successful at the mechanics of the position probably got him to Captain.
What he was not, however, was a good leader of men. Reddy Weddy is mostly talked about for the romance-that-sadly-wasn’t with Havers, but it showed not only that, but how ridiculous Cap was in real life as a commanding officer. He was a joke. Granted, that’s something I suspected all along, before Reddy Weddy (and I’ll get to the Reddy Weddy flashback analysis in a bit). I spent 4 years in the military, granted in the US, most of it as an NCO, but the US army and the British army, at least, are similar enough that it was easily spotted. There are two big things.
First, he doesn’t have an appropriate officer’s baring. He doesn’t have a commander’s poker face. He fakes it well in neutral situations, but outside of them… when he’s annoyed, he’s standing in back rolling his eyes, when  he’s nervous or frightened, his hands are worrying at his pointy-stick, when he’s upset, it is blatantly readable on his face. Proper officers don’t do any of that. You’re supposed to read nothing but confidence and control looking at a proper officer, and maybe a bit of grim stoicism in bad situations at most.
But secondly, and far more telling: he died a forty-six year old captain. I went ahead and checked the UK army website to make sure that it worked the same as the US for this one, and it does. In both, an officer starts out their commission as a second lieutenant, and the progression to first lieutenant and then captain happens more or less automatically over the course of the next three years, provided that the person is remotely competent and doesn’t commit any major infractions. Then promotions to major and higher are competitive. Someone has to think you have promise for you to end up a major.
Putting this on a timeline for a moment, he probably joined the military at 22 or 23. Twenty-two if he went to some sort of military institution with a commission obligation right after. Twenty-three if we’re kind to him, say he went to Oxford, and we give him a year to roam around Europe, as young men from well off families sometimes did, before he joined up. If we’re especially kind to him, he can spend a bit of that time in Berlin, which all through the 1920s and into 1933 when the Nazis took over, was the center of gay culture in Europe, as, while Germany had the same laws against homosexuality as everyone else did at that time, the Berlin police had a policy of more or less not enforcing them. Let him get his feet wet with a little homosexual activity before chickening out and stuffing all of those thoughts back deep down into the box he keeps them in otherwise. Let that be where he caught a glimpse of what was clearly the old-school gay porn that he described in the Byron episode to Pat (‘I don’t think it’s that sort of movie, mate.’). But I digress. Let’s be kind to him and say he joined at twenty-three. He’d have made Captain by twenty-six. 
And then he would have gone the next twenty years without a promotion. No one thought he had promise.
Forty-six year old captains are nonexistent in the US army anyway. The oldest captain I ever met was thirty-four and that was because he’d changed branches from infantry to communications (my branch) after he’d been injured in multiple roadside bombings and was no longer medically cleared for infantry, and had to go through all the schools and training and required service slots for career progression in commo. Generally speaking, though, if you’re not at least being looked at for major after roughly eight years in, you get out and find something else to do, or are nudged out. ‘Thank you, but your services are no longer required.’ Even being a forty-six year old major would be a sign of career death. If you’re not at least a lieutenant colonel by that age, something went wrong.
However, given he would have joined up in the relatively early days post WWI, when that war was still fresh in people’s minds and not many people were enthusiastically joining the military because of it, just for lack of warm bodies, they’d have probably let him stick around even if his career was dead and buried. He’d have been forty-ish at the start of the war, but it’s extra telling that he made it through the entire six-ish year war without a promotion, too, even when due to the need to stand up more units and promote men to replace those who had died, promotions were plentiful.  
 I feel like my ‘cap sucked at the army’ argument is going to be met with either ‘well, obviously’ or strong objections. Maybe both. There will be a blow-by-blow of the flashbacks in Reddy Weddy in a couple of posts to back this conclusion, after my analysis of Cap’s attitude towards war, after both are spot edited, stay tuned.
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multsicorn · 4 years
Text
book-and-show
My preferred mix of the two canons is basically ‘The Untamed, but Wei Wuxian lost control of his zombies by his own goddamned self, and also plot/logic holes are taped over by explanations from the book when needed and possible.  And we know that wangxian are together and will be married, but we're left with spaces to fill in the details.’  (One of the cool/interesting things about having multiple versions of a canon is that one can mix and match!)  But there are definitely things that I prefer, separately, about each.
[two very long lists.  all of which are all about personal opinions/preferences, and none of which are looking to start discourse!]
Eight Things I liked better about the show:
1. "Who am I to you?"  "I had thought, that you were the one who knew me for my whole life."  "Still, I am." is *twenty zillion times* more romantic than a stolen blindfold kiss, in a way that pretty much encapsulates why I so much prefer show to novel wangxian overall.  And in this TED talk - I mean, in another post, hopefully, in not too long, I will.
2. Lan Wangji's explicit questioning of and overturning his understanding of 'what is right, and what is wrong,' rather than simply being motivated by 'if loving Wei Wuxian is wrong, then screw everything else.'
3. Introducing so very many characters earlier in the chronological timeline, and showing us more about them and their relationships prior to Wei Wuxian's death - and outside of the key moments in which they're involved in the plot.  Wen Qing and Wen Ning, Jiang Yanli, Mianmian, Songxiao, Xue Yang, Meng Yao - this list could also be its own post.
4. More focus on the Sunshot Campaign and its aftermath, pre-death, specifically on the period when Wei Wuxian is the feared necromancer, and he and his loved ones are dealing with that, against a background of war and then possibly more war.  It's by far my favorite part of the narrative, just because of my preferences re: genres, so I appreciate it being foregrounded rather than just a backstory that's shown in flashbacks.
5. The successive confrontations between Wei Wuxian and Lan Wangji over 'leaving the right path'!  In the courtyard, when Lan Wangji pulls Bichen on Wei Wuxian to make him listen; in the sad umbrella rain, when Wei Wuxian holds Chenqing out in front of him, defying Lan Wangji's efforts to rein him in.  These things probably fall under the umbrella of the TED talk from the first point, but they're the beating heart of WHY I LOVE THIS STORY.  And they're not even in the novel...!  I thank the CQL team for my life.
6. Also, THE COMB STORY.  I'd never have thought either that 'how do we improve an m/m romance novel?  By adding a het romance subplot, of course,' but the fact is that I love the dimension it adds to both Jiang Cheng's and Wen Qing's stories.  Highlighting their shared loyalty to their clans - except not shared, because they're from different clans! - but their shared *understanding* of what righteousness, justice, etc., is, and the way it leads to their tragedies, and the way it's a counterpoint to Wei Wuxian's and Lan Wangji's different and ultimately shared understanding of 'what is right' and the way *that* brings *them* together is just... so good.  I am getting over it approximately never, and, again, it's show-original.
7. And I think the last big thing - other than, the acting's wonderful, imo, the visuals are great, (even the 'bad' special effects? I like 'em kinda ridiculous?), and when the prose-in-translation of all versions is iffy at best, (not judging MXTX's prose! or the scriptwriters'! but I unfortunately cannot read or understand it) it's REALLY NICE to have other major dimensions of the story that aren't lost or diminished in translation.  Honestly, I am only watching cdramas and not reading cnovels (I only read MDZS so I'd know what's in it) for that reason alone.  But in terms of *story* stuff -
8. I think that censoring wangxian's relationship down to the '(really really loud) subtext' level counterintuitively also makes the rest of the story seem considerably gayer.  If wangxian exists in hints and looks and narrative parallels etc., then likewise, so do the 3zun and Yi City triangles.  Not as much as wangxian, but they're more minor characters, and they're on the same continuum... to the extent that I legit thought that songxiao and xiyao would also be novel canon.  (They are not.)  If Wei Wuxian shocking Lan Wangji by showing him gay porn in the library, and commenting on Lan Wangji's beauty, is because he is actually into guys, then maybe Nie Huaisang lending Wei Wuxian that same porn, and also commenting on Lan Wangji's beauty, means the same thing, if that's all we have to go on. etc.
Nine Things I liked better about the book:
1. There's something about Wei Wuxian's narrative voice, the running commentary that he gives about others and most of all himself that is... funny?  Yes, it is, but that's not the part I love.  It's hard to pin down, but the pattern of the things he judges and the things he doesn't judge at all, even though maybe he should, but he really has so much empathy - in the literal sense, I mean, as well as the magical - is very specific and endearing?  He's exactly like that in the show, too, but we hear much less of it when he's not telling the story.
2. Getting to hear A-Qing in her Empathy fleshes out her cleverness and her bravery, again, in a way that's not easy to replicate seeing it from outside of her head.  (I think we may have more of all of the ducklings/juniors, actually, but I'm just not all that interested in their friendly banter.  Not when there's life-rending trauma in the OG of the same story!)
3. From the chronological start of the story, the Wens' domination and power-hunger is portrayed in a realpolitik way that's both more interesting and fits the rest of the story better, with the Jins later filling that same vacuum, and fearing Wei Wuxian's potential to do the same sort of thing to them, etc., as chronologically following and competing different takes on the struggle for power, without any need for the flat fantasy mcguffins of the Yin Iron or the 'spirit snatch.'
4. Wei Wuxian ~appreciating~ Nie Mingjue's dead body parts is hliarious. I love him hanging out with the corpse girls.  I love the Wens risingout of the blood pool for him ;___;.  Overall his relationship withthe corpses that he magics is such a cool weird fun part of the book,that is missing in the show except his friendship with Wen Ning for'let's make a show about necromancy but pretend it's not' reasons.
5. The fact that Wangxian don't split up and go their own ways at the end of the story, even temporarily!  I could go either way on 'Lan Wangji becomes Chief Cultivator' - I like the way that it moves into 'the future will be better than the past, and we'll work to make it that way', in the same way that 'the kids are alright' does, and the fact that Lan Wangji hates diplomacy and is bad at it can make for good amusing stories!  But I also approve of the fact that the personal win condition for so very many of these characters is to peace right the fuck out of sect politics, (like Mianmian our true hero does <3), and I believe in that as a happy ending.
6. Wei Wuxian's and Lan Wangji's complementary ~ravishment~ kinks.  I don't like the exact way they're written in the novel (and extras), but I *will* take and run with the existence of them, nevertheless.
7. The post-resurrection plot makes, um, sense?  Let's not forget the importance of that!  (But, honestly, 'must a plot make sense'?  It's not all that important to me, lol.)   Going from one place to another to collect the pieces of 'our dead friend's' body rather than seemingly at random makes the journey feel purposeful rather than direction-less, and gives an indication of progress that's not simply 'amount of the story read as per chapter count.'  Though it's still not clear to me why the juniors squad needs to be in Yi City!
8. It has more of Wei Wuxian's inventiveness.  Whether founding the Diabolic Path rather than 'just' inventing some tools and talismans within and also outside of it, or figuring out/explaining how some sort of magic works, whether lecturing to the juniors or working it out for himself, or something like that one night-hunting extra where he's being a supernatural consulting detective... it's fun to see more of his ~mind at work,~ in a way that doesn't fit as well either into an audiovisual medium or under the constraints of 'what is happening? definitely not corpse magic!' that censorship imposes.
9. The structure of revealing what happened in (what I can't help thinking of as) the main portion of the plot - who Wei Wuxian is, what his life story is, and Lan Wangji's part in it - through interleaved and not even necessarily in-order flashbacks is... so interesting?  Unfortunately I can't tell how well it would've worked for me in terms of changing my understandings of characters etc., because I watched the show before I read the book, so I came to it knowing the outlines of the story.  But it's a cool idea, and I wish that I could experience it properly!  (Though I would never have read the book without watching the show first, I would've failed out at the start due to translation issues and then if I'd persisted past that due to all the gay chicken stuff.)
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lynneshobbydomain · 4 years
Text
Dungeon Chaos (KomaHinaNamami Week Day 4)
Prompt: Dungeons and Dragons
Rating: T
Summary: Chiaki’s never played a tabletop roleplaying game before, so being invited to one is both exciting and nerve wracking. At least she knows most of the people there.
“Hey, Onee-chan!” Kokichi landed hard against her desk, and Chiaki barely moved out of the way, her finger dancing across the console. “You play a lot of video games, right?”
“Yes,” Chiaki answered without bothering to look up. She was trying to defeat this boss, and she had it up to the hardest mode that she could play. She also decided to challenge herself and kept her character under level just for the extra amount of satisfaction. She knew that she was reckless, she usually didn’t try to play like that. She liked completing games, a hundred and ten percent of the way, but today was frustrating, and she wanted to have a struggle. It was better than starting a fight with Nagito or Hajime over something stupid. 
“Would you say you’re good at roleplaying games?” 
Chiaki paused the game after hearing that. “Is it the same as dating sims? I’m not very good with personal connections. I never know how to respond to people or how to react to them. The situation always calls for something, and if the wrong choice is made, it lowers the friendship and romance meter. I usually end up getting the no “choice” path because of it. Or the normal route, I suppose.” She looked up at Kokichi, who was comfortably swinging his legs back and forth, leaning into her personal bubble. “Why do you ask?”
“Well, what if I told you you could do all of that in real life, and you’ll know instantly what the wrong choice is?” Kokichi grinned. “Shirogane-chan from my class is hosting a DnD group. Saihara-chan and I joined, and I already asked Fujisaki-chan and Naegi-chan. Shirogane-chan told me that she was looking for more members, and our class isn’t playing.”
“Hmm.” Chiaki pressed a finger to her chin in thought. Nagito and Hajime were out getting food for her since she had been so caught up with her game. It wouldn’t surprise her if they went on a mini-date to eat a bit of lunch before bringing her back something to eat. Either that or Nagito’s luck struck, and they were trying to get out of whatever situation that wound up being. She hoped it was just a stuck vending machine. She didn’t want to go maxim capacity and have it be that a school building fell on top of them. 
Chiaki was hanging out with Nagito too much if that was the first conclusion she came to. “I’ll have to ask and see if they’d want to. Hajime might since he likes playing video games with me. Nagito...he might feel like he’d just bring bad luck and disaster onto the game if he played.”
“Wouldn’t that make it more fascinating, though?!” Kokichi asked, leaning in with sparkling eyes. Chiaki was amused that he acted like her on occasion when she got excited. The common joke around the class was that Chiaki was somehow related to Kokichi, even though they could prove they weren’t. “I want to see Komaeda-chan’s luck in action! I’m always not around when something big happens.” He pouted slightly. “Maybe that’s his luck affecting me too?”
If so, it was strangely good luck. Chiaki shrugged, “When is the game supposed to start?”
“Hm? I was just supposed to get yes or no answers. I have your cell number, so I’ll tell you the deets when I get them from Shirogane-chan.” Kokichi grinned. “Oh, that reminds me. Any preference for a story?”
“You can choose your story?” Chiaki blinked. “Like backstory or…”
“Campaign story. Setting. You know. The background that we’re going to be tossing our characters in. I told her that I wanted to do Dragon Heist because you know. I’m a thief by trade.”
“You’re playing the rouge character than when a background of being a criminal.” Chiaki mused thoughtfully. “I don’t know. I’m not necessarily picky. So long as everyone has fun, I think that’s all that matters.”
“Ugh, well better than Yamada-chan. He told us that he wanted to do The Tomb of Annihilation. Since we have so many beginner players, Shirogane-chan’s not sure if that’s a good way to start.” Kokichi said as he glanced at his nails. “Well, whatever. If you run into your dream team, ask them for their opinion, too, okay? Better not forget Onee-chan. I’ll cry!”
“I understand.” Chiaki watched Kokichi leave. She hummed thoughtfully before going back to her game, losing herself until Nagito and Hajime came back with food.
Vending machine once more decided to get stuck again.
Better than a whole roof falling down, that’s for sure.
X
The conversation about the DnD disappeared from Chiaki’s mind. She was setting up for her weekend stream event when she heard her phone ding from across the room. Ignoring it, she went about getting her console hooked up to the right appliances when she heard a soft knock on the door. “Kokichi said something about a DnD group that’s happening tonight. He’s asking if you forgot to tell us?”
“A what now?” Nagito spoke up, and now Chiaki had to look. Hajime was standing at the door of her office, holding her phone casually in his hand. Nagito was peering over Hajime’s shoulder, clearly reading the text. “Huh. Ouma-kun has a strange way of wording things.”
“Like you don’t use emojis when you talk.”
“Not to that degree. I like to use numbers more.” 
“DnD…” Chiaki trailed off before the lightbulb hit. Guilt flooded, and she looked at her game dejectedly. She was so eager to play the new game that came out too, but..she was curious about the roleplaying setup. She also never played a game with different people in a setting before. “Kokichi asked me if I wanted to come and play it, and I promised him I’d tell you guys. I’m sorry. It slipped my mind.”
“Do you still want to do it?” Hajime asked, his thumb hovering over the phone screen. “I can tell him we’re on our way, we just need the address.”
“This could be so exciting! What kind of hope do you guys think will spring from playing a roleplaying game? I wonder if all our talents are going to shine through. Oh, but that might mean my bad luck may hit unexpectedly. Maybe I should sit this one out.”
“No!” Chiaki and Hajime said together at the same time, startling Nagito into silence. “You’re coming too,” Chiaki replied firmly. “I want to see you play a game with us. You’re always on the sidelines. That can’t be fun.” 
“I don’t mind watching, it’s exciting to see you two go at it.” Nagito grinned.
“Phrasing,” Hajime grumbled as he decided for them and typed out a response. “We should get going now if we want to make the next train and get to where they’re at.”
“They’re not playing at the dorms?” Chiaki questioned.
“Yamada-kun hangs out a comic book store not too far from here. They host the games, so we get the tablespace, and we can be as loud as we need to be within reason,” Hajime explained as he tossed Chiaki’s phone back. Kokichi had typed up the address, and it was clear to see that it was indeed a comic book store. “Let’s go.”
X
Chiaki didn’t typically go into comic bookstores. Still, she had to admit that the atmosphere reminded her of a lot of video game stores. The store was small and cozy with blue and red walls. Their shelves dedicated to different publishers that were all categorized by the title name. There were single-issue comic books as well as graphic mangas that were proudly displayed. The novelty statues that were in some of the display cases showed off some of the more famous superheroes and supervillains. Chiaki could see that there were some video game statues in there as well. They continued to walk until they reached the back of the store where a table was set up, and she saw that everyone was already there and waiting for them. On the table next to them was a tray full of snacks, pizzas, as well as sodas and cups. 
“Onee-chan!” Kokichi didn’t waste time running over to her and body-slamming her into a hug. “I thought you ditched me! You promised that you’d talk to your boytoys about whether or not you’d be coming! I didn’t think I was so easily forgettable!” Tears slipped down his cheek.
“Ah, uh...Ouma-kun I don’t think Nanami-san would forget about you that easily. Hinata-kun just said that she forgot.” Saihara tried to dissuade Kokichi from any more tears. Chiaki was impressed by how fast Kokichi could wipe away the evidence that he had been crying so quickly. 
“Nishishi! Don’t worry, beloved! I was just playing. Come on, sit, sit.”
Everyone was already there too. Chiaki didn’t recognize most of them. Makoto, she knew mostly from running into the halls. The girl that sat at the end of the table was wearing a dramatic looking dress with long silver hair that was braided and had a flower crown. Pointed ears were poking from the strands, and decorated with an ornate silver covering. “So before we begin playing, how many of us already have character sheets made?”
“Me!” Kokichi quickly pulled his out of a thick book and slammed it down on the table, shaking it dramatically. “Behold! Your Phantom Thief as arrived along with-” he grabbed Shuichi’s hand and held it up high “-your beloved Paladin!”
“Oh, awesome! What species are you two doing?” The girl asked, clasping her hands together. 
“Halfling and human.” 
“Oh. I see. How plain.” The girl ignored Kokichi’s indigent screech. “I’m going to assume you got yours done too, Yamada-kun?”
“Of course, I did. I sat down for hours trying to come up with a backstory that will mesh well with any campaign we all agree on. I have decided upon the paladin as well! My chosen warrior will be fighting alongside the Goddess of Sune as well. I may be adding in a bit of bard into the mix later down the road. Do you need my copy of my backstory, Shirogane-san?”
“If you have it,” Tsumugi said. Chiaki watched as they exchanged it across the table. It was starting to feel overwhelming. How was she supposed to keep track of what’s what?
“Psst, Onee-chan.” Kokichi caught her attention and gave her a grin. “Don’t worry about it. Yamada-chan likes to show off that he’s a veteran to this. You and the dream team aren’t the only ones that are new or don’t have a character sheet.”
Chiaki felt a little calmer with the assurance. Makoto spoke up, looking confused. “So how are we even supposed to do this? I tried to do it myself, but my sister laughed at me over the phone and hung up.”
“It’s okay Naegi-kun, I was lost too,” Chihiro replied quietly as they carefully smoothed down their skirt.
“How about all of us pair up with the newbies and help them design their characters and then we can talk about the campaign? Session zero is usually nothing but set up anyway and making sure the rules are understood. If we get a bit of gameplay going, all the better.” Tsumugi said, just as Kokichi immediately bounded over and sat down in between Chiaki and Hajime.
“Okay! I’ll take the dream-team and Onee-chan! Someone else can help the two helpless nerds over there.” Kokichi said as Shuichi reached over and handed Kokichi his handbook. He dragged the three over to a separate table.
“Do you guys have a dice set?” At the shake of their head, Kokcihi turned his head over his shoulder. “Oi! Beloved! Toss me the catapult!”
“The what?”
Shuichi ignored Tsumugi’s surprise as he picked up a dice bag that looked like it was made of leather and rounded into a ball. He tossed it over the table, making Kokichi catch it with both hands. Without another word, he dramatically overturned his bag. The dice spilled out, hitting the table and rolling everywhere on the floor’s surface. 
It took a little bit to help clean it up, but the minute they were able to do that, Kokichi finally sat them down and spoke. “So. What do you guys think you represent?”
Represent? Chiaki frowned deeply as she looked over to see that both Hajime and Nagito were thinking about it as well, taking Kokichi’s words into consideration. “Hope,” Nagito spoke up, and Chiaki sighed. “Luck and hope.”
“Uh...hard work, I suppose? Talent?” Hajime tried.
“Hm...something that has to do with fun, I think,” Chiaki said quietly, pulling her hoodie over her head as she tried to block out some of the noise and light. She hadn’t realized that the group behind her was going to get so loud.
Hajime subtly made her move so that she was sitting in between him and Nagito. Kokichi didn’t bat an eye or ask questions. “Okay, so halfling for Komaeda-chan, a fighter for Hinata-kun, and…” he paused humming to himself before nodding. “I think Onee-chan will make for a good bard.”
“Should I go for a healing class?” Nagito questioned. “Considering that everyone else is fighter types. I recall that Chiaki would have to take the role less played with during her MMORPGs, and Clerics are usually the ones used for that, aren’t they?”
“You sure that you want to stay behind and just cast healing spells?” Kokichi questioned, “It’s fun if you’re up ahead in the battle.”
Chiaki was about to open her mouth to offer, but Nagito was faster than she was. “I don’t want my luck to ruin your guys game. It’s better if my character is a bystander to let all of you shine. I don’t mind.”
“So a halfling cleric. I’ll make this easy for you and say that you should go with Life Domain. Mostly because of your luck, hope, and morales.” Kokichi said. “We’ll roll dice for stats and everything in a bit. How about you Hinata-chan? I said the fighter, but...you want someone to be hardworking, right? Human’s pretty typical, but...I mean, we already have a human paladin. It wouldn’t take us long to weave your backstory with Saihara-chan’s. You two could know each other in-game. It’ll make for roleplaying easier. Because in addition to knowing him, you’ll know me because I cause a lot of trouble around the town.”
“Probably enough that a cleric would also know you?”
“Heard of me sure, unless you’re gonna be friends with the paladin. Oh, if you two follow the same God, that’ll give you something to talk about too.” Kokichi snapped his fingers.
Chiaki hummed thoughtfully as she listened to the conversation, her mind whirling as she thought about what she wanted to be. She peered over Hajime’s shoulder as he flipped through the book, angling it so that she could see. “Are there any uncommon monsters?” Chiaki questioned.
“What do you mean?” Kokichi asked.
“I mean,” Chiaki pulled on her hoodie. “Someone that’ll take a look and think that he’s dangerous, but in the end, he’s actually a good person?”
Neither Hajime nor Nagito could miss what reference she was making out of that. 
“...Tiefling or Dragonborn usually,” Kokichi said slowly, picking his words carefully. “Teiflings are what you want to go with if you’re trying to scare people. Half-orcs or orcs are common ones too, but Teiflings are considered to be people from hell. They’re not exactly looked at well I think it’s a flip of a coin what town would prefer what monster though over the others. Dragons are terrifying in their own right.”
“Why not go with Tiefling?” Chiaki offered, looking up at Hajime. “You’ll get the hardship of trying to win everyone’s favor, and you can work hard at show-casing that appearances shouldn’t be judged on.”
“...Alright.” 
“What about you, Chiaki? You agreed to be a bard, but...are you sure that’s an idea?” Nagito questioned.
“Bards usually are the ones that have the most, though they’re usually played more sexually,” Kokichi said bluntly. “Since Onee-chan likes to have fun, it’ll be interesting for like...a bard to actually be just that. A playful character that doesn’t take anything seriously.”
“Hmmm...I’m a pretty serious person by nature…” Chiaki said slowly, “so playing something that’s a little bit out of my comfort zone will be hard. It should be fun. But what species would be best for me to go with if I’m only trying to do that?”
“Why not a gnome? A gnome bard.” Kokichi offered. 
Nagito suddenly burst into laughter, causing all three of them to look at him. He held his hands up, giggling and trying to control himself. “Sorry, sorry. I just had this thought that...Hajime’s Tiefling will be with the two shortest people in the game.”
“Oh yeah, you’re right! Nishishi! That’ll be hysterical if you three decide to get together in the game!” Kokichi laughed. “Okay, okay. Let’s roll the dice and see what you guys get for stats and equipment.”
X
“I still can’t believe that your luck can affect a fucking roleplaying game,” Hajime stated as they left the store in good nature. They managed to get their characters set up, with Nagito being stupidly powerful for being the first level due to his high rolls and his luck. The campaign they decided to choose was the Tyranny of Dragons. Since no one was a Dragonborn or could speak in dragons, it nearly caused a Total Party Kill within the first mission. It was only thanks to Kokichi’s quick thinking and Hifumi’s foresight for things that could go bad and turned the tide.
“It wasn’t just Nagito’s luck, though,” Chiaki helpfully pointed out as Nagito laughed easily at the accusation. “Did you see how bad Naegi-kun was rolling?”
Nagito was rolling pitiful numbers. It got to the point that most of the table thought Tsumugi was trying to prolong his suffering by fudging her rolls from behind the screen to help them out a bit. Makoto’s dexterity was decent, but the number of times he tripped and caused a problem was...alarming. It didn’t help either that Kokichi thought Chihiro and Makoto were the best people to mess with. He slipped a few things into Makoto’s equipment bag that raised eyebrows and questions when targetted. 
“I have to admit it was riveting that we were facing the Champion head-on!” Nagito held his hands up excitedly. “Did you see how Hajime rolled so high to get so many critical hits? We thought he accidentally picked out Ouma-kun’s trick dice!”
“God, that was embarrassing.” Hajime groaned. “But the champion was annoying. I’m glad I fucked him up when I had a chance. Tsumugi plays a decent villain character. I don’t think I’ve wanted to strangle anyone as much as I do those cultists.”
“It’s terrible that they’re controlling the dragons somehow with the mask, but I’m eager to see what else happens.” Chiaki agreed, “I didn’t fall asleep once, and it was hard!”
Hajime and Nagito both wrapped their arms around her, Hajime going for the waist while Nagito settled for the shoulders. “I’m glad you had fun, Chiaki,” Hajime said softly. “I was worried that it might’ve been overwhelming.”
“At first it was, there were a lot of things to take in, and I wasn’t used to the area. However, as I got used to it, my stats increased, and I was better able to focus. It helped that both of you were on either side of me the entire time and that Ouma-kun was distracting. Poor Saihara-kun, though...he had to bail Ouma-kun out of doing some peculiar things.”
“Yeah...pickpocketing the mayor might’ve not been the best idea in the world.” Hajime agreed.
“I’m not so certain.” Nagito injected. “I still think that Ouma-kun and myself have a good hunch that the mayor isn’t who he says he is. I think that our group is still being used, but I’m not sure how.”
“We’ll just have to rely on our gut instinct for now,” Chiaki leaned into their hold. “My mind is going a thousand miles an hour. I’m starting to get sleepy trying to keep up.”
“Do you want me to give you a piggyback ride, Chiaki? At least to the station?” Hajime asked, already getting ready to get on his knees.
“Yea...I think that might be best.” Chiaki was getting tired, and it was hard to stand. Hajime bent down, and Chiaki allowed herself to fold forward around him. He hooked his arms under her legs as she tiredly clung to his shoulders. 
“Hahaha, I’m a little worn out myself; that was a lot of information to be given all at once.” Nagito rubbed the back of his neck. “So should we plan to tell Ouma-kun that we’ll come next week?”
“Hmm...go for it.” Hajime nodded. “I’ll remind Chiaki when she wakes up.”
“Not...sleep….” Chiaki closed her eyes before she could complete the sentence. She was looking forward to next week too. 
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utilitycaster · 1 year
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The Beaujester/Widojest stuff actually reminds me of why I almost wasn't on board with Fjord/Jester at first - I really don't like ships where it feels like one party has to wear down the other, and at first, I thought that was the vibe. So I get really stumped on why people are pushing for closure here. It reminds me of that wild d&d court case. Why would they needlessly burden their friend (Jester) with this information? What do fans think would happen after???
Hi anon,
You are 100% right in that I also think of that D&D Court Case (for those wondering, it's the one that starts here and basically, a couple is playing in a D&D game together and the DM some time ago confessed drunkenly to the player who is writing in that he has feelings for the player's girlfriend...and is now romancing her in-game as an NPC). Like, for real, keep that to yourself! It's so awkward and for what! Tell your therapist! Tell other friends outside this social circle! Do some weird art about it! Have weird feelings! But do not say that to the actual couple involved, holy fuck.
It would require someone with far more knowledge of fandom history to back up my hunch here, so I am presenting it as just a hunch, but it feels like there has been a very heavy drive in the past maybe five or six years towards, rather than "oh man, I wish this ship had happened instead, and here are my AUs and fics in which it did" to "here's why the story is BAD and UNRESOLVED and WRONG." And I don't quite know how it came to be, since internet forums have been around for quite some time, and maybe I'm just clueless because I have come relatively late to every social media ever and it was always like this and the volume has just increased. My personal theory is that people saw all those quirky letter writing campaigns of the 2000s and didn't realize that mailing potato chips or whatever to an NBC exec who was cutting the show because it wasn't getting enough viewers by metrics that were well behind current technology and who would see this and say "oh, shit, this has fans, maybe we can make money off it" is very different than writing hate mail to actual creators, but I could be totally wrong.
But anyway, it is pretty apparent that Uk'otoa was left unresolved! Travis actually had laid the groundwork in-character as Fjord (the bounty hunter hire for Sabian, telling Jester in 2x117 he wanted to deal with Uk'otoa before other things) to return, but it made sense for the show to end after Aeor. Meanwhile, it's not unresolved for someone to quietly nurse a crush, and I'd argue, actually, that both Beau and Caleb's feelings were largely resolved in show. Beau outright told Fjord that she'd had a crush on Jester, but her feelings for Yasha were deeper and more real (and in general this tracks with Beau's repeated self-sabotage when things felt too good to be true). And if you take off the Widojest shipping goggles, it's hard to see Caleb's actions following the party's return from Rumblecusp as anything but quietly admitting that this is not going to happen, as he pushes Jester to dance with Fjord and finally tells her about his past. The goal post of "resolved" secretly means "the preferred ship happens instead."
And then no one ever has an answer for what happens after. Does Beau break up with Yasha? Does the entire scene in Aeor with Essek in 141 - absolutely pivotal, despite coming so late, to Caleb's arc - just not happen, because you really cannot read that as anything but romantic? Does Jester break up with Fjord? How do we reconcile that Jester does not wish to live in Rexxentrum as a housewife, and does want to continue to see the world and be able to regularly spend lots of time in Nicodranas? Do Caleb or Beau make even the slightest concession to Jester's wants and needs, in this fantasy?
I guess I'll wrap this up with this thought: I think that Beau and Caleb's romantic feelings for Jester and how they deal with them are very well played by Marisha and Liam and are incredibly important - indeed, crucial - to understanding their respective character development. But that's the thing in the end. The romantic feelings are deeply important to the stories of Beau and Caleb. They are a footnote on the story of the Mighty Nein. And they are utterly irrelevant to the story of Jester.
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wizardhecker · 4 years
Text
ollie’s book rec list
hey y’all i got libby this last year and its expanded my reading a bunch. I talked about what books I liked on twitter earlier but I wanted to move that over here. These books aren’t in order of preference, just when I read them. I’ll probably be updating this list throughout the year as well. 
Stuff I loved:
Gideon the Ninth- Tamsyn Muir: Probably my favorite book from this year, I’m eagerly awaiting for the sequel. WAs everything I wanted in a book, witty and clever. Lesbian necromancer and buff swordgirl end up taking part in a contest that entangles them in murder and mysteries. Its sci-fi but not hard sci-fi and sticks mostly to one planet. I’m witholding judgement on the ending until I read the second book because I have some conflicting feelings about it. Tags: F/F romance, bones, so many bones, Sci-fi, mystery
Ancillary Justice - Ann Leckie: Told from the perspective of a ship AI that was once many different ancillaries. The story jumps back and forth between the present where she inhabits one body and the past to how that came to occur. It was super unique and engaging. I’ve seen this on a few lists for LGBT content which maybe there is in later books but that tag comes from the the ship AI being confused by gender since her language just uses “she/her” pronouns for everything. Therefor, yes technically any romances that occur are queer because every single character is referred to via she/her. I love language stuff like that though. Theres so many details that I was deeply fascinated by. Tags: sci fi, space politics, clones, unique perspective. 
The Raven Tower - Ann Leckie: Similar to her other book above, she plays with storytelling and narrator perspective. This is from the perspective a god who is a giant rock and switches between past and present. It was a bit slow at first, as it is a rock telling the story, but its well worth it and the ending was so fulfilling. I REALLY enjoyed the world building, everything felt neatly crafted as piece by piece the machine comes together and turns slowly. The protagonist human is also explicitely trans. Tags: politics, fantasy, god wars, trans protagonist.
Swordspoint - Ellen Kushner: An older book, but focuses around the politics of a city where swordsmen fromt he lower city are hired to fight for the aristocrats in the higher city. Follows the best swordsman and his [insufferable] scholar boyfriend, but switches perspectives a lot. Its fun, I might reread it. Tags: heavy politics, aristocrat bullshit, M/M romance, swordfighting!
Kings of the Wild - Nicholas Eames: This book read Very much like someone’s first classic D&D campaign, for better or for worse. I Loved it because the heart, passion, and sincerety put into it was so palpable and it feels like a campaign where everyone comes in with goofy joke characters and then midway through they get Really into it and suddenly everyone’s crying because that joke backstory they made has implications. Its about a bunch of retired legendary old men adventurers who get called back for one more job - to rescue the leader’s daughter. Tags: Sad old men, good fathers, fantasy, gay wizard, tabletop inspired.
Bloody Rose - Nicholas Eames: The sequel to the previous book (though it could be read alone). It really goes into more depth and analyzes some of the previous worldbuilding more, pulling apart some of the problems in the world that were swept away previously. I liked it slightly less but its still very good. It follows a bard joining up with an adventuring band to fight a...dragon? Maybe. Tags: F/F romance, are monsters people, necromancy, dragons, fantasy.
The Golem and the Jinni - Helene Wecker: A newly made golem woman and a Djinn who was trapped for thousands of years both in up in New York City in 1900, and their paths eventually intertwine. Really amazing perspective of Jewish and Arab immigrant communities and cultures in NYC. Switches point of view through many characters in the communities who come in and out of their lives. Tags: Supernatural beings, urban fantasy, historical.
The Monster of Elendhaven - Jennifer Giesbrecht: Very short book I read in one sitting about terrible evil men doing terrible evil things. One of them is unkillable, the other one is sorcerer and theyre tied together through a dark fate to destroy the world. I was deeply into the mythology and the way everything wove together. You know I’m a sucker for weird god stuff and I was provided for. Uhh trigger warning for a lot of stuff here, graphic violence, sexual assault, etc. Tags: Evil stuff, magic, dark mythology and folklore, capitalism, revenge plots.
The Black God’s Drums - P. Djeli Clark: Another short one read in one sitting, set in an alternate post-civil war setting New Orleans where a girl has a Goddess of storms living inside her. Tags: alternate history, bi protagonist, gods and goddesses. 
The Claidi Journals - Tanith Lee: So this was a reread of a kind of obscure series I read when I was a kid and I immensely enjoyed. Caveat that it is a young-adult series but it was such a fascinating and vibrant blend of fantasy magic and sci-fi, there’s little blend between the magic and technology of the realm. It’s about terrible families doing terrible things and the women who got accidentally caught up in it. It also has one of the most interesting women characters I’ve ever read who doesn’t even appear much in the books but whose legacy impacts every character. Tags: Science fantasy, aristocrat bullshit, bad moms, hetero but chill. 
Mixed Feelings:
Uprooted - Naomi Novik: Reclusive wizard who holds an evil forest at bay takes on an apprentice girl who gets entangled in further politics of the nation. I got Really into the worldbuilding, plot, and writing of this book and it hooked me pulling me along. However I have a major frustration with it that really prevents me from putting it in the “loved” category. If I could edit out about 20 lines I’d have found it perfect. I know other folks who disagree with me though so I’ll still recomend it. Tags: wizards, nature magic, politics, grumpy tower wizard, unfortunately heterosexual.
Of Fire and Stars - Audrey Coulthurst: Lesbian princesses and arranged marriages uh oh. Ones a ranger jock the others a sorcerer. Its fine and cute, I wasn’t really happy with the antagonist reveal at the end though. Tags: Aristocrat bullshit, politics, F/F romance, arranged marriage angst, forbidden magic.
Wayward Son - Rainbow Rowell: I really enjoyed the first book of this series and found it a delightfully self-indulgent transparent Harry Potter derivation. That sort of falls apart in the second book where having to build off something that worked as a one-off just doesn’t extend to a more filled out story and left me feeling unsatisfied. But, once again, the world building is delightful and I’m charmed by the magic system and a British person’s opinion of America. Tags: M/M romance, magic, America!, roadtrip, vampires
The Last Sun - K.D. Edwards: Modern fantasy tarot inspired world building. The main character is the last remnant of the “Sun” house that was ripped apart in a terrible way. He has PTSD and is hired to find a missing man, along the way uncovering a deeper conspiracy involving his house and past. It was fine, its a good book. I just wasn’t into it that much. Also massive trigger warnings for sexual assault, torture, etc. Tags: M/M romance, mystery, gritty, magic. 
Vicious - V.E. Schwab: I enjoyed it and it was a short quick read, but for some reason I’ve never been able to get into V.E. Schwab much. Not sure why. Man with power over pain is released from prison and seeks vengeance on his former friend who put him there - who is now a superhero, and adopts a young girl necromancer in the process. Tags: villains, everyone is evil, superpowers, modern, necromancy, unwilling father figure
The City Stained Red - Sam Sykes: I really just started skimming while reading this one tbh. Trash man swordfighter and his disfunctional adventuring party trying to collect their payment in a terrible city. It felt like someone’s D&D campaign but in the worst way where everyone is an edgelord dark backstory. I honestly didn’t like a single character. But, that’s fine it just wasn’t for me. I see this get put on lists for having a bi-character. Which I guess technically but I wasn’t a huge fan of how that became relevant. Tags: tabletop inspired but insecure about it, gritty, terrible city, terrible people, bi protagonist
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vampirecatboy · 4 years
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ok I low key wanna request all the ocs you listed but I'll just keep it to 2 lol. Kira (ofc :3c) and Aja because i just love him lol
i mean you know i would absolutely, happily spend at least six hours doing everybody, but Kira and Aja are good choices lol
Full Name: Kira Mag Raith (fun fact for the people, Mag Raith is pronounced Mag Ray, yay Irish!)
Gender and Sexuality: cis man, he’s pansexual but skews toward men because i’m gay and can’t help it lol, he’s also polyamorous
Pronouns: he/him
Ethnicity/Species: clavat, so basically half-elf, and ethnicity does work a bit differently in our campaign, but he’s white-coded, and speaks with an Irish accent of varying strength (it’s stronger when he’s upset or with his family, good luck understanding him if he’s upset and with his family)
Birthplace and Birthdate: born in Cairn, tbh i haven’t really thought about his birthday, but i get strong earth sign vibes from him, maybe Virgo? so let’s say August 31, the liminal space of days like it seriously doesn’t feel like it should be real
Guilty Pleasures: napping in sunbeams, i was going to say jk but i actually love it, so he naps in sunbeams but is a bit embarrassed about it
Phobias: what’s that vegetable cats are afraid of? cucumbers? “they have dark energy, trust me”, or humiliation. cucumbers and humiliation
What They Would Be Famous For: alleged attempted murder on television, on a more serious note he’d probably prefer not to be super famous, like celebrity-style, he’d probably prefer to be a folk hero or urban legend or a cryptid lol
What They Would Get Arrested For: he has done nothing wrong, ever. idk maybe assault or public disturbance for fighting someone in public, maybe trespassing if he sleeps in the wrong shed or barn
OC You Ship Them With: bit of Justice, but mostly Rhys
OC Most Likely To Murder Them: Rhys again, but despite everything it’s not all that likely, Rhys is a jerk but he’s not a murderer
Favorite Movie/Book Genre: fantasy or adventure, but he’s not much of a reader
Least Favorite Movie/Book Cliche: deus ex machina, it’s the easy way out and he doesn’t like it
Talents and/or Powers: he’s spent a lot of time perfecting his bow skills, so he’s very good at hitting long-range targets, he’s also great at keeping secrets
Why Someone Might Love Them: first off, he’s small and adorable, but mostly he’s very considerate and trustworthy, and he’s a great listener. he’s really not going to be mean unless you’re mean first
Why Someone Might Hate Them: misinterpretation of his demeanor/behavior probably, or if someone decides he’s responsible for problems they caused Rhys
How They Change: please my sweet boy i’m begging you, open up to someone please, that’s what i’m hoping for at least, he needs to learn how to really trust others
Why You Love Them: he is..... my boy....., for real though, he’s genuinely so sweet and he cares about people a lot and even though Dmitri tries to possess him from time to time, i love that he’s basically nothing like him
time for spicy boy!
Full Name: Aja, i have not given him a last name. i have no excuse.
Gender and Sexuality: cis man, he thinks he’s straight but he’s so not, i haven’t given him a concrete label but queer is applicable
Pronouns: he/him
Ethnicity/Species: ifrit (the pathfinder version of a fire genasi), plus he’s a sorcerer with a draconic bloodline, so somebody at some point fucked a dragon and he’s got some of that
Birthplace and Birthdate: oof i can’t give a town name but he lived up in the mountains? he is, however, such an Aries, let’s say his birthday is April 4
Guilty Pleasures: mackin on Dmitri he reads erotica, i’m not gonna beat around the bush, he’s always seen seducing women, so obviously the dudes he hangs around expect stories of his conquests, unfortunately he has perpetually shitty luck with bedding women so he is a big ol virgin, but no way is he telling anyone that, basically he takes the scenes from the erotica he reads, modifies them a bit, and pretends they’re his experiences (it’s worked so far, luckily all those dudes he talks to really don’t do much or any reading)
Phobias: he doesn’t like being on boats in open water, he’s a fire elemental with a red draconic bloodline, on a base, instinctual level he does not feel safe when surrounded by water (he’s alright in the rain though)
What They Would Be Famous For: allegedly sleeping with several noblewomen, maybe a princess or two (someone mentioned a queen once and well, he’s not going to deny it)
What They Would Get Arrested For: arson. no story there he just. likes fire.
OC You Ship Them With: Dmitri, naturally
OC Most Likely To Murder Them: Dmitri, but it’s not personal, there are plenty of dudes who hear about him sleeping with their wives so like, any of number of them would have no problem hiring an assassin (or a bounty hunter with a penchant for killing his targets) to go after him
Favorite Movie/Book Genre: erotica and maybe a touch of romance, a guy can dream
Least Favorite Movie/Book Cliche: there are some romance/smut tropes he gets sick of, anything to do with virginity and purity and virtue and deflowering a maiden, both on a personal level and also on a “virginity is a social construct used almost exclusively on women to determine their worth” level. also some of those male writers really do not know how certain parts work. as soon as he sees the word “tight” he throws the book away
Talents and/or Powers: want something burned? toasted? roasted? singed? he’s got you covered. he’s a skilled, powerful sorcerer with a preference for fire magic. also he’s obviously a great liar and a hell of a charmer
Why Someone Might Love Them: despite his reputation as a philanderer, he’s a gentleman and he’s drowning in that respect women juice, he’s not pushy, if she’s not interested, he backs off, and i mean, 20 charisma score, he’d have to really flub for someone to not love him
Why Someone Might Hate Them: ah those husbands do not like some sexy fire boy comin in and boinking their wives, supposedly very well, also he’s very showy and that can get on people’s nerves
How They Change: he has a Gay Crisis and suddenly “oh, maybe.... men too?” and i mean, Dmitri does suss out his myriad of lies about sexual conquests, and he eventually does kind of open up about his insecurities because Dmitri just kinda listens and doesn’t criticize or mock him and really only adds things like “wow, that really sucks, i’m sorry dude.” and that’s all he really needs
Why You Love Them: he’s hot, he dresses slutty, he’s a master of charm, and yet..... 73 years old and he has not seen a naked woman in real life. also the blushing mechanic i gave him, where instead of blushing, his hair kinda flares up like a ghibli character but with fire..... too cute. also he’s smart. i’m pretty sure intelligence was his highest stat after charisma, at like 16, and i love that for him
ah thank you i always spend so much time on these and i love it lol
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manchestereyes · 4 years
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Any book recommendations??
omg YES!! you’re actually in luck since i’ve been spending like all my time reading recently and it’s been so so nice:
autoboyagraphy by christina lauren: so this was the first book i read in quarantine and oh my GOD was it beautiful. i already wanna read it again tbh. it deals with internalized and some externalized homophobia in such a real way and man, i just wanna hug these two guys :((( and also scream at them a little because i just wish they could get out of their own heads for a second but also i totally understand why they did the things they did too
radio silence by alice oseman: i’m pretty sure i’ve talked about this book here before but omg if you haven’t read it what are you doing with your life?? alice is one of my favorite authors now and the way she writes about that feeling of finishing school and not knowing what to do with your life is so so real and tbh, really helped me feel better after i dropped out of my old college. also like every major character is queer which is such a lovely bonus 💕💕 (and you may recognize a certain someone who makes a cameo about halfway through!)
yes no maybe so by becky albertalli and aisha saeed: this is by far the most IMPORTANT book i’ve read in quarantine. it deals with elections and campaigning and racism sooooo well and the romance is freaking adorable. it also shows you just how important local elections can be which is AMAZING and literally perfect for this year. i feel like it should be required reading for any young person voting this year tbh
tell me again how a crush should feel by sara farizan: omg so the narrator of this book? is the actual BEST like her voice actually had me dying at points. also it’s a lesbian POC romance which!!! you literally NEVER see and it makes my representation loving heart so happy 💓💓💓 (there is some emotional manipulation done by one of the characters tho so just a tiny warning there!)
moving on to stuff i read a couple years ago, i highly recommend the hate u give by angie thomas, we are okay by nina lacour, and i’ll give you the sun by jandy nelson, which are all soooo well written and deal with some really great issues. the hate u give is literally perfect for right now and sooooo so powerful and makes you think a lot about how fucked up the world is. we are okay and i’ll give you the sun are both soooo beautifully written too and helped me a lot when i was so depressed in 2018/2019. all three of these are books i really really wanna read again now actually but i should probably try to finish the 6 ebooks i’ve borrowed from my library first sjskjdkdnd
oh yeah, if i haven’t mentioned already, most of these are queer romances (which is my preference now in YA since i find straight romances boring unless the characters are dealing with something really important shksnsks) or have queer characters although if you like straight romances, sarah dessen is the absolute QUEEN! i read almost all her books when i was in high school and i’m now catching up on her more recent ones and shit, they’re all sooooo good and deal with some huge issues too! i just finished once and for all and i’m almost done with the rest of the story and fell in love with all the characters and the setting and everything really.... they’re both just so GOOD!!!
finally, a couple random finds that i ended up really loving last year are the fragile ordinary by samantha young and amelia westlake was never here (which is the american title, everywhere else it’s just amelia westlake) by erin gough. they both deal with some really important topics (hmmm i’m sensing a pattern here lmao) and the latter is a wlw romance which is really just the cherry on top!
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mydoorin · 3 years
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this is long and made for no one but myself
I like certain aspects of C1, and a lot of Vox Machina is endearing and wonderful, but I find all of the first campaign really hard to watch
From a player and a DM perspective I just cannot watch a 5 1/2 long episode with half the cast yelling over each other and the other half doing world-breaking shit. I know there was a sort of loosey-goosey transition between their Pathfinder homegames and 5e, and Matt and Taliesin are used to editions older than 4th even, but there were a lot of times when I felt basic rules got swept under the rug for Vax and Percy but were unfairly or even sometimes incorrectly applied to Keyleth and Vex. Vax literally broke the game multiple times, and I know a lot of the campaign was like Matt’s gift to Liam, but it’s a campaign with 8 of your friends that you’re now producing as a show so it can’t just be about the one guy anymore. No one likes playing D&D where one character is literally touched by fate and can move 120 feet and doing 5 attacks a round. even if the rest of the team are like, high level barbarians fighters and spellcasters it feels unbalanced and it isn’t fun to watch.
a lot of the combat mechanics in C1 feel sloppy too, in terms that PCs didnt know their own character abilities or had a misunderstanding of how Action-Bonus Action-Reaction 5e combat works. It’s not really anyone’s fault, that happens when you change game systems, but to the point that I actually skip combat scenes, which unfortunately can be like a majority of the episode (and have really important character moments, like death). the Kraken fight comes to mind (there aren’t 40 feet fast eels Keyleth I’m sorry), it felt like Grog had the best grasp on his character’s mechanics and goals, and I was yelling at the screen for the other PCs to look at their character sheets. i dont know why Keyleth wasnt a water elemental to start or why Vax didn’t spend all his time stealth-investigating for the lodestones or why Percy didnt think to try luring the beast or talking to it or why Vex didn’t- actually Vex did everything she could Rangers have massive drawbacks. But!! These are issues I have with VM in most fights, theyve gotten better in their level 20 one shots, but still there I want them to please read their character sheets, bc Keyleth is an archdruid who doesnt use spell components anymore and can cast from Wild Shape and that’s tight as hell. Vex’s character mechanics still suck at level 20 but that is not her fault at all 5e literally just hates Rangers. And can we talk about that? Why do Rangers not get half the shit other classes get? How come Rangers have to wait until level 17 to use hide as a bonus action? Rogues get that at 2nd level. Anyway.
I think another part of it comes from player experience, and what kind of PCs are and are not fun to have at the table. Personally I dont like the fate touched concept, I don’t have fun as a player when one character is designed from the start to be more special and important, esp when that character talks about hating it so much all the time. TBH I don’t know why Vax is such a shit about the Raven Queen deal it seems like you got something no one else has ever gotten (she let you have your sister back bro) and you literally signed up for this. A God is giving you Special Awesome God Powers that make you more of a terrifying game breaking monster and you’re gonna keep calling the Raven Queen a bitch? for what? because you didn’t check for traps? because you didnt have a spellcaster that could use telekinesis? what about that situation wasnt entirely character choices lmao
betwen Vax and Percy (dont get me started on Mr. I Know Better Than Everyone, i really fucking hate PCs like that and i will fight about my distaste for percival von frankenstein monsterenergydrink the third) there are a lot of moments in C1 that aren’t fun to watch bc I know they arent fun for everyone at the table to play. it can be really cool to watch someone else’s backstory unfold, but if that’s all you’re doing it’s super easy to check out (I dont think it’s an RP decision when Grog has no idea what’s happening, I too haven’t been listening to Percy argue about this inconsequential thing to no one in particular) think of all the early C2 Caleb-Beau moments when it was clear half the tabl wasn’t paying attention, and how quickly that was resolved after people voiced their opinions on it (Matt for sure talked to them about dominating RP and making too many smaller moments that leave out the rest of the table, I wish a certain wizard would take it to heart), but that didnt feel like a conversation anyone had during the first campaign.
maybe it’s because i didnt watch C1 live or because I watched C2 first, but I have- not even a preference really a deference to the Mighty Nein. I think they’re more fun, more entertaining to watch, more emotionally involved and driven, better developed and created, better in all aspects, smarter and funnier and sexier than Vox Machina. I dont care about high fantasy stories with legendary heroes that are basically gods that is such a boring way to play D&D, I want the dumbass characters to use and magic to play pranks on local shopkeepers and i want the lesbians to have a slow burn romance.
I dont even wanna touch on C1 romance bc like, gag me with a spoon I don’t like the way Kashaw or Vax interact with Keyleth theyre both so fucking annoying. Idk why men cant be normal and talk to the fantasy girl they have a fantasy crush on, but Fjord managed just fucking fine.
i need to go back to sleep but in essence my opinions are that C1 was a classic 1980s D&D campaign that would have made Gary Gygax proud. And now that D&D is a lot better than it was in the 80s, more accessible and a lot less shitty, we can have cool modern fantasy stories that expect more from PCs, DMs, and the audience. We can do cooler, better things than we used to, and the structure of 5e actually helps facilitate more roleplaying between characters. The 5e PHB has whole sections devoted to roleplaying your character, and now Tasha’s gives everyone a way to get rid of stupid racist features and make your characters cooler. I’m really happy to see the progession of both WOTC and Critical Role into better, cooler, more awesome and less shitty versions of themselves (this isnt a WOTC defense post im not a shill they should pay the Dragonlance writers)
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dearoldtuxedo · 4 years
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The Love Interest
In 2017, Taft Studios hired a new screenwriter for their popular, and long-running show, The Banana Splits. Her name was Sammie Satterlee, and ever since they recruited her on the staff, she impressed the audience with her diversed setting scenarios. 
Some new episodes took up morals that are rarely explored among children, and needed to be talked about more. The Sour Grape girls were given more personalities, rather than being reduced to cute, sassy dolls. She made Bingo and Drooper explicitly POC coded, so that minority children can see themselves in their favorite characters, even allowing some POC to guest star on the show. Bingo spoke Spanish occasionally, and Drooper celebrated Kwanzaa for a holiday themed episode. Stevie was also given a decent dose of character development.
Then, at that year, 2018, Sammie was ready to take on a new challenge: Introduce an LGBTQ+ character. Around this generation, a lot of children's media has been accepting of queer themes. The whole purpose was to help kids acknowledge that queer romance is just the same as the typical heterosexual romance. There is nothing inherently sexual about it.
Plus, Sammie happened to be queer herself. She grew up loving The Banana Splits throughout her childhood, and is still a fan to this day. She also grew up around a lot of homophobia at that time. Projecting sexualities/trans identities onto characters is a method of feeling more accepting, more valid. The same method queer kids on the internet use "headcanons" for. Queer children deserve representation. Sesame Street won't do it, so The Banana Splits might as well.
What better way to have one of the Bananas come out than giving them a male love interest? But, which Banana shall have a love interest? Fleegle seems too independent for a lover, regardless of what gender. Bingo prefers pranks and adventure over romance. And Snorky, even though as old as his fellow band mates, bears childlike innocence, so he's not ready for an adult love interest. The only option left was Drooper.
Yes, Drooper will work, she thought. The poor lion is considered the loser of the bunch. What if he had a sweet darling that would tell him how valid he is? Drooper's so clumsy, he's always falling down. Now, he needs someone to catch him and pick him back up on his feet. Sammie then started to sketch out her ideas.
That's when she conjured up Tux the snow leopard! Tux was short for Tucker, also defining his wardrobe, which was a tuxedo. The reason she chose a snow leopard was due to their majestic appearance, and she wanted Tux to come out as sort of a romantic gentleman. Also, because he should be a feline like Drooper. She drew out a reference concept of Tux, along with additional sketches of him and Drooper acting lovey-dovey with each other, and written a bio.
Tux was presented as a muscled man, a contrast opposite to Drooper's skinny frame. This snow leopard was purposely intended to be the hero to Drooper's damsel in distress. He sure is a handsome fella, but he's pretty dumb as well. That didn't matter. He's perfect for Drooper. Tux would be somewhat special to Drooper, like he understands him, he cherishes him, and he's willing to take a punch in the face for him.
After giving the references to Karl, and a bit of debate, the engineer decided to take a shot at it. Reading through Tux's biography, his personality and characteristics had quite interest Karl. This snow leopard certainly didn't possess the same energy as his other boys. Fleegle was the intellectual leader, Bingo was fun and energetic, Drooper was the butt of bad luck, and Snorky was the baby of the group. Tux was different. It would be quite complicated for a stoic machine to act out all these actions. Unless...
What if he gave this animatronic fully functional emotions? Karl always wanted to try something new. A robot with emotions would probably be his greatest achievement yet. No other engineer has dared to try it out. Not only will the idea be impressive, but his feelings would be very convincing.
After almost a month, Tux was completed. Although he matched his reference drawing perfectly, he appeared to be seven feet tall, instead of being two inches shorter than Drooper. Speaking of Drooper, not only were emotions installed into his databanks, but he was also programmed to fall in love with no one but said lion. 
Karl decided to showcase Tux to Sammie. He then activated the mechanical snow leopard. It took some time for Tux to get into motion, but as soon as he saw those humans in sight, he stepped back nervously. He touched around at himself for a moment, and scanned his surroundings. He was now alive, and he wasn't sure how he felt about this. The animatronic walked around the room, picking up items at random. He went back to Sammie and spoke for the first time.
"Hello. I'm... I'm..."
Karl answered for him.
"Tux." "I'm Tux. Pleasure to meet you. ...I think. Say, could you tell me where am I? What is going on? What is my objective?"
Just as Sammie could say anything, the Splits had entered the room. Tux turned his attention towards them by instinct. The very sight of Drooper had already triggered him into love mode. The feeling of seeing the lion was undescribable to him, but since it's in his programming, he knew how to act. He stared at the lion for awhile, then ran over to him. Tux took his paw into his.
"Hello. I am Tux. Pardon me if this sounds so sudden, but, I love you."
The animatronic kissed Drooper's hand, even though he just gapped his mouth open a bit and pressed it against the paw.
"Do you love me?"
Drooper was confused by this abrupt gesture, and had no opinion about it due to his lack of emotions. Still, he responded anyways.
"I love you too, Tux! I love all my friends!"
Tux was quite offended, having to be considered a "friend." Sammie decided to clear things up for the lion animatronic.
"Uh, Drooper, this is Tux. He is your new boyfriend. You know, like, a lover. As in you two are in love. Or at least, pretend to be, for the show."
A new boyfriend? Drooper doesn't remember agreeing to that. He just met the snow leopard, and all of a sudden, they're lovers? The lion isn't sure how he feels about that, especially since he doesn't return the snow leopard's attraction. Then again, Tux is a pretty nice guy. And it's not like they're forcing him to love him back. After all, she did say he could pretend for the show. Since the Splits aren't on the air right now, they might as well just be friends. Drooper shook his hand and greeted the new recruit.
"Very nice meetin' ya, Tux! I'm Drooper! This is Fleegle, Bingo, and Snorky! Welcome to The Banana Splits! Enjoy your stay, friend!"
He still deemed Tux as a "friend." That's not what Tux wanted. He didn't just come alive, fall in love instantly, only for it to turn out to be one-sided. Tux figured, he will get this lion to love him back, even if it kills him.
And so, for the last four days, Tux wasn't ready to be onscreen, so that gave him enough time to win Drooper's affection. The snow leopard had snuck into Rebecca's computer to find information on how to woo a person. Then he'd capture that info into his system.
Tux tried presenting Drooper with a flower (one of the props). He was flattered, took the flower, and patted Tux on the head. But walked away afterwards.
He tried serenading a romantic song, which was performed by the Splits in another era. 🎵I enjoy being a boy, in love with youuuuuuuuuu.🎶 Once again, Drooper was flattered, and applauded his performance, but still, walked away.  
Next, he tried the extreme. Tux grabbed Drooper, dipped him, and planted his mouth onto his, giving him a kiss. That only resulted in Drooper pushing him so hard, he knocks him down on his bum. 
No matter what technique he tried, his attempts all failed. And Drooper showed no signs of loving him back. Today was scheduled for Tux to make his physical appearance. But before he's ready to be on the show, he discussed his issue with Karl.
"My lover... ...doesn't love me. What have I done wrong?" 
Karl knew exactly what the problem was. It's not what Tux has done, but how Drooper feels. The lion animatronic was built to be emotionless, so it's impossible for him to accept a handsome man's gesture. Maybe Karl can fix that. 
"Settle down, my boy. You'll get what you want. I promise."
He then called Drooper over for a tune up. The only way for the two's feelings to be mutual is to install the lion with the same features programmed into Tux's databanks. The snow leopard held his hands together tightly. Soon, he and Drooper will be bond together at last. Together, forever. He'll have him close to him. They'll hold hands. The two will spend their entire lives as one until they rust. Karl then motioned that he had the notion of giving the other Splits emotions as well, so that they can embrace Tux like a family member. He wanted to make his greatest achievement feel at home.
“Yeah yeah sure. Now hurry up with the process!”
Suddenly, Rebecca entered the workshop, announcing that the whole "LGBTQ+ representation" project was officially canceled.
While the news of The Banana Splits having an LGBTQ+ character on their show received largely positive from the queer community, they've also gained negative, violent feedback from those who were against it. They were being accused of "attempting to encourage children into sexual acts," and called out for spreading "leftist SJW propaganda."
It gets much worse. Straight parents set up a campaign to boycott the show. Stevie threatened to quit because he refuses to work around a "cybernetic f@gg3t." And Andy, the network executive, blackmailed that he would pull the plug on their show if they let this "gay shit" slip onto TV. Sammie was fired, and the whole assignment was history.
Karl stopped what he was doing, leaving Tux confused.
"Aren't you gonna-" "I'm afraid there's no reason to anymore, my boy." "But, Karl- Drooper- You said I could have what I want! YOU PROMISED!" “I wish I could keep it, but I don't think I have a choice. I'm sorry." "I don't believe it. How could you be SO SELFISH?! HAVE YOU EVER THOUGHT ABOUT HOW I FEEL?! PLUG HIM BACK IN, RIGHT NOW!" “I can't-" "ALL I WANT IS MY KITTEN TO LOVE ME! DOESN'T ANYBODY CARE?!!"
The snow leopard threw a big tantrum. A single stomp on the ground made the floor shake. Then, he shoved items off of counters, and smashed stuff, while screaming at the top of his voice. He was absolutely terrifying at that moment. Tux turned to Rebecca, thinking it was all her fault. She tried to tell him to stand down, but he was too stubborn. He grabbed her by the neck, and pressed her against the wall. With Tux's back turned away, that gave Karl the opportunity to shut him down. Tux let go of Rebecca, and fell over unconscious.
Poor Tux. Maybe giving him emotions was a bad idea. As it turns out, he's not mature enough to know how to handle them, which makes him too unstabled. After that traumatized experience, Rebecca demanded that Karl should get rid of him this instant.
After she left, the three other aninatronics entered the workshop. Karl stared down at Tux for a minute. The snow leopard animatronic didn't mean to cause any harm. He's just a little faulty, with his ardent coding and all. Karl never worked out how he would have Tux cope with his emotions. The engineer couldn't bring himself to throwing out what he thought was gonna be his greatest achievement yet, so he asked his four to dispose of Tux for him. Karl then left the workshop to see if he could calm Rebecca down.
Four of the Splits gazed upon the now deactivated animatronic. They, including Drooper, felt a bit sorry for him. Why put him to waste? There's still some potential in him. The sad case just wanted, and needed, some love like they have had. A new Banana Splits member is still a member. Besides, he was much nicer to them than Stevie.
"What are we gonna do with him?"
So, rather than dragging his metal carcass to the dumpster, they all agreed to hide his body, behind a couple of boxes and bins in the corner. Perhaps he will make himself useful. Someday.
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