Tumgik
#my family are literally the ones lacking the most emotion(TM)
Note
why does jean warn up to mc so quickly? ikevamp makes it clear that jean is a pretty reserved person and doesn't open up or let people in easily but he seems to let mc in quite quickly and it confuses me quite a bit.
Oh boy, where to begin with this one.
Well, I have a lot of Feelings^TM about this, but I'll try to be concise. Essentially, I think Jeanne doesn't recover in the other routes--or the general storyline--largely because he's just a lot to unpack narratively speaking. And without some pretty direct intervention, he has a hard time healing. MC’s direct intervention was meaningful because it was focused, consistent, and adapted to Jeanne’s specific needs. She also doesn’t make light of his experiences which is key; she fully understands that she can’t fathom what he’s been through. There is a very weighty respect and acknowledgement, a seriousness with which she treats his wounds that’s important.
It’s easy to make this a “why is MC nOt LiKe ThE oThEr GiRlS” but honestly that’s just not the sense I get when I look at all the information available to us. 
That being said, I also just feel like every person's recovery from traumatic events doesn't really look the same? I mean Leonardo’s cptsd isn’t going to operate the same way Jeanne’s wartime/Inquisition cptsd is going to operate. Some people require very individualized healing, others will often require a large scale group effort to lift them up.
Typically people don't ever just get over what happened to them and never worry about it again, either. It's usually a process of coping; the hope is that with time you find healthy ways to deal with grief and move forward. Therapists aren't magicians, they just help people process painful experiences/thoughts. It's honestly up to individuals to find meaningful ways to implement these tactics. 
Tl; dr: My contention is that Jeanne doesn’t open up or choose to stay alive because MC magically heals him, rather his recovery is a convergence of many people’s efforts and hopes that he stays alive. Gilles (he insists that Jeanne must live, asks him to promise), MC (affirms and bolsters that promise), Comte (makes a second life and recovery possible)--and in no small measure Mozart and Napoleon--all make an active effort to buoy him. As people often say, it takes a village to raise a child.
While Jeanne seems to respond most powerfully to MC’s attempts, it feels more like a product of chemistry/compatibility than it does a random cop out. There is no insinuation that only romantic love can heal; after all, MC gets close to him without any romantic intentions at first. They’re just good friends? It’s more that their feelings simply moved in a different direction after a point, which doesn’t necessarily happen all the time. Jeanne is also incredibly moved by Mozart’s love for him as a friend, Comte’s love for him as a father, and even Gilles’ love as a comrade to an extent. If anything, without their input Jeanne’s capacity for romantic love would be questionable at best.
Now, because I can never for the life of me stop analyzing, I have a more large scale outline of my thoughts below. Spoilers for Jeanne’s route:
If we look at Jeanne's life history, he has pretty specific trauma. Most of the harm he endured was a direct result of human rights violations after the war itself. He didn't enjoy fighting and killing people, but he's also very much a man that sees the reality of his position: it's either kill or be killed. His entire goal was to defeat the enemy as efficiently as possible in the hopes of ending conflict, and with his enormous resolve turns the tide. He had no innate interest in inflicting harm, or lack of control when engaging. He isn't pathological about it, and doesn’t dehumanize the other side. He was more "this was an act of necessity, but those are still human beings." So as far as I can tell he has a very strong moral compass and sense of duty, he doesn't show much delusion/confusion in that regard. (Also evident in his conversations with the young orphan boy.) Furthermore, he has been shown to have a sense of humor--cracking jokes with Gilles and boosting morale for his fellow soldiers.
His childhood abandonment is significant (he left his home because he was "not an adequate farmhand and they had no ability to feed all their children") but I don't know if I would consider it a huge trauma point for him. It seems as though he deemed it an act of necessity--not spite. It was simply the way of things, and he couldn't help his wiry constitution. You'd be surprised how common that was once upon a time, tbh... While it's certainly not right or fair, it does appear that in his perception it was the choice he made and he moved on after he became a soldier. Just focusing on what he could do, rather than everything he lacked. For people in his position, they often feel it is useless to linger on what should have been. There’s no time to linger or doubt, life hangs in the balance.
That leaves us with his time under the Inquisition, just before he was slated to be burned alive. I think this is the keystone trauma point for him, because there are a lot of moving parts to his powerlessness here. The first part is that his entire life's mission--ending the war so that people would no longer have to die and/or starve as a result of senseless violence--was just sabotaged. All those years of doing things he never wanted to do (wartime violence) and being forced to leave his family to ensure they didn't all starve, all of it treated like some kind of joke. Like he didn't sacrifice years of his life and sanity to protect a people who were happy to call him a monster and watch him burn alive. The second part is the overt gaslighting and rewriting of Jeanne's personal history (and overall French public perception) for the sake of the King's political agenda. To call him a treasonous danger to the country when he was once lauded a hero. The third portion is the actual physical helplessness of being arrested, starved, and continuously maimed for no reason beyond pure malice. While it's never right to do that to any human being, this was done to a man who prided himself on his stalwart moral code. To abuse and torture him for something egregious that he would never do (at the risk of death) is just another slap in the face to everything he is and believes in.
I just feel like the context clarifies why that period of time would be the tipping point. His entire moral code and life’s work is being called into question and swept aside, as well as his agency? He believes very powerfully in a sense of right vs wrong, what's fair and what isn't fair. Somebody else deciding that for him--and deciding in a way that is openly unfair/incorrect--further makes him lose himself and his sense of reality. A person in that situation begins to doubt if they are good or bad. His belief in god all the more pressing; if he was a good person, why would fate bring him so much suffering? Honorable soldier or not, his blade has drawn so much blood...
People often reference his stilted social skills (and I am of the belief that he is on the autistic spectrum) as a reason why he is so "people-adverse" but tbh? I don't agree. His memories before the onset of this trauma reveal that he was actually a very warm person, and that people were more than willing to fight under his banner. He had friends, and he had comrades--his country loved him. He was the picture of well-meaning civic duty. Just because he doesn’t integrate smoothly into larger social groups or adapt well to socially shifting circumstances, doesn’t mean he just hates people lmao. When people give him the space to exist within his comfort zone and don’t take advantage of him, he thrives. Compounded by that, we also have his actions in the present to further prove what is true and what isn't.
While he is stern with the orphan boy (I'm sorry I can't remember his name, damn it) there is no malice or cruelty in what he has to say. He doesn't punish the kid or do anything out of line. It may not be fair in terms of the adult level of discretion he asks of him, but the kid also didn't have a lot of options realistically speaking lmao. Same thing with MC, she and the orphan boy are nearly identical in how Jeanne treats them. He's a little rough, but the route reveals that his intentions are just a reflection of what he's been through. He truly believes that if a person isn't strong, they won't survive--because his entire life was a series of trying to be strong/reliable because nobody else would. There was nobody to protect him, and nobody to care for him went things went south. It was him and his sword against the world, and even his exceptional skill as a fighter did not protect him from the Inquisition's arbitrary torture. He has lived in a world where good acts can become absolutely meaningless, where following rules and helping people still gets you slaughtered. That's going to take a considerable toll on his mental health: where do you find the will to go on when the next second of your life could mean the devastation of everything that matters to you?
Spoilers: you don't. Or if you do, every minute of the day is a fight to stay alive. That is the point at which we meet Jeanne. Caught in the hellish whirlpool of wanting more, wanting better--but being terrified of the cost. The cost of hoping, only for his entire world to go up in flames again. It's not a small thing, in my view.
If you have any doubts as to whether or not that is the case, I direct you to literally every singular instance in which Jeanne's emotional sensibility goes visibly dark/south. When do these instances happen? When it rains, for one. And when Shakespeare deliberately starts pressing on his sensitivities: about the soldiers he was forced to kill, about the nation that spurned him, how he's truly "wicked" at heart and doesn't deserve to be happy--seconds before flames erupt for the festival. Does that really sound coincidental? I mean lmao. The rain is a painful reminder, but MC transforms that memory into something a little lighter with her bet. He has nothing to lose in her game, all she does is ask for time with him or offers him something if she loses. There's a playfulness there, a restoration of agency and ease that's invaluable to his recovery.
As for Shakespeare's deliberate retraumatization...I can't even begin to explain how damaging that event was. Shakespeare is undermining Jeanne's agency in that he--not unlike the corrupt monarch of Jeanne's era--is twisting Jeanne's beliefs to work against him. He knows full well that Jeanne doesn't feel like he deserves somebody so bright and understanding (we need to remember it's not really a luxury he's had much in life, especially after the war ended). He knows Jeanne has a tendency to impose that strict moral code on himself even more than he does on others. To reaffirm his every worst fear and lurking terror only throws Jeanne into a vicious downspiral. Jeanne doesn't reject MC out of disgust or hate. He rejects her because he literally cannot handle the concept of trying to be happy again, or of burdening her with his constant struggle to move on while he’s in the middle of a bad episode. He knows he won’t be able to stop reliving the past, that every second of his life and breath will be colored by his gruesome memories. He's trying as hard as he can to keep the intrusive thoughts quiet, to move on. But I'm not going to lie to any of you, that is incredibly difficult to do alone.
The next obvious question is, well why can't the other men help him? This isn't to say that they can't--we see how much solace Jeanne finds in Napoleon and Mozart. Even Isaac is gentle with the veteran. But there are limits to how much they can do. Napoleon is struggling with his own wartime trauma, and it's not identical to Jeanne's. Plus there’s a distinct difference in their sensibilities? Napoleon is the type to habitually seek comfort in helping others when he can't help himself, he's not as in tune with answering his own personal feelings and regulating them. (I mean just look at his new ES: he knows what he wants, but it takes a nudge from Isaac for him to go through with it.) He’s very communally reliant in ways Jeanne isn’t; Jeanne is a very private person, and typically prefers one on one from what I can tell.
Mozart is the definition of repression, and if you look at their interactions it's usually Jeanne that's smoothing over Mozart's rough edges. Mozart says as much himself: that he feels like a rotten friend because he knew Jeanne was struggling with a lot of intense trauma, but he didn't know how to unravel it without hurting him in the process. Mozart calls it personal cowardice, but honestly I just feel like they both had too much going on to be able to help each other effectively. (And Jeanne expresses this sentiment too? This idea that he's not angry with Mozart? He knows they're both carrying a lot, he's just touched Mozart cares about him in return.)
Okay, briefly unrelated, but like. Am I the only one that wheezes uncontrollably when Mozart is like "?????? Idk what it is about MC...I don't want her to be scared of me..." in his own main story in the baths. And Jeanne. IS TRYING SO HARD. NOT TO SPILL THE BEANS ABOUT HIM O B V I O U S L Y BEING IN LOVE. THE HILARITY I CAN'T DO THIS. Jeanne was like "yeah....yeah that's rough buddy.......[screams internally, give your boy time Jeanne he's fragile]"
Honestly? That's the thing about Jeanne too--he has incredible self-awareness and hyperarousal-related (I mean the PTSD kind, get your head out of the gutter) awareness to the people around him. He's very, very conscious of the fact that he is surrounded by geniuses when he can't even write his own name. Just because he has the fortitude not to lash out with his insecurities, doesn't mean he never feels stupid or inferior. And it doesn't help when there are people in the mansion who call him--a fucking war veteran from 500 YEARS AGO--nAiVe. He's not naive lmao. He just doesn't know how the world works so many years later, and it's a ridiculously steep learning curve? Leonardo and Comte are nearly 500 years old, but they lived throughout every hour of that time in a linear fashion. It is a big deal to be moved from 1430 to 1890 in the span of a second asynchronously, and then be expected to function without a hitch??? Given the circumstances he adapts well.
That atmosphere--this constant impatience with what he doesn’t understand, his inability to be caught up to speed quickly--is going to hinder his recovery lmao. He feels like a burden most of the time, and agency and freedom are crucial.
Another thing that occurs to me about the mansion's arrangement is that there is a power dynamic, just as any space with people in it has some level of hierarchy (unless you live with miraculously chill people). Jeanne is acutely aware that Comte is the most powerful being in that space, and he is not only hatefully angry at him--but likely afraid too. We have to remember that the biggest betrayal he witnessed in his life was at the hands of a monarch; it was the aristocracy that turned on him and erased the truth. Comte is openly a child that resulted from both that era and that type of lineage, I don't really blame Jeanne for being wary. He intimately knows how willing rich people are to throw normal folks under the bus to suit their ambitions/whims. Comte, while not deliberately threatening, also seems to be painfully aware of this impression he gives off. His "chad persona" as I've mentioned allows him to navigate his life in secret by necessity, but it’s actively damaging to his son. He can't reveal the truth because of Vlad's betrayal, and he's openly unsettled by what it could mean to be honest. Will they wonder about Vlad and find themselves ensnared under his mind control as Charles and Shakespeare are? Will Comte himself be subjected to the mortifying ordeal of being known only to lose them?? That's a risk he isn't willing to take--and that leaves him in a double bind.
What is it that they say, the truth will set you free? This is where MC and Comte come into enormous play when it comes to Jeanne's recovery. One thing to keep in mind is that most of the people in the mansion have their own traumas they're trying to carry, and I feel like a lot of them are unsure how to approach Jeanne. Or if they do, he's very guarded. It takes a lot of consistent effort to get through to him. What does MC do when Jeanne unleashes his harsh worldview on her? She's understandably frightened, but Jeanne isn't malicious (so she chases him around). In fact, he openly avoids and runs away from her--well aware that what he's done is wrong. If anything, he did it on purpose, bringing us right back to Shakespeare's verbal undoing; why does Jeanne attack her in the first place?
LMAO. He attacks her because she essentially says "oh thanks for helping me!" "I am not nice. Watch yourself." "But you seem like a nice guy to me?" "REEEEEE" Does the pattern become a little clearer? When people think kindly of him, his instinct is to shatter that illusion with an impulsive reprehensible act. When people think poorly of him or lash out, what does he do? When that orphan boy starts yelling and screaming, Jeanne is nothing but calm. He explains the situation, and offers the kid a choice, perfectly happy to be the bearer of bad news. This operates on many levels I’m sure, but I have a feeling it has something to do with him being hailed a saint and a war hero only to be tortured and branded a monstrosity (and he probably thinks being a vampire is doubly monstrous). He’s more comfortable being hated because he feels it’s what he deserves in a lot of ways.
Jeanne has a lot of internalized self-hatred because of what he's done, and because of how much harm was inflicted on him outside of his control (he's Catholic and he was tortured, come on this writes itself). If I'm honest, I think that's actually the greater part of why he hates Comte lmao. Comte refuses the very concept of being cruel no matter how much Jeanne lashes out. Sure he lectures him and scolds him, but he never actively limits what's important to him or controls or harms him. Comte fully realizes the tragedy of how Jeanne's life was used by a nation in dire straits, and knows he needs time and acceptance to heal. No matter how dismal or unhappy, Comte doesn't stop--he fully believes Jeanne should have time in his life where he can really live for himself for once. But therein lies the issue, Jeanne doesn't know how to live for himself.
Which brings me to how MC and Comte "heal" Jeanne. I feel like they give him the space he needs to recover, and that's what results in his gentled temperament and happiness. Remember that so much of his main story is MC endlessly chasing after Jeanne. No amounts of his hissing or running or threatening stops her. Even if his refusals are empty of real dislike, they're enough to deter most people. Not MC. She's able to see through to the depths of who he is, and doesn't just use him for her own ends? She actively seeks to teach him (to read and write) to help him settle better in this era, she actively tries to ease his distaste for rain with a well-meaning bet, and she never gives up on him. (Actions mean so much more to him than words in general too, tbh...). Love is more easily defined by work and effort than it is by attraction.
When he has his episode at the festival, sure she's rattled; but that's because she truly believed that he didn't want to be around her anymore. When she notices he really doesn’t want to be followed, she stops like any normal person would. It’s only when she reads his notebook and sees the truth for herself (that he’s given up despite having the same feelings for her) that her determination is rekindled. She doesn't approach him fearfully, doesn't treat him like he's made of glass either. She just wants him as he is--accepts and loves him as he is. Scarred, bloody, exhausted, abrasive, terrified. She doesn't define him by how easy he is to love. That is a huge issue with traumatized people lmao. Because of their maturity, people always just assume they don't need help, or they rely on them to an extent that isn't sustainable. The second they reveal need or that they struggle, people walk away or victim blame them because it’s easier than taking them seriously.
While MC's attempts may be a little more obvious (cherishing his lily field, wearing the hair pin he gave her, careful about his gruesome injury, really listens when he talks about the horrors of his life and accepts that he experienced a level of agony/terror she can never understand, tries to express her feelings no matter his evasion) I think it's also important to consider Comte's large scale effort. I don't say this to undermine MC, I say it because Jeanne's life was defined by a complete lack of security. He left his parents to make their lives easier, he lived in a war that meant life or death any second, and his country's leader branded him a traitor which lead to his endless torture and public execution. Jeanne does not know a life in which safety is the norm. Point blank. He does not understanding going outside and not expecting the worst anymore.
Comte not only understands that level of despair, but treats it with dignity and respect. He fully accepts being hated if it means Jeanne can use that hatred to live on and find a way to heal. And most importantly, when Jeanne begins to move forward with MC and Mozart's help, Comte never once holds it against Jeanne when the truth is revealed. He's not angry, this isn't about reprisal or reparations or revenge. It's just love.
Jeanne doesn't really have a concept of this? His entire life was mostly transactional, defined by strength and efficiency. Nobody gives a damn about your feelings. You either hurl yourself at the problem or die. Nobody is going to help you or carry you or save you. While he may have had a little more support while he was in the military from his fellow soldiers, that support system was ripped away from him during the Inquisition.
One very common sentiment regarding elongated imprisonment and torture is that survival occurs in pairs. It is an undeniable fact that people need others to survive. It is the nature of who we are. Individualism has never proven to be successful, or if it is, its dividends are astronomically minimal when compared to people working together.
What does it mean to be the most reliable, steady person in the room? Usually it just means you don't know how to ask for help when you are no longer capable of maintaining that stance. Napoleon is guilty of it. Leonardo, Comte, and Jeanne all are too. It's part of why MC and Comte's capacity to see what he needs and provide as much as they can is such a big deal. That sort of consistent support (without a constant necessity to beg for help) allows Jeanne to be able to re-integrate into his new reality and find joy. Even if his nightmares and memories never go away, they are now being actively overrun by positive experiences. That's the thing about recovery, really--it tends to be more about drowning out the negative as much as possible and coming to terms with it, than it is about forgetting or never feeling it again. It’s about softening the sharp edges of pain like sea glass.
So is MC magical and randomly got Jeanne to open up? Nah, I don't think so. I think it was a series of persistence and real acceptance of who he is that made him warm up. People really seem to underestimate how deeply affecting understanding is, but that's how damage is undone. Jeanne can't really linger on the idea of his own monstrousness, his unworthiness, a lifetime of misery, when the person in front of him actively listens and cares about him. Makes him laugh and smile and lose himself in warmth for the first time.
If I'm honest, I feel like people also just...underestimate the level of traumatic resurgence that's perpetuated and inflicted by society’s standards in general lmao. This rhetorical structure in which good and bad exist in moral extremes, this idea that people should be able to recover and never experience relapses or periods of sensitivity. The refusal to radically listen to people and their problems, and make active attempts--not matter how small--to mend/ease those hurt feelings. Granted there will always be people in the world who do not want to improve, but I feel like most people want to. It's hopelessness, silence, and stigmatization that remain the true enemies of traumatized/mentally ill people everywhere. And among that population are always war veterans...
94 notes · View notes
sunmoontruth-stiles · 3 years
Text
Ok this is gonna be long. I’ve literally been slowly working on this for… too long. I’m just in a mood to have a long discussion about ships. I’ll be looking at canon and not, so bare with me. I don’t ship all of these personally. I’m mostly just picking the most popular ones. I chose to leave out a few that I just don’t want to talk about. I tried to keep this loosely chronological, but that quickly went to hell. None of this is meant to be hate towards anyone’s ship, just my personal opinions on each of them.
Tumblr media
Canon:
Scott x Allison: True Classic
Scallison is so sweet as it is truly the epitome of young love. Romeo and Juliet, except Romeo is even more of an idiot and Juliet is a badass who dies for a cause. They’re moral and ethical codes are both highly valued by themselves, even if they don’t align with others very often. They loved with everything they had. They were beautiful. We’re they soulmates in the end, or just the first love who will always hold a special place in your heart? Who knows, but I’ll always love these immature kids who thought their love could change everything.
Stiles x Lydia: The Long Awaited
Stydia is as slow burn as you can get. Unfortunately their actual getting together was slightly rushed in my opinion. They didn’t have time to find their own as a couple because Stiles just wasn’t in the show enough at that point. I know the reasons behind it, but it did leave this couple at an awkward stage of official-but-not-shown. The idea that Stiles loved her as a kid, immature and infatuated, and he saw her for who she really was, will always be cute. Then they grew, changed, became friends, and found other people. Them finding each other later on, having real love that’s developed slowly, is a wonderful arc. Though, a part of me will always believe they should have pursued other story lines in the wake of Stiles’ absence from the plot. They’re finally together! …but we don’t get to see it.
Jackson x Lydia: The Image
Oh Jackson and Lydia. Honestly, I love them. Their connection at a time in their lives when they couldn’t open up to anyone else, just hits me right in the feels. I mean, god that HUG. You know the one. Always brings me to tears. I’m so sad their relationship was almost entirely depicted during Jackson’s kanima time when he couldn’t think nor truly act for himself. Those small moments of scared vulnerability when he wanted to protect her from himself… I’ll miss these two. They deserved to find other people and remain life-long friends. I loved their moment in the last episode. I wish they’d gotten to see each other grow. Also they had such bixbi solidarity vibes, and I’ll die on that hill.
Scott x Lydia: Leaders
Ok, I’m gonna be honest here. I ship it. The power couple they would have been?? Also them coming together after they lost Allison would have actually made sense. A part of me kinda wishes the writers had moved on from Stydia as a romantic relationship and leaned into them growing as friends and Stiles moving on from his childhood crush. Scott and Lydia actually would have had good chemistry. They were both very headstrong heroic types, but Lydia would have balanced Scott out well intellectually. They had the history, and I think it could had worked if they wrote it right. Plus, Scott and Lydia would have been a better endgame that Scalia.
Scott x Kira: New Beginnings
These two were adorable. Kira was a badass, don’t get me wrong, but she let herself be soft in a way Allison was always afraid to. This couple was truly Baby. Absolute dorks. I can definitely see the lasting quality between the two of them. They saw things very similarly, and had a ton in common. I do think Kira deserves more characterization outside of their relationship, like more of her friendship with Malia. Overall, her departure from the show will always be sad to me. It was bad writing. Scott was over her far too quickly.
Aiden x Lydia: Pretty People Herd
I honestly didn’t see much between these two other than mutual attraction. The best thing to come out of this relationship was Lydia’s line, “You’re not just a bad boy, Aiden. You’re a bad guy. And I don’t want to be with the bad guys.” Good character development moment.
Ethan x Danny: Step to Redemption
Danny really was the thing that made Ethan look outside of the pack for what he really wanted out of life. They had a few cute scenes. Gotta love Danny’s final remarks, “Dude, it’s Beacon Hills.”
Allison x Isaac: Unexpected Rebound
Ok, I like these two. Isaac could match Allison’s snark in a way Scott couldn’t. They both fought the progression of the relationship slightly. They didn’t expect to fall for each other. They were less willing to let someone in close. I’d love to have seen more… but unfortunately their time was limited. On a side note, sometimes their relationship did feel like ‘we both are in love with the same guy, let’s cope with each other’, but I find that completely valid. I’ll talk about Scallisaac later though.
Stiles x Malia: Anchors
Ok but, them <3 I love what they did for each other. Stiles was able to help Malia connect to her humanity and other people. He never tried to isolate her in their relationship and encouraged her growth. Malia offered Stiles the emotional support he never asked for. She defended him, fought for him, and loved him fiercely. Stiles needed that so much after season 3. I think they were a love that wasn’t meant to last, but the impact of it was forever. I wish we’d gotten to see a real end for them where they agreed that they needed to grow as individuals but would always still care.
Liam x Hayden: Three’s a Pattern
These two’s characterization stopped whenever they had storylines together. Their relationship was built on Scallison references. Hayden’s character could have been interesting, but they never really gave her a moment to shine. Liam has the worst plots when they revolved around her. Cute couple, poor writing.
Derek x Braeden: Gaslight, Gatekeep, Girl Boss
Derek deserves to be happy so much. Kate and Jennifer were just... jeez. Him and Braeden were cute and deserved more screen time. I think her intensity allowed for Derek to let go of control a bit more comfortably. Let Derek Be Soft. Anyway, love them.
Corey x Mason: Gotta Have That Rep TM
These two could have been cute if they were shown for more than two seconds at a time. I highkey forget Corey even existed all the time. Kinda just felt like a relationship to fill TW’s gay quota.
Jackson x Ethan: The Callback
Honestly? Loved them. Loved the chemistry. Loved the dynamic. Best twist. I know it was probably written in like that because Colton came out during his time away from the show, but it absolutely fit his character. Jethan is top tier.
Melissa x Chris: BAMF Parent Duo
Ok, so like, Melissa deserved this plot. She deserved someone to care about her. However... what the hell? Chris? In canon, his wife died like 2-ish years prior? His daughter died 1 year prior?? Is Chris really in a position to pursue a new relationship?? Also, like, Scott and Allison dated and loved each other up to her death. Kinda weird to have their parents hook up. I don’t hate it, but I don’t ship it…?
Scott x Malia: Lead up? What’s lead up?
These two came out of nowhere I stg. Like, 6B really tried to tell us this was something that had been slowly developing in the background? Also, I understand that they are their own people, adults, and completely in charge of their own romantic pursuits: but did Scott seriously never call Stiles? Like, Malia wasn’t just his first girlfriend. She was his first. Like, dude that’s your best friend?? Not even a head’s up? No, ‘hey would this bother you?’ Oof. Plus Malia was way too chaotic for Scott. She existed in gray morality that always prioritized her immediate circle, and Scott was a very black/white type of heroism. I just didn’t feel like they fit.
Non-Canon:
Scott x Stiles: Childhood Best Friends
Ya, sorry, I don’t ship Sciles at all. I get it. Like, I totally understand the ship, and I mean no judgment at all. I just see them as friends. I really value good male friendships in media because I feel like we don’t get enough, and I always liked these two.
Stiles x Derek: Enemies to Lovers. 100k. Angst. Hurt/Comfort.
God these two really are what fanfiction was made for. I could write a much longer discussion about Sterek, and I probably will eventually. I’ll try to keep this brief. These two weren’t always on the same side, but their approach was the same. They were very similar at their core. Plus, wow the chemistry. This should have been canon. Jeff’s a coward.
Allison x Lydia: Powerful.
This ship is so great. They really had a great dynamic, and a romantic plot would have easily fit the established narrative. Lydia’s confidence in herself and Allison’s confidence in her own abilities crossing over to each other because that’s what the other lacked? Iconic.
Danny x Jackson: He Gets Him
Danny really saw Jackson for everything he was and still cared. I wished we’d gotten to see more of them. I  want more background with Jackson’s eventual coming out and his friendship with Danny. Like, they ended up dating the same guy. What did Ethan have to say about that??
Stiles x Jackson: Bastards
Ok these two had a super fun dynamic. The asshole-energy between them was, great. The snark was always so entertaining.
Melissa x Noah: Family
How were these two not endgame? Their sons were practically brothers already. They had amazing chemistry. The flirting? Not to mention, their timeline would have made way more sense. Missed opportunity.
Chris x Peter: The Opposite of Love is Indifference, Not Hate
Ok so like, this was definitely one of those ships that I had absolutely no knowledge of before I was pretty into the fandom. Like, this was not something I would have guessed just after watching the show. That being said; my god the chaos alone…
Scott x Isaac: The Disaster Duo
Okay ya I love these two. Two dumb asses who act like idiot puppies. Such a fun dynamic. Plus?? Chemistry??? Hellooo
Scott x Allison x Isaac: Three Heads Are Better Than One
This ship is definitely one of my personal favorites. I very rarely poly-ship. I just feel like most of them are just love triangles with an ‘easy solution’, when two of them have no real connection. That is so not the case here. I feel like all of them have such great chemistry with each other. They also have a great dynamic as a group. Season 3A was really just Scallisaac rights.
Stiles x Isaac: I Hate You, jk…Not Really
Ok I loved their banter, but I really just don’t see this ship. Idk, I don’t personally ship it. Would have loved to see their friendship develop more tho.
Erica x Allison: Duo that would stab you with a stiletto
I don’t ship it, but I do wish we’d seen them become friends. I feel like they had a very artificial ‘girls fighting over a boy’ dynamic? They could have been such a badass duo.
Stiles x Erica: Batman x Catwoman
Ok I’m not sure exactly how to express my feelings for these two so bare with me. OMG I love their dynamic so much, and they are sooo cute. Their energy? Amazing. Chemistry? Great. History? It’s there and has so much potential. 10/10. Love them. But, no, I don’t ship it lol. Just really love their friendship, but with the underlying history of crushes.
Boyd x Erica: Was This Not Canon?
How can anyone not love Berica? Ugh they are adorable. These two deserved so much better.
Boyd x Cora: Survivors
Honestly I don’t really see it? Like they definitely had a connection, but it never felt romantic. I really feel like they just had to lean on each other and bond to make it through captivity, and it just lasted.
Boyd x Erica x Cora: The Pack
I literally learned this was a ship a couple days ago. Similar feelings towards this as Bora, but with the added hesitancy of we never actually saw Erica and Cora interact.
Cora x Stiles: Slow Build Up
These two were clearing being lined up to be a thing before Cora ended up leaving. I can’t say I’m disappointed they never happened. Kinda felt like they just wanted to straight-code Sterek.
Cora x Lydia: Mean Lesbians
Not much interaction to actually go off of, but yes I 100% support. They have very different approaches to problems, which is fun. Very ‘opposites attract’.
Malia x Kira: “Maybe you could date the coyote?”
Another one of my favorites!! They really complimented each other. Also, how full circle would they have been? They were introduced in back-to-back episodes. Malia stalking her as a coyote? The line from Kira’s dad about dating it? It would have been so funny if that ended up happening.
Malia x Lydia: Beauty and the Beast, but make it wlw
These two were fun. I liked their friendship, but I don’t really ship it. Though, rip Stiles that would have been hilarious.
Parrish x Lydia: The Cop and The Minor
Must I say more? Like, Parrish’s character, so sweet and big rule follower, did not make sense for what went down with Lydia. I love Parrish, but the dynamic just felt off. It didn’t feel consistent with the rest of his characterization.
Parrish x Stiles: The Cop and The Minor, but gay?
Ok, same reasoning as above, but also they had absolutely no connection romantically.
Scott x Theo / Stiles x Theo: Sometimes The Villain is Hot
Ok I’ve put these together because I have the same opinion for both. I don’t ship it. Neither had any rebuilding of trust, and Theo really hurt both of them. I just don’t really think they work.
Mason x Liam: Sciles Puppy Pack Edition
Similar to my feeling about Sciles, I just don’t ship these two. They had a good friendship, from the little we saw of it.
Theo x Liam: Anchors 2: Electric Boogaloo
Another personal favorite! I really don’t even understand why this didn’t go canon?? The elevator scene was just, so intense. They helped each other grow in 6B, and I really loved their dynamic. They should have hooked up.
Honorable Mention?: 
Parrish x Laura: What’s canon?
I’ve seen this in fanfic a lot, and I actually really like it lol. I thought I’d add it in here because I do love the creativity of fandoms.
76 notes · View notes
crimeronan · 3 years
Note
Can you explain the appeal of Julian Blackthorn? This is a genuine question because I read the books and came away utterly bored by him and unconvinced of his moral greyness as opposed to like, Adam Parrish’s. He seemed so one dimensional to me but I want to know if I’m Wrong TM considering I tend to be very very biased toward my favourite characters and bored by the rest, and my favourites were Mark and Kieran. So maybe I just didn’t pay him enough attention??
it’s been a while since i wrote any earnest tsc meta but cringe culture is dead and the chance to infodump about my julian thoughts has me vibrating where i’m sitting so.  yes okay.
technical stuff
(aka: things pertaining to How The Story Is Constructed)
cassandra clare’s characterization has become much stronger just in general since she first began writing the series like twenty years ago
perhaps most importantly: the more recent stuff i’ve read from her has involved characters who actually grow, change, and learn from their past mistakes 
rather than repeating the same stupid decisions over and over again
and over and over and over some more
seriously take a shot every time someone in tmi miscommunicates or self-destructs in ways They Have Learned Not To Do for no real reason. u will die of alcohol poisoning
in tda this shines ESPECIALLY with the evolution of mark, kieran, and cristina’s relationship, but that’s a separate post
clare’s trademark is also the angsty traumatized jerkass love interest with a secret heart of gold
the woman is almost singlehandedly responsible for draco in leather pants and the proliferation of this kind of character type in fandom and teen lit. this isn’t a criticism it’s me marveling at how if you commit hard enough to a single trope you truly can change the world.  follow your dreams
sad jackass with a heart of gold isn’t an Inherently Problematic Character Type
but poorly done it can lead to relationship dynamics in which one partner is constantly being hurt by and then forgiving the other despite them making no real effort to change, because they are narratively absolved due to being sad
(there’s a lot of this with earlier jace content.  in some ways i think will was later created specifically to be a same-archetype protagonist who actually does get called on his shit and grow. that’s also another post)
also if all of your sexy male love interests are tortured jackasses with a heart of gold then people start calling you a one-trick pony
enter julian blackthorn!
from the very start everything about him is designed to be the INVERSE of the heart of gold jackass.  which immediately makes him interesting just from a meta perspective
(mark and kieran are also both alternate angles on this time-honored archetype.  mark gets the heart of gold and kieran gets the jackass and then they’re both much more deeply messy than that.  yet another post)
julian is kind, self-sacrificing, empathetic, artistic, emotionally supportive, responsible, and favored by old grannies everywhere
so a completely nonthreatening milquetoast guy, right
immediately forgettable if you’re only here for the dramatic conflicts and shithead antics of clare’s other protags
except that he is A Mess
and that he has structured his priorities very carefully, and they are as selfless as you expect from The Hero (TM) but they are also Not Heroic (TM) and they do not align with the moral framework The Hero (TM) is supposed to use
moral ambiguity in characters always exists in relation to their narratives imo. you mention adam parrish - trc’s narrative already mucks around in different ethical shades of gray, and adam falls on the canon scale about where julian does on his canon scale.  both more willing than the average pov character to do the ruthless thing or make the fucked-up choice if the ends justify the means; both with an intensely strong sense of internal priorities that they adhere to at all costs, both so unbelievably fucking down for murder; etc
i do think there are ways julian’s choices could have been pushed even further, but considering the number of readers who hate his guts already, i can see why clare opted not to go for the most controversial possible conflicts
so we’re flipping the narrative
instead of seeing this angsty bad boy and peeling back the layers of his trauma to find his heart of gold, we’re seeing the put-together selfless family man and peeling back the layers of his Responsibility Mask to expose the rotting husk underneath
MMMMMMMMMMMMMMM
THAT IS FUN AS FUCK
then when julian DOES lash out in hurtful, uncontrolled ways, he has significantly more narrative justification for it than most of clare’s protagonists (will elaborate in characterization thoughts)
julian is also interesting as fuck because of how his struggles allow for a more in-depth look at the failings of shadowhunter society, something that’s also sorely lacking in clare’s earlier work
his apparent amorality is simply the result of him making pragmatic and impossible choices because he has been faced with fucked-up ethical dilemmas since age 12 Because Society Has Failed Him
which opens the door for narrative exploration of how and why he’s been failed so badly & what needs to change
i also love that he has such a coldly calculated way of analyzing situations and allowing harm to occur when need be, bc a lot of clare’s early protagonists have such a bad case of Rush In And Get Myself Killed Because I’ve Got Feelings About Impulsive Heroism syndrome that i wanna push them in front of a truck
probably there’s other meta narrative stuff i could say but i’m stopping myself and moving on to character analysis
characterization stuff
(aka: reasons why i’m also attached to him in a vacuum)
i don’t read him as one-dimensional at all tbh
u may feel the narrative pushes “ruthless julian blackthorn” too much without delivering enough actual ruthless julian But i don’t think that’s the same as having only one dimension
from the get-go, the big question centered on julian is always “how far are you willing to go?” and the narrative pushes the stakes slowly higher and higher to continuously test julian’s “the price is always justified” mindset
he has a far more layered and realistic response to trauma than clare’s early protagonists - trauma affects every single aspect of his personality and how he conducts himself, and the effects vary depending on the circumstances
his conviction that he has to be the perfect parent to his siblings because they will fall apart if they see him show weakness??  rooted in how he feels like he’s fallen apart since losing the stable adult support he once relied upon
his willingness to hurt semi-innocent people, commit coldblooded murder, manipulate people using political leverage, allow harm to befall any stranger if it protects his family??  rooted in how he has already had to ask himself how much he’s willing to sacrifice, and how his family is his only source of stability when the world has never done Shit for him
his conviction that he has a darker heart than anyone else because he killed his possessed father, even though intellectually he knows he was saving his brother’s life??  rooted in having no means of processing this trauma and being unable to voice his feelings for fear of backlash from a deeply non-understanding society
the way he represses every single negative emotion he ever has, to the point where emma - his actual literal magic soulmate who can feel his emotions - is startled to find him hurting or angry??  once again all about how he has to be the perfect father or he’s failed completely
the way his anger is so totally disproportionate to different situations and the way his negative emotions can only come out in completely uncontrolled breaks??  all that repression baybey.  this kid has not processed a single bad feeling in five years.  every single real grievance and petty annoyance has been festering indefinitely inside him like a slowly spreading infection
julian’s arc involves him needing to get thru being his worst self to actually start to heal
as in, he has to actually learn to acknowledge his feelings, take care of himself, lean on his family, and let other people take some responsibility
he also has to learn that in his quest to be the perfect emotionally controlled authority figure, he has not actually learned how to control or deal with his emotions. like. At Fucking All. good god
the narrative setup is also about asking “how far are you willing to go?” until the answer is finally “not this far.  not this far”
and once he reaches that point, he has to reevaluate everything about how he weighs his priorities and morals and plans, etc
(i also like that emma has a perpendicular arc in which she’s always the one tempering julian and telling him “no we can’t go that far” until she’s willing to do something horrific that he absolutely won’t and HE has to stop HER. very sexy)
it’s also just really nice to have a character who’s learned to relate so well to literally every single member of his family while still having a very detached ruthless interior consciousness. i have similar feelings about how adam teaches himself to love people, but with julian it’s spelled out more explicitly in canon & it’s a more central character theme
i’m sure i’m also forgetting stuff here but this post is long enough so i’m gonna say good enough
and like i said in the tags on my other post, there are things i’d personally write differently if it were my story - plot points i’d shift, character contrasts i’d up, themes i’d explore differently, pacing i’d adjust, etc.  i have plenty of ways i could be nitpicky and editorial about the effectiveness of julian’s arc.  but i also don’t feel like writing them out at the moment & none of my critiques on effectiveness have an impact on the core appeal of his character 2 me.  he’s so fucking good
207 notes · View notes
professorspork · 3 years
Text
today in the Andromeda Galaxy, GLITCHES TRIED TO KILL ME BUT I MADE IT WORK. or, well. Helen made it work, actually, and I was very grateful. (Elaaden, what do you have against my triangle button working? and wtf was that Nomad bug where suddenly I could see through time and the world contracted and my hair turned white????)
anyway.
this morning I joked to Helen that I was feeling very “I love all of my crew equally”/“I don’t care for Cora” so today I made a concerted effort to get to know her better--and tried a few Nomad combos where she wouldn’t sound like the fun police. (turns out, she and Vetra get along great! and also when I put her with Peebee she gets very self-conscious about how she’s totes not appropriating asari culture and it’s v embarrassing. on the OTHER hand, she makes fun of Peebee for peeping on Jaal and like, again, wtf, let me have my ot3.)
I started out finishing up that Morda drive core mission that glitched, and of course I gave the krogan the drive core in exchange for the outpost because I LOVE KROGAN and also RYDER LOVES OUTPOSTS. win/win tbh. but honestly the best part was getting to pick the dialogue option talking to Addison “fuck Tann” and Ryder actually getting to say fuck! it’s the little things.
after closing out Elaaden I decided to try and finish up a few errand-y missions like scanning plants, etc. in doing so, I got to play soccer with my very best friend Liam which was a heartwarming lot of fun, and fought TWO architects because just one was not enough. Peebee’s ex stole our beloved Proof Of Concept (I know the bot is called Poc, but honestly I think full-naming it is much cuter) and I was all “of course I’m gonna help you we’re in this together” which threw Peebee off her game because she’s still thrown every time someone cares about her. I AM, AGAIN, CANNOT EMPHASIZE THIS ENOUGH, GENUINELY SAD I’M GOING TO HAVE TO CHOOSE AMONG ROMANCE OPTIONS. this experience could not be more different from the main trilogy, where I romanced Liara out of a sense of obligation/curiosity faaaaaar more than any genuine interest or investment, and wasn’t tempted* to deviate from that by anyone else along the way. there are a thousand mechanical reasons why I think romance works much, much better in Andromeda than it ever did in the main series--among them the very pointed focus on found family throughout, the more nuanced ability to craft a unique Ryder by doing away with paragon/renegade and instead having the more robust conversation trees, and the overworld chatting on the Nomad giving EVERYONE the amount of personality off the bat that my OG crew had to like bite and claw for for two and a half games-- but like. I’m not gonna lie a big part of it is just that I just think more of these people are more interesting as potential partners. I THINK I AM AN ANDROMEDA GIRL. 
* well that’s a lie I would have romanced Tali in a heartbeat if I weren’t playing fem!Shep and that was illegal. and I’ll probably romance Sam Traynor after that. so. it’s not a total bust.
but I digress. 
saved that scientist’s baby on Voeld, and afterwards had my first ACTUAL, HUMAN conversation with Addison about--shockingly--the nature of friendship. I was genuinely surprised and pleased! look at us go! I also did some spying for that STG agent, and got the world’s most badly delivered “gee, are you really going to believe that old coot?” speech out of my main suspect, which was hilariously insulting.
and then, partly due to Helen’s advice and partly because, again, today was Learn To Appreciate Cora Day, I finished out her loyalty mission! I was shocked to find Sarissa alive after all the build-up-- I was certain that after that long a drum roll for how key she’d be in the Initiative’s growth that we’d find her mega-dead-- but as Helen pointed out to me, the trope is Don’t Meet Your Heroes, not Your Hero Is Probably Dead, Actually. her whole “be calm, soldier” routine @ Vedaria was kind of grating in the moment but is very cute after the fact, so fine. the whole muted sounds and gravity tricks of that final fight were super fun, even though I did accidentally jump into space once or twice. the big biotics lightshow was v impressive, but after I took a pretty hardline stance on Sarissa: come clean and shut up, and you’re fired. I did get a little offended when the asari captain was like “you could have killed us all, it was only dumb luck that Ryder found us” bc EXCUSE ME, SOME OF IT WAS DUMB SKILL, but still. it was good to get that all settled, and very good to hear Cora say what was immediately obvious to everyone but her, which is that her compulsion towards mentors and plans would have made her a poor Pathfinder but makes her a perfect XO. 
then I hit level 50 and spent a lot of time upgrading my gear, and like-- a kind god would have put the loadout console next to R&D and the buy/sell screen so I wouldn’t have to run up and down the Tempest corridor like an idiot. but whatever. Baby’s Fourth Beam Gun TM (an Avenger with a beam emitter) is working out splendidly, I’m slicing and dicing with my asari sword, and I’ve just put seeking plasma bolts on my Eagle which delights me. still shopping around for my ideal sniper before I commit but we’re getting there! 
then I went to start the new planet, but then realized Ark Natanus was right there, and ended up backtracking twice. First I ran back to the Nexus thinking there’d be another fun homecoming cut scene for the asari like there’d been for the salarians that I didn’t want to muddy with adding turians, too, only that didn’t happen. boo! I did remember to check on my mom, tho, so that was nice and emotional. then I went back to Netanus to start that up, only to realize I was wearing a very ugly and entirely face-obscuring helmet-- and once it was clear the entirety of the mission was going to be me emoting at Rix, I restarted the mission with a different armor loudout. yes, I am that vain, but only because opportunities for mlm/wlw solidarity are rare in this game (Gil’s been quiet lately, lol) and Rix deserved my best. though after doing all this, I am wondering: why do all the SAMs have different voices? surely making even one AI as smart and unique as SAM is difficult; then making each Ark’s SAM unique feels like an unnecessary burden? but whatever.
H-whateverthefuck is by far my favorite planet to Nomad around on. I’ve been complaining about the lack of low gravity mechanics since the Mako in ME1 (WE WENT TO THE MOON, THE LITERAL MOON, OUR MOON, AND NOT EVEN THAT HAD LOW GRAVITY?) and so this felt like pure vindication. (also, in general but very aggressively NOT for this planet because of the radiation, shout out to the Nomad for letting me get out no matter how poorly or vertically it’s parked, because lord knows I glitched the Mako many times trying to pause and get out in ‘impossible’ places the Nomad handles with ease.) anyway. the concept of a broken-up planet is terrifying, and the reality of it was eerie as all get-out. what neat execution!
and speaking of a neat execution, I’m so relieved going with the interrupt and firing at Meriwether while she held Sid worked, because I was again legit scared I might get Sid killed. as you’ll recall re: my Jaal loyalty mission, that’s the second time I was genuinely quite nervous there would be real consequences to screwing this up! I give the game a lot of credit for building a world where it feels like I really could screw up that badly. I’m very proud/fond of Sid, and the whole security camera mechanic was delightful-- a more fun version of the kind of stuff KOTOR always made me do. back on the Tempest, I decided to flirt with Vetra while the flirting’s still good, but tbh her flirt option (“I care about Sid bc I care about you”) wasn’t even all that romantically valanced, if you ask me! but also I love that Sid’s idea of justice is fast-tracking having cats in Heleus. 
phew! with so many big things now out of the way, I’m not sure how much dithering I can/should do before continuing with the main mission. but that’s a decision for future me.
5 notes · View notes
cake-in-a-tin · 4 years
Text
My thoughts rewatching all the Harry Potter movies back to back
forgive typos, and be warned - there's a lot...
the first two have a smaller amount of thoughts for some reason, idk why
 Philosopher’s Stone
teeny harry haha
that snake is so beautiful
no post on sundays bro
hi hagrid
how did the dursleys get off the island tho
aw harry is so teeny and innocent
ollivander’s entrance is so iconic, like i want to enter every room like that
hermione is so great already
and you are…
‘you’ve got dirt on your nose by the way, did you know?’
haha tiny malfoy
TREVOR! + neville
that death glare mcgonagall omg
oof snape really hates harry
it's leviooosa not leviosaaa
troll in the dungeon!!!
hi fluffy
ew norbert is gross to be completely honest
creepy malfoy staring at the window
malfoy being sassy wow
‘nighty night…’ whyyy filch?
oof ron are u ok
bye hermione
voldemort is kinda cute with his big eyes
harry really just killed quirrell jeez man
alas earwax
Chamber of Secrets
ah go away dobby don't be weird
yes the car with fred and george
oof bye uncle vernon haha
ah awkward let go of harry lockhart we hate u
haha ginny is iconic
rons face when the train comes omg
ron can drive? that's impressive…
ooh a voice scaryyy
hey colinnn
eat slugs - yas
let go of his arm lockhart
uh oh colin is petrified
hahaha snape annihilated lockhart wow
gosh moaning myrtle is annoying
tom riddle is such a weirdo hgh
ew spiders
lockhart is hilarious when he has lost his mind wow
yas fawkes
ew he just stuck the sword right through its head didn't he...
powerful sock…
go away lucius ur annoying
Prisoner of Azkaban
ugh aunt marge blow up already
sassy harry tm
tom is iconic
so is crookshanks tbh
the knight bus kinda sucks in the movie tho
yess lupin hi
ugh shut up trelawney
ah the best scene aka harry and draco being sassy towards each other
‘it’s killed meh!’
the other best scene: lupin, boggarts and the record player
love when they are eating sweets and just being good friends
yay marauders map - iconic fred and george
nice snowman also
my dad didn't strut and neither do i - yeah right...
yes leave hermione
trelawney stop being creepy
take that malfoy
harry third wheeling
yas remus save sirius
"old married couple" haha snape knows what's up
die peter lol
haha yes they will chop your leg off ron definitely
ugh harry stop being noble
haha yes mentioning the marauders
ew stop peter
oh no werewolf
sirius is so dramatic haha he cant stop turning into a werewolf my dude
bad idea yes ron i agree
oof fight him sirius
no sirius!
the dementorssss
no harry that's not a real patronus dude
nom eat the little soul nugget nice
ah no they're gonna kiss sirius nooo
scabbers did it ok... shut up ron
dumbledore just smacking ron's broken leg and being mysterious
and enter many time paradoxes
‘this is not normal’ hahahah wow harry
yess save buckbeak dudes
yas beautiful patronus dude
this music tho wow
au revoir sirius
I wonder how many stairs they ran up...
poor ron so confused
that bird just got squished no
don't leave lupin
please tell harry about the marauderss
i love lupin omg
ooh a firebolt thanks godfather
the ending face wow
Goblet of Fire
ooh nagini hello
yay frank you will die soon so enjoy your tea
dr who!
ah voldemort's creepy little hand tm
yes ron is covering his non existent boobs wow
hermione's so mad 4 some reason
yes cedric diggory in a tree
everyone has long hair why
isn't just any manky old boot mate
cedric amos and arthur are show offs
feet off the table!
i luv magik
wow krum is enjoying himself
Why is draco wearing a suit?
lucius is very ominous
think ur in luvvv ron
is there no winky in this? sad
harry is so awkward omg
bye hedwig find sirius even though the ministry cant
oh bonjour beauxbatons
wow so dramatic here come the durmstrang peoples
wow run filch ao athletic
ew the beauxbatons entrance is so weird and compared to the durmstrang one is kind of sexist
ow poor flitwick a fork to the hand that's gotta hurt
moody is so dramatic
dumbledore already shouting nice
why does he have so many bugssss
ah that is a creepy spider
poor neville he has to have cuppa with moody that sucks
yess fred and george back at it again
hermione ruining the vibe
HARRY POTTER DIDJA PUTCHA NAME IN THE GOBLET OF FIYAH dumbledore asked calmly
what would happen if harry was just like "nope"? would he die that would be interesting
igh rita skeeter go away ur creepy my dude
hate it when ur eyes glisten with ghosts of ur past
yas sirius in a fire
"who are u talking to?" "im vlogging ron" (how it should have gone. harry should have a youtube channel just saying)
poor harry a third wheel yet again between madame maxime and hagrid ew
wow draco in a tree, why? so many people in trees this movie
"nyaaah"
malfoy as a ferret is my favorite character
my father will hear about thissss
omg rita get outttt
fight the dragonnnn
feel like someone should have stopped the dragon after it broke free... idk *shrugs*
it would be so boring if u were watching the tournament because you can't see anything that's happening most of the time, only for the 1st task and a bit if the 3rd task.
knew u wouldnt die harry, lose a leg - or an arm -pack it in all together? nevaaaaa
god just open it harry
ron ur so awkward...
harry spitting out his drink will never not be funny to me
oh yes the gorgeous dress robes
poor ron has it tough, having to dance with mcgonagall and having ro wear those robes...
*babbling bumbling band of baboons*
the twins are hilarious in this haha
aw neville!
snape is really violent can't 2 boys discuss their love lives or lack thereof in peace
ron's jealous of viktor krum haha
love harry just being so confused and saying "spectacular" when cedric speaks to him.
given the fact harry literally told him the task cedric didn't do that much to help.
ugh no myrtle stop
harry going "do i" when neville tells him he seems tense is such a mood
harry's hair when he was swimming haha
just leave them harryy omg too noble
harry holds his breath for a long time after his gills go away - longer than i can
fred and george making fun of harry having 'moral fiber' is exactly what i would do in the situation
mr crouch stop being weird
yes finally singing hoggy warty hogwarts
oh hi mr crouch, taking a nap in the forest are u? cool
i would say do not stick your face in the pensieve but that's just me
Dr Who changed a bit since i last saw him, he's a bit mental now...
snape is so iconic wow
"bubble juice sir?" bahaha sassy harry back at it again
this music is so great
i would freak out if i had to go in that maze it's so creepy and feels like it would be so filled with jumpscares just nope
"a cauldron? What are u guys gonna do - eat me? that's gross!" feels like it should be in the movie
aw baby voldemort is so cute
ugh just chop off another finger or something wormtail jeez so much drama
how is voldemort still alive - the cauldron is on fire??
the movie is also really missing voldemort dancing with the death eaters
u dont have hair my dude stop caressing ur bald head
voldemort has lovely long fingernails
lucius' blonde hair poking out from beneath his hood is so funny 4 some reason.
"i can touch u now" is really not a good sentence
bit awkward to return with a dead body...
its alright harry *shakes his head violently*
uh oh that's not professor moody its barty jr
Order of the Phoenix
halfway done woo
the intro music is still a jam the 5th time
that is big whinging not little whinging
hi big D what a great nickname...
uh oh dementorrrrr
yes mrs figg the most iconic character in the movies
harry looks a lot like frodo baggins
yay the order is rescuing him finally
yes remus and sirius and mrs weasley and everyone
ooh kreacher
jeez hermione attack him
crookshanks attacking the extendable ears is just what my cat would do
cute godfather godson moments yeass
arthur weasley trying to function as a muggle is just so wholesome
ugh not umbridge ew
yes clear those charges
aw padfoot yess
wow that's a lovely coat sirius
voldemort looks great in a suit wow
didn't harry see his parents die? why couldn't he see the thestral before?
yes luna!
oh shut up umbridge oh my goddd
yes ron u tell seamus like a good friend
sassy harry reaching full potential
ugh umbridge sucks wow
so evil torturing harry
yes weasleys wizards wheezes
luna is so pure and perfect
the friendship between her and harry is so amazing
yas tell umbridge, mcgonagall
trelawneys bad but she doesn't deserve to be kicked out by umbridge
oof professor dumbledore just straight up ignored harry
yes harry just say you're rubbish that will make people think your sane
yes hermione break the rules!
oof ginny is jealous of cho liking harryyyy
yay the room of requirement!
dumbledores army is so fabuloussss
nigel is amazing and i love him
wow hermione just knocked out ron haha
harry potter the boy who made cheesy inspirational speeches
wow ginny is so powerful
harry and cho are so awkward eeehhhh
just because you’ve got the emotional range of a teaspoon *cringy forced laughter*
occlumency lessonnssss yay what fun
cute christmas scenes wow
ooh the family tree and sirius' backstory yay
harry u aren't becoming like voldemort u are going through pubertyyyy its hormonesssssss
yay hagrid finally
oh no it's bellatrix get ready for crazinesss
poor sirius he keeps getting the blame for everything that's so unfair
is neville tall or is harry short, because there is a huge height difference
aw all the patronuses are so cute
uh oh here comes umbridge...
noo they are captured and dumbledores lying waaa
oof dumbledore is as sassy as harry at some points - "dumbledores got style"
no umbridge is heaf and shes fricking evilllll
grawp yess. hes kind of cutee
ron is jealous of grawp bahaha
sheesh snape chill
yes a bit of maraudrrss aahhhh
thats it? noo
aw fred and george comforting a little boy is too cute!
yes fred and george!!! disrupt those OWLS!!
no harry! he doesn't have sirius nooo
yes hermione fake it till u make it ( or until u get umbridge attacked by grawp )
yay the centaurs are here as well get herrr
'i must not tell lies' the sass omg
jeez how many prophecies are there wow
pranked, harry dude ur kind of rubbish
well done ginny you've made all the prophecies fall
yh id rather watch my friends die than give u the prophecy, don't really like them tbh
yas sirius!
the order yes
you're beautiful sirius
noooooo siriusss 😭😭😭😭
yooo voldemort my dudeee
hope the ministry has a massive roomba
the DA just come in to see harry writhing on the floor and are like 'cool'
nice one fudge finally realised he's back cool, cool
ah yes angsty harry tm
aw poor luna, her shoes are all stolen.
luna is an icon though
we have something voldy doesn't - noses hahahaha
Half Blood Prince
uh oh the dark mark is here
death eaters as well fun
fenrir greyback!!
oh no not this bridge! i went across it and i was scared af
dumbledore appearing out of nowhere is so funny
ew slughorn no
wow i need dumbkwdored tidying spell so badly
slughorn collecting people is kind of creepy tbh
im so glad i dont have as many staircases as the weasleys
oh yes narcissa and bellatrix being shifty
oops snape u probs shouldnt have done that
yess fred and george!!!
weasleys wizard wheezes looks amazinggg
uh not cormac mclaggen
oooh its "draco and mummy"
no fenrir we wanted to look at draco stroking a cabinet
yes arnold!
yes draco malfoy is a "creepy bloke" ronald
why is draco always wearing a suit??
yes draco is going to pigfarts!
ouch why would u stomp on his nose??
yez luna save him
noo dont let snape teach defense against the dark arts!! i miss lupin...
poor harry having to do potions again ugh
dun dun dunnn the half blood prince
poor seamus stuff is still exploding
haha dumbledore ships hermione and harry lol
baby tom riddle is creepyy
tom riddle and slughorn were bffs wow so cute
edgy draco in his loki suit
aw rons the only one listening
ugh cormac mclaggen is so gross nooo
haha ron is so rubbish at quidditch id be just like him
'the binding is fragile' hahaha excuses
harry sleeps with his potions book hheehe wow
wow sneaky draco
rons face when hermione mentions her snogging him haha.
uh oh cursed necklace alert
harry pottrr the boy who just knew
snape is so sarcastic wow icon (not really tho ew)
oh god they're talking about skin aahhh
noo harry stop being awkwarddddd sit downn
ew cormac stop eating profiteroles so suggestively ugh
haa rons outfit
ew lavender stopp
oh yes "felix felicis" makes ron great at quidditch
poor hermione she just loves ron thats all
aw hermione and harrys friendship is so nice
angsty draco standing in a tower
"bUt I aM tHe ChOsEn OnE" god harry so pretentious
luna is the coolest person there is, nice work harry
draco in a suit again looking sad he does that a lot
no draco ur apple!
oh nvm its back dw
ugh cormac sucks.  hermione why??
at least cormac did 1 good thing and vomited on snapes shoes
draco was lurking omgggg thats his vibe now
cant break an unbreakable vow - figured that out for myself thanks (sassy harry)
ew lavender stopppp
ooh noo ginny dont feed him a mince pie awkwarddd
thanks ron
stoppp ginny. harry can tie his own shoelaceee
why do they need to burn the burrow this doesnt happen in the books #not canon
wow everyones sassy including hermione now
also lav is an awful nicknname
aha tom riddle is still creepy
okay thats a lie slughorn u told him about horcruxes
uh oh ron loves romilda vane oop
harry thinks the moon is divine haha
Ron hugging a pillow then falling off the sofa in the background oh my gosh
slughorn is so useless
haha snapes face while rons saying hermiones name
draco being edgy again woowwww
lavender that is a death glare if ever i saw one
oh no draco is crying in a bathroom now like a moody teenager
let him cry in peace harry god man
'nyaaah' is dracos go to dueling sound
oops harry u kinda killed him a little bit.
no this is so awkwarddd ginny dont
just kiss like in the books after the quidditch match thats way better
yes the felix felicis
love harry potter like this its so funny
‘harry!’ ‘sir!’
not to mention the pincers *gestures awkwardly*
nice speech harry, now u have answers on the horcruxes
ooh back to tom riddle being creepy
yas harry and dumbledore field trip quality student teacher time
snape being edgy now wow everyone is in this movie
oops foreshadowing...
harry has precious blood apparently?
yay boat ride and smoothie
harry potter not harry water bro
noo bad just aguamenti right into his mouth Harry
yay new friends!!!
dumbledore ur gonna set harry on  fire careful my dude
ooh death eaterz
did draco change intot hat suit to impress the death eaters?
oop bye dumbledore
harry brooding in dumbledores office
yess RAB get wrecked voldemort
harry ur thick apparently?
aw cute friendship
Deathly Hallows Pt. 1
rusty logo wow
‘ello whoo are u
oh scrimgeour hi i dislike u dude
veey dramatic
aaawww hermione no
yas dudley being nice to harry and vernon listening to him and leaving
ron brooding wow
bye parents sad face
wow vernons old man
ooh its snapeee he looks loke he has a lot of contpur on
yay snape has a savey seat
pius is a great name
uh oh i dont wanna give u my wand voldy
dracos face haha
ugh do they have to watch nagini eat professor burbage gross
the dursleys house looks so empty
yay the cupboard happy memories and his baby toys cuteee
moody thinks that harrys gorgeous.
yay remus and tonksss
shut up mundungus
blimey hermionee
'just trying to diffuse the tension' hahaha lol
wow so many harrys lol
yh  wouldnt want to go in the motorbike tbh
uh oh death eaters
wow parkour harry
nooo hedwig - the saddest bit of this movie
yo voldemort wassup
oops the pylons fell down... just fly away good idea
nooo george's ear
jeez lupin y are u being crazy dude
george is saint like and holy aw so cute brother moments
uh oh bye moody u were a bit creepy tbh
ha lol harry a lot of people are going to die for u
harry stop being moody omg
wow george way to ruin the vibe dude
yo minister leave pls
ron just being ungrateful - u can turn out lights now ron lucky u
yay hermione you get a childrens book thats great
wow a snitch lucky u harry. hes so pleased with that. little does he know.... its a resurrection stone bro
give him the sword man
yay nice wedding
luna interrupting deep thoughts casually
xenophilius is creepy
ron and hermione staring at each other is a mood.
way to crash a wedding dude
hermione is the most competent out of all three it has to be said
i really want that bag of hermiones
shouldnt have said voldemory now the death eaters are here whoops
"hermione" *strokes face awkwardly*
sassy harry yas
oh yes grimmauld place
oof voldys having wand struggles
hi kreacher please leave ur creepy thanks
aw siriuzz room so cute sad hes dead
regulus arcturus black yay
ugh mundungus fletcher u suck dude
aw neville
oh no pie dude is the minister if magic now
uh shut up umbridge
feel like u dont need that many posters
sentimental piano playing wow
yo dobbyyyy
umbridge ruins everything omg
ron - u dont have a wife
haha harry getting out of the lift and walking in such a weird wayyy bahahaha
ew umbridge has moodys eye groosss
yas the ugly plates are still in her office
oops ron u just kissed that random dudez wife
nice suit harry
ouch splinch
lovely tent
kill the locket dude
dean thomas is on the run ooh fancy
yh harry stop letting voldemort in dude
harry stop being so moody bro
ooh watch snape on the map thats not creepy.
oh no snatchers...
ah u almost got caught dudes
ron ur so weak wow cant apparate or anything
lot of missing people...
haha a quarantine haircut
yes hermione ur brilliant
oh god ron stop chill
bye ron i guess lol
poor hermione
yas awkward dancing timee
awkward stares
kissy for the snitch. he must really miss ginny
uh oh its opening at the closee
vfd!!! an eyee!!!
ooh godrics hollowwww
oop its christmas eve whoopssss
oh a deathly Hallows
parents grave yay!
ur bathilda? nope im a snake boiii
bathilda is 1 creepy lady
what are u saying my dude????
ew snake lady
chaira are good defences agaunst snakes definitely
ah she jumped at them
looks like a nice campsite
wow now hermiones being sentimental
oop she sat on harrys wand
wait nvm
oooh a doe a deer a female deer
dont drown harry that would be awkward
omgbharry stop undressing
oof the locket strangling him
yay ron saved him yas dude
ron kill the horcrux
u tell him hermione
nice ron tell them u have been hearing voices
yes go see xenophilius the crazy dudee
aw ron ur so awkwsrd bro
their house is so cute
shut up ron god
yay we know about the deathly hallows now
xenophilius is so suspicious tho
why would you say his nameeee
noo snatchers
ooo ominous malfoy manor
draco dont doo ittt
yay dobby!
ah no hermione
aw draco looks sad in his little loki suit
yay dobby 'maiming and seriously injuring'
nooo dobby! he deserved so much better 😭
"hey guys welcome back to my unboxing video today we are opening dumbledores grave"
yay the elder wand wow
giving away ur position a bit dude by shooting stuff in the air
Deathly Hallows Pt. 2
snape hi ur brooding
lots of dementys
dramatic music
waaa dobby
yay bill and fleur
yo griphook what up
the sword was in a river bro
madam lestrange? no!
oops thats not dracos wand anymore wowww
wands are just like 'ya hiiii we have feelings too'
oop ollivander knows about the elder wand bros
ron looks great with a moustache tho
harry just broke the law jeez...
wow that cart looks fun
wow they fell from the cart nice
oh no ron broke the law too whoops
yay a dragon
lots of gold nice
yay the cup
oops they messed up nkw everything is multiplyinggg
griphook y are u evil my dude
yay ride a dragon
oops they fell no
yas they escaped
uh oh voldemort is onto them
that's a lot of dead people
oh no everyones looking for them
ah aberforth hi!
the other part of harry's mirror!
oop dumbledore was a secretive dude
ariana yas
neville!
i love neville hes so great now
yay all of the DA
luna!
ginny is being awkward
'shut up seamus' hhaha
aaa snape yooo
snape stop being a meanie
stop being angry harry
yas queen! mcgonagall!!!!
yay
uh oh voldemort is whispering to harry again
stop voldemort you need a cough sweet
yes everyone protect him
haha filch is a blithering idiot wow
i love mcgonagall
run harry
boom! seamus blow stuff up!
yay the knight peeps
uh yes theyre protecting harry and everyone
yes luna is so smart and iconic
go talk to a ghost harry
thats a lot of death eaters
go away voldemort no one likes u
yes go stab a crown harry
yay remus
fred and george aw
ron fake parseltonguing lol
nooo quidditch
lol peeps got disintegrated
go hermione stab the cup
yessss kisss!!!!
tonks and remus together wow
wow i hate voldemort's bald head with the weird veins
run neville!
yay ginny and neville
yay a little kiss for harry!
ooh the room of requirement
edgy draco back at it again
ooh the diadem
no dracooo
yh draco y didnt u give harry away?
aw ron loves hermione
uh oh fireee
nice work goyle
bye crabbe lol
yay hes saving draco
nice killed the tiara
oops voldemorts getting angry
snapes gonna dies dudes
runnnnn guys
lavenders being eaten
yay aberforth
yeet snapes dying
gosh naginis violent
“ew snape sorry i dont like u even tho u loved my mum” - what harry should have said
woops bye snape
freds death is too sad
nooo remus and tonks
go watch snapes life my dude
yess the always bit (i dont like snape but its iconic)
poor harry
its so sad that hes just sacrificing himself
his eye contact with ron omg im cryinggg
ooh yay his familyyy
he should have said 'its muffin time’ to the resurrection stone and it would be like 'cool bro here's your dead family'
u got this harry
yay teddy mention
"until the end" yas james
lets do this harry
wow voldemort why are you standing like a weirdo
yes harry be a brave man
byee harryyyy
oooh hes alive still
hi dumbledore
yes harry is a brave brave man
cool explain it to him dumbledore
bye dumbledoreeee
wow voldy u weakk bro
yas dracos alive get off me
aw neville u got this man
voldy yeeted that dead giant wow
ew snakey boi
nooo hes dead waa
poor draco such an awkward hug
oop neville what?
ok ur just making a speech that fine carry on
voldys very polite for a villain
yay harrys alive
haha dieee
run lucius wow
oof destroying the school harry really
naginis coming run hermione
u got dis neville
noo ron
yes molly!!!
y r u hugging dudes u arent friends... did u forget? oops..
ouch
bye snake boiii
neville is so iconic omg
kill him HARRY
noice
haha disintegrate voldemort
byeee
dont breathe in voldemort guys
wow harrys a mess
yay hagrid
hermione and ron are so sweet aw
harry yeet the wand
wow draco owns the wand and now harry has it
YEET
aw the friendship
yess 19 years later
wow that hair harry
all of their haircuts are tragic tbh...
should be albus remus potter... just sayinggg
THE END DUDESSSSS
12 notes · View notes
theboardwalkbody · 4 years
Text
So I wanna learn about Mandalorian culture and (before I dive into some YouTube videos and scour the internet) I kinda have a few things I hope to learn about in particular though I don’t feel I’ll find that information so if anyone knows LMK. (PS 90% of my info comes from The Mandalorian and it will be abbreviated TM to save my fingers).
1. Clothing: So all I know is that armor is Very Important and Valued. (and especially so in TM to the point where like no one takes off helmets or anything - which I understand is new). But that leaves me to wonder - recreationally? Like do they go swimming? IDK but I don’t imagine swimming in armor is leisurely. What do you wear when you’re just At Home. Coronavirus got me forgetting WTF pants are, so what do they like, just lounge in. 
I do believe there is information regarding marriage and helmet removal? Or maybe that is fanon I saw and I am misremembering. But even still it didn’t really shed light on anything.
2. Music. I always love to imagine what music I could introduce people in media to. Would elves like Indie? Would dwarves like Heavy Metal? Would Picard totally be into Hamilton? So of course I have to ask where Mandalorians fall in my iPod. 
3. Tattoos. Is body art a thing? Especially if one isn’t supposed to remove their armor for anyone? Branding VS Tattooing? Piercings? I don’t imagine anyone is wasting time going around coloring their hair if no one except maybe their S/O will see it but maybe?
4. What the hell DO they do for fun because so far I have seen just the very Strict and All Work No Play information but I haven’t gotten into the like Life in a Regular Day stuff.
5. Beauty standards? America is (*&^ed when it comes to Telling People How They Should Look to Be Attractive™. I assume Mandalorians are more Personality VS External and more Yeah We’re Compatible or Beneficial. But I’m still curious if there are physical standards as well. Other than, you know, not being filthy. 
6. State of Affairs. Take a Mandalorian. Stick them next to you. Tell them the current state of affairs in the US. Are they wondering WTF is wrong with the country for Being That Way? or are they wondering WTF is wrong with the PEOPLE for Being That Way? 
From what I have gathered of the very little I have gotten into history they have a very complicated one. Their own planet was destroyed. From what I understand there were a lot of political and power changes. A lot of infighting. A lot of people choosing their Own Side. But then of course you read other things and it seems very ALL FOR THE COUNTRY militarism. But I am wondering if it’s more so ALL FOR THE PEOPLE instead. Like - it’s not the location, the land, the country, its the creed, its the people, its the way of life. Is it the Gov is never wrong, fight the people or is it the Gov is wrong and support the people. I am beginning to feel like it is the latter but maybe that’s personal bias?
~SELFISH - Below this line are things I wanna know just because I struggle with my own identity and always wonder where I would fit among the characters I find interesting.~
A. I assume all occupations are very important. Naturally there is a need and someone needs to provide. I can’t help but wonder - Nurses/Doctors/Medics? Are they all ranked the same? Is there division among medical professionals? Would they all be considered of high caliber due to being beneficial not only to the community in general but also on the battlefield?
B. In the SW universe I have always wanted to “pick a side”. Jedi/Sith was what I was presented with. Or like Grey Jedi and stuff. But no matter how much I read into everything and analyzed neither fit. Sith? No, I’m not that violent and brutal. Or mad. Jedi? Nope, I have extreme emotions and strong bonds to people and things. Grey Jedi? I GUESS but it still doesn’t feel right.
And then I was introduced to Mandalorians. And I went ... Hey, I think there’s something for me here.
I highly connect with their value on Family - AND most IMPORTANTLY to me - the fact that your CHOSEN family is what has a higher meaning rather than your BLOOD family. (I have LITERALLY said to an abusive family member “you are misusing that quote the FULL quote is actually The blood of the covenant is thicker than the water of the womb” and gave them a verbal middle finger.) Adoption, caring for children especially, accepting those who are willing to learn. All of those things hit incredibly hard for me.
Value on education. I teach. Not professionally but I try and teach children. I am never going to answer a “but Why?” with a “because i said so now go away”. I try and educate people on topics if they ask me. If I don’t know I will help them find out. Education in general - if school was free (higher education incl.) I would go just to learn things. Yeah - I have a degree for my career, but hey, I want to learn History and Marine Biology and take more classes for subjects unrelated to my field but that I find interesting. 
Language? From what I read it is not only important to speak Mando’a but it is also important to learn other languages? Which is pretty awesome, if you ask me. I may not know, myself, how to speak a multitude of languages but I do highly respect those who teach their children or themselves multiple languages. It’s hard. But it’s important and it helps you connect with more people.
And (this ones super personal) but I struggle with my identity and place WAY too much value on my independence. I have been told by multiple (yeah you guessed it -) men that I am short and therefore weak. I am ugly therefore weak (idk how that translated but ok). I am a GIRL therefore weak. I am single. Therefore weak. However, as a victim of child abuse and having to Grow TF Up by the time I was 13.... well.... I may get viciously angry at anyone who calls me weak or says I can’t do something because of who I am or how I appear to them. I will 99% of the time NOT ask for help and angrily REFUSE it when it’s offered even if I need it because I don’t want to seem weak or Like I Need Help. I don’t like to be called Cute. I don’t like to appear Delicate or Fragile. I don’t know if any of that would make sense to anyone else or if someone with that kind of thinking even has a place among Mandalorians because of I guess the subconscious lack of confidence but I think it would be nice to know where I would stand with them? Idk
If anyone’s got any other info please please share. :) 
@izzyovercoffee  @mykingdomforaneraser
(I hope you don’t mind I tag you just I don’t know anyone else on this site who would have insight.) *Ignore the rhyme. lol
7 notes · View notes
dracwife · 4 years
Text
dex’s comprehensive s/i list
this took way too long. will be updated as i develop them further! note that these only include a few of my main, more developed s/is, but i do have s/is for all my f/o’s universes!
[ evil dead ]
name: river kennedy
[ movie canon ]
age: 22
occupation: pizza delivery boy
physical: river kennedy was always on the taller side, his physicality being his foremost quality. he was the star quarterback in high school, and his muscular prowess didnt leave him after he graduated. finding no need for college, his routine consisted of working out during the day and going to work at night. his lean stature doesn't precede him - he can hold his own in the midst of chaos...and deadites.
6'0"
green eyes
dirty blonde hair
a southern drawl accents this cowboy's witty and devil-may-care temperament
while he's the more sensible of the two, it's only by a tad...ash and river are the quintessential "team one brain cell"
about: ash and river met on a wild night out during their high school years. needless to say, it wasn’t long before they ended up together, inseparable and making as many bad decisions as possible. 
sarcastic
upbeat
enthusiastic
here for a good time, not a long time
ship name: sympathy for the devil
Tumblr media
[ show canon ]
age: 36
occupation: sheriff
physical: living in a small town has its perks - mainly that there’s not much to do during the day. the most action river sees on a daily basis is maybe a kid or two caught vandalizing the old bleachers behind the high school...and even then, it’s a stretch to say it’s much more than chasing down a teen with spraypaint. while he’s still physically fit, he’s not quite at his peak like he once was, but that doesn’t mean he can’t still hold his own against whatever the necronomicon may throw at him.
6'0"
green eyes
dirty blonde hair
a southern drawl accents this cowboy's witty and devil-may-care temperament
while he's the more sensible of the two, it's only by a tad...ash and river are the quintessential "team one brain cell"
about: while they never quite settled down, river took some time on his own to live with his family. he and ash lost contact for nearly twenty years, until the deadites returned out of nowhere. upon hearing the news, river tracked ash down, and again their shenanigans resumed, for the better or worse, no one really knows. 
sarcastic
upbeat
enthusiastic
here for a good time, not a long time
ship name: born to be wild
Tumblr media
[ saw ]
name: everett bailey ; salem
age: 23
occupation: freelance coder / web designer
physical: salem is not physically intimidating, but that doesn’t stop him from picking fights with those bigger than him
5′6″
bleached hair, often dyed
blue eyes
lots of leather
about: salem is, to say the least, a scammer who profits off of the ignorance of those less technologically capable than himself. for this reason (and for getting in the way of adam’s game) he too was punished, thrown into a trap that left him scarred both physically and mentally.
cocky
angry. just angry
daddy issues
drugs! probably
literally just a little shit.
ship name: waiting game / the jig is up / coma white / absolute penance (au)
Tumblr media
[ twilight ]
name: holden cullen
age: 24 (at time of death)
occupation: clinical attendant / physician
physical: holden is physically smaller than most of his peers, but don’t let that fool you - he can definitely hunt just as well as the rest of them.
5′7″ (short king mama hey)
dark brown hair / soft black
green eyes (golden after death)
freckles
about: holden met carlisle at work, where he worked as a clinical attendant. within a few months carlisle had introduced holden to the rest of the cullens, and not long after holden deduced their family secret, though carlisle refused to turn holden on the basis that holden could live happily as a human. after a particularly nasty car crash, however, carlisle was forced to turn holden lest he let him die, and thus holden was finally a true member of the family. in his spare time during his “recovery,” he was able to complete his doctorate, and now works alongside carlisle at the clinic.
upbeat
fun-loving
dedicated
kind-hearted
absolute dad
holden’s gift is similar to that of jasper’s - with a strange type of pathokinesis, he is able to dull the pain (physical and emotional) of others, instead taking it himself. 
he uses it to help carlisle destress most of the time - when he was human, carlisle would always say just how comforting it was to be with holden, that he had a sort of warmth to him, and that warmth followed him even after his death. carlisle describes the calming nature of it as though holden has “sunlight in his hands,” as a mere touch from him can bring complete serenity. 
ship name: sunlight in his hands 
Tumblr media
[ house, m.d. ]
name: rowan kirk
age: 30
occupation: pediatrician
physical: rowan is likely the least intimidating person you’d ever meet - he’s very quiet, and very bubbly. his stature is rather lax, and his soft temperament is complimented by his just as inviting looks, making him the perfect doctor for even the rowdiest of children.
5′8″
strawberry blonde hair
green eyes
freckles
always smiling
never seen without a stuffed animal and at least 10 lollipops in his lab coat
about: rowan is a kind-hearted doctor, driven by an inexplicable need to help others. it was for this reason that he quickly caught the eye of james, and together they make quite the hopeless pair of romantics.
has good intentions
soft-spoken
hates star trek jokes
absolute hopeless romantic
Repressed Trauma tm
always cold gay
ship name: sunshine & star trek jokes
Tumblr media
[ quantum leap ]
name: dexter marsh
age: 26
occupation: chemist/biologist
physical: while short, dex’s wit makes up for more than enough of what he lacks in height. he’s far more on the nerdy side, bookish in all senses of the word.
curly hair
freckles
brown eyes
short
wardrobe consists of sweaters exclusively
about: dex works as a chemist on the starbright project alongside sam and, after one too many late nights spent on research they realized the feelings they harbored for each other were those of more than just friends.
quiet, but brilliant
strange fascination for chemistry and biology
hired on originally as a data analyist for the starbright project
married to sam after his leap home
has two dogs, a german shepherd and a husky named melody and marley respectively
ship name: terminally good
[ gotham ]
name: dexter “cheshire” chester
age: 23
occupation: gang leader
physical: his grin as wicked as the cheshire cat himself, dexter dons stripes and a leather jacket to complete his look
catlike reflexes
nearly always high
blue eyes
bleached hair, a few purple streaks to accent it
never seen without his trusted smashin bat
about: having found his family through his gang, he runs the strays of gotham alongside his adopted sister queen, and finds his niche in illegal dealings
cares far too much for his “family”
gained the nickname cheshire from a combination of his gang’s name and the fact he always seems to disappear from the scene of the crime
peddles an experimental drug called “jabberwock” which is similar to speed as well as weapons and other illegal substances
ship name: down the rabbit hole
[ phantom of the opera ]
name: adonis
age: 20
occupation: performer ; actor / singer
physical: adonis knew from a young age that he hated his body. it simply felt wrong, and though he had a talent for the musical arts, he passed at the opportunity to perform in lieu of working as a stagehand, passing as male and taking the name adonis.
trans (ftm)
binds with a corset even though it isn’t healthy
dirty blonde hair
blue eyes
doesn’t own a single shirt that fits him properly
about: he caught the eye of erik when, on a whim, he sang aloud to himself on stage as he was readying the props for a show. erik was smitten from that day, intrigued by the young man and his strangely beautiful voice. since then, erik has helped adonis train his voice, and he now performs on stage and is very popular among the patrons of the theater. 
ship name: gods & monsters
Tumblr media
[ ahs ]
name: clarence miller
age: 20
occupation: performer
physical: born an albino, clarence miller was inducted into elsa mars’ freakshow at a young age, and now looks up to her like a mother. 
pale, pale, pale
short
nearly blind due to albinism
does not own any clothes that fit, actually
about: clarence is quiet and keeps to himself most of the time. while he doesn’t have any standout talents, he acts as a tickettaker for the freakshow
has a little pet lizard
falls asleep in the booth a lot
cannot go out in the sun for long
dandy can and WILL kill for him
ship name: dance macabre
Tumblr media
[ ghostbusters ]
name: oasis*
age: unknown* (deceased)
occupation: physicist / parapsychologist
physical: while he does seem human in all aspects, oasis is far from it.
extremely pale
white hair
green eyes
lanky
can and will appear behind u...nothin personnel, kid.....
just can’t stop floatin’ sometimes
about: *while oasis is not his real name, it was the name of the theory accredited to him, in which he believed there to be two planes of existence, one of the living and one of the dead that are consistently manipulated by each other, the phenomenon that results are noticeable but often disappear when investigated further, “Like a mirage, and oasis in the desert.”
ship name: oasis theorem
Tumblr media
6 notes · View notes
muwi-translates · 5 years
Text
why u should love sanada fucking yukimura
man, this character... is one of the most lovable otome bois i have encountered in a long time,,, because he’s such a loser.
i wouldn’t even call this a character analysis anymore i just spilled all my feels and love for this stupid wholesome boy. thank you to my two biggest sandman supporters, this is all yuu’s fault. @sea-reiusly @snow--blanket
Tumblr media
LET’S START. so,,, aside from the fact that he’s cute-dumb; you should love him because he loves you a lot and he deserves love too.
he is the literal embodiment of boyish selfless love.
if iI had to describe him I would describe him as a big red blanket you can wrap around yourself and make you feel safe and warm. or a big spoon of honey; slightly bitter but also sweet.
1) he is mega Friend for Life
first things first; he would be, and is, a good friend - if not to you then to the people he cares about. his whole concept is ‘boy next door’. he is soft, he won’t disappoint you because he cares about you as a person and he worries sometimes even if he doesn’t show it. for example in Shingen’s route he plays messenger for you - he thinks you’re ‘cool’, you’re his pal. he seems like the type who could develop feelings for you but is content just being close to you as your friend and see you happy. despite being told that he’s ‘tactless’, Yukimura actually, not surprisingly, has the ability to read other people, but just sucks at expressing it to you. so occasionally, he ends up proper advice to other suitors if you’re not on his route:
like the time Kenshin was excited to bring you home with him to Kasugayama and you were torn about leaving the home you’ve come to love and your warlord family. to Yukimura, family and friends are important, that is what one of his 'wants' are, after all. he does it for shingen, he does it for his men and the men in the Takeda army.
Tumblr media
in a way he’s a bit like your brother too. except Hideyoshi is the clearly caring, wise older brother and Yukimura is your bratty younger brother who would throw a banana at your face, and pretends he doesn’t give a shit about you but that one time he sees you carrying heavy stuff down the hall he takes it from you and calls you ‘weak’ but he just doesn’t want to see you hurt.
if he's not established to be quite as close to you in other routes (Ieyasu/Masamune), he continues to help you on behalf of sasuke. even though you’re a complete stranger to him and he barely knows anything about you background - especially considering sasuke gave him a coverup story and not what or who you actually are. it's moments like these where he is willing and able to separate 'his job' and 'enemy' and do things that would otherwise produce results the opposite of what he’s supposed to be doing (which is actually a point of conflict in his OWN route, which will I will talk about later uwu)
Tumblr media Tumblr media Tumblr media Tumblr media
2) ultimate Fam man
Yukimura is inherently a selfless character. he doesn’t care about himself, he only cares about the people around him and what he can do for them. he overworks himself and shoulders all the stress by himself, to take weight off shingen (it's always 'leave it to me, lord shingen!!' from him). 
I believe he has a mild form of ptsd as well; he mentally and emotionally cuts himself away from feeling anything in battle to perform his best, he has trouble sleeping at night, and he ends up holding things he’s sleeping with very tightly (eg. you). we also learn from Shingen that:
he was raised to be strong and upstanding, but has problems with adapting, so he puts all he has into what he does, meaning he gets hurt more (EN)
when he has his heart set on things, his conviction lasts for a long, long time (CN)
so, he likes it a lot when he gets to surround himself with people he cares about. he comes off as an ambivert leaning on extrovert, based off how he seems to like hanging out with his men not just as their field commander but as their friend, he enjoys parties and even entertains Kenshin. it’s been noted that he is visibly more relaxed and laughs often around his soldiers - so it’s safe to assume he gets energy by being around the people he cares about, because at least he knows that they’re alive.
in fact, the idea of people around him dying makes him angry. he’s willing to put aside his hatred of Nobunaga to ensure that no unnecessary lives are lost, even if he’s sacrificing himself in the process. they all share the simple dream of one day being able to return to their homeland, and Yukimura expects almost all of them to be able to fulfill that dream together.
so when Shingen insinuates that he won’t be able to be there for that, Yukimura gets understandably worried and angry.
okay, so now we know that he's a selfless iron woobie. what else? as stated above we know that he is actually a closet Sensitive Guy(TM). Yukimura is sensitive to his own feelings, at least. he's a Thinker, he thinks a lot and even overthinks. he is a tsundere to himself - because he's hardwired himself to sacrifice other needs and wants aside from the goals he's set for himself. if it’s not something for the benefit of his dream or Shingen or Sasuke - does he really need it?
he clings onto all the light he can hold onto no matter how small for the sake of his dream - it’s literally defined his life, he’s somewhat dependant on using his body to fight for something or someone and that’s why he’s always moving around doing something. Yukimura also respects other people who have a similar mindset (also his highest criteria when it comes to women; he gotta have something to respecc). 
if he didn’t have anything to fight for what do you think would happen? :thinking:,,,, check out chapter 13 of his dramatic route for the answer,,,, it is not pretty :( 
3. 95% giver 5% taker (and only after some self-deprecation)
of course his selflessness also applies to his love interest?? 
even as a lover he's such an adorable loser that makes me want to cry. he is selfless love in the form of a man. he is basically a dog boi. he only wants to take care of you, your happiness is his happiness. he always offers to make YOU happy and not himself first- it's like as long as you're smiling he can keep going, even if he's tired or if he worked all day, he always has time to spoil and coddle you-- if you want all his attention he'll give it to you, no matter how tired or busy he is. in fact, he thinks that its part of the job description, that its his duty to indulge in your desires. even on his birthday, you know the day where HE'S supposed to get something, he goes out of his way to get YOU a present.
the conflict in his route is literally him coming to terms that he wants something for himself, denying himself from his own goddamn happiness. he finds out that you are on the side of his enemies, yet he still wants you because he’s fallen for you - but he tells/forces himself to think that he doesn’t need you after all, because “it wasn’t meant to be” and that he doesn’t deserve you because he brought you to the battlefield. even though he can do exactly what he needs to if you were simply just ‘friends’ or ‘acquaintances’ - the idea of giving himself true happiness by being with the person he loves? nah, fam.
literally the only time he wanted to be selfish for once he slapped himself and said ‘no’. if you didn’t chase after him, the regret would eat at him for a long time, regret that he’ll eventually learn to squash down inside himself and only add to fuel of performing only for others - and not himself.
👏 👏  related analysis: why does he come off as insensitive when it comes to his route? why has he demonstrated that he is actually not Stupid but is also a butthead to you?
answer: defence mechanism - he thinks women are bothersome because they cry. and when women cry he lacks the confidence(?) to use words to comfort them. they embarrass him, he’s a tsundere, he only says things truly from his heart under Very Specific Circumstances where he is completely vulnearable and open (like pre-spice or... some angst situation).
so instead he just falls back to being selfless like he normally is. all he knows is how to care about other people, carry their burdens and wanting them to rely on him. that's why when you're upset at the festival, he just keeps shoving food at you instead of asking 'what's wrong' and going off on that. because his mind is literally just thinking food = good = makes people happy = ok, let's do that then. that's also why he'd rather you be angry than sad. sad is bad because he doesn’t know how to deal with bad except being physically intimate - pretty sure Yukimura would rather die if he had to hug every crying woman he ever encountered.
conclusion: he’s just a lost, lost boi who doesn’t know how to comfort people so he sacrifices himself and puts others ahead of him using actions - he pampers, he lets people vent out on him, the works. what a fucking wholesome loser who needs to love himself for once.
👏 👏 end of insensitive boi in love analysis
there’s a part of Yukimura that is actually a bit insecure. it's odd because he’s usually so confident in himself, and so proud, but he’s also so self-deprecating? under that tough boy exterior is just a boi who wants to be loved. he wants someone who will be there for him and support his stupid ass. he uses himself to hold up everyone else's burdens, but sometimes there's nobody that might be able to do the same to him. he wants someone to come home to, when he's stressed and wants some loving because otherwise he'd hole up his emotions and explode-- if he didn't have Shingen and Sasuke there with him.
his route sort of expresses the fact that Yukimura has never experienced a ‘mature love’ before, or a love where he imagines a life together with them. crushes, probably at some point in his life. sexual experience? how can he not have any??? but mature love? questionable.
these moments are few and far between because its not explored quite as much, but when they do...
Tumblr media Tumblr media
he says things like "don't leave me, i'll prove that i'm the man for you." (bitch doesn't have to prove jack shit, he literally radiates with Care and Love) and “I need you”. he just doesn't want you to disappear on him. 
why’d you think you decided to leave without telling him? bitch would fucking fight the sky to keep you with him.
he's scared to lose you because he's finally found someone who is willing to accept him and taught him that its ok for him to be selfish for once and do things for his own sake and his own happiness. what he wants most is to just come home and eat food with you together. every encounter with you is precious to him because you rarely see each other. he wants to spend time with you. he doesn't like it when things cut into plans that seperate the two of you- but he doesn't mind it if plans didn't run as expected as long as he still got to spend the day with you. even if he's busy, he lies to go out with you to do things that YOU want. 
Tumblr media
he’s finally come to find some happiness outside of work and outside of how he already copes - that alone is special to him, whether you end up as his friend or as his lover.
so basically:
you should love this guy bc he is mega Lovable and radiates warm Energy,,, he will always care about ur dumb ass one way or another.
235 notes · View notes
koolkvat-blog · 5 years
Text
Tumblr media
       hello  loves  ,   what’s  up  !   i’m  super  excited  to  be  here  &  to  finally  play  my  precious girl  ,   jade aka kool kat   .   i’m  LOLA  ,   use  she / her prounouns  ,   i am NINETEEN  ,   &   i  am  currently  in  the  gmt + 1 timezone  which  means  yes  ,  my  ass should’ve  been  awake  for  intro  posting  but  i  don’t  know  what  time  management  is  and  ended  up  swamped  w/  work  ,  so  !   everything   you  need  to  know  about  about  miss  kat  is  under  the  cut  ,   &  i’m  rlly  thrilled  to  be  apart  of  such  a  wonderful  rp  with  such  gorgeous  muses  .  corniness over  ––   if  you’re  looking  to  plot  sumn  out  ,   just  hit  that   ♥︎    &   i’ll  make  my  way  on  over  to  ur  dms  ,  or  feel  free  to  add  me  up   on  discord  which  i’ll  give  in im’s  if  anybody’s  interested  !   ♡♡♡         tw  :   family issues  ,  body image issues  &  drug mention  ( not  explicit ) . 
001 . SYNOPSIS  . FULL     NAME  .      jade        kikuchi . NICKNAMES  .      kool kat    . AGE  .      twenty - one . DATE     OF     BIRTH  .      twenty  -  seventh     of     september   ,     1993      /     libra . PLACE     OF     BIRTH  .      harajuku ,   tokyo ,     japan .         GENDER  .       cisgender     female . SEXUALITY  .     (  closeted  )  pansexual  . NATIONALITY  .      japanese  ,  now  american  too  after  successfully  gaining  citizenship  . ETHNICITY  .      asian  . OCCUPATION  .       fashion designer at katz designz      ,     former  fashion  design  and  journalist  student  back  in  her  original  timeline  . PLAYLIST  .      here  !  (  +  )     charismatic , enthusiastic , warm , energetic , adventurous , compassionate , animated . (  -  )     deceptive ,  independent ,  emotional , territorial , ambitious , impulsive , temperamental , insecure , sarcastic .  
002 . AESTHETIC  .      wheatgrass  smoothies , 90′s  anime  with  subtitles  , chanel  no. 5, speeding  on  a  desert  road  with  the  windows  down ,  painting  your  toenails  on  the  dashboard ,  neon  prints ,  cat  lazing  on  a  balcony  in  the  sun , black  lace ,  japanese  horror  films  ,  sour  cocktails  with  sugar  around  the  rim , half - smoked  cigarettes ,  stacks  of  fashion  magazines , long  hair  hastily  dyed  different  colours in  a  motel  bathroom ,  thrift  stores   .
003. INFORMATION  .
tl;dr : a flighty, inattentive adventurer: a follower of whims; personable and sociable but lacks the skills to maintain relationships because she’s entirely (and perhaps too) career focused, checks her horoscope daily and entirely relies on the stars when concerning relationships, epitome of a britney spears / gwen stefani stan back in the 2000′s, still owns a (bedazzled) flip phone, collector of vintage fashion (chanel, elle, juicy couture etc.) a subscriber to the Leonardo Da Vinci sleeping method; catch her at 2 am making soufflés or buying plane tickets to shiwei so she can really experience the culture: will tell you she loves you ten minutes after first introduction because she’s high: kind of unintentionally insensitive to those she doesn’t know and closed off but in like a cool, lovable way. 
•    heads up im running on like 5 hrs sleep so sry when this inevitably derails ! ok sweet let’s get into this . 
•    so as aforementioned this is jade kukichi, aka, kool kat. she was dubbed that by her friends due to her unique fashion style and sense of dress, and it’s stuck. lbr nobody other than her friends can use that term so if you do, she’s just going to stare at u for a quick sec before saying ‘it’s jade’. 
•    born in harajuku, tokyo to a cardiothoracic surgeon of a father and a politician of a mother, jade grew up traveling the world and becoming flighty af, never thinking she was going to make long - term friends and kinda being okay with that. 
•    her family has never stayed in one place for very long, though her aging parents eventually settled into a permanent residence in the us around the time she turned sixteen, not soon enough for jade to break the habit of wandering, but thankfully quick enough for her to meet the bratz girls who were just as adventurous and fun - loving as she. she's spent much of her teen life jumping from place to place wherever her interests are that moment, collecting people along the way, but to find friends was the only thing she was missing. jade has a brilliant mind, but she lacks patience and follow through. she needs guidance or she'll jump from idea to idea, job to job, whim to whim.
•    ngl, jade pretty much hated her home life. her parents were an overbearing presence in her life, her mother wanting jade to be a proper lady who also went into a profession like theirs (entirely serious and stifling when it came to creativity, doctor, politician, lawyer etc.) while jade herself wanted to check out the latest trends and go to the mall w her friends – so she turned all of her focus and energy into getting good grades in everything she wanted to do in the hopes that she could be the most successful fashion designer, then leaving town forever. 
•    like she spent 7 yrs in high school graduating w honours but she barely knew what was happening in 9/10 of her classes and sometimes she just slept through classes and then wing her exams which she miraculously did well at. it was just not a good idea to send jade to a public school at 11 after being in boarding school for the rest of her life and then never really enforce any rules :~\ she has trouble with that kind of thing.. as in making logical choices instead of saying "YEAH lets go watch american psycho and smoke weed!" skipping chemistry to do just that 
•    she loves fun and values doing what makes her happy over most things. it's hard to pin her down and she spends most of her life chasing after ideas that don't really follow any sort of conscious order, bc she’s really got that ‘i’ve got dreams and i’m gonna do everything in my power to achieve them’ personality. 
•    according to bratz canon she’s worked as literally everything ? she’s one of those insufferable people who r just. good everything ig and that’s just how it is on this bitch of an earth. jade’s been a photographer, a song - writer and bass player in a rock band (shout out to bratz rock angelz the best movie w the best soundtrack ever), a student studying fashion design, a fashion columnist, a quickly fired nanny, and many other things in between. 
•    so when she appears in toonsville she’s kind of out of it that she’s not doing something w her skills and sets up her own business which she loves ? being her own boss suits her fine (for now) because she’s got a Real Job and she's actually trying rly hard so she can fulfill her dreams !! like suck it mom nd dad haha !!!
•    jade has a lot of weird feelings TM about her body and her looks and struggles a lot with her self confidence :~( she had a shit time at school with boys saying she was too thin and she compensated by acting like she didn't like anyone at all for a while and now she thinks she isn't good enough for anyone when rly she is a cinnamon bun too good for this world too pure 
•    best friend ever she is so good at being a friend if u text her at 3am to go out or cry on her shoulder shes ready to go at 3:15 even if she was sleeping w lots of snacks and treats and love!!! she is sooo extroverted around those she’s comfortable w, she gains so much energy from being around people and she loves being nice and being around ppl she likes 
•    she becomes the mom of groups pretty easily (hence why she’s the leader of the bratz) bc she bottles up most of her own problems to help ppl with theirs!! which is toxic yea but she puts people first always so !! plz help her poor repressed soul!! rip kool kat.. 
•    still super into the stuff of her time so like.. she loves the x files and bad reality tv shows (i want to be a hilton) and reads gossip magazines on the reg because she enjoys that stuff! also very into girl groups.. ginger spice / posh spice is an eternal mood.  
•    anyway yes sweet adult-child of 21 (she is in denial about that tho like she doesn't want to be childish) who is v nice v kind v loyal v baked a lot of time, v passionate v silly. idk what i'm doin hope u like it < 3
004. WANTED CONNECTIONS . 
friends / best friends / ride or dies . jade genuinely loves people, loves talking to strangers and getting into intense conversations with people she’s only just met, learning other people’s way of life and bettering herself for getting. she is, however, incredibly blunt and has never once minced words to keep from hurting someone’s feelings or to ease them into a situation. she’d much rather have a one-time conversation with a stranger than make long lasting relationships. she has three very close friends –  to the point of co - dependence –  and honestly, she’d rather spend all of her time doing things she loves such as her hobbies, sticking her nose into the latest vogue, or searching for cute collars and treats for her cat mica w them instead of making new friends. she's also FUN and she'd be happy to go on crazy road trips or buy out a movie theater for a day or anything that she thinks will her buds happy. she's traveled all over, so she’s v well read and cultured. she loves people but she hates complication and won't deal with any sort of emotional labor. she wants to live in the moment and expects everyone in her life to do so as well. just be chill, y'all. 
frenemies / enemies /  rivals  . please be her enemy, she needs people to antagonize shdhshd. she grew up pretty much affluent so she’s pretty spoiled even if she doesn’t want to admit it, and that rebellious side of her hasn’t died down yet. despite the fact that she is wealthy and in good community standing, she has a hard time letting go of childish grudges. in general she’s got a lot of suppressed feelings and ready to fight everyone who hurts her friends – like an irritated cat – so, honestly, come at her ? she is sometimes a little fickle and flighty and a unintentionally stuck up when it comes to art / fashion and she has definitely said the wrong thing at the wrong time and pissed the wrong people off, she can’t stand anyone underestimating her or thinking she’s dumb bc she’s interested in fashion. like gtfo !
ex’s , fwb’s , possible love interests .  jade is fairly fluid romantically and is the type of person who hates labels but also just wants to be cherished and called cute pet names lowkey. she loves a lot and gives a lot to her relationships, but typically doesn't want to commit to anything important. she’s gone from one disastrous relationship to another, ending up with a boyfriend who constantly ridiculed her image that was essentially the catalyst for her cutting off romantic ties, quite a recent wound before she found herself on the island actually. worst thing is tht she’s convinced herself that she’s been the problem in these relationships –  that she turns good people bad or that she is too much for people to deal with, she’s not sure what the issue is and she doesn’t really want to know. so…. fuck everything amirite ? anyway, she’s a strong independent woman who don’t need no (wo)man. 
etc . pls give me people jade can give a makeover to, people she shares an apartment w on the island, people who think fashion is girly and vapid.. creatives who love what she’s doing, anything tbh << 3
20 notes · View notes
dexcidium · 6 years
Text
So I’ve been meaning to write this for a while now… my review so far of Fate/Apocrypha. Keep in mind that I’ve read all the way up to the translated LNs, which is only up to the end of volume four, as well as this being written prior to the ending of the anime. As of now, it’s only up to episode 23. Let me preface this by saying that I love Fate. The lore and that distinct writing style ever so present within the series. The (mostly) well represented servants within the series. The character interactions, the relationship between servant and master, and everything else in between. That being said… I’ll keep this part short because I am prooooobably gonna go on and on forever on my thoughts later on.
TLDR: The concept was interesting, hype and it had some really great hooks. However, it felt flat on so many of its percieved promises and then… he happened. Sieg is a black hole that made Apoc so much worse than it actually is. Everything is fucking weak overall aaaaaand once again, FUCK YOU SIEG. YOU WASTE OF SPACE AND TIME.
I promise it’s not too long.
Tumblr media
Not at all.
Right, let’s get this out of the way. I think Higashide can be a good writer. There were some good characterisation throughout Apoc, as well as some genuinely well written moments. However, there were many failures on his end as a writer. And it only became more evident in the anime. I’ll get to that later. First of all, let’s start with what I liked about it.
Jeanne(Light Novel): Those of you that know me know how much I adore Jeanne. And since FGO was a waifu game, I initially only liked her for her looks. No hiding that fact. But as I read more and more, getting sucked in to the hell that is the Type Moon wiki, I started to like her more and more based on personality. Again, those that know me know that I find these vanilla heroines extremely boring and bland. (SorryArturiaIjustreallydidn'tlikeyouoryourstoryarcinFSN). But of course, since this is TM, there was bound to be more than meets the eye. Like goddamn, she’s a literal saint. Probably the most well known in the world even. I expected her to be a goody-two-shoes and nothing more. But BOY was I wrong. Jeanne: *prays for hours everyday*. Also Jeanne: *exorcises 1000000 unborn children, suggests to crash a plane into the gardens without even blinking*. Her constant struggle of being called a saint and rejecting that very premise was frankly quite shocking because of the established facts about how much she loved God. There was divide in her character. And suddenly she wasn’t this benevolent, all-loving saint anymore. She was Jeanne. A religious girl who fought for her beliefs, and died fighting for them. The world imposed to her a title that she didn’t necessarily want. But her characterisation ends there… at least the actual interesting parts. Oh don’t worry, I’ll get to *that* later.
The Red Faction: Boy these guys were fun! The Red Servants felt much more organic and light hearted compared to the other faction. Granted that part made sense since Darnic is a literal Nazi. Anyway… these guys were just so much more fun. From Karna’s literal and metaphorical roasts, to Shakespeare’s loud and outspoken cravings for tragedy, to Achilles’ constant and flirtatious admiration towards Atalanta (AKA the woman who beat up his dad), to the crazy, fucked up and manipulative asshole that is Shirou (not Emiya) Kotomine. They were just fun to watch. I could go on about the tinier details but that’d make this shit even longer… MOVING ON!
Kairi and Mordred: Oh boy these two are just… perfect. A father son combo like no other. And an absolute joy to watch. They filled a void sorely lacking in each other’s existence. And you can clearly tell that by their interactions. Kairi was edgy and cool but unlike someone like Kiritsugu, he was easy going and didn’t take everything so seriously. A cool dad. And Mordred… god I love this little scamp of a knight. Mordred is adorable in her own little way while being cool and badass like her master/dad. They were just a fun duo to watch in the series where master and servant interaction was rather lacking of interesting dynamics. These two just worked. And they worked well.
The premise: basically any other HGW times two. Goddamn was the set up cool. That’s all, really.
Right, so this is the section where I shit on Apoc from both a viewer’s stand point, as well as from a narrative and structural stand point. To stop myself from going on an even further tangent, I’ll be talking about Sieg last. Other than this part. Let me just say that he is pretty much directly linked for like… 70% of this show’s major flaws. But again… that comes last. Lets start off with the stupid points in Apocrypha and the disastrous end of the first volume. I’ll also be comparing it to the anime, which was a hot mess. Not quite garbage. That came later.
So… the characters. Way too many of them. It was evident that Higashide could not handle such a large cast. It was basically what a normal grail war was times by a factor of two and then add a little bit more. So what did he do? Take out half of the masters by having Amakusa straight up manipulating the entire thing. A good move I’d say… but there was still too many for him to handle. It was all over the place. But frankly, he handled the earlier parts quite well in the LN. There was, however, a gigantic lack of characterisation for many of the earlier characters. Of course those were the same characters that pretty much needlessly died off for shock effect. For example, Siegfried (henceforth shall now be known as Siegfriend) had me going “this makes no sense" rather than “YOU KILLED SIEGFRIED. YOU MONSTERS". And as a writer, if you can’t make your audience feel the emotion that you intended them to – then you’ve failed. And the series is plagued with these rather stupid deaths. A lot of them felt pointless and held no significant impact on the overarching narrative. They just died. And I didn’t feel anything. The delivery felt weak and half-assed, played for fake emotion.
And speaking of deaths, Darnic and Vlad’s… no that, that was fucking stupid on top of a pile of stupid. Well, this felt like actual lost potential. Unlike a certain other character… Darnic was being built up to be the main antagonist… and he felt like he would have been a good one. If not for the structure being a battle royale-ish. And it is one because people pretty much did their own thing pretty early on in the story. Getting back on track, Darnic and Vlad had a relationship akin to Tokiomi and Gilgamesh from Fate Zero. And that is the servant being more of a master than the actual master. This was good as we were seeing a variety if servant/master dynamics. Darnic, however, was no pushover. This man had been established to do whatever it fucking takes to get what he wants. And he had been succeeding too. Just what grand scheme was he about to pull off- aaaaaaand he’s dead. Dude talked a lot of shit… nothing happened. Not even a lasting impact. He just became one with Vlad and that was it. What the fuck was that? There wasn’t any sort of intelligence or cunningness that he had displayed before. Oh and poor Vlad. Man, he was the real victim here. This part I actually felt for. Because he became what he didn’t want the most. The Legend of Dracula. A vampire. And not one of Nasu’s myriad of vampire OCs. The OG, Count Dracula. It was meant to be an actual tragedy… yet… it left no impact. So when Darnic’s BRILLAINT plan of fusing his and Vlad’s soul together, while activating his Legend of Dracula NP, he was made out to be this near unstoppable being that needed all these powerful heroic spirits boosted by a command seal to be stopped. But really… he wasn’t. Fuck, he didn’t even kill anyone important. And no one at all in the LN. I was expecting him to pull some Hellsing Ultimate bullshit and turn the entirety of Trifas into a ghoul-infested city. But nope. Nothing came out of it.
He ends up getting fucked over by the ACTUAL main Antagonist, Amakusa Shirou Tokisada via baptism rites. This was meant to make him look powerful or whatever. Except the entire fight scene is really dumb because if you know anything about vampires, they have very specific weaknesses. Two of those are the sun and holiness. And not just any weakness. Deathly weakness. AND WHO DO WE HAPPEN TO HAVE!? The most famous saint in the world and the son of a sun god who literally has sunlight woven into his skin. This whole thing was made even more stupid but the fact that the initial plan in the LN was to wait until dawn for the sun to come out. Also in the LN, Jeanne was poking away at Vlad using her holy spear which she did not do in the anime. By the way, Jeanne can do the exact same thing as fuckboi Shirou. Only even better because she’s an actual saint and a Ruler. Plus she used Baptism Rites to exorcise Jack as well. Seriously, Karna could have hugged Darnicula to death. This whole scene is stupid, man.
Continuing the stupid death trend, Avicebron and Adam… god that was stupid. Roche you say? Who? Kid was barely a character. He was made to be killed. He had no build up. No actual back story. And barely a personality. In short he didn’t matter at all. But dear god, this fight was meant to be the Cthullu fight equivalent. Yet again, this was somehow even more anti-climactic and even more boring than the Darnicula fight. Again, nobody important died. They’re killing for the sake of killing. And it was just fucking weak man. I barely felt anything. Other than the seething hatred and boredom of course. And again, it was meant to make somebody else look good. Our “protagonist". Anyway, this fight was dumb and boring. Some good animation in the anime though. I will give it that much.
And this was the point in the series that everything pretty much got thrown out the window and it was evident that it wasn’t going to get any better. Jeanne lost her neutrality, literally 2/3rds of the Ygdmillenia family didn’t even really matter in the end, the Red faction’s fucked off to cross the border or something, Sieg is a super special servant/master hybrid rolled into one with super special BLACK command seals because he’s the super special protagonist aaaaand Jack’s fucked off back to Reika. Who at this point also barely has a personality and back story. But still way less than most people that have already died. And that’s just sad man. I, as part of the audience, couldn’t give less of a shit about any characters except a set few. If I didn’t know most of them through Grand Order already, I would have dropped this shit ages ago. And dear god, Jeanne still doesn’t have an established personality besides existing for SHIGGU-KUN in the anime. The LN does a far better job with characterisation. Even if it is still a heaping dumpster fire. And then they do pretty much nothing except side quest to kill Jack and exorcise 10,000 babies. Which, despite feeling like a loose end that they had to tie up despite being in a rush to go after the Red faction, was actually my favourite scene in the LN due to the fact that it completely changes the reader’s perception of Jeanne. Of course the anime version sucked ass.
Right, continuing on… this scene. It did not work for the anime. And I’ll have to start by explaining that Jeanne’s characterisation does not exist beyond Sieg in the anime. A lot of her characterisation outside of that was cut. Which is a damn shame because she became what I hated the most in an anime character. Bland, generic, no real motivation, no established personality yet somehow still being out of character whenever that shithead Steve-kun is around. Not only was Jeanne no longer the Jeanne I knew, she was replaced by bumbling tsundere who blushes for a wet sock. It was cheap and boring. And this fucking harem Romanian romance BS that was happening was so fucking out of place. It was evident that Jeanne had barely become a character anymore. She was just waifu bait like Astolfo now. Putting that aside, even in the LN, Jeanne still becomes a mess. While I have not personally read the last volume since it has not been translated, I have read summaries. And my god is everything stupid. I’ll return to this part once I cover the long awaited shitfest…
WARNING. As this is my personal review, it is very opinionated. And as you can probably tell… this is very personal.
Sieg. Oh you waste of space, you don’t fucking deserve that name. Like every both of his being, it’s half assed. I mentioned that Sieg was a blackhole in the beginning. And that’s because he sucks up any bit of good in this series whenever he’s in a scene. Good characterisation from well established characters? NAH LETS BEND OVER AND LET SHIGGU KUN WIN AND HE WILL BE LOVED FOREVER AND EVER BECAUSE HE’S SO GOOD AND PURE AND INNOCCENT YOU GUYS. Right, now that that’s out of the way. It’s time to dive into exactly why this dude is such a demerit to the series overall.
First and foremost, he disrupts the entirety of the story structure. While it could have certainly worked, it most definitely did not here. Sieg’s role in terms of plot devices was to centralise the story as a whole. However, Higashide went too far and just… ended up giving Sieg far too big a role. This, in turn took away a lot from the rest of the cast. Not only their screen time but their whole character. Yet despite all this “development" he was getting, he still barely had a character. Some may say that was the point. Sieg is indeed a blank slate that was meant to learn as he grew. But the thing is – he never did. Instead, there was this identity crisis that was never really addressed in the actual narrative. However, as it stands… the whole fiasco was extremely pointless. Sieg remains a flat character and his entire goal was immediately solved the episode after he decided to do it. Worst of all, there was no sense of struggle. Not even a spec of it. He just sorta did it. And my god was it so boring to watch. Even after when he’s trying to get his morals straight, it basically boils down to him asking people if killing was bad. And it just kept dragging on and on and on and on! And in the end… nothing came out of it. By the time they were about to go and attack the Hanging Gardens, barely anything changed. Basically, it was a giant waste of time.
And of course, we have to address Siegfried. While certainly, yes, you could argue that tragedy is the very essence of Siegfried’s story. Even in his own legend we were only told of his story through a series of flashbacks. In Apocrypha, Siegfried’s suffering continues. He has a shit master, he can’t even fucking talk, his brotp moment gets cucked by the fetus, and he never actually gets anything that he wanted. And as a result; he was sorely undeveloped. Then he fucking dies. It was meant to come off as a heroic sacrifice but… there was nothing there to latch on emotionally, as well as making no sense. For one, at this point everything about Sieg was just to make the audience feel sorry for him. That’s it. Nothing else. Secondly, the homunculus and Siegfried had no real emotional connection. They literally just met. Hence, making the sacrifice feel… well, emotionless. They try to reason it off with some BS about Siegfried doing something selfish… but it was still a selfless action. So I never bought it as a proper reason. Now keep in mind, that I personally was trying to keep an open mind about Sieg when I began reading Apoc. I had heard bad things and the stuff that people were saying pretty much embodied everything I hated in a protagonist. Except… it was a lot worse. Sieg is a lot worse. At this point in time, I didn’t even hate Sieg yet. He just had little to no presence or relevance, nor even a semblance of a personality that I did not give a Rin’s ass. Then… Siegfried tore his fucking heart out – his own heart out, literally and made Sieg…. eat it? It was… really stupid. Because A: Servants’ spiritual cores are their hearts and they wouldn’t be able to even move without it the moment it gets torn out. And of course before he dies out Siegfried gets his only redeeming moment… chock one up to poor pacing…. yay. So just when I starting to give a shit about Siegfried, he’s out of the picture. For this… thing. And as someone who’s aware about the consequences of having a servant’s body part attached to another human being (AKA Heaven’s Feel), I was expecting some consequences. Horrible, horrible consequences. But…
Nothing.
But I’ll be generous and gloss that one over since it wasn’t established in the plot here.
Now I may be going on and on about expectations and shit but that’s because literally everything in Apoc was trying to outdo Zero/FSN. Let me go on a tangent for a bit and explain. Twice the masters, twice the servants, a more exciting and dynamic premise. But in actuallity, every bit of delivery was extremely weak. A lot of it was just below par. I was promised something great but even as I continue to lower the bar, Apoc continued to limbo under it.
Anyway, back to that useless sack of shit. The anime didn’t really have this but my god… the following moments is what made me hate Apoc right then and there. So in the Light Novel, Jeanne senses a new disturbance due to Sieg’s unique (*rolls eyes*) existence. So as she investigates, she goes and talks to the black faction (they fucking skipped the theological debate between Jeanne and Vlad in the anime btw), until she finds Sieg.
Then she collapses because of Laeticia needing food still cuz host body and all that. So far I was buying it. Then Sieg carries her. O..kay? Then blushing… Uhhhhhhh…. and when they finally reach a village and was allowed a room for the both of them… it devolved into a generic light novel plot.
They had to share a bed.
Girl blushes.
Dense protag is dense.
UHHHHH
WHAT THE FUCK? WHAT THE HELL IS THIS? You’d think I was kidding but this id exactly what happens. And it was this precise moment that my expectations drastically dropped to near zero. It came out of fucking nowhere. I don’t get why they’d not-so-subtly force this shitty romance between characters who just met in a primarily action-focused novel. It wasn’t even good. I could open SAO and whatever other clone and they’d do it just as badly.  And it was at this moment that Sieg became the worst thing about Apoc for me. But ohohoho… just as you think it’s hit rock bottom, it somehow goes BELOW that.
GO BELOW AND BEYOND. MINUS ULTRAAAAA!
Okay, so skipping a couple of events, Jeanne fucks back off to the main battle where the Red Faction actually gets their shit together. She does nothing but run around for the entire volume. Like. Literally does nothing except save wet sock’s ass. Anyway, while everyone else is having rather personal battles with Chiron fighting his former pupil, Achilles, the two Lancers/Aces of them having one hell of a fight and arguing their religious beliefs, Fran confronts fuccboi Shirou and gets screwed over by Shakespeare’s NP (and we get to see her real struggles as well as a bit more on how Caules is as a master), Astolfo being a loser as always, Atalanta being… whatever she was doing, she doesn’t really get interesting until after, and Mordred being the shitty driver she is, giving Kairi a heart attack. Right so before this gigantic fight happens, Sieg finally decides that he wanted to save his homunculus buddies. Which is a fine motivation. …that got immediately solved because everyone else was too busy actually fighting. Zero tension or risk here. Anyway after one of his major character motivations gets solved so stupidly easily, he decides to pull a Shirou Emiya (only a lot worse and he doesn’t make sense) and fight the servants. In which Mordred immediately kills his ass but is the only one that does damage for some reason (gotta make him seem useful and interesting), despite Fran doing next to no damage. The servant. Doing no damage. But this guy did. O… okay. So he gets killed, I rejoice like Kirei when he hears an Emiya is participating in a HGW on Christmas day, the evil is defeated, the world is a better pla- and he’s alive. Once again. Not even an episode later. Absolutely no tension. Do you see what my problem is with wet sock as a character? There’s almost no stakes for him. No proper emotional connections to a lot of characters. Characters die for him to live. Said characters who have never even had a conversation with him prior. So tell me how am I supposed to feel? Certainly not satisfied or even happy. In fact I’m frustrated that a far more interesting character died so that this bland fucko could live. And it doesn’t even make sense! He gets a fucking power up too for whatever fucking reason. So Fran accidentally zaps him back to life when she sacrifices himself to kill Mordred. Now he has command spells that are black (because HE’S SO SUPER SPECIAL YOU GUYS). And he can now turn into Siegfried.
What kind of stupid writing is this? It makes no sense. Progression is fucking stupid. No explanation. No proper emotional connection. No proper stakes. No risks. And above all else… there’s no entertainment. I’m so goddamn bored. And I’m already sick of our main protagonist. And he takes up a lot of the time. I can’t connect to this character. Even if I can’t relate to his struggle, I should be able to at least feel for him. But I didn’t. Because I know that somehow, someway, he’ll BS his way through it with fake struggle that has no tension. Wet sock is lacking in every single area. And him being the protagonist highlights his shittiness as a character. Honestly, he could have worked if they didn’t have a forced romance or if he was the main character. He could have provided the view of the homunculus. Instead Toole, who barely appears, does a better fucking job of that more than the guy that takes up half the screen time. And at this point, I’d rather have him gone completely rather than try and make him even remotely interesting. Even his introduction was sketchy to me. It was just a whole lot of “FEEL SORRY FOR ME. ARE YOU FEELING IT NOW MISTER KRABS? ARE YOU REALLY FEELING IT??????”. But I didn’t. I didn’t know shit about this fucko. Why should I care? There was nothing to latch on to, no emotional hook. Not even an interesting characteristic. And he never develops one. Instead, I feel like he just steals shit. Just like him receiving Siegfried’s heart and taking half his name, his entire character is half-assed.  Not quite a self insert because there isn’t a power fantasy to be fulfilled. That sort of fantasy is immediately ruined because he literally turns into someone else. Can’t really project yourself onto someone who turns into someone else. A terrible MC due to him bullshitting everything and surviving everything with no real consequence to him. He just makes the story terrible by his sheer existence.
Right, so going back to one of my earlier points. That scene with Jeanne, Atalanta, and Jack. A very pivotal moment for Jeanne and Atalanta. Jeanne, who was a revered saint decides to confront Jack the Ripper, who is the embodiments of one part of the legends where he killed pregnant ladies or something. I don’t exactly remember all the details with Jack. Anyway, the important part is that Jack is made up of a bunch of unborn souls. Children. And Atalanta, whose wish is for the happiness of all the children in the world, sees all this. The horror of the tormented children, not even a chance given to live. She’s hit right at the core of her being because she was abandoned by her own parents on a mountain for not being a male in her legend. So Jeanne’s decided that she can’t save these children. They’re already long gone. Of course Atalanta was forcing her own beliefs towards this revered saint. It seemed that to Atalanta, saints were miracle workers, they could do crazy things. And historically, yes, that was exactly who they were. And as Jeanne rejects the very notion of being pronounced as saint, saying that she was nothing more than a village girl who answered god’s calling, she demolishes Atalanta’s view. The Archer’s entire world. And with the baptism rites going, Atalanta screaming for her to stop, and Jeanne following her own set of beliefs… it was a very personal moment for all of them. In the anime, Sieg was there for some reason. He literally just took up screen time. He feels like he was just there. Added absolutely nothing and just wasted time. And this annoyed me because this was a very personal moment for two other characters. Yet this wet sock is just… there. Intrusive. Like he needs to be included in everything. It was an absolutely well done scene in the LN where Jeanne’s beliefs are far more established and she actually has personality outside of Steve-kun. Where he wasn’t there.
Basically what I’m saying is Apoc is really good when he’s not around. Seriously, it’s so much better. Achilles’s fight with Chiron was very personal, so was Achilles’ fight with Atalnta. When it’s personal, it’s good. Sieg has no personality or history with others. No emotion. No relations. Nothing. Just stale bread that’s winning against people who have nothing to do with him. And I can’t help but get frustrated at this goddamn show for that.
OKAY: Lightning round of shitty wet sock things:
Spends a fuck tonne of time asking people “are humans bad hurr durr” and comes out with the solution that he basically wants to be hero of justice and protect humanity or whatever. It’s never stated in the anime but this is what Siegfried wanted. So he’s stealing personal character motivations too. Waste of episodes that could have been used developing far more interesting characters.
Jeanne (in the anime ESPECIALLY) only exists to be his love interest. She isn’t allowed to be anything more. And her big character revelation is that she loves Sieg(big surprise). She acts against her neutrality a lot of the time because of him. When she strongly declines picking sides at the very beginning. The reasong for this is that he has nothing to do with the war. BUT GUESS WHAT? HE DOES BECAUSE HE DECIDES TO GET INVOLVED IN IT. So there is no reason to protect him. She acts against her own beliefs so that she could be waifu bait for this fucko. They say it’s all Laeticia or whatever but to NO ONE’S surprise, it was Jeanne all along (yaaaaay….).
He becomes more Siegfried than Siegfried. Well in life, Siegfried could spam Balmung as fast as he could swing it. But he can’t do that as a servant of the Saber class because it’s a big Noble Phantasm. But guess whaaaaaat? Sieg can do that because he apparently also has galvanism from Fran for some fucking reason, and to pour more salt on the wound, he can upgrade Balmung to EX Rank using a command seal. Which, mind you has never been done before nor foreshadowed. Karna’s Vasavi Shakti was still more powerful thought because this dude don’t play around for some ho. And ya’ll know how much of an asspull this was.
Speaking of that fight, from what I’ve heard in the LN, he actually had a clear shot of Siegfriend’s back but for some reason didn’t decide to take it. I can’t 100% confirm this but if that was the case, that’s another thing of making characters act OOC. Karna would never let someone win a fight. And this is him with a time limit while wet sock has a shroud from Jeanne that auto heals him, a bunch of help from a bunch of other people. Yadda, yadda, yadda, ass pulls. He wins the fight. Fuck off wet sock-kun.
Jeanne, for some ungodly reason is unaffected by really personal things like her mother talking to her and reasoning that she shouldn’t have gone off to war, seeing her fellow Frenchmen die in the hundred years war, and even seeing the room where her best friend murdered a bunch of kids after her own death.  Yes, she knows it’s all fake. But when Shakespeare shows her images of Sieg burning at the stake instead of her and his decapitated head… she freaks the fuck out. Why? She knows it’s fake. She’s known this dude for like a week. You could argue that she feels personally responsible for involving him in the war. But once again. This doesn’t make sense. Sieg chose to involve himself. He chose to fight. He chose to fight a riskless war because he’s the main character. Of course in the shittiest reveal ever, she realises that she wuuuuuuuvs him. Fuck right off. AND DON’T GIVE THAT ‘LOVE WORKS IN MYSTERIOUS WAYS’ SHIT.
SPEAKING OF THIS BULLSHIT. There was this utterly stupid scene in the Light Novel where Sieg and jeanne see a couple or whatever. There was a baby or something. And Sieg asks Jeanne if servants could get pregnant. Of course, since she looooooooves him so much, her immediate thoughts were “DOES STEVE-KUN WANT TO IMPREGNATE ME!!??!?!?!?”. I wanted to hack out blood when i heard that was a thing. Thank god that it wasn’t in the anime.
He cucks Jeanne out of killing Shiroumine, the big bad antagonist of the series. The anime and promotional material is making them out to be rivals when they have zero ideological battles, have never even spoken to each other before, nor an allusion to some sort of rivalry at all. It just happens. At this point Sieg doesn’t even have any command spells and he pulls Blasted Tree(Fran’s NP, yeah he stole that too) out of his ass. Kill stealing bitch. Reported. Blocked. Emailed Harada. Email Jeff Kaplan. Perma-ban pls. Basically, Shiroumine was a shit villain because his plans weren’t really clear. Salvation of humanity was too broad in a sense on how the actual fuck he was gonna pull it off, and it wasn’t explained all too well. And with Sieg being the contender for the shittest protagonist I have ever had the displeasure of laying my eyes on, the main villain just became… fucking boring. I say villain but he was an antagonist. A direct result of bad character writing.
The so called romantic ending is an even shittier version of one of the endings in the Fate route in FSN. Like it’s a straight up copy. Imagery and everything.
Oh yeah, he turns into a dragon for whatever reason. Comes out of nowhere. Like zero build up. Then he fights monsters for the rest of his existence on the other side of the world or something. It’s really stupid. It’s meant to feel heroic but I don’t feel that at all. When a heroic sacrifice that’s meant to make me feel all sorts of emotions, makes me laugh instead, you’ve done a shit job at writing.
There’s probably more that I can’t remember at the top of my head. But there’s only so much that I can complain about. Oh who am I kidding, there’s a chat in one of my discord servers that we spend all our time at least a couple times a week on how shit this fuckhead is. He’s that bad, honestly.
To conclude, Apocrypha could have been great. It had a lot of promise. But it failed on nearly every end. The grandiose battles fall flat because nobody actually cares about a lot of the characters since more a lot of them are severely underdeveloped. And despite the narrative spending the most time with him, Steve-kun was a massive failure of a main character. He was a shounen protagonist in the wrong genre. Actually, he’s a generic light novel protagonist in Fate. And it didn’t work. Because fate is so much more deeper. So much lore. And I love that crazy, well thought out world. Wet sock-kun doesn’t have a place in it. Not in a narrative like this. Not in a world where depth can go seemingly forever. And especially not against characters who have actual strong personality and rich histories. And so, he fails. Sieg fails. The actual self-inserts of a character like Hakuno and Guda do a better job at fulfilling their role than an established character. And that’s fucking pathetic. I had more fun reading through Hakuno’s nurse fetish and Guda’s snarky attitude. Honestly, it is tiring. I was constantly frustrated at Apoc. I still am. The anime will be ending soon. And I’ll probably just laugh at how bad it is.
I won’t rate it or whatever. I’ll just say to not bother. But if you love fate, then go for it. There may be characters you saw in Grand Order that you want to know more about. And the servants are absolutely great. But honestly, just go read their source material. You’ll have more fun with that. But if you’re like me and are a salty piece of shit… the welcome to the club. There’s a lot to gnaw on.
Right so before I get massive flack for an opinion piece that I decided to write, and before anyone says that 'If you’re not going to say anything nice then don’t say anything at all'… I’ll just say to fuck off because it is my very right to speak about a creative piece. I’m not critiquing a person. I’m critiquing their writing in my own little colourful language. Critiquing a professional work, mind you. I wouldn’t do this to a fan work. And again, it’s an opinion. You don’t have to agree with it. If you liked wet sock then more power to you. I just personally thing that he’s the worst thing in the Fate franchise. Though people do say that Manaka is worse. I doubt you can limbo under something that’s like negative bajillion on any scale. Sieg just managed to offend me so hard when almost nothing does these days. And honestly, that’s an achievement on its own. Golf clap.
Anyway, I had a lot of fun writing this. But hey, maybe I’m just a petty little shit who got his waifu cucked by a fetus, amirite?
20 notes · View notes
Text
I’m Thinking About Raven again, which means it’s time to babble out yet another emotional essay!
Tara Strong talked about how Raven means so much to so many people. She mentioned people at cons who would tell her how much Raven meant to them...
I was one of those people. (She even put a picture of my Raven cosplay on her Instagram!)
I may be really verbose when it comes to typing, but in person? Especially around tons of other people? Especially when there are a lot of emotions going on? Especially when I’m facing a creator that contributed to the saving of my life?
I get a little tongue-tied. So Tara wasn’t subjected to one of my Raven Rambles^tm. But I did tell her, voice trembling, “Raven means a lot to me. It’s really hard for me to express my emotions, so thank you for giving a voice to people like me.”
And she nodded, she said “Thank you for that” (SHE thanked ME?!), and then asked me if I made my cosplay myself, I told her I got the gems commissioned from a resin artist, but the rest, yeah, and said “I have to get a picture of that.” So we took one picture for her, and one picture for me. (I didn’t pose or anything because my mind was too wrapped up in my heart to figure out what the HECK to do with my body). And I got an autographed card and with one final thanks, I was on my way.
So it was a pretty quick interaction. I don’t know if she even remembers me amidst the hoards of other fans who probably made much prettier speeches or gave her a much prettier smile. But to me, there’s a lot more to it than my struggles with expressing myself. I couldn’t figure out what was important enough to tell her. I didn’t know how long I’d be allowed to talk to her. I didn’t know what would be Too Weird to say. So I spent months leading up to the con trying to figure out how to encapsulate everything Raven has done for me... and, well, that was all I could settle on.
(At least I actually got a coherent thought out, unlike when I met Marv Freaking Wolfman... 8F Literally 3/4ths of the words I spoke to him were “Awesome”.)
But I’m thinking back to it, and like.... I kinda wish I’d been able to settle on a little bit more. I wish I’d been comfortable enough to admit my vulnerabilities to her, to tell her I’m still here because of this character she gave life to, to admit the struggles Raven got me through.
(I even still use Azarath Metrion Zinthos as a mantra when I really need to get my head out of a Bad Place, but that’s one of those things that probably would’ve been weird to say. 8F )
I was introverted and private, I wasn’t afraid to speak my mind, I have depths of darkness in me that most children’s media didn’t touch on, and people often asked me why I spent so much time reading. Sarcasm was my armor and by the time I really started getting into the show, I’d been restraining my own emotions for years. I had always fought for what I believed in, always did my best to be a force of good in this world despite my own struggles, and heaven help you if you hurt the ones I love.
Even before the mystical stuff started playing such an immense role in my life, even before I realized I’m an empath, too, even before the really weird stuff that I’ve come to dub “my Nexus” and a phenomenon the otherkin community calls “synpath”, I related to her on a very deep, personal level. And having someone who I thought might be able to understand me made me feel so much less alone.
So you can imagine why I cried at Spellbound, huh?
If you look a little too closely, things might start looking eerily similar. I saw my mother in Arella, someone who had been brought up in a tumultuous environment, had been separated from me at a very young age, and still did everything in her power to fight for me tooth and nail, loving me unconditionally.
I saw my father in Trigon, someone whose darkness was passed onto me in a lot of ways, and whose rage was truly terrifying. Someone I didn’t want to grow up to become, no matter how much he wanted that for himself.
I really had been training myself to restrain my emotions for a long, long time. The comics go into how this effects her infinitely more than the show does, but in a lot of ways, I related to that version of Raven, too. (My dad had collected the New Teen Titans comics and let me read them as soon as he realized I liked the show, and eventually gave them to me. I fell in love with Raven all over again.)
I tried meditation at age 12, yes it was definitely because I saw Raven doing it, also because I’d started writing fanfiction and wanted to know how to describe something so important to her, and thus I wanted to learn everything about it I could. If meditation helped her, maybe it would help me, too. Lo and behold, it’s my strongest coping mechanism to this day, 15 years later.
And then, by age 14, the really weird mystical stuff started taking its toll on me, and again I found my path running parallel to Raven’s. (So much so that I grieved for the fact that I would never have someone like Azar in my life who could teach me how to cope with it, rein it in, harness it, control it... but that’s a ramble for another blog entirely.)
And by age 18, I found myself also grieving the dissociation I felt from my own emotions. It was of my own design, of course, but that didn’t make it hurt any less. And even then, I found myself relating to Raven in the comics, working to undo brainwashing and seeking freedom. Finding it within myself to explore my emotions and find out just who I really was beneath the veneer of emotional restriction.
There’s so much more, nights I would spend hours journaling how excited I was for the newest Teen Titans episode, how deeply Raven’s pain affected me, how delighted I was to have this source of joy in my life. 
So you take all of this really close personal connection. Then sprinkle in lifelong ADHD that led to “obsession”, as I called it during childhood, but now realize the proper term is “hyperfixation” (because few fans can fandom like an ADHD fan). Add a general fog of emotional abuse and depression, a host of self-worth issues, and inability to socialize with peers (along with a general lack of desire to do so), and you have a child who was desperate to find relief from the sorrow, the stress, the loneliness, the ostracization.
So naturally, I got REALLY attached the moment I started seeing myself in Raven. And I’ve carried that attachment with me through all the deepest struggles of my life, someone I could ‘turn to’ for a smile, or inspiration, or strength. Lines and thought patterns I could recite to myself for a moment of clarity, like a shield against my own inner demons and the tribulations externally. Something that could help me get through the day. A reason to survive, to see what happened in Next Week’s Episode. A reason to believe in myself, because if Raven could stay strong and fight through everything, then maybe I could, too.
She was like the older sister I never had, the encouraging friend, the reassuring voice in times of darkness.
I started my journey as a writer by writing Teen Titans fanfiction, another thread that’s still weaving bright beauty in the tapestry of my life. Dove, among my little family of OCs, remains my favorite to write about, but you bet your buttons Raven takes an important role in her life, too.
Gods, it’s almost time for me to get ready for bed, and I feel like I’ve barely scratched the surface of just WHY Raven means this much to me. I’ve laid out facts, but like I said earlier, I really struggle to put words to immense feelings. 
Maybe someday I’ll be able to compose a letter for Tara Strong, and Marv Wolfman, and George Perez, and Glen Murakami, and let them know that the heart they instilled in those characters is something that has acted as a lighthouse beam in the storms I’ve been caught in, but for now, I’m tired and rambling and all I can put to words is a love letter on my own personal blog.
Raven’s important to me, okay?
1 note · View note
murasaki-murasame · 7 years
Text
Yuri on Ice Rewatch: Episode 3
Time for episode three! I remember this being when I got even more invested in the show than I already was before, so this will be fun to revisit.
Thoughts under the cut.
Not much to say before I sit down and watch the episode itself, other than that this was the episode that fully hooked me into the show, as I said above, but I’ll get more into that later in this post. I can’t remember exactly what my feelings and expectations were going into this the first time around, but I imagine that I was pretty curious to see how the whole Onsen on Ice competition would play out, and how it’d handle the already-emerging themes of love. 
This was also around when I got really into the fandom, or at least when the fandom really took off, especially in terms of discussion and analysis and whatnot.
Anyway, time to sit down and watch this.
----
I imagine that most of this post will be me talking about Yuri and his Eros performance, so I may as well talk about the other parts of the episode first.
As yet another part of the show taking on a whole new tone once you get to the ep10 twist, I can’t help but laugh at the entire concept of Yuri saying that his eros is katsudon, and Viktor then doing out to drink until dawn that same night. That must have been a bit of a whiplash-y moment for him. But he took it in stride.
It’s interesting to look back at Viktor saying that to him, agape is ‘just a feeling that he doesn’t know how to put into words’, and in general being kinda flippant about it, considering how depressed and listless we now know he was. I wonder if agape was a difficult concept for him to truly engage with and understand, at the time.
I still quite like the part where Viktor says that his role is mostly to help Yuri with his self-confidence, since he’s already a perfectly good skater who’s just hampered by his emotions. It’s a really important part of their dynamic as coach and student. I’ve always found it interesting how, even among the anti-YoI crowd, I’ve never seen anyone genuinely complain about their relationship on the basis of the power imbalance they have as coach and student, and I think this is a major part of it. They might be coach and student, but their dynamic is much different, and much more balanced, than that of a ‘regular coach and student’, for lack of a better term. For one thing they’re both adults, so that erases like half of the problems that come with most ‘power imbalance’ relationships like this, and most of all, they’re at a similar level of knowledge and skill. Viktor isn’t really teaching him anything about skating itself, in terms of skills and abilities, he’s just there to mostly be an emotional support for Yuri. So their relationship as a whole has basically none of the bad parts you usually get out of stuff like ‘teacher-student romances’ or whatever. And I really think it’s a testament to how well the show’s written, and how much it sells the idea of them being on more or less equal ground as people, that even the antis don’t complain about it. Also, if you’ve ever seen that one interview quote from Otsuka, the CEO of Mappa [I think it was him] where he was like ‘Yuri and Viktor are coach and student, but they’re also partners’, that’s basically the gist of what he meant. They might have a relationship that’s technically defined by a fundamental power difference, but they’re still equal partners. And of course this is also all further supported as the show goes on by the fact that not only is Yuri emotionally supported by Viktor, the reverse is also true, so even on an emotional level they have a two-way relationship.
It’s also interesting, in hindsight, to look at everything he says about the Eros routine, and how he made it. To put it pretty simply, it’s a fairly common fan theory that aspects of the Eros choreography, if not the entire concept of it, were based on Yuri’s whole pole-dancing routine at the banquet. In general, the whole context of Eros, and Viktor’s desire to see Yuri’s true Eros, changes a lot, and becomes more clear, when you understand that Viktor has already seen his Eros, in all it’s champagne-fueled glory, and is actively seeking it out again.
Oh, and while I remember, on the general topic of Viktor, I still love and adore the post-credits episode preview where he says that he’d be happy to see Yuri naked on the ice. It’s so great. Although part of why I love it, beyond the obvious part of how incredibly gay it is, is that I have no goddamn clue what the context for it is meant to be. Like, where did it even come from? Nobody ever suggested Yuri be naked on the ice, so him talking about it comes out of absolutely nowhere. So it just exists as a canon conversation in the show even though it has no real reason for being there, and that’s amazing. It feels almost like it was meant to be a reference to a part of the episode’s script that got cut before the episode aired, but they kept this part in even though it didn’t make sense anymore. I can imagine how the concept of Yuri being naked on the ice COULD have come up in this episode, but it didn’t. I might sound like I’m criticizing it, but I’m really not. I genuinely love this damn conversation and how completely out of nowhere it is. Yamamoto didn’t need to have Viktor canonically say that he’d love to see Yuri be naked on the ice, but she did that, for all of us.
I don’t think I have a whole lot to say about Yurio in this episode, but I actually really like his scenes in this episode, since he’s at his most introspective, isolated, and vulnerable. That’s basically when his character’s at it’s best. Which is part of why I’m really sad that the show leans more into validating his cocky attitude rather than knocking him down a peg. The whole ‘tell him that I’m gonna be the one to win at the GPF!’ line comes across kinda weirdly when you know in hindsight that he DOES win the GPF. It feels like he was meant to sound petty and defeated when he said it, and that tone gets kinda warped when it turns out he was right about it.
I really do love his relationship with his grandpa, though. It’s a consistently heartwarming and adorable aspect to his character, and it goes a long way to make him sympathetic. I kinda wish we got more insight into his childhood and home life in general, but there wasn’t time for it, and I’m honestly glad that the show cut out a lot of his backstory in order to focus on more relevant and important things. I know we’ve learned a few details about his backstory via staff interviews and such, but I only have a vague memory of it since I don’t really seek out extra info on his character, and I don’t usually care enough to remember, if I’m being blunt, but I think that his mother is some sort of a famous singer, or at least was one, and that she doesn’t have much time for her family, which is vaguely alluded to in this episode.
His whole thing of being frustrated with himself during his agape performance because he’s putting too much energy toward performing the physical actions of the routine, and being unable to focus on the emotional side because of it, was also nice. It’s good to see him at least striving to improve upon himself.
Anyway, time to talk about the real star of the episode, Yuri! I dunno if this’ll actually be the biggest part of this post since I talked a bit more about Viktor than I thought I would, but still. I’ll try.
I should probably say in advance that I kinda struggle at times to talk about my positive feelings toward something I like, because I feel embarrassed about the idea of seeming overly obsessive or dramatic or obnoxiously pushy with my raving, so I tend to hold myself back and talk about things from the most analytical and ‘objective’ perspective I can, which I think leads to me seeming overly critical at times, and it also kinda sometimes leads to me not talking much about the things I like about something. So I just wanna make it absolutely clear, while we’re still relatively early in this rewatch series, that I fucking ADORE Yuri Katsuki. So much so that I would honestly call him my favourite fictional character of all time. He means the absolute world to me. Which means that I might end up not talking much about him or his scenes because I don’t want to spent Literal Hours [tm] raving about this wonderful, incredible man. But I still love him to pieces, and even though I loved him from the start, this was the episode where I began to feel truly invested and connected to him to a degree that I hadn’t been expecting.
The Eros sub-plot/theme/whatever-you-want-to-call-it is where we really start to get a deeper look into Yuri’s feelings, and it’s also where the show begins to really get into the overarching themes and concepts that it’s going to explore over the course of the story. It’s no wonder that this is where there was a bit of an explosion of meta and analysis and speculation within the fandom. This episode provides us with ideas and frameworks that are explored throughout the rest of the show, and at the time, they really got the fandom thinking about how it was going to go. From the very start people had their apprehensions about Viktor, mostly because in the early episodes he has an aloof and emotionally distant playboy vibe to him, and the whole playboy/beautiful woman story presented in this episode really ignited people’s fears and concerns, and sparked a lot of discussion in general. Especially since the Eros story explicitly mentions the idea of the playboy abandoning the beautiful women once he’s done with her [which, yet again, gains new context when you realize what happened during and after the banquet. Not that Yuri himself could have known about it]. I still kinda wish the show could have explicitly brought up the Eros story again later in the show, but oh well.
But we can’t talk about the Eros story without also talking about how Yuri actively subverts it by choosing to adopt the role of the beautiful woman and spin it into a seductive force that can go up against the playboy. It’s no surprise that this was around where it really dawned on us all that this show had a lot of things to say about romantic narratives and interpersonal dynamics. A lot of it is explored somewhat implicitly, in the ways that Yuri and Viktor’s relationship naturally plays out, and how it subverts expectations and narratives and tropes, but there’s still some explicit discussions of and references to these concepts, like in this episode. I definitely think it was very intentional on Yamamoto’s part that this show explored and subverted a lot of romantic narrative and tropes, which I’ll get into as I get through this rewatch. This is a good time to recommend her earlier anime, The Woman Called Fujiko Mine, which very actively and VERY explicitly discusses and subverts the way that we create narratives about women, and how damaging they can be. The wonderful Vrai Kaiser has their own series of posts about each episode of that show on their blog, where they go over the themes in that show much better than I ever could. Their posts are made with the entire series in mind, though, so don’t read it if you haven’t watched it all. They also have a really good essay about one of the characters in that show, and how, through that character, the show explores the negative and stifling ways that we create [or don’t create] narratives about gay men. The latter in particular being a topic that I think is very interesting to explore in the context of Yuri on Ice. I’d love to make my own essay post about the concept of ‘how we write stories about gay men’ in relation to Yuri on Ice, and how Yuri on Ice compares and contrasts to The Woman Called Fujiko Mine in that area, but that’ll be it’s own separate post I do later.
That was kinda off-topic and half of it was just me giving a shout out to Vrai because I love their posts and want to have more people read them, but the other half of it is that it supports what I mean about how Yamamoto seems very intentional about how she writes about the idea of narratives, especially narratives to do with gender and sexuality. I’ve also heard similar things about Michiko and Hatchin [the first anime she directed], but I haven’t seen that so I can’t comment on it.
The basic idea of how it’s subversive for Yuri to both adopt the feminine persona in that narrative and to also frame it as an active, dominant sort of role, is pretty obvious. I don’t think I even need to go too deeply into it. But I do like the way that the show as a whole explores and embraces the idea of men, well, exploring and embracing their feminine side. We also see in this same episode how Yuri’s Eros outfit, which was itself previously worn by Viktor, was intentionally designed to evoke both male and female genders. I think it’s a really wonderful and positive message to send. Framing femininity as something that can be empowering is great, and fits in nicely with Yamamoto’s other works and their messages [from what I’ve seen at least]. But, as I’ll get into in episode six’s post, it’s sort of a crutch, or a stepping stone, for Yuri in this episode. He steps into a very actively and aggressively feminine role in this episode, to the point of using the pretty much exclusively-feminine pronoun ‘atashi’ during his performance, and later on he dials back on it a bit and reaches more of a middle ground that reflects his more true self. It’s a part of the story that I truly love, and I’ll have a lot to say about it during episode six. [In general I’m probably gonna have a lot to say about episode six, and I want to give it a lot of attention, especially because it’s by far one of the most under-appreciated episodes in the show, which is still sad to me, since it has one of my most beloved scenes in it]
It’s also worth noting, in terms of what the fandom was talking about back then, this episode sparked a whole lot of headcanons about Yuri [and to a lesser extent Viktor] being a trans woman, or nonbinary to some degree. I think that headcanon kinda died out as the show went on, though, to the point where I feel like more people at this point headcanon Yuri as a trans man. Either way I don’t really think it’s my place as a cis guy to comment on this much, so I’ll just move on.
I really love Yuri’s entire Eros routine here, and his confident and sexy attitude in it. I remember the fandom as a whole being really surprised to see that sort of a seductive side to him as well. In general a lot of the fandom experience as the show was ongoing involved people being continually surprised by Yuri’s many layers as a character, and the escalating ways in which he gets more and more seductive. I still love the little kiss he blows Viktor at the start of it, and Viktor’s wolf whistle that he does in response. It’s great.
I don’t really want to get too deep into movie speculation until my episode twelve post, at least [I’ll probably make a separate post afterward about my speculation for it], but I’m really interested in seeing it again, at least if the movie covers what I think it will and thus he’ll be doing the same routines. Each new Eros performance we got in the show was different in some way to the last, and reflected certain aspects of Yuri’s growth throughout the show, so I can’t help but be curious about how it’d go in the movie. Not gonna lie, I kinda desperately hope that at least one time he just straight-up kisses Viktor and leaves him blushing and breathless before he does an Eros routine. Even if it’s a bit of a pipe dream. At least we got an indirect kiss of sorts during episode 11′s Eros routine, lol.
I also really like how Yuri asked Minako for guidance, and employed his history in ballet, in order to figure out how to go about performing Eros. It ties in nicely with what I said above about him connecting with his feminine side.
I know I basically haven’t said anything at all about the whole katsudon topic in this episode, and that’s just because I don’t have a whole lot to say about it. It’s another aspect of how he explores certain ideas on his road to understanding his true eros, which comes to a head in episode six, but I feel like the aspect of him connecting with a feminine role is more interesting to talk about. The katsudon thing is more of a running gag than any serious plot point worth discussing. Though it does kinda highlight how much Yuri hasn’t really thought about sexuality before, and is really clumsy about figuring out how to explore and express his own sexuality. But I also mostly feel like Hot Topic’s aggressive approach to plastering the ‘I’m a sexy pork cutlet bowl’ line on like 90% of their Yuri on Ice merch has kinda left me burned on the whole thing to some degree. [They didn’t even use the ‘katsudon fatale’ line! That’s, like, the one genuinely interesting and discussion-worthy part of the whole katsudon thing!]
Anyway, since I’m running out of things to say, I’ll just comment on the whole resolution of the Onsen on Ice competition. It caused a whole lot of discourse in the fandom about whether or not it was a case of favouritism, with the competition being rigged against Yurio because Viktor already had a vested interest in Yuri. I think I mentioned this in the last post, but this discourse still comes up from time to time, but thankfully not as much as it used to, especially after the minor resurgence it got after ep10 when it became even more clear how much Viktor was into Yuri by this point in the show. Either way, my stance is that it wasn’t rigged, and that if Yuri had truly been unable to find and express his Eros, Viktor probably would have packed up his bags and left, though he obviously wouldn’t have been happy about it. I think that, mostly, Viktor wanted to make sure that he wasn’t mistaken about that inner flame of passion and Eros that he’d seen in Yuri. He wanted to know that he’d made a good choice in disrupting his career so much in order to pursue it. So if he had ended up feeling that he wasn’t going to be able to find it, and that Yuri wasn’t going to be able to give him what he wanted, he would have been fine with leaving, though I doubt he would have actually left unless an option like Onsen on Ice came up, even if Yuri hadn’t been able to express his Eros. I’m not entirely sure about it, but I imagine that he would have stuck to his word and continued to coach Yuri for the rest of the season.
I guess my way of phrasing it might come across badly, but I don’t think that Viktor was being, like, shallow or manipulative in wanting to rediscover Yuri’s Eros, and basically creating a scenario for it to happen in. I think it was fine. I can’t blame him for being kinda desperate about finding passion and love and happiness.
Oh, and that reminds me, the scene in the rink where Viktor gets up in Yuri’s personal space with his thumb against Yuri’s lips and says that he wants to see Yuri’s Eros is kinda interesting, since it was used at the end of either the first or second PVs, and was one of the main, if not the only, ‘fanservice-y’ scenes used in the PVs. I still feel like the framing of it is kinda weird, like they were trying to make it seem sorta uncomfortable and almost predatory, and so it’s still a bit weird to me that it’s the main fanservice-y scene they used in the PVs. It kinda created a bit of a misleading atmosphere that made me think that the show was going to be more weird and exploitative about it’s portrayal of sexuality. I’m glad that wasn’t the case. Either way, I feel like it’s the sort of scene that really illustrates the gap that existed between them at the start of the show, and how so much of it was about Viktor being aggressive with his flirting while Yuri didn’t know how to respond. It kinda superficially plays into stereotypes and tropes, but it’s one of the things that gets subverted and flipped on it’s head as the show goes on, so I can’t help but wonder if it was intentional, in terms of showing these trope-y and kinda unhealthy and unbalanced scenes at the start, to contrast them with how their relationship develops as the show goes on.
Anyway, next week we’ll be getting to episode four, which is a real turning point in Yuri and Viktor’s relationship, and is the beginning of them truly connecting as equals. So that’ll be nice to revisit.
0 notes