thinking about giant/tiny modeling. tiny models advertising a product by sitting on/in it directly. nothing like seeing a billboard for a box of chocolates with an actual, tiny person curled up next to the sweets. tiny models that sit in teacups, on plates, next to a watch or a pencil or literally any common, household object. tiny models with a lavish dressing room they can't even get around in, because the vip room happens to be 20x their size.
tiny models that may only be the size of your finger, but still effortlessly command your attention when you see them across the room. with the way they act, not even squirming as a dozen agents and journalists loom over them, they're obviously used to the attention. you can't tell if they're only used to it because they expect it, at their size. they're such a cute, pretty little thing. how could you not adore them?
on the flipside, the way a giant model commands your attention is an absolutely breathtaking experience. every distant movement is like watching a living natural disaster. they're so gentle with the scenery around them, but you get the feeling they treat it more as beloved play set. giant models that lean next to buildings, blocking off multiple streets just for a single, quick shoot. giant models hunched a team of makeup artists readying them for the camera. leaning down for a dozen ladders, even holding a stylists in their hands. giant models that don't even fit in the frame. you'll see their lips, their eyes, the whorl of their fingertips in magazines, far sooner than you'll see their entire body.
giant models that make you freeze, instinctually, when they meet your gaze from across a warehouse. you can't help but cautiously wave to them. the slight chuckle from massive, painted lips rumbles through your chest, even across the distance between you. butterflies squirm in your stomach when they wink at you, a movement practically broadcast to the entire room. with the way they look like a fallen angel, and the fact that every second only reminds you how massive they are, you know you're faced with something far, far more dangerous than a simple hurricane.
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Okay but am I the only one who thinks that Aziraphale's bookshop still looks and feels so cosy and comfortable even when there are demons in it? Like, when Shax enters it with her troop in s2e6 and Maggie, Nina, Aziraphale and Jim are standing over them on a balcony type thingy, the bookshop looks so lovely in the background with all the warm colours and shelves and all. It truly feels like a safe haven. And then to top it all off Jim offers hot chocolate to everyone-😭🥰 I know they're battling demons but
even in distress the bookshop is a home❤️
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giving everyone a forehead kiss and a hug telepathically. if u feel warm and fuzzy just now that was me
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