#okay at this point i should just post it

[messiahzzz]

while it’s perfectly fine to have your own headcanons that are non-canon compliant — by all means, go wild. recognizing pieces of yourselves in fictional characters can be a very healing and validating experience. this is nonetheless a casual, well-intentioned reminder that gale, in fact, does not have bpd.

bpd is a pervasive pattern of instability affecting interpersonal relationships, self-image, and mood. the disorder is marked by impulsivity beginning in early adulthood and is present in a variety of contexts. a diagnosis requires at least 5 of the following 9 criteria to be met:

Fear of abandonment

Unstable or changing relationships

Unstable self-image; struggles with identity or sense of self

Impulsive or self-damaging behaviors (e.g., excessive spending, unsafe sex, substance abuse, reckless driving, binge eating).

Suicidal behavior or self-injury

Varied or random mood swings

Constant feelings of worthlessness or sadness

Problems with anger, including frequent loss of temper or physical fights

Stress-related paranoia or loss of contact with reality

source: [x]

i highlighted the criteria that do apply to gale in one way or another in a pretty purple.

i personally believe that it’s rather harmful to equate his relationship with mystra with her being “his fp”. she is a deity, his goddess, and the source of his powers, who is in in full control of the magic he wields.

gale: mystra commands all magic. salvation, if such a thing exists, is hers to bestow or withhold.

gale has been effectively groomed and conditioned to serve and revere her at every turn since early childhood. imo this comparison really undermines a lot of crucial points in gale’s story that deal with his overall trauma and abuse. after all, you wouldn’t call shar sh*dowhe*rt’s fp either.

gale doesn’t revile mystra, nor does he commit benevolent deeds solely motivated by the secret hope that she will somehow notice and take him back. when you meet gale in the game he has already fully come to terms with the fact that he has been abandoned by mystra with no hope of reconciliation whatsoever. he also had some very fitting lines in ea regarding this topic that i'm sad haven't been repurposed in the full release in some way.

gale: [the tadpoles] don't know that some things are impossible. they don't know that... they don't know. player: what is impossible about what you're being shown? gale: forgiveness. gale: it is mystra i see. and yet it cannot be her. there was a time when i would have believed - but no longer. gale: suffice it to say she would not bestow upon me the favors promised in these dreams. that is how i know they are delusions.

he has already reached the stage of acceptance. moreover, gale only starts to realize that mystra might have been in the wrong for requesting his death once the tadpole squad & tav speak some sense into him. and even then he doesn’t ever show that his emotions regarding mystra are anywhere along those lines. he is instead rightfully angered that she only saw value in his death, after he had been worshipping her loyally for years.

gale: i worshipped mystra loyally for years, and in that time she granted me the barest sliver of the power i was ready to wield. gale: even with the fate of the world at stake, she had little more to offer me than the means of blowing myself up at a more convenient time. she's done nothing to help us.

gale: you abandoned me in my hour of greatest need. i had no obligation to help you in yours. gale: because you had no right to ask that of me. you cast me out, remember?

gale doesn’t display rapid changes in mood either. he is a character who is generally very composed and has been known to remain nonchalant even in the face of utter horror. tim downie himself even commented on this once. source: [x]

the only instance i can think of is his sudden switch from resigned-to-death to utter-eye-sparkling-enthusiasm once he spots the crown of karsus. apart from crucial story reasons that i won’t touch upon in this post, i’d also like to add that it’s a rather common phenomenon for people who have just barely survived a suicide attempt to suddenly be filled with zeal and unbridled energy. he doesn't display impulsivity without thorough consideration when it comes to its acquisition either. he considers this a golden opportunity and is positively enthusiastic and elated that this might prove an alternative to him ending up in a cloud of netherese smoke. nonetheless, he knows what he is doing. evident in him actually succeeding in ascending in one of his endings.

gale: this is no passing whim, trust me. if i can obtain that crown, it will affect us all. it is not a decision i'll take lightly. gale: it's our future that i'm thinking of - we can't rely on anyone else to do it for us. gale: for now - we've learned all we can.

neither are his relationships that we do know of (namely elminster, tara, and morena) frequently changing. they are marked by years of mutual respect, care, and consistency. there is nothing unstable about them. while it's important to note that his relationship with tav is still in its honeymoon stages during the main game, there is no inclination of any push-and-pull dynamic between them whatsoever.

gale isn’t preoccupied with keeping up some sort of benevolent act in order to win (back) affection — he genuinely IS a good person and he proves this at every turn. moreover, to have a tressym become your familiar you must be of Good alignment.

(taken from tumblr user galedekarios's post.)

there is never a moment where his ideals or alignment suddenly change. in fact, i’d argue that he and wyll are most consistent in this regard when compared to the rest of the companions. gale makes his moral standpoint very clear from the beginning on and also explicitly states that he believes that in order to survive this entire ordeal it would be selfish of him if he wouldn’t be willing to compromise on his morals. this isn’t a sudden bout of ✨muahahaha wizard hubris✨ that he barely contained to hold in before, this is yet another act of selflessness — it is what he’s willing to do for the group and subsequently, the welfare of faerun.

player: i love unsavoury things. don't feel guilty on my account. gale: that's good to know. although i should say i do what i do out of a sense of utility and pragmatism, not a love of the unsavoury. gale: we're up against the greatest threat faerun has ever faced. i don't mind getting my hands dirty if it gives us a better chance of surviving. gale: whatever advantage i can gain for us. i will. and i refuse to feel guilty for it, no matter how much mystra's chidings might echo in my skull.

this is him, once again trying to be useful in whatever way he can. to give them an advantage, a slither of hope against seemingly impossible odds, so they might make it out of this in one piece. gale wouldn’t approve of those actions under normal circumstances, but their predicament is as far from any definition of “normal” as it can get.

gale is no fool, he realizes this is essentially about survival. he knows that he has no option left other than to tolerate, which is why he can be convinced to not immediately depart tav’s company even if they choose to commit atrocities. this is no character flaw of his or him displaying a previously dormant openness for cruelty, this is about recognizing the necessity.

player: you don't stand a chance alone. you're free to go. i dare you. gale: gods damn you - you're right. few things are more powerful than the will to live.

gale: i thought the orb to be the greatest of my sins, but i see now that there are darker depths to which i might yet sink. you may be content to sink into that abyss, but i assure you - i am not.

gale doesn’t lead a split existence. he has a very strong sense of identity. he knows what he wants, what he doesn’t want and he isn’t shy in expressing his boundaries either. which he has especially shown when it comes to his relationship with tav. i originally had intended to touch upon this in another post entirely but: i firmly believe his entire Gale of Waterdeep™ persona is more of a performance than him struggling to find a sense of identity and trying them on for size. it is an intentional decision to separate gale dekarios from the great wizard of waterdeep, to create distance and make sure his family name remains untarnished in case things should ever go sideways.

gale: i agree. and on the plus side, if i get myself into any truly cataclysmic straits during the remainder of our journey, my family name will go untarnished.

there is also a deep-rooted feeling of unworthiness and his firm belief that love and praise are conditional resources that he will only be granted through his talents alone, naturally. presenting himself as gale dekarios, the man, would mean highlighting his shortcomings and very human flaws, while distracting from the aspects of himself that are deemed praiseworthy, the ones that actually matter: his magical prowess.

i personally believe that part of the beauty of gale’s story is him realizing just how “little” it takes for him to be truly content. he gets his happy ending, with someone at his side who truly sees him, understands him and unabashedly commits to him. they worship and adore him in return — and it is well deserved. he isn’t reduced to be constantly and restlessly searching for some unattainable ideal to fill the gaping void within himself. he doesn’t secretly thirst for more power still or believes that in being with tav he is settling for something. instead, he is finally happy to just be. be and be accepted. teaching a class of unruly wizards and coming home to his spouse each day already fulfills him.

gale: that's how i feel with you - content. it's a rather unfamiliar feeling, i must say. not something gale of waterdeep ever craved.

even if he doesn’t pursue a romance with tav, he reaches a realization of “oh, it appears i am not irredeemably flawed and only able to reach true redemption through my own death. what i needed was actually with me all along.” throughout their journey and through his friend's support. i think that’s a very powerful and comforting message. he is very well capable of finding peace within himself.

devnotes: his default state is that he returned to waterdeep and became a professor of illusory magic at his former school, blackstaff academy. general vibe here is that this is a gale who's found peace with himself - he's a great teacher, one his students are mostly in awe of.

to repeat myself: sharing your headcanons is all in good fun, nor should you ever be discouraged from doing so. this is your personal tumblr experience, after all. but i personally think we should be mindful of unintentionally perpetuating negative stereotypes, such as narcissism being a general indicator or being deemed a classic depiction of bpd. i think we can all agree that the continuous longing for acceptance, connection, praise, and approval is something we all have in common deep down, regardless of whatever disorder we may have. [insert victoria justice meme here]

gale may be many things to many people, but he is no entitled narcissist.

#with love. a person diagnosed with bpd <3 #this turned much longer than i originally intended it to be (aka less of a reply and more of a character study) #by now you know that i am incapable of cutting myself short. i’m so sorry #i debated if i should put this in the tag at first #but i personally think that this is a very interesting discussion #also to reiterate: this is by NO MEANS a slight at the original poster #i just thought it more respectful to make my own post instead of invading theirs with my ranting #fandom is all about fun and escapism. #if you interpret characters in a certain way that i personally disagree with that is a-okay #BUT i’m also gonna have my own specific brand of fun by pointing out why you’re wrong (affectionately) #also i quickly want to add that if you're interested in a very accurate and respectful portrayal of bpd: watch crazy ex-girlfriend!! #its on netflix and genuinely such a funny and unapologetically weird show. the writers have really done their homework #bg3 #baldurs gate 3 #gale dekarios #gale of waterdeep #bg3 meta #character analysis #it speaks #long post #suicide mention

[courfeyrec]

i keep coming back to 'i was a functioning alcoholic til nobody noticed my new aesthetic' because i do distinctly remember conversations about how taylor seemed to be drinking a lot more and getting drunk at like every awards show she went to. and those conversations were coming from a place of concern and of hoping that she was alright and that this wasn't a problem.

so to then say 'ugh i can't believe no one noticed this problem i had' when i know that people definitely did, and on the same album say that fans who are genuinely concerned about a new relationship that you are in are just 'bitching and moaning'? what do you want from them? you're talking about so many people who do at least believe that they are coming from a place of care and concern, and you are totally dismissing them on both ends of a scale!

not to mention that her implying that since nobody (???) was noticing her ~aesthetic~ drinking problem she just stopped having it is a bit of a kick in the teeth to people who do have drinking problems and can't just stop having them, since that's not how it fucking works.

#today on things about this album that make me want to scrEAM #just the word aesthetic even being in that sentence. please stop. #i think my cynicism has just been brewing for like a whole year at this point and i finally have something to let it out on #maybe even over a year. i have been saying since the tour was announced that she should do tour and finish the rereleases during it #thats the end of eras. the tour the rerecords all finished. #and then take a break. a proper break with no anything going on. #and then take the time to make a solid new album to be released in say 2025/26 #obviously this did not happen lol #okay imma use anti tags i don't want the swifties coming for me but. these opinions are important to me and i wanted to voice them. #cannot guarentee that i will not have more to say on this matter at a later time #anti taylor swift #anti ttpd #mae posts #tw drinking #tw alcohol #tw alcoholism

[aroaceleovaldez]

i hope this doesn't sound like a silly or weird thing to send you, but i'm autistic and have long thought of nico and a handful of other riordanverse characters as autistic and i love your posts about why nico in particular seems intentionally autistic-coded. but i've been thinking, if rick did intend for any of his characters to be autistic, why wouldn't he say so outside of the text at least? i can't think of a good reason why not, when he goes out of his way to be explicit about so many other characters' various marginalized identities and has confirmed things like reyna being asexual outside of the original text. so it gives me this nagging sort of doubt that maybe rick just made nico come off as so extremely autistic coded by accident, somehow. if it wasn't an accident i do kind of wish he'd say so because there's next to zero explicitly stated autistic representation in, like, any media so it'd be nice to have here even if not strictly necessary. either way though, like i said, i love your posts and i agree with you 100% about autistic nico! some others i like to think are autistic are annabeth and leo.

(Most of this is gonna be kind of a tangential ramble to your point and i apologize in advance just bear with me)

This actually touches upon something I've been meaning to do a write-up on recently, which is: depending on the coding, that is our explicit statement. In most coding, actually, that's kind of the point. (Also something something Death of the Author.)

You may have noticed a recent trend across media of characters saying things directly rather than expressing them in a natural way, and often this includes incredibly stilted dialogue of characters explaining things in very politically correct, wikipedia-esque descriptions and terminology that make absolutely no sense for the characters' personalities or mannerisms. This is born out of the idea that if something is not stated in explicit terms, no amount of evidence below an outright direct exact statement will ever count - if two characters of the same gender have an explicit kiss and wedding on-screen, it doesn't matter because they never said the word "gay," etc etc.

In PJO, prior to more recent books, we get plenty of examples of characters explaining parts of their identities without direct statements. Percy never needs to say in outright terms that he has PTSD from Gabe - and it doesn't make sense that he would! He's 12! He's never been diagnosed for that. He probably doesn't even know what PTSD is really. But we, the audience, know without a doubt he has PTSD, because it is clearly expressed to us. That is coding. Tyson is coded as having down syndrome. Nico is coded as being autistic. It doesn't make sense for Nico to turn to the camera and explain that he's autistic and what that means, because he definitely never got diagnosed for it and probably doesn't know what that means cause the diagnosis literally did not exist when he was growing up - and heck, autism terminology was still kind of getting sorted out back in 2007 when TTC was published, so it's unlikely we could have feasibly gotten any exact terminology wink-wink-nudge-nudges short of something like how Percy outright mentions other students called Tyson the r-slur in Sea of Monsters. And in fact we see that same exact style of coding with Nico later on in the series. Nico never turns to the camera and says word-for-word "I am gay, I am mlm, here's me wearing my exact pride flags" (until TOA/TSATS, which... did the exact thing i mentioned about characters speaking like theyre trying to get a good grade in therapy, or giving a powerpoint presentation). But it is never unclear that HoO is telling us outright that Nico is gay. It's not just hinted at. It's there, in your face. But entirely because no one ever outright says "gay" specifically it's technically still only coding. We know he's gay, we know the characters have trauma/ptsd, etc etc. We don't need it spelled out - that's just kind of condescending. It's like if you said describing a character with "eyes like moss" means they were "green-eye coded."

Nico being autistic-coded isn't hidden. It's not a secret. It's very overt. If you know what autism looks like, well, yeah, there he is. Even if you only know very vague 2007 media presentation of autism, Nico in TTC is easily recognizable enough as autistic because that's the point. Tyson is easily recognizable as being coded as having down syndrome and it's very clearly very intentional! It's just never spoon-fed in exact terms to the reader because it's not necessary! You've already been told the information necessary to tell you what is up with this character, so just plainly going "oh they're [x] in exact terms" is very much telling-not-showing and feels redundant. And while there are places for that kind of thing, most of the time it's very unnecessary. Sometimes coding is subtle, sometimes it's obvious, and yeah there are times where writers code characters unintentionally, but the textual evidence is there, and that's the whole point.

And that's what Death of the Author is about - it doesn't matter what the author intended at the end of the day, because if it's in the text it's in the text. You can look at author intent to try and figure out what that text means, but the text is the text. A Separate Peace is a very classic example - author John Knowles denies there being homosexual subtext, and meanwhile one of the protagonists living in 1942 puts on a pink shirt while saying he doesn't mind of people think of him as gay. What the author says after the fact doesn't matter - if it's there, it's there. So Rick saying anything outside of the books is completely irrelevant. And Rick talks about this a lot - he actively tells people that his statements outside of the books are just his own thoughts, but what's in the books is what's in the books, and if the text supports it then that's all the evidence you need.

Nico specifically is a case where yeah, he's clearly autistic-coded. It's very obvious and very obviously intentional when he's younger, and as the books progress it remains a background trait of his but is still notable (except for when it gets forgotten in TOA/TSATS like everything else, including the adhd/dyslexia, but i digress). It's a clear pattern within the first few books that Rick is intentionally including. It doesn't make sense, especially for the year the book was published, for the reader to be directly told in explicit terminology that Nico is autistic, because the reader is already being told that Nico is autistic.

And yeah, Rick doesn't mention Nico being autistic-coded outside of the text, but he also doesn't mention Tyson being coded as having down syndrome. He also said one time that Percy doesn't have PTSD at all, which is very incorrect starting from book 1. Again, Death of the Author. Whatever Rick says outside of the books does not matter, because he already said it in the books. And there's plenty of other stuff in the books that Rick doesn't touch upon, particularly relating to character identity - did you know Leo is Native? Sammy mentions that the Valdez family is Native in Son of Neptune but we don't get any specifics and then it's like never brought up again anywhere. That happens all the time in the series - and outside of the series - Rick can't possibly address every single point to confirm/deny everything from the books. That's what analysis is for! And that's why my blog exists 👍

#pjo #riordanverse #nico di angelo #autistic nico #analysis #ask #Anonymous #long post // #tone indicator just to be sure cause i know i used a lot of italics: this is all non-agressive/not mad i prommy #im just very passionate about this topic (coding & fandom concepts surrounding ''canon'' + death of the author) #also controversial opinion cause i know some people have talked about wanting the use of the r-slur in SoM censored #but i think it should stay because. well. yeah no that was still very commonly used in 2006 #trust me i heard it a lot. i was there. in fact it was commonly used after that point. for awhile. #it wasnt until like a bit into the 2010s iirc that campaigns started to go ''hey maybe. dont use that word.'' #like that was RECENT #and yeah! these books are not old! TLT is only just coming up on 20 years. thats not super old for a book! #and yeah! that term was considered a-okay terminology to be used in a middle grade book in 2006! which is startling to think now! #but that's also why it's important to not erase that #because otherwise you forget that up until very recently that word was considered Perfectly Acceptable #and in SoM it's even specifically acknowledged to be used in a hurtful way! Percy is actively condemning it! #like. dont put it in the show or whatever. obviously. replace it with a different indication/coding to explain Tyson's struggles #not that i think Disney would put the r-slur in their show. but like. dont erase it from the book??? from 2006?????? #i am frightened to see how the show will handle tyson though. its not gonna go well i can feel it in my bones #anyways man i should post that excerpt from A Separate Peace though #just cause that scene has lived in my brain rent-free for years

[thecherrygod]

currently thinking about when you let kim know you found out about the pale while he was gone, and that if you tell him its terrifying hes like "so trying to spare you from it was a good idea", or that if you tell him its unreal he says how a lot of things are unreal, or that if you ask him where you are he says they are in elysium, but that all of them involve him comparing the pale to water, death, and "the fact we are all stuck behind our eyes, between our ears, talking for all eternity, like every other human being". and then saying heavy topics are not his forte and acting as if he never said that. you cant just say "heavy topics are not my forte" after dropping that. both the caring and trying to protect harry, and that water, death, and having a mind is terrifying/unreal/just how the world is...

#my posts #disco elysium #kim kitsuragi #like come on man dont do this to me #he IS right. they ARE terrifying and unreal AND the way the world is. they ARE scary and can seem fake #but they also are just. parts of the world. it can be scary and weird but it is there. its a part of life its part of how people exist... #you can be scared of unnerved by it but. its okay it is scary it is unnerving. but it also just is. #......... i should... go back to try and actually focus on stuff i have to do.. but man. head in hands #also bc im just being redundant in the tags but come on #fixed something a little to drive t he point across but i AM merging all the options of what he could say in one answer. but man

[harukapologist]

a cute detail in haruka's room

This turned into a half-ramble half-headcanon post so I apologize for how messy it is lol

While watching undercover for the first time I noticed that there seems to be a sketchbook in Haruka's room, in which a colorful tree is drawn

Haruka seems to be hyperempathetic, and usually hyperempathetic people are quite artistic in their worldview and their hobbies, so I have a headcanon that Haruka likes to draw and/or paint, as a hobby and coping mechanism, a little escapism (especially since Haruka's no.1 coping mechanism with traumatic/stressful events seems to be denial—I'm going to elaborate on that in a different post because I've thought about that very, VERY often, and it partially explains why he acted the way he did in T2, to me) (I'm projecting a little bit because I kin Haruka and I'm a (hobbyist) artist myself but teehee)

When he was asked about his hobbies in his T1 interrogation, he just said he liked to talk to the other prisoners, but I think that's because he's insecure about his art being bad or unconventional (it looks like he used crayons or simple markers for the tree drawing. And also, the leaves are all different colors... perhaps I'm overanalyzing a simple scene, but it seemed to me that it's kinda symbolizing how he views & interacts with the world differently because of his neurodivergence. Still, the drawing is quite pretty imo, and he used the colors very well, so even though it's a tree with unusual colors, it still looks beautiful; even though he's different, it doesn't mean he's inferior, and there's still beauty despite how much he struggles to fit in. You know?)

Also also the way a lot of frames in weakness have hyper-realistic, vibrant backgrounds, as well as the blood being colorful (though that appears elsewhere too, like in Muu's MV) it really convinced me that Haruka sees the world through the lens of an artist, a passionate person who feels things very intensely.

Since the prisoners can request anything, I like to think Haruka secretly requested a sketchbook and some crayons to continue his hobby (I'm not sure if he can do that since it's unclear how the prisoners request & receive stuff (I'm a relatively new Milgram fan so I might've forgotten/not have seen an explanation if there's any ueueu))

I like to think he keeps his sketchbook to himself at first, but slowly opens up to the other prisoners about his hobby. First Fuuta and Mu, then maybe Mikoto, then the others (and they're all very nice to him & praise his art!!! Especially Mikoto I think. he would be very excited to see all of Haruka's art!!! Supportive big brother figure) :3c

#if its not actually a sketchbook forgive me im blind as shit #if these aren't crayons too pls forgiev me #i hope this makes sense i wouldve probably talked more if i didnt have a godawful migraine rn #i love haruka i definitely think he likes to/wants to practise some form of art #should i tag this im a bit embarrassed eheh #milgram #haruka sakurai #sakurai haruka #headcanons #milgram headcanons #jay rambles bleh idk #okay maybe theres more than just a little bit of projection but shh it makes sense doesn't it #I LOVE HARU #he s literally me #if anyone has pointed this out before pls forgive me again #and show me the post pls id love to find. likeminded people #good night #milgram project

[brookheimer]

i feel very mixed on shiv's ending, particularly her choice to return to tom -- i think it makes sense from a thematic/character arc perspective and is a powerful yet devastating indictment of both shiv and the world that created her as well as showing that the cycle of abuse will always continue to cycle, that shiv will become her mother etc, but i also think it does not make sense from a character/internal logic perspective. it's a choice that makes sense from the writers, but not from shiv, not yet. it could've been a brilliant ending to her character, but is tainted for me by the less-than-ideal execution of it, which felt very rushed, making shiv's final submission to tom feel forced by the show rather than forced by the situation or honest to her character. the ending is not inherently misogynistic from the writers' side as i've seen some criticisms claim (it is a dark but real portrayal of misogyny within capitalist society and how it's internalized within the white women who end up at the hips of the CEOs who run it), but i do understand how it could feel that way. the show fails at building up to (and thus convincing us) that the version of shiv we currently know would so immediately subject herself to her mother's fate, so instead of it feeling like shiv's hand was forced by patriarchy to place herself into her worst nightmare, it instead feels like the show itself was the thing that forced shiv to take that route, which does leave a sour taste in the mouth. it doesn't feel like the result of a choice shiv would make or the impact of patriarchal society bearing down, it just feels rushed and thus wrong. shiv would've benefitted immensely from a few more episodes or even just a few scenes dedicated to teasing out her newfound willingness to subject herself to immense disrespect in order to remain close to power, but given that her entire character has always been defined by her inability to do just that unless forced to (which i don't think she was in this situation as she could've easily not waited in the car for tom, not put her hand in his, but she did), her return to tom feels hard to comprehend, and her near immediate submission to him hard to stomach.

(read more under the cut because jesus christ did this get long)

in my mind, at least, i've always understood shiv as being respect-driven rather than power-driven -- she wants power, yes, but more than anything she wants to be taken seriously and respected and seen as a legitimate player, and time and time again we've seen her blow up situations that would've been very advantageous long-term because she felt disrespected and needed to speak up and force people to take her seriously (which, ironically, typically results in the opposite). shiv's overarching goal is power, but her immediate necessity is always respect. her dignity is her number one priority at any given moment, even when it shouldn't be, even when it stops her from attaining the success and power she wants. i can kind of understand shiv going against kendall because of this -- she's always had a very, very narrow lens whenever she feels like she's being disrespected, and even though it is infinitely more humiliating for your (somewhat ex) husband to betray you and boot you out of the CEO position behind your back at the behest of your supposed closest ally (and for you to still vote for them after that!!!) than it is for you to magnanimously allow your brother to be CEO (which would publicly be seen as a choice, as telly etc said - sibs need to stand united behind one chosen CEO - rather than shiv being out of the loop and fucked to infinity), the narrowness of her vision upon seeing kendall about to win makes it impossible for her to think about that legitimately. it's not just jealousy, it's indignity: shiv feels she earned CEO through her machinations with mattson and feels genuinely sick seeing the loganified kendall grinning at the head of the table, hearing his "that's fucking right" and witnessing his cocky entitlement to the job that belonged to her. so, she does what she always does when she feels disrespected, when she feels her dignity is at stake, and impulsively blows everything to fuck, including her own best interests. that makes sense for shiv, at least somewhat -- i still think that as much as she wouldn't want ken as CEO she'd feel like at least w that outcome she'd be seen as a player and a deciding factor, whereas with mattson/tom she'd be viewed as a pathetic fucked-over nothing woman pawn etc (a situation of unparalleled indignity imo), but i can rationalize her choice to go against ken anyways as being part of the narrowed field of vision she always gets upon feeling disrespected by men in her life that makes it impossible for her to think strategically (and i guess even though the disrespect was greater and more humiliating from tom/mattson than ken, ken was the most recent most present and most lifelong source so that's all she could focus on; seeing him like logan was too much to bear). it's hard to imagine shiv publicly throwing her vote behind two men who publicly fucked her as humiliatingly as mattson and tom just did, even if the other option is kendall, but i think that's part of it -- it's fundamentally illogical, even from her disrespect-lens, because there's just something about kendall specifically being in charge that she's never been able to stomach. it's visceral and impulsive. it's not meant to make "sense." it's just what she feels she has to do to preserve her own dignity, even though it works directly against those same interests realistically. it wasn't executed very well, making it hard to entirely buy it given just how publicly humiliating the alternative is, but it can still be chalked up to her historically one-track-mind when it comes to indignity by the hands of kendall in particular. it's a last-ditch attempt for shiv to at least feel like she's maintaining her dignity, her self-respect, as counterintuitive as it actually is. it makes sense. i can stomach it.

again, shiv's fatal flaw (in logan's eyes and aside from her original sin of being a woman) has always, always been her inability to shut up and make the smart move in situations where she feels she's being disrespected or not taken seriously. if shiv stayed quiet during that dinner with the pierces, maybe she would've been logan's CEO, but no, she couldn't stop herself, she needed to feel she was being taken seriously, she burst out 'cmon, dad, just tell them it's going to be me.' she is unable to play it smart, to keep quiet, to win when winning means perceived disrespect. she's allergic to it. even on a personal level, she shoots herself in the foot constantly because of this: she is unable to let herself have the things she wants because she can't put herself in positions that open her up to disrespect and perceived inferiority. she can't be vulnerable because she needs to be respected. tom asks her if he could 'try to make love to her' in episode one of this season, and even though she clearly wants to, she says 'no, i don't think so, tom.' tom tells her he 'wants her, wants this' back in episode six, and even though she clearly wants that too, she draws back and says 'well then you shouldn't have betrayed me.' shiv is fundamentally incapable of allowing herself to remain in possibly advantageous situations when she feels at risk of being seen as lesser, of being disrespected, of being perceived as weak. that is her response to patriarchy. when patriarchal forces bear down, shiv is unable to grin and bare it -- she has a short fuse, a sharp tongue, and an inability to entertain even a second of being treated like The Woman, of being looked down upon, especially when it's for her gender. it's the one thing she cannot do, cannot let herself do, and it's why she fails to "win" over and over and over again. she shoots herself in the foot the second her patriarchy disrespect sensors tingle. she makes the wrong choice, the dumb choice, the one that makes her feel like she stood up for herself in the moment but ends up leaving her powerless and helpless in the end. that's the only explanation for why she chose to vote against kendall (the clearly better option for her long-term as she'd 1) be respected as part of the decision, as someone who helped choose the CEO rather than a Woman who got fucked over and had the door slammed in her face by her husband and close ally simply because she possessed a womb, and 2) probably be head of ATN or some other area of waystar, she'd have actual power within the company and be respected as a legitimate source of power rather than the CEO-to-be made CEO's humiliated wife -- if she was capable of making the smart, selfish choice in terms of power instead of having a hair-trigger reaction to gendered disrespect and cocky male superiority, she would have voted kendall. but she is not capable of doing that. she never has been. so she voted tom and mattson.

so what i still cannot for the life of me understand is what would compel this shiv, the one who cannot stomach indignity even when power's on the line, to immediately return to tom's side the second he beckons her, which is like five minutes after he becomes CEO (the job she was promised) by mattson (who gave it to tom instead of shiv because 'why get the baby lady if i can get the man who put the baby inside her?'). it makes perfect, cruel, devastating sense from a show perspective, and that's what most people are talking about, understandably. it's a devastating yet unavoidable, inevitable outcome. she's left with no other choice once she makes the decision against kendall, and patriarchy compels her to play the good wife to stay close to power. except, like... she does still have a choice. she does not have to go back to tom's car. she does not have to sit patiently waiting for him. she does not have to quietly congratulate him on his victory. she does not have to place her hand in his. these are all choices she made very voluntary. they're choices between maintaining her dignity and self-respect at the cost of future power versus maintaining the potential for future power at the cost of her dignity and self-respect -- the classic siobhan roy conundrum. she's been faced with it time and time again (even just five minutes prior with kendall) and she has never, not once, chosen the latter of her own volition. she hasn't been able to. that's her fatal flaw. maybe i could stomach her going back to tom if she didn't congratulate him, didn't place her hand in his when he expectantly held his out -- then some dignity would be preserved, maybe. but her complete and total submission for the sake of future power does not make sense with her lifelong inability to do just that. it makes sense that this would be her eventual endpoint, but we have seen nothing that implies shiv would so willingly subject herself to this feminine submission of wife and mother before person or source of power, to the complete and utter humiliation of being the quiet wife at the side of the man who knifed her in the back (and notably handed said knife by the man she thought her closest ally) in order to steal the job she fought for her entire life and, in her opinion, had earned. maybe she would come back to him eventually, for love or (more likely) for power, but it is incredibly hard to believe that shiv 'impulsive when faced with indignity' roy would be capable of immediately and publicly playing the role of the good wife after such intense and public humiliation at the hands of her husband.

really, the way i feel about the shiv ending is similar to how i feel about the daenerys ending -- unlike most people, i really wasn't that against the daenerys outcome. i thought it made a lot of sense and was interesting, devastating, and fascinating. i thought there had been a few signs all along and that that ending for her would make sense and be far more interesting than a Hooray ! Girlboss ! ending. however, it was poorly executed -- it was rushed. it did not make sense from where daenerys was at that point in the text. it could've worked, it could've worked brilliantly, but it needed more time to build and fester in order for her ultimate turn to feel earned rather than forced for the sake of the point the writers wanted to make. that's kind of how i feel about shiv. i get the ending and i don't think it's inherently bad or misogynistic or anything, but it feels like the writers saw the possibility for a shiv 'mommed' ending and immediately took it, with little regard to what actually made sense for shiv herself to do in that moment. outcome > character. that's frustrating for me particularly for succession because my like number one reason for adoring succession as much as i do is their consistent refusal to operate the way most media does (using the characters as instruments to achieve the plot/outcome the writers want), instead prioritizing following the characters themselves in a way that feels honest and real. it's character-driven, not plot or ending driven. i think that this fell by the wayside a few times in the latter half of this season simply because there was so much that needed to happen in such a short space of time (especially during the finale), but in my opinion, at least, the most egregious case is shiv. given more time, more development, more build-up, the last shot of her hand in tom's would've struck the chord the writers wanted it to -- and for some people, it did anyways! but for me, it rang out and fell nauseatingly flat. it felt hollow and wrong and unearned. shiv could end up becoming her mother, that feels entirely possible, but not in this particular sense, not yet. in what world would siobhan roy willingly choose to be seen as nothing more than a woman hanging off her husband's arm, especially when said husband had publicly humiliated her and ruined her entire life just five minutes prior? when, just five (metaphorical) minutes prior, she was the one poised to be CEO and everyone knew it? when now everyone will see her on tom's arm and whisper and gawk? she has become her worst fear, yes, but unlike kendall, it does not feel earned. it does not feel like she has actually become her worst fear. it feels like the show forced her to. not patriarchy or the situation or her own desire for power, but the show itself. that's what feels so shitty.

i wouldn't necessarily call the writing misogynistic as a result of this, as it's less a flaw of misogyny and more a flaw of bad, rushed writing that could happen to any character. it's the same as with daenerys -- although (somewhat unlike succession) there were many, many aspects of GoT's writing that were deeply misogynistic, especially in the last season (just look at fucking brienne), the core issue with the daenerys plotline is not one of misogyny but of time. they did not give daenerys the time needed to become the version of herself seen burning down the city. that could've easily been a focus of previous episodes, but it wasn't. they simply did not develop her enough for that turn to make sense yet. it could make sense, hypothetically, at some point down the line, but at that point it felt sudden, off-putting, and wrong. shiv could easily become her mother. that's been made evident especially regarding her relationship to pregnancy/children, love, and vulnerability (or the lack thereof). but for this ending to make sense, we would have needed to see signs of shiv imitating her mother's willingness to be relegated to the sidelines, to bring out the food while the men eat and make deals, in order to remain tangential to power. that is a concession shiv roy had never been willing to make prior to the last five minutes of the entire show. other signs of shiv imitating caroline or falling prey to patriarchal norms throughout the show are not enough to undo shiv's fundamental refusal to weather gender-related indignity even when doing so would benefit her. in my opinion, that's why the final five minutes of shiv's plotline were so unsatisfying.

shiv could become her mother, and her ending could be a devastating portrayal of the inability for even rich white women to escape their original sin of being a woman in a man's world, as well as a dark, ironic criticism of both women like shiv and the patriarchal world that breeds them into existence. but because the show did not develop shiv in this particular direction and because her entire character thus far has been defined by her self-destructive insistence on being respected at all costs, shiv's ending did not land the way it could've, or should've.

#WOOF okay this was long. not even gonna read it over bc if i do i'll never stop editing to it or adding to it and god knows no one needs tht #so if it's shit well. forgive me #but yeah this is just my take. i felt really unhappy w shiv's ending but didn't quite know why because the ending itself i can imagine bein #fine with but really i just feel very frustrated by the show writing over any agency she would normally have had in order to make their #point by the time the episode ended #honestly the more i think about it the more i feel this season should've had more episodes -- i think another season after this one would b #GREAT for me personally obviously but unnecessary for the show itself and possibly too much of a good thing #but at the same time the latter half of this season could really have benefitted from a little wiggle room and space to develop #so it wasn't just Sudden Mattson Likes Tom or Wait Did Mencken Disappear or Remember Roman's Sexuality or SHIV FUCKING SHIIIIV lolllll #ok. this is too long. post #succession #succession spoilers #long post #and i mean LONG #should i do a read more? i never know what the like courtesy is lmao #well . yall asked for it so here u go #shiv roy #succession meta #i guess #edit i did a read more this is disgusting LOLOL #100 #casey shut the fuck up about shiv roy

[compacflt]

can i just say that I'm haunted by the image of Ice wearing "one of Mavericks cheapest rolexes". One because of the mental immage of Maverick being the kind of men who not only owns multiple watches but also Rolex, which is absolutely delightful, because oh the quiet vanity of that. And two because of the implied and groundbreaking (to me) domesticity (and defiance of the not talking/acknowledging the thing between the 2 of them) of wearing another person watch. I'm screaming into the void about your brilliance. So I need to ask, do they do that on purpose (before the mission) in a sort if roundabout way of acknowledging each other presence in their life? What would Mav wear that belongs to Ice (apart from that USNA ring eheh)?

pilots/sailors/doctors etc who do high-level specialized work with their hands tend to really be Watch Guys. and “cheap” rolexes (sub $7k ish) are actually pretty affordable if you’re making >$150k a year and want to treat yourself every fifth christmas or something. source: know several sailors & doctors. ALSO the watch ice is wearing in his famous gay plane photoshoot is actually a rolex. So theres some evidence ice at least is (annoying, ostentatious, bad with money, and) a Watch Guy. Maverick’s also wearing a kickass chronograph in TGM so i think he’s also probably a Watch Guy. also… you know, status symbol, honor, et cetera et cetera…

they probably wear each other’s socks because in-regs socks all look the same and they’re both men so who cares. i also hc that they’ve always worn the same size in shirts so each other’s t-shirts are also free game. and was very confusing at the start of their relationship when trying to figure out whose shirt was whose after a midnight rendezvous. lots of accidental shirt mixups. and, yeah, each other’s watches, because most people only see the status and don’t see the detail, and most people aren’t around both ice and mav enough to recognize that “omg last month adm kazansky was wearing the same omega chronometer capt mitchell is wearing today!! theyre totally together!!!” so if ice buys a new watch and maverick salivates over it, sure he can borrow it, whatever. and i think there’s a scene in wwgattai when maverick wears ice’s pj pants hold up lemme find it

“in bare feet.” now wtf does that mean. that could use a rewrite.

ice also wears mavericks leather jacket when they’re on their baseball date in debriefing. at some point when you live with someone long enough your stuff becomes their stuff which was the point of this graf

thinking about it… trying to decide if they’d wear each other’s cologne. that seems like a little much. no i don’t think so.

#oooh! this is the first time ive read this section of debriefing since i posted it! and wow it’s really just okay! #ugggghhh the house. the house.. *shakes fist* all my narrative problems have to do with the house… #would ice and maverick really get free LockMart/mcdonnell shirts? no idea #ive been working my first aerospace & defense job for a month now and ive gotten Boeing fidget spinners and raytheon sunglasses and #LM t-shirts so it’s not out of the realm of possibilities #but i am also not a federal employee so idk. #thx for the ask anon. i appreciate your use of the word ‘haunted’ #pete maverick mitchell #tom iceman kazansky #icemav #top gun #asks #man. i have such a problem with verb-tense agreement when it comes to ‘there is/there are’ #in the second one it should be ‘there are all these…’ man. i can’t ever get there’s/there are right #oh wait you’re not anon #i am a Watch Guy but $20-$80 vintage novelty watches i find on eBay not Rolexes #i feel at some point i should change my blog header. it’s still my politics but #given that i am literally working in defense rn it feels a little hypocrit. ok. will change it. #alright as of this post my header has been changed to reflect the material conditions of my summer internship

[prosebushpatch]

the slippers are made of glass because its awesome where's your whimsy, where's your basic human decency if you don't like it kindly enjoy another genre that isn't FILLED WITH impossible dresses made of moonlight or silver. I'm sorry, you need someone to explain how a glass slipper wouldn't be impossible to dance in? a glass slipper that came from a FAIRY Godmother? Are you going to nitpick spinning straw into gold, too? You sound like the people who complain about musicals having music. It's about the beauty in imagination. It's about emotion manifesting impossible things. You don't have to like it. You don't have to engage with it. but that is the Point of this genre. the slippers are made of glass because it's awesome.

sometimes that's all it needs to be.

#okay this is mainly because i haven't been able to stop thinking about a post i saw earlier in the week #where it was a defense of Disney's animated Cinderella #and i agreed with the points until the last one was like 'you got me on the glass slipper that's weird' #AND #all love to the person making that post i get it #like it's ending on a silly teasing note and trying to relate to the people the post is for #who nitpick all aspects of the fairy tale #BUT I JUST #ARG #ITS A FAIRY TALE #A FAIRY TALE SHOULD NOT HAVE TO DEFEND ITSELF BEING A FAIRY TALE #STOP IT WITH THE IRONY #STOP IT RN #okay sorry i got very heated and ive been feeling surly lately

[jichanxo]

me & you & the son we used to have [from nov/2023]

second image is based on this fanfic by snap which you should totally go read

#jo sawashiro #sawashiro jo #ikumi (like a dragon) #...i'm just going to assume she's too niche to have an established tag #like a dragon #yakuza 7 #yakuza 7 spoilers #rgg7 #jichanart #my first art of kid sawashiro.... #and i actually really enjoyed drawing ikumi? #i used references are you proud of me #anyway this probably fits the ig post format better than tumblr but it is what it is #i saw “polaroid” and was like (point) MASATO BOX IMAGERY #i have so many feelings about this concept in general though... #the passing of time... the simultaneous intimacy and distance between ikumi and jo at their shared experience... #i should probably. have tagged or messaged the author that i made art of their fic but. i have anxiety lol #it feels too cocky to go up to someone whose work you really enjoy and go “okay now look at MY WORK” #so just sending good vibes in their general direction telepathically

[comradekatara]

the thing about the adult gaang movie is even if it’s somehow done really well, i don’t wanna see aang and katara as adults, that will actually make me really sad. whereas if sokka is the protagonist that’s fine because i already think everyone should heal and find fulfillment after the war except for sokka. i think sokka should get worse. i think sokka should continue collecting mental illnesses like they’re pokemans creatures. a qing dynasty court intrigue film with sokka navigating ba sing se politics (and iroh can feature as he dispenses occasional wisdom. but sokka is just like “call your son”), or a xai bau spy thriller (except tbh this one would work better as a novel), or even just. a mai and sokka roadtrip movie in the style of an early 2000s stoner comedy (this one would have no artistic merit but it’s also probably the best idea ive ever had). these are but a few examples of the many ideas i have for movies that put my favorite guy through hours of suffering without having to depict my other favorite guys as anything other than the precious babies i know and love.

#‘pokemans creatures’ is what i call them to piss my brother off so much #aang and katara are BABIES #do not ROB ME OF THAT #everyone in the world must age or die #but katara and aang!!!! are immortalized forever in babydom!!!!!! #why would you ruin that!!!!!!! #(okay im actually just going thru a separate crisis here wrt my brothers but don’t. we’re not talking about that okay) #also i think if you wanna make a movie that’s ‘darker’ and ‘for older audiences’ just make sokka the protagonist and boom problem solved #last time sokka got to be the protagonist he attempted suicide at the human rights abuses volcano #his mind is a dark dark place ok! #but also mai & sokka stoner comedy. is anyone writing this down? u should be writing this down #idk how to tag this #sokka #i guess? #postwargaang #also #bc obv these all happen in my complex tapestry of post war developments #gene yang could never #ask me about any one of these points for elaboration (PLEASE)

[lavenoon]

Secrets, Trust, and Distance

Inspired by the dichotomy of these two bits from @naffeclipse's newest chapter:

#post let luce #fnaf sb #fnaf sb au #cryptid!moon #cryptid sightings #naffeclipse #cryptid sightings spoilers #cryptid sightings chapter 12 #cryptid sightings episode 8 #okay that should cover it #my art #and I finished before work still! nice! #I loved it but what else is new #just. augh. the rising tension #even without Vanessa and the bigger plot it's so obvious that the secrecy can't hold up #things are getting worse because the boys can't explain #they *have* to fess up at some point #already can't wait to see how Moon is going to handle coming back #seeing their heart asleep on the ground with tear stains on their face; still sick and feverish; with all those claw marks on the bed #I get why they had to leave #but also #they done fucked up <3

[monkee-mobile]

the fact that MIKE NESMITH knew that the monkees would at one point just be so comfortable giving each other platonic kisses in their home if one of them asks is the craziest thing ever.

#the monkees #he wrote it in the damn 90s special!! #mike nesmith #peter tork #davy jones #micky dolenz #i’m sorry #i know i’ve posted about this before it’s just so important #the monkees say consent is good #you can always say ‘no thanks!’ and your friend should respect you #but is so common in their household micky doesn’t even blink when davy says ‘kiss’ #like they don’t even say ‘can i have a kiss’ or ‘do you want a kiss’ or ‘i want a kiss’ #nope they’ve gotten so comfortable davy just can go ‘kiss’ and that must mean he wants a kiss and is not referring to the band #and this was written by MICHAEL NESMITH #the special is very much an odd experience (mike you were not very good at tv writing but that’s okay babe it’s hard) but that is so good #and wonderful #that they give little platonic kissss #because of course they do! #he made the executive decision that at some point even DAVY stops looking for a girlfriend and just settles down to be a pissy housewife #in that lil apron in the beginning #they just are all livin together because they don’t need anything else!

[tagapagsalaysay]

Um actually ☝🤓

#doodles #post #he should be guillotined... idgaf #Filler filler filler filler filler #Im gonna complain about things that happened today #Actually I feel like the air got colder today which is okay #A relative called me during an intense Azul session and I was so thrown off my guard. I get homicidal about tiles #Um idk what else today is okay #Discord cannot stream godot right ever #I think im in a transitional middle point in my life and Im upset that i cant get any new commissions but I get it man #okay thats enough #If you read everythung its literally pointless i just wanted to cover up the actual relevant tags 🙄 #alex horne #taskmaster #i reiterate thought he should be guillotined #israeIis dni

[time-is-restored]

btw this might be me swinging a bat at a hornets nest but like. absolutely none of my disappointment from the tl finale comes from ship baiting or any relationships that didn’t happen (though to be clear, i think the tedbecca fake outs were meanspirited and served no narrative purpose - in noted contrast to the season's earlier jamiekeeley fakeouts, for example, which were explicitly there to demonstrate jamie's growth + maturity)

tedpendant is a really fun concept for me, and i LOVE the characterisation + thematic potential there!

but as someone who personally resonated with a lot of ted’s struggles, the idea that ted could leave richmond so… seamlessly, for lack of a better word, really doesn’t sit right with me. the thesis of the shows entire first season - assuming it can be said to have only one - was about how everyone needs the love and support of a community, whether that comes in the flavour of someone who hypes u tf up or someone who will relentlessly call u on ur shit (or, as happened quite frequently, both!).

rebecca, roy, jamie are the clearest examples as the characters with the most screentime: they were all deeply isolated and disconnected from the people around them, and that was making them miserable. the connections they made with the team, the vulnerability they finally allowed themselves to express (the ghost banishing ceremony comes to mind!), and them going on to want *more* out of their life are what made their arcs about *progression* rather than *regression*. without that clear theme of compassion + community inspiring positive growth in everyone who encounters it, there is, frankly, no season one.

my personal favourite scene from season one comes right after michelle walks away from ted, when they’ve agreed to get divorced. ted sits down on the bench looking gutted, and a little shell shocked - and beard sits down with him. hands him the drink, and they sit there together. silent, but together. to me, that scene is an implicit promise from the episode, to the audience: ‘it’ll be okay. it’s going to be hard, but ted isn’t alone, and his friends won’t leave him behind.’

it also makes it clear to the audience that ted isn’t the saintly-giver-of-grace who needs nothing in return, as one might assume on first brush, but rather that he’s Also struggling with his own shit (as is everyone, always, in real life!) and he has something he needs from the people around him too.

and looking at the text of s3, and the conclusion to his arc in the finale, i just don’t believe that he got it. he wasn’t just sad that he was leaving (which would be understandable!), he was completely closed off. unresponsive to the people around him reaching out, borderline confused as to why they were trying so hard!

(side note, while i completely respect the read of ted and trents last interaction being rather rude + ooc on ted’s part, i personally read a different motive into it. for me, it was more like… he didn’t understand where trents enthusiasm was coming from? like, he read that as trent being too invested in what other people think of him, and responded in a way that he hoped would emphasise that ted doesn’t *need* to laugh at everything trent wrote, bc trent Already Knows that he’s done something really cool and kickass, and he shouldn’t value anyone else’s reactions above that. basically, based on his demeanour in the episode, i genuinely don’t think it would’ve even occurred to him that trent was more invested in HIS reaction than he would’ve been with anyone else.)

again, looking purely at the text, the show had already established that ted has really strong depressive + avoidant tendencies, as well as panic attacks (largely triggered by his fear of not being ‘good enough’ in various roles, ie: a father). we saw one area he was able to calm HIMSELF abt these fears (worry for henry, which is a Hell of a choice considering the ending…), but in literally every other heightened moment, he had to rely on his support system to help him make the choices that he WANTED to make, rather than ones inspired by avoidance and fear (ie: confronting michelle abt jake, talking to his mum abt why she was visiting + his dads death).

and to be clear, this is a GOOD THING! we’re not supposed to go through life alone, no matter how bad OR well we’re doing. rebecca and keeleys friendship isn’t worth less for all the scenes where they’re both in good places. if anything, the opposite is true - it’s lovely that they both have someone who want to celebrate the achievements in their life!

and fuck it, we’re sure as hell not supposed to go through life with exactly one (1) person whom we expect to fulfill ALL of our emotional needs at all times either! like, im sure i don’t need to labour my point here, but tying everything to one (1) person in ur life doesn’t make u any less isolated than if u were going it completely alone, whether it’s a family member, a friend, or a partner. i won’t pretend to know the first thing abt what it’s like to be a parent, but i don’t think it’s unreasonable to say that no parent would be at their best if they had absolutely no support/camaraderie/general love provided to them from Anyone other than their child.

so when ted is SPECIFICALLY shown to be in a bad place, over and over again (did he come to terms w his fear to be close to henry overnight???????), and then removed from his community? of COURSE the audience is left feeling unsettled, and like the rug has been pulled out from under them. there was no time in this finale dedicated to how ted would still be in contact with anyone from richmond. no promises of visits, or phone calls - fuck, nothing about emails!! according to the text, we might as well assume this is a clean break (and the maybe-dream-sequence does Fuck All to assure us otherwise. if ted doesn’t go to beards wedding, what WOULD he go to????). and since the show has ALSO completely failed to give us even an IMPLICATION of who/what ted’s support system would be in kansas, there’s… a reasonable argument to be made that this is It for ted. that, after two seasons doing NOTHING but attesting otherwise, the audience is supposed to suddenly believe that ted can (and SHOULD!) pull himself up by his bootstraps, and cope entirely on his own.

that, to me, is a betrayal of the show’s premise. we were promised a show about how, no matter how dark things may get, none of the characters would be left to struggle alone. and then they ended the show with ted alone.

i don’t know. i guess if i had to give this post a tldr; if anyone has any gen fic/meta/Literally Anything in the pipeline, i would absolutely love to be tagged/directed towards it. i’ll be endeavouring to write something myself, as well, but it might take a while before i can return to my WIP, lol.

#this is the most measured version of this post i was capable of fghjskdjhgfdgjhsfd #the least measured one is just the aromantic flag with the ‘we are going to beat u to death’ meme overlaid #look ik this is hardly impartial wrt very small + insular communities like nuclear families #but its fucking impossible to go into media analysis and not bring Anything from ur real life in there w u #so im trying to forgive myself for being a little hashtag Vulnerable + Opinionated on main #in the spirit of what this show could’ve been lol #if not here then where etc etc #Ted lasso spoilers #Ted lasso meta #Ted lasso critical #also just to be clear here im being dead serious abt that last point #im spiritually doing the jamie run to demonstrate to u all how badly i want gen shit #please. p l e a s e . #okay wait last ramble here but. this is also why the lack of information we got on trent was so crushing to me #like ur telling me this man went through the incredibly painful + harrowing process of breaking out of his (comfortable! safe) shell + #cynical journalist persona. came out to someone VERY important in his life. and has done nothing but face the music wrt acknowleding #his past mistakes + endeavouring to be better and kinder. and we never get to know if he has ANY support through all that? at all? #is he dating? what's his family situation like? does he have full custody? any friends from work? any friends period????? #like i can should must and will die on the beard + roy + higgins + colins are trents best friends hill but #its like the premise of the show stopped mattering just in time for him to be left in a legitimately depressing limbo #like 'yes everyone needs love + support bc life is rlly hard. but we're tired of making a show abt that so This Is All Ur Getting #+ screw anyone's personal life that u didn't already see in s1. You Know Enough.' #anyway i love u all this is a very silly show and im gonna go play t.o.t.k for a few hours o/ <3

[dragonscalie]

Radfem and terf ideology is just nazism for cis women

#how the balls do i tag this post. #cw nazi #cw terf #okay but seriously people get indoctrinated into these ideals and believe they are just when in reality they speak nothing but hatred #its saddening really and I fucking hate it #scalie.txt #dragonthescalie #i should make a tag for all my political posts tbh draggys getting very political recently #feels wrong to just put all of them under scalie.txt even though theyre my thoughts #and before people say it yes i know naziism has done way more damage than radfem ideals have theyre both two evils #got tired of people pointing out the obvious and edited the post #terfs eat shit #nazis eat shit too

[bylertruther]

"will shouldn't use a gun in season five because his father probably taught him how to use one and that could be a bad reminder for him" have you considered that will using what was very likely a Bad experience to save his life in what is undoubtedly an even worse experience could be a good thing? have you considered that him using a skill he was forced to learn to save not only himself but (as is likely more important and meaningful to him) the lives of others could give him a sense of usefulness and safety knowing that he isn't defenseless and can stand his and others' ground if need be? especially considering that's a skill that we've only seen hopper and nancy possess, making it that much more valuable and himself more helpful to the group? after everything in s1 and s2, he's probably felt guilty for having endangered them and dozens of other people multiple times, i don't think it'd be out there for him to feel "happy" that he can finally return the favor and protect them for once (especially after having complained about being babied and treated like a doll).

"will doesn't have and shouldn't have powers because that makes him different and he doesn't want to be different" not only are you wrong lol <3 but how have you not noticed that will's entire thing since the very beginning is that he is different and he knows it and while he does get his heart broken over the fact that this means he faces constant unfairness in life, he still refuses to be any other way? will doesn't conform nor does he ever try to even when others try to force or shame him to. he gets frustrated and upset at being treated differently, yes, but he stays true to himself. to battle that feeling he sometimes gets that tells him he's a mistake, a feeling he gets not from his own otherness but from living in a world that Makes it an otherness and thus isolates him for it, he seeks out that which he loves and enjoys and throws himself wholeheartedly at it. will lives his truth and is willing to suffer the consequences for it. he refuses to live in darkness and let it take a hold of him. he holds on to hope and all that makes him feel better for being different. he holds on to art, to dnd, to video games, to his family and his friends, and everything that brings him joy and reminds him that it's okay to be different. in s1 joyce defends will ("he's missing is what he is") and jonathan tells him he shouldn't like things that other people (namely their homophobic dad) try to force him to like, that he should like what he genuinely likes. in s2 jonathan gives will the freak speech and tells him that no one normal ever accomplished anything and mentions bowie. in s3, he doesn't get a speech, (though joyce does tell him that when he falls in love he won't find it gross [avoiding the word girlfriend and leaving it neutral]) but he does face backlash from someone that IS trying to conform and IS shaming will for not letting go of "childish" things aka his interests, what's important to him, and what he wants. does will back down or shy away in shame? no. instead, he lets mike sit in his shame for having said something that hurtful, and he says "yeah. i guess i did. i really did." clearly this is a conversation about what makes will different aka his sexuality bc he goes and destroys castle byers (the safe place he and his brother built once their homophobic dad left which is a place will can be himself unapologetically) with what is likely a bat that lonnie gave him when trying to get him into baseball. he calls himself stupid and donates his dnd books, but i don't see this as an act of conformity (he tells mike as much, suggesting he'll just use his books + if he was ashamed he wouldn't have painted the party as their dnd characters and given it to him of all people lol). he felt stupid because he thought they'd always be crazy together, that they were of the same mind and heart still, and that they had the same brand of "otherness" if you catch my drift. then in s4 we get jonathan's tender "you're my brother and there is nothing absolutely nothing that will ever change that" which is the most direct anyone has ever been about that which makes will different. and he doesn't shy away from it! he doesn't deny it, because we can see from his confession and how he breaks down that he's desperately been wanting and needing to hear that. he accepts that love and allows himself to be held and seen by someone else, as he has every other time. because will doesn't hate being different, he just hates that he has to live in a world where that's seen as wrong and thus makes him feel like he doesn't belong because of it. but he doesn't change himself. he doesn't feel ashamed of it. he doesn't see it as a flaw in himself or others and he never has. will is different and he knows it and he wouldn't have it any other way.

will's story since the beginning has been about being different and going through awful things, and managing to not only find the light in it but also make it out stronger because of it all. it's always been about using what makes him different as a good thing and as something he uses to save himself and others.

will being good with a gun bought him time with whatever kidnapped him. will knowing how to run and hide kept him alive in the upside down. will acted as a spy while possessed and managed not only to save hopper but also tell them how to finish this. will's experiences and senses helped them figure out what was happening in season three. will's love and loyalty inspires mike and manages to bring him to a better place even if just for a moment in the van, and again he's the one that knows vecna's current state, aaaand had he been in hawkins at the time it likely would've gone a lot better because as dustin said "we need will".

taking something awful and turning it into a good thing and a source of strength is a wonderful trope. it's inspiring and empowering not only for the character but for those that could use that hope and reminder that there's always a silver lining, that life isn't all darkness and shadows and hurt. not only that, but it's something that they've literally always done for will since the very beginning. he is the prime character for that. his entire message has always been that it's okay to be different and that you can find strength and peace in that; that the things that make you different aren't a detriment, they're precisely what make you strong. like... i'm sorry, but have you not been paying attention at all whatsoever this entire time or... :/

#some of u heard 'sometimes it makes you feel like a mistake' and just forgot every other season ever it seems like #but idk maybe IM the outlier here lmao #characters like mike steve and eleven i can see the conformity argument for #BUT WILL?!?!?!? #will who has always drawn and listened to his music and wanted to hang out with his friends and play dnd and who #gets made fun of for so many things even by those that mean the world to him but has never ONCE tried to change #anything about who he is over that..... THAT'S who you think thinks being different is a bad thing!?!?! #will who has never lied about being a loner or what he likes or what he wants in life or has dressed like other people want him to #will who specifically has received multiple It's Okay To Be Different speeches and came out of them believing them is the character #that you think hates being different? will who loves mike's nerdy self and thinks the absolute world of him and TELLS HIM AS MUCH AND #CONFESSES HIS GAY LOVE TO DESPITE THE SUMMER OF HOMOPHOBIA AND THE AIRPORT FIASCO AND THAT DREW A #FUCKING HEART ON HIS SHIELD UNABASHEDLY AND CONFESSED IN FRONT OF TWO OTHER PEOPLE TOO ON TOP OF THAT #IN THE EIGHTIES!!!!!!! TO MIKE!!!! WHO COULDNT TOUCH HIM AND HAS A CONSERVATIVE FAMILY AND DIDNT TALK TO HIM FOR A YEAR #IS WHO YOU THINK HATES BEING DIFFERENT . HELLO #literally everything that he goes through is turned into something 'good' because that's the POINT!!!! #HE DOESN'T WANT TO BE NORMAL!!! HE IS NOT THE CHARACTER U SHOULD BE MAKING THOSE ARGUMENTS FOR LMAO #jus say u don't want him to have powers bro don't be lying on my blorbito's name like that 😭😭😭😭😭 #anyway. crazed frenzy is over im normal now <3 #u kno how the long and all too passionate bordering on Is This Bitch Okay mobile posts go #back to being offline now byeeeee 🏃‍♀️