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#one anon in particular
bixels · 12 days
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Hey, big fan of your art, especially your Grand Galloping 20s AU! I’m sorry if this is kind of a weird question, but I’ve been trying to figure it out and I just can’t place what GGG Applejack and fluttershy’s ethnicity is. Sorry if this is weird I just adore headcanons about a character’s ethnicities and languages bc I’m a child of immigrants and love seeing diversity in media. Anyways, keep up the great work!
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Ok, but in all seriousness.
In this AU, AJ is White Anglo-Saxon Protestant (but she has one branch in the family tree who're Hispanic. Rosita is technically a very distant cousin). Félicie's parents are white French immigrants, which is why she speaks both English and French.
I bold the first phrase because I know this is not a common head canon for these two (I really love Arab Fluttershy). I hope people don't interpret this as some sorta head canon or representation erasure.
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heynhay · 10 months
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i want them fighting like children as in pushing each others faces away, i'm not touching you with a finger a centimeter away, tripping each other in the hallway bc somehow that's flirting do u see the vision or am i alone
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we may never diagnose what the hell their problem is
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atthebell · 6 months
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anytime:
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i could also post some of the ordem merch photos bc i think they're funny he's really going for model in those with the poses
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ffc1cb · 2 years
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addicted to drawing him. he is so funny to me
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ghouljams · 5 months
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I have more thoughts about Viking Soap but I just needed to let you know that your story is making me GNAW ON THE BARS OF MY CAGE, FOAMING AT THE MOUTH, HOWLING AT THE MOON.
I can’t get over how gentle he is, how he would do anything but god the angst potential, stolen away from a place you’ve always known to a whole different group of people, pretty much forced to join them and continue practicing your skills to help people you consider evil, an enemy even. The emotional turmoil of becoming friends with some and GOD even falling in love with one? Especially the one who whisked you away!
I can’t wait to read more!!!!!
Sincerely,
🥛 Mayo anon
I love viking!Soap, love the juxtaposition of his gentleness with the fact that he is y'know a viking. I love that he isn't who the reader thinks he is, and yet he's exactly who they know him to be. He's big and strong, he's made for violence and will enact if given the chance, but he's also kind and understanding.
I have so much planned for their story. Finding your place in a strange new world, realizing you have a choice in who you want to be and the fear of making the wrong choice. Learning to live with grief, and learning to forgive yourself for leaving. Falling in love with the man that you blame for the path your life has taken, realizing he never had a choice either... y'know normal fic stuff
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inkskinned · 2 years
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Genuine question, because I don't know a lot about the topic and you're:
If someone identifies as non-binary and genderfluid, which from what I've gathered means something like "human" instead of male or female, doesn't that imply that women are not humans , like whole complete people with richer inner lives? And why is a dislike for (performative) femininity combined with a preference for things that are stereotypically associated with maleness an indicator that one is genderfluid? Does that mean a woman is only a woman if she loves to do make-up, wants to be a mother, only wears skirts, dresses and high heels, shaves daily, is always kind and never angry, has long hair, hates to get dirty and so on? Because I have never met a woman who's exactly like that in my life, but plenty who liked gaming, sports, being loud, opposed to shaving & make-up, who wore pants every day.
I do not believe this is a genuine question, but I'll answer it as if it was, just in case other people have to deal with this, and would like someone who is patient enough to give them the words. The argument you're making here is something that already stems from a deep logical fallacy in the beginning argument. You assume "If you are neither A nor B, and instead C, you think that A cannot be C."
It is a logical fallacy to say "X implies Y" when it does not do so. By this logic, I also believe men are not human. By this logic, I believe only nb people are human.
Some - but not all - rectangles are squares. Some - but not all - animals are dogs. Some humans are nb.
I have given no information about how I present, nor my interests. I am not going to give you that information, because it's irrelevant. What I need you to understand is that, again, you are making the incorrect logical assumption that "If a person dislikes X and likes Y, they must be Z." For all you know, I dislike performative masculinity and like stereotypically feminine preferences.
You then assume your own statement is correct and move forward with your logic as if I had debated you. This is not a "genuine question" about how nb people work, this is assuming being nb is based on a series of preferences.
As a teacher, I do think it's important to tell you: even if this is coming from a genuinely confused place: you are conducting bad research. You begin with an inherently flawed question, as it biased and assumes a position I must defend against - "why don't you see women as people?" Then you make logical conclusions about my personhood and experiences and ask inflammatory questions as if you were debating me, which I am not interested in doing.
If you were my student, and genuinely curious about how nb people see gender, I'd have no trouble with you asking an out nb content creator. If you're really trying to collect information, ask honestly, without personal bias. Here's some examples of what a genuine question would have looked like: - Do your preferences play into your gender identity? - How has being nb informed how you see femininity and masculinity? - What tools do you use to express your gender?
You are mistaking gender expression and gender roles as being part of my identity.
You are most crucially mistaking being nonbinary as being part of the binary and having to exist "in opposition" to other genders in order for it to "make sense". One of the most freeing things about realizing I was nb is that I don't exist in opposition to anything - and also that all gender works similarly.
Gender is a describing word, and this can be confusing for some people. In general, we tend to learn describing words in binary - short/tall, old/young, kind/mean. Therefore, there are (many) people who think - feminine/masculine must be oppositional. Gender is also a feeling word - and again, these are words that can be taught in opposition to each other. Hungry/sated, happy/sad, feminine/masculine.
But because gender is such a rare type of word - feeling and describing - it exists outside of binary. It exists more like art exists.
Green can exist in opposition to red, but it also just exists as its own color. Blue is a part of green, but it is also a part of yellow - blue is still its own color, and yellow is still its own color, and green is still its own color. One painting titled "still-life with fruit" may be a series of vague colors and boxes. Another may be a hyper-realistic singular plum. They are both how the artist expresses their personal vision of the fruit. They might even be by the same artist! And although we may compare them, they are not opposites.
One song by Hozier is not in opposition to one song by Britney Spears. They are different styles, not oppositional styles. You may choose to see them as oppositional - but that is your personal opinion, and not fact. And some people may feel and experience those songs as being actually incredibly in-line with each other.
This is why we say: gender is a spectrum. That all gender roles are made up. Personality, interests, and experiences may shape how someone sees and feels their gender, but it does not define how they see and feel their gender.
When we question gender roles and gender expression like this, it tends to make people upset. People like me tend to make people upset. So much bigotry is based on the lie that "feminine" and "masculine" are oppositional. Opposition is rigid and important - it keeps white hegemonic structures in power. I don't have time or space in this post to talk about how rigid gender roles/enforced gender expression rules are not just sexist but also racist, classist, ableist, homophobic, and bigoted; but I really recommend you do the research on how disruption of the gender binary might put the patriarchy at risk.
The thing you feel trapped by - that "being a woman" is a complicated series of rules - is exactly the kind of thing a nonbinary person would agree with you about. We have to fight hard to be recognized for what is a basic truth about our identity - of course we don't believe that gender expression is equivalent to gender identity.
And truth be told... I think you kind of knew that. I think you kind of knew all of this. I am going to hope that you are young. I'll tell you this: I was raised by someone who was a far-right extremist catholic asshole. I certainly didn't have the research/knowledge/exposure to interrogate this stuff honestly until I was probably 23.
I am so much happier now. I hope one day you get the same opportunities as I had. I hope you choose to move away from bigotry.
love u anyway. all this in kindness only.
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Priest getou and nun reader or villager reader....(anything other than the word both isnt acceptable...😡😡😡 /j) -🪄
🪄 ANON I SEE YOU AND YOU RAISE A VALID POINT but please consider…… priest!geto and non-believer!reader.
like… imagine. you just happen to waltz into a church one day. you don’t believe in god, you aren’t interested in praying, but you’re exploring a new town and the church is pretty and you figure it could be a nice way to burn time.
you enter the building to find that a sermon is taking place. a priest is speaking to the few rows of people listening; it’s a fairly small church, but paintings and sculptures and beautiful cathedral glass give it a sense of mystique that you’re drawn to. so you take a seat and halfheartedly listen, not praying like the rest, not singing along to the hymns… you stick out like a sore thumb, but hey, it’s not as if anyone is paying attention.
except someone is, and it happens to be the priest that was holding the sermon just a second ago. the same one you spent most of your time oogling once the paintings started to bore you, because he’s so pretty for a priest. beautiful long black hair, amber eyes, sharp facial features, pretty hands — and the smoothest, silkiest voice you’ve heard in your life. like a sun-soaked bundle of lillies.
… also, his cassock is just a little too tight of a fit to tear your eyes away from.
you stick around a little longer once most people have left, just scrolling on your phone and basking in the quiet, and that’s when he approaches you. he jokingly tells you that it’s always obvious when a non-believer enters a place of worship, but he’s not mad; only amused. you end up chatting a bit about your beliefs, he’s a lot more chill than you expected, and…. well. he’s just really, really charming.
so maybe you end up coming back the week after. maybe his smile is a bit like a spider’s web. maybe it becomes a kind of routine to speak to him after his sermons; you still don’t sing along to the hymns or spend any time on prayers, and he still finds it funny. maybe once in a while you end up liking a paragraph from the scripture he’s reciting, and he’s always more than happy to discuss it with you. but mostly you’re there for him. for your chats, for standing outside and badgering him about how contradictory the old testament is while he smokes and listens with an amused grin.
rain hits the ground with a steady rhythm, earthy tobacco floods your veins, spiders by the ceiling weave a web of dew, and his presence is a little more intoxicating than you think is appropriate.
suguru just… isn’t a very orthodox priest. he only believes about a tenth of what the bible says, he has his own view of god, his own thoughts on worship. he smokes. he may or may not occasionally manipulate church-goers into donating money so he can invest in another overpriced painting. you once ask him if there are any bodies in the basement you should know about, and he answers that any self-respecting priest wouldn’t conduct their blood rituals in the basement of their own church. he knows how to pick locks. he tells you once, very quietly, that he doesn’t believe man was created in god’s image. there’s a look in his eyes that you don’t comment on.
he’s funny. charming. pleasantly suspicious. your conversations are enjoyable for the both of you, and eventually the edges of his cedar eyes begin to crinkle the slightest bit whenever you walk into his field of vision. sometimes he eyes your lips for a little too long, and a honeyed irony seeps into his grin when you call him out on it. he asks you if you’re tempting him on purpose, and you shrug. whatever exists between you remains unspoken.
one day, he tells you that he believes it was god who sent you to him. you furrow your brows and protest with a mutter reminding him of your beliefs, how you believe in free will, how you waltzed into his church out of your own volition. no one else’s.
he only smiles, and flicks the butt of his cigarette. you think he remains unconvinced.
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How do you feel about Jack Drake?? What are your thoughts on him and Tim’s relationship?
Anon, I hope you were interested in a novel, because look, I am fascinated by Jack Drake.  He’s key to a whole lot of what I find compelling about Tim as a character, and if I were in charge of DC, I’d bring him back to life.  This would make Tim unhappy but would IMO make for good plotlines.
Jack and Tim’s relationship is Complicated (TM)...
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Jack and Tim hug in Nightwing 20 / Jack impulsively yanks a TV out of the wall in Robin 45 / Tim grieves in Identity Crisis
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“I could tell the truth.  But I don’t.” - Robin 66
...and it involves a whole lot of Tim lying, and feeling guilty about lying, and thinking about telling the truth, and choosing again and again to keep lying.
And I think that’s great.
Below the cut:
Shorter version - key points about Jack
Really long version - my gentler take (vigilantism is choir and Jack loves sports) vs. my harsher take (Jack has some major flaws)
Final thoughts
Shorter version - key points about Jack:
He’s a bad parent.  He’s self-centered, he consistently prioritizes his own comfort and interests over his son’s, and when upset, he does things like order Tim off to boarding school.
But he’s never a bad parent in an actionable way.  He’s not like David Cain or Arthur Brown, who are abusive monsters.  Jack’s not a monster!  He just...kinda sucks.
He genuinely loves Tim. If Jack’s aware that Tim’s disappeared or is in trouble, he’s always worried and upset.  He periodically resolves to be a better dad, and IMO he’s always sincere.
And Tim loves him, a lot.  Tim’s protective of him and worries about him when he’s kidnapped or in danger, and when they’re reunited, Tim’s really relieved and usually hugs him (and Jack hugs back!). 
...But they have very little in common, and that’s a problem. Jack doesn’t value the things that Tim values, or respect the people that Tim admires, or care about the things that Tim’s interested in.  Tim lies to him a lot, but that’s partly because he correctly guesses Jack wouldn’t respond well if he knew the truth of what Tim’s up to.
The Batfamily is a surrogate family that Tim’s drawn to because of the ways his real family doesn’t meet his emotional needs…but also he feels guilty about that and disloyal. (And to the extent that his dad recognizes what’s going on, he's jealous and resentful!)
Very long version:
(LISTEN I HAVE SO MANY THOUGHTS ABOUT THIS)
Okay!  So first: Jack’s a character who IMO is pretty up for interpretation.  You can interpret him very charitably, and make excuses for the bad behavior, and fill in the blanks sympathetically when situations are ambiguous; or you can interpret him uncharitably, and emphasize the bad behavior. I don’t think either approach is invalid - it depends on what kind of story you’re interested in!  I have enjoyed Bad Dad stories and also stories that redeem Jack.
My personal take on canon is that Jack and Tim’s relationship is in a gray area.  Jack's definitely neglectful, and he does prioritize other things over Tim, but he’s never so bad that Tim can easily reject him, and he's never so bad that Bruce could justify taking Tim away.  He's just...not great.  Tim loves him, and feels loyal to him, but it’s a very mixed-up complicated love.
I have a gentler take and a harsher one which I switch between as the spirit moves me. xD
My Gentler Take (tl;dr: vigilantism is choir and Jack loves sports)
Here’s the core conflict: Jack and Tim are very different people with different values.  Tim idolizes Bruce and Dick and vigilantism, and secretly gets involved, knowing his dad will hate it. He gets increasingly wrapped up in his secret world and lies to his dad...because if his dad finds out, he’ll make Tim quit.
This is a great setup for an ongoing comic.  It’s practical, because it provides endless potential for plotlines, and it’s nicely thematic, because it maps closely onto relatable real-life situations with extracurricular activities:
Tim the drama nerd whose dad thinks he’s playing football and not in the school play; 
Tim the closeted-queer kid secretly getting involved in his school’s politically-active Gay-Straight Alliance; 
Tim the choir kid whose dad only values making money and wants him to go into the family business (and Tim keeps promising himself he'll give up choir soon, definitely soon, but maybe he'll stay in just a liiiittle longer, because they need him, you see, the last tenor left town, so...); 
Tim the computer geek with the sports-obsessed dad (this one’s just canon);
etc. etc.  
The extracurricular metaphor works pretty well for Tim’s relationship to vigilantism.  Tim's involved in his "extracurricular" because he genuinely thinks it's important and fulfilling, and he values it and wants to be good at it. He idolizes Bruce and Dick because they're good at it. He's been collecting information about it since he was a little kid, and hiding it from his parents because he knows they wouldn't approve. And mayyyybe there's also an element of low-key rebellion against his dad, and maybe that's secretly part of the appeal. And yet also as Tim gets more and more invested, he starts to daydream: maybe I could tell my dad and he'd be proud of me and supportive. But he doesn't, because actually he knows his dad would be upset and angry and make him quit.
And - again, just like with lonely kids and extracurricular hobbies - one of the things that happens is that Tim starts getting his unfilled emotional needs met ... by people he knows through this secret hobby. And people like Bruce and Dick start turning into a surrogate family. Which Tim feels guilty about. And also as Tim gets more and more wrapped up in their world, he has to lie to his dad even more, which means the distance between Tim and his dad gets bigger and bigger and more and more unfixable.
I love this dilemma. It's simple, it's recognizable, it provides endless sources for conflict, and there's no obvious solution! Tim can't tell Jack: he'll make Tim quit! And Tim doesn't want to quit, because he loves choir / art / theater / whatever.  Yeah, it’s difficult, and there are challenges, and sometimes he has doubts...but at the end of the day, he cares about it a lot.  And everything he values is there, and all the people he admires and cares about are there, and all he wants in the world is to feel like he's one of them and belongs there. So he has to lie, even though he doesn't want to lie, and he feels guilty about it...
...but also he ends up lying more and more.
(Sidenote: I think it's important that Tim chooses to keep lying - Tim's narration often glosses this as "I have to lie to my dad," and that's certainly how it feels to Tim, but this... isn't quite true. He has to lie to his dad, because if he doesn't, his dad will get mad at him and try to stop him, not because he literally has no choice about it.)
Other Reasons Why I Like The "Secret Extracurricular" Interpretation
(tl;dr it complicates not just Tim's relationship with his dad, but also all his other relationships)
Tim's problems have some obvious parallels to Steph and Cass, who both become vigilantes while rejecting their evil supervillain dads. But Jack isn't evil. And that means the Tim-and-Jack relationship is ambiguous and complicated in ways that I like. Steph and Cass can just leave their Bad Dads in prison, and say good riddance, and feel very righteous and triumphant about it! Tim’s more complicated. Tim gets into vigilantism ostensibly out of duty and altruism, but secretly, he's also involved for straight-up selfish self-fulfillment reasons. He's lonely, and bored, and his life feels pointless, but he thinks that Bruce and Dick are cool and amazing and he wants to be a part of the things that they do.  When his dad gets jealous of Tim’s relationship to Bruce, and feels like Tim’s looking for a surrogate family, he’s... not wrong.
And the ways in which Jack is not Actionably Bad complicate things from Bruce's POV.  If Jack was a straight-up villain, it’d be an easy call to keep in touch when Jack finds out and makes Tim quit...but he’s not a villain, not really.  So what do you do?  Do you try to surreptitiously stay in touch with Tim even though you’re ignoring his dad’s express wishes and thus forcing Tim to sneak around?  Do you respect his dad’s wishes and stay away from Tim even though you have a years-long relationship at this point?  
Again: a bit similar to the extracurricular analogy.  Say you’re the choir director and you’ve built this whole relationship with a kid in the choir, and you’re an important mentor to him and you care about him etc. etc. etc.... and then right before a big performance, his dad finds out he’s been secretly involved, and yanks him out.  How would you react?  Well, maybe kind of in some of the ways Bruce reacts.  You replace him. You’re annoyed with him. You miss him. You want him to come back. You’re also worried about him.  You’re upset with his dad.  But also... what should you do, exactly?
Bruce and Alfred and Dick care about Tim as if he were part of their family, but he’s not part of their family, and there’s a lot of interesting tension there.
My Harsher Take
Jack never hits his son.  But his temper is a big deal.
In his worst moments, he takes out his anger on Tim’s stuff - wrecking his room, or ripping his TV out of the wall and confiscating it.  When he’s worried about Tim, he usually expresses that fear by yelling at him / punishing him / sending him away - threatening to send him to boarding school in Metropolis in Robin III, or threatening to send him to military school abroad in Robin 92, or actually forcing him to go to an all-boys' boarding school post-NML.  
This is bad behavior!  It is Not Good!  
And you can easily connect the dots to a bunch of Tim’s terrible coping mechanisms, like the constant lying and or the fact that Tim’s go-to methods for dealing with interpersonal conflict are 1) repress it and pretend it never happened (most of his fights with Bruce), 2) withdraw from the relationship until he can pretend the conflict doesn’t exist (when his friends get mad at him in YJ, he quits the team for a while), or 3) literally run away from home.
Also, Jack is a Manly Man with firm opinions about how men behave vs. how women behave, and he thinks boys shouldn’t be scared and thinks Tim should date hot girls and pushes Tim to work out and wants him to play football and expresses period-typical sexism, etc. etc. etc. ... and though obviously this wasn’t what the writers had in mind at the time, all of that is certainly interesting to read backwards in the light of Tim as a queer character.
More Disorganized Thoughts on Jack Drake
Tim’s our hero, so we’re naturally more sympathetic to him, but it’s also true that relationships are a two-way street, and Tim doesn’t value any of the things his dad values, either.  Jack at various points is shown to care about grades, business, money, boarding schools, archeology, football, a kind of macho bragging-about-dating-hot-women ethos, and a very public and performative kind of caring. Tim tends to respond with discomfort or disinterest or even disgust.  When Jack gets on TV to try to rally the government to save his son from No Man’s Land, Tim isn’t touched—he’s mortified.  When Jack makes some bad investments and loses money, Jack’s deeply upset and his self-image is majorly impacted, and far from being sympathetic, Tim’s annoyed and kind of contemptuous of the idea that this is a problem.  Jack thinks fishing in the early morning and going to tennis matches is a fun father-son activity; Tim finds it exhausting and tedious.  And so on.
This means that Tim often longs to be closer to his dad in theory, but this longing is more tied to fantasy than to reality. He rarely seems to enjoy spending time with His-Dad-The-Actual-Person.  So for example, when Tim’s deadly ill with the Clench, he has an extremely poignant fever dream about telling his dad the truth and getting hugged…even as he insists in real-life to Alfred and Dick that he does not want them to tell his dad what’s going on.
The same is true of Jack, who IMO genuinely wants to be closer to his son and is continually declaring that he’s going to turn over a new leaf and get closer to his son…and just as continually backs out of activities or loses his temper when faced with spending time with his actual son.
Tim and his dad sadly get along best—by far—in Absence Makes the Heart Grow Fonder situations.  When Jack gets kidnapped or is in danger, Tim worries for him (and Tim grieves him deeply when he dies).  When Tim disappears or runs away, Jack’s genuinely worried about him.  So e.g. they have a really moving emotional reunion and hug when the earthquake hits Gotham, and Tim panics about his dad’s safety and comes running home (and meanwhile Jack’s been panicked about Tim’s safety!).  It’s the day-to-day, regular life stuff where they don’t connect.
Jack's written quite differently by different writers. Mostly, Tim's parents are at their least likable in his early appearances and early miniseries (this is where you get, for example, Jack and Janet being nasty at each other while a pained employee looks on, and Tim disappointed to once again get news of where his parents are via postcard - "I guess that sums them up! Never know where they’re going to be–or when–or even how long!” - and Tim alone on school break, and Bruce and Alfred thinking there's something weird going on with Tim's parents, etc. etc.). Jack's more sympathetic but still often unlikable in most of Tim's Robin solo, and he's almost invisible (but positively treated if he does show up) in Tim's team books.
For obvious reasons, Jack's remembered way more sympathetically after his death. Tim's completely devastated by Jack's murder, which he arrives moments too late to prevent, and he basically never gets over it. We see him grieving Jack again and again in Robin, and also in Teen Titans, and also in Resurrection, and again in the Halloween Special, and again in Batman: Blackest Night, and all the way up to the end of Red Robin. Tim also grieves for an extended time over Janet - he hallucinates a happy reunion with her when he's feverish in Contagion, and hallucinates her in the final issue of Robin, and the reveal-your-buried-emotions song in Robin 102 brings up his grief for her too (meanwhile, other characters dance or laugh or otherwise get giddy).  Tim’s grief over his parents’ deaths is intense and long-lasting.
I'm not going to clip comic panels because this is long enough, but if you're curious, here's a nice and fairly lengthy compilation of comic panels with Tim and Jack.
If you're interested in a Jack-centric story with a softer-but-still-recognizably-canon take on Jack, I really like the way Jack’s narration is written in the one-shots Heart Humble (set shortly before Jack dies) and Never a Hero (Ra's resurrects him during Brucequest, and Jack's archeology skills turn out to be unexpectedly useful).
#tim drake#jack drake#ask tag#i wrote this ages ago and now i can't remember what i was going to add to it so oh well draft amnesty? sorry for the long wait anon!! <333#anyway i kept this carefully on topic and virtuously did not derail into talking about the other blorbo but tags are for disorganization SO#for me this kinda half-in half-out place where tim is with the batfamily is SUCH an interesting part of his relationship with dick#and i never stop turning it over in my head#he's kiiiinda replaced dick in that he's robin - but in a very real way he *hasn't* - he's NOT bruce's new son the way jason was#and early!tim makes a BIG POINT of how bruce is not his dad#and i think this relative distance from bruce is a huge factor in why dick is able to build a close relationship with tim at all#(because dick's still pretty estranged from bruce!)#and there's such interesting tension there when dick starts jokingly calling tim ''little brother'' or when villains call them brothers#because they're NOT. increasingly they would both LIKE to be brothers! but dick has zero official standing in tim's life#if tim got hit by a car in his civilian identity bruce and dick wouldn't even be able to visit him without his dad's permission#which jack would be pretty unlikely to give! jack doesn't like or trust bruce!#or like. this is morbid. but if tim died. dick wouldn't even be invited to the funeral you know?#and there's such interesting tension there for me in the contrast between this vigilante relationship that's very very close#but in their civilian lives no one would assume they're anything in particular to each other#anyway the 1st half of tim's robin solo has this thread of tension between tim's family life vs. his vigilante life (plus his mom's death)#and then the second half + red robin has the thread of struggling with grief in a world that's not fair + feeling lost/alone#and these two threads are a big part of my interest in tim as a character! jack's the backdrop that makes a lot of stories possible
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prince-liest · 1 month
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oh my god…. prince……. you can’t do this to me. you’re saying next fic has vox getting fucked, focuses on vox’s transness (AH), AND ALSO HES ON THE OFF SEE SAW OF HIS RELATIONSHIP WITH VAL?????? ARE YOU TRYING TO KILL MEE?!!?!!????? I THINK I MIGHT ACTUALLY COMBUST. and bc another anon asked abt how alastor views the violence in voxval’s relationship, i have Another thought on the matter. as much as alastor looks down on vox, they can be Very similar sometimes. they are both egomaniacs and very prideful. i don’t think vox, without outside interference, would ever ADMIT that the violence he faces is 1) something he truly hates AND 2) out of his control. he can’t admit he hates it, because then why isn’t he stopping it? that would be admitting to not being powerful enough or strong enough. and hello, 50’s toxic masculinity coming through, he CANT be a victim of domestic violence. he’s a powerful, rich, and important man. it all comes down to perceived weakness. so, the solution is to pretend he’s mostly fine with it. sure, he can act disgruntled and upset in the moment, but i don’t think he’d ever let himself take it seriously. because then he has to start drawing lines in the sand, and what happens then? will val look down on him? will he lose val? yeah, he is not risking that over a problem he mostly refuses to acknowledge exists. and as you said, this is all happening in the setting of hell, where ultra violence IS the norm, and vox himself is excessively violent. it’s the most delicious 50 layer cake of fucked up-ness.
RANT ASIDE THO. i have a question. 2. do you ever plan on having vox interact with the hotel crew outside of angel? ANDDDD what would charlie’s reaction be to their friendship/situationship/ kinda love affair. i think she could add SOOOOO much hilarity and Intense Emotions to this series. not that the boys haven’t been doing their part in that so far. charlie just intensifies everything she does, god bless her. -🌓
The "getting fucked" bit and the trans conversation bit are directly related to and relevant to each other, and frankly I'm just very happy to be out here writing the specific flavors of deeply queer shenanigans that I'm writing, and to have people actively enjoy that. It genuinely means a lot to me that I've strayed so goddamn far out of the bounds of good old top/bottom yaoi archetypes that introduced me to fandom and yet have a wildly enthusiastic audience nonetheless. So, that was my long way of saying that you bring me a lot of fucking joy, anon, hahaha.
As for everything you're saying about Vox, power, and masculinity: YOU! points dramatically at you YOU GET IT! YOU GET IT!!!!!! Everyone just read this, this is it, this is the thing. I have no notes to add. There is a reason that the main point he raises the moment he actually says something vulnerable about it (before he immediately cuts himself off) is a complaint that he's an overlord, so why—?
And with regards to your questions: I'm not gonna lie, my actual planning for 666 is usually, like, extremely by the seat of my pants. I plan nothing except, "Oh, shit, had an idea for the next one. Lesgoooo—" and that's been the case for literally every single installment. It's all just been evolving naturally and building on top of itself. So! I can't say that I plan to have Vox interact with the hotel crew or Charlie, but I also will never say that I'm actively opposed to it.
That said, I do think a lot of this fic is kinda structured around hitting specific topics that come up in intimate settings between Vox and Alastor specifically, with occasional tag-ins from Angel Dust, so I don't really know if there's anything in particular I'd like to write that I think would work better in this series if more characters got involved. But, hey! Never say never!
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lover-of-mine · 13 days
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just saw on twitter that in the shot of buck laid on the floor in the promo, you can see their green and pink jackets laid on top of eachother on the couch next to empty red wine glasses. i just checked and it’s true lol, they’re on the arm of the couch i think
i know it obviously won’t happen but…. save us 7x06 drunk make out that they both vaguely remember but pretend they don’t bc they’re not sure how they feel about it🫡🫡
Baby, darling, honey, I was talking about this exact scenario with @thegeekcompanion earlier and my brain keeps running with it soaksokaoskaoksas
So hear me out, fantasy scenario, obviously, they're not gonna do that, we don't know how they got there, right? What happened in that room. We don't know what happened during the night, but something happened during the night, what? We don't know, they don't know either, Buck and Eddie don't remember, they don't show the audience, but did they kiss? did they hook up? did they just get way too close for it not to awaken things? Did they just cuddle in the bathtub like platonic bros with their socks on? Who knows? They don't know so we don't know, but something changed, and we are trying to piece together the night with them, the episode ends with them not remembering, so they don't remember or do they? Eddie breaks up with Marisol, we don't know why, nothing happened, he just gave up on working on it, every interaction between Buck and Eddie is suddenly #charged, but Buck really doesn't remember, he still smitten by Tommy, but Eddie keeps seeming more and more tense, while getting more and more aggressively supportive to the point that even Buck is a little "you good man" and then something happens, don't ask me what? Rough call? Bad day? He just snaps? Who knows, the vision is not clear enough yet. But then we find out Eddie does remember whatever happened at the bachelor party, I don't wanna say they hooked up, because I don't wanna add the cheating aspect to them, don't make the freshly out bi dude help his best friend cheat, but like, they got close, were about to kiss, and then got interrupted, and Eddie knows that's the only reason it didn't happen and he's been watching Buck waiting for Buck to remember, but Buck just doesn't remember and he's freaking out because does it even mean? Were they just really drunk and caught in the moment? Does he have feelings for Buck? Does that mean he's attracted to men? Is it just a Buck thing? Would it even matter when Buck keeps trying to make it work with Tommy? And we could get some delicious pining going for a while there. Because if Buck is happy with Tommy, Eddie wouldn't want to interfere but at the same time he's kinda losing his mind. Then Eddie gets hurt in a call or something, Buck goes berserker, someone tells him "are we sure this wasn't about Eddie a little bit," Buck spirals, mutual pining that could be solved if they just talked, then Buck remembers the moment at the bachelor party and decides he needs to take the leap but Buck kinda chokes when he gets there and can't say anything, so he just grabs Eddie by his shirt and kisses him and bam.
I feel like this would be a nice fic oskasokasokasokasas anyway, yeah, I will live in the drunk make out in the bachelor party and they just keep dancing around it fantasy lol
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bixels · 2 months
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So i have a small nicpic i wanted to share with you about your interpretation of spike in the au and i want to make two things clear before i talk
1) i havent watch the series for a little while as of now so i might be misnterpreting a aspect of this chatacter that might have never been there and only apeared in fan content and personal interpretation (since that whats been keeping me on the fandom)
2) this is not a big problem about the au i matured enough to not get angry at a interpretation of a fictional charater
Now here i go
I feel spike being the same race as the rest of his familie makes him lose a part of his character that might have not been central but was still something interesting about him and is the idea of not mayhering how diferent he looked from his adoptive family (and his cominty as a whole) he was he was still seen as part of it
Again this isnt a big problem with the au as a whole its just a small nicpic that i have about the au and its not going to make me hate the au
This was just my opinion that i wanted to share and im interested to know your opinion about what i said
I understand this criticism and agree that having Simon/Spike be a different race than Thea could speak to their relationship in the original show.
My reasoning for designing them both to be African American is this. I believe Simon's adoption is enough to explore the feelings of separation and exclusion he may have with Thea and her family. The original show doesn't bring up Twilight and Spike's racial differences much because they originally didn't consider Spike to be a part of Twilight's family. As far as I know, there's no moment where someone says, "Wow! You're telling me you're related to Twilight Sparkle? But you look nothing alike!" because Spike was more so Twilights... familiar than anything.
Later episodes that explore their familial dynamic poses the conflict through Spike's adoption. There's one episode where Spike's "biological father" returns, and Spike accuses Twilight of not being his real family, which breaks her heart. There's another that delves deep into Spike's feelings of exclusion from Twilight and Shining Armor's siblinghood. Basically, in discussions of family dynamics, the show places more emphasis on Spike's identity as an adopted sibling rather than a dragon.
I really do believe a multiracial family would be good representation, but the racial dynamics would not be something I'd be interested in getting into. That's not to say I find real multiracial families problematic or uninteresting or unappealing or unimportant. I just wouldn't be interested in having to explain in-text that Simon (non-black) and Thea (black) are related over and over; it would grow tedious. It adds an extra level of writing complication and opens up racial discourse (discourse that I feel is unrelated to their relationship in the original show) that I don't want to concern myself with, especially because I have no experience in navigating such discourse.
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crystallizsch · 1 month
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I want the infodump on Jamil and Yuusha ma'am I beg
THIS HAS BEEN UNANSWERED FOR A MONTH IM SORRY AUGH
but thank you so much yes im okay im normal about them i’ll do my best (for context i mentioned in the tags of one of my posts a while back wanting to infodump about them, but i forget which one it was jfkdlsjhl anyways-)
this won't be a full info dump because i think that would somewhat restrict my dynamic of them if i put it all into words (if that makes sense) ;;;
and i realized i lowkey dont have a coherent timeline for them (yet); i just put them in random scenarios of what i think would be fun at the moment
to make up for it i'll also put a silly self-indulgent sketch dump all below ;;;
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I JUST REALIZED I DRAW THEM MAKING EYE CONTACT A LOT (bc something something there's a level of trust that jamil wont use his snake whisper on yuu anymore)
okay now for some random jamiyuu dynamics/hcs/lore
yuu fell first -> yuu lost feelings (bc why would you trust someone who took advantage you) -> ✨ then something happened ✨ -> jamil fell next but harder.
highkey disliked each other -and showed it- in the beginning bc of the whole scarabia drama; then an -accidental- act of service got them to think differently about one another. like "holy shit maybe they're not so bad after all???"
extremely slow burn.
very competitive with one another which then bled into their "flirting" / affectionate acts when they eventually became closer.
basically: “sweetheart” but rivalry -> “babe” but platonically -> “bro” but romantically pipeline.
(“are you flirting or starting a fight”)
yuu kinda throws around “love you” a lot, especially to her close friends; so -during their “platonic” stage- for some reason, jamil was the only “friend” she has not said this to. but it’s okay it’s not like jamil had referred to her as the “f-word” (friend) anyway.
had a mutual agreement that their romantic relationship is temporary because of yuu wanting to go home; they’re just going to “try it out” “no hard feelings”.
yuu made jamil promise to never use snake whisper on her ever again.
jamil: personal beef w/ bugs + afraid of them; yuu: personal beef w/ bugs (w/ a few exceptions) + not afraid of them, just generally pissed at their existence.
dancing and music lowkey became one of their love languages.
kalim genuinely became one yuu’s best friends because of how much they hit it off. jamil always third wheels them no matter the circumstance.
yuu loves grim more than jamil; jamil knows this very well. and so does grim.
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this-is-turtles · 8 months
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I got you brother...
Listen....listen... @2aceofspades's drawings are just too good, and I had a mighty need to color this absolute heart wrenching drawing
If yall havent checked out Ace's art yet, what are you doing with your life, go give them all the looove
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goingbuggy · 8 months
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When you have time I would LOVE to hear your thoughts about post time skip buggy!!
Hi, anon! Sorry for the late-ish reply. I thought carefully about how I wanted to reply, but alas, here I am again, starting my metas in the strangest places. Anyways, here’s a seemingly unimportant question: Why is it funny that Buggy keeps failing upwards?
My answer also happens to be one of Pixar's 22 Rules of Storytelling:
"Coincidences to get characters into trouble are great; coincidences to get them out of it are cheating."
You might be wondering why I chose this quote -- after all, Buggy manages to escape most conflicts by sheer coincidence. Take the canon-filler episode(s) “Little Buggy's Big Adventure,” for example; coincidence is the sole reason why he ends up on Gaimon’s island and eventually finds Alvida, one of his future allies. But for as much as Oda is guilty of using coincidences to benefit Buggy, he also creates coincidences to get Buggy into trouble. Sure, Buggy left on good terms with Gaimon/found Alvida, but only after:
Suffering a humiliating defeat at the hands of Luffy
Losing most of his body
Being chased by killer fish/eaten by a ginormous bird
Nearly getting shot in the head by Gaimon over a misunderstanding
Being chased AGAIN by a deadly crab???? LMAO???
Buggy’s “luck” functions like a pendulum -- for every good thing that happens to him, horrible things are guaranteed to follow. This core aspect of his character is what keeps the gag afloat. Buggy is never rewarded by the narrative without experiencing consequences. In order to earn moments of respite, he has to suffer.
I find it hilarious when people argue that Buggy doesn’t deserve to have good things happen to him. Because, yeah? Duh. Oda loves having his cake and eating it too. It’s not necessarily good to play both sides with the audience when it can cheapen emotional impact, but Oda will absolutely continue to make Buggy both a complete joke and a genuine character. He has fun that way. However, he’s not going to help Buggy without hurting him first.
But that's a very meta perspective. How does Buggy view his own beneficial coincidences? He’s now an emperor, and extremely close to the One Piece/Pirate King title that he so desperately wants. But why does he think he’s being rewarded, in-universe?
His facade.
His devoted followers, his influence, that billion-berry bounty, his emperor status -- all of it stems from his fake persona and its snowball effect. He’s well aware of this. In fact, I think it’s likely that he hates himself for being such a coward and hiding behind lies. But when he sees his true self as worthless, what else can he do except dig himself into a deeper hole?
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Look at 1082. Buggy finally stands up for himself, claiming that wealth and power come from chasing after your dreams -- not grand schemes. Here, he’s talking to himself as much as he’s talking to Crocodile and Mihawk.
“This is wrong… This isn’t how I wanted my life to go…”
It’s a very depressing peek at the man behind the curtain. Buggy only ever wanted to follow his dreams, but he uses schemes to get ahead instead, because they're all he thinks he has. His lies are a crutch to depend on, so he doesn't have to face the truth: he doesn't believe in himself. 
To me, 1082 reads as a "Hail Mary" moment from a character at an emotional low. Buggy still doesn't believe in himself, but he is saying: Fuck it. If Shanks and I finally have an equal chance at becoming Pirate King, I at least have to try... Right? We can confirm his lack of self-confidence, because Buggy even admits he got here by “luck or chance or whatever."
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He cannot entertain the possibility that he'd get this far any other way. Of course he doesn't see himself as Shanks' equal. It’s one of many reasons he didn’t want to go with Shanks at Loguetown; he assumed he’d be working “under” Shanks (even though Shanks only said “Come with me!"), because he truly believes he is lesser in terms of potential/greatness. ("You coward!" can also be interpreted as Buggy projecting his own insecurities onto Shanks.) Buggy's decision in 1082 is a desperate leap of faith. "Go for broke," "shoot for the moon," etc.
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Post-Timeskip Buggy may appear more dangerous than ever before, but in reality, he’s just a small fish in a big pond. The farther he crawls his way up the ladder of success, the worse he feels, because the life he has built is not how he wanted to live at all. Based on everything we've known about Pre-Timeskip Buggy, we should expect him to be happier than ever. He has influence. Power. His monetary value in the eyes of the World Government has shot up exponentially. But look at the poor guy. He's miserable.
If you've ever seen Better Call Saul, I think this scene from S4E9 is very similar to how I feel about Buggy:
JIMMY: There you go! Kick a man when he’s down! KIM: Jimmy, you are always down.
Buggy is a character who is always down, even when you think he might be up. Until he stops maintaining that false image, he will always be punished by the narrative pendulum he's trapped himself in.
Unfortunately, change is hard, especially with the stakes he’s currently facing. If Buggy actually has to fight Blackbeard, Luffy, or Shanks... he can’t. Not alone. He needs people to believe the facade, because that's what got him here in the first place. He may look invincible, but he is quite possibly the most vulnerable character right now.
Crocodile and Mihawk would sell him to Satan for one corn chip (especially after that stunt he pulled in 1082). We haven't seen him improve his physical abilities (unless Oda pulls some off-screen bullshit). As an emperor, he has more people gunning for his head than ever before. Buggy’s last line of defense is his long-running gag -- if Oda decides to subvert our expectations, he’s a dead man walking.
And who would he have to blame but himself? He built his image on smoke and mirrors. Eventually, he's going to have to pay the price.
If Pre-Timeskip Buggy is a man defined by coincidence, then Post-Timeskip Buggy is defined by consequence.
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becca-e-barnes · 2 years
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Becca, please I need more ex husband! Bucky I can't get him out of my head!!!
Aw no bc I'm drawing inspiration from one line in something I re-read this morning that was an original piece written by a cutie bc it would fit this so nicely 🥵
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Like maybe you and Bucky both move on and get remarried but there are still those desperate, needy hookups because no matter how hard you try, you can't stay away from each other.
They'd be awfully intimate though, his plump, wet lips trailing up your neck, latching onto your earlobe, allowing his teeth to sink into the soft flesh just a little. You can hear every little pant and groan from him like this, enjoying every sound you coax out of him.
"Fuck, nothing feels as good as you do, sweetheart." He groans, giving you slow leisurely thrusts, enjoying the way your body envelops him so entirely.
He's blissed out and you've only started but there's an addictive familiarity that you offer him. He can't have sex like this with her. Purely because she's just not you.
"You missed this as much as I did?" You tease, curling your fingers in the short, dark hair at the back of his head, tugging his mouth down more insistently against your skin. He knows exactly what you need, grunting in pleasure while he licks a gentle strip up your neck. He only faintly recognises that you're still wearing the same perfume you used to wear. The one that's so distinctly you. The one that used to make his heart soar because smelling it meant that the love of his life was nearby.
"I missed it more, I can promise you that." You know he's not exaggerating. Just by the way he's touching you, you can tell he's needed this more than he should admit. "She's not you."
It's an awfully simple admission but the weight behind it is staggering.
"I know what you mean. He's not you." You know you mean that with your entire heart and it's so damn wrong to compare your new husband to your ex-husband but it's hard not to.
"I'll always be yours, you know that? Fuckin' ruined me for anyone else." He tries to ease the tension with a half laugh but it doesn't help. It's a lot of weight to add to a casual affair but it feels so right with him.
"And I'm gonna keep ruining you, Buck." You're desperately trying to shift the mood, making sure you both avoid saying something you'll regret. Before he knows it, you've manoeuvred him so he's flat on his back, his cock back inside you and his hands on your hips to help you grind yourself on him.
"I'll let you ruin me any time, bunny. Just say the word." He has that lazy, half smirk on his face, watching how you fuck yourself on him. You're right where you belong, on top of him, stuffed full of his dick, taking what you need.
Your hand trails over your own body, teasing yourself, putting on a show for him and slipping into the moment and he can't help but notice your ring finger is bare. You've taken your new wedding ring off and for the time being, it almost feels like you're his again.
"That's it, use me. You feel like a dream. We shouldn't need this the way we do. God, this is wrong." He can't tear his eyes away from where your bodies are joined, knowing how much you love being on top. "You have any idea how much I love seeing you fill that slutty, desperate little married pussy with my dick? 'M right where I should be. Buried so deep inside my little slut. Guess some things never change."
The change of pace is so welcome, straying away from feelings and into safer, filthier territory.
"That's it, that little cunt only ever flutters like that for me. I still own it, don't I?" He knows he shouldn't be into this but he is. And so are you.
You reply with a breathy "yes", feeling your body tighten around him and deep down you know you've never belonged to anyone else.
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starflungwaddledee · 2 months
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ooooh aaah my first anonymous hate mail!
now i know i said i'd post this sort of stuff publicly to shame the sender, but i'm faaaaiiirly sure this is a kid. so! i'm not gonna post it, or engage, and have in fact already deleted it, because i really really suspect it's a kid.
i'll address one part: about me not tagging my work.
like many other things in the ask, that's an outright lie. i actually do my best to tag comprehensively and liberally, and if you're hatescrolling my blog you already know my tag for the shipaganza in particular is this: 🎀💖
i have put this tag (again, it's 🎀💖) on every post related to the shipaganza. even the explicitly non-romantic, platonic ones (like bandee's and kirby's) and the what the heck is that? ones (like marx's) so that people can liberally avoid it for any number of reasons. i'm just doing this event for fun, and want it to be fun for people viewing the work as well!
i also make it clear regularly that earnest folks can ask me to tag anything in particular and i will do so. however, i cannot control what tags are used on a post once it leaves my blog, so i recommend that you use this handy feature
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to make sure you never have to see any of my content ever again, no matter who else might reblog it onto your feed!
if that's not enough and you're still finding mentions of me on your timeline (such as when other people @ me), you can also apparently use "filtered post content" and just put my username in there. now i haven't tried that in particular, but it seems comprehensive as it searches the entire post for instances of a phrase. here are the instructions on how to do that.
anyway! i hope these steps successfully help you to never see my content or mentions of me ever again!
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