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#or at least they only do to a very specific extent
eskildit · 5 months
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astranauticus · 1 year
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see i was gonna complain about how i keep seeing reviews of rage 2016 say they dont like the ending because of how 'overly emotional/melodramatic' it is and how i never really understood that cuz i actually quite liked the ending like i thought that all the characters. emotional breakdowns were fully Called For considering the circumstances then i realised. of the three characters we see just Losing It in the finale we have:
aiko, traumatised ex-sex worker
yuma, gay man
izumi, assault survivor
so. yknow. the fact that these people cant seem to be able to fully relate to these characters emotions/pain. hmmmm.
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theminecraftbee · 2 months
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being in true sexyman nostalgia mode today (on account of. IT'S BEEN ONE YEAR BABY.) i think one of the most fascinating things about it is that we will never manage to do that again. like, not in a "we couldn't organize it better" way; there were better ways to do the spreadsheet, we would just turn off comments on posts and anon asks from day one so that we wouldn't then get people accusing us of censorship while we tried and failed to control the tide of things that ended up in the comments and inbox, we'd definitely have a WAY higher non-hermit contingent, both thanks to qsmp and thanks to the sexyman blog and medusa now having MUCH wider reach to other corners of the fandom and the original spread not all rooting at me, etc.
but the reason we couldn't do it again is that i don't know if we could ever replicate the exact circumstances that lead to it blowing up quite to the extent it blew up.
it was while tumblr polls and doing tumblr poll brackets on tumblr itself was still new-ish, and people were still excited about them. the idea of a mcytblr bracket was basically brand new; i won't claim we did it FIRST (because i have no idea if we did and doubt we did), but certainly we did it big first. so there's that; we can never again invent in real time "shit people are sending us threats about fraud lets legalize fraud because its funny, we can't stop it, and that neutralizes that drama as a thing anyone will take seriously", and then in turn accidentally invent a fandom culture of. um. wide-spread voter fraud.
(i don't know if we should apologize for, uh, causing the specific way mcytblr voter frauds. i still think it was better than the alternative at least, especially after seeing how so many other polls crashed and burned after us. there were MANY things we could have done better but i have seen SO MANY ways we could have done things worse since then so i think we came out looking pretty okay.)
but also: february 2023 was a very different time in mcytblr. we were in a hermitcraft dead period, where most of the hermits were either on vacation or playing tcg (which was fun, but didn't end up generating that much fandom activity by that time in february). the former dsmp crew was very much doing Nothing (and in that awkward space when the entire fandom knew dsmp 2 was never happening, but also people were still claiming it would happen, so it was just... busy waiting). qsmp didn't exist yet. there was no ongoing life series and wouldn't be for some time. i think even the dominioners and lifestealers were in a fairly dead zone. there was very little new for people to be excited about, mcyt content-wise.
enter: our poll. our poll which cleo then thinks its funny to call out on twitter. our poll, which was not only new mcyt content for the fandom to interact with (thanks to the fact we KEPT GETTING CC INTERACTIONS???), but participatory.
for about two weeks, we were the mcyt event de jour.
and like. the thing is. now we're in february 2024. mcyt is BOOMING. a new hermitcraft season JUST STARTED. we came off of vault hunters before that. meanwhile, qsmp just restarted and is, if i'm understanding correctly, booming. they just added a new guy! the two current juggernauts of the fandom are in FULL SWING. i honestly think we'd be somewhat overtaken by the fact things are actually happening in fandom. there's stuff to do that ISN'T go insane about a poll.
and it's not new, and we've seen it all before now, and frankly, it's hard to cause a mass hysteria event TWICE. lightning in a bottle, as they say.
i think part of the reason we all just REMEMBER mcytblr sexyman so much is that we could never, ever recreate it, so it remains crystalized in a single moment in time, impossible to replicate, forever memorable.
anyway: HAPPY ONE YEAR TO THE JOE HILLS SWEEP BABY,
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traceybrakes · 6 months
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Let's Talk About Un-ironicizing Art!
In light of a lot of the conversations i've seen surrounding Death Grips and recent events concerning them, I want to take the time to point out that this is a good time to start thinking about how we engage with art on the whole!
For a long time, the irony poisoned method of consumption went unchecked in all facets of internet culture. As an internet musician in current day, I have noticed a sharp disconnect between artists and enthusiasts/casual listeners when it comes to attitudes surrounding music specifically, though I've witnessed it permeate all forms of art in some way.
I see people who have grown scared to engage on deeper levels, intentionally severing any resonant connections or knowledge learned from a piece of media before it has the chance to take root. In short, dare to be vulnerable! Dare to enjoy something on the basis that you yourself resonate with it, and not for any other nebulous reasoning. When masses of people relegate art to a spectacle, not only do artists become more likely to be disenchanted with the passions that fuel their work, but the consumer base ultimately suffers as well. All art at that point becomes less an extension of ourselves, less a vehicle to explore our identities, and is rendered a meaningless hulking sludge, or worse, the opponent to an already shrinking and narrow worldview.
Be not afraid to be unabashedly in love with the work that inspires you. Be not afraid to have the things you love misunderstood by by some. When you engage with work new and old, make sure to do it for yourself. Making and consuming art is inherently selfish, but being selfish is not inherently misguided. Allow yourself to learn, grow, discover, and repeat that cycle until the day you die.
To speak more candidly about my own experience, throughout the course of my life, there has been art that I've held near and dear to my identity, and own journey of self discovery that I seldom find others who hold the same sentiments to. I've always found this exciting. Exciting to hold something close to my chest as something so personal, and even more exciting when I can ease up on that grip when I find someone who I can share that with. However, I've also been through the throws of how the internet tends to chew up and spit out art that generally isn't understood by the many. I've fallen victim myself to the hive mind mentality that circles some artists and the cult of non-identity around them. This off-color ouroboros of knowing all about an artist's work and simultaneously upholding this facade of vapid complacency. I've come to the conclusion that if being openly supportive and connected to an artist's work or a particular piece of work automatically renders a person uninteresting and unambiguous at the very least, then I will live happily as an uninteresting open book. At the worst times, we see this line of thinking contribute to Death Grips being mocked and belittled en masse by people who are unwilling to engage with their art before they even get that far. It's heartbreaking, to me at least to see people put so much effort, emotion, and passion into transforming culture for the better to be rewarded with a crowd that's plugging their ears.
I realize I run the risk of sounding pretentious, self indulgent, or even patronizing to an extent; I apologize because that isn't my intention, I'm hoping to see gears shift at least on a micro level surrounding attitudes towards art appreciation. Remember to dare to be in love holistically with the art you engage with! Speak of the things you love in a way that makes that clear to others, and consider your peers to do the same! You and the people around you can only be better off for it.
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romanarose · 2 months
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Scars
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Pre-Outbreak!Joel Miller x pale!fem!reader (see immersivity warnings)
Join my taglist : Masterlist
Summary: You and Joel are taking things slow, really slow. You find that he's easy to open up to about your depression, but you find it's hard to tell him the full extent.
Warnings: Talk of depression and self harm, self harm scars, descriptions of said scars (healed, not bleeding or recent) piv sex, oral f!recieving. Comfort sex. first time between couple, not loss of virginity.
Immersivity: Reader is fem, no specified age. This is a fic i started last year when i was doing very, very poorly and relapsing. I wanted to write something for myself. I usually really try to make things as inclusive as I can but the descriptions of scars are detailed and they are detailed to my skin, which is pale. I'm sorry, but I wanted to write this for myself. I support people writing fics specific to themselves, their skin tone, their hair type, their wieght etc, as long as it's labled right. @fandxmslxt69 said i could do it and said if anyone has a problem, come to her <3
***************
"And the scars remind us that the past is real" Scars, Papa Roach
Joel hadn’t minded when you said you wanted to take things slow. He didn’t mind one bit. Being a dad of a preteen , albeit an easy one, didn’t leave him with much opportunity to move fast. He was busy. In fact, he hadn’t really intended to date at all, at least until Sarah was in college if that… but you had sparkled your way into his life accidentally, and he was trying his best to balance it all. You were understanding, patient, you didn't get mad if he had to rearrange plans or cancel because something with Sarah or work came up, and he thought things were going well. You were beautiful, fun, and the few times you’d briefly met Sarah, she seemed to like you. That was a necessity. Joel absolutely refuses to date someone that made Sarah unhappy, but Sarah had made a few references to him and dating before he met you anyway, so she seemed okay with it. It wasn’t like he had a relationship with her mom, as much as Joel had tried to foster something… her mom hadn’t been interested.
Tommy was a lifesaver. When he noticed Joel had been struggling, Tommy sat him down and asked to help him. Tommy asked Joel. 
“You deserve a life.” Tommy had insisted.
“Sarah is my life.”
“Joel, you deserve m-”
“Don’t say I deserve more, Tommy. Sarah is enough. I don’t need more.”
Tommy sighed. “I know, brother, but can I at least help you out a bit? Give you a little free time to see that pretty girl of yours?”
Tommy had only met you once, but he liked you too. Joel acquiesced, letting Tommy take care of taking her to soccer practices (but he would NOT miss a game). This did end up being a big help and Joel had more and more time to see you… and when Tommy took Sarah out for a movie or she had plans with friends, he found more and more time alone in the evening with you.
Joel didn’t want to take his hands off your body the first time you and him made out on his couch, but when his hand went to feel up your breasts, you noticeably tensed. Fearing he overstepped, Joel quickly pulled back and apologized. Both of you nervous messes, it took a moment before you and Joel got full sentences out.
“Shit, I’m sorry-”
“No no it’s okay!”
“I just thought-”
“And I want too-!”
“No, I didn’t mean for anything tonight-”
“Oh, uh, right-”
“Not that I don’t want to!”
“Me too!”
Eventually, Joel clarified he was just enjoying feeling you, he didn’t want you to feel pressured into anything ‘like that’, and you explained he can touch you like that, you just wanted to wait a little bit… You sat back, nervous, but figured now was as good a time as any. 
“Actually, there was something I wanted to talk to you about, if we could…” You shuffle on the couch.
Joel looks nervous, but open. He wants to know you, good and bad, and if something was bothering you, he wanted to know. “Of course, I’m all ears.”
You take a deep breath. “Do you know what depression is?”
“Oh. Uh, yeah, I have an aunt with it but we don’t really talk about it much… Sometimes Sarah’s school sends her home with pamphlets… so I know a little, I guess.” That’s not what he was expecting.
“Well… I have it.”
“Oh.” He says again, dumbly. “I'm sorry. Or… am I not supposed to say that?”
You can’t help laughing a little. He was sweet, and he was trying. “It’s okay, Joel, and thank you. Well, about 6 months ago I started therapy and started taking an antidepressant, and things have been a lot better but… I need you to understand, things can get really dark for me sometimes and… it can be a lot for other people to deal with. I promise, it’s nothing dangerous to others!” You quickly add when you see his confused face. “It’s just, sometimes I’m not myself… and, if that’s not something you can handle, I want you to know that’s okay.”
Joel sat there for a moment, looking at you. He wasn’t stupid, he knew what depression was… but in the South, it wasn’t like they talked about that sort of thing much. Still, he liked you… he liked you a lot, actually, and he wanted to be there to support you. He couldn’t just run away from difficult times, not when he had a preteen. It would mean he wasn’t fit to be there for Sarah…
“I wanna be there for you.” Joel assured you, to your growing smile. “I may not know how to, but I wanna try my best.”
You smile more, and scoot up next to him, in turn Joel lays an arm around you. “Thank you, Joel”
Still, you were nervous… because Joel hasn’t seen you without sleeves… nonetheless without clothes. 
*
In the end, it was almost 4 months before you had sex. Physically, you’d taken things slow, but emotionally you hadn’t at all. You were in love, and you’d both told each other as much. Tommy had given Joel shit for committing to a girlfriend without having sex, but Joel had told Tommy he could talk after he got an actual girlfriend, not hookups. Still, Tommy wanted to provide a good opportunity for Joel to fuck you the way Joel would want to. Sappy and romantic. So, when Sarah’s favorite band Halican Drops was coming to Housten, Tommy offered to pay for them to go and for a hotel. 
Joel had tried to protest, saying it was too expensive, saying he wasn’t sure he wanted Sarah that far away, and that he should just come, but Tommy smacked him on the head.
“Dumbass, I’m giving you a night with your girlfriend!”
When Tommy promised not to have a single drop of alcohol, text every hour, not let her stand by any men, call when they leave the venue and get to the hotel ETC, Joel allowed it to happen. Sarah was ECSTATIC, being the first concert she’d ever been to, and although a teeny bopper band wasn’t exactly on Tommy’s dream list, he was excited to be a cool uncle. Also, Joel needed to get laid. He was getting cranky at work.
The night itself was a lot of fun. Joel took you to a nice restaurant, and after you came back to his place and changed into more comfortable clothes, you’d spent the night watching American Idol. Joel was very critical.
As the night progressed, your nerves grew as you knew where the natural progression of the night would take you. It wasn’t that you didn’t want to fuck Joel; you really, really wanted to. And you weren’t nervous about him. You knew Joel would stop if you said stop. What you were nervous about was your body. Joel looked good, but he had a bit of a stomach himself so you didn’t think he’d be worried about your shape or small imperfections… Joel was a gentle soul, kind, loving. Yeah, that wasn’t the worry. The worry had been on your skin.
In the middle of winter, you’d managed to not show much skin around him, with jackets and long sleeves and pants… but it was inevitable. Joel had been a wonderful support to you these 4 months, holding your hand, listening to you when you cried. Slowly you opened up to him about the circumstances that meant you needed extra help, and he was everything you could ask for. 
But how would he react to this?
Joel had you laid out on the bed, both of you still dressed and his pajama covered pants grinding into your warm cunt. Joel sure liked to take his time. 
“We don’t gotta do noth’n, you know that right?” Joel muttered into your neck, drunk on you but still being respectful like the gentle man he was.
“I know”
He pulled back. “Then why’dya seem so nervous?”
You look up at him, wide eyed and nervous, but you needed this… you needed to tell him the truth. “Joel…”
He got off you, standing up at the edge of the bed. The massive, rock hard erection in his pants couldn’t have been comfortable, but his willingness to stop anyway meant a lot. It was a low bar but it was there.
“We can stop, I’m sorry-”
You sit up on your elbows. “It’s not you, it’s just um… I should tell you something before we start…”
“Okay.” He was few on words, but he looked receptive.
You weren’t sure how to do this, how to open up that conversation… so you decided just to show him. Lights still on, you begin to take off your shirt.
Joel tried to stop you. “Hey, hey, no, let’s talk.”
You smile at him. “We will, Joel, just… let me show you…” After the shirt was off, you slid off your pants and laid on the bed, spread out and close to naked in a bra and underwear.
“Jesus, darl’n…” Joel mumbled, taking in the sight before him. 
Scars littered your body.
It wasn’t a few, it was a lot, and the coverage was significant. Joel’s eyes roamed your body, cock softening quickly despite your near-nakedness and took in the expanse of the scaring. Your thighs were the most noticeable, pink slaves across your skin from the hips to mid-thigh. His hand reached out instinctively, but pulled back. You noticed.
Your voice was soft, reassuring. You knew he was confused and curious. “You can touch me, it’s okay.”
He does. Joel’s fingers a feather light across your skin, feeling the way the scars dipped and raised depending on severity. There there cuts, but also burn mark; small circles from cigarettes twisting up the patterns more. It was all over, reaching back to the curve of your ass. His eyes followed the trail up and the cuts became less in intensity and number, but never stopping over your hip bone and to your stomach. These were lighter; less that split open the skin but the silver lines were still raised over the belly fat as his fingers touched you. Your bra-line showed more burns, and he stopped short of the cloth. 
You take his hands and guide Joel to reach behind you to unclasp the bra, allowing him to pull it up and reveal your breasts. His eyes water as he sees the scars never stopped, marring your breasts, although not nearly the horrific amount on your thighs.
“I don’t understand…” He mumbles, sadness and distress clear in his eyes. “You did this to yourself?” Joel takes your hand in his, examining the scars making a ring around your wrist. He kissed the inside, eyes threatening to pool over.
You nod. “Yeah…”
His voice cracks. “But… why?”
“Sometimes…” You start, overcome with emotions at the clear pain on his face. He loved you so much, the thought of you in this much pain hurt him as well. “It was all I could do to cope.”
He didn’t seem like he understood, but he wasn’t judging you. He didn’t look at you like a freak like so many others did. He just knew he didn’t want you to feel this way again. 
“I havn’t done it in a while.” You give him a smile. “You make things easier. I mean, I’m still… yeah… but you do make things much better.” He did. Having someone who held you, listened to you, helped pick up the pieces… it wasn’t going to cure you, but it was amazing how much support helped with the addition of meds and therapy. 
Joel relaxed at that, a relieved and gentle smile on his face. “I’m glad, darl’n…” He held you hand to his face, chapped lips nuzzling against your damaged skin. “”M here to take care of you now, okay? I wanna help.”
“You do.” You assure him, pulling his face down to you again and taking his mouth in yours. “You mean so much to me Joel, you make me so happy…” His body covers yours once more, his warm encasing you as he protectively holds you.
“You’re safe with me.” Joel mutters against your mouth, fingers digging into your soft flesh.
You pull him closer to you, grinding yourself up against him, enticing him again. “Still want you tonight, please? I can’t wait any longer.” It’s had been a long 4 months and fuck, fuck you wanted him, badly. 
“Always gonna take care of you, princesa.” Joel grinds his jeans-clothed cock against the soft fabric of your underwear, making you shutter. “Gonna take care of my pretty girl, always.”
And god, did he.
Joel’s mouth was sloppy, wet, hot between your legs. His tongue fucked into your hole, prodding you open and his hips bucking against the bed. Insatiable. Arms locked around your legs, his nose nudged against your clit as it seemed he was trying push himself as strongly against your body as he could, to devour you, to bring you and him the most absolute pleasure he could.
You tug at his hair, soft waves in between your fingers as you draw him closer to you. Warmth pooling in your stomach, you felt that pressure grow with every moan, every vibration, every sluuuuuuuuuurp! of your juices, christ he was incredible. You felt elevated, devoted too and adorned in affection the way you had always wanted to be. He was everything in this moment. Joel’s tongue slid up in a swift swipe, mouth and that pouty lower lip latching onto your clit with his fingers pumped into you.
“JOEL! J-ohhhhhh” Your cry for his name melted into moans as you came on his mouth and fingers, crushing his head between thighs as your legs bent. The power of your orgasm caused you to tense and then melt into the bed. You give a low hum as he kisses your inner thighs. As you come to reality again, you register Joel’s sweet kisses all over your legs. He’s kissing the trail of your scars. Joel kisses over the scars on your right thigh and up the crease at your inner hip.
“What are you doing?” You mutter, never for a moment fully let go of his hair.
“Appreciating every inch of you.”
Joel kissed his way up your torso, over the scars under your tits and over the mounds. Latching onto your nipple, he swirled his tongue around the sensitive skin. You can feel him smile against your skin when your back arches off the bed.
“Fuck, Joel, your fucking mouth…” You whimper, and when his mouth lets go his hands never do. Softly, he touches you in all the scarred, squishy parts of you you were trained for so long to hate. 
He kissed you tenderly, gentle hands a contrast to his hungry mouth. That tongue, that goddamn tongue…
When he slides in, your eyes can’t help but roll back; your chest rises up against his broad expanse. He filled you so perfectly, fucking deep inside you and filling you up. You never felt so full. Your heart, your life, your stretched out cunt… every part of you was full and euphoric.
“My sweet, perfect girl…” Joel grunts as he pumps into you, hand braced against the headboard and towering over you. You gazed up at him, the yellow lighting of the ceiling fan created a halo around him. Joel looked positively angelic. 
Fitting, as he was your angel.
You were aware how he was perceived in his culésac. Joel was highly respected; kind, hard working if a bit disorganized. A good southern man who raised his brother and daughter well, helped the elderly neighbors, bailed his brother out of pinches and would use his truck to help anyone move. Yeah, people liked Joel. But they wouldn’t call him gentle, like how you feel his hands over your stomach. They wouldn’t call him soft like you felt his stomach against yours. They wouldn’t call him angelic, but that was all you could say as you came on his cock.
They certainly would not call him warm, but that was all you felt as you pulled out and sprayed ropes of cum on your stomach. 
You dozed off to sleep as he spread his cum around your scarred skin.
You vaguely register him cleaning you up, tired and content, and wait for him to join you again. His body felt perfect against your, fitting so well against your body like two puzzle pieces so close together. You had mumbled a request to be dressed, just in case Sarah and Tommy came home early, so you were both cuddled up in sweats under a thick blanket.
Everything with Joel felt safe and warm.
"Scars remind us where we've been. They don't have to dictate where we're going" -David Rossi, Criminal Minds.
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So, there we are. I'm very frustrated by the new bought of scars that are quite noticable that I have to wait to fade again but I refuse to be ashamed the way I used to. My scars are just scars from my trauma and illness. It's a moral failing of the people who have and continue to harm me, not mine.
Thank you all for reading, this was quite a venerable piece for me but I see a light at te end of the tunnel, and things will be getting better, I know it <3
@fandxmslxt69 @runa-falls @k-ra @ahookedheroespureheart @mikaelak @littlenosoul @stevenandmarcslove @pikapuff-316 @del-ightfulling @faretheeoscar @harriedandharassed @my-secret-shame-but-fanfiction @campingwiththecharmings @ramblers-lets-get-ramblin @milly-louise @casa-boiardi @joeldjarin @mrs-oharaxx @pedge-page @readingiskeepingmegoing @survivingandenduring @yorksgirl
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veliseraptor · 1 year
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this morning I am thinking about this little gem
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and specifically about the feeling I've been turning over in my head for...a while, I think, about the way that there's this ambient assumption on Tumblr (and quite possibly elsewhere, this is just where I am) of...sub/masochist-as-normal-state, or at least sub/masochist-as-fine-but-not-questionable state, and it feels like that, on the flip side, ends up incidentally or purposefully constructing doms/sadists as the deviants, as inherently "sus."
and it lines up to a certain extent with the way that the conversations I see on this website about kink/BDSM often come from a sort of "presumed sub" perspective that leaves very little room for the thoughts and feelings of doms as valuable or important, and thoughts about an essay I read a while back that talked about the comparable societal acceptability of "fantasizing about being hurt" vs. "fantasizing about hurting people," and how "sadist" is a dirty word in a particular way that "masochist" isn't
it feels like sometimes there's this sense that (a) it's normal to have a little bit of sub/masochist tendencies, that's fine but (b) the only acceptable way to be a dom/sadist is if you feel bad about it. the ideal is to feel vaguely guilty, and mostly do it for the sake of somebody else's pleasure rather than your own.
I made a post a while ago that I can't find right now but it was, if I recall, "nails sign to tumblr door that says "doms have feelings too"" and I was joking but also I'm not.
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Y'all regularly send in questions wanting to know how to report concerns you've observed at zoos you've visited. I've been able to point people at the USDA (regulatory) option, but with regard to accrediting groups I haven't had a good answer. I spent the last six months or so really digging into why there hasn't been a good answer. What I've found is that the majority of zoological accrediting groups in the United States don't provide any way for the public to report issues they've observed at accredited facilities, and none of said organizations have a mechanism for truly supporting / protecting staff who might choose to report issues at their own facilities. Which is. not great.
I wrote a whole Substack post about it a few days ago, arguing that in order to remain credible institutions accrediting groups must facilitate public reporting, anonymous reporting, and commit to enforcing penalties for any retaliation against staff who choose to utilize the option. I'm linking it below for anyone who is interested in all the details. CW at the beginning for animal abuse mentions - I started the piece by discussing a truly egregious welfare situation that occurred last year at a Miami facility, which might have been prevented or at least caught earlier if the two groups that accredit the facility had had a reporting mechanism in place.
What I want to talk about here, though, is specifically why accrediting orgs need to not only have an anonymous reporting option for staff, but why they must ban retaliation and penalize any facility that does it anyway. Whenever something terrible happens at a zoo or sanctuary, people always ask "why didn't the staff say something?" And the answer is, basically, because taking that risk can get you not just fired, but blacklisted from the field. People literally end up having to choose between their careers and making noise about issues that aren't being resolved, and that's absolutely not freaking okay. But I want to explain for you the extent of the issue.
If you're not industry, something you might be surprised to learn is that most zoo staff don't have any special reporting options above and beyond what the public does. Most zookeepers and other low-level staff never interact with people from accrediting groups except during an actual inspection - so if there's a problem, it's not like they know someone they can back-channel a concern to if they don't feel safe reporting it publicly. And for the most part, reporting things your facility is doing to an accrediting group will always be considered inappropriate and probably get a keeper in trouble (even if it's a really valid issue).
The zoological industry runs on a strongly hierarchical system. Staff are expected to “stay within their lanes” and work within the established bureaucracy to resolve issues. Deviating from this, if staff feel like management are suppressing issues or something needs to be addressed urgently, is very heavily frowned upon. Basically, going around management to bring something to an accrediting group (or USDA, or the media) is seen as indicating that your facility has failed to address a problem, or that the individual making the report feels they know more than their superiors. At most places, no matter how extreme an issue may become, there's never a point at which it would be acceptable for a staff member to reveal a facility’s internal issues to their accrediting body. 
The thing is, attempting to resolve issues through the proper internal channels at a facility doesn't always work! It can result in an issue being covered up (especially if the company is kinda shady) or suppressed rather than addressed. If staff decide to push the issue, it can really backfire and jeopardize their job, because it's expected that if management says something is fine, staff need to acquiesce and go along with it.
There have been a couple high-profile examples of this in the last decade: the incident I mention in my Substack where new management at the Miami Seaquarium decided to starve dolphins to coerce them into participating in guest programs, and an issue at the Austin Zoo five-ish years ago where the director was perpetuating serious welfare issues and ignoring staff feedback. In both cases, there's always the questions of where the accrediting group was. We don't know anything about what happened with the Seaquarium (it's been over six months since the USDA report documenting the diet cuts was released and AMMPA and American Humane haven't said a thing), but I remember hearing that ZAA had no idea what was happening at Austin because nobody had reached out to them about it.
This is why I'm arguing that all zoological accrediting groups need to make visible reporting options and make sure staff feel safe enough to use them! If you've got a facility perpetuating or not dealing with major issues, it's pretty probable that they're going to be unhappy if their staff reports those issues to any oversight body. That's not a situation where it's currently safe to speak up right now - and four out of five zoological accrediting groups in the US don't have standards prohibiting retaliation against staff for bringing up issues like that! (Surprisingly, it's not AZA. It's the sanctuary accrediting group, GFAS). Without any option for internal reporting, issues may not get addressed - which hurts animal welfare - or people risk losing their job, possibly their entire career in the field (which is a huge part of people's identities!), and their financial stability to advocate for their animals.
Currently, the two accrediting groups that do have reporting options (AZA and GFAS) stay they'll attempt to keep reports anonymous, but acknowledge it may not be possible to do so. (Which tracks, because zoo jobs are highly specialized and only a few people may be exposed to an issue). However, only GFAS prohibits facilities from retaliating against people who make reports. On top of that, there's absolutely no transparency about what happens next: GFAS, ZAA, AMMPA and AH have no information about how the process transpires and if someone making a report will get any information back about what happened. AZA straight up says that all accreditation stuff is proprietary (read: confidential) so you just have to trust that they dealt with it appropriately. Just yeet your report into the void and hope the groups doing oversight handle it correctly when there's no accountability? That's... not a great look for animal welfare concerns.
I hope the industry chooses to fix this problem. I hope it chooses to invest in transparency and increased credibility. I don't know what I expect, but I'd like to see these accrediting groups do the right thing.
My full write-up on how accrediting groups in the US handle reporting and concerns (or don't) is linked below.
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skyeventide · 1 month
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does the Oath of Feanor work as a magical compulsion, or does it have magical properties, and are its consequences real?
yes, because the magic of Arda is also based on words of power, and it would be dissatisfying and limiting to assume that somehow that power doesn't work in this specific instance. no, because even if Feanor is the one speaking, not even his power could bend the fate of elves to that extent. yes, because the fate of any one people can be bent, delayed, or weirdly modified until an oath is fulfilled; in LOTR, the ghosts of the path of the dead prove it. no, because Manwe and Varda would not feel bound to enforce an oath of death with them as witnesses, and it goes against the rules of oathing. yes, because the enforcer is Eru, they just stand as witnesses and do not have the power to release the swearers as Eru would. no, because we don't even know if Eru accepted that oath. yes, because if the oath was invalid from the start, it would be beyond callous of Manwe and Varda not to inform the swearers and allow the consequences of the oath to happen. no, because a magical compulsion would remove or to an extent at least lessen responsibility of actions taken in its pursuit. yes, because the author of the story acknowledges a certain "will" of the oath by making it wake or sleep with active verbs. no, because even swearing without additional magic on top can feel like a compulsion to do things or to keep going that otherwise would not exist or not be felt by a given swearer. yes, because no matter what the everlasting darkness is or does, it can be real independently from any other prior compulsion to act; in other words, there may not be a magical property to the oath, but its called consequences for the swearers are very real. no, because there's several slightly different versions of the oath across the texts, and it's impossible to do a literal, word for word reading of its lines if it's possible to recite it slightly differently at a given time. yes, because the only valid version is the original pronounced by Feanor in Tirion, you can't wiggle out of that one. no, because who's to say that was recorded correctly, it's far too poetic for a sudden decision. yes, because who's to say that Feanor couldn't whip out all that via improvisation, I bet he could. yes, because other characters beyond the sons of Feanor treat the oath as something absolutely serious and real, and that includes Finrod in speaking to Andreth, when he says that Eru's name is not called upon even in jest, as well as Melian, when pointing out the strong forces awakened by involving that power. no, because neither of them can talk to Eru anyway. yes, because it's narratively more satisfying to imagine characters morally struggle against something that is eventually unbreakable and unavoidable like in any good tragedy. no, because it's narratively more satisfying to imagine characters do it to themselves and compromise with who they are out of family loyalty. yes, because the curse of Mandos actively turns it against the swearers into a betraying force, a consequence that wouldn't otherwise be a given, that is, nothing says that everything they start well would have finished badly and that the oath would have led them to defeat, and if it weren't magical before Mandos' addition, it is now. no, because Amrod's death in a draft would prove it breakable through his (admittedly only guessed) desire to turn back. yes, because he still died in the process, aka the everlasting darkness claimed him for being an oathbreaker. no, because how is it possible that it's simultaneously unbreakable and broken. yes, because the fate of arda and that of elves is inscribed within the eternal paradox of everything being predicted and everything being free will, and that will never be solved, neither regarding the fate of the elves nor the oath of Feanor. no, because the oath is a narrative device. yes, because the oath is a narrative device. three hundred more lines.
hope this helps. hope it doesn't. your pick.
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frogchiro · 10 months
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HOOOOOOOBOYYY
Graves fucking you while guiding 141 through a mission like on close air. They can barely make out your little whines and whimpers and suppress the urge to palm themselves through their pants while hiding from enemy fire.
I need help
I'm gonna let you in on a little secret: this is exactly what my delusional mind came up with during the 72383939 rewatch of the walkthrough on youtoube so if you don't mind darling then I will use Close Air specifically for this😭
Graves is...awful. Cruel. Horrendous and whatever other choice name comes to poor Soap's, Ghost's and a very confused but horny Alejandro's mind. Although quiet and almost unrecognizable, they can hear your pretty tiny moans and mewls and there's an audiable low growl in Graves's voice as he pants and breathes deeply as he tells them that 'it's good to see you boys', yeah good to see you my ass.
Words cannot express how much anger and jealousy Soap and Ghost feel in that moment; they came out barely alive, literally under heavy fire while jumping off a fucking cliff and what is Graves doing? Sitting all nice and safe with their hacker girl on his dick and having the audacity to tell them he's glad to see them.
All the while Philip has you sitting all nice and pretty in his lap cockwarming him as he sits like a literal king, all spread out and shameless in front of his Shadows while barely containing the giddy tone in his voice as he speaks with 141. He's so proud of himself and so so smug too :(( He knows that 141 has the hots for you, their adorable little hacker, but luck appeared to be on his side this time and his urgent request to have you on board during this mission got the green kight and well-here you are, cockwarming him and nuzzling close to his large, warm body as your nervous whimpers make his cock twitch.
He feels the rest of his men watching in jealousy and want as your pretty hips buck and move slightly as you hold on for dear life on his shoulders and Graves can't help but feel extra smug; of course his men are gonna get the premium treatment, maybe not touching you, that's a commander's privilege (only specifically his) but at least they get to watch. On the other hand Soap, Ghost and Alejandro can only listen to your pretty muted noises and dream about you and grumble and growl how unfair it is.
But does Philip Graves care? Not one bit. He thanks his lucky stars every damn day that a smart and pretty girl like you got added to the team and that your expertise lays more in the technical field, so by extention, his. Now he's the one who gets to have you on his dick, all nice and safe and close to him, he's the one who gets to have you close on cold nights in his tent and he's the one who gets to fill you up with his thick sperm and mark you as his♡
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xan-from-space · 2 months
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Damn, the Ember Island Players were actually kind of radical, weren't they? The more I think about it, the more it feels like the only way it makes sense in-universe is if being Fire Nation propaganda wasn't the point of their play at all. Aside from a barely tacked on ending where Ozai kills Aang, the play is remarkably sympathetic to the Avatar and a bunch of enemies of the Fire Nation, even framing them as being heroes. Even at points in the story where theyre literally killing Fire Nation soldiers, the narrative still seems to be on their side; they're the underdogs, the relatable ones. Its true that the Fire Nation values strength, but still, you'd expect that in a propaganda play they would be portrayed as at least a little bit more sympathetic... And sure, to some extent the gaang's characters could be seen as defamatory caricutures (the slander on Iroh specifically was probably intentional), but that also might be due to the Players getting a lot of their information from the cabbage man, someone who actively hates the gaang and only ever really sees the worst of them. (And notably, that also means that the Players had worked with an Earth Kingdom merchant to produce the play.)
Mocking the gaang is also just clearly not the point of the play or what people are there for. Sokka's actor says that he's constantly being approached by fans; people genuinely love these characters. The gaang have built entire dedicated fanbases in the Fire Nation because of this play. Honestly, the fact that they're on a remote island is probably the only reason they're able to perform the play the way it is. I imagine it would get shut down pretty quickly on the mainland. Considering all the propaganda in the Fire Nation that we've seen so far, I wouldn't be surprised if the ending was only written that way because it's illegal to write a story where the Fire Lord doesnt win. The play reads less like propaganda and more like 'we're doing the bare minimum to get this story past the censors.'
I'm really curious about what it's like behind the scenes for the Ember Island Players. Are their shows just simple, shlocky entertainment, or could they also be deliberate political commentary? With no recording technology, a play is easier to slip under the radar than something like a book: it's impermanent, stays in one theatre, and performances can be easily tweaked if, say, Fire Nation royalty happens to come by. It's interesting to me that Ursa seemed to like them, while young Zuko had a disdain for them, saying they 'butchered' the story of Love Amongst the Dragons; in all likelihood the version of the story Zuko grew up with in the palace was heavily propaganda-filtered itself. Although, to be fair, they're arguably just not very good playwrights. When it comes to the characterization, I do think some of it only seems bad because we know what the actual characters are like, but a lot of it is just bad writing clearly meant for cheap entertainment. For example, they sexualize Katara quite a bit (and there's other, better analysis out there I've seen that examines how they fetishize her as a Water Tribe girl). And, of course, all of the characters are reduced to shallow and stereotypical comedy.
Still, I think they're worth commending for doing their research and telling a story about enemies of the state that's both sympathetic and surprisingly accurate to actual events, if not the characters' personalities, amidst the Fire Nation's rampant propaganda and misinformation. From the little amount of information about them we can extract from the show, they seem like honestly very interesting people. They're walking this tightrope line between being very close to the heart of the Fire Nation but also separate from it; between being cheap, inconsequential entertainment and being a source of actual news for Ember Island citizens; between telling the underdog story about a ragtag group of children and still trying to make it look like Fire Nation propaganda. I'm not trying to make any big argument on whether they were 'actually good people' or whatever, I just want to know more about them. I kind of wish we could see their production of Love Amongst the Dragons now...maybe I'll write something about them someday
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pompadorbz · 3 months
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OK SO HERE'S THE RUB. I think that as it currently is, the base uniform for hope's peak looks boring as shit to me. like. yes. it is very customizable and versatile and when they DO stuff with it then it usually looks great. BUT for such a prestigious school I think there could be just a tiny bit more flare to it. So before making any design I made some changes to the hope's peak emblem itself. The design is fine on its own, but I thought it could add to it if i gave it a couple of colour variants, so this is what I came up with!
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Each variation belongs to a specific group, with the coloured versions belonging to the student groups. For the sake of this were just gonna focus on the student emblems so like. ignore the other 2. Here are the uniforms themself!
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I wanted to give a BUNCH of options that range from totally normal to. fashion crime territory if you arent careful. The solid orange options are by far the least popular ones, and the reserve course is really just hung out to dry, unless you want orange pants with a black blazer. I imagine that there are so many pieces because not only can hope's peak afford it, but they have had this consistent issue for years where the one thing they just cannot keep straight is a dress code. So as a result, they allow students to mix and match all they want, so long as they're wearing the emblem to SOME extent. try as they might, they can't enforce the school colours as much as theyd like to.
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kouyou-arc-when · 3 months
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ON DAZAI AND EMPATHY: A character study Before you read: Obviously diagnosing any character in fiction seriously is a fool’s errand, but I am a fool, so let’s just do this for amusement. The main thing I desire is to discuss is the extent to which Dazai is capable of various types of empathy, as well as how that influences the way he sees and interacts with others. It will be chaotic and all over the place because I just sat down and wrote this in a fit. Let me explain some factors in analyzing Osamu: The author's intention is clearly to make Dazai's internal world a mystery. Since we don't have enough information, all we can do is hypothesize based on external elements. Generally, across all novels, the only time we’ve seen anything of Dazai’s perspective is in “The Day I picked up Dazai” (Beast continuity) – where he “saves” Oda and tortures that random dude. We don’t hear his thoughts narrated from first-person perspective, unlike many of the other novels.
Now, the crux of the issue. For years, it’s been discussed whether Dazai is a “sociopath”. If we disregard that sociopathy is a very loaded term that can mean a lot of things depending on which specialist you consult, at the very least, Dazai does strike me as someone with a unique expression of empathy, who could qualify for Anti-social personality disorder or a related condition. I will abandon the idea that Dazai is a sociopath, and use actual concepts that have legitimacy within this post. Whether Dazai could qualify for ASPD or any other disorder is something I've seen discussed for many years within the fandom. I'll try to analyze how these concepts could apply to him. In regards to mental health and Kafka (since it is a contentious matter) and the validity of any of this: I understand that a lot of people are resistant to the idea that any of the characters could have conditions more complex than depression, anxiety, and PTSD. This is my counterpoint. I have noticed that Asagiri emulates a lot of characteristics commonly attributed to “geniuses”, without confirming or potentially even intending to write these characters as having a specific condition.
A great example is Ranpo – who will read as autistic to any decent mental health professional (Untold Origins). Did Asagiri intentionally sit down and say “I am going to write an autistic character”? Maybe not. However, the “genius” stereotype is profoundly connected to visions of autism, even if people aren’t aware of it. Take people like Sherlock, House and L from Death Note – they’re commonly believed to be autistic by fans. All of these characters borrow from the same group of traits, that just happens to correspond with a certain condition - savants have always been popular in fiction. It's been known that the favorite type of character for Asagiri is the “prodigy” type, and he has used geniuses across fiction for inspiration of most notable intelligent characters within BSD. For Ranpo it was Sherlock, for Fyodor it was Joker from the Dark Knight (a classic sociopath), for Dazai it was Patrick from The Mentalist.
What I’m trying to say is, you can see various personality disorders connected to the portrayal of these geniuses, and even without confirming their state, it is clear they are either intentionally or unintentionally coded to be that way. Extremely intelligent characters not being able to read social cues, lacking empathy, disregarding rules etc. is something we commonly see in fiction. Basically, a lot of people don’t even know that these stereotypes are based on certain personality types, disorders, and illnesses. It’s sort of like drawing a character and dyeing their hair a certain shade of blue that you don’t know the particular name of: it doesn’t change the fact that you used that color, and the fact it has a name. Most authors are not mental health experts anyways, so they may not be entirely aware of every detail of the psychological framework they write the character to possess. They also may not write it consistently, as they're mostly emulating stereotypes. I mention Ranpo and autism because a character can embody traits of a stereotype without the author even necessarily having the intention to do so, however, to anyone who knows a thing or two, it is clear Ranpo is on the spectrum. If Ranpo were to express a few traits that go against this, it would not necessarily take away from the large-scale portrayal he is meant to exude: an autistic coded genius.
Why am I saying this? It is entirely possible for the author to write Dazai as a person with anti-social personality disorder, to “code” him in that way, but to not be entirely aware of how an individual with ASPD realistically tends to act.  Because he may be emulating a certain "stereotype" of a genius, he may also end up emulating specific psychological states, without making them entirely consistent in a realistic way. Writing the way individuals with ASPD tend to deal with empathy can be extremely difficult for anyone. It's easy to emulate a sociopath on a superficial level, but beyond that, it gets more challenging. How would a person with limited empathy act when they're hurting someone? That is an easier idea to handle. But how will they act in a friendly relationship? This is where it gets tricky. That is likely why someone like Dazai can never be consistently compatible with a very specific disorder: but, he can come very close. Besides, concepts such as anxiety and depression are pretty well-known, but more niche mental health conditions are not as well understood. So, BSD Osamu was written with specific attention to mental health issues because the author himself was someone who spoke heavily on the topic. I’ve read a lot of real-life Dazai Osamu, with special attention to No Longer Human (the main inspiration for BSD Dazai was Yozo) – and neither RL Dazai nor Yozo gave me the impression they could qualify for ASPD at all.
I know BSD Dazai is the opposite of the RL author in so many ways, but I guess it’s relevant to mention this because we know so little of BSD Dazai’s internal working processes, and Asagiri's main inspiration can tell us a lot about the intentions behind Dazai's portrayal. Generally, an intention or idea behind a character can give a lot of clues to us - more than anything, I am under the impression some of the main ideas behind Dazai's creation was that: 1) He doesn't feel like he belongs among humans 2) He has mental health issues However, we have difficulty defining the exact source of why all of this is in more realistic terms.
Naturally, since Dazai, an extremely socially intelligent person, sees himself as "othered", it is logical to assume he is not capable of fulfilling some emotional function most people can in a successful enough way. If he were just mentally ill in more typical ways (only depression), I theorize he wouldn't feel that "othered". He specifically is not meant to feel human. Obviously, his extreme intelligence is one of the things that isolates him, but the question is what else?
We are led to believe Dazai "sees" something the rest of us don't, and that is one of the reasons he wants to die. However, there is something more to it, as I believe it to be. We have two characters who are as intelligent as Dazai: Fyodor and Ranpo, and neither of them is suicidal, as far as we know. I believe Dazai "feels" a certain way, and then finds a way to logically justify it. Due to his intelligence, he likely falls into a complex loop which leads him to existential nihilism: but you usually don't end up in a place like that if you tend to feel alright in the first place, regardless of how smart you may be. While Dazai is certainly isolated due to his extreme intelligence, most of the people who made an impact on him are nowhere near him in that respect. In fact, I'd argue Dazai isn't even looking for someone equally intelligent to him, unlike Fyodor (this would take another post to explain).
The man who means the world to him, Oda, is more emotionally intelligent and full of common sense, but definitely not his cognitive equal. You can tell a lot about a person depending on what they value: and due to this I believe that Dazai's main issues relate to emotional matters. He primarily feels isolated due to his emotional state, and his intelligence pushes the problem further. Otherwise, he would treasure people like Ranpo and Fyodor over guys like Oda and Atsushi: he's looking for something to ease his emotional pain. Dazai doesn't seek out raw intellectual stimulation as much as comfort/excitement. This post will be an analysis of how Dazai compares to the "average" psychologically and some of the reasons he may feel so othered. Basically, my theory is that the feeling of being "othered" comes from his emotional profile, as much as it comes from his intellectual capacity. Those two take equal parts in his psyche.
Why would Dazai feel so emotionally "othered"? I believe it may have to deal with a specific personality disorder or condition, and mainly how he experiences empathy. One of the possibilities is ASPD. Anyways, let’s look into common ASPD symptoms, and then we'll look into common behavioral patterns the character shows. Dazai is equal amounts portrayed seriously and in a “jokey” way, but his worst traits and moments are usually described without humor. To preface: Keep in mind that you can have any or all of these traits without it qualifying you for a certain disorder. It is the extent to which you show it that makes a person, like Dazai, out of the norm.
1. Repeatedly breaking the law: This one goes without saying, he was in the Mob as Young as 15, and seemingly a violent criminal even before that age. To differentiate him from other members of the Mafia, it is stated by tons of people throughout the story that Dazai was practically born for this job.
Oda in Dark Era:
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He was openly murderous before the age of 15, according to both The Day I picked up Dazai and Fifteen:
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Dazai and Oda interacting in TDIPUD When talking to Kyouka, it seems that he has an “interesting relationship” with murder as a whole:
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One thing is for sure, Dazai is much calmer, calculated, and more Machiavellian than most criminals in BSD, and this all started at an extremely young age. Many people kill when they're young, but they're not this casual about it.  The age at which he was this cold about would be of diagnostic significance.
2. Lack of remorse: Everything mentioned above, it is clear that Dazai has an even more complicated relationship with guilt and empathy. I’m pretty sure anyone in real life would consider him out of the norm, as it’s explicitly stated Dazai doesn’t feel remorse for all sorts of things he does, but there are some hints he is either ashamed of the way he is, or regrets his nature, but accepts it. What is particularly significant here is how young Dazai is when he shows a marked level of these traits. A key event that stuck with me is from the Dragon Head event in Mayoi (from my understanding it was written by Asagiri), where Shibusawa mentions Dazai will regret something (to me it sounded like he meant that killing Shibusawa will end poorly for Osamu). However, Dazai’s reaction was interesting – it was like he was almost amused that anyone would believe Dazai “could” feel regret for anything.
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Mayoi Later down the timeline it’s quite questionable whether Dazai feels regret for some of his actions because he hides his feelings like a snake hides its legs, but there are implications he is somewhat remorseful if you read between the lines. More on that later. Dazai has changed compared to his past self, but to talk about that, and the extent to which he has changed would take a whole other post.
More on his lack of remorse, In “The Heartless Cur” Dazai is very young when he gets some randos from the Mafia killed in front of Akutagawa, yet his main emotions are amusement and boredom. This is not the “typical” emotional range of most people, even practiced criminals. For example, Chuuya kills people just like Dazai, but his reactions to it are entirely different.  
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from The Heartless Cur Murder tends to not be the preferred or first solution Chuuya goes for: there is an expected amount of hesitance if you read into Chuuya. He put a bomb below Chuuya’s and sabotaged Ango’s car without much bother. I’d say even if you do see It as a “means to an end”, the way he did it was really cold. Usually, when people of all kinds do bad things, they have remorse and empathy they need to suppress, but with Dazai we don't see much of that. It's like he can just "do it'. He’s also really great at torture, in Side B at age 15-16, he already describes himself as a “specialist”. This is also touched upon when he speaks to Kouyou:
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No matter how "grey" a character is, torture is a very specific process that takes a particular psychological profile to pull off. To be a "specialist" at it, you definitely need to possess dented empathy. Lack of remorse and empathy does not mean a person is going to be a criminal at all - it simply opens the opportunity that they may get lost in those waters more easily compared to the average person.
3. Repeatedly being deceitful I’m pretty sure we don’t have to cover this one. Yozo, the character he was loosely based on, is a big liar, and commonly uses “clowning” to distract from his real personality. Even the real Dazai Osamu wrote extensively about the concept of “lying”.   There is a lot to talk about Dazai and “masking”, and I’ll get to that in the second half of the post. Generally, Dazai lies a lot, one can’t even be sure what his personality really is. He lies by omission, manipulates, and intentionally deceives people without any issues. There are so many quotes about this that I’d probably reach the image limit right there if I wanted to reference them all. 4. Being impulsive or incapable of planning ahead Does not apply
5. Has difficulty sustaining long-term relationships: Dazai is famously a hoe. From “All women are his type” (and it seems he has zero issues getting together with any woman, young, old or even taken) to being known as “the enemy of all women” (said by Chuuya), it’s clear he is very promiscuous. Wan is in the gray area of canon, but in one of the earlier chapters he has so many love letters by different women that Atsushi burns them all. Kunikida said he hits on any woman he sees in the Entrance exam novel, which is further supported by random Wan! Chapters, silly crossovers, and everything else (literally anything female).
Not only that, but Dazai sounds like a consistently manipulative and toxic romantic partner. In an Otomedia interview, written by Asagiri, Dazai’s real type was basically something like: “Any woman is fine, because he is confident he can shape her to suit his tastes” which shows a remarkable lack of care for the personhood and individuality of his partner.
When answered what he’d do if his partner cheated or betrayed him, his answer was even more concerning. Depending on the translation, it goes something like: “He has not been cheated on, but he has cheated on others” or “he set up women to cheat on him/betray him” where both are a lot, just in different ways.
Either he is compulsively unfaithful, putting all above together, or he plays mindgames with his partners. He’s also told Kunikida that: “And from my experience, it takes only a smile and some kindness to get a woman swooning over you when she's fallen on hard times” painting an image of someone who takes advantage of people’s weaknesses to get what he wants.
Regardless, it’s clear he is very manipulative and likely emotionally abusive. I won’t even touch upon his obsession with double suicide. There’s also the fact that he seems to use sex to get what he wants – insert scene where he fucks the nurse to get his phone back.
Other than that, Dazai appears to be rather solitary. Ango and Oda are said to be “the only ones close to him” because they respected said loneliness. Even in ADA, Dazai seems to be professionally close to people, but very few people seem to know him on a personal level. I’d say he keeps people at a distance intentionally – before it was violently, later it is by being avoidant. For as much of a womanizer he is, there was that early comic where he spent Valentine’s Day drinking at Lupin “with Oda”, instead of going out with any particular person. I think this demonstrates how emotionally distant he is from all the people he interacts with
6. Being irritable and aggressive:
Dazai is not particularly aggressive, nor irritable, but he has moments where he slips. Tbh, reading back, it says a lot about Dazai’s character who he gets angry at and why. It’s important to say that when Higuchi calls him out on “Hollowing out the hearts of his opponents” in incredibly brutal ways, Dazai replies that he thinks “Sadism is just a method, and how it’s boring”.
Akutagawa is the receiver of a lot of his violence to a disproportionate degree. He beats up Akutagawa beyond what could ever be “just training”. There’s something that ticks him off about Akutagawa, which is interesting, since Dazai tends to not react this way to anyone who doesn’t touch him “intimately” in some way. A lot of people justify Dazai’s physical abuse by saying it is “training”, but it stood out to me how he kicks Akutagawa in the stomach even the first time he meets him in “Beast”, when Akutagawa is just an extremely traumatized and deprived kid he refuses to recruit. There is not much utility to that kick, to me. It felt personal.
Another example of him expressing anger is when people “called him foolish for wanting to die” – clearly he did not take it well since all of those people ended up dead. This is from “The Day I picked up Dazai” when Oda tells him he is a fool for wanting to die.
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Other times Dazai expressed rage was in relation to Ango and Oda, particularly anything that related to Oda’s wellbeing.
He snaps at his subordinates when they tell him he shouldn’t be friends with someone “of such low status”, and the only time we really hear Dazai say he hates someone is when he’s torturing one of the guys who put Oda in trouble in the Beast timeline of “The day I picked up Dazai”. Obviously, he is resentful towards Ango and incapable of forgiving him. “Dead Apple” guidebook touches on it.
“Though they were once good buddies who used to drink together, to Dazai, Ango is one of the persons who caused the death of Odasaku. He still holds that resentment up to now, and is unable to forgive. Ango also seems to feel Dazai’s silent wrath towards him.”
Harukawa has said to pay attention to how cloudy the eyes of a character are to accurately interpret their psychological state. I don't think there are many times Dazai's eyes are drawn in such an extreme way - there is no "light" she talks about here. His eyes are pure black when he talks to Mori during the Guild arc.
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He also agrees with Fyodor on “Malice being the best fruit that God Bestowed upon Mankind”
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There is also this with Jouno:
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Basically, Dazai rarely gets angry, insults don’t work on him (as he tells Chuuya), nor does beating him up, but when he does get irritated he flies off the handle and has no issue crossing any normal boundaries.
That detail is what stands out to me – usually, people have a line they won’t cross when getting mad, but for Dazai it’s like most moral lines disappear. Imo, his anger is for social standards over disproportionate in how far he’ll go and how he'll act on it– he usually has a clear intention to harm the individual he's mad about. In comparison, Chuuya is someone who gets angry more than Dazai, but Chuuya clearly has a line he won’t cross. There is also no pointed sadism in his reactions. Dazai will likely do almost anything.
Basically, it's not how much Dazai gets angry, but the way he gets mad that sticks out to me. Most importantly, Dazai only ever gets enraged if it concerns something very personal and intimate: Oda and his death, his suicide attempts etc. At this point, for me, It’s safe to say that if Dazai gets extremely angry, it means the topic affects him on a deep level (a hint to whatever Is happening between him and Akutagawa, I could talk a lot about that). 
More on Dazai’s unpredictable and violent nature:
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Stormbringer I think there is a valid argument in seeing Dazai’s aggression as just a tool he uses to keep others at bay, something to hold over people and control them – but even then, it shows a marked disinterest in social norms people usually respect.
7.Having a reckless disregard for their safety or the safety of others This one builds upon all the others. However, it’s always been interesting to me how it’s clear something flies over Dazai’s head when it comes to regularly empathizing with others.
This is often seen with Chuuya. In my opinion, most of the bullying Dazai gives Chuuya is not motivated out of rage, but rather some form of spite. He goes at length to Rimbaud about planning Chuuya’s murder in “15”, then he also lets Chuuya be tortured in “Stormbringer”.
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I am under the impression he sees these moments as “amusing” and doesn’t fully emotionally understand why this is something bad, even if he does on a rational level. I’ll say that Dazai did seem to show some rage whenever anyone hurt him physically in the past (seems likely to be a hint to a traumatic past), which Chuuya did when they met, but I don’t get the impression he is generally angry with Chuuya, it’s more like he just enjoys fucking with him. Ironically, for how rarely Dazai gets angry, it seems he reserves his rage/irritation exclusively for people and things he cares about, so Dazai being specifically irritated at Chuuya is just a sign of how much the guy gets to him.
If Dazai were angry at Chuuya, it is in character that he would try to hurt him a lot more than he does. However, I'd say Dazai has a blurry space for what's ok between "keeping someone purely safe" and "deeply hurting them". There is some lack of emotional empathy there - to him, it is more amusing than anything to see someone he finds interesting struggle.
Dazai sees boundaries differently. He’ll put people into danger or through discomfort without worrying much, especially if he’s sure they’re going to walk and live after it, but sometimes not even that. (there’s so many examples of it). I’d say it’s not that Dazai doesn’t care, he just cares about people differently compared to what we’re used to socially.
Regarding personal safety, it’s pretty obvious: he’s a suicide maniac, but even more, he also puts himself in harm’s way all the time without any anxiety present. Examples are when he provokes that sniper in Dark Era (when Oda gets angry at him and wants to punch him), knows he is going to get shot by Fyodor, but lets himself get hurt anyway. When he “dies” in 55 minutes, he seems “lightly” surprised, but there’s no strong reaction to it.  To me, it seems that the only physical harm he dislikes is pain he suffers from another person (when he doesn’t plan it). Dazai apparently doesn’t feel much “anxiety” – I remember many different times when he comments on another character’s timidness or meekness, seeing it as something unusual.
8. Behave irresponsibly and show disregard for normal social behaviour He’s extremely eccentric, and even Ranpo says he doesn’t get him. Dazai asks women to commit suicide the moment he meets them, and often attempts suicide around people even if it distresses them (Entrance exam).
While I think he made this excuse in Dark Era to Taneda because he didn’t want to work with Ango, I do believe he believes what he said: “You’d lose your job if I did that.” Dazai wryly smirked. “I don’t like places with lots of rules.” Not being able to accept conventional rules is very often a telltale sign of a personality disorder. Clearly, Dazai fits many of the criteria necessary for having ASPD, so let’s look at some other details that are common for people with ASPD.
Masking: In psychology and sociology, masking is the process in which an individual camouflages their natural personality or behavior to conform to social pressures. Masking is common with many disorders, such as autism, ASPD etc. I am pretty sure it’s canon Dazai masks – on a BSD exhibit, the key element Asagiri wanted to talk about in Dazai’s personality was related to this.  
“When I describe Dazai to the staff, there is a phrase that I always use, “an unworldly being with a mental age of two thousand years.” Dazai has far surpassed the mental dimension that human can reach, thus no-one can even tell if the emotions he shows are the real things or not.
There are rare moments when that Dazai shows his very “human” side. That is when he talks to another superhuman who is on the same level with him. The other is when he talks about his old friend who has passed. This is the scene when Kyouka wondered “Maybe I’m, after all, just a murderer at heart.” and refused to be saved. And Dazai’s reaction to that. When he said “Don’t give me any of that!” here, he really meant it. That was an outburst from Dazai, as a 22-year-old boy, in this scene.” Light novels often describe his smile as fake, mask-like, and I could probably find 20 panels where Harukawa clearly drew him to intentionally seem like a fake smiler. From “15” to “Entrance exam”, Dazai often drops his mask, and then goes back to acting silly just to make the other person relax. He does this with everyone, Mori, Kunikida, Atsushi, etc. Chuuya also mentions that Dazai’s “happy-go-lucky” personality in ADA is something new, and he believes it doesn’t fit him.
Kunikida says this in the Entrance Exam: "For someone so full of eccentricities, there is something about his behavior that makes it seem as if he has an unobstructed view of the world. I don’t know exactly why, but all his emotions strike me as an act to some degree. Is he just playing dumb? Could there be more to him than he’s letting on, lurking behind his ambiguous mannerisms?"
More than anything, Dazai himself says that Oda was the person closest to seeing his “real” personality. That pretty much confirms he keeps his real self hidden away. I’d say that there are several possibilities to why this is: He hides it because he dislikes being vulnerable, he doesn’t know how to act “normal”, people are unable to understand him, so masking makes it easier for him to communicate with others…there’s a lot of theorizing I could do here.
Dazai also tends to have interesting thoughts about personalities as a concept.
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You’ll commonly see Dazai say something serious, followed by a severe reaction of the other character, ending with Dazai changing his demeanor and saying “just kidding” to lighten the air.
Manipulation: Dazai is extremely Machiavellian – he is prone to manipulating everyone around him, regardless of how much they care about him or not. He manipulated Chuuya into joining the mafia, he does the same with Akutagawa even today: Here we have him preying on Aku's insecurities to sabotage his self-confidence
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He seems to be able to cut off his emotions from any situation, seeing people in a raw, factual sense.
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There are several moments throughout the novels where Dazai talks about people as if they’re purely resources or pawns. An example of this in Dead Apple (where Chuuya gets angry because he doesn't respect people or show enough sympathy)
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The way he speaks of Atsushi, when asked what he thinks of him in a guidebook, is something like “developing as expected”. Especially in the original, it sounds extremely factual, mechanical, and cold. To me, that doesn’t mean he doesn’t care about Atsushi, he’s just the type to compartmentalize his emotions in opposition to his thinking. This is very common for a few personality disorders and mental health conditions: the capacity to totally cut off your emotions from the equation.  Obviously, many people are capable of doing this to one extent or another, but the amount to which he does it is what makes it significant.
Lack of traditional empathy: Personally, I think everything comes down to this. Dazai's experiences with empathy are one of the main themes of his character arc. I believe one of the things that makes him feel othered is his lack of emotional empathy.
People with ASPD tend to have issues experiencing what a lot of people consider “typical” empathy – however, ASPD is also on a large spectrum, so experiences certainly vary. Keep in mind that "lack of empathy" is common for all sorts of disorders, but since ASPD seems to be one of the most popular choices for Dazai, I decided to start there.
Before we continue, there are 2 types of empathy: Cognitive empathy is the ability to recognize and understand someone’s feelings and experiences and imagine yourself in those scenarios. Emotional empathy is experiencing shared emotions with someone or feeling emotions as though the experience is your own.
People with ASPD can commonly do the first type easily, and struggle with the second one. It does not mean they cannot experience emotional empathy, it’s just rarer for them to feel it. In my opinion, Dazai heavily relies on Cognitive empathy compared to Emotional empathy.
You can see often that he seems to not entirely understand “why” something is wrong on a personal level, but he can logically see it. This is a running theme, and you can commonly see that Dazai doesn’t fully understand “normal”.
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“15” Asagiri seems to be writing Dazai as someone who has gone “beyond the human dimension” in his skills and intelligence, so other people can’t fully understand him, but I think this goes both ways. Dazai has lost touch with what’s the standard human experience.
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One of the times Chuuya specifically calls out Dazai for not "acting human-like" is when he's not expressing empathy and respect. It is clear that Dazai's lack of empathy is one of the aspects which make others see him as "inhuman".
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There is another situation with Kunikida  during the Azure Messenger arc where Dazai seems to apologize for not getting something “is normal”, it slips by you very easily. It is framed as a joke, and it can be read as him making fun of Kuni, but Kunikida asks himself why Dazai apologized. It does read a bit unusually.
To me it seems like Dazai doesn’t fully emotionally understand other people, so when his mask slips you can see that he struggles a ton with getting what’s exactly “typical”.
Because Dazai is extremely intelligent, he masks in order to fit into society, and he does it successfully since he can intellectually understand most social and emotional functions and processes. However, he slips up like everyone does. This is why he got along with Oda well – since Oda just let him act like himself without having ulterior motives. Dazai didn’t have to “mask”. He didn't see Dazai as "just anyone", but he also realized Dazai was human. Basically, to Oda Dazai was a kid that had empathy issues, but he was struggling much like everyone else.
Personally, I feel like Dazai doesn’t feel entirely “human” because he doesn’t feel “emotional empathy” on the same level as other people, and this is one of the key issues of the character (as it's clearly stated in the Dead Apple manga, where Dazai does seem a bit upset by Chuuya's reaction)
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. The reason he felt “seen” by Oda is because Oda fully recognized this and still believed Dazai could do “good”. In our society, it is common for people to think that "empathy" and "sympathy" are conditions for being a good person, but it isn't so simple. The possible complexity of Dazai's moral state is why I find the character so interesting - a person without traditional empathy choosing to be good is really fascinating. (more on this later).
Boredom and general emptiness: “Boredom” is an extremely common complaint for people with ASPD – in fact, intense, non-standard boredom, along with other symptoms such as atypical experience with empathy, is one of the easiest ways to recognize ASPD. A “numbed” emotional state is common for people with ASPD, and due to their different emotional range and inability to connect with others in a more typical fashion, they are prone to “boredom” and seeking out extreme experiences.
Alcoholism/Substance abuse is common for people with ASPD, and it’s pretty much canon Dazai drinks a lot (alcohol is even in his likes). Aside from that, Dazai often cites boredom as one of the main reasons he wants to die, and I remember so many instances where he complains about it in bizarre circumstances. This is common for people with ASPD: depression/suicidality is comorbid, and I have heard people with ASPD mention they wanted their life to end once they no longer have enough stimulation. Dazai is often stated to be “bored”, or look bored even when extremely horrifying things are happening (people dying around him/telling their life stories..).  An example with Mori where he talks about wishing to die (from 15):
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Another really funny thing, a lot of people with ASPD I have seen tend to dislike “dogs”. Obviously, this hatred comes from the real life Dazai being scared of them and thinking they can attack at any moment, but it’s a funny coincidence. They tend to dislike dogs for an entirely different reason than Dazai does, to be fair.
How Dazai seems to see himself and morals in general
Generally, to me it seems like Dazai is not entirely happy with his nature. He admires Oda and doesn’t understand why he wouldn’t use his talents to rise up in ranks within the Mafia, simply because that is logical to Dazai – perhaps it is that difference between them that he enjoys so much. He is frequently attracted to displays of empathy:
Examples: 1. Ango documenting the deaths of people within the mafia even if it’s “just a waste of money” 2. Almost everything Atsushi and Oda do
He often describes altruism as “interesting”. I am also under the impression that Dazai has a tendency to project his nature onto others, which we can gather from his “Evil expects evil from others” quote to Mori. Furthermore, he sadly remarks in Dark Era that he is “a man despised by righteousness”. so I feel like there is something up here, some sort of guilt, distaste or shame.
This tells me:
a)Dazai sees himself as “evil”
b)He is constantly assuming the worst in others or is prepared for the worst
Another thing this tells me is that Dazai is someone who is likely extremely wary of people’s intentions. This is a ubiquitous theme all across BSD, especially when we see him as a kid. Osamu tends to be skeptical of everyone and everything, as if he’s waiting for people to betray or fuck him over at any corner. In TDIPUD, he keeps getting upset that he can't figure out Oda, since it makes no sense for him to be so charitable for absolutely no reason. Oda said “good and evil are the same to you” – personally I interpret this as Dazai being largely amoral rather than immoral.  Whether Dazai can be described as “good”, “evil” or “neutral” largely depends on your view of ethics. Just because someone lacks traditional empathy, it doesn't mean they are necessarily sadistic or bad at all. Immoral and Amoral are two words that sound similar but have different meanings. Immoral is an adjective that describes “something against pre-established morals, ethics, or standard societal practices.” Amoral, on the other hand, is an adjective that describes “something or someone completely lacking morals.” In common society, if you’re not “good”, you are often automatically “evil”. Basically, a person who has "no morals" is just as bad as a person who has cruel beliefs, but those two fundamentally differ. However, in a technical, utilitarian fashion – this is often seen to be true. More or less, “good” is the neutral state, and the more you step away from it, the more “evil” you are perceived to be. The more moral conventions you break, the more "evil" you are, regardless of your intentions. The results of the actions matter more than the source and motivations. In the end, a person is dead, regardless of why you killed them or how you felt about it. The reasons why people do conventionally moral things can be all over the place too - people aren't always kind because they have sympathy. When I hear “evil and good are the same to you”, it sounds like Dazai has no need for either, meaning, yes, he has no inherent need to do good, but no need for bad, he is simply not opposed to either of them. Regardless of what he's doing, he feels the same way. They're both tools to satisfy particular needs. Many people read this and say "aha, so if he sees no difference between the two, that means he is evil", but I think the truth is in the middle. I always say that to estimate Dazai's moral framework, you need to judge him outside of normal conventions. Basically, his starting point in making decisions is different. He begins his process likely by thinking "what will this bring me?" Most of his “evil” is not out of pure sadism, it’s just that he feels no need to stop himself due to moral conventions, he mostly cares about practical results. This is opposed to Kunikida who cares about ideals and morals in a vacuum and pursues them in their most idealized version (and it's well known Asagiri writes duos as opposites). Entrance exam as a novel was about how idealism can lead people to ruin when it's unrealistic.
He’s naturally immune to socialized pressure that forms the moral frameworks of most people on an emotional level. All of this is very common for ASPD, and a few other conditions. The more I see Dazai talk about how he sees the concept of personality, murder, morality – the more I am convinced his ethical framework is focused on results rather than the inherent morality of said actions. Example: He's going to lie to you to make you happy, even though "lying is bad". There is no inherent value in staying honest if it makes an individual miserable in the long run, even though society sees frankness as a virtue. That way, most actions are “open” for Dazai to undertake, he has no qualms most people have against them, since he doesn’t have socialized morals. A lot of the time, we only see certain things as "unconditionally bad" because we've been socialized to see them that way, even if it's not necessarily logical. He simply lacks socialized morals, leading to a tendency to be amoral. Everything is a means to an end, every action is alright if it's a tool that has more pros than cons. Oda's death was a useful character arc, since it led Dazai to taking Oda's moral framework as his own. He doesn't believe he is better than others, nor does he enjoy hurting random people, he doesn't kill or rob randos to get something and believes he is justified in it. Things of that type would make him “immoral”. Most of Dazai’s evil actions seem utilitarian, rather than committed for the pure act of pleasure or cruelty. When I say “amoral”, I mean this from Dazai’s point of view. Since he has no “moral boundaries”, all actions are open for him to undertake. He can go as far as he wants to any extreme largely depending on his subjective worldview and feelings (as seen in Beast, where he breaks all sorts of ethical codes of being "a good man" so Oda could get a decent life). However, since he is aware that there is a fight between good and bad in every person, and that evil tends to win out compared to the good, under enough pressure, he admires people who selflessly continue to be kind. That is why Oda, a highly moral person even beyond what is logical (his insistence to not kill even if it harms him) is the opposite that pushed him to change. Ulterior motives tend to be something Dazai is worried about in people, perhaps because he is possibly projecting all he is, or can be, on others. He describes Oda specifically as:
"a man who has no ulterior motive". Oda is obviously being a good person partially out of self-interest ("people live to save themselves"), but this self-interest is not destructive. I think for Dazai, it was difficult to find people who didn't have an ulterior motive that was ultimately hurtful, and he projected that onto everyone. Oda acting in his self-interest was ultimately beneficial to everyone. All in all, while Dazai does admire Oda's morals - I think a lot of this appreciation comes from an intimate and subjective place, where he feels comforted someone like Oda even existed. Continuing Oda's work is likely an extension of this as well. Keep in mind, any person has the right to see Dazai's actions as bad, as they often are. I am more speaking of Dazai's internal mental framework. Conclusion: Dazai has no inherent need to do good or bad, for the most part. He just goes as far as he needs to to satisfy his emotional needs.
Oda saved Dazai’s life in the day I picked up Dazai, and listened to him, but expected nothing in return. I feel that Oda saw this struggle within Dazai, and the way “good and evil don’t mean much to him” due to his disorder, but recognized that Dazai perhaps didn’t want to be this way.
Since Oda saw Dazai’s “irregular” nature, and still believed he could be a good person, Dazai was touched and decided to change his life. I believe Dazai had some distaste for himself, regardless of his lack of empathy, he could recognize what he was doing was not entirely right. As Asagiri mentioned, Oda told him exactly what he needed to hear, and the fact that these words were so life-changing to Dazai tells us a lot about what he had on his mind.  In my opinion, to see who Dazai is, you need to follow exactly which words got to him.
In my opinion, it likely meant a lot that a person he actually admired wanted to be in his life, especially a person he considered so kind like Oda. He often says that Oda is “the most interesting person he knows”. Imo, this is because “empathy” is one of the things Dazai doesn’t fully understand. He had to learn it. Since he understands human nature so well, cognitive empathy comes easy to him, but he still fucks up sometimes.
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Here, I also feel like he is talking about himself – he sees himself in Kyouka. It doesn’t come naturally to Dazai to be “good”, but he is trying his best, that is his ideal now. (Asagiri said this was one of Dazai's rare human moments). For that reason, I think Dazai admires empathetic people and tends to dislike those who are naturally violent, or even choose to be violent out of sadism.
On the BSD exhibit, Asagiri said Atsushi was "an empathy user", and how that is the key to his character. During one interview, the author mentioned that Dazai keeps testing Kunikida's ideals, but Osamu secretly hopes that Doppo will prove to be right, and Dazai wrong. This to me paints a picture of someone who hopes that "good" is worth it, at least from an intellectual point of view. When talking with Fyodor, he seems to admire people who live emotionally, thinking god doesn't prefer perfection, logic and harmony.
"The ones who actually make the world run Are those who scream in the storm of uncertainty and run with flowing blood"
Dazai seems to reject the idea that him and Fyodor and better because they are more calculating and cold - like I mentioned earlier in this god-forsaken post, this to me says Dazai believes empathetic and emotional people are better than him.
"I've come to see it many times, his gimmicks are the accidental and illogical that's a weakness two of us have in common" He suffers because he is not like them, and that contributes to him feeling "othered".
Negative emotions and Akutagawa
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My guess is that one of the reasons Dazai has so many issues with Akutagawa is because he is projecting his own issues with his lack of empathy onto him. This makes him relate to Akutagawa, but also dislike him beyond how he usually treats people. Akutagawa questions why Dazai's acts of violence are justified, while Osamu is judging Akutagawa: to me it sounds that Dazai sees his actions as at least partly justified because they are "logical" and utilitarian. He puts a difference between him and Aku, as if Dazai's natural instinct is not to mindlessly hurt others. However, it's interesting he needs to draw this line.
I believe Dazai sees a lot of the hurt he enacts on others as either "justified" or subconsciously defensive. "If I don't hurt others, they will hurt me", and he uses this against all kinds of people to keep them in control. In the Dark Era novel, Dazai speaks of Akutagawa like this:
“When I first saw him over in the slums, I was horrified. His talents are extraordinary, and his skill is extremely destructive. Plus, he’s stubborn. If I’d left him to his own devices, he would’ve ended up a slave to his own powers until he destroyed himself.” Interestingly, Dazai was "horrified" at what Akutagawa was capable of, where most things don't seem to exactly phase him. I think something about Aku's capacity for violence even scares him, and he "lashes" out in response to control him.
Later on Oda calls out Dazai's thinking indirectly in Beast, saying that hurting Aku is still bad no matter why he did it. (more on this in the next section) However, it’s very clear he cares for Akutagawa in “Chopsticks and a Spoon”, so I do feel like he’s likely aware of it. In fact, that story contains one of the gentlest expressions Dazai has pointed at anyone, so I think he partially sees Akutagawa as "innocent" in nature, and more like a wounded animal. I'll likely write a post about it. Since Dazai has expressed some lament or even shame regarding him being a person "hated by righteousness", I do think he is a bit ashamed of who he is. This part is a theory: When talking about "No Longer Human", Asagiri mentioned that he felt the book was about "embarrassment". Since Dazai is canonically famously based on Yozo to some extent, I feel that we can guess that Osamu likely does feel some shame - the question is about what. The rare times we see BSD Dazai express something similar to shame is when talking about his moral nature (when he beat up Akutagawa in Dark Era), but it's a "blink and you'll miss it" type of thing. Yozo and RL Dazai's relationship with his father was one of the cornerstones of his work (NLH even ends with him mentioning how he would have been alright if he had a better relationship with his father). Within the book, Yozo feels all sorts of things which make him feel "inhuman", but he is terrified about being open about it due to his strict father who sees him as somewhat strange. Since the theme of "fatherhood" was lightly touched upon when Atsushi's orphanage director died, I do think this is potentially a sore spot for BSD Dazai too. My guess is that Dazai likely had a poor relationship with his father figure, who saw him as "strange" or "inhuman" due to the way he acted: leading BSD Dazai to feel shame over his nature. Perhaps one of the things that made his father see Dazai as inhuman was his lack of typical ethics and empathy. Osamu internalized this - and ended up becoming a criminal at a very young age, perhaps in an attempt to confirm what hurt him, seeing himself as someone who could mostly do bad (which could be one of the reasons he wanted to die so young). Perhaps Oda making a way for him to "act good" was life-changing because of that too - it targeted a specific wound. All of this is speculation, but Dazai did mention that "self-pity leads you to living a life that is an endless nightmare". My guess is he was talking about himself there: and his own experiences with shame. To extend this: I think one of the reasons Dazai is so harsh on Akutagawa is because he is possibly projecting his relationship with his father onto Aku. Akutagawa is violent and troubled, and Dazai was shamed for the same thing. (but it would take a lot of time to work through this theory, so moving on..)
Dazai exhibiting empathy However, Dazai does show empathy for Oda, and a lot of it. I’d go as far as to say that he over-empathizes with Oda, while he underempathizes with everyone else. His relationships with the people closest to him tend to be why some people think he may have BPD. Especially due to devaluation and the "favorite person" concept. For someone with this type of BPD relationship, a “favorite person” is someone they rely on for comfort, happiness, and validation. A FP is a person who someone with BPD relies heavily on for emotional support, seeks attention and validation from, and looks up to or idealizes. For Dazai, this is Oda. On the other hand, In the context of BPD, “devaluation” refers to a psychological defense mechanism or coping strategy that individuals with BPD may employ in their interpersonal relationships. Devaluation involves a shift in the person’s perception of others, where they view someone they previously idealized or held in high regard as unworthy, flawed, or worthless. They become unworthy of their affection and praise. The person with BPD may engage in behaviors such as intense criticism, verbal attacks, withdrawal, or even cutting off contact with the person they have devalued. These actions are often driven by the individual’s fear of rejection, abandonment, or a desire to protect themselves from potential hurt or disappointment. For Dazai, the clearest example of this is Ango. However, a person can exhibit the "favorite person" and project the phenomenon of devaluation without having BPD. In my opinion, Dazai does show heightened polarity in his feelings toward others, but I am not sure if BPD would be my choice for him. It's very difficult to say, as many conditions mask as BPD, and Dazai's expression of empathy is unique.
Dazai idealizes Oda, and deeply sees his pain as his own, while he always frames Akutagawa in a negative light, even though he is likely one of the people Dazai cares about the most (next to Oda, Chuuya, Ango, Atsushi, especially according to Beast). Another example of his heightened negative emotions are Ango, and Chuuya to a much lesser extent. My guess is that Dazai doesn’t deal with caring about people well, especially when they are any sort of “threat”: which is why he tries to “bully” them down. The reason he goes easier on Chuuya than Akutagawa is because he feels Chuuya is in his nature more sympathetic.
In my opinion, the moment Dazai warmed up to Chuuya was when he realized that The Sheep were pushing Chuuya around: he was no “King of the sheep”, he was acting out of empathy and care. Since Chuuya is so powerful, it was likely admirable to Dazai that he didn’t abuse his abilities for self-gain. This is when he decided to isolate Chuuya from the Sheep: and I think the reason above is specifically why
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I'd say Dazai is likely "spikey" to anyone he cares about but has less confidence they won't hurt him. There are two camps of people: 1. Atsushi, Oda, Kunikida, Sigma (generally upright, meek, moral at the end of the day) 2. Chuuya, Akutagawa, and lastly Ango (people who are aggressive, challenging, and need to be put down in Dazai's eyes).
He cares about both camps (Sigma is debatable, I spoke of the type of personality Dazai seems to deal with easily in his case), but he likely feels "less safe" with the second type. Mori could potentially go into the second camp - there is some respect and resentment there at the same time. He even talks about this with Kunikida in Entrance exam.
"“I guess. But you, Kunikida, I’ve got a good idea of who you are now, so nothing you do will ever surprise me. I mean, compared with me, you’re just a simple man with a simple mind, after all.”
See? You wear your heart on your sleeve. You don’t hide how you’re really feeling. It’s nice. You know what else is nice? Just knowing that you’re going to be worrying later to yourself, ‘Am I really that simple?’”
“Why, you—”
But I refrain from arguing. Whatever my response, he’s just going to end up telling me, “I knew you’d say that.”
I suppose that being around Kunikida comforts him since he is predictable, yet kind. On the other hand, someone like Chuuya excites him, because he is wild and challenging enough, but is still a good person when it comes down to it. Basically, Dazai is hypervigilant of pain.
Akutagawa is “off the chain” in comparison to all of them. I am under the impression that Dazai can care about people without treating them well at all, and 2 of the people who are at the top of his list (Chuuya and Aku) are people he “seems” to dislike (In Chuuya’s case rather openly in his profile).
It appears that the more “intense” and “unpolished” parts of Dazai’s personality are strictly reserved for people he cares about, but he is extremely selective about who he shows emotional empathy to as it’s such a rare experience for him. He may capable of "cutting off" empathy to protect himself emotionally. It is quite clear some aspects of empathy miss him broadly in Beast, when he appears shocked that Oda would react so strongly to endangering Akutagawa since “it’s all supposed to end well if he survives”. That sentence itself is totally tone-deaf, yet Dazai is acting as if Oda is supposed to take that normally. It’s quite clear that Dazai doesn’t treat Atsushi all that well in Beast either, as he exploits his fears for Atsushi to be totally obedient to him.
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I really like this moment, because it demonstrates that even if Dazai does have some point regarding Akutagawa and the way he goes about things, the way he has treated him is still too much – and Dazai can’t exactly convince Oda, a decent person, why this is ever justifiable under any circumstances. There is an aspect of regular empathy that misses Dazai – it doesn’t cross his mind why his actions are inherently bad. Perhaps it is possible that Dazai was treated with little to no empathy growing up, so he accepted that as a model for acceptable behavior. A lot of the time, cruel actions don't seem to even register to him as bad, in an almost innocent way. It's like it doesn't cross his mind that stuff is out of the ordinary. When talking to Oda about this, he was described as "childlike".
However, Dazai shows a lot of extreme emotional empathy for Oda, which tends to be rare for people with ASPD (obviously, all traits of it are on a spectrum).
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Dazai clearly feels as if he himself is being beaten when Oda suffers. Furthermore, “Beast” shows that he is willing to endanger multiple people he cares about so Oda could live and write his book. In his words “the me from other worlds doesn’t care about the world” – showing that even though he may “care” about people, it’s really hard for him to fully emotionally connect with others.
This leads him to severe feelings of loneliness and isolation, but it’s quite clear Oda is the exception to this.
Dazai has multiple anxiety attacks when meeting with Oda in Beast and TIPUD:
“I see.” Oda says after he gives it a moment of thought. “I’ll do so then. That is very kind of you. You are a good guy.”
Dazai’s expression becomes distorted.
He opens his mouth, and closes it again, as if he can no longer breathe.
If he tells him everything now, maybe things will go back to how they were. The two of them will go to the bar together and have a toast. Just like that night.
“Odasa…”
Just as Dazai is about to say that name, a train passes by. The express train passing through that station cuts through the silence of the night, right next to where Dazai and Oda is."
and obviously the whole showdown at the bar. Earlier, Oda mentions that Dazai looks like he is about to cry:
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 An interesting part here is that Dazai gets shocked that Oda would even consider that Dazai could hurt him:
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It almost sounds absurd that Dazai, who is known for scheming even against people he likes, would be that surprised someone would expect this from him. This, to me, shows that Dazai does have that underdeveloped, childish emotional side to himself, where he doesn’t understand everything he does. It’s quite logical why Oda, or anyone else, would be consistently doubtful of Dazai, yet he is so used to not caring about anyone, that when he does feel things he is remarkably unpolished and just as illogical as anyone else. I’d say his heart is like a knife that went blunt from lack of use. Since he has no experience dealing with people he feels strongly about, it always comes across very messy – and Asagiri himself often describes him as childish at his most vulnerable.
Furthermore, the lyrics of the song for Beast have these words to say: “Loving you to death won’t kill me Because I don’t love this world enough” And in the Beast novel, he mentions all he has to give to the world is love. I think we can certainly see that Dazai is not emotionless.
To me it seems like Dazai is capable of selective emotional empathy. I feel like one of the reasons Oda was “the one” Dazai attached himself to the most, is because Oda was a struggling man who was also depressed (rather clear the more you read), but he was empathetic and accepted Dazai for who he was.
Him and Dazai had difficulties in common (the guy was a killer as a kid too), yet Oda did his best to be a good person – that is one of the reasons, as Asagiri mentions, why he had an “outburst” when Kyouka implied former killers can’t be good people. Oda was a good person in his eyes, and his role model of “empathy”: someone he wished to emulate. I am pretty sure that Oda became the blueprint for the moral compass he strives towards.
Most importantly, Oda didn’t really judge Dazai when he showed his lack of empathy, while he remained firm in what he believed in.
“Odasaku is the type of person who will never lecture anyone. Because he does not consider himself a superior person who can teach and guide others. However, it doesn’t mean that he has nothing he wants to say. The sentiments that he couldn’t convey in these two scenes were finally delivered to Dazai in the last scene through the words “Become a good person.” Very meaningful scenes when read as a set.”
is how Asagiri described Oda during the exhibit. As Asagiri says, one of the reasons he didn’t tell Dazai anything when he provoked the sniper was his modesty. Since Oda didn’t look down on him, yet showed concern and fully understood Dazai wasn’t just a struggling depressed kid, but someone with serious issues who also happened to be a child – Dazai grew to deeply care for him. Oda didn't shame him, likely avoiding Dazai's hypervigilant sensor for pain.
Selective empathy is common for many disorders – and Dazai, after not feeling “seen” his whole life, ended up making a true connection with Oda. I guess, in that sense – Oda was the one who really reached Dazai’s heart, and since he was the only one who came that close, all of Dazai’s emotional empathy is reserved for him.
In my opinion, the reason Dazai was so difficult to “get to” was that even people who had good intentions toward him never truly saw him.
To see Dazai as a depressed woobie who just needs to be saved is to idealize him – which wouldn’t exactly help him. They’re talking about a version of him that doesn’t exist. If the only way he could be seen as worthwhile was someone seeing him as more “traditionally good” than he truly is, it’s not going to work. He needs to be seen for exactly who he is, and still given a chance to be better.
Likewise, it had to be someone who wasn’t helping him in order to get something from him. I would say that one of the main reasons why Dazai got so attached to Oda was because his friend had no reason to save him, he gave him space, and didn’t even force himself into Dazai’s life.
It was purely altruistic, and for Dazai, who expects the worst from others and seems to fear people’s intentions, this was perfect. One of the main aspects of Dazai's character is his anxious-avoidant attachment style, where he is likely so afraid of potential pain, he pushes others away, or punishes anyone he cares about who might hurt him preemptively. A lot of this is not impulsive, but calculated, which is why he feels a natural resistance to Akutagawa (but relates to him and cares all the more because of it). He understands the self-destructive nature of Akutagawa.
"If I’d left him to his own devices, he would’ve ended up a slave to his own powers until he destroyed himself.”" I believe Dazai likely allows himself to fully empathize with Oda because he feels only Oda is "safe" in this world. The fact that Oda is dead and gone perhaps makes caring for him even safer, as his image of Oda will never change.
Conclusion: I'd say Dazai is someone who is probably extremely traumatized, with a specific emotional profile that doesn't allow him to experience empathy like normal people do - and this is one of the defining traits of the character for me. He is able to isolate himself from normal social pressures and boundaries - and because of this and his extreme intellect, he feels like an alien in this world. A lot of his struggle likely deals with the fact that he dislikes the hurtful person he is, but has difficulty seeing why he should be better - all while he has a distaste for sadism, cruelty and senseless violence in others. In my opinion, a lot of his own cruelty is "reactive": he acts "evil" because he expects the same from others ("evil expects evil from others), and decides he wants to beat them to the punch. He is comforted when he is in the presence of altruistic and empathetic people, because he doesn't have to be what he dislikes (as "enemy" evil will always make him react since he is threatened). In the end, he rationally sees that cruelty is negative, but he still feels it is an effective tool. If Dazai weren't this way, he wouldn't consistently choose empathetic people for his company throughout the story, while acting callous himself most of the time.
A lot of things Dazai does to me feel like he is avoiding hurt, or attempting to "control the pain" he gets in his life. Notably, Dazai mostly lets himself get "bullied" by people he sees as innocent and simple like Kunikida, since "Kunikida will never surprise him" - he knows that Doppo won't cross the line. Ironically, he famously says he "dislikes physical pain", but often gets himself into physically dangerous scenarios.
It's like he doesn't mind pain if he's the one in control (when Fyodor let the sniper shoot him, when that dude from Mimic shot him point blank). Avoidance of pain and control are other keys to Dazai's character. In that sense, I think Dazai was possibly traumatized and learned to almost completely disassociate from empathy early in his life. There are so many theories I could think of here that we'd get nowhere.
It is clear that Dazai is capable of extreme emotional empathy due to his relationship with Oda, and it's possible he doesn't allow himself to feel it in most scenarios due to his avoidant nature regarding pain. However, whatever the reason behind it, it is clear he doesn't feel a ton of emotional empathy in his day-to-day life, and this disassociation from empathy has crafted him into a person who doesn't fully understand "normal humans".
That is why he sees them as fascinating after Oda dies - he reaches Dazai's heart and opens him up to the idea that not all people are unempathetic and cruel - meaning Dazai doesn't always have to be on guard. Does Dazai have ASPD, or is his lack of empathy a result of other things: PTSD, CPTSD, is he perhaps autistic? I can't say for sure, as it could be so many things. Personally, anyone could make an argument for any of these in my eyes. Above, I mostly analyzed his displays of empathy and tried to study which emotional patterns he appears to follow. I think Dazai's character arc has a lot of worth specifically because we see someone for whom emotional empathy may not be natural trying to be good. It's a unique ethical dilemma, and that's one of the reasons I feel in love with the series. Since it isn't natural for him, his efforts mean a lot, and the struggle feels real and genuine.
Thank you all for reading if you made it this far <3 I've taken a lot of posts and translations I've gathered over the years, and I am sure I won't be able to thank everyone, but, I'd like to show appreciation for popopretty, aja154ever and many others for sharing info from exhibitions, databooks and so. Have a nice day !
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chaoticbardlady99 · 3 months
Text
Twists and Turns (Astarion x F!Reader)
Synopsis: Astarion initially rejected you and you turn your attentions elsewhere- to his surprise.
By the time Astarion realizes his feelings for you- it’s too late. You and Gale are happy together and Astarion would never ruin that for you, but sometimes fate surprises us. Especially Astarion- who never thought he’d see Gale as a hero.
CW: Character death, angsty?, fluffy, crotch goblins (children)
Pairings: Gale Dekarios x F! reader and Astarion Acunin x F! reader- also some dadstarian
✨lightly edited✨
Author note: I was inspired by @thedomesticanthropologist post regarding an unconventionally attractive Tav. I didn’t really touch on it too much, but it is apart of the story to an extent. Please be kind because my writer’s anxiety has been so bad I almost deleted my blog entirely 🫣
Likes, comments, and reblogs are always appreciated 💜
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Photo belongs to @venenum-cadaverinus on Tumblr
By the time Astarion had fallen in love with you- it had already been too late.
Oh he flirted with you, called you beautiful when he believed you weren’t much to look at, and then you had come up to ask if he would want to go look at stars with you the night of the Tiefling party. Astarion couldn’t get himself to even pretend he wanted to indulge in you. He assumed you were only wanting to sleep with him and he was not about to sleep with you just because you asked. Astarion no longer has to do anything anyone asks of him.
“I have standards.”
Your face falls and the book of Astronomy in your hand nearly slips.
“Oh- I,” you clear your throat, “I’m sorry to have bothered you then.”
He had rolled his eyes when he came back from being with whatever Tiefling woman he had approached- you had been crying quietly in your tent.
Astarion found the whole thing unattractive and well, really he found you unattractive. Astarion has a preference for traditionally beautiful people and you would never be that. You would surely get over it eventually and if he’s lucky, you’ll just be an annoying kicked puppy who will do anything for him like you have been since he met you.
So, for whatever reason, Astarion assumed everything would go back to normal the next day and the two of you would fall back into the usual routine- he sits and reads while you eat breakfast in the mornings, he talks about whatever book he is reading, you ask him questions about himself, and then you go about your days separately until going through the same motions for dinner. Astarion fights next to you and you protect each other. You are smitten with Astarion and he has you wrapped around his pinkie finger like he wanted.
So imagine his surprise when you don’t come out for breakfast or dinner at all- at least not to sit with him. All of a sudden, Gale is with you all the time. He had seen the man come up to you while you were holding your book and he hugged you- the wizard even glared at Astarion while he was doing it.
Astarion upped his game after that, but nothing he said ever reached you anymore. He’d call you beautiful and he’d watch you visibly flinch. He asked you to go to bed with him and you told him no- you wanted to be with someone who thought you were special and beautiful. Astarion said he does think that. You got angry with him and told him to stop lying- go back to “having standards”. Your anger stung and he knew it was justified, but the little pieces of your trust he could get eventually blossomed into a friendship. Only, now he wanted more and Astarion was entirely infatuated with you.
He had decided to tell you how he felt one night before the descent into the Shadow Cursed Lands, but you were quickly swept away by Gale the moment Astarion tried to come talk to you.
Gale was dragging you off somewhere very specific and when Astarion let his nosiness get the best of him- it dawned on him that he had truly lost you 2 months ago when he had said what he said.
You peer through a telescope excitedly, telling Gale about all your favorite constellations and why. He shares his own knowledge with you and you are wide eyed, fascinated- leaning in to hear more. Gale’s own lips hover over yours and the two of you are smiling at each other widely. Astarion thinks he’s going to throw up when Gale kisses you- not because he’s disgusted, but because it occurred to him that he might have thrown away the only person who actually gave a shit about Astarion enough to love him and he broke your heart. Fitting that he is the one hurting now.
Maybe that’s really all you had wanted- to share something you love with Astarion. You wanted to feel like he gave a shit about you too and he said, “I have standards”!? What in the hells is wrong with him!?
The part of him- the less prideful part- wishes he had gotten to see you this way for him. Why did he spend so much time focusing on you knowing him? Why didn’t he take the time to see you this way? Know you this way when you wanted him.
Gale said something that made you laugh heartily as he brushed stray hair from your face, his hands gripping your hips, and you gasped when he kissed you again. The sound fills Astarion with warmth, but makes him feel sick at the same time. That should be him with you, not Gale.
You went from being plain, unattractive and uninteresting to the single most beautiful individual he has ever met. Astarion found himself hanging onto your words (even the angry ones) and yearning to be next to you.
You continued to do your dance with Gale while Astarion continued his own dance with you. When you threaten that horrible Drow on his behalf, Astarion has to accept it- he has well and truly fallen for you.
Astarion decided he would tell you when you got back from whatever excursion you were on with Gale. He had to at least try. Besides, what could Gale possibly show you in the Shadow Cursed Lands?
Only it had been too late- neither one of you came back for hours and when you did, the two of yours’ scents were mingled so closely together he could barely distinguish you from Gale. You began sleeping in the man’s tent, holding his hand during meals, exchanging kisses, etc.
Astarion, on the other hand, had taken the unofficial title of ‘best friend’. It had stung quite a bit, but he happily took whatever scraps you could give him. It was hardly scraps though- Astarion feels emotionally cared for, protected, and respected by you at all times. Besides, Astarion has a feeling that, if anything happened between you and Gale, there was a very good chance for Astarion to take over that space in your heart again.
The love test at the circus proved it- you had been more compatible with Astarion than Gale. Thankfully you had gone at separate times (Astarion and Gale have since become friendly enough so Astarion doesn’t have to worry about losing you). You had avoided Astarion’s eyes while Gale boasted about the Love Test results.
You had been the first one to wake up and attack his siblings when they had tried to kidnap him. Astarion had never seen you look that angry before in the entire time he has met you- you were even angrier than when Araj had pestered him.
You admitted to Astarion later that day that you hadn’t been sleeping well- you were worried about Cazador or his siblings showing up and that you wouldn’t get there in time. It had been haunting you since the minute you stepped foot in Rivington.
When he finally did face Cazador, it was with you at his side and when he finally killed the man- you didn’t deny Astarion the hug he begged you for telepathically. You held him up as he sank against you and you said soothing words- you told him how proud of him you were. You still reminded him everyday after when he expressed doubt.
Astarion was certain he would watch you grow old with Gale and have a family. So Astarion promised himself that he will love you dutifully regardless and protect you and your family like you have protected him. When you pass? He isn’t sure what he will do then, but he has eternity to be without you and Gods only knows long to be around you.
Until the Wizard of Waterdeep just had to throw him a curve ball the night before the battle against the Netherbrain.
Astarion was sitting by the roaring fireplace as he tried not to make it obvious to Gale that he’s silently pining for you. You were laughing and telling jokes with Karlach and Wyll- Shadowheart joining in and eventually Lae’zel. Your laughter is probably one of Astarion’s favorite sounds.
Only because he doesn’t know what you sound like moaning underneath him.
“You love her.”
Astarion’s train of thought broke and he gawked at the Wizard.
“I-um,” Astarion cleared his throat, “I’m afraid you have the wrong impression. Obviously I’m looking at…”
Actually now that he’s looked over there, none of them were believable enough for him to get out of this one.
“Yes- yes fine. I love her,” Astarion scowls, “you won, I love her and get to watch you live a whole life with her. Congratulations.”
“Astarion- I didn’t say that because I want to rub it in your face. I’m saying it because I have a favor to ask- for Tav’s sake.”
Astarion felt himself freeze. He was silently praying that Gale wasn’t going to tell him to stay away from you- to walk away and never come back after the events of tomorrow. It would be the thing that kills Astarion.
“Okay,” he says wearily, “I’m listening.”
“We all know it’s possible that some of us won’t be leaving this journey alive tomorrow.”
Is he suggesting you might die tomorrow? Astarion still stays right next to you during fights- no one even gets within an inch of you if he can help it.
“If it comes down to it and I need to use my orb,” Gale says solemnly, “I need you to take Tav and run- I don’t care if you need to drag her, cast sleep on her, anything as long as it’s painless.”
Astarion stared at the man blankly. He’s asking Astarion to drag you away as you watch your boyfriend sacrifice himself for the sake of the greater good of humanity.
“Why- why are you asking me? And not Karlach or-“
“Because I know you won’t tell her that I’m considering it as an option,” Gale said before adding, “and I am very aware that she loves you too. She’s going to need you if I die.”
“Need me?,” Astarion laughs in disbelief, “Gale, I broke her heart and I’m about to lose the only way I can walk in the sun tomorrow. It would be stupid of her to-“
“No, it would not,” Gale frowns, “she loves you, Astarion. Stop pushing her away.”
“You aren’t dead yet, Wizard,” Astarion said with an edge to his tone, “there is still a possibility that there is a Dekarios wedding in the foreseeable future.”
Gale smiled sadly at Astarion.
“That is the hope- is it not?” Gale got up to join you and the others, “you’ll remember that you deserve to be loved for her- won’t you?”
Astarion watched the man walk off like he hadn’t just dropped a massive bomb onto Astarion’s world. He watched as you smiled brightly at Gale and your hands intertwined with his.
But he also caught you looking over at him with a welcoming, pleading smile. Astarion smiles back and joins- hoping that he won’t be part of the reason that smile fades ever again.
*******************************
Gale looks at Astarion- they are losing. Tav is hurt, but still trying to sling spells and cantrips. Karlach and Wyll are becoming cornered quickly, Shadowheart and Lae’zel too. Even with all of the support they brought and it still wasn’t enough.
You bastard, Astarion telepathically says to Gale, you really are going to make me the bad guy, huh?
Ha!, Gale thinks sadly, you have it turned around. It has been a privilege to know you, Astarion. Take care of Tav for me.
Same to you, Gale- I promise she’ll be safe.
Gale announces to everyone they need to leave. You run towards Gale screaming for him to stop- that he doesn’t have to do this, but Astarion intercepts you.
“ASTARION- PUT ME DOWN RIGHT NOW,” you scream while slamming your fists into his back, struggling to make him release you, “PUT ME- GALE PLEASE- I LOVE YOU!”
Gale smiles at you with all the love in the world.
“I love you too, Tav. Always and forever.”
Gale casts a spell and like that- they are on the docks. You are screaming and throwing magic- desperate to get back to Gale as Astarion holds you close to his chest.
“I hate you!” You scream as you push Astarion weakly, “ I… I-“
You look at him pitifully and Astarion’s heart aches with yours. Astarion pulls you back towards him in a tight hug and holds you. You sob into his chest and hold him back with equal ferocity.
Astarion’s ability to comfort you only lasts about five minutes before the sun begins to burn him again and Karlach is dying- Wyll convinces her to go to Avernus with him. Astarion races to the shadows- certain that he is about to go into the darkness alone as he hides behind the crates.
He cradles his burning hand to his chest and hisses through the pain. Astarion doesn’t register the frantic footsteps approaching him.
“ASTARI- oh my Gods.”
He looks up at you in disbelief as you get down to your knees next to him and begin pulling out healing scrolls, potions, anything you can think of that might help.
You stay next to him until it’s time to move to a different set of shadows and you stay with him every moment afterwards.
You spend the next 6 months together starting your search for a Ring of the Sunwalker in the Underdark- successfully assassinating a very powerful Drow Priestess for it right before Wither’s party.
When you head back to Baldur’s gate together- Astarion sells all of Cazador’s shit and his castle. He invites you to live with him and you pick a house together.
Your emotions have been foreign and not easy for Astarion to handle over the last 6 months and even a year after moving in together, but he thinks about how crazy he would feel if you had also died that day and so he has weathered every storm you throw at him.
Astarion sits as you angrily rant about how unfair it was for him to make that decision without you. You wanted a choice, some kind of say, and you even occasionally just screamed at Astarion for preventing you from staying with him.
This continues even after the party that Wither’s throws. Tara adored you just as Gale had predicted and his holograph healed a piece of you, but now your grief is all consuming. You lay in bed for days on end and you stop eating or even coming out of your room. Scratch lays next to you dutifully until Astarion takes him out to use the restroom. They have to disguise the poor dog as a cat, but he doesn’t seem to mind very much.
Astarion lets you sit and do what you need to do, but after day 10, he finally needs to help you feel like a person again- in whatever way he can. So he runs you a bath and he helps you numbly walk towards it. It’s been about 30 minutes since he left you upstairs. He considered offering to help you, but he wasn’t sure if that would be crossing a line.
You walk downstairs moments later and quietly say his name. Astarion looks up at you and smiles- you took a bath.
“Well, well, look at you,” Astarion teases, “you sure clean up nicely.”
You laughed hoarsely at his joke and sat next to him. Astarion doesn’t move- he wants to pull you into his lap, but he doesn’t want to push your boundaries.
“Can- would you-,” you choke on the lump in your throat, “would you hold me, please?”
Astarion’s face softens as you begin to sniffle and your shoulder begins to shake with the sobs you are trying to hold back.
“Of course, Darling.”
You crawl into his lap and you lean the side of your head against his unbeating heart. Astarion just goes back to reading his book, enjoying the comfortable silence and how your body finally seems to have relaxed. You’d been so tense for the last two years- constantly on the verge of breaking in half, but he knows how resilient you are. He knows your strength and he knew you would get out of it eventually- even if only for a little while at a time.
“What are you reading?”
Your voice sings through the air and is like music to his ears. You sound like you again- tired and still a little melancholy- but you nonetheless.
“Well, Darling, I thought it might be worth learning about some of this astronomy nonsense a little over a year ago so we could talk about it when you felt better,” Astarion says, trying to say it as nonchalantly as possible, “I’ve come to really enjoy the topic.”
You beam at him and it’s the first time he’s seen a smile reach your eyes in what feels like eons. You quiz him, correct him, you tell him everything over the ‘stars’ and then some as you so horribly said. Astarion can’t help but find the moment to be so bittersweet.
He finally had the moment he wanted with you, but he didn’t think a single moment would cost a life.
************************************
“Elanora! Gale! Get back here you little-“
The twins giggle as they run from Astarion around the house. He understands what people mean by terrible twos now.
It’s been a little over 10 years since Gale died. In that time- Karlach had her engine fixed and five years ago, you found a Wish scroll for Astarion. Being a living breathing human again was a very difficult adjustment for the first two years. It’s been 3 years now and it’s not as difficult, but he did forget about the whole pregnancy thing.
It had been a massive shock when you fell pregnant a few months after you and Astarion had gotten married a little over two years ago. Astarion had been so focused on the proposal being perfect that it took longer for him to ask than he wanted.
You giving birth was probably the most terrifying experience of his life and you very well almost died, but by some miracle, you lived through the gruesome endeavor. He gives his thanks to Shadowheart, Isobel, and Dame Aylin. Astarion suspects Gale might have had a hand in it too because you had been out cold, but woke up with tears in your eyes and told Astarion that A. Gale says hello and B. how dare he think you’d just abandon two children with him like that. You are responsible “dammit!”
Astarion is so grateful you didn’t die giving birth to his children. He loves the little crotch goblins to death, but you are the only one they really listen to. You always tell him it’s because he gives in- Astarion argues “how could I not!? Have you seen them!? They are adorable!”
Scratch tried to help him initially after you left to go spend time with Shadowheart, Karlach, and Lae’zel at Elfsong Tavern. The poor dog didn’t last much longer than Astarion- hiding under the bed from the monstrous toddlers that are definitely from his gene pool.
“Are you sure? I don’t mind saying n-“
“They are my children, Darling,” he said all too confidently, “I can handle time alone with my children!”
Evidently there is a difference between handling and surviving- Astarion would consider himself trying to survive. He should have taken Halsin’s offer to hang out- maybe the twins would listen to their Uncle more than him.
Astarion eventually caught them, bathed them, read them a book, and got them to bed. The minute Gale fell asleep around 11:30 pm was the same time you came home.
Astarion came down the stairs and you began to laugh as quietly as you could behind your hand. He leers at you playfully.
“Did you have fun, my Star?” You tease.
“Once I finally caught them- yes,” he says flatly.
You walk up to him and wrap your arms around his torso.
“Let’s go to bed- then you can tell me all about it and I’ll tell you all the hot gossip Karlach has heard from Wyll about the upper class in Baldur’s Gate.”
“Will it be in the paper tomorrow?”
“Oh yes,” you grin widely, “ oh yes it will.”
Astarion loves when you come back from meeting with Karlach- he always knows what’s happening before it even happens. It means he gets to watch everyone else be scandalized which is usually 1,000 times more entertaining than the gossip itself. One time- the paper had been so explicit that the next door neighbor (an elderly woman) quite literally died of shock after reading about an affair the Magistrate had with the Duke. Apparently she was a hard core supporter of the wives and never anticipated such ugly men to cheat on their wives (you may have found him using a talk to the undead spell on the poor woman).
You fall asleep faster than you anticipated- at least that’s what Astarion thinks. The moment you lay your head on his chest is the same moment you slowly, softly begin to snore as he tells you about the evening. You chuckle when he says he is going to need help cleaning up the water in the bathroom tomorrow.
These are the nights that Astarion finds himself looking up to the heavens and smiling sadly- thanking Gale for his sacrifice, for giving Astarion a life he never thought he would ever have.
Most importantly, he thanks Gale for you. For letting go of what future he could have had with you. For not asking you to stay and die with him.
Gale Dekarios is the only reason Astarion Acunin believes in heroes at all.
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cheekinpermission · 20 days
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I wanna talk about the scene in the museum with Azul...
(SPOILERS FOR BOOK 3 AHEAD. ALSO LOTS OF RAMBLING! :D)
During Ch. 38 of Book 3, Azul and Yuu have a short conversation post-overblot in the underwater museum place. I always felt that this bit of dialogue was weirdly charged? The whole scene felt very intimate to me (and the soft music in the background doesn't help lmao), but I never knew WHY since nothing said was inherently romantic.
So, I went back and re-read through every post-overblot and realized that Azul is the only who who has a one-on-one conversation with Yuu after their overblot??
It's rare enough to have one-on-one conversations between Yuu and another character, but then Azul goes a step further. He's the only one to open up to Yuu about his problems:
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Some of the other overblot boys talk about their problems, but not to Yuu specifically. It's more of a declaration than confiding in someone, you know? (E.g. Riddle talking about how he prefers milk tea even though the rules stipulate lemon tea)
We, the players, are shown flashbacks of the overblot boys to explain how they reached this point but I can't recall if Yuu is privy to this information as well. (It's theoretically possible since Yuu already has visions / dreams of the Great Seven, but no one ever mentions it so who knows. I'm personally on the side of Yuu NOT knowing because it feels a bit invasive that they'd have this knowledge of people who weren't ready to share it.)
Regardless of whether Yuu can or cannot see those flashbacks, Azul is the only one to willingly talk about his motivations to Yuu. For Azul, this is especially important as he's so protective of his image as a clever and upstanding housewarden, and yet here he openly admits to Yuu that he was a bit of a loser as a kid (his words not mine!).
I guess you could argue that he felt there was no reason to hide it anymore since Yuu already saw him as a chubby octopus baby, but he didn't have to talk about it at all if he didn't want to. But he did. On his own. With no prompting. (Really, though. Yuu can either say they want to make sure he puts the photo back or that they're worried about him, and either way he drops his lore on them lol) And then Yuu tries to help him feel better??
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To my knowledge, Yuu doesn't do this with any of the other overblot boys, either. I could have missed it during my research, but if they did it wasn't nearly to the same extent as with Azul.
I still don't know why Azul felt like opening up to Yuu. He didn't have to, but maybe he wanted to? Maybe he wanted to try his hand at being genuine for once and felt Yuu was the least intimidating person to do it with (the magicless human that they are). Who knows? I wish there were more scenes like this. It makes Yuu feel more included in the story. I also think it shows a lot of growth on Azul's end to open up about his problems to Yuu of his own volition.
I'm not sure what I wanted to say with this post, only that I wanted to get my thoughts out there about this scene because it always stood out to me. I felt there was always an undercurrent of something and I think it's because this was the only post-overblot private conversation we got with Yuu and an overblot boy, plus the added encouragement from Yuu at the end.
I'm curious to know if anyone felt the same way about this scene or if I'm just imagining things. I'm also interested in hearing any theories why Azul suddenly felt the urge to open up to Yuu, if you've got them!
Thanks for enduring my rambling!
Bonus!
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Azul's so funny for trying to play it off all cool like he isn't doing flips and princess twirls in his head rn. Yuu laid it on THICK. We all know he's freaking out internally.
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blackholeunderyourbed · 9 months
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So I just finished watching the second season of Heartstopper and I’m just as obsessed with it as the first season if not moreso, and there’s so much I could and want to say about it, but if there’s anything I am really pleased with how they handled, it’s Ben.
I love the comics, but something that bothers me about them is the way Ben sexually assaulting Charlie doesn’t really come up again for the most part. The incident is cited when Charlie’s therapist is talking about all the things that have happened to fuel his need to find control via eating, but it’s more or less forgotten otherwise and not really treated as a major thing that happened even though it absolutely was.
Although last season did an amazing job showing the impact of Ben’s treatment on Charlie’s self-esteem and mental health, it also didn’t touch much on the assault and more or less brushed it off. I was really glad that this season Nick directly referred to it as an assault and it was given more weight.
Even with that though, I was a bit afraid that when Ben admitted that he can’t come out to his parents, he would be forgiven to an extent, and I really should have learned from my fears during last season to trust the process. The abuse Ben put Charlie through, both emotionally and the assault, is given proper weight, which I’m grateful for. Even after Charlie stood up to Ben last season, it was still so so satisfying to see him recognize in the moment how Ben was still trying to manipulate him with his apology, which like all the apologies before has only been about himself.
One of my favorite elements about that confrontation, though, was Ben admitting that he did genuinely like Charlie. Given how he tried to tear down and maintain control over Charlie by denying liking him in the first season, I believe that that at least is meant to be genuine, even if he’s only seeking forgiveness for his own consciousness and not because he’s learned anything, wants to make things right, or is even sincerely sorry. I appreciated that note of honesty specifically because Charlie’s response illustrates the very important lesson that the weight of how someone feels about you pales in comparison to the weight of how they treat you. If the behavior of someone who feels love for you is indistinguishable from someone who doesn’t, those feelings mean nothing. 
It’s just another brilliant moment of the big theme surrounding the dichotomy between Nick and Ben: it’s not about being out or having everything figured out, but about the treatment, and only one of them every treated loving Charlie as something they needed to do.
Love is a verb.
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