just some work antics with the one and only matsukawa issei. (nsfw)
you sigh with mock disappointment, one leg swinging over to straddle the tall curly-haired man. you can feel his cock straining through his slacks, and the heat in your stomach grows as you think about how you manage to take it every time.
you try to maintain your composure, as your desire to embarrass the man was stronger than how horny you were.
“i can’t believe you got a hard on right before the wake. you got a kink you’re not telling me about, issei?”
“shut up. why’d you have to wear this dress?”
matsukawa grumbled annoyedly, turning his head to look out the window. his hands didn’t seem too affected, however, as they continued to make their way up your dress, making sure to caress every inch of skin as they did.
the feeling of all the fabric being bunched up at your waist rubbed you the wrong way so you opened your mouth to complain, but all that escaped was a breathy moan as matsukawa’s thumb brushed against your clit through the fabric of your panties.
fuck. you’re soaked. he lets out a low groan as well, and he shifts in the seat under you in an attempt to relieve some of the pressure.
“fucking hell, a thong? you’ll be the end of me.”
matsukawa’s too focused on drinking in the sight in front of him, as he would’ve normally quipped back something just as witty. normally. but the situation the two of you were in was nothing near normal.
one of his hands is at your waist, holding you up, while the other is on his dick, his tip lined up with your aching pussy.
he rubs his swollen tip against your folds, relishing in the way they squelch lewdly at the contact. the view is so hot (minus the fact that he has a fucking glow-in-the-dark condom on, thanks to the gift hanamaki had gotten him as a joke for christmas) that he swears he could just cum right then and there, but wills himself to hold back.
“fuck, look how wet you are, hm?” his voice is raspy from lust, and you whimper lowly at how good the words sound falling from his lips.
you think you’ll lose your mind at how matsukawa’s teasing your aching hole, so you drop your hips down. but as if he’d read your mind, matsukawa snaps his own hips up so that he’s fully buried in you, his balls slapping against your ass with a sound that’s almost pornhub worthy. he curses at the feeling of your tight pussy wrapping around him so tightly while you shudder at how he fills you up, and you can’t help but ball your fists, nails digging into your palms.
“nasty-looking smile you got on, eh mattsun?” you breathe out, enjoying the effect you have on the handsome man (something that you’d never admit out loud - after all, you don’t need his ego inflating any more than it already is).
“it’s cus you look good like this,” matsukawa murmurs, a pussy-drunk smirk on his face. his free hand comes up to tuck a strand of hair behind your ear, and travels down your face to your lips. his thumb brushes your bottom lip gently, the pad of his finger rising ever-so-slightly to rest in between your lips.
it’s like second nature to you, considering how many times the two of you’ve done this before. you part your lips, letting him to do as he pleases. his thumb slides into your mouth, your tongue welcoming him as you wrap your lips around him and suck lightly. this always manages to turn you on even more, and you can’t help but hope that he fucks you so hard that you’re stumbling for the rest of your shift.
but your hips are moving in time with his, matching his slow thrusts, and you feel yourself growing frustrated at how it just wasn’t enough. you want more, and you begin to grind down, desperate for him to hit that sweet spot that you love so much.
“i wish this fucking dress wasn’t on you. wanna see your tits so bad,” matsukawa groans, his eyes eyeing them through the fabric.
you pull his thumb out of your mouth, annoyed at how much he’s been talking. after all, you guys only had ten minutes, max, before the boss would notice that he two of you were missing.
“why can’t you just shut up and fuck me like you mean it?”
matsukawa raises an eyebrow in disbelief at your words, scoffing slightly.
“sorry princess,” he drawls, his now-free hand coming down to your waist.
“i’ll do that” - he grips you, tight, before thrusting into you harshly, eliciting a moan from you - “right now.”
he spreads his thighs (as wide as he can in your small ass car) to give him more room, and snaps his hips up to fuck into you.
he’s practically manhandling you now, lifting you up by the waist and then slamming you down onto his cock, bouncing you up and down on his length as if you were nothing more than a paper doll.
you feel like your brain is melting at how good you’re feeling, and allow your head to lean forward and rest on matsukawa’s shoulder, too fucked out to have the energy to keep it up.
you’re moaning and mumbling incoherent curses into matsukawa’s ear, and the latter shivers at the stimulation. he feels your pussy clench, and knows that you’re on the brink of cumming, so he stops.
he just fucking stops.
with what little energy you have, you force yourself to raise your head and look at the curly-haired man with furrowed eyebrows, only to find that he’s staring back at you with equally furrowed eyebrows paired with a shit-eating grin.
“sorry, i’m not really in the mood anymore. probably cause i can’t fuck you like i mean it, huh? i’ll just get myself off in the bathroom, so why don’t you just find someone else?”
he pushes the car door open before sliding out from under you, pulling up the zipper on his pants.
you’re too stunned to even pull down your dress, mouth gaping open as if a fish out of water. your eyes go down to the very prominent outline in his pants, before meeting his eyes again.
“what the fuck?” you rasp out, still reeling from the feeling of his cock.
he’s standing right in front of you, wedged in between you and the car door so that you can’t be exposed to any prying eyes, his arms folded across his chest.
“actually, why don’t just get yourself off right now? after all, little baby can’t function unless she cums, right? cmon, why don’t you give me a show as an apology?”
maybe it’s cause his words were true, or maybe you were just too turned on by his words to refute him, but you nod dumbly, before you let a hand drop to rub at your puffy clit.
you refuse to break eye-contact, so you stare into his dark eyes as you make a mess out of your clit, your other hand following to stuff two fingers into your wet cunt.
it’s torture for matsukawa, just watching you, but some sick side of him is reveling in the hold he has over your usually prideful self. in fact, that was the only thing holding him back from giving in and diving back into the back seat to fuck the living daylights out of you.
“want you, issei,” you gasp, your hips bucking forward, desperate to have his thick dick back in your dripping pussy. “it’s not as good.”
“cmon, you can add a third. you can cum with that,” he coos, suddenly turning sweet.
you do as he says and tremble slightly at the added stimulation, although it was nothing compared to what you had before. you’re embarrassed at how loud your pussy is, and you whimper at the feeling of your slick dripping out of your cunt and down to your ass. but he’s right, and maybe it’s the way he’s staring so adoringly at you, but you soon feel your orgasm crashing over you, and you tremble at how hard it racks through your body, relishing in the fact that matsukawa’s watching the whole thing.
your cheeks are flushed and your hair is messy, but he swears you’re the most beautiful thing he’s ever laid his eyes on. every hookup in college, every relationship, they’re all nothing compared to you - and you’re not even his.
it’s embarrassing to admit, but he cums in his pants without even having to touch his dick, his knees weak at how your lips part and your thighs tremble as you ride out your high, your fingers rubbing at the bundle of nerves mercilessly, just like how issei always does it.
“fuck,” he groans, and he practically jumps you, slamming the door shut behind him. he kisses you roughly, and you welcome him with open arms, looping your arms around his neck and pulling him closer. he ignores the buzzing of his phone in his back pocket and pulls out another condom from his back pocket (yes, another glow-in-the-dark condom), breaking the kiss momentarily to rip the packet with his teeth.
i will never shit on these condoms again, mattsun thinks with a content sigh, mentally thanking hanamaki before allowing his lips to find home on yours.
for those who are asking the REAL questions, no... they did not get fired. mattsun did have to stay at home for 3 days faking the flu just so the two of you could solidify your story that you left work to rush mattsun to the hospital.
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I was meeting a client at a famous museum’s lounge for lunch (fancy, I know) and had an hour to kill afterwards so I joined the first random docent tour I could find. The woman who took us around was a great-grandmother from the Bronx “back when that was nothing to brag about” and she was doing a talk on alternative mediums within art.
What I thought that meant: telling us about unique sculpture materials and paint mixtures.
What that actually meant: an 84yo woman gingerly holding a beautifully beaded and embroidered dress (apparently from Ukraine and at least 200 years old) and, with tears in her eyes, showing how each individual thread was spun by hand and weaved into place on a cottage floor loom, with bright blue silk embroidery thread and hand-blown beads intricately piercing the work of other labor for days upon days, as the labor of a dozen talented people came together to make something so beautiful for a village girl’s wedding day.
What it also meant: in 1948, a young girl lived in a cramped tenement-like third floor apartment in Manhattan, with a father who had just joined them after not having been allowed to escape through Poland with his pregnant wife nine years earlier. She sits in her father’s lap and watches with wide, quiet eyes as her mother’s deft hands fly across fabric with bright blue silk thread (echoing hands from over a century years earlier). Thread that her mother had salvaged from white embroidery scraps at the tailor’s shop where she worked and spent the last few days carefully dying in the kitchen sink and drying on the roof.
The dress is in the traditional Hungarian fashion and is folded across her mother’s lap: her mother doesn’t had a pattern, but she doesn’t need one to make her daughter’s dress for the fifth grade dance. The dress would end up differing significantly from the pure white, petticoated first communion dresses worn by her daughter’s majority-Catholic classmates, but the young girl would love it all the more for its uniqueness and bright blue thread.
And now, that same young girl (and maybe also the villager from 19th century Ukraine) stands in front of us, trying not to clutch the old fabric too hard as her voice shakes with the emotion of all the love and humanity that is poured into the labor of art. The village girl and the girl in the Bronx were very different people: different centuries, different religions, different ages, and different continents. But the love in the stitches and beads on their dresses was the same. And she tells us that when we look at the labor of art, we don’t just see the work to create that piece - we see the labor of our own creations and the creations of others for us, and the value in something so seemingly frivolous.
But, maybe more importantly, she says that we only admire this piece in a museum because it happened to survive the love of the wearer and those who owned it afterwards, but there have been quite literally billions of small, quiet works of art in billions of small, quiet homes all over the world, for millennia. That your grandmother’s quilt is used as a picnic blanket just as Van Gogh’s works hung in his poor friends’ hallways. That your father’s hand-painted model plane sets are displayed in your parents’ livingroom as Grecian vases are displayed in museums. That your older sister’s engineering drawings in a steady, fine-lined hand are akin to Da Vinci’s scribbles of flying machines.
I don’t think there’s any dramatic conclusions to be drawn from these thoughts - they’ve been echoed by thousands of other people across the centuries. However, if you ever feel bad for spending all of your time sewing, knitting, drawing, building lego sets, or whatever else - especially if you feel like you have to somehow monetize or show off your work online to justify your labor - please know that there’s an 84yo museum docent in the Bronx who would cry simply at the thought of you spending so much effort to quietly create something that’s beautiful to you.
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