US Vogue January 1980
Beverly Johnson wears a shiny coral bias ruffled blouse over black silk crepe de chine evening pants. Silk organdy top. By Valentino. Jewelry, Joseph Mazer. Hair, Garren, makeup Alberto Fava.
Beverly Johnson porte un chemisier à volants en biais corail brillant sur un pantalon de soirée en crêpe de Chine de soie noire. Haut en organdi de soie. Par Valentino. Bijoux, Joseph Mazer. Coiffure, Garren, maquillage Alberto Fava.
Photo Patrick Demarchelier
vogue archive
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Custom Dress worn by Elaine Roebuck to her Bat Mitzvah
Christian Dior
Spring 1957
“It all started when I was twelve years old and I wanted a bat mitzvah. My father said absolutely not — girls didn’t have bat mitzvahs in those days,” Roebuck tells me. “My mother rallied for me and finally my father said OK. The next thing I knew, we were on the train to Montreal to look at my dress.”
The dress in question is a silk organdy masterpiece custom designed by Monsieur Christian Dior himself. Dior did not design for children back in ‘57, but he made an exception. “Not just anyone could go in and say ‘whip me up a dress for my daughter’s Bat Mitzvah’ – that wasn’t their business,” says Dr. Alexandra Palmer, the museum’s senior fashion curator. But that’s just what Elaine’s mother, the late Molly Roebuck, did. “She had a motto: If you’re going to do something, you better do it right,” says her daughter. “And in her mind, Dior was just right.” Likely, the exception was made on account of Dior’s relationship with Holt Renfrew, the prestigious high-end retailer with exclusive rights to his collection in Canada back when it launched.
So, with the help of her friend, buyer Betty Macpherson, Roebuck commissioned the dress in Paris. It was to be modest, but fantastical enough for such a special night. After a few months of trading sketches with Dior himself, the muslin models arrived in Montreal, where Dior’s pieces were made-to-measure for the Canadian market. “The dress was dreamlike and it made me think, or maybe even feel, like a princess,” says Roebuck. The end result was a full-skirted silk organdy cocktail dress with daffodil embroidery. As it was a one off, the fabric never appeared in Dior’s collections. “I knew the dress was special, but at the same time, I didn’t think I was different from any of my friends,” she says. (Teen Vogue)
Royal Ontario Museum (Object number: 2013.68.14.1-2)
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• Afternoon or Tea/Garden Party Dress.
Designer/Maker: Norman Norell (1900-1972)
Date: 1949
Medium: White organdy cotton
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Pink Striped Organdy Dress, ca. 1850.
Augusta Auctions.
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i think everyone should have an organdy babydoll.
✨outfit breakdown✨
bonnet: angelic pretty
rosette: moss badger
dress: organdy babydoll OP version 2 by physical drop
wrist cuffs: sweet dreamer
tights: generics
shoes: bella vita
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La Mode: revue des modes, galerie de moeurs, album des salons, 1 juillet, 1836. Plate 522, 10 septembre 1836, no. 32. Paris. Robe de Mousseline brochie garnie d'un volant à tête; — Mantille de point; — Ceinture de velours; Robe en organdi trami; — Jupon de mousseline doublé de taffetas; — Ceinture et noeud de velours. Bibliothèque nationale de France
Brocaded muslin dress, trimmed with a ruffle, point mantilla, velvet belt. Dress in woven organdy, muslin petticoat lined with taffeta, belt and velvet bow.
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Lonely to Organdy
Essa é uma mini capinha que eu fiz do meu mangá favorito.
Eu não usei ela de wallpaper, na verdade eu imprimi ela e a uso como uma capa pro meu kindle, já que eu uso uma capinha transparente, a foto fica de fundo.
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#5906
Sing a threnody
To those stuck in a tragedy
That is war of one so foolhardy.
Justice is now just a dead body,
No more soft organdy
Left to look tidy.
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A Douai, il y avait une petite expo sur Napoléon, avec des objets authentiques et quelques reproductions (difficile parfois de savoir !)
- lit-bateau en acajou, en reflet dans un grand psyché en acajou style Empire
- robe de velours rouge, modèle de 1811
- robe en organdi - modèle Empire
- les 2 suivantes : décorations de meuble style Empire
- habit du Duc de Reichstadt (Napoléon II)
- lit-bateau en acajou, style Empire
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Jules-François Crahay for Nina Ricci Fall/Winter 1957-58.
Marie-Hélène Arnaud wears “Fumée” dinner theater dress in gray silk organdy. Hairdressing Alexandre de Paris.
US Vogue October 1, 1957.
Jules-François Crahay pour Nina Ricci Automne/Hiver 1957-58 .
Marie-Hélène Arnaud porte "Fumée" robe de dîner-théatre en organdi de soie gris. Coiffure Alexandre de Paris.
Vogue US 1er octobre 1957.
Photo William Klein
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Formal Dress worn by Gayle Roebuck to her sister Elaine’s Bat Mitzvah
Holt Renfrew
Spring 1957
Royal Ontario Museum (Object number: 2013.68.15)
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She was so orderly, so well balanced, one stitch of her hand-sewed organdy collar was so clearly identical with every other, her very seams, if you can understand it, ran so exactly where they should, that she set me to pulling myself straight.
This is the description of Miss Emily, a spinster, sole survivor of her family, who has insisted on renting her home out for the summer for far less than it is worth to the narrator. Miss Emily’s crisp, fine cotton collar on her dark dress was a common look for a basic dress in the early 20th century, and often came with matching cuffs. The hand stitching tells you she either has skill or once had money.
As the story progresses, mysterious things happen in the rented house at night. Does this house hold a secret about Miss Emily? This is from Mary Roberts Rinehart story titled The Confession. It was first published in 1917 as a serial in a magazine, and then republished with another story in 1921 in novel form.
Rinehart uses fashion to signal who people are so far as age, taste, and class. Although in this case Miss Emily seems to be not quite as orderly as she appears.
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White Organdy Dress, 1860s.
Augusta Auctions.
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