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the-busy-ghost · 2 years

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Something comforting to think about today- there are lots of people in the world who hate, loathe, and despise my favourite books

That doesn’t sound like it should be comforting because of course at heart I want everyone to love them as much as I do. And it does annoy me when people hate books based on what I sincerely believe to be a complete misinterpretation of them (cough-cough, the recent “Wuthering Heights is just a silly problematic romance novel” issue). But if I’m being honest I also hate it just as much when people LOVE my favourite books based on a complete misinterpretation of them and for all the wrong reasons (”XXX did nothing wrong!”- what book were you reading???). And in either situation it isn’t really my business, though I reserve the right to be irritated.

But lots of people have valid criticisms of these books. Others simply didn’t vibe with the book on a given day and maybe never will- they don’t owe me or anyone else a reason. And I may not agree with them, but I do like it when I can completely understand why some people don’t like these books. For example, I think “Middlemarch” is one of the greatest novels I’ve ever read but for other people, it’s just not for them! They simply enjoy a very different kind of book, or they were disappointed that it wasn’t all it was cracked up to be, or they couldn’t understand the characters, or it just wasn’t the right time for that book to come into their lives, or it was just too damn long for them.

And firstly I find that comforting because it shows that we’re all different souls. We all have different tastes and experiences, and that means that our favourite books actually MEAN something to us, rather than just being a Generic Important Book That Everyone Likes. And often the reasons why one book is my favourite, are very different to the reasons that they are someone else’s favourite- the best books are multi-faceted after all. It’s a wonderful testament to the diversity of human experience and creativity (because in my opinion, there’s a great deal of the reader’s own imaginative ability goes into engaging with a book). So all that is required is for people to be open-minded and assume that when someone says they love a book, they have their own reasons, and these might not even be the reasons you think.

And secondly of course, is that if even the books that I think are the best thing to exist, a physical symbol of worldly greatness, aspiration embodied, don’t appeal to everyone- then the things I create in turn don’t need to either. If even the greatest authors have harsh critics who will simply NEVER like their work, why are we all worrying so much about the merest hint of rejection, in life as much as in art?

#I talk a good game of course rejection is still very painful for me #And note valid constructive criticism is a different thing from rejection but if people's books can survive completely dumbass rejection #Based on complete misreading of the situation I think I can survive someone not liking me #books #reading #booklr #Also constructive criticism of my favourite books is good because it means I get to go back think it over #Argue it through in my head; point out other passages of the book in defence of it #And STILL come out of it loving the book possibly even more because it's drawn my attention to things I didn't realise about it #And sometimes I can't answer them fully either and that's ok too #Sometimes I've had the same thought as a novel's detractors and they've drawn attention to it #For example I was wondering at the end of Wuthering Heights why Heathcliff bothered keeping Nellie around #Why didn't he just send her packing rather than continuing to employ her at Thrushcross Grange #And I have lots of ideas but none of them quite stick yet #One is that she's possibly an unreliable narrator so she may- against her better judgement- have helped him more than she likes to admit #Another is that he is labouring under the impression that he can control her and so keeps her around in case he needs to use her influence #A third is that he needs a witness- there's some element of performativity in his cruelty and SOMEONE needs to see him destroy things #But I also like the idea that the four of them are all siblings really #Nelly- though she has a mother and other family at home- spent much of her youth at Wuthering Heights #And describes herself as Hindley's foster sibling in the sense that her mother was his nurse (a powerful bond in the pre-modern era btw)#So really she's as much one of the Wuthering Heights Nest as the lot of them #Heathcliff doesn't have as much reason to despise her as Hindley nor does he have so much reason to love her as Cathy #But she's still a sibling of sorts and maybe Heathcliff- whether he recognises it or not- sense that she has a right to be there #He doesn't seem like someone who needs a family but then maybe he's not as in control of the Heights as he thinks he is #I really don't know yet I will have to reread it #But yeah I think Nelly is as much a part of that nest of trouble as the rest of them #I'm getting off topic though- but see what I mean about negative criticism being important and fascinating!#Ok so I keep finding my way back to Wuthering Heights a lot over the last few weeks but this applies to othe rbooks too #I had similar feelings about some of teh criticisms of Flemington #reading log

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j-esbian · 1 year

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thinking about the time i was criticizing a male fantasy author for not including many female characters (and all but one were incredibly generic) and people were really like "be nice to the author, he's said he doesn't know many women in real life :/" like. yeah i can tell

#mine #delete later #cause im not trying to start shit #it was on tiktok so like all of that tracks lmao. i dont know if that's even true but if so. INSANE.#idk what made me think of this #but my dude if youre in your 40s thats not an excuse #tbh i feel like the book in question would have been completely forgettable and id just kind of roll my eyes and move on #if not for the fact that people whose taste i trust!!!!! recommended it!!!!#like what the fuck. the betrayal #like im still driving myself crazy thinking about it years later and trying to figure out what i'm missing #honestly could not say if the rest of the book was good bc imo the way the narration treated the female characters was too distracting #'this one is Mom. that's her whole personality.'#'this one is the hot older woman but she likes me anyway bc im the specialest smartest boy in school.#it's weird cause there's barely any women at this school anyway. she even tried to seduce me but im too in love with Main Love Interest'#'this one is the Main Love Interest and she's so pretty and sexy everyone wants to be with her. she has a tragic secret past #she wont tell me why but we cant be together and she also spends most of the book seducing other men. But I Know She Doesnt Mean It #i will learn her secret and wear her down so we can be together because we vibed pretty well a few years ago'#and then there's the cRaZy OnE #and that's it. those are the only female characters #apparently the last one has gotten her own book. maybe that's what people praise this guy for? but i am not willing to give it a chance lol #p****** r******* meet me in the pit

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emphistic · 2 months

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On the Court

Taglist: @starlets-things

Basketballplayer!Sukuna who, whenever he shows up to practice, always gets asked about you by his teammates (sometimes random people — that he doesn't even know — ask him about you, too)

"How's Y/N doing?"

"Tell Y/N I said hi."

"I haven't seen Y/N around lately, how is she?"

"You'll ask how my girlfriend's doing, but not me? She's good — by the way." Sukuna always feigned to be hurt by these inquiries. He really wasn't . . . most of the time.

Basketballplayer!Sukuna who insists you give him a kiss before all of his games

"C'mon, baby, just one?" He pleaded. "You know you're my lucky charm."

You would always laugh, giving in to his desires. And in the end, he wasn't wrong. Sukuna comes out of most matches as victorious, thanks to you.

Basketballplayer!Sukuna who loves when you come to his practices, this doesn't happen often because you have to babysit Yuuji

Basketballplayer!Sukuna who, if you do come to his practices, always acts like it's a Magic Mike show: he'll wipe the sweat off his face with his jersey just to show off his bare abs; he'll drink from his water bottle like a dog, making the water drip all over

When he's feeling extra scandalous, he'll even say, "I'm so sweaty, babe. Come lick it."

Basketballplayer!Sukuna who always searches for you in crowds

Basketballplayer!Sukuna who would, without even a second of hesitation, skip a practice or even a game if you asked him to hang out or something like that

Basketballplayer!Sukuna who takes immense pride in showing you off as his

Sukuna pointed at you in the crowd to a new teammate of his, "See that beautiful lady over there? That's my girlfriend. My girlfriend."

Sukuna always teases, saying, "I wouldn't be surprised if we lost this game. I'll probably be too distracted looking at that absolute work of art sitting over there."

Albeit, sometimes his pride backfires on him.

"Isn't my girlfriend just so gorgeous?"

"Yeah, she is. She's like super hot," his teammate remarked.

"What the fuck did you just say about my girlfriend, you little son of a bitch."

Basketballplayer!Sukuna who gets so jealous when other people sit next to you at a game, but he can't (because he's playing) — sometimes you bring his baby brother, Yuuji, along with you and Yuuji sits next to you or on your lap, and Sukuna literally glares daggers at his brother

There was this one time, where a guy decided to sit next to you in the bleachers, and started to mansplain basketball to you. He told you all the rules, all the positions, and he even had the nerve to narrate Sukuna's game to you. And you, deciding not to interfere, just politely nodded.

It wasn't until the end of the game, when Sukuna had the chance to put this little boy in his place. Like you guys always do, you ran down the bleachers to congratulate Sukuna on his win. Most of the time, it's just a tight hug where the both of you share a chaste peck. But this time, Sukuna shoved his tongue down your throat, all while glaring at the guy from earlier.

Basketballplayer!Sukuna whose teammates always come to you whenever Sukuna gets mad after a loss; they know you're the only who's able to approach him without getting punched in the face

Basketballplayer!Sukuna who loves when you care for him after he gets injured

Basketballplayer!Sukuna who gets really annoyed when people try to hit on him, especially if they get in his way when he's trying to talk to you

"Hey, I saw you playing and you're like, really good."

"I know."

"I didn't catch your name."

"I didn't throw it."

NSFW Below

Basketballplayer!Sukuna who loves to fuck you while you wear his jersey; he can't help it; he just loves to see his last name on your back

Basketballplayer!Sukuna who would take you against the bleachers if you let him

Basketballplayer!Sukuna whose favorite position is having you on your hands and knees on the bleachers, he'll purposely pound into you just to feel you wobble and shake on the bleachers

Basketballplayer!Sukuna who fucks you like a rabid animal after a loss; he needs to get rid of all the pent frustration

Basketballplayer!Sukuna who'll tell you to be quiet whilst shoving his fingers in your mouth

Basketballplayer!Sukuna who meets up with you in the locker room after everyone's left, he gets annoyed when people tarry and delay his meeting with you

Basketballplayer!Sukuna who, after fucking in the locker room, will proceed to take you again in the shower room

Basketballplayer!Sukuna who absolutely degrades you, pulling on your hair and making you hiccup and sob, he thinks you look divine when there's mascara running down your face and you've lost the ability to say or think anything but his name

"Look at you, milking my cock dry. You were made for this; you were made for me. Dirty fucking slut. My dirty slut."

Basketballplayer!Sukuna who also whispers sweet nothings in your ear

"You're so beautiful, baby," his words were slurred, as his hips came to a stutter. "Such a good girl for me. Ah, shit. Look at the mess you've made of me. 'm drunk off of you, pretty girl."

Basketballplayer!Sukuna who goes round after round, his stamina is 100% inimitable

Basketballplayer!Sukuna who is not against sex in the car if people don't leave the gym fast enough

Basketballplayer!Sukuna who always has so much left over energy after a game that he fucks you senseless, leaves you absolutely destroyed, till your legs are shaking, cum is dripping between your legs, and you're mind is completely blank

#sukuna x reader #ryomen x reader #sukuna x you #jjk x reader #jjk x you #sukuna fluff #sukuna smut #sukuna headcanons #sukuna

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eelhound · 10 months

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"The idea of reforming Omelas is a pleasant idea, to be sure, but it is one that Le Guin herself specifically tells us is not an option. No reform of Omelas is possible — at least, not without destroying Omelas itself:

If the child were brought up into the sunlight out of that vile place, if it were cleaned and fed and comforted, that would be a good thing, indeed; but if it were done, in that day and hour all the prosperity and beauty and delight of Omelas would wither and be destroyed. Those are the terms.

'Those are the terms', indeed. Le Guin’s original story is careful to cast the underlying evil of Omelas as un-addressable — not, as some have suggested, to 'cheat' or create a false dilemma, but as an intentionally insurmountable challenge to the reader. The premise of Omelas feels unfair because it is meant to be unfair. Instead of racing to find a clever solution ('Free the child! Replace it with a robot! Have everyone suffer a little bit instead of one person all at once!'), the reader is forced to consider how they might cope with moral injustice that is so foundational to their very way of life that it cannot be undone. Confronted with the choice to give up your entire way of life or allow someone else to suffer, what do you do? Do you stay and enjoy the fruits of their pain? Or do you reject this devil’s compromise at your own expense, even knowing that it may not even help? And through implication, we are then forced to consider whether we are — at this very moment! — already in exactly this situation. At what cost does our happiness come? And, even more significantly, at whose expense? And what, in fact, can be done? Can anything?

This is the essential and agonizing question that Le Guin poses, and we avoid it at our peril. It’s easy, but thoroughly besides the point, to say — as the narrator of 'The Ones Who Don’t Walk Away' does — that you would simply keep the nice things about Omelas, and work to address the bad. You might as well say that you would solve the trolley problem by putting rockets on the trolley and having it jump over the people tied to the tracks. Le Guin’s challenge is one that can only be resolved by introspection, because the challenge is one levied against the discomforting awareness of our own complicity; to 'reject the premise' is to reject this (all too real) discomfort in favor of empty wish fulfillment. A happy fairytale about the nobility of our imagined efforts against a hypothetical evil profits no one but ourselves (and I would argue that in the long run it robs us as well).

But in addition to being morally evasive, treating Omelas as a puzzle to be solved (or as a piece of straightforward didactic moralism) also flattens the depth of the original story. We are not really meant to understand Le Guin’s 'walking away' as a literal abandonment of a problem, nor as a self-satisfied 'Sounds bad, but I’m outta here', the way Vivier’s response piece or others of its ilk do; rather, it is framed as a rejection of complacency. This is why those who leave are shown not as triumphant heroes, but as harried and desperate fools; hopeless, troubled souls setting forth on a journey that may well be doomed from the start — because isn’t that the fate of most people who set out to fight the injustices they see, and that they cannot help but see once they have been made aware of it? The story is a metaphor, not a math problem, and 'walking away' might just as easily encompass any form of sincere and fully committed struggle against injustice: a lonely, often thankless journey, yet one which is no less essential for its difficulty."

- Kurt Schiller, from "Omelas, Je T'aime." Blood Knife, 8 July 2022.

#kurt schiller #ursula k. le guin #quote #quotations #the ones who walk away from omelas #trolley problem #activism #introspection #discomfort #reform #revolution #suffering #ethics #morality

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goggles-mcgee · 5 months

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Phantom Fudge

I love the fics of Danny settling into Gotham and having some sort of business and just absolutely confusing the Batfam with how flippant he is about the crime.

My take is, instead of a coffee shop or bookstore or occult shop, Danny opens a fudge shop!

His parents taught him, and he found he actually really loved it, and besides, his dream of being an astronaut was out of reach due to his unique medical readings. In this au, his parents learned about him being Phantom and took it well after a good period of spiraling because-Holy shit they shot their son. You may be asking, Goggles, didn't you just make a post that was all about Jack and Maddie not taking the news well? Yes. Yes, I did.

I go back and forth with wanting to salt them and not. I like both.

So anyways, Danny is the heir to the Ghost Throne, but he won't actually take up the official title until his time on Earth is naturally over. After everything got better with his parents and his regular ghost fighting buddies, he actually was able to raise his grades and graduate. Many teachers were amazed at the progress but really, Danny may not have been as smart as his parents and sister (he is an unreliable narrator and is actually very smart just not as conventional as his family) but before his accident he had done pretty good in school. The GIW was still a thing, but without the Fenton technology, they weren't doing as well as they previously did. His parents broke their contract after they rescued him from the GIW labs, it was a little after he told his parents about his halfa status and they came storming in to save him and all the other ghosts that were captured. After that, life got so much better. His parents listened to him, and he got to teach them all about his people. They started publishing more papers with actually accurate information and were doing their best to overturn the anti-ecto acts. They haven't accomplished it, but Danny was sure they would.

That's actually why he moved to Gotham. Tucker had the idea of contacting the Justice League to help with the anti-ecto laws, but their calls weren't being answered. Neither were the...strongly worded emails Sam sent in. So Danny did what he did best and jumped into something not entirely thought out but hoping for the best. He moved to Gotham so he could get close to Batman and ask for help. He got accepted into Gotham University on a scholarship. But he wanted to make some money on his own without his parents sending him some kind of allowance, and he didn't want to work at Bat Burger. He started selling fudge around winter at his school, and he got permission to do so.

From there, he got enough money to actually open a small fudge cart. Then he got enough for a small shop near his apartment which was rather close to Crim Alley so he hired some working girls to help with the shop and he employed any Alley Kids looking for some cash as delivery workers. (They only delivered in Crime Alley, though, but that was fine with Danny.) Danny loved his little fudge shop that he lovingly named Phantom Fudge, and the sign had a cute little ghost eating some fudge on it. When he was in school for classes, he left the shop in his friend Ginger's hands. She had been a working girl before, but before that, she had had experience working a small mom & pop kind of shop, so Danny felt good leaving her in charge. When Ellie visited, she helped out with the shop too.

Danny was thriving. Then he started getting customers of the ecto variety because, of course, he would. Apparently, he was something of an ecto filter for the shades and ghost of Gotham, so they would visit his shop to soak up some of the pure ectoplasm in the air. Then he experimented and made some ecto-fudge, which is what he gave to any ecto beings that entered his shop. Most couldn't pay, but they would give him a heads up if they saw anything shady happening around his shop.

Like a little heads up that some robberies were happening in the area, or some rogue was getting close. It was a nice little system they had. Though some ghosts came in just to tell him their unfinished business and like...he wasn’t King yet, but these were his people, so he tried to help them out as best they could.

One particular couple showed up a lot and would ask him to help warn their son of any danger they heard was brewing. They would ask him to leave messages for the son or any of his kids but also the butler if needed. Danby thought this guy had some great parents. They didn't cross over because they needed to make sure their son was safe and taken care of. It was most likely that they wouldn't cross until their son did by the sounds of it. He got permission to call them Grandma and Grandpa, which was weird, but he didn't question it.

Martha and Thomas were nice spirits, so he had no problem helping them out. But Danny is Danny and his well-intentioned help of course caught the eye of the whole batfam.

They had been receiving letters in the Manor that appeared mysteriously. The first one they had all thought was a prank from the many people there. It was a simple, 'Don’t go to the gala. Something bad will happen.' That started it all. They were all baffled but laughed it off, and those who went to the gala didn't know how to feel when the seeming wait staff took over the event and held the guests hostage.

A coincidence surely.

Then they got another note, 'Freeze is planning to do a B&E and snatch some equipment from a Wayne lab. Idk which one since you have so many.' And just like last time, the note was speaking the truth. It continued from there, and everyone tried to capture whoever or whatever was leaving the notes, but any cameras they had glitched out before returning to normal and showing a new note had showed uo somewhere in the Manor. Bruce was going crazy trying to figure out who or what their messenger was.

Alfred once found a note that said, 'Tim has been awake and pushing himself too far. He is going to crash.' He took it to heart though and made Tim rest and take a break. He would not let the note happen. Tim had had far too many crashes the past couple of months.

The note that broke Bruce, though, was small in words, but it made him feel crazy. It was his parent's death anniversary, and when he went to visit the exact spot, he saw a sticky note on the floor. He shakily picked it up to see all it said was, 'It's okay.'

Now he is really worked up and determined to find the note messenger.

While that's going on, Danny also gets some local vigilantes visiting his shop, and he is so excited to see them and try and be their friend so he can ask for help. Plus they seem to be fans of his fudge and that just makes him happy.

The batkids thing the Phantom Fudge shop owner is suspicious, but hot damn did he make some bomb ass fudge.

#dpxdc #dc x dp #dc x dp crossover #dc x dp prompt #dc x dp au #dc x dp ficlet

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ozzgin · 4 months

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I love your work! you have such a fun take on yandere's and I would love to see what kind of yandere hcs you could cook up for a host-club / paid to go on dates with you yandere ❤️ double points if you can make it so that the reader is never really one to cross a line or think the yandere really likes them...

If you don't want to do this prompt tho I completely understand ❤️

The idea makes me a little nostalgic as it gives me Ouran vibes. Also reminded me I've never played 'Men of Yoshiwara' past the prologue, which also has male courtesans ready to service you. In any case, it's definitely something I can expand on! :)

Yandere! Host x Reader

You've never considered yourself to be the type frequenting host clubs. Yet the loneliness is becoming noticeable and perhaps it's your lack of experience keeping you out of the dating scene. Mingling with paid professionals could prepare you for a future boyfriend. Except your assigned host has other plans in mind for you.

Content: gender neutral reader, inexperienced reader, obsessive behavior, manipulation

Ah, you definitely don't belong here. He can tell within seconds and he hasn't even reached the table yet. You're nervously readjusting the sleeves of your shirt - do you usually not wear such outfits? - and merely glance around the room for a brief moment before casting your eyes back down in sheepish modesty. Well, not necessarily a sight of unpreceded novelty. Many people are intrigued by the idea of a host club, so even just idle curiosity is enough incentive for one to end up among the charismatic crowd of paid affections. Today it's you who has stumbled into the hungry mouth of the wolf, and he happens to be the one to entertain you away from whatever unpleasantries are currently consuming you.

He gently stretches his slender fingers across your shoulder, a feathery touch light enough as to not startle you. You look up and acknowledge his presence, ready to stand up for introductions. His hold on you is firm, letting you know there is no need to leave the comfort of your sofa. "Now then, this isn't a job interview. You don't need to be so formal." He explains with a chuckle. You nod. Embarrassingly enough, your eyes are glued to his face for longer than what you'd consider polite admiration. A waste of good looks is your immediate thought. Surely someone as stunning as him could've worked as a model or actor. You suspect he isn't as enthusiastic to meet you as his voice leads one to believe, so the ability to pretend certainly isn't missing.

One peek at the table next to you, and the answer quickly presents itself. An older woman is inspecting the menu, surrounded by multiple bottles of champagne whose name even you recognize. You doubt the average acting career could provide this amount of luxury. The corners of your lips curl slightly upwards in a pitiful self awareness. Sadly for this guy, you're not a big spender. Whether he, too, is aware of this disappointing fact is impossible to tell. His handsome features remain cheerfully relaxed. "Tell me about yourself. What brings a darling like you here?" He inquires graciously, resting his chin on the back of his hands as he settles before you with an intent gaze.

You narrate your hardship: whether because of your looks or your awkwardness, something impedes you from having acquired a partner; and so the idea of gaining experience through less orthodox means came to fruition. Your host listens carefully, refilling your glass every now and then with a compassionate frown, lips parted in unspoken sympathy. Of course, he understands. Naturally. Once you're finished, he straightens himself in newfound determination: worry not, he will be your coach in love.

Thus begins the unusual partnership. You hadn't expected the man to readily agree to such a ridiculous request. A handful of visits have made it clear to you he's in high demand, most likely one of the top earners. Why would he waste his precious (and otherwise profitable) time with a humble customer like you? Maybe it's bad form to refuse lower paid offers too often, so he's keeping you for balance. You'll never know. His professionalism betrays no hint of annoyance.

You cannot help but marvel at his masterful lying. It becomes quite clear to you why so many people fall helplessly in love with paid hosts. Everything is executed with the utmost care for detail. The loving caress of the cheek he occasionally initiates, seemingly unprompted. The long, ardent stares into your eyes, as you must practice your eye contact. His hot lips brushing against your fingers while he spoils you with diminutives and sickly sweet words of appreciation.

You frequently have to remind yourself that everything is dictated by a contract. A code of conduct meant to be replicated for you and all other clients coming afterwards. How many other poor souls fawn over this alluring devil? You wouldn't want to burden him with an additional customer who forgets boundaries. You know your place too well.

Admirable manners. Frustratingly so. He wishes you'd just give in already and drop the shy act around him. You've caught his interest from the moment he spotted you in that cluttered, crowded room reeking of overpriced alcohol and solitude. Everything about you signaled blindingly clear: you're someone others can easily take advantage of. To think you would've landed right in his hands, to be molded as he pleases. The little sob story about being inexperienced with men, your clumsy attempts to follow along his flirts. Oh, you're just begging to be defiled. Again, and again and again, until there's nothing left of you. Then he'd caringly patch you back together and start anew. His very own corner of innocence.

The indecent daydreams are cut short when you proudly announce, during one of your dates, that you finally feel confident enough to pursue a genuine partner. You have booked a nice hotel room for this occasion; One last gesture of grandeur to show your gratitude for all the advice and love (even though it wasn't genuine). He's sitting on the edge of the plush mattress, dumbfounded, fiddling with the thick, ornate border of the bed runner. Huh? What the hell are you talking about? He's spent all this time getting to know you. What gets you flustered and bothered, what makes you excited, sad, anxious, angry, bored. He taught you how to come out of your shell. Why, so you can go ahead and waste yourself on some fucking idiot?

"My, aren't you eager. You haven't even had your first kiss." He says with a cheeky smile. "I think I can manage-" you want to say, but he quickly interrupts with a curt: "No one likes an amateur kisser". You're immediately silenced. His voice sounds cold, with a hint of anger in it. "I'm sorry, darling love, it's true." He resumes in an entirely different tonality, dragging his words with an eerie kindness attached to them. He tuts a little, turning towards you and patting his knees. There, there, don't look so deflated. If a simple observation like his hurt you this much, how would you handle the much meaner, downright heartless world out there?

Such is reality. Men are cruel and you had the bad luck to be born with a gentle heart. He delicately guides you to sit in his lap, cupping your burning face between his large hands. He knows this expression too well - you're humiliated. And thus, can he truly allow anyone else out there to see you so vulnerable like this? No, this kind of intimacy is reserved for him. You must understand. He has disciplined you to his liking, and simultaneously learned all the nooks and crannies of your being. It's too late to go back to a simple host and client relationship.

"Why don't you practice with me first, love?" He breaks the silence, placing his lips against your forehead in encouragement. You feel a sudden pressure faintly throbbing underneath you. "T-the kiss?" You ask hesitantly, trying to ignore the sensation and squirming in his tightening hold.

"Everything."

#yandere #yandere x reader #yandere x you #yandere x darling #yandere host #male yandere x reader #yandere headcanons #yandere scenarios #yandere imagine #yandere imagines #yandere male #yandere oc #yandere original character

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mashkaroom · 1 year

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Translation thoughts on the greatest poem of our time, “His wife has filled his house with chintz. To keep it real I fuck him on the floor”

It’s actually quite tricky to translate. Because it’s so short, each word and grammatical construction is carrying a lot of weight. It also, as people have noted, plays with registers. “Chintz” is a word with its own set of associations. Chintz is a type of fabric with its origins in India. The disparaging connotation is from chintz’s eventual commonality. Chintz was actually banned from England and France because the local textile mills couldn’t compete.

Keep it real” is tremendously difficult to translate -- it’s a bit difficult to even define. It means to be authentic and genuine, but it also has connotations of staying true to one’s roots. Like many English slang words, it comes first from AAVE. From this article on the phrase:

“[K]eeping it real meant performing an individual’s experience of being Black in the United States. As such, it became a form of resistance. Insisting on a different reality, one that wasn’t recognized by the dominant culture, empowered Black people to ‘forge a parallel system of meaning,’ according to cultural critic Mich Nyawalo...The phrase’s roots in racialized resistance, however, were erased when it was adopted by the mostly-White film world of the 1970s and ’80s....Keeping it real in this context indicated a performance done so well that audiences could forget it was a performance.This version of keeping it real wasn’t about testifying to personal experience; it was about inventing it.”

One has to imagine that jjbang8 did not have the origins of these phrases in mind when composing the poem, but even if by coincidence, the etymological and cultural journeys of these two central lexemes perfectly reflect the themes of the poem. The two words have themselves traveled away from the authenticity they once represented, and, in a new context, have taken on new meanings -- the hero of our poem, the unnamed “him”, is, presumably, in quite a similar situation.

Setting aside the question of register, of the phonology, prosody, and meter of the original, of the information that is transmitted through bits of grammar that don’t necessarily exist in other languages -- a gifted translator might be able to account for all of these -- how do you translate the journey of the words themselves?

In my translations, I decided to go for the most evocative words, even if they don’t evoke the exact same things as in the original. The strength of these two lines is that they imply that there’s more than just what you see, whether that’s the details of the story -- what’s happening in the marriage? how do the narrator and the husband know each other? -- or the cultural background of the very words themselves. I wanted to try and replicate this effect.

Yiddish first:

זייַן ווייַב האָט אָנגעפֿילט זייַן הויז מיט הבלים

צו בלייַבן וויטיש, איך שטוף אים אופֿן דיל. zayn vayb hot ongefilt zayn hoyz mit havolim.

tsu blaybn vitish, ikh shtup im afn dil

This translation is pretty direct. There is a word for chintz in Yiddish -- tsits -- but, as far as I can tell, it refers only to the fabric; it doesn’t have the same derogatory connotation as in English. I chose, instead, havolim, a loshn-koydesh word that means “vanity, nothingness, nonsense, trifles”. In Hebrew, it can also mean breath or vapor. I chose this over the other competitors because it, too, is a word with a journey and with a secondary meaning. Rather than imagining the bright prints of chintz, we might imagine a more olfactory implication -- his wife has filled his house with perfumes or cleaning fluids. It can carry the implication that something is being masked as well as the associations with vanity and gaudiness.

Vitish -- Okay, this is a good one. Keep in mind, of course, that I’ve never heard or seen it used before today, so my understanding of its nuances is very limited, but I’ll explain to you exactly how I am sourcing its meaning. The Comprehensive Yiddish-English Dictionary (CYED) gives this as “gone astray (esp. woman); slang correct, honest”. I used the Yiddish Book Center’s optical character recognition software, which allows you to search for strings in their corpus, to confirm that both usages are, in fact, attested. It’s a pretty rare word in text, though, as the CYED implies, it might have been more common in spoken speech. It appears in a glossary in “Bay unds yuden” (Among Us Jews) as a thieves cant word, where it’s definted as נאַריש, שרעקעוודיק, אונבעהאלפ. אויך נישט גנביש. אין דער דייַטשער גאַונער-שפראַך -- witsch -- נאַריש, or “foolish, terrible, clumsy/pathetic. not of the thieves world. in the German thieves cant witsch means foolish”. A vitishe nekeyve (vitishe woman) is either a slacker or a prostitute. I can’t prove this for sure, but my sense is that it might come from the same root as vitz, joke (it’s used a couple of times in the corpus to mention laughing at a vitish remark -- which makes it seem kind of similar to witty). I assume the German thieve’s cant that’s being referred to is Rotwelsch, which has its own fascinating history and, in fact, incorporates a lot of Yiddish. In fact, for this reason, some of the first Yiddish linguists were actually criminologists! What an excellent set of associations, no? It has the slangy sense of straightforward of honest; it has a sense of sexual non-normativity (we might use it to read into the relationship between the narrator and the husband) -- and a feminized one at that; it was used by an underground subculture, and, again, the meaning there was quite different -- like the “real” in “keeping it real” it was used to indicate whether or not someone was “in” on the life (tho “real” is used to mean that the person is in, while “vitish” is used to mean they’re not). It’s variety of meanings are more ambiguous than “keep it real”, which can pretty much only be read positively, and it also brings in a tinge of criminality. Though it doesn’t have the same exact connotations as “keep it real”, I think it’s about as ideal of a fit as we’ll get because it’s equally evocative of more below the surface. I also chose “tsu blaybn vitish”, which is “to stay vitish”, as opposed to something like “to make it vitish” to keep the slight ambiguity of time that “keep it real” has -- keeping it real does< I think, imply that there is a pre-existing “real” to which one can adhere, so I wanted to imply the same.

The rest is straight-forward. “Shtup” is one of a few words the Comprehensive English-Yiddish Dictionary (CEYD) gives for “fuck”, and I think it has a nice sound.

Ok, now Russian

женой твой дом наполнен финтифлюшками

чтоб не блудить с пути, ебемся на полу

zhenoy tvoy dom napolnin fintiflyushkami.

shtob ne bludit’ s puti’, yebyomsya na polu

In order to preserve, more or less, the iambic meter, I made a few more changes here -- since Russian, unlike Yiddish, is not a Germanic language, it’s harder to keep the same structure + word order while also maintaining the rhythm. I would translate this back to English as:

“Your house is filled with trifles by your wife. To not stray off the path, we’re fucking on the floor”

So a few notes before we get into the choice of words for “chintz” and “keep it real”. To preserve the iamb, I changed “his” to “your”. This changes the lines from a narration of events to some outside party to a conversation between the two men at the center. Russian also has both formal and informal you (formal you is also the plural form, as is the case in a number of other languages). I went with informal you because I wanted to preserve the fact that his wife has filled his house not their house, as someone pointed out in the original chain (though I don’t think that differentiation is nearly as striking in the 2nd person) and because it’s unlikely you’d be on formal you with someone you’re fucking (unless it’s, like, a kink thing). I honestly didn’t even consider making it formal, but that would actually raise a lot of interesting implications about the relationship between the speaker and the husband, as well as with what that means about the “realness” of the situation. Is, in fact, the narrator only creating a mirage of a more real, more meaningful encounter, while the actual truth -- that there is a woman the husband has made promises to that he’s betraying -- is obscured? that this intimacy is just a facade? Is there perhaps some sort of power differential that the narrator wishes to point out? Or perhaps is the way that the narrator is keeping it real by pointing out the distance between the two of them? there is no pretense of intimacy, the narrator is calling this what it is -- an encounter without deeper significance?

Much to think about, but I actually think the two men do have history -- i think the narrator remembers the house back when it was actually only “his house” and was as yet unfilled with chintz. We also don’t know what they were calling each other prior to this moment. This could be the first time they switched to the informal you.

Ok moving on, I originally translated it as “твой дом наполнен финтифлюшками жены”. Honestly, this sounds more elegant than what I have now, but I ultimately though removing the wife from either a subject or agent position (grammatically, I mean) was too big a betrayal of the original. The original judges the wife. She took an active role in filling the house. If she were made passive, that read is certainly a possible one -- perhaps even the dominant one -- but it could also read more like “we are doing this in a space filled with reminders of his wife and the life they share” -- the action of filling is no longer what’s being focused on. Why do I say the current translation is inelegant? I feel you stumble over it a little, because it’s almost a garden path sentence. This is also an assset though. “Zhenoy tvoy dom napolnen” is a fully grammatical sentence on its own, and it means “Your house is filled by your wife” -- as in English, the primary read is that the wife is what the house is full of. If the sentence makes you stumble, perhaps that’s even good -- we focus, for good reason, on the relationship between the two men, but in a translation, the wife is able to draw more attention to herself.

Ok, chintz: I chose the word “финтифлюшки” (fintiflyushki), meaning trifle/bobble/tchotchke, because it, allegedly, comes from the german phrase finten und flausen, meaning illusions and vanity/nonsense. Once again, I like that the word has a journey, specifically a cross-linguistic one.

Keep it real: this one, frankly, fails to capture the impact of the original, in my opinion, but allow me to explain the reasoning. “Stray off the path” implies, again, that there is some sort of path that both the narrator and the husband were on before the wife and the chintz -- and one they intend to continue taking, one that this act is a maintenance of. It brings in a little irony, since the husband very much is straying from the path of his marriage. “Bludit’“ can also mean to be unfaithful in a marriage (as, in fact, can “stray”). The proto-slavic word it comes from can mean to delude or debauch -- they want to do the latter but not the former.

As for register -- “shtob” is a bit informal. I would write the full version (shto by) in an email, for example. The word for fuck, yebyomsa, is from one of the “mat” words, the extra special top tier of russian swears, definitely not to be said in polite company (and, if you are a man of a certain generation or background, not in front of women; it’s not that the use of mat automatically invokes a male-only environment, but if we’re already thinking that deeply about it. But while we’re on the topic, i will say that in my circles in the US, women use mat much more actively than men (at least in front of me, who was, up until recently, a woman and also a child).)

Ok i think that’s all the comments i have!

#can you imagine if someone called you вы during sex unironically #i'd be like 'ты че? лучше меня тыкай' haha do you guys get it #also if you have not checked out the YBC's OCR software DO IT

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howtofightwrite · 2 months

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Have you read GRRM books? He claims swords needed to be “especially designed for women’s hands” how true is this?

About as true as all of those, “girl guns.” Because, as you know, a woman cannot hold a Glock unless it's pink or sky blue. Which is to say, not even remotely true.

You might get a situation where a child would be unable to operate a weapon designed for adults because the grip is too cumbersome, but even this is going to be something of an outlier. Even years later the Nicholas Cage's line from Lord of War (2005) sticks with me, when describing the AK he narrates, “...so simple a child could use it, and they do.”

Just like basically any other common grip you encounter in your daily life, from screwdrivers to steering-wheels and cell phones, selling smaller, or more colorful ones, is strictly a marketing gimick.

Now, is a legitimate context, but it doesn't really have anything to do with the wielder's sex. If they had the money, the time, and the desire for a perfect grip, they might commission a smith to produce a grip specifically for their hand. Though, the only place I've ever come across this was in competitive fencing. I have seen cases where someone modifies their blade's grip with tape or other materials to better fit their hand, or the addition of a leather (usually shagreen) wrap over their grip, but even that is somewhat unusual. (Shagreen is leather from a shark or ray, and it grips the skin, making it easier to hold, especially when wet.)

Ironically, girl guns do illustrate the one case where have some weight: Weapons as fashion accessories.

I know I've complained about weapons (particularly handguns) as fashion accessories in previous posts, but the truth is that using weapons like this is not new behavior. In the early modern era, one of the ways the rising middle class liked to display their status was with a sidearm. (In this case, referring to a sidesword or, later, a rapier.) I've looked specifically into women carrying sidearms at that point in history, but it really would not surprise me in the least if they did, and if there were, that at least some of those swords were specifically designed to be more delicate and, “feminine,” per their owner's tastes. (Though, to be fair, a more delicate grip on a rapier would be fairly impressive, as the grips tend to be pretty thin.) This is a case where you might want to look into it further, if it really catches your interest, but I've never really run this down before.

If you're still dubious, feel free to wander into nearly any HEMA event, and you'll have a better than average chance of a woman being willing to prove this idea false with a Zweihander, that may in fact be taller than she is. (Historically, Zwiehanders could be over 2 meters long, and chances extremely good that you're shorter than 2 meters.)

I know I'm regurgitating previous posts here, but it really is worth remembering that swords are much lighter than people think. Zweihanders are some of the heaviest battlefield swords from history, and even the heaviest examples weigh less than 9lbs. Women in HEMA can, and do, use them effectively. Swords aren't about being big and heavy, they're about being a (in this case) seven foot long razor blade.

Since we're on the Zweihander specifically (and this may also apply for some of the other greatswords, such as the Scottish Claymore), this is a case where you might have a custom weapon forged for you. However, in this case, that's more about the right blade length, then worrying about the grip being too thick or too thin. Ideally, you want the blade length to match your height (roughly), this is because of the drills with the weapon itself, though you could adjust to a longer blade if that's what you had.

Now, to be clear, the idea of someone, particularly a noble, having a blade custom forged for them specifically isn't strange. That's something that did happen, both at the noble's request, and also as diplomatic gifts from other nations. Examples of the latter resulted in beautiful art pieces that you would never take into battle.

If you had a situation where you couldn't use a sword because the grip was too large (for, whatever reason), there are ways to fix that. In an ideal situation, you could simply pop off the pommel and grip, and then replace the grip with one that was a better fit to your hand. If the tang itself was the problem (this is the metal core of the grip, and is part of the blade, which the pommel attaches to), you might be able to shave (or file) down the tang, and then replace the grip with a new one, fitted to the now smaller tang. I'm not particularly wild about modifying the tang directly, simply because there is a (minor) risk of reducing the structural integrity of the sword in the process. Though, replacing the grip (especially on a sword with a threaded pommel) is very doable, and unless someone, somehow, screws up catastrophically, it should be a pretty trivial modification. (Again, replacing a sword's original grip with a new shagreen grip does make a lot of sense if the owner wants that improved grip.)

But, to the original question, it's not really a thing.

-Starke

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#writing reference #writing advice #writing tips #how to fight write #starke answers

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neil-gaiman · 1 year

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Hi, Neil! You've mentioned that Brian May was initially reluctant to give you permission to use Queen's music in the miniseries (because of competition with the Bohemian Rhapsody film, I think?) but I don't remember you ever telling us why he finally relented. Unless it involves a secret phrase not unlike why the sheep finally obeyed Babe the pig, how did you get him to change his mind?

He wouldn't let us use Queen when we did the BBC Radio 4 adaptation. He was concerned that people might think that Queen was being made fun of, or that Queen was being seen as something old-fashioned or something. For Good Omens the TV show I wrote him a letter, which said...

Dear Brian

Terry Pratchett and I had a private joke, back in the 80s, that any cassette in your car would eventually turn into Queen's Greatest Hits. We put the joke into our cowritten novel GOOD OMENS, and wove a certain amount of Queen magic through the book. Done because, pretty obviously, we love Queen. The book went on to sell enormous numbers over the years, and whenever two Good Omens fans got together, they would talk about Queen.

I know that when Dirk Maggs approached you when he did the Radio 4 adaptation of GOOD OMENS, you were wary about getting involved, due to concerns about, well cassettes, and the possibility of it positioning Queen in people's minds as something old fashioned or silly.

Which, I thought, when Dirk told me about it, was fair enough.

I've now spent the better part of the last four years writing scripts for, and shooting, a TV adaptation of GOOD OMENS. It stars Michael Sheen, David Tennant, Miranda Richardson, Adria Arjana, Michael McKean, Derek Jacobi, Jon Hamm, Nick Offerman, and lots of other amazing people, and it will be narrated by Frances McDormand. It is directed by Emmy-award-winning Douglas Mackinnon.

Douglas loves Queen. I love Queen. David Arnold loves Queen.

And the millions upon millions of Good Omens fans around the world love Queen too. So we have put various moments in there just for them (including a brass band playing "Lazing on a Sunday Afternoon"). We want Queen music to comment on the action.

The show will come out from Amazon, and then from the BBC, next year. This year we are in post-production.

We'd love to show you some of what we've got. We'd love to pick your brains and to get your take on what we're doing. To find out if there's a way we can include you, or just brief you on what we've planned so far.

And Brian cheerfully apologised for having said no before, and said yes.

(Queen didn't want us to use the song Bohemian Rhapsody initially, because of concerns about the movie, but after a while they were happy even with that.)

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