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#philip chang
ewzzy · 1 year
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It's all of Peter Parker's ESU colleagues from his time as a student teacher. Do you know which one is a secret alien?
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sitting-on-me-bum · 2 years
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"Lion Cub in the Rain"
by Phillip Chang
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donniesdorm · 1 year
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he’s right behind me isn’t he
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On one hand, I think it’d be SO interesting if we never get a direct confirmation that Evelyn is a Clawthorne. Of course she is, we all know she is, but they never say it outright. She, and Caleb, forever haunt the narrative in silence. None of the characters will ever know, and that silence will haunt us, too.
On the other hand, imagine if when Belos is losing his mind and being evil and whatnot, battling Eda, who’s already going through some shit, he ends up saying “Evelyn Clawthorne” either directly towards her like how he was with Flapjack, or just as a taunt.
Cue Eda thinking he’s just an asshole who couldn’t even remember her name, she barely gets to say as such before there’s a “WHAT” off-screen, cut to Hunter and Luz, who were probably supposed to be hiding, looking like this
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And tell me this wouldn’t be the funniest fucking shit you’d see in your entire life
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quess-art · 3 months
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Child! Silver art I had in my files for a while
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anglerflsh · 2 years
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I've been looking, high and low
Where oh where'd my brother go
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tuumcleander · 7 months
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bro is just vibin
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rulersre4chf4n · 4 months
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Belos + Tumblr text posts
(images contain alt text)
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dragoninahumancostume · 4 months
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85 things I love in Hamilton:
When a line of a song repeats on another song but slightly different or the exact same in a slightly different context or the exact same with the same context ("Look around look around" by Eliza vs by Alex, "I'm helpless" in Helpless vs Non-stop vs Say no to this)
The way it sounds like Lin is spitting on the P's in "My time's uP, wise uP, eyes uP"
How everyone agrees that Lafayette let his hair loose after Yorktown and that if he put it on a ponytail again Hamilton would react the same way Doofenschmirtz does with Perry and his hat
Everyone seems to agree Laurens should go running to be with Angelica, Eliza and Maria when they sing "Me? I loved him"
Daveed Diggs
The historical inaccuracy making songs even better (example: "How the sausage gets made" sung in 1790's when sausages were brought in the 1800's. Philip dying before the election of 1800 and in July when he actually died in November of 1801. Burr being Charles' second.)
Being able to tell which song is which even when they start off the same (alexander hamilton, guns and ships and winter's ball) by slight differences
"Can we agree that duels are dumb and immature?" *sends a letter wanting to duel* "All he had to do was die. We ought give it a try." *kills Alex*
"I was chosen for the constitutional convention! :D"
Aaron's voice and expressions
"Wheeeee!" -Charles Lee
Animatics vs The actual musical (example: the king dancing in the animatic, him standing with a death stare in the musical)
Hamilton being happy he finally has friends
The dance in My Shot
Lafayette and Hercules dancing
Hercules showing off his pants
Lafayette flexing his muscles
John Laurens screaming passionately in the "shout it from the rooftops" part
Angelica's voice and expressions
John looking like he's checking Ham out
The difference between the musical and the studio recording, specifically the pauses that for me sound like they're trying to regain some breath to continue singing
Hercules as the flower girl
The foreshadowing (?) ("I may not live to see our glory" *dies*/ *doesn't count to ten in French* *dies because his opponent didn't count to ten*)
Peggy getting distracted by John in Schuyler Sisters
"my dog speaks more eloquently than thee"
"You don't have the votes ha-ha-ha"
Ham stopping his dance and fixing his jacket when Philip enters in Helpless
King George literally spitting in You'll be back
*Philip dies, Ham is mourning* "Can we get back to politics 🙄. Who you gon' vote for?"
When they're waiting for their turn on the song (Ham behind the king before Right Hand Man. John and Laf on the stairs behind Washington in "Your excellency, sir")
Washington's voice
The backup dancers they're literally so good
Ham: making a plan. Hercules: BRAH
Ham pushing Laf away so he could talk with Angelica
HAMILTON WROTE THE OTHER 51
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iridescent-king · 1 year
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using philip to practise invisibility effects lol
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probablyhuntersmom · 1 year
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The scenes towards the end of the finale were like an intersection of multiple characters experiencing the loss of father figures, in different shades:
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Luz's relationship to her late father took on a different form, after King's own father passed on and his glyph magic was gone for good. Manny gifting her the Azura books before his death, and Papa Titan offering her glyph magic before he too passed on, helped Luz find her place in the world and defeat Belos.
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Apparently this scene is what made Sarah Nicole-Robles bawl in the recording studio, right after she recorded the lines.
When these changes happen - when we experience the loss of a person, when our ties with them are wrangled into a new form, against our will - it can be devastatingly painful. Change and transformation make for fancy, dramatic scenes in fiction, and they always incur loss in some form, painful or not. It also made me so emotional when seeing how much 18-year-old Luz resembles Manny, and how her enrolment in the university is linked to both her biological father and Papa Titan.
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King's experience of seeing the majesty of his father, however brief, left him in awe and exhilaration. He can rest in the beautiful knowledge that Papa Titan was watching over him the whole time too. The message that his dad left him, relayed by Luz, is something he'll hold dear forever.
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Hunter will never be truly harmed by Belos ever again. But he can't discard the memories of Belos granting him attachment: even if the attachment ended up not being real in a sense. However, like what can be applied in real-life therapy, he can get guidance on how to rescript those memories.
Belos's lies about having good intentions don't change how it felt real to Hunter all those years ago. Hunter was a young child when receiving this 'love', and in a twisted way...the mission given to him by Belos kept him alive up till he could escape the Coven, because the mission gave his life meaning despite the circumstances being awfully terrible. A child cannot survive without attachment, and needs attachment even if the experience of attachment has been horrendous and scarring. And holy Titan don't get me started on how at age 16 (before the timeskip), he had yet to learn more grisly details about his predecessors - whom he might view as older brothers and fathers whom he never met - and the generational trauma in his Golden Guard family tree:
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which would have definitely been explored before he could experience that amazing hard-won serenity and peace at age 20.
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Even Philip's arc is inextricably tied to his manner of coping with how he murdered Caleb, who was the closest thing he had to a father, given how these two brothers were orphans. In the end, Philip meets his end while Luz gazes upon him the same way Caleb's ghost did. Philip won't be haunted by Caleb's ghost again, and he joins the person who was essentially his father figure in death. Till the very end, he was projecting onto another person because he didn't want to recognize the same traits in himself. He was the one responsible for his father figure's death.
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But grief doesn't mean the relationships in question have ended altogether. It's kind of like what this post about the finale (link) says, and it even extends to the relationship between us fans and the show itself.
The cliché "5 Stages of Grief" is the most commonly mentioned grief model, but I follow the development and advocacy of a newer perspective on grief that challenges it. In fact, the 5 Stages was originally just intended for terminally ill patients, but it was taken out of proportion. I began a serious investigation into the newer models after I went through something that parallels Hunter losing Flapjack...eerily, it happened to me two weeks before TTT's release date. No wonder I feel so close to Hunter as a blorbo, I guess.
Unlike what the 5 Stages of Grief says, grief and linear time don't mix well. Without "stages" to follow, there isn't an expectation of some deadline or permanent end of a tunnel in the newer models. Such pressure wouldn't be honoring the sacredness of connections between us. Instead, less famous grief perspectives like the dual-process model and continuing bonds model, are a better fit to honor relationships that mattered, since they aren't given an expiry date.
I wonder how Luz would be feeling on the day she graduates from the Wild Magic University, and how King feels each time he unlocks his own new glyphs since he is the new Titan to supply the Isles with magic. And I wonder how Hunter felt when his coven sigil was replaced with the Flapjack tattoo, and how he feels when he sees the Gravesfield town seal and Wittebane statues.
There are ways in which they can get creative to integrate their grief (notice I didn't say "get rid of", "remove", "erase" or even "manage"...the pain is what is to be managed, not the grief itself) the best they can. In canon, we have examples such as the Hexsquad agreeing to get their Flapjack tattoos together. Luz letting go of the light glyph sheet here:
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is also a fantastic representation of rituals like sending off a message in a bottle at a beach, tying a message to a balloon and letting it fly away (this happened in Reaching Out, didn't it?), or burning a message in a campfire to let it float up towards the sky in the form of embers.
It is a common recommendation to have exercises like letter-writing where the griever writes to the lost loved one. What many may not know is you can also do the reverse: you writing as your lost loved one, to yourself. Because the griever takes a piece of the lost loved one with them, that the griever has shaped within themselves. This is especially good if you need to extend forgiveness to yourself. An example from a book called Bearing the Unbearable:
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The author felt responsible for the stillbirth of her child, but had a "happy accident" where she intuitively asked for forgiveness and then received it, by invoking the love that her child would have shown to her in a world where said child had remained alive.
I think Hunter in particular could benefit from something like this, writing to himself as the uncle whom he saw as genuine and nurturing, and gaining ownership of that part of him even though Belos was a liar and is now gone for good. It can help him move forward especially since he won't be spared from nightmares in which his loss is re-enacted. With this kind of rescripting, historical accuracy doesn't actually need to matter. After all, our own minds lie to us at times and mess with historical accuracy anyway, like Luz's thoughts telling her she was as bad as Belos, and how true that felt.
A physical loved one is lost to death, and it can feel just as painful - only in a different way - if people become estranged or separated without a literal death having occurred. But the connection to them isn't lost, it is only adapted. The bond continues. For better or worse.
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I believe the pain in grieving is connected to each moment when we remember all over again that the one we loved isn't coming back.
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It's like the needle of a gramophone getting stuck in the loop of an unpleasant-sounding record scratch noise. It's a bit like what C.S. Lewis says in his book A Grief Observed: "In each of my friends there is something that only some other friend can fully bring out." I can't find the other part but he later said something like, therefore if a friendship is lost, the part of you that only that friend could bring out, is also lost. Something in you is locked away forever, though new things can also be unlocked after the loss.
It wasn't shown onscreen but I wouldn't be surprised if it's regular for Luz to come across a meme and be freshly reminded of her dad's absence, because she can't show him that meme. King would be wishing that a new funny cat video he discovers is something his dad could also laugh at along with him. Hunter would be hoping that Flapjack, the previous Golden Guards and Caleb are watching as he brings back palismen.
Bereavement, and any grief that is significant enough to alter our personhood forever, are the forms of love that can never really grasp how time flows in a linear way. They can't be reasoned with, only experienced.
"...the howling at the center of grief is raw and real. It is love in its most wild form" - Megan Devine.
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smokestarrules · 1 year
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‘Philip never could have changed and that’s why he’s tragic’ no!!!! Philip absolutely could have changed, that’s why he’s tragic! this man spent 400 years marinating in the culture and experience and people of the place that he was going to commit genocide in and he never once allowed himself to even consider the possibility that everything he was doing was wrong. he had all the time in the world and chose not to.
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flowercape · 2 years
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belos brainrot
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amoritasart · 5 months
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The way the tragic love story of Caleb and Evelyn is only recited through a legend told by people who never knew them, read from pages of the diary of the very person who destroyed their love. I-
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vyvilha · 8 months
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he really went from masc bottom to femme top..... what the fuck happened here
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anglerflsh · 1 year
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sillies compilation
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