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#please do any reading into what the fuck the history of the word ''queer'' is before telling me
inkskinned · 2 years
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it is hard to explain without sounding vain or stupid - but the more attractive others find you, the more you're allowed to do. the easier your life is.
i have been on both sides of this. i am queer and cuban. i grew up poor. for a long time i didn't know "how" to dress - and i still don't. i make my sister pick out any important outfits. i have adhd in spades: i was never "cool and quiet", i was the weird kid who didn't understand how "normal" people behave. i was bullied so hard that the "social outcasts" wouldn't even talk to me.
i got my teeth straightened. i cut my hair and learned how to style it. i got into makeup. it didn't matter, at first, if i actually liked what i was doing - it mattered how people responded to it. like a magic trick; the right dress and winged eyeliner and suddenly i was no longer too weird for all of it. i could wear the ugly pokemon shirt and it was just "ironic" or a "cute interest."
when i am seen as pretty, people listen. they laugh at my jokes. they allow me to be weird and a little spacey. i can trust that if i need something, people will generally help me. privilege suddenly rushes in: pretty does buy things. pretty people get treated more gently.
i am the same ugly little girl, is the thing. still odd. still not-quite-fitting-in. still scrambling. still angry and afraid and full of bad things. of course it became my obsession. of course i stopped eating. i had seen, in real time, the exact way it could change my life - simply always be perfect, and things can be easy. people will "overlook" all the other things. i used to have panic attacks at the idea others would see me without makeup - what would they think? even for a simple friend hangout, i'd spend a few hours getting ready. after all, it seemed so obvious to me: these people liked me because i was pretty.
i worry about how much i'm being a bad activist: i understand that "pretty" is determined by white, het, cis, able-bodied hegemonies. if i was really an ally, wouldn't i rally against all of this? recently there's been a "clean girl" trend which copies latinx aesthetics: dark slicked-back hair, hoop earrings. i almost never wear my hair like that; i can hear the middle school guidance counsellor advising me that i might fare better if i toned it down on the culture.
the problem is that i can take pretty on and off. that i have seen how different my life is on a day where i try and a day where i don't. i told my therapist i want to believe the difference is confidence, but it's not. and when you have seen it, you can't unsee it. it lives inside your brain. it rots there; taunting. i get rewarded for following the rules. i am punished for breaking them. end of story.
pretty people can get what they want. pretty people can feel confident without others asking where they got their nerve from. pretty people can be weird and different. pretty people get to have emotions; it's different when they get aggressive, it's pretty when they cry with frustration.
of course people care about this. of course it has crawled into you. of course you want to be seen as attractive. it's not vanity: it's self-preservation.
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vidavalor · 3 months
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I'm obsessed with your Crepes post and Ineffable Husbands Speak but I'm stuck on when Azi says "angel, demon, possibly explode." Wouldn't that say they hadn't tried it? I feel like there's a lot happening with the language in this scene and I'm not seeing it. Could you write about that? I will bring you fucking boxes of caramels if you can make that scene make sense haha.
Hi there! I can try. :) Thanks for reading the post & for the ask. I made chocolate chip cookies today so please help yourself.
You know how we've been chatting here about how Crowley & Aziraphale use words like "wily", "thwart" and "smitten" that have multiple, sometimes contradictory, meanings? A violent or religious one but also a romantic or sexual one? "Explode" is another one of those words and it changes the meaning of the Discorporated!Aziraphale scene quite a bit from what it might seem to be at first.
One of the definitions of "explode" is to disprove ideas that were previously thought to be true or potentially true. To "explode a theory" is to uncover new information that allows you to render a theory untrue.
"Explode" is also an example of using destructive language as sexual metaphor, which they do pretty frequently, and we'll get into when I finish the meta one of you requested that I write on the "seeds of destruction" scene in S1.
I'll get into it in more detail in the future but, imo, the Discorporated!Aziraphale scene is actually suggesting that Crowley and Aziraphale once thought they might harm one another if they were to have any sex that brought them into too much direct contact with each other's, uh, holy water and hellfire, but that they eventually exploded that theory and have been, uh, exploding each other more expansively for some time as a result.
Queer history allegory incoming:
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Steve walks merrily down the street/with the brim pulled way down low/ain't no sound but the sound of his feet/machine gun's ready to go/are you ready?/hey/are you ready for this?/are you hangin' on the edge of your seat?/out of the doorway/the bullets rip/repeat it to the sound of the beat...
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ignitesthestxrs · 7 months
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I know you said you’ve gone back into it slowly but any book recs?
yes absolutely!! i have read some bangers lately tbh. also another thing i am trying to do is start uuuh reviewing what i'm reading so i will link a couple of those as well. but here is a sporadic collection of my reading enjoyments of the last year or so!
IF FOUND RETURN TO HELL // THE DEATH I GAVE HIM by Em X. Liu
em is hands down one of the best writers i know with prose that will punch you in the face and leave you asking if you can have another, please.
IF FOUND RETURN TO HELL is a queer found family novella featuring a done-with-this protag working in a wizarding call centre who abruptly comes down with a case of 'sweet angel baby boy possessed by demon hell child' in a broken magical healthcare system where following protocol is more important than like, helping people. so what is journeyman wen to do if not, you know, help anyway?
THE DEATH I GAVE HIM is the queer scifi hamlet retelling of my dreams, which is funny because i didn't care about hamlet until this book taught me how to. a thoughtful exploration on the nature of adaptation, death & immortality, and also what happens when your best friend is an AI and you wanna fuck him.
IN COLD BLOOD by Truman Capote the original true crime novel. still stuck in my truman blorbo moment. full review here
ASSASSIN'S APPRENTICE by Robin Hobb classic 90s fantasy with surprisingly emotional focus on the protag in a way i really dug. unhinged levels of accidental queerbaiting in a way that i enjoyed rather than despaired of. full review here.
PANDORA'S JAR: WOMEN IN THE GREEK MYTHS by Natalie Haynes a great overview of classical women that takes into account multiple sources and the way they have been read over centuries, and how the time in which a tale is being told affects the tale just as much as what the text of the story actually is. does a good job of walking the middle ground between like, historical sexism and the reflexive girlbossification instinct.
IN OTHER LANDS by Sarah Rees Brennan the queer harry potter offshoot we all actually deserve. portal fantasy with an acerbic main character who will save the world out of sheer spite because the world doesn't seem to think he can save it, or want him to do it even if he could. a genuinely lovely musing on the nature of loneliness, what abuse does to a child, how it's hard but possible to overcome the prejudices you learn when you're young, and how eventually, you're going to have to make the decision to let yourself be loved.
SHE WHO BECAME THE SUN by Shelley Parker-Chan truly i don't have the word for how fucking excellent this queer epic fantasy is. set in mongol-ruled china, this book is a masterclass in political intrigue, historical fiction, military fantasy, and also genderfuckery. feat. the kind of tragedy you see coming for several hundred pages and still takes your breath away when it hits, and also lesbian fisting. anyone who says books based in history can't get queer can get fucked.
A MARVELLOUS LIGHT by Freya Marske for a total 180 in mood, here is your queer romantic fantasy set in an Edwardian England that is reflective of the fact that like, queer people did in fact exist in Edwardian England. A lighter fare that nonetheless will hit you right in the heart and leave you delighted that a) there's a second book out now and b) the third one is coming soon. also Freya is an Artiste when it comes to writing good sex scenes, which
i belatedly realise it seems like i'm focusing on in this post but i just! like a queer text that tackles queer sex with nuance and interest and the horror and/or joy of the body, and the above authors are all fucking masters at their art (which includes, but by no means is limited to, writing about fucking)
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veilchenjaeger · 1 year
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please please please please make a case for the specific kind of dyke xue yang is pleaaaaase <3
!
I am very, very tired, so I don't know how coherent I'm capable of being, but I'll try my best!
One interesting thing about Xue Yang is the way his non-conformity with societal rules works, because he imo utterly does not give a fuck about the society around him and the way he relates to it, outside of the fact that he doesn't fit in. (With some exceptions, of course.) I read him as kind of having an attitude that can be somewhat summarised in three points, which are:
Society expects certain things, and other people play the game of society by either conforming or not conforming to these things. Xue Yang is highly aware of societal expectations and moral ideals how they're in conflict with what people actually do. He sees through the elaborate dance of social norms and interactions, he knows all the steps, he just thinks it's a stupid dance.
He does whatever he wants. He's not bound by societal conventions in any way; he makes his decisions according to what does and doesn't feel good to him personally. (That isn't entirely true because he's still influenced by society, but I'd say it's mostly true.)
He is important; society and other people are not. He knows how he and his actions are seen and judged, but it doesn't matter, so he'll just go ahead doing what he does! (It does matter to him. Deep down, it does. But that's imo restricted to his anger and hurt at being considered worthless or monstrous, and not as related to any specific actions others judge him for.)
So, Xue Yang's style of non-conformity is drastically different from e.g. Song Lan's. Song Lan cares about society. He deliberately places himself in opposition to its norms, because he sees them as harmful and hopes to change that. Thus, he takes part in that dance, even though the steps he chooses are different. Like, even deliberate subversion of and non-conformity with societal norms in some way reproduce these norms. (Which in itself is a completely neutral thing; subversion and non-conformity are reactions to something and kind of depend on that thing existing in the first place.) Every action is a dialogue with society. And I don't necessarily think that Xue Yang isn't in a dialogue with society, but he goes about it in a different way. He doesn't choose his steps, he just moves, no matter whether he ends up going with the flow or not. He's currently on his way to the buffet table.
(Xiao Xingchen doesn't know the dance. He's stepped on Song Lan's feet thrice already.)
Introductory meta done. Now onto dyke Xue Yang.
To preface that, of course everyone who reclaims the term "dyke" is a dyke, no matter how they present. I'm going with this term partially because it is so vague, partially because it's connected to rebellion and has the same "You think I'm worthless and insult me? Fuck you, I'm going to own everything you despise me for so hard that you'll have no power at all over me" vibe Xue Yang has, and partially because, when used to describe an aesthetic rather than an individual person or a group, it evokes certain images for me that imo fit Xue Yang pretty well. If there's a more precise word for that aesthetic, I don't know it. I'm going to argue in favour of dyke aesthetic Xue Yang, and there are two main points I want to address.
One, Xue Yang's non-conformity is so volatile that I don't think it would fit into a certain category. There's something deliberate about things like being butch or femme, both in terms of these labels having a certain history in a community (I don't think Xue Yang would see herself as part of a queer community, at all) and in terms of the societal dance. It's a specific way of choosing your steps. For Song Lan, that sort of deliberate non-conformity works super well imo because canon Song Lan is so deliberate about the way he doesn't conform! For Xue Yang, I doubt she'd think about things like the way she performs her gender. It doesn't matter. She does what feels good, no matter whether that's inconsistent or fits into any categories. Again, I don't think Xue Yang has the drive to seek out other people who share her experiences or identify with anyone else, which is after all a part of giving the way you do queerness a specific label and arguably a part of openly performing that kind of queerness in the first place.
This isn't particularly uncommon or anything; most lesbians are neither butch nor femme. But on top of that, Xue Yang also doesn't give a shit about conforming or belonging to anything else, so I imagine that the way she looks is... maybe not blatantly, visibly queer? Because that would require her to want to look queer, but also not not visibly queer, because she'd entirely ignore cisheteronormative ideals of How To Dress.
Which brings us to the second point, which is the question of how removed from the dance of society Xue Yang actually is. Bc I think there are some things she would care about. Considering his CQL aesthetics especially, but also in the novel, Xue Yang is edgy! He named his sword Jiangzai! All the not giving a shit about society aside, there is one thing Xue Yang does imo care about performing, and that is the very fact that he doesn't give a shit about society. Which of course stems from the way he was harmed by the prevalent social structure and the hurt he compensates for with his blatant disregard for any kind of morals or propriety. So, like, dyke Xue Yang would still care about looking different, maybe in some way that seems somewhat dangerous and certainly in a way that gives a middle finger to everyone who'd disapprove.
And I genuinely think that might be anything! I can truly see Xue Yang dress in anything from a full biker suit to a 2014 Babymetal stage outfit - the crucial point imo is that she'd always look different, slightly to the left from anything you could give a name to or put your finger on. It would probably be something at least vaguely practical - she needs to be prepared to stab people and wouldn't want to be held back by her clothes of all things - but that's about it. I think that general vibe - neither truly GNC nor truly conforming to anything, neither masculine nor fully feminine nor deliberately androgynous, but always visibly different from the cishet norm - fits the term "dyke" pretty well.
Also, I just think she'd wear knockoff Doc Martens.
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thedrarrylibrarian · 2 years
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I’ve gone through your card catalog and read all the long fics lists! Do you have anymore?
Thanks for all you do! 💕
Hello! Your holds have arrived!
I love to hear that you're putting the card catalog to use! Luckily for you, I do have more long fics for you! I hope you enjoy these!
Long Fics 4
A Sense of Scale by @dragontamerdame and @fantalfart (70,460 words, rated M)
“How the fuck do I win a school over, Potter?! It’s a bloody school, not a person!” And he didn’t win people over that easily, overall. “I don’t know. Use your charms. I know you to be very inventive.”
the measure of a memory by citrusbaby (84,861 words, rated M)
Apparently, seven years had done nothing to stamp out Harry's hot, coursing anger at everything Malfoy said and did. Their reunion was going nothing how he’d imagined—encountering Malfoy years later, real mature and worldly, all unruffled by him and his pitiful vindictiveness. Getting the last laugh. Not that Harry had imagined it.
Chasing Shadows by @manixzen (93,302 words, rated E)
The murder of Lucius Malfoy seems impossible—no cause of death, no traces of spell-work, no potions in his system. The only leads Harry and his partner have are the trail of missing wizards the deeper they go. That and the help of the victim’s estranged son who now spends his time bartending at a queer-frie ndly Muggle pub.
Charming Chocolates by @fanton-ftnoise (100,867 words, rated T)
The summer following the Battle of Hogwarts, Harry Potter visited his parents' graves and disappeared in a mysterious attack. His wand was recovered but the trail soon went cold and the world moved on. Twelve years later, Remus Lupin discovers James Charming, of Charming Chocolates, a mute man with no memories before July of 1998.
Make Yourself by @anyaelizabethfic and @zigster-ao3 (103,266 words, rated E)
Harry just wants to be safe within the freshly painted walls of Grimmauld Place, with his friends around him. But when he hears Draco Malfoy has been spotted at the local soup kitchen, he can't help but encourage a different type of stray to come under his roof.
Nor All That Glisters by @sweet-s0rr0w (110,613 words, rated E)
Lonely and frustrated on house arrest, with no prospects for the future, Draco begins brewing Felix Felicis in an attempt to improve his lot. Just in the short term, of course. He isn’t a total idiot. But before long he finds himself with a thriving business, a nice flat, some actual (albeit irritatingly Gryffindor) friends, and a very satisfying sex life. What’s more, no-one is hexing him in the street. And Harry Potter is single, and gorgeous, and giving Draco decidedly interested looks.
Stop taking the Felix? You must be joking…
Bolts by @lqtraintracks (114,500 words, rated E)
Harry joins the Hogwarts staff as the new History of Magic Professor, while Draco has already been teaching Defence Against the Dark Arts for the past year. When Samantha, a first year, is being bullied one day and throws a made-up Truth curse at her harasser, only to accidentally hit Harry instead, Harry becomes cursed to tell the truth, and not only that, he has to regularly tell it to Draco Malfoy. Samantha is clearly gifted, maybe the most powerful witch or wizard to ever come through Hogwarts, and yet she has no idea how to take the curse off. As they work to remove it—and also teach Samantha how to control a power that's becoming more dangerous by the day—will Harry's truths become too much to handle? And will whatever’s going on with Draco just make everything exponentially worse?
unrequired love by @doomofvalyria (124,021 words, rated E)
"It was becoming increasingly clear that Harry Potter’s obsession with Draco Malfoy was a lifelong condition, not a symptom of any specific circumstance."
❤️ As always, if you find a fic you enjoy, please remember to leave the author a kudos or a comment! ❤️
Lots of Love and Happy Reading!
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revasserium · 1 year
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rain what are the best books you’ve read since you’ve been away?
*cracks knuckles* oh my sweetest of baby jesuses nonnie, from wheremst do i even stART LOL. well -- i read about 99 books in the calendar year of 2022 alone (some were re-reads, but most weren't), though to be fair, i'd set that goal for myself at the beginning of the year. so i'm gonna pick from that subset + the about 20ish books i've read this year, sound good? alrighty, let's go.
fantasy - wayward children series by seanan mcguire
this is probably my new favorite book series. period. like. i'm trying to think of other series that i've read that i want to shove down other ppls throats as vehemently as i do this series and... it doesn't exist. the lyricism in the prose is just *chefs kiss*!!! they're novellas (about 150pages each!), and there are a ton of them, so i just devoured like the entire series in a single week. pls PLS give this a try!
fiction - a secret history by donna tart
not that i need to tout this book any more than it already has been on tumblr but. it created the entire dark academia movement and is still one of the cornerstones of my personal literary canon; like oH bOY can tart write a fuCKING SENTENCE. this was a re-read, cause i originally read it in like 2015, loved it, and then didn't re-read it again, but i did last year and i want to tattoo this entire book into my bones. this is the kind of writing to which i aspire on the DAILY
short stories - her body and other parties by carmen maria machado
again, i feel like this book has been talked about by everyone and their mother and pLEASE DEAR GOD read the trigger warnings!!! they are there for a REASON! but again, gorgeous writing, INSANE exploration of the female body (and the shit that owners of said bodies have to deal with), gender, sexuality, queerness, and general mind-boggling weirdness.
nonfiction - on writers and writing by margaret attwood
one of the greatest writers of our age, writing about her favorite writers and their favorite writings. what more could you ask for??? not much TBH. and add to that atwood's signature like dry humor and voice and just sldkfjaosidj also, this expanded my tbr by like 30 books cause she quotes SUCH GOOD STUFF at the beginning of each chapter!! and it's a short read - it just puts the art and tedium and magic and mundane of writing into such good perspective??? amazing 100/10, 5 stars on yelp, 3 michelin stars.
poetry - i'll fly away by rudy francisco
ppl who have been here since 3 years ago know that i am a rudy stan. i stan his slam poetry, his written poetry, him as a human being. this is def a more "political" collection than helium (also a fucking bANGER), but i still savored every single word. i love it. i love him.
honorary mentions:
the night circus by erin morgenstern
ninth house & hell bent by leigh bardugo
the house on the cerulean sea by tj klune
red winter series by annette marie
mythos, heros, and troy by stephen fry
if we were villains by ml rio
where the crawdads sing by deliah owens
a lesson in vengeance by victoria lee
evelyn hugo & daisy jones & carrie soto by taylor jenkins reid
grief is the thing with feathers by max porter
rebecca by daphne du maurier
bunny by mona awad
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loreofthegayuma · 1 year
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Lore/Mira/Fritz here and this is a personal side-blog!
Last Update: Mar. 11, 2024
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System, SEAsian, and bodily 26. Follows from @loreofthefritz (main/dbz blog).
About:
This is a blog of us making text posts about issues, our life, or a little bit of both. There are also a lot of media we're obsessed with and a lot of things we find interesting.
A lot of us are semiverbal/nonverbal/selectively mute and we struggle with hearing so we ask that you kindly share a caption or transcriptions of your videos especially if you're sharing it to us specifically. Thank you for understanding <3
What we mean by semiverbal/nonverbal/selectively mute is...
That most of us have a hard time verbalizing our thoughts because we don't use words on each other when we talk. Sometimes we experience a verbal shutdown; we won't be answering asks, DMs, and won't be talking in the tags. Please be patient when that happens, we will be back shortly. Even if you find us posting text-heavy content, it doesn't mean we're currently not experiencing a shutdown, sometimes we just post those that have been in the drafts a long time ago during this time.
Some of us write and we intend to post some of them here and the other things we create. However, please do enjoy our blog for the meantime!
❗️This blog may post suggestive things on extremely rare occassions but never fullblown NSFW❗️
If there's any issue or problem at all that you want any of us to address, feel free to slip an ask or DM!
We mostly no longer tag for rbs unless we want to see them again. Anything else you want to know you can find in our carrd.
@loreofthefritz - main + dragon ball blog (don't follow this one unless you really like dragon ball). 《Fritz》
Other blogs:
We usually share blogs but I'll put under here which alter is mostly using the account:
@lore-loves-animated-shows - pixar, dreamworks, and disney side-blog. 《Fritz created this but they dont use it as often as our littles》
@loreoffandoms - sideblog of random fandoms (check its pinned post to see which they are) 《no one in particular》
@thedemon-mirajane - fairy tail, naruto/boruto, undead unluck, hunter x hunter, to your eternity, zom 100: bucket list of the dead, and yu yu hakusho sideblog! 《Rein and Mira》
@soccerpunching - sports animanga + mob psycho 100, dr. stone, bakugan sideblog (mostly inazuma eleven) 《Lore》
Tags I use for my own posts:
#lores of fritz - personal experiences, thoughts, and opinions of fritz
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#rein-y days - personal experiences, thoughts, and opinions of rein
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#fritz in rants - just our rants
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#fritz gets asks - me answering asks
#anon cannon - getting anon asks
Tags for reblogs:
#suggestive - we won't be reblogging much of this but we'll definitely tag it so you can mute them
#serious misc - for stuff we should take seriously
#silly misc - for funny ones
#wholesome misc - for really heart-wrenching content
#autihd misc - anything related to autism, adhd, and sometimes just generally neurodivergent things
#disabled misc - news, discussion, helpful tips, etc. about being disabled and about disabled people
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#read and recommend #read list #others writing - writing of other people I want to reread
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fangtastic-bastard · 1 year
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I do not identify with the queer label because unlike the terms that I do use it has been used against me abusively and violently, even before I knew what the word meant. Between cishet middle school bullies and LGBT "friends" who think that my literal trauma is just some personal preference that can or should be changed, I can say for certain that my refusal to use panic attack-inducing terms does not make anyone transphobic or a radfem. I have trans friends that do and don't use the word queer and I believe that they also deserve the dignity of deciding for themselves which labels they are comfortable with. This does NOT mean that others cannot identify with the word. More power to those who aren't as fucked up as I. But that does not necessitate forcing an entire community to use a single (often, but not always, derogatory) word. Please take the entire community into account and not just those who either have had the courage to reclaim it or not experienced the term derogatorily in their lifetime.
I don't believe in "forcing" anyone to refer to themselves by any particular term, especially on an individual level, so if something I've posted comes off that way I would like to clarify. I have my own history of being hurt by the term queer, so I used to avoid it altogether and I understand that some people don't use the term to describe themselves. I tend to avoid labeling myself beyond "bi" and "genderfluid" tbh. If this is about the post that says queer shouldn't be a frowned-upon bad word, I didn't take it the way you seem to be taking it. It doesn't seem to me to say everyone has to reclaim the word queer, but that it's more useful than LGBT for referring to things like queer theory, queer groups, etc. Which from my own life and my own studies etc. seems to me very true.
Also, I'd like to point out that this community you refer to is very diverse, doesn't agree on all issues, and generally is allowed to disagree on certain things. I don't think someone referring to the queer community is "forcing" anyone in particular to ID as queer any more than the LGBT-preferring crowd are "forcing" me to stop using the word.
Besides that, as the post points out most words related to non-cishet-ness have been or are slurs. Before I started questioning my gender and when I was just figuring out my sexuality, I had a friend that called me a dyke all the time. They ended up being a bad, abusive person so it hurt me a lot to hear that word for a long time. However, I can't take dyke away from those who identify by the word. I just can't. It's slightly different, but it is.
This is all to say that I get that people have bad history with the word. I get that bigots do real harm using words. I just think that my own person discomfort with calling myself queer doesn't give me license to stop others from using the term, even as an umbrella term. If you disagree, have at it. Don't call yourself that. I really don't think that you have to use it for yourself. The larger issue, to me, is policing the language of other people and I'm not in favor of that, which is something I've seen anti-use-of-queer people do over and over. Not all, but many.
So, yeah. I might be responding to this not with all the grace I'd like, but I hope you get what I'm saying. I don't understand totally your purpose in sending this. What is it you want from me? Just to "take the entire community into account"? I try to do that, yes, when I can. But the whole community as you said isn't a monolith. Find any opinion on anything. There will be division on this in the community, and queer isn't the only thing that will divide. Do you want me to stop reblogging pro-queer posts? Hmm... If you still think I'm bad after reading my response here, IDK what to say except have a goodun.
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musclesandhammering · 3 years
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Every Single Issue I Have With S*lki (It’s Not Just The Selfcest)
Here goes. I threatened to post this a few days ago and never did, but I just saw a s*lki stan Twitter account claim that Loki caring about Sylvie more than the whole multiverse was a Good And Romantic thing and it pushed me over the fucking edge, so now you all have to read this. I’ve divided it into categories cause there’s just THAT much.
OOC Bullshit
• First and foremost, no amount of mental gymnastics you do will ever make me believe that this specific Loki- the one that just invaded New York, that just came off a year of Thanos Torture, that just got done being influenced by the sceptre, that was literally in the middle of a crisis already, and then on top of that went through all the trauma of Ep 1- would even be worried about a romantic relationship. That would be the furthest thing from his mind. Go back and watch how he acted in Avengers- you think that guy would abandon his previous mission to become a snivelling simp for a girl he’d just met 3 days prior? Yeah, there’s no universe in which that makes sense.
• “It’s very in character for Loki to fall in love with himself lololol-“ NO, it’s literally not. Out of all the characters in the mcu, I don’t think I can think of anyone that genuinely hates themselves more than Loki. He even referred to all his other male variants as “monsters” and said meeting them was “a nightmare” in this series. He’s got so much self-loathing, plus the fact that he genuinely thinks himself to be an evil backstabbing scourge- so there’s no evidence at all suggesting that he would ever develop a fondness for, or even be inclined to trust, another version of himself, after only knowing them for 3 days.
• Building on that, the whole concept of Loki falling in love with a version of himself just feeds into the annoying ass misconception that he’s a narcissist. No matter which way you stack it, he’s not. If you’re referring to NPD, he doesn’t fit the criteria, and if you’re saying “narcissist” just as a slang term meaning “selfish and arrogant”, that still doesn’t accurately describe him. But when creators like Waldron and Herron do things like having him fall in love with himself, it makes it so much easier for casual viewers to think that he is.
Shitty LGBT Rep
• It’s kinda sus that Loki’s are allegedly genderfluid and yet the only female-presenting variant we see (and apparently the only female-presenting variant there is, cause the male Loki’s all seemed unfamiliar with the concept) is treated as some kind of mind-bogglingly special paradox. Also very sus that, out of all the Loki variants, the one our Loki falls in love with just so happens to be the only female one. What a coincidence.
• The fact that the creators of the show went around bragging about Loki’s bisexuality and Marvel purposefully (lbr) allowed stories about Loki possibly having a male love interest to circulate, specifically enticing queer viewers to watch the show (you know, the definition of queerbaiting), and then instead of having a male love interest (Loki was the first queer main character, so it was the perfect opportunity) they gave us *gestures to this dumpster fire* this… it’s just a middle finger to LGBT fans. The fact that they would rather have this relationship with all its myriad of problems than have a gay relationship is just……. Very telling.
• While him being with a woman obviously doesn’t refute his bisexuality, the fact that they showed/talked about him being interested in 3 different women (flight attendant, Sylvie, Sif) and never even hinted at him being attracted to a man, definitely makes it seem like they were trying to cover up his bisexuality to smooth things over with the more homophobic viewers. You know? It’s like “I know you’re pissed that we sorta confirmed Loki as bi, so we promise we’ll never mention it again! Or even hint at it! As a matter of fact, we’ll give him lots of female lovies and make him seem as straight as possible! That’ll take your mind off of that horrible crumb of queer rep, right? Please please please keep giving us your money!!!”
• Aside from all the other issues, at its core, the biggest reason why I think I’m so irritated with s*lki is that it took one of the most interesting, complex, and diverse characters in cinema atm and squished him into a tired ass unnecessary heteronormative subplot…. Like literally every. single. other. protagonist. ever. Loki is such a unique character, and it’s so so so incredibly disappointing that they stuck him into that same boring cookie cutter romance that happens to every other character in every other movie I’ve ever seen. It’s a disservice, and it’s honestly just not compelling or entertaining at all.
Thematic Issues Galore
• His arc didn’t need a romance. With anyone. It was unnecessary and it didn’t make sense plot-wise. In fact, one of the reasons he was my fav prior to this was because he was the only big-name mcu character whose story wasn’t muddied-up by a romance that didn’t need to be there. So much for that.
• He wasn’t emotionally ready for a romantic relationship with anyone. Hell, just a genuine friendship would’ve been pushing it for him at this point. He was in such a bad state that any relationship he got into would’ve been toxic and unhealthy for both him and the other person, and it doesn’t make sense why the writers would want to put him in one when there were so many cons and essentially no pros (other than “Uwu aren’t they cute together”).
• Sylvie’s character in general was unnecessary and Loki’s character was robbed just by her being there. The whole show became about her post-Ep 2. They spent most of the time giving her backstory, building her up, telling us how awesome she is, trying to convince us to like her, etc when what they really needed to be doing was building Loki up- cause I gotta say, if I had to describe TVA!Loki in a few words, they would be Flat, Boring, and Weak.
• The romance overtakes the plot. They spend time portraying their supposed connection that could’ve been spent adding depth and complexity to literally any of the characters. They make the big Nexus Event them giving each other googly eyes on Lamentis when it could’ve been so many other way more profound things that speak to the fundamental nature of Loki’s. They have the climax of the finale be “oh no she betrayed him to kill He Who Remains” when it could’ve been something way more compelling (Loki having a moral crisis over whether or not to kill HWR, Loki contemplating the state of the multiverse and weighing the pros and cons of freedom vs order, Loki looking into some What If situations and getting emotional about what could’ve been regarding his family, Loki realising the gravity of HWR’s offer and finally coming to terms with how important he is to the universal cycle, etc etc). The entire plot suffered in favour of a romance that half of us didn’t even want.
• It essentially reduced all of Loki’s potential character growth down to “He did it for his crush.” He seemed to at least have some motivations of his own in Ep 1-2 (feeble as they were) but after Sylvie showed up in Ep 3, literally every action he took was just him being a simp for her. Why did he lie in the interrogation? To try to protect Sylvie. Why did he fight the minutemen and Timekeepers? To survive kinda, but mostly cause it was important to Sylvie. Why did he get pruned? Cause he got distracted trying to confess his crush to Sylvie. Why did he try to get out of The Void? Cause he thought Sylvie needed him. Why did he stay in The Void? Cause Sylvie was staying. Why did he try to enchant Alioth? Cause Sylvie told him to. Why did the multiverse get cracked open, leading to an infinite number of Kangs waging war on all of existence? Cause Loki didn’t wanna hurt Sylvie in their fight at the Citadel and then get distracted by her kissing him. It’s uninteresting and honestly pretty embarrassing.
• Throughout their “relationship arc” the writers do their absolute damndest to convince us that we should like Sylvie more than Loki. And you know what? It’s the most hypocritical shit I’ve ever seen. They preach and preach about how Sylvie’s life has been so difficult/we should feel bad for her/she had it so bad/poor poor sylvie/she had it SO much worse than pampered prince Loki…. But then they never even touch on any of Loki’s trauma of hardships (the ones that have been ignored for literally 3 movies now). They frame Sylvie as a good person and a Freedom Fighter after she spent literal decades/centuries mass-murdering brainwashed TVA agents and showing exactly zero remorse for it….. but then they make it their mission to constantly remind us that Loki is a terrible person and constantly put him in situations where he’s forced to acknowledge his wrongdoings/show remorse/admit to how “evil” he is for being a mass murderer for like 2 years. They show him on-screen having a wider range of powers than her, and perpetuate his whole shtick of being a “master manipulator” or whatever….. But then they make Sylvie “the brawn” more competent, intelligent, and physically capable than him. Tell me how it’s a good thing for a ship to be so narratively biased toward one character.
Missed Opportunities
• If they absolutely had to have a romance subplot, then they could’ve paired Loki with one of the characters that have already been established OR one of the characters that were a big part of the whole TVA storyline anyway. It would’ve been so interesting if they’d revealed that Loki had a history with some of the players from previous films (Sif and Fandral both come to mind). It also would’ve been really interesting if they’d given Loki a love interest that actually had some allegiance to the TVA as a whole (Mobius maybe, but not necessarily. It also could’ve been Renslayer or B-15). Hell, imo it would’ve been cool if they’d followed through with that “See you again someday” line that he said to the flight attendant in Ep 1. ALL of these characters have way more chemistry with him than Sylvie, and they were also already relevant to the plot without wasting half the show to give background info on them.
• If they absolutely had to have a hetero-presenting love story involving an enchantress-type figure, then there’s a whole Enchantress (Amora) that was actually Loki’s love interest in the comics. Plus, fans have been screaming for Amora to appear in the mcu for years. Plus, Tom literally pitched an Amora/Loki storyline way back in 2012-13. Also, Lorelei (another enchantress) is also one of Loki’s love interests in the comics, and she already exists in the mcu (she was on Agents of SHIELD). There were several different established characters for them to choose from. Creating a whole knew amalgamation of a character and going with the “she’s a Loki variant” storyline was just completely unnecessary and made no sense.
• They completely robbed us of a Chaos Twins dynamic. Had they handled Sylvie better and not forced her and Loki to smooch, the two of them could’ve had a really really complex and interesting sibling relationship. Loki could’ve stepped into Thor’s shoes and sort of used that new role to gain some self importance, and Sylvie could’ve finally had somebody to look out for her/teach her magic/be there for her. It would’ve been very aesthetically pleasing, the vibes would’ve been out of this world, it would’ve been way more profound than this bs, and frankly it would’ve been much more entertaining to watch.
• Loki’s relationship (read: obsession) with Sylvie completely overshadows all Loki’s other relationships in the show. Loki and Mobius were literally the focal point of the series in Ep 1-2, but after Sylvie showed up in Ep 3, they barely had any interactions with each other, and Mobius pretty much faded to the background entirely. Loki had the beginnings of a pretty interesting antagonistic relationship with Renslayer (with her wanting him pruned, then arguing with Mobius that he couldn’t be trusted), but after Sylvie showed up the dynamic shifted to focus on the history between her and Ravonna. Loki and B-15 started off very badly and openly disliked each other throughout Ep 1-2, and then in the end of Ep 2, Loki showed a little bit of concern for her when she was possessed, hinting that they might be inching toward a reconciliation- especially considering how obvious it was that Loki was gonna uncover the TVA’s sins eventually. There was so much potential for him to be the one to give her her memories back and convince her to change sides, but no, of course that honor went to Sylvie. In fact, after Sylvie showed up, Loki and B-15 never even spoke to each other again.
Various S*lki Fails
• If they were trying to convince us that this affection was mutual, they completely failed. There’s nothing I’ve seen that even hints at Sylvie feeling the same way about Loki that he does about her. At most, I’d say she has a slight endearment to him. She finds him likeable and she’s grudgingly fond of him, but she definitely isn’t in love with the guy. Maybe she thinks he’s cute and hopes that he gets out of this mess alright, but her mission obviously comes before him- whereas, it’s been confirmed multiple times that Loki cares about her above anything else. She doesn’t trust him, she looks at him like he’s an incompetent fool half the time, she shows little to no reaction during most of his confession moments, and she kissed him as a means to distract him so that she could get him out of her way. Look, all I’m saying is, when you get into a relationship where one of you is way more invested than the other, it never ends well.
• This goes without saying for a lot of us, but the selfcest is just straight up odd and cringey. If you’re cool with that sort of thing, fine! People can ship what they want! But don’t pretend it’s not at least a little bit uncomfortable. Yes, I know they’re not technically siblings so it’s not technically incest, and they’re also not technically the exact same person, but they’re similar enough that it makes things weird. And yes I know selfcest can’t happen in real life, so there’s no way to judge it morally, but neither can most of the other stuff that happens in these shows/movies (the Snap, Loki destroying jotunheim, superhero with powers being held accountable, mind control) and yet we still find ways to judge their morality, because they all mirror real-world events. (The snap= genocide; Loki destroying Jotunheim= bombing other countries; superhero accountability= weapons accountability; mind control= grooming and coercion). And lbr the closest real-world mirror to two versions of the same person (who may or may not share DNA, family, backgrounds, physical and emotion characteristics) being romantically involved with one another is incest. And you can be ok with that if you want- that’s your prerogative- but don’t get pissy just cause a lot of us are squicked out by it.
• The whole mirror metaphor (learning self love via each other) thing just fell completely flat. First of all, having Loki learn to love himself by looking at someone who mirrors him did not, in any way shape or form, require them to be romantically involved. But they were. Of course. Secondly, the creators have contradicted themselves so many times on whether Loki and Sylvie are the same or not, that it doesn’t even really register to the viewer that the mirroring thing was what they were going for. Finally, Loki and Sylvie are shown to have so little in common- and to have only the most bare minimum of similarities personality-wise- that it doesn’t even make sense that Loki would “learn to love himself through loving her”. Like? They’re nothing alike. So how would he make the connection that he himself is actually pretty cool, based on her alone? There’s virtually nothing in her that reflects him.
• I know the objective of the entire show was to convince us of how awesome and unique Sylvie is, but honestly her relationship with Loki just did the opposite. A hallmark of a Mary Sue is having her constantly upstage the male lead, and then having him instantly fall madly in love with her anyway. And that’s.. exactly what happened here. Everything they’re doing to try to force her character to be more stan-able is really just forcing her to look more like their self-insert OC. Which is exactly what she is. It would’ve been so much more satisfying if she didn’t have to try so hard to look cool, if they didn’t have to try so hard to make her backstory tear-inducing, if they didn’t have to turn our protagonist into a snivelling simp just to prove how incredible she supposedly is. Very much #GirlBoss energy and we all know how performative and cheap that is.
• The entire thing was too rushed, there was too little build-up, and it was nowhere near believable. As stated above, it’s ridiculously unlikely that Loki would canonically even be interested in Sylvie, and this show did nothing to explain why he was. He just suddenly was. There was nothing they showed us as viewers that would justify a guy as closed-off and preoccupied as Loki falling head-over-heels for a girl he just met. Their was no explanation, no big revelation, no reasoning, it just… kinda happened. And I’m also severely skeptical of any love story that has the characters go in this deep after only 3 45-minute episodes of exposition.
I’m sure there’s other stuff, so if anyone thinks of anything, let me know and I’ll be more than happy to add it. Tagging @janetsnakehole02 @raifenlf @natures-marvel and @brightredsunset800 for expressing interest. This is all your faults.
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neonponders · 3 years
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This isn’t what @memes-saved-me had in mind for this post but lol (read their tags, they’re delightful) 
Thinking about a younger Billy and an older Steve today ✨
✨ ✨ ✨ ✨ ✨ ✨ ✨
Billy scratched at the hair on his nape. He wanted to grow it out; really had always wanted long hair. And now, as he peered at the other sophomores trying to fluff themselves bigger to match the juniors and seniors, he just might.
Long hair was in. Mullets, rock star manes, extensions - even the opposite. Women with buzz cuts and pixie faux hawks. Pleasant little surprises in Hawkins, Indiana, and Billy might finally indulge in that.
Plenty in this town was backwards as all hell. Girls wearing white stockings like it was the fifties. Boys and girls alike clearly letting having learned hair styling from their out-of-date parents. Two girls with beehives sat in his English class.
But it was fine, because there was plenty of present-day styling, and Billy wouldn’t get any shit at home for matching his peers.
Cherry Lane. The most backwards spot in Indiana.
But that’s okay, too, because small town people need occupations. Parties.
A cool senior with teased, black hair walked right up to him and handed him a neon orange sheet of paper. He saw others holding similar invitations all day. 
Party on Friday night. Address, dress code, and everything.
Caught him by surprise, that a dress code would be needed for one of these things, but the invitation just said ~casual attire~ and someone in his Advanced Biology class told him that Tina hosts the best shin digs, often with costume themes.
So he went. The late summer evening was still humid as all hell, making the party split between the massive house and the matching yard a convenient way to start a weekend.
He’d had alcohol before. Enough to know he preferred tequila drinks over vodka and gin, but the safest way to wake up the next day was to just stick to beer. No matter how bitter or sharply carbonated some of it was made.
Maybe that’s why he heard people hollering about King Steve.
Keg stands weren’t original to Hawkins, but Billy preferred them next to a bonfire on a beach. But people were really yelling for this king to do the damn thing - 
“Steve, why are you even here? You graduated in May,” Tina’s voice cut through the din.
“I live down the street! You really think you’re making this much noise without me noticing? And all of you shut the hell up! I’ll do a keg stand the day one of you dip shits can actually beat my record.”
Another surprise:
Steve Harrington.
Billy’s dumb luck had him three years behind, so he couldn’t look at that face in the hallways. Sit behind that head of glossy, bouncy hair in European History. He still lived in town, apparently. Right down the street. Billy asked around and discovered he worked at the mall and attended the community college -
“Heard you been asking about me.”
Billy stared wide-eyed over his beer. He recovered quickly, but not before Steve bounced on the balls of his feet, smug. That hair was really distracting.
These people really gossip about everything.
“I didn’t think anybody actually went by a title like that.”
“I didn’t put it on my resume, that’s for sure.” Steve’s smirk grew into a smile. Christ, the guy really had that Indiana, home town handsome thing to his face.
That was dangerous. Billy’s gut told him so, the way it bruised like someone had poked it. And wanted to be poked again.
“Let’s do this properly. Steve.” He held his hand out.
It wasn’t queer to accept a handshake. “Billy,” he replied.
“Hargrove?”
“Jesus,” he scoffed involuntarily, releasing Steve’s large hand. His weight shifted over his feet. “Everybody knows everything here.”
“Not everything,” Steve said. His voice sounded...reassuring? But the way his eyes blinked...and a darkness slipped behind his eyes like a curtain. Adults liked to call it maturity. Wisdom beyond years. Billy called it ghosts. Everyone had ghosts behind their eyes. But...he had a hard time imagining what ghosts this pretty senior in suburban America would already have.
Then again, Billy knew better.
Except, as the party progressed and the weekend flowed into a new week, Billy really couldn’t imagine what made Steve slouch a little, and what made his eyes fade out of a conversation. Billy probably should have put more attention into how much he’d begun seeking the guy out.
He worked in the ice cream parlor at the mall. The uniform was equal measures ridiculous and hilarious, but his coworker was cool as hell. Robin. Not Steve’s girlfriend, even though they carpooled to work and community college.
Steve’s house proved just as luxurious as Tina’s, with a pool to boot. A house which supposedly stayed empty more often than it hosted its own family. Steve notoriously didn’t host parties, which....seemed uniquely odd.
Apart from Billy visiting the ice cream shop, it seemed Steve’s only other visitors were high school freshman. Which was weird. That’s weird, right? Then again, Billy was ball and chained to eight hours a day, five days a week to high school. There was plenty of time for Steve to be with friends his own age.
Except he showed up at the next party on Halloween.
Tina’s house boasted a surprising number of Hawkins graduated seniors, forcing the party all the way out onto the street.
Just like before, Steve manifested beside Billy, announcing himself with fingertips brushing his slowly growing, weak little mullet. “Growing that out?”
Steve’s already heavy eyelids were heavier with alcohol. Billy had his customary cup of beer, but his cheeks flushed for a different reason. He had to rub the back of his neck to make the tickle stop.
“Yeah. Maybe it’ll touch my shoulders next year.”
“Have you trimmed it?”
Billy frowned at him. He’d heard some things come out of Steve’s mouth that were endearing in a ‘bless his heart’ kind of way, and this was among them. “No, that defeats the point of making it longer.”
Steve shook his head and waved for him to follow. “Come here. I’ll trim it.”
“You’re not cutting my hair,” Billy scoffed. And followed.
Upstairs.
Billy did his best not to look around the living room; to see any eyes apart from the ones he imagined on his backside. He followed at a leisurely pace. Not eager to be with King Harrington anywhere...
The guy walked right into the closed master bedroom. Billy stood outside of it, stunned at his audacity and the fact that no one was inside it already - 
“You coming?”
Billy’s not a coward -
Actually he is. But he’s an overeager sophomore with a dangerous crush even more.
Steve dug through the master bathroom’s drawers until he found a pair of scissors in their own case. “Sit on the tub.”
By tub, he meant jacuzzi edge. Billy perched. Steve gripped his shoulder to step into the tub with a comb that smelled of foreign hair product and aftershave. Billy’s nose wrinkled. “Wash that first.”
Then he jumped at the tub faucet turning on right beside his ass. Steve laughed. “Chill out. I’m washing it.”
Billy settled with a disgruntled shake of his head. “My hair is curly. You’re not supposed to brush it at all.”
“You’re in the hands of The Hair Harrington, sweetheart. Just relax.”
His shoulders sagged right underneath the weight of sweetheart.
I’m so screwed - 
Of all people to show up in the doorway, Robin from Scoops showed up with an energy that insinuated more sobriety than the guy wielding scissors.
Her mouth hung open like she had come with something to say, but then she sputtered through laughter. “Oh shit. Are you consenting to this?”
Billy rolled his eyes. “If he cuts my ear, I’m beating his ass.”
“I’d appreciate more faith from you, Buckley. I cut your bangs for you.”
Billy chirped, “Really?” admittedly feeling a bit better.
Steve intercepted with the order, “Are you gonna play music or what? I’m so tired of Tina’s music.”
That’s how Billy wound up in a bathroom with college freshmen trimming his ends and styling his hair while Steve and Robin shout-sang to Whitney Houston.
It was great.
Steve curled the top of his hair so he had ringlets falling over his bold brows. Steve, who had his hands all over Billy’s head until he washed the hair down the drain and filled the tub for a bubble bath. Billy scrutinized himself with a handheld mirror until Steve wrapped his arms around him and they tumbled backward into the wet landing.
Tina was hardly pleased to find the three of them making a mess of the jacuzzi, but she sassed a quick thank you for warding off people trying to fuck in her parents’ bed. Billy didn’t have words; only laughter at Robin putting her hair into a wet mohawk and Steve piling bubbles onto his head.
Steve insisted they go back to his house afterward. “It’s November and we’re soaked. Your car will be fine. I can come back and park it in my driveway if you’re that worried.”
That wasn’t the problem.
“It’s fine that your parents are never home, but mine will only recently lifted my curfew for good behavior.”
Somehow, he convinced Steve and Robin to drive him back to his house, at the expense of letting them change at Steve’s first. Billy had his eyes on a beautiful Camaro and was just a few more months of allowance and part time jobs away from having her.
It was his first time in Steve’s house. He had to admit, he preferred Tina’s layout and decor, but he got to wander around. He saw Robin use one of the guest rooms. He saw Steve’s....incredibly boring room. And said as much.
“A prison cell has more personality.”
Steve laughed. “Yeah, you’re right. Are you ready to go?”
It wasn’t until Billy lay in his own bed that those words tumbled through his brain. His fingertips moved through his still-styled hair. It felt better with those dead ends gone. Steve did a good job. Steve liked Whitney Houston and Blondie and a little of everything, really. Steve cared about his appearance enough to be a self-taught stylist.
Steve didn’t have a lot of furniture in his room. Clutter on the dresser and desk, sure, but all of it monochrome or neutral colors. Steve who had an old BMW, house, and surely a bank account to match, but didn’t buy anything in excess. Like he wasn’t allowed to, or something. Billy indulged every scent he got on things he wanted, but Steve didn’t.
Steve had a nailed bat in his trunk. Billy heard it rolling around on their way back to his house, and finally bent over to look under the seats and saw it.
Steve was a walking contradiction. A contradiction who smelled good but didn’t say much when Billy and Robin talked about history. Who started giving Billy free ice cream but never asked about Billy’s stepsister. Who gave Billy rides and gave him the hookup to the high-paying neighbors of Loch Nora for mowed lawns and dogs walked.
Steve helped him get his car sooner than he would’ve otherwise but didn’t ask for anything in return.
Steve, who was always available for a good time, but looked sad when left with his thoughts.
Billy didn’t take well to not being the center of attention. He’d grown up with an interrogation lamp over his head, and sought positive interaction everywhere else. He got so much of it from Steve, that the occasions where Steve bumped against him...refused him, or ignored him, or reminded Billy that he was a rinky dink sophomore lit a match in his belly. And he’d swallowed gasoline for too much of his life.
“That’s something a virgin says.”
Billy couldn’t even remember what he’d just said. He was already, instantly, seeing the glow of embers on the fringe of his vision. “Excuse me?”
Steve shrugged as he got up from his couch. “It’s whatever. It’s fine. Just showing your hand, is all.”
Billy couldn’t believe it. Steve was either the biggest idiot in Hawkins - which he knew wasn’t true considering there was a real cesspool that smoked underneath the bleachers - or he was so far in denial that Billy had a whole new reason to be pissed.
An involuntary sound left Steve when Billy came up behind him and pushed him against the wall underneath the stairs.
“You don’t know anything about me.”
Billy wasn’t some cute sophomore. He stood toe to toe with Steve, barely an inch shorter. If this is what it took for Steve to realize that, fine.
To realize that Billy wasn’t some teenager scared shitless of a girls’ bra -
Steve regained his footing, and closed the distance between their mouths. It was small, soft, and brief. Rationality should have made Billy step away. Punch him, maybe. But Billy wasn’t rational. His shock held him statuesque, barely breathing while Steve moved a hand to cradle the side of his head and neck -
A sound left Billy this time, as Steve angled his mouth over Billy’s. Where he learned Billy was scared, so scared of Steve. His body dashed rationality against the wall and kissed him back tentatively, and then earnestly, just trying to keep up until Steve’s other hand framed him in. As Steve pushed against him until Billy walked backwards to have himself pressed against the wall.
He felt drunk as his hands let go of Steve’s shirt to hold onto the curvature of his ribs. He panted while Steve kissed his throat and washed Billy’s senses with his warm, sweet fragrance; his hair brushing Billy’s face and inspiring him to turn his face into Steve’s scalp. Inhale him into his lungs.
Billy didn’t know what game they were playing. But Steve outplayed him.
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firelxdykatara · 3 years
Text
gods, ok, apparently i’m not done.
atla fandom? we need to have a chat.
(....ok that made me sound pretentious as fuck. and maybe i am, but this needs to be said, cause i’m getting....real, real tired of a Certain Corner of this fandom and as a result, this is gonna be a discourse-heavy post so feel free to scroll past if that’s not your bag. as always, my salt posts all carry the catch-all #salt for ts tag, which you’re free to blacklist/filter at your leisure. i’m Very Annoyed at the moment, which will probably come through in the following post, so just. yknow. be prepared for that. or ignore it, that’s perfectly valid too.)
under a cut bc i do care for my followers and their sanity i swear lmao
there’s a real serious issue in this fandom with not understanding what queer terminology actually means or implies, especially when applied to a fictional narrative.
i’m specifically talking about ‘coding’, here. (if i were in a more meme-y mood, i might have said ‘the atla fandom found out about the term “gay-coding” and haven’t shut up since’.)
to the people who say ‘zuko is gay-coded’, i have this to say: you keep using that word. i do not think it means what you think it means. because he isn’t. i’m sorry, but he’s not! and the fact that this is such a prevalent claim in this fandom is distressing, bc it says to me that none of y’all know what gay-coding is or when and how to apply it! please, i’m begging you, go and look up these terms and what they mean and when they should be used before actually trying to plug them into your critical analysis, because when you misuse them and then call other people delusional for disagreeing with you it casts a pall over the entire fandom and is, i think, the root of some of the worst toxicity this fandom has to offer.
and the thing is, there are cases where gay-coding would apply--for instance, a couple series that are famous for queerbaiting their audience by coding their main characters as being attracted to one another (sometimes even despite their openly stated sexualities) come to mind, but those shows bare no similarities at all to atla and how zuko was written and portrayed! (and it would be funny, if it weren’t so obnoxious and infuriatingly wide-spread throughout the fandom, because the only queer couple we actually seen on-screen in either show wasn’t even queer-coded in any respect, and they’re canonically bi! [yes, i’m shading korrasami, or more accurately i’m shading bryke for refusing to give ka the build-up and development they deserved].)
this absolutely isn’t to say that headcanoning zuko as gay is a bad thing or invalid in any respect. (although the tendency for zukka shippers to do this specifically to keep zuko away from katara and/or invalidate his canon relationship/attraction to girls is more than a little eyebrow raising. especially since sokka is usually allowed to be bi, bc fans have no problem letting sukka stay in the background bc it’s no real threat, while jetko shippers are happy to have both boys be bi. [possibly bc katara is less a threat to jetko bc jetkotara is every bit as valid as any single ship between the three, but zukka can’t exactly let katara join in, and if the potential exists for zuko to be attracted to her then canon giving them the far deeper emotional bond becomes a threat to zukka’s existence? idk for sure--you be the judge.]) i prefer to hc zuko as bi (and always have, long before the atla renaissance), bc i don’t think zuko being attracted to boys is outside the realm of possibility, and it isn’t a threat to my ship since zuko&katara had a deep and emotional bond in canon that is very easy to develop further into something that becomes explicitly romantic--but the headcanon itself isn’t really the problem (although what it’s often in service to can be).
it’s the strange insistence that this is the only way to read his character, bc he was coded that way and so anyone who doesn’t see it must be too straight to understand--and i really shouldn’t have to say why and how that is so incredibly fucking insulting. (the ‘hetero lenses’ comment wasn’t cute when it came from bryke six years ago, and the same sentiment being repackaged and delivered by zukka shippers ain’t cute now.)
calling zuko gay-coded not only demonstrates ignorance as to what the term actually means, and how to usefully apply it in critical analysis, but also validates the frankly bullshit insertion of institutionalized homophobia in the world of atla where it was neither needed, nor wanted, nor ever hinted at in canon. as a queer woman i’m still infuriated by one fucking comic panel shoving institutionalized and systemic homophobia into a world where it was entirely unnecessary (and doing this in the first installment of the franchise showcasing a queer relationship??? making korra and asami worried about ‘coming out’ when they could have just gone on to have cute adventures together and tell people ‘hey we’re dating’ and have everyone else be ‘that’s awesome =DDD’ [because it is, in fact, possible to just have a world without homophobia i promise!!!!!] double yikes, i’m still pissed at bryke about it), and i doubly hate that ‘zuko is gay coded’ has become so widespread that ‘ozai hates him bc he’s gay’ has become a staple in that part of the fandom.
not only does making zuko gay and implying (or outright stating) that ozai hated and abused him because of it completely undermine zuko’s character arc by making his abuse about his sexuality rather than ozai’s toxic pride and anger at seeing himself reflected in his ‘weak’ son, but it comes very close to outright stating that abuse and trauma are inherently gay experiences, and they aren’t!!! they really aren’t, i promise!!!
abuse and trauma narratives exist outside of ‘my dad hates me because i’m gay’. and, quite frankly, there are MORE THAN ENOUGH queer trauma narratives out in the world. we do not need to start trying to retroactively make them canon in a series where they didn’t exist! if you’re gay and see yourself in zuko and project your own experiences on him, that’s understandable and valid. that does not make zuko gay-coded. and honestly, the insistence that he is makes very little sense to me, because you’re essentially trying to give the show credit for work you put into interpreting the characters! why would you want to do that? why not own your own headcanons and take credit for them, rather than insisting they are canon and everyone else is wrong for not seeing them??? like, i’ve said before that i’ve always headcanoned zuko (and katara) as bi, and even support it with my interpretations of evidence from the show, but the difference between ‘i think zuko is bi’ and ‘zuko is definitely gay-coded’ is that i know that bi zuko is my interpretation of canon, and that it is work i’m putting into the show that wasn’t actually intended by the creators/writers, no matter how much sexual tension i read into the jetko swordfight.
and like, zuko’s character arc doesn’t actually parallel a queer one all that well to begin with. it’s easy enough to do the work and twist it sideways just enough to make the general points fit, but the fact is, zuko’s arc is not one of self-discovery. it’s not one of coming to understand something fundamental about himself that he can’t change, that he was hated for, and coming out to his father in a dramatic confrontation where he shows that he understands himself and doesn’t need his father’s acceptance to be fulfilled.
zuko’s arc is actually one of trauma and healing. and those can (and often are--like i said, there are more than enough queer trauma narratives in the world, atla really doesn’t need to be one of them) be part of queer narratives, for sure! but they aren’t uniquely queer. and zuko’s confrontation with ozai during the eclipse doesn’t read like a ‘coming out’ at all. (yes, i’ve seen that post. yes, i rolled my eyes and moved on, bc unlike some people, i’m capable of not clowning on correctly tagged posts i disagree with.) zuko is specifically confronting ozai over his abuse, because his arc wasn’t about discovering anything fundamental about himself (and therefore realizing that ozai was hating him for something he couldn’t change)--it was about realizing that he was not at fault for the way his father treated him. it was also about realizing that the fire nation was broken and corrupt at its core, and that his father was an aspect of that he needed to break away from so that he could help the world begin to heal.
he says it himself:
Zuko: No, I've learned everything! And I've had to learn it on my own! Growing up, we were taught that the Fire Nation was the greatest civilization in history. And somehow, the War was our way of sharing our greatness with the rest of the world. What an amazing lie that was. The people of the world are terrified by the Fire Nation. They don't see our greatness. They hate us! And we deserve it! We've created an era of fear in the world. And if we don't want the world to destroy itself, we need to replace it with an era of peace and kindness.
making this about zuko being gay and rejecting ozai’s homophobia, rather than zuko learning fundamental truths about the world and about his home and about how there was something deeply wrong with his nation that needed to be fixed in order for the world to heal (and, no, ‘homophobia’ is not the answer to ‘what is wrong with the fire nation’, i’m still fucking pissed at bryke about that), misses the entire point of his character arc. this is the culmination of zuko realizing that he should never have had to earn his father’s love, because that should have been unconditional from the start. this is zuko realizing that he was not at fault for his father’s abuse--that speaking out of turn in a war meeting in no way justified fighting a duel with a child.
is that first realization (that a parent’s love should be unconditional, and if it isn’t, then that is the parent’s fault and not the child’s) something that queer kids in homophobic households/families can relate to? of course it is. but it’s also something that every other abused kid, straight kids and even queer kids who were abused for other reasons before they even knew they were anything other than cishet, can relate to as well. in that respect, it is not a uniquely queer experience, nor is it a uniquely queer story, and zuko not being attracted to girls (which is what a lot of it seems to boil down to, at the end of the day--cutting down zuko’s potential ships so that only zukka and a few far more niche ships are left standing) is not necessary to his character arc. nor does it particularly make sense.
(and before anyone brings up his date with jin--a) he enjoyed it when she kissed him, and b) he was a traumatized, abused child going out on a first date. of course he was fucking awkward. have you ever met a teenage boy????)
anyway, uh, that was a lot of words, so have a tl;dr: zuko is not gay-coded. there is nothing uniquely gay (or even uniquely queer) about his character arc or characterization, and he was certainly not coded gay in an attempt to sneak a queer character past the censors. if anyone involved with atla was gonna try that, it would’ve been in lok, and as established, they didn’t even manage to queer-code the actual queer relationship before the last few minutes of the final episode. headcanoning zuko as gay is absolutely fine (though if it’s only done to keep him away from female characters he may otherwise be attracted to, that smells more like misogyny than anything else), but insisting that this reading is the only one that makes sense, and anyone who doesn’t agree must be straight (hello, queer woman here making this insanely long thinkpiece) is very much not.
ship what you like, but stop trying to invalidate other ships and other interpretations of characters just to make your ship seem more plausible. it’s really not a good look.
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iamwestiec · 3 years
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June 17: Chengxian 💜🖤💕
childhood friends to lovers/QPPs, ace Jiang Cheng, bi & aro Wei Wuxian, modern AU
(A/N: If you're wondering about a certain other someone, he will have a wonderful, full life of his own in Suzhou in this AU but is not in this story. 💙 There are some brief mentions of offscreen ace-antagonism, not by anyone we know.)
Read on ao3
Jiang Cheng had been Wei Ying's best friend in the whole world for his entire life.
Okay. Well, not quite his entire life, but certainly since Wei Ying’s parents moved to California when he was little little, which was about as far back as Wei Ying could remember anyway. Wei Ying’s baba and Jiang Cheng’s baba had grown up in Wuhan together and been best friends when they were kids, so naturally, when Wei Ying’s family moved into the same neighborhood as the Jiangs, it made perfect sense for Wei Ying and Jiang Cheng to become best friends too.
It was Jiang Cheng who had taught Wei Ying that he didn't have to be afraid of dogs, by introducing him to Princess, Jasmine, and Lil' Love. Lil' Love lived up to her name, coming and quietly sitting in all her fluffy glory on Wei Ying’s lap every time he went over to play.
It was also Jiang Cheng who Wei Ying got drunk with for the first time. They snuck booze from the cabinet where Wei Ying’s parents kept it and laughed at the faces each other made with every shot until they stopped tasting the harsh burn, and then laughing more just because.
(Wei Ying’s mom had not laughed, not at the time, when the two teens had been sick as anything the next morning, but instead made them a gloriously greasy late breakfast and gave them lots of advice about proper hydration.
Then she told Jiang Cheng’s mom and let her scold them.)
It was Jiang Cheng who came out first, their first semester in college, when he told Wei Ying he didn't think he wanted to have sex with anyone, ever, and asked if Wei Ying thought that meant no one would ever want to date him. Wei Ying hugged him tight and told him he didn't know about everyone out there, but he knew Jiang Cheng was the best guy in the world and would be an awesome boyfriend, and he'd fight anyone who said differently.
Jiang Cheng found a group on campus for third culture LBGT kids, and Wei Ying went with him, as a supportive ally.
Which was how Wei Ying figured out that he was not just a supportive ally.
In listening to the others talk about orientation and identity and attraction and cultural expectations, Wei Ying realized that what he'd always assumed was normal—finding all kinds of people physically attractive, regardless of their gender—was actually his bisexuality. So that was kind of cool.
"So yeah, now we can be queer together!" Wei Ying said, when he excitedly shared his newfound realization with Jiang Cheng.
Jiang Cheng snorted. "Yeah, 'all' and 'nothing,'" he joked.
It was Jiang Cheng who'd helped him practice what to say to his parents when he wanted to change his major at the end of sophomore year, and Jiang Cheng who reminded him to eat and sleep and "take a fucking break, Wei Ying," those next couple semesters when he took way too many hours so he wouldn't have to rack up a whole extra year's worth of student loans to finish his new degree plan.
It was Jiang Cheng who graduated first, on a gorgeous blue-skyed sunny day in May, and Jiang Cheng who suggested Wei Ying keep living with him at his new apartment, so he wouldn't have to try to find a one-semester lease until he finished in December.
(They renewed the lease together every time.)
Jiang Cheng ribbed him playfully each time Wei Ying met someone new, but he was always there each times things fizzled out after a few months for reasons that never quite made sense to Wei Ying.
Jiang Cheng occasionally dated too, and Wei Ying was glad he never did have to fight anybody—though he did drive Jiang Cheng to the emergency room the time he came home with split knuckles from punching a guy who, "seemed to think I didn't know my own mind about certain things."
But dating sucked for everybody, right? It wasn't like Wei Ying or Jiang Cheng were in any hurry to settle down and do the whole spouse and kids thing or whatever. Wei Ying tried to imagine it and just... couldn't, though the image of Jiang Cheng with a baby was admittedly pretty cute.
~
It was not Jiang Cheng, but Jiang Yanli, a few months after she proposed to her girlfriend and they started planning their wedding, who Wei Ying finally asked, "Yanli-jie, how does a person decide someone else is their person?"
Jiang Yanli looked across the room to where Jiang Cheng was showing her soon-to-be-wife how to put side spin on a billiards ball and smiled. "I think you just know," she said. "You meet someone and you get to know them, spend time together, then one day you realize you love them and want to build the rest of your life with them."
Wei Ying wrinkled his nose. "I dunno if it works that way for me. Just some random person? I've never met anyone I can imagine wanting to live with all the time. Well, besides—huh..." he cut off suddenly and darted a look over at Jiang Yanli, who just calmly sipped her drink.
"Have you ever told him that?" she asked, after a moment where Wei Ying reassessed his entire life and dating history. "I think he might appreciate hearing it."
"I... huh. Yanli-jie, you're kinda blowing my mind here," he complained.
"I gathered," she said wryly, before fixing him with a smile that made all the hair on the back of his neck stand up. "Of course, I trust," she told him, "that I do not need to explain to you of all people how very dearly I hold my didi's happiness and well-being."
He swallowed and raised three fingers in the salute he'd used ever since the summer that—hah—he and Jiang Cheng had decided as kids that they would make their own oath of brotherhood like the heroes of their favorite show. "I, Wei Ying, swear to you that I would kick my own ass before I did anything to hurt him."
Jiang Yanli leaned over to knock her shoulder against his and nodded. "That's what I thought."
~
Turned out, dating Jiang Cheng didn't suck at all.
It felt easy in a way Wei Ying’s past dates never had, less like trying to keep up with a game whose rules everybody knew except him, more like... well, like spending time with his best friend in the whole world, but on purpose. There was also a tension in the back of Wei Ying’s mind that seemed to have lifted, though he couldn't quite pinpoint what it was that had gone.
It was Jiang Cheng who helped him figure it out.
"I think it's that now I'm able to count on this. On us," he said, when Wei Ying brought it up. "Before, whenever you went out with someone new, I wondered if this would be the time you'd find someone to fall in love with and leave me behind."
"Aww, Chengcheng! I would never!"
Jiang Cheng huffed and rolled his eyes, but his cheeks were pink. "Well, I know that now," he said, a pleased little smile breaking through his attempts at a scowl.
"As long as you're sure—" Wei Ying began, still getting used to thinking about himself with the word "aromantic." Still a so very sure that Jiang Cheng deserved to be fallen in love with.
"Hey!" Jiang Cheng cut him off. "None of that. I know you. And I know you don't see it this way, but I personally think it's pretty damn romantic that you choose to love me, on purpose."
"I simply have exquisite taste in life partners," Wei Ying sniffed, embarassed the way he always got when Jiang Cheng declared something he'd done "romantic."
"You do," Jiang Cheng agreed. "Someone told me a long time ago I was the best guy in the world and would make an awesome boyfriend, and that he would fight anyone who said differently."
Wei Ying laughed. "That's you and your sister I've promised to kick my own ass if I ever break your heart, then. Guess I'll just have to keep you forever."
"Damn right, you will," Jiang Cheng agreed, grinning smug and happy and breathtakingly beautiful. Wei Ying leaned across the couch to give him a sweet, closed-mouth kiss—the kind Jiang Cheng had shyly admitted he actually did like, a lot—and smiled too, at how lucky he'd gotten to be with his best friend in the whole world for his entire life.
🖤💜
Today's (extremely long!) thread was inspired by this WONDERFUL art of ace Jiang Cheng and bi & aro Wei Ying! Go give Midori some love on Twitter!
I spent a nonzero amount of time googling to double check when various terms and flags came into vogue, so if you're wondering, WWX & JC were in college in the early 2000s, before the ace and aro flags were designed. By the time they get themselves figured out, they can get their cute wristbands.
...which, yes, means these dingdongs spent about a solid decade living together before realizing that was what they wanted to do forever. 😉
This also means Jiang Yanli and her unnamed wife here are getting married between when California started recognizing same-sex marriages in 2008 and the Obergefell v. Hodges ruling in 2015! THIS SHIT'S RECENT!!!
Happy Pride, thank you for reading, check out more LGBTQIA+ sweetness on my #PrideMonthSnippets Masterpost!
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bookofmirth · 3 years
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Can you please elaborate why it is considered problematic that SJM wrote that elain is uncomfortable around lucien? You mentioned in a previous response that it was not a good move for her to write elain being uncomfortable by a disabled POC but I’m not quite sure why that is a problem because she is not uncomfortable because of his disability or race- her discomfort has nothing to do with that.
Also, racism is not an issue in prythian the way it is in real life. You have high lords such as helion and tarquin (among others) that are explicitly POC and there has never been mention of any hostility towards them because of the color of their skin. The only discrimination I can recall is between high and lesser fae which is classist not racist.
I’m just confused why it is considered ableist or racist when SJM decided to write how elain is uncomfortable around lucien when it has nothing to do with his skin color or disability.
On another note- would it have been racist if amarantha (a known rapist) was written as a WOC rather than white? I’m just trying to understand your point of view and I’m a little lost. To me, acotar is a diverse world with characters of all races and some are good, some are evil but pretty much every character has done something morally grey at at least one point in the series. And none of that is not specific to one race vs another. There are white characters that are good, morally grey and downright evil. And the same can be said for other races.
I appreciate any further elaboration you can supply!
Hello! I will try my best. I don't mind answering questions like this! I recognize that I have had a lot of education about these topics and I have learned A Lot from Black women on Twitter over the years. I hope to share it in a way that is useful. I can maybe make a reading list if anyone is interested, but people should definitely ask around so that it's not getting filtered through just one person (aka me).
So the whole thing with talking about race in the fandom is that race does not function the same way in the acotar world as it does in ours. You are correct about that. You may have seen my post that attempted to break down various ways that characters access privilege in Prythian? Either way, yes. It is not a one-to-one correspondence with our world and the book world.
However, there are issues within the acotar world that mirror issues in ours, and the way that fans engage with those issues can reveal underlying prejudices. I mentioned in this post that we don't have to intend to do these things. (Also, intent versus impact is like diversity, inclusivity, and equity training 101. It's one of the first, and most important things you will learn. Even if you didn't mean to harm someone, they still feel hurt, and it's important to acknowledge that.)
The issue with the way people talk about Lucien - and I mentioned in another post that this is perhaps just as much on Sarah for creating this scenario as it is on the fandom for hopping on that horse and riding - is that there is a history of white women being painted as the victims of Black men specifically.
I'm going to put the rest of this under the cut because I want to show you some examples.
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I hope that I don't have to explain why this is disgusting. There is a real-life example of this ^^^ if you google Emmett Till and read his story. This is by far not the only example of a white woman claiming that a Black man (or boy, in his case) was harassing her in some way, and often, that has resulted in lynching.
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These are clearly older examples, and also really good examples of how people of color can be dehumanized, but these problems persist. The methods are just more subtle. More recently, it could result in police brutality. When that women called the police on a Black man in NYC last summer, it played into the long history of a woman claiming that she was being threatened or victimized by a Black man. As @gimme-mor explained in her post, the concept of white womanhood is often used as a way to uphold racism and white supremacy because it shows people of color as being violent threats, giving white men (and white women) a reason to retain their privilege.
You're probably wondering now what the fuckity fuck this has to do with Acotar and Lucien. I am getting there!
Because of this historical context, there are many slurs and stereotypes used against POC that on the surface, seem innocent. However, they have a deep, dark history of oppression and violence. It's not about the "one time" that someone said one racist thing, but generational trauma. I can't speak to what this is like as a lived experience, and so I would really appreciate anyone who does want to add on!!!
For example, just to take us away from acotar for a minute, there is a problematic, sexist and often racist trope in which characters get fridged. This is a term used to refer to the way that women, women of color, or characters of color (this could include queer and disabled people as well) are killed off to further a white person's story. This happens SO OFTEN. Nehemia was killed in ToG to motivate Aelin. Sorscha was killed in HoF to hurt Dorian. In a multitude of super hero and action movies, the wife or girlfriend of the main character is killed off in order to provide either pain or motivation to the white male hero.
Individually, these events are whatever. Taken as a whole, though... it shows a trend that the girlfriend of the hero is disposable. It shows that people who are not white, straight, able-bodied males are worthless, and only function to further someone else’s plot.
So that's what is sort-of happening here. After a long, long history of white women positioning themselves (or being positioned) as the innocent victims of brutish, violent, barely-even-human men of color, there are some disturbing parallels when people try to say that Elain is a shrinking violet next to Lucien's insistent attentions.
The context is everything. It's not about this one event, but that there is a history in the real world of this trope playing out over and over, and it has even been an explicit tactic used to perpetuate white supremacy.
This context influences the way that we interact with one another in fandom. The point of that post was not to critique the acotar series itself, but to expose some problematic aspects of the fandom.
I am not going to speak for anyone else, but I think that the original intent of pointing out this parallel between Elain/Lucien and white feminism was not that we want people to stop saying that Elain feels this, or Elain feels that, or Lucien is doing this or that, etc. The reason why this has been mentioned in the past is because there are some very uncomfortable, violent historical precedents set, and while people may not realize that those exist, they may be unintentionally furthering that stereotype.
There were many, many other points made in that post that I think bear repeating and further attention. I hope that this made sense. It's hard to condense literal centuries of racism like this, and of course I am only talking about the context in the U.S. I'm sure it's different elsewhere.
The main takeaway from that post, though, is that it wasn't about the world itself. It was about the way that the fandom engages with the world, and how they utilize some problematic tools to do so. Critiquing the world itself is a completely different issue, which... I will sorta touch on now!
One last point, since you brought up Amarantha and the potential of her being a WOC and a rapist - it could be viewed as problematic and racist, due to the oversexualization of Black women in particular (again, the context throughout history supports this). However, that would not be a fandom problem! That would be an sjm problem.
BTW - I do have serious problems with the way that Illyrians are portrayed in acotar, again because of the history of POC being portrayed as uncivilized, brutish, violent, and... that word that means someone isn't religious. I am getting tired and forgot the word. When sjm says that Illyrians are that way, and when she emphasizes the fact that they are a race... yikes. It's not racist of us to point that out, but it was highly questionable that she created them to be that way in the first place.
Let me know if any of this doesn't make sense, please! To anyone reading this to the end, first off RIP! But also let me know if I've gotten something wrong or if you see something differently.
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serpenteve · 3 years
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and AU where y’all have the white acient oppressor of poc tryant performan genocide on all the asian people aka alina people and y’all want the asian girl to be part of that 👁👄👁 we knew darklinas were racist but y’all aren’t even hiding anymore! so this is what it feels like to witness mental illness in its full effect y’all said let’s outdo hit*ler and the natz* gotta give it to you darklinas y’all somehow mange to be even more of freaks then what people think! Bravo keep it up.
and you are suprised why leigh didn’t do that see this why she’s writer and you guys write fanfics and au of fanon stuff! thank god for it
Better book they said the book we want they said who’s we your fellow natz* and pro genocide of asian people? As pro killing alina people and including her? okay 👀👀👀👀
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GOOD LORD CHILD
First of all,
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Second of all, you absolute clowns want *so badly* for Darklinas to be a bunch of racist neo-nazis to justify your incessant harassment and stalking that you have to reach so far up your own ass to find new depths of of shitacular takes.
Third, the words "genocide", "oppressor", and "nazi" (yes, there's not an extra 't' in that word, child) have specific meanings that do not even remotely apply to the situation you are ascribing them to. You keep calling any fictional villain a "nazi" and any fictional killing a "genocide", or any person you don't like an "oppressor", and you'll give your freshman history teacher a headache from your clownery. This is also an extra layer of offensive considering the Grisha were based off of Jewish scientists literally fleeing genocide at the hands of the Nazis and the Darkling is the leader of a persecuted minority fighting to expand their rights in a fictional setting. In what fucking universe does that scream "fascism" to you? 🤡
You're acting as if the original source material was some bastion of leftist wisdom when it is literally another shoddily written YA book that contains canonically racist depictions of Asian and Romani people. The only reason they even racelifted the characters for the adaption was because of how painfully bland and white the original setting was. So don't come into my inbox and preach to me about how woke you are based on what you ship when I, as a queer woman of color, saw so much of my own identity and struggle for acceptance in Alina's grappling of her Grisha identity. The entire series is another example of a leftist revolutionary getting cast as the villain while the centrist heroes side with the right-wing monarchy to return the setting to the status quo-----like every other whitewashed history lesson of civil rights.
You think because they racelifted the characters, the adaption is somehow more racially sensitive, when arguably they added a coat of racism sauce to Alina's entire arc and muddled the moral landscape of the series even more. As POC, we are meant to map our experiences to Alina's journey of navigating this mostly-white world, but at the same time, we are told we can't map our experiences to the Grisha persecution, which mainly exists as background ~aesthetics~. Literally just imagine the Grisha characters as another real-world minority: what if only POC characters were Grisha? What if only queer characters had magical summoning powers? What if Shu!Alina magically became a white person at the end of the series?Do you see what a complete fucking mess the plot of the novel is?
Also, it's just hilarious that you just assumed I don't ship show!Mal with show!Alina because once they scrubbed book!Mal of his toxic sewage waste of a personality, I literally just added him to more ships: Mal x Alina, Mal x Zoya, Mal x Darkling, Mal x Alina x Darkling, the list goes on.
So please kindly, read a dictionary and
✨go fuck yourself✨
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newmainolddead · 3 years
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in the pda/kink at pride debates there's
people who think kink is inherently sexual and abusive, who are saying "there should be no display of kink at pride because any display of kink at pride is inherently sexual"
people who saw the 'there's now a k in lgbtqiapk for kink' thing (a couple years back) and went 'hold up that's saying we're non-'normal' sex which isn't true' who are saying "there shouldn't be cis straight non-queer kink at pride because kink itself is not part of the community"
people who are uncomfortable with pda (often survivors and/or repulsed aspecs) who are saying "too sexual pda (like sexual grinding and dry humping) makes me uncomfortable or even triggers me, including at pride"
people who saw 'aces say no pda at pride they think gay is dirty sex and nothing else' and are saying "fuck aces who think i shouldn't be gay in public i will be gay in public and i'll (nsfw thing) at pride!"
people who think who knows what and say they'll do nsfw in the streets at pride
people who talk about 'think of the children at pride' who don't mean kink but too sexual pda (which falls under public decency) who are saying "no public indecency at pride"
people who see those people and think they mean all queer people are indecent and sexual by default and say "we're not indecent or inherently sexual for being queer in public"
people who don't bother reading what's being excluded from pride who are saying "don't exclude anyone from pride"
young queer people who don't know queer history and call to boycott and remove the leather and bear gay pride flags from queer spaces because they don't get them and don't know those are the second oldest flags in the existence of pride flags who are saying "queer isn't kink so there shouldn't be kink flags and bear and leather are kink flags so never use them again and definitely don't have kink at pride cause it doesn't belong"
people who know queer history and know about the leather and bear pride flags and that queer people basically invented kink who are saying "don't take away parts of our history and go learn queer history this is older than your parents so shut up"
possibly more people im forgetting about rn
troll accounts who say "i'll do (nsfw and kink-associated stuff) to people at pride against their consent"
people who think kink is 'gross' and say "i don't want them there because i don't want to be associated with them"
and most of all
people who are encountering one of these and mistaking them for another of these who are saying entirely different things and attack someone for being a bigot they're not, who are saying "how can you be such a bigot, stfu"
and the worst part is they're all using the same wording or phrasing to mean entirely different things, which is why the last part happens a lot
from what i personally know the pda/kink at pride debate came from ace discourse, but please do correct me if im wrong! it's just where i personally saw it start, and im assuming anti-kink people (like the first mentioned people) took over it and while some of the ace discourse people still see the discussion as that, others see it as the anti-kink discussion, whereas others come from the k in lgbtq+ thing, whereas others reply to the ahistoricalness of some of these
and in the end there's lots of talking at cross-purposes and mistaking each other and each others' points for other stuff
(maybe it would help if you said more clearly what exactly you're talking about in some cases)
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jesuisgourde · 3 years
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gay/queer references in Peter’s journals
Again, I have probably missed stuff due to going through pretty quickly and also due to having stared at this document for so long, everything has kind of blurred together.
Sometime close to the day that Carlos & I watched 'Love And Death on Long Island' (and afterwards paraded through the tea rooms of Picadilly) we both filled in application forms and were tres excited to be invited to the same group 'interview' - twas more like an audition though. I got the part. Carlos never. This did not bring any animosity - we both know that success for either of us is magnified a million times if it is shared by us both.
from 'A Diamond Guitar' by Truman Capote "Except that they did not combine their bodies or think to do so, though such things were not unknown at the (Prison), they were as lovers. Of the seasons, spring is the most shattering: stalks thrusting through the earth's winter-stiffened crust, young leaves cracking out on old left-to-die branches, the falling asleep wind cruising through all the newborn green. And with Mr Schaeffer it was the same, a breaking up, a flexing of muscles that had hardened. It was late January. The friends were sitting on the steps of the sheep house, each with a cigarette in his hand. A moon thin and yellow as a piece of lemon rind curved above them, and under its light, threads of ground frost glistened like silver snail trails. Tico Feo had been drawn into himself - silent as a robber waiting in the shadows."
Then a meet with Bounds Green's African prince outside whitechapel tube, rugged lookies at I in military attire & to a ruptured Albion rooms tidied in hours and now lids drawn heated on the eyes. A young looking fella has a crush on me.
Jackie/Camillia/Marie/Kate/Chris/V. churchill Jackie/Evelina/Jasmine/Sachi/Dalston/Sussie Sandra/Carlene/FP/Jay/Dalston/Kraut
There sat a young black man, perhaps in his early or middle twenties. He looked for all the world like the archetypal rude boy. Clean, cheap reebok, nike, adidas variously rolled, laced & zipped about his lean, spreadeagled body that hung loosely about the waiting room chair. Gold & tattoos adorned his person, and a blank animal look was attached to his clear face. He sat before me in a row of four empty chairs, staring at polished floor or the mundane television. A balding white man minced in & all perceptions were suddenly proven to be false as they embraced and snuggled up to each other, giggling & whispering & touching each others noses.... very much in love, fingers crossed for the blood tests.
[Image: an article from Gay Times of an interview with Peter. For some reason, the portrait included alongside the article is of Carl wearing a grey and black t-shirt.] Name? Peter Doherty Age? 22 Where are you? I'm on the motorway just north of Southampton. What kind of day are you having? (Vaguely) Erm... quite misty. Something's waiting around the corner, but there are no corners on the motorway, so we'll just have to wait and see what lies ahead. Maybe something will happen tonight.... What's this we hear about you once being a rent boy? Well, when times are hard, duty calls. How long ago was it? When I was 19, about three years ago. How do we know this isn't just a Shaun Ryder-type lie? 'Cause if it was, it would make me a complete scumbag and I'm not, and I'm not interested in that kind of pantomime. It wasn't a very happy time. I didn't really enjoy it. Why did you give it up? (grimly) Well, certain people disappeared... and anyway, ultimately I found myself no longer in such a vulnerable position anymore. Dawn broke, and I realised that it was a beautiful world after all. Have you done any other dodgy jobs? All of us in the band have tried to deal, but it's not good if you like the drugs too much. You just end up using them yourself! I once was a gravedigger. I used to do it with my mate in Willesden Green cemetery. We didn't actually do the digging, a machine did that, but we used to have to fill them in. It was pretty grim work. So are you gay then? Love is love, wherever it comes from. I'm not anything, really. I am a very sexual person but... I dunno, I believe in liberty... The Marquis de Sade has a lot to answer for... Do you get a lot of gay fans? Yeah - well, there's one guy in particular. He's very shy and he follows us around. He brings in letters and cards and stuff, but he's very quiet. I think John (the bassist) is the main pulling power in the band. Are you jealous about that? Nah! I've known him too long.
You know I'm alright i dont even care i like it when they stare & stare call me queer, dear oh dear a million things & what I wear He's real hard when he's with his mates but I'll saw him again & he was too late
Dear NME I'd have thought after the Gay Times piece, the interview with Rapture fanzine & our recent gig at the Slum Club everything would be clear. No it still remains to give a big hearty fuck off to all these twisted suburban types calling me a liar. Vulnerable young men & women all over the world find themselves victims of circumstance.
she was dressed in suit & tie & lightly etched-on moustache. 'I've always wanted to kiss a bird in the back of a taxi.' she says, running her hand up the fishnet ladders of my thigh. Stepping onto the front line in Bow puddles, elevators, buzzing doors,
[Image: the original page in the book has been preserved. Two paragraphs have been boxed off with biro. They read:] “...cast Richard Burton and Rex Harrison as bickering queer barbers and then much more uncompromisingly in William Friedkin's adaptation of The Boys in the Band (1970), which introduced some of the plainer four letter words in the English language to the screen for the first time. 'Who,' asks Cliff Gorman, in his brilliant portrayal of the most effeminate of the homosexual group as they gather for a soul-searching party, 'Who do you have to fuck to get a drink around here?' Other homosexual manifestations to occur in movies around this time included an elliptical but unmistakeable male fellatio scene in John Schlesinger's Midnight Cowboy (1969) when Jon Voight, as a broke and disillusioned Texas stud importunes in a New York cinema....”
[Image, top left: a blurry photo of John onstage, playing bass. Image, top right, sideways: a photo of the band onstage. Carl and John are on the left, sharing a mic. Peter is on the right, playing guitar and singing into his own mic. Image, centre left: a torn photo of Peter sitting in a chair, shirtless, playing guitar. Only his bottom half from the chest down is visible. Image, centre left: a torn photo of Peter sitting in a chair, shirtless, playing guitar. Only his top half from shoulders up is visible. Image, bottom left: a torn fragment of a photo. What looks like a denim-clad knee and a yellow carrier bag are visible. Image, bottom middle: a photo of someone's knee in torn jeans, taken from under a table. Image, bottom right: a torn photo of Carl in a black sleeveless shirt, posing with his fingers in his mouth.] [A paragraph from the original page of the book has been left exposed and boxed off with black biro. It reads:] “The Boys in the Band was displaced by an immeasurably more powerful portrayal of homosexual groups, Fortune and Men's Eyes (1971). Set in a Quebec prison, this disturbing, factually based drama vividly recounted the corrupted of a heterosexual convict trapped in a tough, potentially vicious homosexual society. In one horrifying scene, a weak, put-upon prisoner is gang-banged by his fellow inmates; in another, the 'hero' is blackmailed by his cellmate into accepting him as his lover for the duration...”
Like a cat on a hot tin roof Like a macho man in a roomful of poofs I have tried in my way to be free.
[Written in Peter's handwriting] Jerome... is that how it's spelt? [Written in someone else's handwriting] Yes it is [Written in Peter's handwriting] Can I read you something? [Written in someone else's handwriting] Yes please.....
I insist, new book of Albion, befuddled by drugs I may yes about 2 but I do not miss out entirely on the subtleties of the inhuman relation ships that are this the mainstay of my stay here in one bounce of a loaf. Boys are fooled into fooling with boys. [...]
More general references/some extra explanations:
“The boy looked at Johnny” is a line from Patti Smith's song “Horses,” part one of a three-part song called “Land.” In the song, a young man named Johnny is assaulted by another man in a locker room; he then mentally journeys to other fantastical lands and visions. A lot of people interpret it as being about gay sex, although some people interpret it as being about a stabbing.
Peter quotes and references Jean Genet's writing and works about Jean Genet many times. While Genet's works are nearly all about crime and prison (one of Peter's main interests and points of fascination), all of his works are very explicitly gay. The Thief's Journal is more about Genet's various lovers than it is about his criminal history. Our Lady Of The Flowers is about a drag queen and her criminal lovers, and is also extremely erotic.
(“Jerome” is Jerome Alexandre, vocalist of The Deadcuts, who was friends with Peter and Mark Keds.)
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