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#portfolios
thehauntedrocket · 1 year
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Frank Frazetta Famous Funnies Portfolio
Art by Frank Frazetta
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kitkatcodes · 10 months
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If someone forced you to brainstorm what your top ten favorite websites are, (Let's say that they'd do something ghastly otherwise, like pouring cereal into a bowl and then milk) what would your list be?
ooooh!!! ok.. ten might be hard but here are FOUR I can think off at the top of my head (with gifs woo) ۹(ÒہÓ)۶
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ILOVE AN INTERACTIVE SITE - Yihui Hu
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big fan of very cute minimal vibes (also has an interactive element) - Tiffany Wang
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a minimal neobrutalist theme - Elian
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a great project showcase site!! - Lucca I've gotten a lot of inspo from this one for my site hehe
◝(⑅•ᴗ•⑅)◜..°♡ Enjoy ♡
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38sr · 1 year
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What’s the best way to get noticed by the animation industry resume wise? #industryQs
Ah, this is a very good question ‘cause I remember back in college when I had no clue how to go about crafting a resume haha. But before we begin, I must preface that everything I state below is from personal experience from breaking into animation in addition to being on the other side or looking at applications for applications and such. These are not absolutes you have to follow since everyone’s experience will always be different.
And with that, let’s answer the question! What’s the best way to get noticed by the animation industry resume wise?
If I may be honest and candid, portfolios are what are looked at than resumes. There’s nothing wrong with having a resume (in fact yes please do have one for the recruiter sakes so they know your job title, contact info, experience, and so). Make sure that your resume is easy to read and not too long (usually 1-2 pages) while also including all the important information I mentioned in the previous sentence. But even if you had the longest resume ever known to mankind, if your portfolio doesn’t quite match or have the potential to be a good match for a production then the people hiring will look for someone who matches the production’s sensibilities more. And I’m only saying this ‘cause this happened to me haha.
Back in….I wanna say 2021 a friend of mine asked if I would be interested in working on the Proud Family series on Disney+. I said yes ‘cause I love that show and it was super influential to me as a little black girl from Jersey. So, I sent off my work and excitedly waited to hear if I could work on the show. Much to my surprise the show runner took a pass on me because he felt like my work didn’t fit with the show.
In his defense, my work is very anime leaning so I don’t blame him for worrying whether or not I can adapt to a more cartoony style haha. But at that time, my resume stated that I had been in the Nick Artist Program, worked on Star Trek Lower Decks, worked on Rugrats, and worked on Critical Role Legend of Vox Machina. I would like to think my resume would have been a good reason to hire me but my portfolio was more so the deciding factor as to why I was not chosen. From the show runner’s perspective, I did not match the show’s style and sensibilities even with a good resume.
So my point is, the actual physical you work make (the portfolio) matters a bit more when it comes to grabbing the attention of those in hiring power rather than the resume. They will still ask what previous works you have done (whether personal, indie, or professional) as part of the formal process. But what I’ve learned now that I’m on the other side and have done the application evaluating myself, the portfolio really is the thing that helps us decides whether or not you’re a good fit for the job. Even if you have no experience in a big Hollywood studio and have only done personal projects…or just nothing at all! If your portfolio showcases that you have the skill of an industry ready artist then you can be taught to adapt to the production. Again, even if you don’t have the most robust resume. That’s why so many of us in the industry make it a point to tell new, emerging artists to focus on making a good portfolio rather than being hyper focused on the best resume/cover letter. Your art will speak for yourself.
Again, please do make a resume for the recruiter’s sake haha. But if you want to grab the attention of industry professionals, crafting a solid portfolio is what we’re really look for. Social media has been a great tool to do that ‘cause industry pros just like looking at cool art at the end of they day. And if you happen to be looking for work (or are eligible to work), we will take the time to save your work and hand it off to whoever is in charge of hiring or put it in a talent pool for future projects.
In a previous IndustryQ, I went more in depth about my personal take on what makes a good portfolio and you can find that here. But again, this is all from my personal experience and opinion so do what feels best for you! I hope that answered your question!
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gensalvadorc · 6 months
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Portfolios 2022-2024
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howtobeaconartist · 2 years
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(Psst, psst! A lot of artists are just getting back into cons after the pandemic, and some of them still link to their old DeviantArt portfolio sites. Not dA itself, the portfolios dA used to offer. Juries can't see those! Thought I'd ask you guys to spread the word.)
Kiriska: Oh, I didn't know this. :o But yeah apparently dA revamped their Portfolio feature a while ago and old portfolios weren't migrated. More on their new Portfolio feature here.
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philearning · 9 months
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Exploring Different Investment Vehicles: Stocks, Bonds, Mutual Funds, and More
Navigate the various options available for those looking to invest
In this blog post, we will explore different investment vehicles, including stocks, bonds, mutual funds, and more, to help you gain a clearer understanding of their characteristics, benefits, and considerations.
Stocks
Bonds
Mutual Funds
Exchange-Traded Funds (ETFs)
Real Estate Investment Trusts (REITs)
Read the full blog here https://www.phindia.com/blogs/2023/08/10/exploring-different-investment-vehicles-stocks-bonds-mutual-funds-and-more/
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cherriielle · 5 days
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daphne's blessing 🌿
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luchsyy · 7 months
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another one of my uni portfolio pieces. something about kind gestures of strangers that go unnoticed because we're so used to them and the inherent goodness of people etc etc etc
honestly i just wanted to draw a comic because i wanted to show off my illustration skills. i wish i had spent more time on these & drawn more comics for this series but i was running out of time :(
(made in photoshop)
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usnewsper-business · 1 month
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Crucial Market Factors: How to Make Smart Investments in 2024 #amazon #Apple #corporateearnings #currentevents #economicdata #economicgrowth #firstweekoftrading2024 #geopoliticaltensions #globalstockmarket #historicalpatterns #informeddecisions #investmentdecisions #investmentstrategies #marketindicators #marketstability #markettrends #oilprices #pandemic #portfolios #Recession #stockmarketperformance #techcompanies #uniquecircumstances #USmarket #yieldcurve
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darrylr1 · 2 months
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Darryl Reece photography
* dreecephotos.com (take a look)
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38sr · 2 years
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#industryQs
What do you think should be in a animation or storyboard portfolio? Like should it be project base or a general portfolio? I’m struggling trying to find out what I should put in mines - Oort Anon
Ooooh! So when it comes to making a portfolio the most important advice I've taken away was the following: • Make it easy to find your work and contact you
• Curate your work to the job you are applying for
• Showcase strong foundation skills
• Do not be afraid to create samples that speak to what fulfills you creatively as an artist Point 1: I think this is self-explanatory. Make sure your website, portfolio blog or whatever is easy to find for recruiters and always make sure your contact information is included. A lot of people miss this step and it's the #1 thing recruiters look for when looking at potential hires. Point 2: Curating your work. Now I understand you might think, "If I show that I can do multiple things then that will widen my chances of landing a job." This isn't the wrong line of thinking (will explain in part 2) but on the recruiters' end it might be confusing for them to discern what you want to do. In 2D TV animation, there really isn't a generalist role (in 3D there might be). So it's best to clearly broadcast the specific skills you have for a specific job so recruiters can place you into a production easier. So if you want to be a board artist, focus on a good storyboard portfolio. It would be confusing for them to get a board artist applicant and then review a portfolio that isn't storyboards or is just a hodgepodge of different skills not pertaining to storyboards. Part 2 of Point 2: So while I do suggest you should focus on one thing rather than a generalist portfolio, there are cases of industry professionals in having portfolios with multiple disciplines (I am one of those people). So if you want to do 2 disciplines I think that's fine since I do the same...but from what I've learned working in these studios is that it's just easier for recruiters to know instantly what you are going for if you're trying to break in. As you gain more experience in the industry and learn more about the pipeline, it does become easier for you to try out different jobs when those opportunities arise. For example if you're a board artist who wants to try BG design, you can ask to join a design breakdown meeting or ask the art director to see what kind a tests are given to potential hires for the BG design team. Those are few ways you can start to learn/try different jobs in the pipeline while also getting a better understanding of the full scope of an animated production. It's one of those situations where once you get over the first hurdle (breaking in), it's easier to jump over the next hurdle and so on. Point 3: Gosh, this is probably the second most thing I suggest when it comes to portfolios. Foundation skills make you a more versatile artist and you will be able to adapt quickly to any production (regardless of its visual style). And I don't just only mean anatomy, color theory, perspective and such. I'm also talking about staging, screen direction, composition, acting and cinematic language. Showcasing that you have a strong understanding of both set of skills makes your portfolio stand out more. You provide your team a strong foundation (haha get it) that they can work with and build off from that making it easier for you to adapt to the show and work on your assignments. Point 4: "So what kind of boards should I make then?" Make samples for genres you would love to work on! If you want to work in comedy, make comedy boards. If you want to work on a show similar to ATLA, make an action adventure board. If you love a type of storytelling, make samples of that! It's also good to showcase you can work in multiple genres but what catches eyes most is when you create work about things you are genuinely passionate about. Don't be afraid to make a sample about your own personal stories (I did that and that's how I got selected for the Nick Artist Program). A lot of people in this industry love to see original ideas. And it doesn't have to be some grand epic. It can be a short scene, no more than 200 panels (unless it's like a chase sequence or something). Give them a little golden nugget and make them ask for more. Showcase who you are as an artist and what stories you not only want to work on but also stories you want to make. Woof that was a lot. I hope this was helpful and it answered your question!
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angeljpg · 2 months
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laces and silks collection by mirror palais.
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md3artjournal · 4 months
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em-doods · 8 days
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Plant wizard
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Also explorations for this design.
Gonna do more with him! ❤️
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ethicsustinvest · 7 months
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Smoke and mirrors: A look inside ESG fund portfolios
“This column reviews novel empirical evidence, which shows that fund managers may game regulatory disclosure to disguise themselves as sustainable, while including higher performing yet controversial assets in their portfolios. The findings highlight the importance of scrutiny and regulation to disentangle true sustainability from greenwashing.” [COMMENTARY] This article digs deep into…
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