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#positive or negative than anything else characters do.
widowshill · 2 months
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happy aro week to everyone who celebrates. give your local aro a hundred dollars to compensate for their suffering (me).
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archorcist · 3 months
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most of my verses don't factor in adam's death (with the exception of his sinner verse where he returns as a demon) but if and when they do, his death was at the hands of lucifer!
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xamag-draws · 9 days
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BBR thoughts 2024
Since I mentioned that I finally dusted off an old project of mine and was ruminating on how I'd remake it, I thought I'd elaborate a little, now that I've solidified some concepts. For funsies
This is gonna be a bit of a long and unfocused one, but I don't share my personal thoughts here often, especially the stuff about my projects I always marinate in. And for once it's something that people have existing context for, so hey why not
So for anyone who hasn't been following me for a gajillion years, The Black Brick Road of OZ was a webcomic that I posted around 2013-2015, back when I was in highschool going on college (which is kinda crazy to think about). It was sort of a darker twist on The Wonderful Wizard of Oz, although I definitely leaned a lot more into dark humor more than anything in those first few chapters
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I don't think it's available to read anywhere anymore, and I know people have been asking me about it. So here's the full proper archive of BBR, as full as it can be with deceased Flash
I totally used it as an excuse to shamelessly and self-indulgently experiment. It had interactive pages and GIFs and was wayyy too overproduced for what I could handle or what was necessary, but I did have great fun making it while it lasted
Unfortunately, that excess and the fact that I've changed too much as a person by the time I was in college is what ultimately killed it. The direction I wanted to go in was practically unrecognizable from the original idea started back in 2011, so there were many old hold-ups that I felt ruined it
At the time I kinda wished I could start/rewrite it all over, but considering that I pretty much had the entire script done at that point, it felt like a pointless sisyphean task. So I just put it on a shelf and didn't look back for about 8 years, because I didn't know what else to do
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Now to be fair, the nature of my art has always been iterative and cyclical; when I feel like my creative juices have run dry I prefer to leave a project to marinate and move on to something else; cycle through other old things and bring in new skills and perspectives into the mix when I'm ready again. Not very productive, but it is what makes me happy to work on my OCs; I'm doomed to hit a wall with them eventually and I need some time to be able to find a new direction
So that said, I'm glad that BBR was left to marinate for that long. I don't think I was prepared, emotionally or intellectually, to tackle it again until now. The Wizard of Oz book (and the entire series of them, really) has always been near and dear to my heart, but there's a lot of context around it that I'm only unpacking now that I'm older
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I think I always inherently feel negatively about the stuff I've made in the past, like its faults always jump out to me more than the positives, especially the more time passes. I've never liked that, and I do really appreciate the kind things people have to say about BBR to this day. The fact that it still can be recognized and remembered is very sweet
When I left it, I already found it "kinda cringe", and that feeling only deepened with years. When I took my first look back at it, asking the question "how would I rewrite it now?", at first I took a very cynical approach, as in "everything would have to be torn down"
But the more I sat on it, the more I found that I still see some merit and charm in the ideas I was putting out; I just didn't know how to execute them at the time (not to pretend that I know what I'm doing now, but I certainly know more at least). Turns out a lot of my old concepts could be changed substantially with just a few small tweaks. So I'd say that's a nicer way to think about my previous work
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If you haven't seen yet, I posted a first draft of my new designs for some of the characters (the main group, the Goods and the Wickeds). Definitely subject to change, but more or less how I see them now
I'm just playing with these concepts; by no means would I attempt to remake BBR right this moment. Call it a pipe dream among my other ones. But just for fun, this is the direction I'd like to take:
Nowadays I'd probably make it a visual novel, with more emphasis on the visual part than the novel because I'm no English prose writer by any means. It'd still let me play a little with the interactivity while helping cut some corners on the drawing part (only some, I imagine I'd go hog wild anyway)
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I've always intended for some events inspired by the sequel books to take place in BBR's past. Stuff like Jinjur's revolt or Ozma's rule preceeds the main events here. So I think it would be fun to follow the past of a few key characters alongside the main story. One chapter focusing on the present quest to see the Wizard, then one focusing on the past events (that are maybe reflective thematically); rinse and repeat
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I'm also sticking a little closer to the original text in some regards. Not everything that I enjoy from the books would be translated here, it's still just a very loose fantasy on the material; but I'd like to be closer in spirit at least
I like mature, wise and powerful Glinda, I like kind and vulnerable Tin Man, I like the Wizard being a pathetic yet loveable liar, so I'm sprinkling in more of that for example
I'd like to keep some whimsy, but make it more grounded and a bit more serious to be coherent in tone. I think the original TWWOOZ book was a more realistic fantasy in some ways, even for the standards of the time; I like its simple but vivid tactile descriptions and details like bringing attention that Dorothy needed to eat and sleep
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I find it funny that Baum specifically was averse to making his books scary or unpleasant, finding that unnecessary for telling a compelling kids story, but they still can get pretty dark and disturbing, at least for our modern sensibilities. Let's just say that I intend to use the Evoldo and Chopfyt storylines for my purposes. In that way, I feel like a "darker" Wizard of Oz retelling can still mostly be tonally in line with the original and balance it with enough heart and occasional humor
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I slowly grew to appreciate the quaint old-timey quality of the original series, as well. The first book is both timeless and very much a product of the 1900s. Originally I tried to give it a little modern or at least anachronistic spin, but it was moreso because it's what I knew best, so these days I'd rather intentionally lean into the time period. Still not fully historically accurate by any means, but at least directly acknowledging the influence
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The events of the story span across 40 years of these characters' lives, so I'm drawing inspiration from the entire so-called La Belle Epoque: the time period around 1880s-1920s. Basically I'm cooking, and my soup is old Victorian fashion morphing into Edwardian fashion and slowly inching towards flappers
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Some new Dolly outfits
Lots of crazy things, political changes and innovations were happening at the turn of the century, which I think is noted and reflected by Baum in the books as well; the character of Tik-Tok might not blow any minds now, but he was one of the first robot characters in literature at that point; and don't even get me started on Jinjur, etc. Plenty of really interesting stuff one could lightly ponder in an Oz adaptation these days
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Aesthetically, art nouveau has always been a big artistic influence for me, and it'd definitely be its time to shine here. John R. Neill's illustrations of the Oz books often keep me company as well. Nouveau architecture in particular fits that fairytale whimsy extremely well imo
I'd allow myself a little bit of art deco here and there, but ultimately its intimidating geometrical splendor is an antithetical to the flowery nature of nouveau and I associate it with a completely different era. Definitely fitting some characters like my Wicked Witch of the West, but shouldn't be overused
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One of my main problems with the original BBR was that eventually I lost track of what it was even about; and the original ending felt too mean and unfulfilling to be worth it. Now I'd like to stick to the theme of home and family as my main theme, but in a different, more bittersweet way than in the book
An interesting connection I made is that a lot of my aforementioned older key characters (the Witches, Jinjur, the Nome King, etc) all came from the same reformatory as kids, that's how they know each other. In my recent research I learned that in those reformatories it was usually frowned upon to release the children back to the families, which were seen as the original corrupting influence regardless of the circumstance. The reformatory did everything in its power to cut that connection and make itself the only family those wayward kids were supposed to know and love. That's an unexpected tie into the theme of home that I'd like to explore as well
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So yeah that's the current state of it. I have a bunch of outfit concepts I'm slowly cooking, although I'm now sure whether I'd post them... But I do miss these funny guys, and I'm glad some people still do as well :)
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morallyinept · 7 months
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I don't rant very often - it's negative energy that I don't want or need in my life - but I feel that as a fan of Pedro Pascal, I'd like to take a moment to highlight what being a fan actually means.
As clearly, some people, some "fans", have demonstrated having a hard time grasping that concept...
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Being a fan of Pedro Pascal means I enjoy his career, his portfolio of works.
Sure, I enjoy his physical looks too; the man is certainly as handsome as they come, let's be real here. Yes, I find him attractive.
More importantly, I enjoy what Pedro stands for; his beliefs, his passions. He stands up for injustice, he is an LGBTQIA+ advocate and friend. He is a feminist. He is politcal. He's proud of his heritage.
Is Pedro perfect? Do I believe the sun shines out of his ass? No, he's human and has flaws and off days like the rest of us.
Ain't no-one that is perfect, babe. That's delusion talking if you truly believe that.
I enjoy that Pedro inspires me to be a better human being.
Being a true fan, to me, means only positive things.
It means respect.
It means respecting Pedro's boundaries, be that in person, or online.
It means respecting Pedro's privacy. He has the right, just like any one of us, to a personal life seperate from his career.
Pedro doesn't have to answer to you, me, or anyone else about his private life.
You are not entitled to him, or his time, just because he is a celebrity. (God, I fucking hate that word.) He does not owe you anything, and nor should he be expected to.
Pedro Pascal is a human being.
As a fan of Pedro, I will not write fanfic about him. Only his characters, because his characters are primarily the reason why I admire Pedro. His characters are how I discovered Pedro to begin with.
He can make me laugh, cry, fall in love, wince when he loses an arm, gasp when he double crosses the protagonist. I can survive a fungal apocalypse with his characters by my side.
That's an incredible testament to his talent as an actor that no matter what role he plays, I don't see Pedro on the screen. I only see his characters.
It's his job and he enjoys it. As a fan, I enjoy his craft.
If you do write about Pedro, that's up to you and I am not going to judge, but for me personally, it's a hard no. And I won't be reading any of it either, sorry.
As a fan of Pedro, I can draw the line between fantasy and reality. Meaning, I would never go out of my way to invite, devise, plant myself in deliberately, or exploit a situation where Pedro is in my personal space, or I in his.
Firstly, I'm a realist. And secondly if I ever met the guy, chances are I'd walk right past him and not even notice. (It's happened a lot, not with Pedro but with other actors etc... I live in the capital, there are a lot of them here.)
And thirdly, I am not a stalker.
I would never intentionally track him down in another country whilst he is working or vacationing, and then post about how slighted I am on IG that he told me to politely leave him alone because I was too persistent in getting too close. I would never relocate and uproot my life just to live near him in the hopes we bump into one another and fall desperately in love. 🙄
This is real life people, not a movie.
This kind of behaviour from Pedro's so-called fans is questionable, and frankly concerning to anyone with a sane mind.
I would also never bully or belittle anyone because their fan account is more popular than mine. I would never actively enforce or seek to enforce the deliberate closure of any fan accounts because I am petty or jealous.
Unfortunately this has happened and I am sorry to have heard about those who were affected by it - you did not deserve that.
Sadly, all these things have happened. For real. And it's utterly gross behaviour from, in most cases, fully grown women who are old enough to know better.
We are all here to enjoy and support Pedro, so why is that such a hard concept to grasp? Why does fandom have a toxic corner?
I'll tell you why.
Because thanks to social media, and platforms like Tumblr, it's all too easy to sit faceless behind a keyboard and do and say whatever you want, without any real consequence.
There are always a few bad eggs, in any fandom, who feel they are superior, that they know everything. That because they found a new image or a clip first that they are entitled to police everything. That they are entitled to dictate how fandom should be run.
I've got news for you; you're not.
Fandom is inclusive, sharing, a creative hub for ideas, inspiration. A place to forge friendships, relationships because you have common ground. The coming together of like-minded individuals to celebrate and endorse their admiration for their idol in a safe, non-threatening place.
A place for creativity to flow, for confidence in yourself to grow. To create original stories from canon, to create unique head canon because we don't want these lovable characters to die. To paint amazing pictures. To get excited over Pedro's new projects and discuss your favourites.
That's fandom. That's being a fan.
Being a fan doesn't mean creating, spreading, peddling or posting harmful material that 1) is frankly abhorrently disgusting and is not only insulting to Pedro, but also his family, his friends etc... and 2) could also be potentially damaging to his career.
I am referring to the vile deepfake of Pedro currently doing the rounds now on Tumblr because some idiot thought it was funny to clog up our timelines with it.
I don't want, or need, to see that, thanks.
And whoever created it originally should be fucking ashamed of themselves. I would wholly encourage you to report and block any accounts that have done this.
Imagine how you would feel if your face, your image was used and violated in that way.
You'd be outraged, right? Hurt? Sickened?
This kind of manipulation of AI is exactly what the WGA and SAG-AFTRA are concerned about and were/are striking for.
What Pedro is striking for, and then someone has the gall to pull this sickening stunt.
It's what artists are concerned about. What writers are concerned about. AI wasn't created to be abused in this way.
So, what makes you think that all this behaviour is acceptable to do to a man, who is nothing but generous and kind?
A man who would give you help, no questions asked, if he ran into you, in his own words:
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And you have the audacity to call yourselves fans?
A man who, if he knew, what his "fans" do, I'm certain he would be absolutely disgusted and not condone any of it.
☝🏻Let me make it abundantly clear:
If you have looked for, deliberately searched for, posted, jerked off to, liked or shared that vile deepfake clip, video, pic - whatever the fuck it is - in any way then, YOU ARE NO FAN OF PEDRO PASCAL.
And I am certainly no fan of yours.
Do better. Don't be a dick.
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inamindfarfaraway · 7 months
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I love how Paul's character in The Guy Who Didn't Like Musicals is defined entirely by a lack of desire, or desire defined only as 'not what I don't want'. "What Do You Want, Paul?" is a big joke about what a terrible narrative protagonist he is. But it's deeper than that. Throughout the show, even in the smallest, most insignificant phrasing, this man only ever expresses wants in these negative forms, as if he's incapable of feeling attraction in itself rather than simply avoiding what he dislikes. And only avoiding! He never says that he hates anything, either! That would give him passion, drive, perhaps the goal of actively removing that thing. No, he exclusively uses the verb hate in past tense.
He doesn't like musicals, singing, dancing or public performances. He makes this very clear, to the point that it's one of his most significant character traits. At no point does he ever talk about liking any media.
He doesn't want to do social activities.
He doesn't want to give away his money. About both this and the above, he can provide no logical explanation or moral justification. He just doesn't feel like them.
He always gets black coffee because it has "no cream, no sugar, nothing in it"; that is to say, he might not necessarily love it, merely prefer it over its sweeter or more complex alternatives.
He doesn't believe that Emma should have to sing and dance at work - he doesn't want her life to be so unfair and annoying to the both of them.
He doesn't want to obstruct the workings of his office (saying "that's the last thing I want" triggers "What Do You Want, Paul?").
He says, "I wanna go home!" when Mr Davidson is singing at him, but means that he wants to be somewhere safe and not stuck in this incredibly uncomfortable situation.
He doesn't want to die.
He specifically doesn't want to die in Clivesdale, because fuck Clivesdale.
He doesn't want to join the Hive.
He doesn't want to leave Hatchetfield, even when it's the site of an alien invasion that is his personal worst nightmare. He actually says that "All things considered, I like Hatchetfield", arguably an exception to the standard. However, he's also well aware of the town's flaws and problems. He grew up one of its poorer residents, attending the inferior, underfunded Sycamore High School where he casually admits the students "hated [themselves]" and having to watch its more respectable rival Hatchetfield High's school play. He has no strong investment in his tedious middle-class office job. He doesn't get along with some of his fellow townsfolk, like his coworker Ted and all the employees of Beanies except Emma. He awkwardly evades giving to charity and the homeless every morning on his way to work. His life is decidedly not one of utter bliss, and yet it's good enough for him in that he doesn't have the energy, ambition or imagination to want anything more. Since he's "been here [his] whole life", his affection for his hometown could be more an aversion to everywhere else or the hassle of travelling. Sticking with the devil he intimately knows.
He doesn't think badly of Emma, and says so because he doesn't want her to or believe that he does after learning that she helped make a "hated" experience of his happen.
He doesn't want to let Bill die, which is why he goes with Bill to rescue Alice. His heroism and proactiveness at the turning point of the end of Act One start to notably erode his apathy, but his phrasing reaffirms his negative motivations: "Hey, it's not like you're asking me to go see Mama Mia!", "Emma, there comes a time in every man's life when he has to draw a line in the sand. And I will never be in a fucking musical."
He doesn’t want Bill to blame himself for Alice's endangerment, stay in the area once Alice is revealed to be a vessel of the Hive or kill himself.
He doesn't want to do some light reading on the universal truth of love and the strength of the human heart.
He has no positive motivation. He breaks one of the most basic rules of being a fictional character, let alone the main character the audience is supposed to root for. He isn't just an antihero, he's an anti-protagonist. Although this could easily make him boring or unsympathetic, he manages to seem relatable. Real. Human. He captures so genuinely an ordinary person living an ordinary life suddenly trapped in a horror story. How many of can honestly articulate "one concrete goal that motivates all [our] actions"? Even if you can, you wouldn't undergo a narratively fulfilling and thematically cohesive arc related to that desire the way a fictional character would. We're all essentially just trying to survive each day. To make or keep our lives however we define 'good enough'. We may not have a crystal clear picture of our ideal life, but I bet we all have a long list of things we don't want in it. We're all Paul.
What more appropriate antagonist for this man to face, then, than a force that exists to strip people of their autonomy, their individuality, their personhood, and force them to play archetypical characters in a conventional narrative? The Hive observes that Paul is an anti-protagonist and takes offence to this. It seeks to convert him into his antithesis, the "bold" "leading man" of its musical who the audience can "sympathize with". The Infected highlight this in the opening song, in which they eagerly anticipate and prepare the audience for his entrance... and he misses his cue. He isn't following their script. Perhaps that's why the audience is able to believe in this average, unassuming antihero's potential to succeed, to defeat the Hive or at the very least escape it, despite how fraught and grim the situation becomes. The story certainly proves itself to be cruel to its characters; but Paul doesn't operate like a normal character. The Hive promises to fulfil people's desires and make them happy throughout the play. Charlotte, Bill, Hidgens and Ted's deaths are connected to, either in direct causality or thematic relevance, their respective desires for Sam's love, Alice's safety, world peace (and the glory of a musical career) and Ted's own survival. Paul is uniquely immune to this pattern of death related to a core motivation.
Until:
"I can't leave without Emma”, “a friend of mine."
"Is there a chance of something more?"
"I think so. I'd like there to be. I want there to be."
He wants Emma, her life and her happiness and maybe, just maybe, her love. He wants to love her. To spend time with her. For the first time ever, he wants more out of life, not less. He's a little bit more of a character. After the Infected reprise the "Did you hear the word?" section of the opening song, building up to his appearance, this time he does enter the theatre, coming down the aisle just as he was meant to. Right on cue. Paul is now vulnerable to the narrative - the Hive's narrative. And the Hive's control.
Still he resists, even while doubting if he was ever really happy before. Not only does he use his final words, fittingly, to declare that he doesn't like musicals, but before that he firmly refutes the Hive, and the philosophy behind it and all the pressures and temptatations it might represent: "It doesn't matter what I want." What matters is the good of the world. Emma. Love. Hope. Freedom. Integrity. Humanity, which must be wonderful if we can make sacrifices like this for all the right reasons.
Rest in peace, Paul Matthews. You were the opposite of a conventional protagonist, but a true hero.
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zreamy · 1 year
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nothing to lose
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pairing: jay park x fem!reader
summary: after a hockey party, a football game, and a near perfect first kiss, jay is humbled by his (practically silent) friend sunghoon, who reminds him that he has nothing to lose.
genres: university / college au, friends (uni crushes) to lovers, smut, fluff
warnings: minors dni, vaguely (very?) british undertones..
word count: 24,064 .. sorry.
playlist: awkward sza, do you like me? daniel caesar
author's note: please just be nice to me and let me know your thoughts (positive / negative / anything as long as ur not mean abt it) .. thank u @asahicore my rock, my bestie, my beta reader .. <333 hope u enjoy !!!
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When you pair his kind eyes and charming smile with his ever-positive outlook on life, it’s easy to see why Park Jongseong is heavily popular amongst the student body; even described by your flatmates (and the rest of his fan club) as the stuff of dreams. And in your dreams, you know exactly why he’s staring in your direction with a sweet smile on his face. In real life, however, you have absolutely no idea and it’s kind of weird. Not his smile itself, no, his smile is.. really pretty, but it’s kind of weird in the sense that it’s directed at you. 
You think. 
Most of the library’s population sits across the room in the computer lab and based on your seat, at an empty table, in the (also empty) far corner, he’s either smiling at you or at the wall that your head is resting on. It’s not until the two of you lock eyes that you feel you should smile back, though your brows knit together at the way he whips his head around in the other direction when you do – a move that seems out of character for the Park Jongseong that you know. Or rather, the Park Jongseong Jay that you knew.
The Jay you knew was a (more than) pleasant enough guy who grinned in a way that pushed a dimple into his cheek every time he got to class and sidled his way through the aisle to sit in the seat next to you. The very first time he did it he’d mistaken you for someone else, his smile faltering slightly as he sat down anyway, a large hand extended to you.
“Jay,” he introduced himself, nodding thoughtfully when you told him your name and holding on to your hand for a split second longer than what was comfortable. And even though it was clear that he’d been sitting in the wrong seat, at Na Jaemin’s end-of-year party months later, you acted shocked when he told you about how he’d forgotten to put his contacts in that morning. Nonetheless, he continued sitting next to you in that class for the rest of the semester.
From your current seat in the library, you watch him curiously, wondering if he might look over again. For two minutes, he leans against a shelf in the reference section, completely unaware of his audience (you) as he types on his phone. You can’t take your eyes off him until the sudden vibration of your phone startles you, your hand reaching for it immediately thinking (hoping?) it might be a text from him.
yj: hockey mixer tn 
yj: what are you guys wearing 
You feel relieved to see that it’s just Yunjin in the group chat, though, as you read the messages, you struggle not to roll your eyes seeing that she (captain of the hockey team) is still trying to convince you (non-member of the hockey team) to go to the hockey mixer. By the looks of things, the field hockey team is the last to take advantage of the space that the student union building has to offer. Functioning as a nightclub over the weekend (and on select weeknights), The U is the place to be if you’re looking for a good time for a good price.
Unlike the other club parties, tonight’s hockey mixer is Yunjin’s answer to concerns raised by members of the students’ union about binge drinking on campus. According to her: “A mixer is an informal gathering where people mingle, interact, and get to know each other. And a party is,” she paused, fixing her eyes on the ceiling as if waiting for divine inspiration to strike. “Fun.” She didn’t seem pleased when you asked if this meant that the mixer would be boring and eventually confessed that the hockey party would be a mixer in name only.
You lock your phone without responding and lift your gaze back to references only to find that Jay is gone; stuck to the part of the bookshelf he was leaning on, you notice a lopsided poster featuring two crossed field hockey sticks and a ball over a green gradient, and a chill runs down your spine. If Yunjin is one thing, she’s bad at graphic design persistent. 
Unfortunately, in all your time spent not working, you find that your laptop hasn’t begun doing your research paper for you, and the Google Doc looks exactly the same as it did when you last edited it one hour ago, with only the intro from the UN’s Sustainable Development Goals website pasted into it. In the bottom left corner of your screen, a white box tells you that it’s 467 words long, and, feeling a rare bout of motivation, you get to work paraphrasing and attempting to condense the text.
As morning turns into afternoon, the library starts to get busier and busier, and despite the low hum of several different conversations creeping in through your earphones, you’ve gotten into a flow with your work and don’t let anything distract you. That is until Jay himself lets his backpack thud onto the table across from you, brows raising a little at the sudden noise, before pulling out the chair and sitting down. 
“Need a study buddy?” he asks, a tentative hand on the zipper of his jacket. 
You take a moment to observe him; the way he asked to join you after having already joined you, settling into the seat before you’d had a chance to say anything. A part of you wants to say “no,” just to see how he reacts, but, with a smile on your face, you take out your earphones and say, “Sure.” 
A grin spreads over his lips as he mumbles the word sweet, shrugging off the oversized coat and letting it drape over the back of his chair, revealing a chunky pair of headphones sitting around his neck and a thin gold chain with a hook pendant on it. His dark hair sits flat on his forehead and he rakes a hand through it twice before taking a textbook out of his bag. He doesn’t touch it, though. Instead, he lets his elbows rest on the table in front of him, biceps flexing slightly under his sleeves as he crosses his forearms. “What are you working on?” he asks.
“A report on the integration of renewable technology in buildings, for my sustainable development class.” 
Jay hums, brows raising slightly. “Renewable tech like solar panels and shit, right?” 
“Right.” 
Another grin, pretty, sincere. “It’s cool you’re getting to learn about the stuff you care about,” he tells you, and even if you hadn’t been looking at him, you’d have been able to hear the smile in his voice, light, sweet. Jay is sweet. The statement trickled out of his mouth so simply, so casually, a small detail that you have to rack your brain to recall sharing with him; still just as attentive as you remember. “Really.”
“Yeah,” you nod, smiling too. “Exactly.” 
There’s a distinct comfort that rolls off of Jay in waves as the two of you chat, and the scene feels familiar. It’s reminiscent of the nights you’d spend together last term, at a table like this one with the notes from your shared Property Law lecture sprawled out in front of you while pretending to study. The two of you would find anything else to talk about, and constantly received dirty looks from the laughter you’d struggle to stifle. 
It’s not until Jay reaches for his textbook that you properly check it out, and as a non-fashion student, you’re not expecting to know what subject he’s studying but you’re pretty sure that Nutrition, Energy, and Human Performance are not part of his curriculum. “Excercise Physiology?” you ask, reading its title.
“I picked it up earlier for Sunghoon. He’s at the rink all morning,” he nods.
“So why are you studying it?”
Jay laughs, shifting in his seat. “It’s, like, the only thing I have in my backpack. I just came over here ‘cause I wanted to say hey.” 
It takes everything in you not to say “aww” out loud; his sweetness palpable, his smile contagious, and his eyes so bright and warm that your heart soars in your chest when you look at them. “Hey,” you say after a beat. 
“Hey,” he chuckles. “How was your break?” 
“It was good! I went home for a week, or so, and then I got bored and came back to hang out with Chaewon,” you tell him, grinning despite yourself at the memory of poorly mixed cocktails and days spent lounging by the pool at her family’s holiday home. “85% of the summer was just us running around being stupid.” 
“And the other 15?” 
You feel more than a little awkward about telling him that you spent the other 15% fooling around with Jaemin, so with a forced smile you tell him, “Just more running around being stupid.” Hopefully, he can’t sense your mild discomfort and thinks you’re scratching your neck because it’s itchy and not because of the slight guilt you feel. “How was yours?” 
“Minus Chaewon, I had, like, the exact same break.” He pauses, breaking out into the widest grin you’ve ever seen. “Oh, and I went to the Yuuri show! It was crazy.” He runs a hand through his hair, sitting up a little straighter in his seat. “I was gonna text you but I didn’t wanna bother you during break or anything.” 
“Oh,” you say, dragging the vowel. “Right. So you’re bothering me during term time instead?” You tease, though with the way Jay’s eyes widen and his brows knit together, it doesn’t seem like he’s caught on to your joking tone. “I’m kidding, tell me all about it,” you add as quickly as you can manage, a huge smile on your face. 
Relief washes over you as Jay laughs, his shoulders shaking, and his nose crinkling, showing off the scar across its bridge that you’ve come to like so much. After calming down, he watches you carefully, his tongue darting out to wet his lips. “Right,” he finally says, taking a breath before talking with excitement and at great length about the concert. 
But it isn’t without slight interruption: Jay’s phone vibrates against the table a few times, and he ignores it, eventually turning it on do not disturb before squinting at you. “You’re not allowed to laugh. Pinky promise me you won’t laugh.” He holds his hand out to you, wagging his pinky finger in your face. There’s a smile on his lips when you link your finger with his, his skin rough against your own when he squeezes your pinky. As much as his tight grip is starting to hurt, you (unsuccessfully) fight off a smile when you realise that the two of you are effectively holding hands. 
“I’m not gonna laugh,” you promise.
A beat passes before Jay lets out a chuckle. “That’s my girl,” he says, voice low as if he didn’t want you to hear him. You wish you didn’t hear him. 
When you try to let go, he doesn’t budge, only easing up a little so he’s not cutting off your circulation anymore; just holding it lightly with his. Across the table from you, struggling to meet your eyes, Jay wears a sheepish look. “He threw his pick out into the crowd at the end of the show, and I caught it!” he tells you, looking away. “And I cried..” His voice thins out into practically nothing though you think you hear the words “home,” and “Heeseung,” before he stops talking completely. 
Jay’s sentimental side has tugged at your heart for as long as you’ve known him, and given the way he’d sobbed quietly in his seat at the cinemas when you’d gone out to watch a late showing of Spider-Man 2 together, you find it easy to imagine him welling up over catching Yuuri’s guitar pick. 
For some reason, much like the tears he’d shed over Peter Parker, you find the thought quite cute, and a smile teases at the corners of your mouth as you make a mental note to finally listen to some Yuuri songs later on. Jay looks at you expectantly, and before you have the chance to speak his phone starts to ring, vibrating incessantly against the table, though Jay doesn’t take his eyes off of you. 
“Do you need to get that?” you ask, unable to suppress the snort that makes its way out. 
Jay shakes his head. “You promised me. You’re still promising me,” he says, lips curving into a frown as he makes a show of waving your still-linked hands.  
“No, it’s cute that you cried.” 
He seems shocked by this. “Really?” 
“A little.” 
His mouth falls open in a silent gasp as he furrows his brows at you. “A li—” He’s cut off by his phone vibrating once again, and he releases your pinky to check it. Jay sighs lightly, reading the messages from his screen and picking up the textbook. “Sorry, Hoon’s on my ass about this thing. I gotta go.” 
Disappointment weighs lightly on your shoulders at his words, though you do feel better when you see the little pout on his lips, hoping that it means he doesn’t want your conversation to end either. “I get it,” you say, shooting him a smile that you hope is convincing as he puts the book in his bag before pulling his jacket back on, and standing up from his seat. 
“I’ll text you,” he says cheerfully, waving at you before leaving. He looks over his shoulder a few moments later, waving again with the same smile from earlier on his face. 
You can’t help but watch as he retreats, captivated by the air of confidence he somehow exudes even without showing his face, until he disappears into the mix of students by the entrance, becoming just another bag and shoulders in the crowd. 
Without Jay to chat to, the idea of sitting in the library becomes jarring, and suddenly it’s time for you to leave too. You don’t hesitate to grab your phone when it vibrates twice next to you, an odd combination of the relief from earlier and slight disappointment hitting you when you see that it’s Yunjin — texting you directly this time. 
yj: if you wanna ignore me turn off read receipts 
yj: open bar for girls on the team
you: sounds like the hockey girls are gonna have a good night
yj: i’ll get you a jacket
you: don’t bother i’m not going. 
SWANG rattles through tinny speakers in the student union and with every free drink you knock back, it gets harder and harder to pretend to Yunjin that you’re not having a good time. The team jacket she snagged for you and Chaewon to share fits a little big over your shoulders as you conclude that Number 20 is a lot more popular than you thought if the vaguely disappointed look on many faces when they see your face is anything to go by. 
Sitting in a booth towards the back of The U, you and Yunjin mumble along to the song with a shot in each hand as she starts a countdown from 3! and you wonder whether or not you’ll be able to make it to class in the morn—2!—ing given how much you’ve had to drink and how much of the night is still left to happen 1! The formerly rancid tequila goes down like water the first time around, and gets caught in your throat the second time. 
“I’m so happy you came tonight!” she yells in your ear, wrapping an arm around your shoulders, choosing to gush while you cough into the crook of your elbow. “I always have the most fun with you but you never come out.” Her drunkenness is evident in the slightly higher pitch that her words take on and the way most of the consonants come out almost the same way the vowels do. 
As sweet as she’s being, you can’t ignore the alarms blaring in your head hearing that your best friend would describe going out (at least) two nights a week as “never” going out, but you chuckle along anyway, locking your hand with hers. 
With a smile on his face, Lee Jeno brings Chaewon back to the booth in one piece, ruffling her hair a little before raising a hand to salute you and Yunjin, and disappearing back into the crowd. 
“The period at the end of that last text almost convinced us,” she says as she takes her seat beside you. “But I new your little crush on Jay wouldn’t let you miss a chance to see him.”
“I don’t know what you’re talking about.” 
Chaewon rolls her eyes, backing a shot before leaning over you to get closer to Yunjin. “She’s pretending again.” 
With a scoff, Yunjin unlocks her phone and pulls up her camera roll to an album titled with an unfortunately cute ship name. “I can’t stop thinki–” You cut her off, snatching the phone from her hands and placing it under your thigh. 
“Okay, okay,” you relent, letting your head fall back as you groan. “I may have had a.. thing for him last semester but I’m over it now.” 
“Do you think he’ll swipe up if I post a song he likes?” Chaewon reads between laughs. 
Flustered, you sink into your seat after hearing the text that you sent two nights ago, hoping with all your might that the booth will open up to swallow you whole. 
To your utter devastation, it does not. 
The universe chooses to soothe you in a different way by sending an angel Kazuha to drag you all out onto the dance floor. With intertwined hands, the four of you “excuse me” and “sorry” your way over to where Sakura and her friend Mark are dancing a little closer than usual with one another. 
His hands are on her hips as he holds her back to his front, the two of them grinding to the music, but she’s quick to smack his hands off of her and break away from him when she sees you guys approaching. Using a hand to push hair out of her face, Sakura laughs at nothing, smacking Mark’s chest playfully while he glues his eyes to the floor. 
“We missed you at pres,” you say, wrapping her in a hug. 
“Right, sorry, Mark had a thing at his place!” 
Despite understanding why she does, you ignore Chaewon when she nudges you at the mention of Mark and his place before hugging him too, agreeing when he says that you guys should come next time. 
The six of you form a circle after greeting one another, jumping around while yelling obnoxiously to the music blaring into your ears. Over Mark’s shoulder, you see Jay nodding at a friend before leaving the clu—“I’m actually gonna go get some air,” you blurt out. “Alone!” you add before Yunjin can offer to come with. 
Despite the way the breeze nips at your legs, the fresh air is a welcome slap in the face when it hits you; the previously ear-splitting music reduced to a pathetic mumble now that you’re outside. A few girls that you recognise from some of your classes stand opposite the, now short, entry queue, waving you towards them and blowing cigarette smoke over their shoulders. You shake your head when they offer you a draw, though (against your better judgement) you do accept a few hits of a polar menthol flavoured juul while chatting distractedly about your “new spot” on the hockey team and trying to find Jay — which doesn’t take you very long.
Not too far from where you’re standing, he leans against the building’s grey brick while looking at his phone. Its OLED display casts a slight glow over his features, showing off the crease of his brow, the slope of his nose, and the tiny little pout set on his lips as he types. 
You can’t help but stare as Jimin and Minjeong plan the rest of their night, which includes afters at Yizhuo’s if she doesn’t pass out, and extend an invitation to you and your friends — “I mean, we’re still gonna go. She’ll probably need us more if she does,” Minjeong says, stubbing out a cigarette under her shoe before both girls head inside. 
Waving goodbye, you let yourself find Jay again and take a deep breath. For a moment, you attempt to strategise in the way you and the girls always do together. A few possibilities play out in your head and right when you think you’ve found a good opener—“Hello!” You find yourself saying as you stumble walk over to him.
As you’ve come to expect, his mouth curves into a smile when he looks up at you. “Hello,” he says, laughing through the word. In the short time it takes you to reach him, and lean about an arm’s length away on the same wall, he slips his phone into his jacket pocket. “Since when are you a hockey girl?” 
With a smile of your own, you roll up your left sleeve to refer to a watch that you’re not wearing. “It’s been a few hours.”
Jay’s teeth press down on his bottom lip as he chuckles, before mumbling an apology and pulling his phone back out. You don’t mean to peek at his screen when he opens the messages app, but you do anyway. And can’t help but feel bad at the sight of your name at the top of the second message thread — the memory of Yunjin taking your phone so you couldn’t text back forcing your stomach to turn a little. 
Lifting your gaze back up to him, you sort of hate how pretty he looks as he ruffles his hair before putting his phone back in his pock—You turn your head immediately, finding sudden interest in the lamp post that irregularly flickers a pale yellow over his shoulder. For a split second, it seems like you managed to stare at him without being caught, but if the little laugh he lets out is anything to go by, your neck jerk wasn’t as subtle as you’d hoped. 
“You’re cute,” he grins, stepping a little closer. “It suits you.”
It’s a struggle to backtrack and remember what the two of you were even talking about as the faint scent of his cologne hits your nostrils. “F-field hockey?” you offer. 
“The jacket,” he clarifies, a sweet laugh slipping past his lips as he speaks. 
“Ohh, you too.”
He cocks his head to the side. “You think this suits me?” 
His hand comes to one side of his denim jacket, holding it out slightly and allowing you to catch a proper whiff of his cologne and a glimpse of his bare shoulder. You worry a little about what might come out of your mouth if you open it, deciding for everyone’s sake just to nod and pray that he’ll leave the damn jacket alone. 
“It’d probably look better on you.” 
An audible smile tugs at your lips. “No way.” You shake your head, trying and failing to keep your giggles to yourself.
“You wanna prove me wrong?”
With a tilt of your head, you turn the offer around in your mind; a pros and cons list starting to take shape. 
Pros: getting to wear Jay’s jacket, having an almost permanent reason to keep chatting with him throughout the night, and getting to see Jay in a vest — arguably the biggest pro of them all, given the amount of IG stories he’s posted in the gym recently.
Con: losing free drinks privileges; which doesn’t really seem like a huge deal because Chaewon can just wear the hockey jacket and get drinks for you like she’s been doing for half of the night so far. 
Under the weight of Jay’s stare, you shift on your feet, realising that he’s clearing his throat for the second time since he stopped speaking and you still haven't said anything. “But then I’d have to pay for my drinks,” you say in an attempt not to seem too eager. The words slur a bit on their way out, though you’re too caught up in the way Jay’s lips tug into a grin to fuss over it. 
“Not if you stick wi—” He stops short, cut off by a voice from a few metres away. “Jongsaaaaaaeeeeeeng!” it yells. And if not for his silver head of hair, you’d never have believed it was Park Sunghoon screaming like that. 
“Poor guy kept icing himself,” Lee Heeseung calmly explains, walking ahead of Sunghoon and, what looks like, Sim Jake who’ve been giggling with one another since the cry left the younger’s mouth. 
Despite not knowing Sunghoon very well, from what you’ve heard about him, it’s easy to imagine him hiding bottles of Smirnoff Ice to ice one of his friends, only to lose track of where he’d put them and find them himself later on, thinking one of his friends was icing him. The thought makes you stifle your laughter; you like the fact that Jay laughs too. 
Before dapping Jay up, Heeseung offers him the confiscated Smirnoff Ice that Sunghoon had made quite a dent in, only shrugging when he declines. Jay watches as his friend wraps an arm around your shoulder in a polite side hug while asking if you want to finish the “smice”. You let a beat pass before telling him that you’ll think about it. 
For a while, you listen as he fills Jay in on what he missed at pres, smiling at Jake and Sunghoon as they get closer, and wondering when it would be appropriate if at all, to introduce yourself to the three boys that you’ve only ever walked by at parties or on campus. You find a window when the two arrive, waving a little when you tell them your name. 
Jake’s lips curve into what looks like a smirk as he looks over at you. “We know,” he says, eyes darting quickly over to Jay before looking back at you.
Sunghoon says nothing. 
The boys are quick to get back to their conversation, and Heeseung glances in Jay’s direction, nodding his head before making a show of unscrewing the cap on the smice and skying it. After an impressive chug, he wipes his mouth with the back of his hand, holding up the empty bottle like a trophy before putting it in the bin. 
With a slight frown, you realise that you didn’t even get to tell him that you didn’t want it. 
There’s a grin on his face as he wraps his arms around Jake and Sunghoon’s shoulders. “See you guys in there!” he says before guiding the two boys away and into the club.
With the two of you on your own again, you become hyperaware of your proximity, of the fact that if you moved your hand even a centimetre it would brush his. The heat from his body is dizzying, and with his body leaning down towards you, Jay is already watching you when you look up at him. His lips rest in a small smile that only widens at the sight of your face, seeming unbothered that you’d caught him staring. That it wouldn’t take much to bridge the gap between your faces. Between your lips.  
“The offer still stands,” he says. “To wear my jacket and drink for free.” 
A somewhat familiar 808 beat rattles through tinny speakers in the student union.Jay’s jacket fits pretty big over your shoulders as you try not to say anything ridiculous while he holds your hand, leading you through the crowd. Now that your hands are actually clasped, the butterflies you’d felt over having linked fingers for a pinky promise seem silly, completely eclipsed by the feeling of your heart clattering against your ribs. After every few steps, he looks over his shoulder at you, your cheeks burning hotter and hotter with each smile he throws your way.
Upon your return to the booth, you drop the team jacket in Chaewon’s lap, praying that your friends won’t say anything about Jay or the fact that you’re wearing his jacket — or the fact that despite having reached your friends safely the two of you are still holding hands. By the looks of things it seems as though telling her to move up isn’t enough of a signal to her that you’d like to sit down; though maybe she’s just too busy trying to shrug the jacket back on to move up. You tell yourself that she’s just too busy trying to shrug the jacket back on to move up. 
Chaewon wears a wicked grin on her face, making no effort to be discreet about staring at your intertwined fingers. “YN? Why aren’t you dancing? You love this song!” she says, opening her mouth to wink obnoxiously at you and nudging Yunjin.
“I don’t know this song,” you say, liking the way Jay laughs beside you, squeezing your hand a little. 
For reasons unbeknownst to you, Yunjin sees this as the best opportunity to chime in, tilting her head before saying, “Whaaaaaaat? This is your favourite song! Trust me, Jay, she loves this song!” 
“And she’s such a good dancer,” Chaewon adds. “Have you seen her dance, Jay?” 
You stand around dumbly, mouthing the word “stop,” at your friends and leaning up towards Jay when he leans down to you. “How about a drink?” he asks with a voice as smooth as velvet, soft lips grazing the shell of your ear. 
“Please.” 
After telling the girls that you’ll be back, and flipping them off with your free hand, you let Jay lead you back through the dance floor to the bar, letting an elbow rest on its surface. When you look at him, he’s watching you, his lips quirked up ever so slightly while he does so. 
Letting your nails drum against the bar, you smile back. “Sorry about my friends,” you say, unsure as to why you’re apologising but feeling like it’s the right thing to say. 
“Sorry about your friends?” Jay asks. He grins. “Sorry about mine.”
You want to tell him that you liked his friends, that they seemed nice. Even though Sunghoon didn’t speak, and Heeseung finished the drink he offered you before you even had a chance to let him know that you wanted it. But he’s already distracted. 
His eyes scan the bottles that line the shelves behind the bar, and you busy yourself doing the same thing, the sight of almost every rum brand bringing up memories of past nights out with your friends. Two palm trees on a white bottle of “MarkLeebu” leave you suppressing your laughter as you think about Sakura’s friend falling asleep - standing up - against the wall of a club after drinking two bottles of Malibu to himself on a dare. 
Jay’s breath fans your ear when he speaks, “What are you having?” 
“A jäger bomb.” 
With a nod, he orders your drink and a whiskey for himself, and as per his suggestion, the two of you toast “to third year” before drinking. 
Jay makes good on his promise. One shot becomes two becomes three, and a cocktail in a comically large pitcher before you wake up the next morning to Sakura hogging the duvet, and no memory of anything beyond sitting down at the bar. 
While lying on your back you curse two versions of yourself: the first for leaving the window open before you left, and the second for having so much to drink. Staring up at the ceiling, you attempt to go over your interactions with Jay using a fine-tooth comb to figure out just how badly you humiliated yourself last night. Given the fact that you don’t remember what happened after 1 a.m. (or so), this doesn’t take too long, and the corners of your lips quirk up into a smile as you think about the way his hand felt in yours. 
Your memory tells you that he smiled a lot, but this seems like an insignificant detail because Jay always smiles a lot. There was a pitcher. A big one. Inside it was a vibrant, sweet, too cheap to be true cocktail that you sipped, blinked, and opened your eyes to find yourself in bed. The unaccounted-for period fills you with a visceral sense of dread, leaving you unsure if you shiver because of the temperature in your room or out of sheer embarrassment. 
The notifications you find on your phone only make you feel more nervous, so you cover your eyes with your hand before checking them. You were mentioned in Chaewon’s Instagram story (which means you behaved catastrophically), and you have a text from Jay (which .. well you’re not quite sure what to make of this). Through the gap in your fingers, you start by looking at the story, uncontrollable butterflies in your stomach from what you see. A picture (on close friends) of you sitting in Jay’s lap with his arms wrapped around your wairs, and his chin resting on your shoulder; the two of you donning wide grins with THESE TWOOOOOOO 😍😍😍 written over it. 
Jay’s text is simple yet sweet: hope u got home okay, was realy nice getting to chill w u again &lt;3. You don’t even realise that you’re giggling until Sakura stirs next to you. 
you: i did thank uuuuuuu
you: sorry if i was weird though haha 
You say. Although all things considered, you can’t really think of anything to be haha-ing about but Jay’s reply comes so quickly that you barely have the time to dwell on this fact. “Nahhhh you were so cute dw,” he texts back. 
With your stomach doing somersaults, you turn over in the bed, burying your head in the pillow to muffle a squeal.
Sakura wakes up. 
While in the shower, you let the water hit you directly in the face for a bit with your eyes screwed tightly shut under the stream. And not a single thought occurs to you other than how cute Jay seems to think you are. 
jay: do you have class today
you: slept in
jay: L
jay: for me.. i wanted to see you again  
Your jaw falls open as you read the message, and over your shoulder, Yunjin lets out the gasp that you hadn’t been able to. “Oh, my God!” she says, watching as a cheek-aching smile creeps up on your lips. A small celebration ensues while the two of you squeal and kick your feet like children. And then your phone vibrates again.
jay: could still link if ur down?
jay: hold up 
Yunjin pulls air through her teeth. “Could still link if you’re down,” she reads before taking the phone from your hand. “Fuckboy text, ignore.” 
Knowing you’re not likely to win the argument that Jay’s not a fuckboy — even though he’s not one, you think — you roll your eyes. “So what if he’s a fuckboy?” you frown, pulling your knees to your chest. 
“If a fuckboy was supposed to be liked he’d be called a like boy,” Yunjin says as if reciting scripture. “Text Jaemin back if you want a fuckboy.” 
You don’t mean to groan out loud at her tone. “Jaemin’s not a fuckboy, he’s just.. a guy. Who.. likes to fuck.” 
The sound of the front door opening prompts you to pause the TV, and the two of you crane your necks towards the open doorway to hear what’s going on. It’s Chaewon giggling loudly before speaking. 
“Thanks for bringing me home.” 
A deep chuckle sounds through the hall. Jeno. Of course. “You’re my girl,” he says and his smile is audible through his words. “Why wouldn’t I?” 
Chaewon giggles at this too, and, pressing play on the remote, you share a look with Yunjin as you hear the beginning of a wet kiss. Brooklyn Nine-Nine gets through an entire cold open and the theme song before she – looking fresher than ever in her boyfriend’s sweatpants – joins you both on the couch. 
“What’d I miss?” she asks. 
“Yunjin thinks Jay’s a fuckboy.” 
Chaewon lets out a snort. “Well, yeah, anyone could’ve told you that, dude’s best friend is Lee Heeseung,” she says, though quickly changes her tune as if remembering her audience. “It’s all just rumours though, people see a good-looking guy who’s overly friendly and flirts with everybody, and posts obvious thirst traps to his Snapchat story, and just assume he’s a fuck boy..” she trails off, sinking a little in her seat.
Somewhat disheartened, you nod your head. “Right.” 
“So what did I miss?” Chaewon asks again, pointing at the TV this time. 
Still in Yunjin’s custody, your phone vibrates in her lap and she gasps as she reads the screen. “A reformed fuck boy?” she says, holding the phone up for you and Chaewon to read. 
jay: would you like to hang out with me later? 
You grin despite yourself, reading the message and reading it again before telling him ���yes”, and later can’t come soon enough. The time slips by like molasses and you finally meet up with Jay -four decades- two hours later, with no set plan, at the library where he approaches you with Jake and a smile on his face. 
Friendly as ever, Jake chats with you and keeps a pretty smile on his lips the whole time. “If you ever have a hard time with physics or math based classes, I’ve got you,” he offers, clearly happy to hear that you’re in STEM too. 
“I’ll keep that in mind,” you tell him, grateful as you remember the tears you’d shed over a Construction Mathematics lecture last year. 
With a wave, Jake leaves the two of you alone, saying “See you later” before walking away. He excitedly glances over his shoulder to where you stand with Jay a few times. 
After telling you that he “knows a spot,” Jay takes you on a bit of a walk, successfully distracting you from the distance by keeping you talking. He listens enthusiastically while you ramble about a show you started, and you like the feeling in your chest when he says he’ll check it out. 
With a “ta-da,” Jay extends an arm to the gate in front of you. A play park. “We’re here!” he says, struggling to mask the excitement in his voice as he walks towards the empty play area. “It’s no fun when there’s kids here so I brought us the long way.” 
As you follow him through the gate, you can’t help but feel a bit nervous. The last time you’d been sober at a play park you were probably 15 or so, cutting through the park on your walk home from school with your friends. You’d spin the roundabout at lightspeed cackling at the screams of terror coming from those sitting on it, and talk about your crushes while calming down on the swings. 
Jay sits on one of the swings and watches you, and even though you’re not too sure what to talk about, you’re pretty sure confessing your crush on him as you sit next to him might send him running in the opposite direction. Instead, you clear your throat and look over at him. “So your “spot” is a play park?” you ask, using your feet to rock you back and forth. 
He pulls air through his teeth, scrunching his nose and tilting his head. “Would you prefer it if I took you to CP in the Sky?” 
If Jay had his car with him, you might have hoped for that. Most of the boys in your city who drive, including Jaemin, have been known to take girls to a spot they know. Super quiet, private, and almost as pretty as you, they’ll say, and take you up to ‘Car Park in the Sky’; the city’s most notorious hook-up spot. Though, Jaemin hadn’t exactly been secretive about wanting to hook up and actually only drove there after you’d told him about it. 
You shake your head. “The park is good, it’s great.” 
Conversation ebbs and flows between the two of you, the sounds of nature and the swings creaking keeping you company. It’s nice spending time with Jay like this. Sober. And not holed up in the library or a cafe with assignments and deadlines on your mind. 
You don’t mean to gain momentum but you do, swinging about as high as you can, gasping when you see a car over the top of a climbing frame. 
“What is it?” he asks, laughing to himself when you jump off the swing. 
“I wanna take a drive!” you call out over your shoulder, jogging over to the wooden stationary car you saw.
Jay’s footsteps sound after yours, and he grabs you by the wrist before you climb into the driver’s side. “Did you get your licence yet?” 
You shake your head, watching as his mouth falls open, bracing yourself for a lecture on how a girl of your age should be driving already. 
He looks aghast, in genuine distress before he speaks. “What makes you think I’m gonna let you drive?” Jay nods his head to the other side of the car. “Go.” 
Letting out the most exaggerated sigh you can manage, you comply, dragging your feet to the passenger side and climbing in. Jay follows suit, sitting down next to you on the small connected seat built with kids in mind, and his thigh presses up against yours. 
“Don’t be upset, everyone knows passenger princess is way more fun than actually driving.” 
And rationally, you know he’s not specifically calling you a princess but your tummy turns nonetheless. 
“Whatever,” you mumble, faking a sigh and struggling to suppress your laughter when he buckles a fake seat belt. Jay gives you a disapproving look when you don’t move to do the same. “Are you serious?” 
“As a heart attack,” he says solemnly, though you can see the smile teasing at his lips. “Better safe than sorry, that’s what I always say.” 
There’s nothing behind his words, no hidden meaning but you read into them anyway, hoping he can’t hear the way you gulp at the thought that plagues you. For some reason, you’ve chosen this hill to die on, shrugging at him and turning to look straight ahead. 
Jay sighs dramatically, pinching the bridge of his nose before leaning over you to grab your ‘seat belt’ and buckle in by himself. He takes his time though, and the way he looks you dead in the eye makes you wish you’d just done it yourself. His face is close to yours, his breath warm against your skin, creating a welcome contrast to the cold air around you. He lingers for a beat before sitting up straight and clicking the belt into place. 
“Finally,” he whispers, putting an imaginary gear stick into reverse and draping his arm over the back of your connected seat. You can’t help but watch as he looks over your shoulders before moving the car, liking the way his side profile looks under the rapidly setting sun. Something stops him, he looks at you. “I can’t focus with you staring at me like that,” he says, taking his hand from the wheel to touch your cheek.
Your breath catches in your throat. Jay grins, gently turning your face away from him. You stare over at the roundabout and feel just as dizzy as you would have if you’d taken him up on his offer to spin you on it. 
Jay gets on with all the necessary checks before ‘starting’ the car and ‘driving’ off. “What are you thinking about?” 
It probably wouldn’t be appropriate to tell him that you’re thinking about the way it felt when he put his fingers to your cheek. Or how gentle he was with you, only pushing you a little bit and then guiding you the rest of the way. So you keep that to yourself. “The movies.” 
You hear Jay chuckling next to you. “All of them?” 
“Yeah,” you nod. “The drive-in kind. Have you been?” 
“I went once.” 
You gasp, excited. “Really? What did you see?” 
Jay thinks about it for a while. He thinks about it really hard before shaking his head, “You know, I don’t think I was paying much attention.” 
“You spent all that money on a ticket and didn’t even pay attention? What were you doing?” The words rush out before you can stop them and you cringe a little thinking about the possible answers. 
He turns his gaze back out on the road. “Sleeping,” he mumbles, swallowing thickly. 
You wish you could go back in time to stop yourself from asking, finding an answer to the question: “Is it better to speak or to die?” 
“Hey, we can go to the drive-in right now! I just need to put this thing in park and we can watch any movie you want!” he says, stopping the car and turning as much as he can in his seat to face you. “Any movie that’s available with a Netflix subscription!” he adds, smiling when you do. 
Cramped together in the front seat of the stationary car, the two of you watch The Devil Wears Prada and get about halfway through before Jay’s phone hits 10% — and it’s probably the best movie watching experience you’ve ever had.  
You take Jay up on his offer to walk you home, and he chats with you about the movie, telling you how much he thinks it totally blows that Miranda Priestly isn’t a real person that he can work for after graduation, but he seems happy enough when you suggest that he could become Miranda Priestly.  
Reaching the familiar crossing by the student union, you look up at him. “If it’s easier, you can just head your way from here. I can literally see my building,” you offer, feeling bad about him walking so far out of his way. 
Jay scoffs like it’s the most ridiculous thing he’s ever heard. “I’m not gonna make you walk by yourself.” 
“It’s barely five minutes,” you tell him, shaking your head. “You don’t have to.” 
“YN?” 
“Hm?”
A pretty smile spreads across his lips. “I want to, let’s go.” And Jay hardly gets to start telling you about his upcoming mock trial before you reach your flat. 
“This is me,” you say, pointing at the door to your building. 
He lets out a dry chuckle. “You’re kidding.”
You shake your head. He frowns, looking terribly cute with his lips turned down like that. Though it doesn’t last for long and he raises his brows when you gasp. “You know, we came from a place I’ve never been before, and I’m starting to think this might be the wrong street,” you say, struck by the sudden realisation. “We should probably walk around the block a couple more times, just to really be sure.” 
Listening to your words, Jay beams at you and it’s heavenly. “I heard it can actually take, like, 4 or 5 walks around the block if you want 100% certainty.” 
“Oh yeah,” you giggle. “I think I’ve heard that too. Should we make it 6?” 
“Perfect.” 
To your surprise, you’d both been wrong. As it would turn out, the required number of, very slow, walks around a student housing complex to be 100% sure, completely beyond a shadow of a doubt that you’re at the right place is ten.
“Hey, uh, how about we do one more lap? Just to make sure? For the absolute best measure,” Jay suggests, eyes twinkling under the streetlamp. He almost looks a little nervous, burying his hands in his pockets as he watches you. 
“Sounds good.”
Just like your last few walks around the student housing block, fallen leaves rustle under your footsteps, and the back of Jay’s hand still brushes against yours, but this time feels different. Maybe because there’s a finality to this; the last lap. You couldn’t possibly ask him to spend any more time walking around here. Could you? 
“This neighbourhood is so cute, all the student apartments clustered together like this, I love it,” he says, looking over at you.
“It’s nice knowing that some of my friends, and the people I like partying with, live so close, but it’s always so noisy around here,” you tell him, continuing when he doesn’t speak. “‘Cause it’s all just a bunch of 18–20–somethings that live here, and The U’s just down the street. The noise is fun when I’m part of it, but when I’m studying or just trying to sleep it’s annoying.” 
“Don’t you think it’s kinda cool though? There’s always something happening. So even if the girls aren’t down to go out, you’re not exactly short on plans.”
You’d never really thought of it like that. Probably because Yunjin is always down to go out. But you like the way he puts it. You nod, reminded of your classmates who live in the building right next to where you’re walking. “Yeah, I should probably text Minjeong more.” 
“And if not you can always hit me and see what I’m doing,” he says at the same time. 
You stop walking, and your heart — feels like it — stops beating. 
Jay, noticing this, stands in front of you, hands help up defensively as he shakes his head. “You don’t have to do that, obviously. I just thought it’d be cool if you weren’t doing anything and I wasn’t doing anything, maybe we could link and do nothing together,” he explains. “I’m stupid, sorry.”
This might be the first time you’ve ever heard Jay ramble like this, and your heart does a twirl just seeing his worried expression. “I think if I’m not doing anything, and you’re not doing anything, then it’d be cool for us to link and do nothing together, Jay,” you smile, liking the way he visibly relaxes, his shoulders falling slightly and an exhale curling out of his mouth and into the air.
“Cool.” 
When, for the 11th time, you reach your building, you turn to Jay and hesitate a little, unsure of what to say. Glancing at him, it looks as though he’s feeling the same way. A silence falls over the two of you. 
Finally, Jay speaks. “Goodnight,” he says, pulling you into a hug. 
Despite your surprise, you wrap your arms around his waist, holding him close. You hope he can’t feel the way your heart is racing. Or the way it starts to pick up when you catch a whiff of his scent. Warm and cosy, tempting in a strange way that you can’t quite put your finger on but you like all the same. 
When Jay lets go of you, you look up at him almost instinctively. You don’t mean to stare at his lips but you do, gulping at how close they are. You want to kiss him. Not any more than usual, but the urge is there. “Goodnight,” you say, taking a step back and walking up the path to the door.
Using your key fob, you unlock the door, turning to look over your shoulder and thankfully finding Jay still standing there, watching you with a stomach-turning smile on his face. “I had a really nice time tonight,” you say, smiling back. 
“Yeah?”
You nod. “We should hang out more.”
“I think so too.” 
“Cool,” you smile, biting your lip. “Goodnight, Jay.” 
“Goodnight, YN.” 
“Could you, text me? When you get home, so I know you’re, like, safe.” 
Jay beams at you, nodding his head. “Of course.” 
After a week (eleven days) of texting and hanging out with Jay when you can, you find yourself spending 3 hours of your Friday afternoon taking notes in your Sustainable Development lecture, and coming to the realisation that none of the course content is relevant to the report you’re trying to get through. 
Seeing Jay leaning on the wall outside your class when you leave is a welcome surprise; he wears a thin pair of glasses and a smile that makes your heart stutter a bit as he stands up straighter, greeting you when he sees you and quickly falling into your step. “I meant to ask you earlier, are you going to the game on Saturday?” A beat passes. “Football,” he clarifies. “First home game of the season.” 
“Maybe if my friends are going.” 
Jay seems to think about this for a moment as you round the corner at the end of the corridor and he holds the door to the stairwell open. “After you.” 
You mumble a thank you and count six steps before he speaks again. 
“I’m going,” Jay informs you, his hand meeting the back of his neck to scratch awkwardly at it. “I mean, I’m gonna be on the pitch but.. I’ll be there.” 
A breathy laugh slips from your lips at this added information; how sweet of the football team’s captain to let you know that he’ll be at his team’s football game on Saturday. “I’ll keep that in mind.” 
“I just think it’d be cool to see a friendly face in the crowd when I score the winning goal.” 
Given Jay’s unending kindness, you imagine that most of the faces in the crowd — or at least the ones from your uni — will be friendly, especially if he scores the winning goal. The thought causes a smile to itch at your lips as you consider that maybe he means that it’d be cool to see your friendly face in the crowd. And who could say no to that? 
The rest of the conversation goes smoothly and Jay slows down when you reach the second floor. “I have some admin shit to work out, but I’ll see you at the game?” he asks, watching you with hopeful eyes and chewing on his bottom lip.
Knowing full well that you’ll be there, you pretend to think about it for a moment. “Maybe.”
Jay chuckles at this, tilting his head. “Please?” 
“Maybe,” you repeat, despite already planning your outfit. Did you wash your white shirt or will you be doing laundry tonight? You wave at Jay when he waves and make your way down the rest of the stairs while clicking mindlessly through Instagram stories. 
Nothing interests you until you reach IG user onyourm__ark's story; a picture of IG user 39saku_chan in his football jersey. You hit the like button and pretend to believe that the song choice (Infrunami by Steve Lacy) was made purely out of sheer enjoyment of the artist’s early work.
With a smile on your face, you text the group chat to solidify your weekend plans.
you: are u going to the football game tmrw
cw: not even if u paid me
yj: hard no
yj: i’m going to the party AFTER the game though
yj: why?
you: it’s nothing dw
cw: ???
you: jay invited me..
The chill of October’s first evening is unkind on your face as you sit amongst the rowdiness of drunk uni kids, cheering and groaning in unison as the game trudges on, and somehow Kazuha manages to sleep through it all with her head on your shoulder. 
“Fuuuuck,” Yunjin groans, shivering in the seat next to you. “I hate sports.” 
“Says the captain of the hockey team,” you say, voice coming out muffled behind the top of your jacket.
“Playing and watching are, like, completely different.” 
You’re sure Yunjin’s right, she has to be, but you have to admit that there’s something more than slightly entertaining about watching a group of boys chasing a ball around and yelling expletives at one another, all while number 99 keeps a huge grin on his face, laughing at his teammate’s temper. Or lack thereof. 
However, the novelty wears off at around 8:45 when the ref calls for half-time; a chill runs down your spine as you’re struck with the realisation that university football games are full-length. But other than Yunjin’s teasing, there’s no use pretending that you hate the sight of Jay lifting the bottom of his shirt to wipe the sweat from his face.
As the players retreat from the pitch and some students start to clear the stands, Yunjin gets up to stretch. She hums along to the song playing while you watch from your seat with aching knees, slightly envious and trying not to move too much and wake up Kazuha who sleeps soundly on your shoulder. 
With her arms above her head, Yunjin lets out a yawn. “I can’t believe I’m saying this but I’d really rather be doing a reading for marketing than be here any longer.”
“And I’d rather be helping you out,” you say, frowning a little when Kazuha stirs. “Hey, what do you think they do during half-time?” you ask distractedly. 
She thinks about it for a beat, eyes flicking to the pitch before looking back to you. “We usually strategise, use the bathroom, get water — quick things like that,” she says, raking a hand through her hair, watching as you shift a little in your seat to get your phone from your pocket when it vibrates. “They have a lot longer than we do though.” 
jay: are you having fun?
you: yeah you guys are great, good game so far :)
Yunjin scrunches up her nose as she reads the exchange. “God, you’re so boring,” she sighs, taking the phone from your hands, and typing something before showing the screen to you. 
“We should link at the party later,” you read, scoffing as you take it back and delete the message. “I’d never say that.” In those words. 
jay: hahaha i think you might be my good luck charm 
A dramatic gasp comes from a now-awake Kazuha. “Don’t reply!” 
You heed this advice, joining her as she stands up to stretch as well. 
“Look how much fun they’re having,” Kazuha sighs, pointing over at Sakura and Chaewon in their seats close to the pitch. They dance along to the music blaring through the speakers and laugh so loudly you can hear them despite their distance. “Why didn’t we join them?” 
You think about it for a bit, filled with regret. “At the time, pregaming before the game and then pregaming again before the party seemed intense but..” you trail off, watching your friends clutch their stomachs in laughter. “Next time.” 
“Next time,” Kazuha repeats, slouching in her seat. “I’m clearing your drink supply when we get back.” There’s a frown on her face when she speaks but she’s quick to perk up at the sound of your text tone, grabbing the phone for herself. 
jay: are you coming tn? got a feeling that congrats will be in order
you (technically kazuha): wouldn’t miss it !!! 
“Three exclamation points? I’m not that desperate,” you say defensively, nudging her in the ribs. 
As if on cue, Yunjin reads another text. “I saw his notes again, his handwriting is so cute and ugly, agh I’m literally clutching my chest, he’s perfect,” she says, her voice high-pitched and mocking. 
Hearing your typed words out loud from someone else’s mouth is troubling, especially because “It never seems that bad when I’m typing,” you frown, immediately checking your phone when it goes off. 
jay: awesome :) see u there 
jay: !!!
The game’s second half goes by much quicker and in the end, they lose 5-3, leaving you and Yunjin struggling to keep your laughter to yourselves at the sight of the FIRST W OF THE SEASON banner hanging up in the living room of the house that most of the footballers share. With linked arms, the two of you make your way to the kitchen to get something to drink. Already feeling the buzz from pregaming, you settle on a cup of lemonade which Yunjin rolls her eyes at. 
“Shut up,” you say, eyeing her over the rim of your cup. 
Yunjin holds her hands up defensively, spilling a few drops of her tequila-vodka concoction. “I didn’t even say anything.” For a couple of minutes, you pretend to listen as Yunjin tries to come up with a game plan for the night, nodding and humming along when she pauses, and trying to decipher the animal code names she’s using. A gasp. “I see him! Black cat and penguin sitting out on the half wall.” 
You watch as she leans over the sink to get a closer look out of the window. “I feel like saying exactly where they are makes the code names redundant.” 
“I feel like you’re redundant.” A beat passes. “Just be yourself, and if he says something funny, laugh and put your hand on his bicep while you do.” 
“Noted.”
Yunjin doesn’t let you go outside without taking a sip (or three) of the poison in her cup, and after you gag over the sink, the two of you make your way into the garden, sights set on the half wall where “black cat” now sits alone. A potent mixture of the scent of tobacco and weed hits you the second you open the back door, and the two of you leave the house to make a beeline to Jay, apparently to Yunjin’s displeasure, given the way she asks you three times to play beer pong with her when some of the basketball boys start setting up cups for the next round.
“No,” you say. Three times. 
As if sensing your presence, Jay whips his head around right before the two of you reach him, a bright smile gracing his face as he waves at you with his whole arm. He seems to glow against the darkness of the night, bright, dreamy, an unreal quality that leaves you feeling fuzzy around the edges. Jay, you think, over and over and it starts to sound made up. Jay. Jay. Jay. Until you reach him. He stands up when you guys are close enough. “You’re here,” Jay says with a smile, pulling you into a hug. With his arms around your waist, his hold is somehow both tight and gentle. Secure. Safe. 
“Hey,” you say, voice muffled by the fabric of his hoodie. A whiff of his scent hits you, flooding your senses. Fresh, citrusy, and undeniably Jay. A dizzying combination, so light, and distinctly him in a way that makes your heart beat a bit faster. 
When Jay lets go of you to hug Yunjin, you take the last sip of your drink and almost wish you’d taken her cup instead; your lemonade is sweet to the tongue but does absolutely nothing to boost your confidence. You watch as they greet each other while Jay sits back down. Standing in front of him with your arm against Yunjin’s, you feel as though you've missed the window to sit down too and opt to continue standing next to her. 
“We like your banner,” you say, pointing in the direction of the house behind him. 
Following your finger, Jay lets his head whip around towards the back of the house. Yunjin uses the time he spends looking over his shoulder to nudge you, nod her head in his direction, and mouth the word “sit” at you. So you do.
If he’s surprised to turn back around barely a second later and find you right beside him, Jay doesn’t show it. He gives you a warm smile and knocks his knee against yours before speaking. “What, first w of the season?” He tilts his head. “And here I thought you were a good luck charm, twenty,” he says with a chuckle when you nod. 
Yunjin’s brows raise, and you feel yours rise too. “Twenty?” she asks. 
“The hockey jacket,” he answers without missing a beat. “Speaking of, when’s your next game?” 
“Oh, we’re playing the Foxes next week,” Yunjin rakes a hand through her hair. “TDU, you know?” 
Jay nods, turning his attention back to you. “Can I look forward to seeing you on the field, twenty?” 
Tilting your head, you pull air through your teeth. “You know what, I actually just got benched, like, right now,” you say, liking the way Jay laughs. “I’m out for the rest of the season.” 
After clapping a hand to his mouth, Jay points at you. “Did they get you on a drunk and disorderly after the mixer?” he asks through a laugh. 
In horror, you watch while Yunjin’s head falls back with laughter as she lets out cackles that only unsettle you. “That’s exactly what happened!”
“I was not.. disorderly,” you say meekly, finding sudden interest in the hem of your skirt.
It sounds as though Jay says: “You didn’t tell her how she got back home?” though you’re finding it difficult to focus on much other than trying to recover your missed hours after the hockey mixer. 
You’ve gone on countless nights out, spent many mornings after vowing never to drink again, and, on multiple occasions, have gotten too drunk to enter the club. But even then, in the past, your memory has only ever been.. spotty, nonlinear. Never completely void for hours at a time, and it’s concerning. After tonight, you really won’t drink again. 
Except on birthdays. 
And when you go to the club. Or to parties. Or when you’re bored with the girls. But again, apart from that? Never. 
“How did I g—” you start, though Yunjin cuts you off. 
“I think Zuha’s lifting her leg again, hold on,” she groans, looking over Jay’s shoulder at the glass doors leading to the kitchen. Yunjin disappears back into the house and it’s not until you watch her slide the back door shut behind her that you remember Kazuha having too much to drink at pres and having to stay in with Chaewon. 
When you look at Jay, he watches you with knitted brows. “Kazuha’s doing what?” he asks. 
“Ballet,” you explain. He nods. 
Neither of you speak for a moment. While you chew on the inside of your cheek, you can’t help but wonder if you should’ve followed Yunjin, or if you should’ve had less to drink at the mixer. You reckon the fact that Jay’s still talking to you must mean you didn’t do anything that you can’t recover from, but you can’t shake the feeling that your trip home that night was less than pleasant. 
“Hey,” Jay says quietly, catching your attention with concern lacing his features. “What do you look so down for?” he asks. 
Though terrified of the answer, you repeat your earlier question. “How did I get home?” you ask, wondering if the Earth usually opened up to swallow people whole or if you’d have to put in a special request.
Jay licks his lips, using his hand to push your shoulder playfully. “I have no idea,” he chuckles, shaking his head. “I was talking to Yunjin at the library on Tuesday, I think, and she told me you can’t remember anything. I just wanted to freak you out.” 
You feel heat under his touch and relief from his words, though something about him talking with Yunjin seems to jostle you slightly. “Yunjin was at the library?”
Briefly, what looks like disappointment flashes across Jay’s face, replaced quickly with a pretty smile, light, playful. “You care more about Yunjin being at the library than me asking your friend about you?” he asks.
“You were asking my friend about me?” 
“Yeah, I think you’re cute,” Jay says sweetly, smiling at you in a way that makes your cheeks burn even when you look down at your lap. 
There’s something about the way he says it, so casually as if telling you the time or today’s date, that throws you off. It doesn’t make any sense to you that some of the most vivid sensations that Jay makes you feel are just that: sensations. You know that your stomach doesn’t actually have butterflies in it and that your heart isn’t really twirling in your chest, but it sure feels like it. You wonder if he also feels like that sometimes. You earnestly hope that if he does, it’s because of you.
He seems nearer than before when you look at him, and for fear that you might kiss him if he gets any closer, you bring your empty cup to your lips, lean back a little, and pretend to sip. Its emptiness isn’t lost on Jay, however, who chuckles, asking if you want a refill. While walking towards the house, you listen as he tells you what the team normally get up to during half-time (mostly strategising and pretending not to hear Heeseung’s snores), and silently beg your cheeks to cool down. His hand is heavy on the small of your back as he ushers you inside first, sliding the door shut behind him, and gently pushing you towards the kitchen island. 
You let yourself lean against the counter, ignoring the fluttering in your stomach as you watch him reach for a visibly sticky bottle of your favourite drink without asking what you’d like. Though before actually touching it, his eyes widen. “Wait, I have something for you,” he says, holding out a hand for you to take. “Come on.” 
Jay weaves his fingers with yours, leading you through the house and up the stairs into a bedroom. He closes the door gently behind you, stepping over a couple of backpacks before sitting on the end of the bed, and tugging at the zipper on one of them. 
For a moment you watch as veins appear on his hands and have to physically tell yourself to drag your eyes to anything else, eventually settling on the walls. Walls that are covered in countless glossy 4x6 prints, some shots of landscapes, groups of people, out-of-focus beer bottles and.. “You have a lot of photos of Mark Lee in here,” you comment, scanning the room around you. “And it doesn’t look like you’re.. in any of them,” you continue as you notice a grainy polaroid stuck to the wall next to the light switch — a picture of Mark making out with his best friend, Sakura “give me a break, a boy and a girl can be just friends” Miyawaki, and make a mental note to bring it up later. 
Jay glances at you as if you’re the one sleeping in a Markkura shrine. “Yeah, ‘cause it’s his room,” he chuckles. “You can sit down, you know,” he adds after a beat, moving over a bit on the bed. 
With a nod, you look at some more of the pictures as you make your way over to the spot next to him, a photo of Mark and Jake with their middle fingers to the camera catching your eye. And holding it for so long that you trip a little over one of the backpacks before sitting down and pretending nothing happened. Thankfully, Jay doesn’t seem to notice. 
“It’s not much by the way, don’t get your hopes up,” he warns, his hand still hidden by the fabric of his bag. 
“Got it.” 
Despite his earlier disclaimer, he makes a show of the whole thing. “Ta-da!” His voice is a little singsong as he brings the obje—bottle of Smirnoff Ice into view. 
“Thank you?” The bottle is cold in your hands when you take it from him, reading the ABV 4% on its label and wondering how many of these Sunghoon must have had to drink to have been stumbling the way he was that night. You also can’t help but wonder what reason Jay has for buying you a bottle and then taking you into the privacy of Mark’s bedroom to give it to you.
“Yeah,” he trails off a little, letting his hand come up to scratch the back of his neck. “You looked pretty crushed the other night when Heeseung finished that one bottle.” 
You can’t help the scoff that comes out. “Crushed? I mean, I might’ve frowned.” 
“Frowned? You were near tears, I was worried about you.” 
“Shut up.” 
“I’m serious, every time I looked at you, you had this.. upset look on your face.” 
“Well, maybe you should stop looking at me so much.”
Jay’s eyes sparkle under the light, flicking back and forth from your eyes to your lips as he brings a hand up to your face, tucking some hair behind your ear, his fingers hot on your skin, unmoving. His eyes lock with yours. “Come on,” he says in a low voice. “You know there’s no stopping that.” 
A smile tugs at your lips. Jay bites his. His gaze drops back down to your mouth. Lingers. And in what almost seems like an alcohol-induced hallucination, he leans in. Slightly. As if testing the waters. As if waiting for a sign that you want him to stop. A sign that you want him to continue. Anything. His hand is heavy on your cheek when he cups it in his palm, skin rough against yours. 
Mere inches away, Jay’s lips seem more tempting than ever. Separated only by the distance of a breath and your nerves, you try to settle yourself. To put your heart at ease. But how could you relax when he looks at you like that; his gaze soft, tender, all of his attention on y—The bottle slips from your hands, cool against your thighs, reminding you of its existence. Jay flinches when you do. 
“Let’s have a drink!” you suggest, though the absence you feel when he takes his hand from your face makes you wish you hadn’t.
“Sure.”
The cap screws off the bottle with a few satisfying clicks, and Jay, amused, shakes his head when you offer him the first sip. “After you,” he says. 
Without a second thought, the bottle touches your lips and the sweet, sweet taste of Smirnoff Ice touches your tongue, coating your mouth and leaving you wishing the alcohol content was higher. 
“Do you mind if I put my lips on it?” he asks while you pass the drink to him. 
You shake your head, determined not to think of a double meaning, and watch as his lips connect with the bottle’s opening, his Adam’s apple bobbing in his throat while he drinks. When Jay pulls it from his mouth, he lets his tongue dart out to wet his lips. You wonder if it will taste different in his mouth, if his lips, wet from the drink, taste as sweet as they look. 
Now that you realise you’ve shared an indirect kiss, you kick yourself for passing up the chance at a direct one, deciding that if you want him to kiss you, you’ll need to get closer. Step up your game a little. Maybe you’ll say something about his necklace, ask to get a better look.. And hopefully, he’ll take the hint and kiss you because you’re not really sure what else you could say. 
Of course, you could opt to skip words altogether, taking his face in your hands, and pressing your lips to his. You’re sure that’s what Yunjin would do. And you’re sure that would be her advice to you if you asked her.
Jay hands the bottle back to you and you close it, determined to feel his lips on yours if it’s the last thing you do. And you quickly open the bottle again, one last sip for good luck. The soft laugh he lets out is breathy, and it’s hard to tell if the heat in your stomach is coming from the drink, or from the way you see him looking at you in your peripheral. 
His straight teeth bite at his bottom lip, and he shakes his head when you offer him another sip. This time when you close the bottle, you do it for good, setting the glass on the floor so it doesn’t interrupt you again. 
“I really like your necklace,” you say, off to a good start, following the plan. 
“Yeah?” 
“Yeah.”
“Aw.. thanks,” he says, choosing now, of all times, to stop being a conversationalist. 
In the quiet of the room, you realise that you hadn’t planned anything beyond the compliment. You let your eyes focus back on the charm hanging from his neck, trying to picture him with a fishing rod in his hand, and wellington boots on his feet. It doesn’t really work. “I didn’t realise you were so into fishing,” you blurt out, and the way he knits his brows together makes you wish you’d just grabbed him and planted a kiss on the lips he purses to the side while watching you. 
“Me?” 
“Yeah you, with your cute little hook on a chain.” 
Jay squints at you. “Hook on a chain?” he repeats. 
You let a hand reach up and press on the hook pendant on his necklace. 
His shoulders rise and fall dramatically as he sighs, his hand coming up to wrap around yours, holding it to the base of his neck as the small (not) hook warms in your fist. “Why does everybody think it’s a hook?” 
“It isn’t?” 
“It’s the letter J.” He lets go of your hand to lift the charm. “See?” 
You squint your eyes, leaning a little closer to him, gaze fixed on the little gold hook letter sitting near the base of his neck. “Ohhhh, right,” you say, but even from a few inches away, it still looks like a hook, and from this close, you can hear the way his breath hitches in his throat.
With an inhale, you find yourself lingering. Sticking around just long enough to make out the woodier notes of his cologne before moving back a little. Finally, you draw your eyes away from his neck, wanting to meet his gaze but finding yourself stuck on his lips instead. They sit slightly ajar, pink, pretty, sort of chapped in the way they always seem to be. His breath tickles your forehead. You sit straighter, noticing the way his eyes burn holes into you. 
“Quit staring,” you mumble hypocritically. 
Jay’s brows quirk up for a split second as he sits back on his hands. “I’m not.”
“You are.” 
“Well, you’d have to be staring at me to know.” 
“Do you want me to stop staring?”
He seems to consider this for a second before shaking his head. “No,” he tells you. 
“What do you want then?” Your voice is soft when you ask. 
“I wanna kiss you.” 
Jay’s lips don’t move but you hear the word “really” being spoken out into the room like a question. Your voice doesn’t feel like your own and doesn’t fully register until Jay says: “Yeah,” so softly that it’s practically a whisper. 
Jay wants.. to kiss you. You feel your breath catch in your throat and it seems even more ridiculous to think it than to have heard it from him. To see his lips move to form the words. I wanna kiss you, he’d said. You’d heard it. You’d seen it. It happened. He wants.. to kiss you. 
“Do you want me to do that?” he asks, leaning in slightly, his hand rising to cup your cheek. Slower, gentler than last time. 
You let your gaze meet his; regret flooding you immediately. Just as kind and soft as the rest of him, Jay’s eyes stare into yours, warm, and inviting, but, still, you can’t shake off your nerves. More than anything, you want to say yes; to say of course, can’t you tell? but you don’t trust yourself enough to open your mouth and speak to him. Instead, you nod, so slightly that for a moment you wonder if he even noticed. And then, there, in the dim privacy of Mark Lee’s bedroom, while your heart beats out of your chest, Jay kisses you for the first time. 
His lips are warm against yours, the sweet taste of Smirnoff Ice only amplified as he holds you close. Soft, gentle, kissing Jay is everything you’d imagined it would be. You feel as though you might melt under his touch as his hand grabs your waist to pull you closer. So close that you’re nearly in his lap as he deepens the kiss, his tongue moving along yours.
It doesn’t feel real, it can’t be. 
As if thrown by your thoughts, Jay pulls away. While attempting to form a coherent thought, you catch your breath, once again, regretting looking at him. He looks down the bridge of his nose at you with half-lidded eyes, and his pretty, pink lips sit parted, wet and plump from kissing. Jay leans in almost immediately, the moment cut short by his lips on yours once again. 
It’s tangible this time; you couldn’t possibly make up the way his hand grips your ass or the way he groans softly when you whine into his mouth. He’s real, and he’s kissing you, and you only feel yourself growing dizzier, and dizzier the longer his lips move against yours. A gasp pulls you out of it and the two of you separate.
Looking in the direction of the now open door you see Sakura and Mark hand in hand. You can’t help the slight embarrassment that hits you at first, hating that, of all people, it had to be Mark to walk in and find you making out with someone on his bed. 
Though you get a bit distracted seeing him and Sakura like this, they look cute together. His football hoodie covers her form completely, much longer than the dress she has on, as she leans into him, and a giggle slips from her lips when he lets go of her hand to wrap an arm around her waist instead. 
Somewhat belatedly, and needlessly, Mark apologises, his eyes focused on you when he speaks but you can’t get the words out to respond to him. Jay chuckles at this, shaking his head and telling him not to worry about it as he stands up from the bed. You follow suit. Jay picks up your drink from the floor and takes you by the hand, telling Mark he’ll text him later while leading you out of the room. When you glance at Sakura, she’s grinning at you, mouthing: “Sorry,” before smacking your butt. 
Jay hands you the bottle when the door closes, his hand slipping out of yours. A beat passes. And then another. He chews at his bottom lip. You clear your throat and the silence continues. It’s a shame to be standing around like idiots on the landing like this, you think. 
“I..” he trails off, wiping his hands on his pants. He points over his shoulder with his thumb. “I should get back to the boys.” 
Your heart sinks as you hesitate, unsure how to respond. Slowly, you nod. “Right, yeah,” you say.
“Later,” he mumbles, holding up his hand to wave stiffly at you before turning around to leave. 
Deflated, you lean against Mark’s door while you search for your phone to ask Yunjin where she is. Maybe if you’d waited for a moment, you’d have seen the way Jay stopped at the top of the stairs to look over at you, seen the frown on his face when he saw that you weren’t looking at him. But instead, you read 2 texts from Yunjin. 
yj: dude heso into u 
yj: flirt more = hv fun upstairs 
You spend the next three days pretending nothing happened at the party, avoiding Jay, and dreading going to uni. It’s just unfortunate that for you, pretending nothing happened looks like zoning out in the library while replaying the kiss in your head until your elbow slips off the desk. And avoiding Jay seems near impossible, given his tendency to show up everywhere. Or rather, your tendency to see Jay in everything. 
Like the tiny little black cat you saw perched on the fence outside your apartment building, and the busker singing Harry Styles in the city centre. And the half-full bottle of Smirnoff Ice from that night that sits on your dresser with your perfume and jewellery, displayed with about as much sentiment as a trophy won at school for a random achievement. 
Impulsively, you post a selfie to your Instagram story before hiding your phone under your pillow and leaving the room entirely, making yourself comfortable atop the kitchen counter and waiting for someone to come back home. 
Chaewon gets home first, and quickly, arriving with a groan as she shrugs her jacket off and shuts the door behind her. “I hate uni,” she mutters. “I hate studying, I ha— Hey.” She jumps a little when she sees you in the kitchen. “I feel like I haven’t seen you in forever, where’ve you been hiding?” 
“My room.” 
She nods, leaning comfortably against the doorframe. “You’re not going out tonight, right?” 
You shake your head, amused by the look of relief that paints Chaewon’s features as she whispers thank God. “I’m gonna shower, and take a nap,” she informs you. “But when I wake up, it’s you, me, pizza, and whatever story Yunjin has from practice.” 
“Can’t wait,” you say sincerely, stepping down from the counter. 
With a wide smile on her face, she salutes you before dragging her feet to the bathroom. Completely endeared, you decide not to comment on the salute even though you think it’s sweet that she’s starting to copy her boyfriend. 
The sounds of student housing on a Wednesday evening seep in through the open window as you pour yourself a glass of water, unable to stop wondering if Jay saw your story; and what he thought about it if he did. Wondering if he’d notice that the picture was from Saturday night. 
Filling up your glass again, you take it to your room and pull your phone out of hiding. Along with a message from Yunjin telling you and Chaewon to order your food so it comes shortly after she gets home, you find that Jay hit like on your story. Then sent a reply ten minutes later saying: you’re sooo gorgeous.
With a smile on your face, you type out various forms of “thank you so much, you’re perfect,” before settling on a simple: thank uuu :D, and Jay’s response is immediate. 
jay: i don’t think i’ve said that before
jay: how prettty i think you are
The heat that rises to your cheeks is troubling, yet despite your best efforts, you can’t get it to pass. Especially not when you read and reread Jay’s message. You press your eyes shut, willing the heat to pass, willing the grin on your face to fade. Neither works, in fact, they only worsen when you open your eyes to see the new messages waiting for you in the chat. 
jay: it’s a lot bte 
jay: *btw 
You let out a romcom-worthy sigh, clutching the phone to your chest and laying down on the bed. A glow-in-the-dark sticker stares back at you from its spot on your ceiling, a single star that you’d won as a set of two at the arcade with Kazuha in December. The memory brings a smile to your face, even though you remember being a little annoyed after she turned down the other star when you tried giving it to her.
Another message from Jay makes your phone vibrate in your hands. 
jay: sorrry 
you: it’s okay 
You tell him. Even though you’re not sure what he’s apologising for. Just like before, Jay reads the message immediately though this time his reply never comes.
With Yunjin now home from practice, and freshly showered, you sit on the couch with your flatmates, talking and laughing over the sound of the TV for hours until Netflix asks if you’re still watching, and Yunjin’s passed out with her cold, wet hair on your shoulder.  
Pressing a wet kiss to your cheek, Chaewon retires to bed, whispering “Goodniiiiiiiiight,” in your ear before abandoning you. Tired as you are, a part of you feels bad about waking Yunjin so you decide to sit a while longer, moving the blanket from your lap to cover her up properly. But of course, this is the movement that wakes her up. 
In a soft voice, you tell her goodnight, standing up from the couch to stretch your arms above your head. 
“You never told me what happened on Saturday,” Yunjin says tiredly. “Kkura told me you and Jay were busy in Mark’s room.” 
The mention of his name takes you back to that night. Back to Jay and the way his lips felt against yours, the way his hand held your waist, and the way he’d ditched you outside Mark’s room. A pit forms in your stomach; and as if reading your mind, Yunjin asks if you’re okay.
You sit down on the other end of the couch, bringing your knees up to your chest and telling the story from top to bottom. After recounting the night in detail from after she left you guys alone, you find yourself hyperaware of the differences between you and Yunjin. For you, the highlight of Saturday night was Jay kissing you and then running away after. 
“Wait, Sakura and who?” she asks when you’re done. 
For Yunjin, the highlight of the story seems to be Mark’s presence. 
“Mark.” 
“She told me she went on her own, what were they doing?” 
Although you have some idea, you think it best to keep your knowledge to yourself. “They were looking for her phone,” you say, pleased to see that Yunjin accepts your answer and moves on. 
“So then what?”
“He texted me hey on Sunday morning, which I ignored, and then a couple hours ago he replied to my story and told me how pretty he thinks I am,” you say, pausing to take a breath. “Then ignored my response.” 
Yunjin sits silently, seeming to take in everything she’d just been told. Her eyes are focused on the TV screen ahead so you look over at it too. It had gone into standby mode, displaying nothing but an indistinct impression of the two of you. 
And the silence continues. 
In the TV’s cast, you can just about make out the way she tilts and then turns her head to look at you. “Maybe he’s just.. frazzled, or something, from being walked in on. How did you feel?” 
The answer takes a while to come up with because for you, the night exists in two parts — Before kissing Jay, and everything else that happened when you left the room. This whole time, you’ve been so focused on him leaving, that you’ve barely given any thought to how you felt when Sakura opened the door. Frazzled, you think. Probably the best word to use. Embarrassed suits a bit better though. 
“I was embarrassed about it, but only because it was Mark. If it had been you, or Chaewon, whoever, it would’ve been different because they’d walk in and go “oh sorry” or something and leave, but obviously, when it’s Mark going into his own room, he’s there for something, you know?” you explain, chewing at your bottom lip.
“Maybe that’s how he feels too.”
“Yeah, but it wasn’t embarrassing enough to leave and never talk to him again.” 
Yunjin exhales heavily. “I want to be on your side, really, I do, but isn’t that kinda what you did?” she asks, her voice hesitant as she tilts her head. “He texted you the next day and you didn’t reply, what do you think he’s thinking about right now?” 
“He’s the one who said he should get back to the boys.”
“What if that’s just because he spoke first?” she suggests. “Obviously we don’t know what you would’ve said if you spoke first, because you didn’t, but I feel like you would’ve been like “I-I’m gonna get back to the girls” and ran away.” 
Always correct, Yunjin is your worst enemy and your best friend rolled into one. Oh, how you hate her. Well, she’s correct about the fact that you would have said the same thing. You think. You press your lips together in a straight line and sink into your seat. 
She sighs when you don’t speak. “Look, he talked to you today, and told you how pretty you are, which is a win, right?” 
You nod reluctantly. 
“So let’s celebrate that, celebrate the fact that you kissed Jay! Even better, the fact that he kissed you.” Yunjin pauses, for what you think is dramatic effect, before speaking again. “Just.. don’t sweat the small stuff, okay?” She stops again to yawn. “And text him back if he reaches out, or, text him first.” 
Leaning against the doorframe of the bathroom, you brush your teeth, watching as Yunjin does the same, sitting on the edge of the tub with her eyes shut. While gargling mouthwash, you think about the conversation you’ve just had and decide to take matters into your own hands. By pleading with God to put Jay in front of you and have him tell you that he likes you back. 
Once again, the higher powers seem to be on your side. Kind of. Jay does end up in front of you to tell you that he likes you back. Kind of. But only after learning that you’ll have to start your report again; which, given that you’d only gotten through 800 of the required 4000 words, wasn't exactly criminal. It was an irritation that settled in you, mainly, as all of your research and the sources you’d found were now redundant in the face of such adversity. 
Nonetheless, with heavy feet, you leave the lecture hall, trying to come up with a way to fake your graduation ceremony next year so you can secretly drop out. You draw a blank and find Jay waiting in line at the vending machine near the library’s entrance. 
Even though you’d spoken with her on Tuesday night, here, today, on Friday afternoon, Yunjin’s words echo so clearly in your mind you almost want to peer over your shoulder to see if she’s there. You do. She isn’t. 
Your formerly heavy feet lead you right over to Jay, who greets you with a smile. “How’s the report coming?” he asks, his tone light, easygoing, and clearly oblivious to the fact that his question strikes you like a knife to the gut. 
The two of you shuffle forward slightly, now at the front of the queue. Waiting for your response, he punches E6 into the machine that rattles loudly, delivering his bottle of Lipton lemon. 
“Not great,” you tell him, feigning nonchalance and watching as he presses E4 before squatting down to collect both drinks. “Are you heading to class?” 
Standing up straight, Jay holds out the new(er) bottle of Lipton peach towards you. “What happened?” 
Holding the drink in your hands, you fall into step with him and sigh despite yourself. “I have to start over.” 
Jay’s eyes widen and his jaw drops slightly at your words. Dramatic. Cute. “Nooo,” he says sincerely. “How come?”
“I read the question wrong.”
“Oh,” he says. “That’s okay, at least you found out now rather than later. And you still have until December to get it done, that’s almost two months! I’m sure most people haven’t even read the question,” he tells you in a gentle voice. 
There’s a fuzziness in your chest, and Jay’s words make you feel like everything will be alright. Even though you weren’t exactly cut up about the report, something about talking with him about it leaves you feeling soothed when you look up to give him a warm smile.
“I don’t have classes today, I’m just here to study,” he says, answering your earlier question as he leads you to a table. 
You watch as Jay sits down, and decide to take a seat across from him, dumping your bag on the floor at your feet. His brows quirk up when you put the drink down on his side of the table, confusion evident in his voice when he says: “You don’t like peach tea anymore?” 
All of a sudden your heart is pounding, and you grin despite yourself. Oh, Jay, you think. “It’s my favourite.” 
Matching your smile Jay slides the bottle over to you. “It’s yours,” he says.
You can’t explain the overwhelming sense of gratitude you feel over a barely cold, 500ml bottle of tea, but it beams brightly on the table between you; radiant, glowy, the most beautiful thing you’ve ever seen. “Thank you,” you say sincerely in a soft voice, lest you knock the bottle out of its haze. 
The deepest part of your brain romanticises the scene around you even further, and the table you sit at, in the smallest library on campus, starts to seem like something from a kid’s storybook. From a mythical land where the iced tea is luminescent, and you get to study with an angel who wears Chrome Hearts pants and olive green 6s.
“Can I read it when you’re done?” His question cuts through your thoughts. Surprised by how genuine Jay sounds, you glance back over at him to find him already looking at you, his lips pushed up into a soft smile that spreads flutters around your chest.
It takes you longer than you’d like to admit to realise what he’s talking about, but you tilt your head when you do. “You wanna read my paper on wind turbines and solar farms?” you ask. 
Jay’s eyes widen briefly as if shocked that you’re even asking him that. “Of course I do,” he says, sounding almost offended, defensive maybe. 
You eye him from across the table, sceptical. Jay seems to pick up on this. “Why wouldn’t I want to know about the UN’s advances towards net zero by 2030?” he asks, chuckling to himself when you raise a brow. He shrugs. “I got curious after you mentioned it.” 
With burning cheeks, you watch him as he continues to talk, neither of you making any effort to start on the work you’re there to do. As much as you feel it’d be useful to get work done in the library — because it’ll allow you to go home and do nothing without guilt — you don’t see the point in half-assing your research and absentmindedly chatting with Jay, when you could ditch the research completely and fixate over the way his lips move to form his words. 
“I lost my student card so I need to read while I’m in here. I think it’s better though; easier to stay focused, less distractions,” Jay tells you when you ask what brought him to uni just to study alone. “Usually,” he adds, gaze flicking up to meet yours with a teasing smile crossing his lips.
Jay’s words hold a flirtatious undertone that isn’t lost on you or the butterflies that take flight in your stomach. “I’m not a distraction,” you say, frowning slightly. 
“I never said you were, but I had no problem getting my work done until you got here.” 
Jay’s words remind you of your first test for Property Law in February. The two of you sat together at a table in the campus cafe, empty mugs and printed slides scattered across the space between you. For four hours, you highlighted sentences and rewrote notes to keep your hands busy until Jay walked you back to your flat, where you pulled an all-nighter so you could actually study. You got a 61 and slept for twelve hours afterwards. 
“If it’s getting to you that much, I can go,” you offer, really, really, hoping he doesn’t take you up on it.
“No, please stay. I like spending time with you,” Jay admits with a slight downturn at the corners of his lips. 
You try to work out how to echo his sentiment without sounding like a lovestruck fool, though you draw a blank, distracted by the way he– “Are you batting your lashes at me?” you ask through a chuckle.
Jay squints. “Is it working?” 
You shake your head. 
“Well, neither are you,” he points out, crossing his arms over his chest in a way that almost makes you feel scolded despite his light tone. You think you like it. 
An overly dramatic sigh huffs its way out of your mouth as you roll your eyes at him, fighting a smile at the sound of his breathy laughter. “Whatever. Starting now, I’ll work on my paper. You focus on your reading, no distractions,” you suggest.
“Right, no distractions,” Jay repeats, his eyes falling to your lips. 
Sticking to your word proves much easier than you’d initially thought and you manage to sit, mostly undistracted, for more than a little while, putting the paragraphs that can stay in italics, the bits that need to be amended in bold, and deleting the rest. 
Your workflow is broken only when Jay speaks softly, “Is it cool if Heeseung works with us?” he asks, sending a text after you tell him that it’s okay. 
And as if he’d been waiting around the corner, Heeseung shows up seconds later. “Jongseongieeeeee,” he coos when he sees Jay, extending a hand to pat his head and ruffle his hair. 
Unable to hide his irritation, Jay’s face scrunches up at the interaction and in an attempt to stop the sudden attack, he grabs Heeseung by the wrist, seeming shocked when it works. You watch him fix his hair in his phone camera. 
In the same playful tone, Heeseung says your name too, sitting down in the seat next to Jay. “I feel like I haven’t seen you since the hockey mixer.” 
You can’t help the breathy laugh that comes out at the cute pout on his lips. “Because you haven’t seen me since the hockey mixer,” you say, smiling at Jay when you notice him looking at you. 
“You weren’t at the football party, were you?” Heeseung asks, his eyes widening right when the words leave his mouth. “Riiiiiiiight, you were.” He mumbles to himself before covering his mouth with his hand. “I’m just..” he trails off, pointing at his laptop with his index finger before opening it and sinking in his seat. 
There’s a nasty pit forming in your stomach while you watch Heeseung all but disappear behind his screen. And in the black screen of your laptop, you stare at yourself, pretending that: 1. The fingerprints and smudges don’t bother you, and 2. That you don’t notice the way Jay’s looking at you. Or rather, the fact that Jay’s looking at you. If you’d noticed the way he was looking at you, you might have picked up on the softness of his gaze. But you didn't, so you don’t. 
Instead, the fact that Jay’s watching you only makes you feel worse. Though at least it looks like your hair is sitting nicely today, you think, glad to have at least one thing working for you rather than against you. Like the pit in your stomach, or the Lipton peach that tastes like nothing when you take the first sip.
In the presence of Heeseung - and the things he said - the three of you manage to get on with your work, free of conversation. 
Reluctantly, you let the two boys walk you back to your place when you’re ready to go home. Heeseung leads the conversation, thankfully, with no more mention of the football party and even hugs you goodbye while Jay watches from a few feet away. Judging by the expression on his face, you’d think the person he’d liked for months kissed him and then ran away. 
“Sorry,” Heeseung whispers, pressing his lips into a straight line. 
With your key in the lock, you watch as they retreat, Heeseung nudging Jay when he reaches him and mumbling something that you can’t quite make out. Neither of the girls are home when you get inside and, sprawling out on the couch, you look for your phone to make plans. 
you: we should go out tn
cw: tmrw ! i have a deadline
yj: broke friday or .. j*emins party 
Too broke for broke Friday, the two of you find yourselves stepping over the legs of a sleeping Sunghoon to reach the open door to Jeno and Jaemin’s apartment. There are people everywhere, including the hall outside, but you suppose this is the benefit of student housing; none of your neighbours can complain about noise because they’re too busy being part of the commotion. 
Jake almost spills his drink when he sees you both, saying “heyyyyy,” with a giggle and eyes that linger on Yunjin while he talks though he quickly excuses himself to take water to poor Sunghoonie. 
The night is largely uneventful, much the same as every other night out you’ve had since starting college. Except for the part where Jay shows up,a massive grin on his face to greet your friends. Sakura, Yunjin, and Kazuha all get a “hey” and a brief hug. Jay regards you with a nod and a small smile. At least Kazuha seems to believe you when you tell her that you’re crying in Jaemin’s bathroom because you hate your outfit.
After a weekend of self-pity, you spend Monday at a coffee shop with Sakura, watching as she studi—“You could at least pretend to study, you know?” she sighs. “Every time I look up you’re either staring at me or using your phone, it’s distracting.” 
With a frown on your face, you touch your mug to see if your coffee is cool enough to drink yet — it’s not — before flipping your notebook to a blank page and trying to write out some of the key points that you remember from Friday’s lecture. A part of you feels bad for neglecting your Architectural Practice class but it’s just not as interesting, and you tell yourself that you’ll dedicate all of your time to it after finishing your report. You definitely will not come to regret leaving three months worth of work to the very last minute. 
You study with Sakura for a few hours until deciding that you simply cannot continue, and the two of you leave the cafe in favour of a Mcdonald’s drive-thru, eating your dinner in the dark parking lot before she drops you off.
On Tuesday night, you’re thankful that Yunjin and Kazuha don’t push you to go out with them when you say you’re tired, but when Netflix asks if you’re still watching Modern Family at almost 3 a.m., you wish they had. 
You push yourself out of bed to do your skincare, and hear the two girls coming back home as you apply your last pimple patch. After Kazuha all but yells something about a huge pair of shoes by the door, it seems like they settle in the kitchen. 
They’re sharing a bowl of cereal at the table when you get there. Feeling bad, you make instant noodles for them while Yunjin hugs you from behind. Both of you try your best to laugh quietly at Kazuha’s story about some box blond figure skater who completely blanked her when she tried flirting despite staring at her all night.
Once the food is ready, you sit up on the counter, watching them eat straight from the pot. Trying to talk to those two while they’re so invested in dinner is a waste of energy so you busy yourself on your phone instead, scrolling aimlessly until both girls kiss you on the cheek to thank you for looking after them. Kazuha gratefully drinks the glass of water you give her, and Yunjin, as you expect, is stubborn about it; taking three small sips before running away to her room. 
The argument you can hear through the open window keeps you entertained as you wash the dishes, and you check your phone on the way to your room, finding two texts from Jay. 
jay: i know it’s late but can we talk in person if you’re up
jay: it’ s important
They came in four minutes ago and you chew on your lip trying to figure out what he wants to talk about. 
you: are you okay?
jay: can you come outside 
With not even enough time to hit send on the three question marks you’d typed out, the distinct ring of a FaceTime call surprises you. Though what you find more surprising is the sight of your building’s door behind Jay’s face which just about fills the screen. Lit dramatically by an orange street light, he looks beautiful. Looks cute when his lips pout slightly around the words: come quickly and dress warm, as he successfully convinces you to leave the comfort of your bed.
Through the glass in the main door, you see him. With his hands stuffed in his pockets, he looks up towards the sky and puffs visible breaths into the air above him. Jay turns around at the sound of the door opening. You feel your stomach lurch because he doesn’t smile when he sees you. 
“Hey,” he says after a while, watching you intently, inspecting almost, as you shut the door softly behind you. His face softens, the smile he hadn’t given earlier coming through now. “Are you wearing my jacket?” His voice is soft too when he speaks, breathy enough for the smell of alcohol and vague peppermint to hit your nose. 
“I thought I should probably give it back,” you nod. “Sorry I kept it so long.”
Jay shakes his head, hair shifting on his forehead from the motion. “No, I love it on you. Please keep it,” he pauses, taking a step towards you. “I want you to keep it.” 
Thank God, you think. You hadn’t really been meaning to give it back, and you weren’t really sorry to have kept it so long, it just felt like the right thing to say. 
The space between you is so small that you wonder if he can hear the way your heart rate starts to pick up. In the time you hadn’t talked, you’d seen him around campus, in the corners of story posts, but seeing him here in front of you is almost overwhelming. A gust of wind ruffles the jacket Jay has on and his scent unfurls right under your nose; warm, lived in, mixed with faint sweat and what you think might be tobacco. It creates a musk that leaves you weak at the knees.
“It was milk and cookies night,” Jay continues when you don’t respond, digging into his pocket and holding a plastic-wrapped cookie out towards you. “You like white chocolate chip, right?” 
Hearing that it was milk and cookies night makes you wonder if you’d been too hasty when you turned down the girls’ invitation. 
Despite the cold, Jay’s hand is warm when your fingers graze his. Letting your touch linger, you thank him sincerely, touched by the little things he seems to remember about you. 
Even though you’re aware of the other students coming home from various nights out, and end up having to move out of the way so some of them can enter your building, it feels like the two of you are in your own world. You notice that his sights are locked on the cookie, on the spot where your fingers touch, allowing you to admire him freely. 
Standing almost directly under the lamppost now, you notice that his cheeks and the tips of his ears are dusted with red. You feel a little bad, he must be freezing, you think. Your gaze falls to his lips that sit parted, chapped like you expect, and now you’re thinking of kissing him. 
Clearing his throat, Jay moves his hand from yours to put it in his pocket. You do the same. 
“I know I said I wanted to talk, but I just wanted to see you,” he says, looking you right in the eyes. “I wasn’t sure you’d come if I said that.” 
You frown, wondering if this whole time he’s been avoiding you because he thought you didn’t want to see him. “Why wouldn’t I?” 
Jay only shrugs in response. 
From over your shoulder, you hear the door opening. Jay’s eyes flicker in its direction. You turn your head to look too. A boy with pink hair frowns when both of you tell him you don’t have the lighter he’d been looking to borrow. 
“I’m sorry about leaving after we kissed. And for avoiding you. That was stupid,” Jay says as soon as the door closes. “It was childish of me to do that instead of just telling you how I feel. I wasn’t gonna say anything, because I know you only see me as a friend, but I have to let you know that I like you, a lot.” 
You stand around limply for a beat, staring up at Jay and trying to take in every single detail about this moment before you inevitably wake up. But this ‘dream’ doesn’t cut off where you’d been expecting it to. Instead, you feel your heart thudding against your ribs, your stomach flipping. The only thing you can get yourself to do is blink at the boy in front of you. The boy who likes you. 
A lot.
“It’s just that, after Heeseung said that shit in the library and you couldn’t even look at me, I knew I didn’t have a chance with you and I just.. am trying to figure out how to be near you and pretend like I don’t want to drop everything and kiss you.” 
“What’s stopping you?” you ask, surprised that your voice even comes out properly.
Jay’s gaze drops to your lips. Without noticing, the two of you had gotten so close that your chests are barely an inch apart; they’d probably touch if either of you took just one deep inhale. A beat passes. His gaze flicks up to meet yours and your breath hitches in your throat. You want to kiss him. You must. Right when you start to lean up towards him, to put your lips on his, he steps back. 
“Fuck,” Jay mumbles, his brows knitting together as he shakes his head. “I’m sorry.” 
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The ability to hold his liquor is something that Jay sees as both a blessing and a curse. 
On the bright side, he can drink as much as he wants and won’t say or do anything he wouldn’t say or do when sober. His delivery might be a little off when he’s drunk but the point still stands.
On the not-so-bright, catastrophically dim side, however, Jay wakes up the morning after drinking with a vivid memory of everything that happened to him at whatever party he’d been to. Plus a killer migraine. 
And so, since drunkenly showing up at your place with a cookie in his pocket and his heart on his sleeve two weeks ago, Jay’s been quietly pitying himself and gently encouraging Jake to work harder on physics so he can get some sort of time machine up and running. 
Though it seems like you’ve been able to go on as normal. So normal, in fact, that Jay starts to believe the whole thing was just an elaborate dream. So elaborate that when he scrolls through your text thread, he finds the messages that you’d ‘exchanged’ that night. He finds the thought of having developed self-awareness in a two-week-long dream to be a greater comfort than the reality that you don’t like him back. 
You would have said if you did. Right? Or at least brought up what he’d said. Asked if you could talk about it. You’d be so excited to see him again, sober, that you wouldn’t even be able to say anything except: “I like you too!” Right? 
But you haven’t. So unless you’re going through trauma-inflicted amnesia, or someone has finally come up with the technology to invent The Neuralyzer, you really don’t like him back.
Jay had been so sure, certain that you liked him back. It just seemed so obvious; like the way you seemed to find him at every party, and how anytime you saw Jake in the engineering block you’d ask about him. Surely it wasn’t all in his head. The way that Chaewon and Yunjin had been teasing you at the hockey mixer, and how Yunjin made up that excuse to leave the two of you alone at the football party. It was all so.. like-y.  
Even today, when you texted him asking to hang out. He was sure that you were finally (finally!) going to tell him you liked him too. So sure, he’d even told the boys that he’d be coming back home as someone’s boyfriend. As your boyfriend. 
But instead, Jay finds himself climbing the stairs of his apartment complex wondering how the fuck he’d been so delusional. In his back pocket, his phone vibrates. Twice. Texts; both from you. 
you: i forgot to say but lmk when u get home lol
you: and if u have time to hang out before ur game tmrw !
His heart twists in his chest as he reads your messages. 
jay: okayyyyyyyyyyyyy, i can chill for a bit
jay: what did you have in mind? 
After fishing his house key from his jacket, he twists it in the lock and crosses the threshold before texting you once more: home now :). You heart the message immediately. The laughter that Jay could hear in the hall quiets as soon as he closes the door, and heavy footsteps thud towards the living room’s open doorway. Sunghoon. 
“It’s Mr YN YL—” he stops short. “Oh.” It’s not until Sunghoon looks over his shoulder and shakes his head that Jay even notices the stupid shutter shades he’s wearing. And when Jay joins his friends in the living room, he smiles despite himself seeing the way they’d decorated the space. Streamers dangle from the ceiling, hand-drawn A4 posters with both of your names written in lopsided hearts are stuck to the wall, and Jay ignores the thought of losing the security deposit to appreciate his friends; they’re good to him. 
On the way to his usual seat, an armchair in the corner of the room, Jay stops to wrestle a bottle of Desperados from the open six back sitting atop the coffee table and kicks a balloon that was in his path before sinking into his chair. 
Knowing there’s no use giving them a play-by-play, Jay recounts the last few hours as briefly as he can. He makes sure to leave out small details; like how he felt weak at the knees when you hugged him and told him you loved him after he won you a Hello Kitty plushie from the claw machine that you swore was rigged. Or how you’d worn his jacket out and his heart started racing when he noticed that your perfume had started to mix with his cologne. Unexpectedly, the guys seem hooked on the story right until its end. “So it’s not like it went badly or anything, I just.. didn’t tell her.”
Somehow, all three of them speak at the same time: “What do you mean you didn’t tell her?” 
Jay stares at a spot on the floor, noticing a hole in the toe of Jake’s sock. He’ll make fun of that later. “I just couldn’t get the words out,” he mumbles, shoulders drooping as he slumps further and further into his seat before taking the first sip of his bitter drink a—“Fuck, why does anybody drink these?” 
“Cheap,” Sunghoon mumbles, scowling after sipping from his own.
Clearly.
“Unless I’m missing something, this doesn’t seem like the end of the world. Just tell her tomorrow, tell her now, text her,” Heeseung sighs, letting his eyes fall shut. 
The other two boys seem to agree, echoing the sentiment and adding their own ad libs to it. Jay watches as Sunghoon leans over to get another drink from the table, admiring his commitment to beer drinking even though he doesn’t like it. He waits for silence before speaking again: “I already know she doesn’t like me that way. And it’s only been two weeks so it doesn’t make sense to confess again so soon when I know the answer.” 
“Again?” Sunghoon asks, raising a brow. 
Ahhh, Jay knew there was something he’d forgotten to do. Though he's struggling to figure out how he’d withheld this information, considering it was the main thing on his mind at all hours. “Yeah, after milk and cookies I went to hers and told her I like her,” he says, attempting to feign nonchalance, shoulders rising and falling in a stiff shrug.
“And you kept that to yourself because..” 
Jay scrunches up his nose, genuinely unsure. “I didn’t go there to confess, I just wanted to see her and give her the cookie I got for her,” he admits. “But then she came outside, and she had my jacket on, and she just looked so pretty. The only thing on my mind was oh, my God, I can’t go any longer without telling you I’m in love with you.” Jay pauses, taking a long sip of beer before telling them what happened outside your building. 
As if he wasn’t feeling bad enough already, Heeseung bursts out laughing. Hard. It’s not long before Jake and Sunghoon join in and Jay wants to vanish into thin air. Feeling slightly left out, he also wants to ask what’s so funny, but the fear of being slated holds him back. 
It’s the eldest who calms down first, sitting up straight in his seat. “So you go to YN’s door, tell her you like her, almost kiss her, then explicitly tell her not to say she likes you back, run away from her, again, and you’re wondering why she didn’t say she likes you back?”
With the story being laid out so simply, Jay starts to see the flaws in his logic. Though too stubborn to admit that he’s wrong in front of Jake, he nods his head. “Exactly.” 
He presses his lips into a straight line when the boys call him chronically stupid. 
“You need to call her, talk to her, figure your shit out before it’s too late,” Heeseung says with a firm tone. 
Jay thinks about it, biting at his bottom lip before replying, asking in a small voice: “But what if she says she doesn’t like me?” 
As much as not having confirmation is killing him, there’s a part of Jay that likes not knowing how you feel about him because it lets him play into his delusions. Lets him feed himself with thoughts of you being excited to see him because you like him and not because he makes great platonic company. The thought of you checking up on him through Jake because you’ve been thinking about him, but feel too shy to ask directly. And Jay knows when you properly reject him, he won’t be comforted by such thoughts anymore. They’ll only hurt him. 
Though after hearing what may be the wisest thing he thinks Sunghoon has ever said, Jay starts to see the situation a little differently. It’s casual. Spoken through a yawn. “You already don’t have a girlfriend. Nothing to lose, right?” 
The walk to your apartment building is longer than he remembers, but the cool air feels good on his neck as he tries to figure out what exactly he should say. Jay only starts to consider that this may not be the best idea when he stands face to face with your apartment building and feels a little too nervous to buzz your flat. What is he doing? 
A grating screech comes from the heavy door when it opens, and Chaewon’s boyfriend steps outside with squinted eyes. “Jay?” he asks as the door thuds shut behind him. “YN didn’t say you were coming over.” 
An awkward chuckle slips from Jay’s lips and (for the first time in his life) he does jazz hands. “Surprise?”
Jay feels better when Jeno’s lips spread into a grin. “Ohhhh,” he says, nodding and extending an almost empty deck of cigarettes in his direction. 
“I’m good,” Jay declines, shaking his head. 
Though if things go poorly up there he might have to take Jeno up on his offer. 
Holding his cigarette between his lips, Jeno uses a fob to open the door for him, and Jay can’t help but feel comforted by the way Jeno pats him on the back and says: “I’m rooting for you.” 
Standing at the door to your apartment only unleashes a new sense of nervousness. His hand rests on it, balled into a fist, waiting to be pulled back. But something stops him. Jay lets his hand slip down the door and takes a step away from it. He’d been standing too close. Now, he stands shifting his weight from foot to foot, and the toes of his shoes are just touching the doormat. 
Reminding himself that knocking isn’t the hard part, Jay takes a deep breath and knocks three times. 
A few minutes pass and it’s now that he remembers he doesn’t even know for sure that you’re home, or awake. He counts ten seconds before knocking again and the second his fist touches the door, he hears the sound of a lock clicking and the door creaks open. 
Like something from a dream, you stand in the doorway, looking so beautiful with his hoodie on that Jay has to put in effort to keep his jaw from falling to the ground. 
“Jay?” you say quietly, brows furrowed. “Is everything alright?” 
“Do you like me?” Jay blurts out, pressing his eyes shut immediately as all plans of a proper conversation go to the wind. From his spot on your doormat, he can hear the sound of the TV quieting and a terrible silence settles over the two of you; lasting eight whole seconds before you speak. 
“Do you wanna come in?”
Jay steps into the apartment, taking off his shoes at the door while mumbling a greeting to Yunjin and Chaewon who (definitely heard him) lay on the couch with wide grins on their faces, and follows you to your room where you close the door behind him. 
“Sorry, I had, like, a speech ready and then I saw you and I just..” he trails off, standing awkwardly near the door and looking at everything in the room except for you; he struggles to tear his eyes away from a polaroid picture of the two of you with huge grins. It’s only when you talk that he manages to look over at you instead. 
“You can sit down,” you say, patting a spot on the bed next to you. Without saying anything, Jay crosses the room to sit beside you — if sitting at arm’s length can be considered as beside you. “Tell me about the speech,” you say, and Jay shakes his head while trying to convince himself that your chuckle isn’t patronising. 
“Do you like me?” he asks again, not wanting to waste any more time. 
“I like you.” 
Your words, simple and quiet, leave Jay winded. 
“You look surprised,” you say, tilting your head. “You really didn’t know?”
Immediately, he relaxes his face. Clears his throat. Jay’s not entirely sure what he did and didn’t know, but he doesn’t think it matters. Nothing could possibly matter more than you do right now. “Doesn’t matter,” he says, letting out a sigh of relief. “I like you too.” The words sound regular when he says them, though he does like the lightness in his chest knowing for sure that the feeling is mutual. “Can you say it again?”
“Jay,” you start, resting your hand on his knee. Jay wonders if this is supposed to comfort him and clasps his hands over his lap as discreetly as he can manage. “I like you,” you tell him again.
Under the weight of your words, Jay feels his heart cinch a little in his chest. Why does everything sound so perfect coming from you? He can’t help but lean in, finally kissing you after what feels like an eternity. Jay didn’t think anything would feel better than your first kiss, but having your lips move softly against his, and knowing that you like him back, might just be the best thing ever. How did he go so long without this? Dazed and lovestruck, he lets his forehead rest against yours to calm down, to catch his breath. “Again?” he whispers, hopeful, one step away from begging.
You let out a chuckle, soft, breathy, fanning his lips. “I like you,” you say after a while, quietly, a whisper, just for him before kissing him again.
Jay’s not sure when it happened, he’s not even sure he notices that you’re sitting in his lap until you grind down on him; the feeling overwhelming despite all of the layers between you. A whine slips from your mouth into his when he rolls his hips up towards yours, and he can’t help but hate himself a bit for not just confessing sooner. 
You pull away from him, a smile on your face as he chases your kiss. “Please touch me,” you whisper, hiding your face in his neck when he chuckles at your request, calling you cute under his breath.
He feels oddly thankful that you’re not grinding on him any longer because he was about two more movements away from cumming in his pants. His hand slips under your shorts, finding your clit and pressing on it through your underwear, liking the way your breath fans his skin when you sigh. The wet patch on the fabric only starts to spread when he starts rubbing you. “You like that?” 
“Yeah,” you tell him on an exhale, letting your hips roll against his hand, whimpering at the friction. 
Your mouth quickly finds his again, and you let your hand clutch at his shirt, balling it up in your first before tugging at it, parting to take it off of him. With wide eyes, you gape at his torso, the word “Shit,” falling from your mouth while you let a hand rest on his stomach. 
When he tries pushing your panties to the side, the soaked material sticks to your slit slightly, and Jay groans despite himself. You’re absolutely drenched in slick, sopping wet to the core as you let out a broken whine from the feeling of his finger slipping into you. Curling his finger towards your belly button, his eyes fall shut, cock throbbing against his thigh when he thinks about how you’d feel around his shaft, how you’d look under him.
“You’re so good,” you whisper, awestruck and trembling in his lap.
The way you watch him makes him feel a little under pressure when he opens his eyes, but, determined to make you feel good, Jay attaches his thumb to your clit and everything is so slick that his finger slips around a bit before he can help it. You squirm in his lap, your head falling forward into the crook of his neck, forcing Jay to hiss when you bite on the skin of his shoulder. Your whimpers turn into cries and you mumble that you’re close, your walls tensing around him a moment later as if to prove your point. 
Jay pulls his fingers out, holding back a moan at the way they glisten in the light, coated in you— “Nooo,” you whine, sounding audibly distraught. 
Though he’s too busy tasting your cunt on his fingers to grace you with a response. In the quiet of the room, you sit up properly to look at him, watching with parted lips as Jay sucks on his fingers, humming at the way you taste. You barely give him a chance to put his hand back down before pressing your lips to his, moaning into his mouth as you taste yourself on his tongue. 
Getting a tight grip on your waist, he moves around a bit to lay you down on the bed. Resting on his forearm, Jay leans over you, kissing you again. He lets his hand trail down your body, liking the way you spread your legs when he dips his fingers into your waistband. You nod eagerly when he asks if he can take them off, and his cock throbs when you tell him to take your panties off too. 
With no unnecessary fabric in his way, his finger drags up and down the length of your pussy. Already close, it doesn’t take long for you to start whimpering and squirming underneath him, your walls stuttering once again as you cum, hot and hard on his hand. 
Ever the gentleman, Jay stands up to place himself between your legs, groaning at the sight of you, pulsing and wet. “Such a pretty pussy,” he says. Deciding not to waste another second, he uses his thumbs to spread your lips a little before burying his face in your cunt. 
It doesn’t take much for you to writhe under his tongue, and as soon as he kisses your clit it’s a wrap. He feels his cock leaking a little when your clit starts to throb between his lips, and he can’t help but groan when you tug at his hair. 
You stutter through the words: “Too much,” and Jay tears his mouth away from you, letting his forehead rest on your inner thigh while he catches his breath, savouring your taste on his tongue. It doesn’t last long though; your scent drives him crazy. When Jay leans back over your face, he presses kisses to your cheek, mumbling to you about how pretty you are, and how good you taste, all while playing with the drawstrings of your hoodie. 
He likes the way it looks on you, way better than it does on him. Likes it so much, he almost objects when you sit up to pull it over your head. Jay’s glad he doesn’t. He gulps at the sight of your breasts, surprised to see that you weren’t wearing anything under his hoodie, his dick somehow growing harder just from looking at you. 
Jay feels an intense desperation to suck on them, but your hands reach back up to his face, pulling him towards you to kiss him again. He settles (ecstatically) for holding one in his hand, pinching your nipple with his fingers. He’s relaxed, he’s happy; not torn up about it because he has all the time in the world to feel your tits in his mouth. 
He thinks. 
Jay pulls away from you. “Wait,” he says, feeling butterflies when you smile up at him. “Can I be your boyfriend?”
Your giggle sounds like music and he feels warm all over when you say, “Of course,” the words somewhat muffled by his lips on yours again, he could make out with you all day. But he stops for a moment, looking down at you, into your eyes and revelling in this moment. Revelling in you, his girlfriend, and the way you look at him. Like he put the stars in the sky or moved mountains; like you want him just as much as he’s wanted you all this time. And he wonders what he’s done to deserve it. 
Overwhelmed by emotion, Jay kisses you, lets his tongue run along the seam of your lips as he considers just kissing you for the rest of the night. It almost seems like he’s trying to, and you speak once more against his mouth. 
“Are you gonna fuck me?” you ask, moving your head to the side. “It’s okay if you’re not, but I’d like to know.” 
Jay smirks at you — pretty cocky for a guy whose dick is throbbing against his thigh just from hearing you talk. “You want that?”
“Mhm,” you hum, nodding. “Need it.” Your gaze burns into his as he tries to process your words. You look distractingly beautiful with a thin sheen of sweat on your forehead, lidded eyes, and kiss-plumped lips that you press up against his once more. “There’s condoms in the second drawer.”
Leaning up off of you, Jay reaches into his back pocket to show off the two condoms he’d brought with him.
“Classy,” you tease, though there’s an excitement in your eyes that drives him mad. 
“Responsible,” he corrects, standing up to pull his pants and underwear down. Slapping against his stomach, his cock throbs when he hears you gasp. Jay lifts his head in your direction, trying not to cum on the spot from the sight of you leaning up on your elbows, staring at his dick with an open mouth. 
Taking a deep breath, Jay reminds himself that he has all the time in the world to find out what your pretty lips will feel like around him, choosing to busy himself with putting the condom on instead. “How do you want it?” 
If the way you stop and stammer through the word “However” is anything to go by, the question seems to catch you off guard. Making his way back over to you, Jay racks his brain trying to figure out how he wants this to go, but seeing you on your back with your legs spread for him makes it clear. He hovers over you, lips drawn to yours like a magnet, using his hand to run the tip of his cock up and down your pussy, all while you whine against his mouth every time he pushes past your clit. 
“Don’t want to wait any longer.”
Your words make his stomach turn. He pulls away, his brows knitted together. “How long have you been waiting?” 
“Months, Jay,” you say, voice barely above a whisper, eyes screwed shut in a tortured expression. “Please.” 
Satisfied with your answer, Jay guides his cock to your slit. Pushes just a little. “I won’t make you wait like that again,” he tells you, and he means it, pushing in as much as he can before you cry out. 
Worried, Jay stops, leaning close to press a kiss to your cheek. “You okay?” 
“I just need a sec,” you tell him breathlessly.
Jay nods. As good as he feels, quitting while he’s ahead seems like the better option at the minute — he needs a sec too, but with the way your walls clench around him, it doesn’t really feel like much has changed. He finds himself having to hold his hips back after a while, as you get used to the feeling of him inside, your pretty little cunt starts trying to suck him in and his breath hitches in his throat when you look him in the eye. 
With a hand on the back of his neck, you pull his face back down to yours. “I’m good,” you mumble into his ear. 
“Yeah?” he asks, grinning when you nod in response. 
You stretch around him so easily that Jay whines as you take him in, deeper and deeper, inch by inch until he bottoms out. “Shit,” he mutters. How did he go so long without this? The sting of your nails digging into his bicep makes him hiss and he all but passes out when you moan. Falling from your mouth on a loop with every move he makes, his name is the most beautiful thing he’s ever heard; you cut yourself off with a gasp, breath hitching in your throat.
“There?” Jay asks, even though he knows he’s hitting your spot. 
You look up at him through fluttering eyelids, becoming more and more dazed each time his hips smack yours. “Mhm, I—close,” you mumble. 
Jay takes this as a sign to hike your leg up around his waist, making sure to hit it each time he pumps into you. It seems like it’s working. “Cum for me, baby,” he whispers, using his free hand to push some of your hair out of your face. 
Your whines turn into broken sobs and you hide your face in the pillow next to you, muffling your screams. Although he thinks your consideration for your flatmates is coming a bit late, he leaves you be, finding the sight sexier than he cares to admit. 
Sexier still is the way your body tenses before squirming again, your walls pulsing uncontrollably around him while you cum. Jay’s stomach starts to tighten as he fucks you, spurred on by the look on your face as you orgasm, and the sound of his cock filling you up. With a few more thrusts and a jagged moan, he spills his load into the condom, just about collapsing on top of you. 
Considering how fucked out and sleepy you’d been while Jay cleaned you up, he isn’t surprised to find you fast asleep when he gets back from cleaning himself. He does his best to join you in bed as softly as possible but it’s no use because you wake with a large yawn, making his heartache from a weird mixture of guilt and how cute you look. 
He lays on his back, grinning to himself when you rest your head on his chest, making yourself comfy with an arm and leg slung over him. You talk drowsily about watching The Devil Wears Prada in full after his game tomorrow and nod eagerly when he asks if you want to wear one of his jerseys to come and watch him play. Jay keeps his eyes shut until he hears you snoring faintly, and looks forward to teasing you about it in the morning.
When he stares straight ahead at your ceiling, a fuzzy feeling rises in his chest. “I put my star on the ceiling too,” he whispers, knowing you can’t hear him, but feeling happy nonetheless.
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Huddled up under Jay’s jacket, you sit on the half wall outside the football house with Chaewon, watching as Jeno blows smoke from his super king over his shoulder. Though given the way that the wind blows it back in your faces, the two of you may as well have taken him up on his offer to share. 
Letting Chaewon rest her head on your shoulder, you take a sip of your drink and feel thankful to the version of you from five minutes ago who let Jay fill your cup with lemonade instead of vodka. The two of you laugh along with Jeno until you see Yunjin rushing out of the double doors and into the garden. 
“Is there anything wrong with my outfit?” she asks, giving the three of you a twirl so you can check and mumbling a “thank you” to Jeno who reaches his arm out to stop her from falling over in the process. 
Yunjin’s outfit looks fine. At first. Until you notice the massive hole in the left side of her skirt; the sight of which leaves you and Chaewon wiping tears of laughter. Through cackles and a slight stomach ache, you manage to ask what happened. 
“I got caught on something, like, an hour ago, and I wasn’t hurt or anything so I forgot about it, and then I went out front and felt the craziest breeze on my thigh and I looked down and.. half of my skirt is just.. missing,” she explains, pausing only to take a draw from Jeno’s cigarette. “Does it look intentional at least?” 
You almost choke on your drink when Chaewon suggests using her acrylics to make an identical hole on the side, telling her to market the holes as “cutouts” and try selling it on Depop. 
“Vintage, Y2K, I.AM.GIA, Destiny’s Child, Britney Spears,” she says, although she’s had so much to drink that it all comes out as one word. “Don’t laugh at me, write it down! Babe, quick, take pictures!” 
Yunjin poses dramatically while Jeno takes product photos on her phone, and in the space between them, through the double doors, you see your boyfriend standing next to the dining table, his friends laughing around him while he stares over in your direction with a sweet smile on his face. 
And even though you can’t say for sure, you’re just glad that here, tonight, you have a pretty good idea of why Park Jongseong’s smiling at you.
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© zreamy (2023), all rights reserved. do not repost, translate, or plagiarise my work. do let my know your thoughts !
permanent taglist: @asahicore
1K notes · View notes
the-s1lly-corner · 6 months
Note
tadc w a hacker!reader
so like, reader hacked into the circus for shits and giggles, and unlike the cast reader doesn't get amnesia or is trapped or anything and they can leave and join whenever
TADC x hacker!reader !
each part for the characters might be a little shorter !! hope thats okay, my brain is a little raisin in regards to this idea </3 no gangle since i ran out of ideas
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CAINE:
wha- how??
honestly i almost think he would see you as a threat at first, but im not sure since im on the fence about whether or not caine is genuinely malicious or not (going purely off the pilot, i have yet to look into anything outside of the pilot)
"honey! you're home!" in this loud voice of his (this can be read as romantic or platonic, obvious joke on the "honey im home!" gag(?) in media)
keeps a close eye on you since he cant bring himself to fully trust you, afterall, youre a hacker and he is an AI, of course he would be wary
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POMNI:
uses you to keep track of what's going on in the real world, whether it be to the benefit or detriment of her mental health
riding the whole "pomni is trying to get out" thing, she might team up with you to try to figure out what exactly is going on and how to put a stop to it
not much else to be said, really, you try to crack the mysteries of this digital world together
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JAX:
not too interested in what's going on in the real world
probably asks you how far you can go to your hacking, obviously with the intention of mischief
this might actually get you into some trouble with caine, though, depending on what exactly you attempt to do and if it will have lasting negative impacts on the worlds coding and shit
so best not to indulge jax lest you receive real consequences
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RAGATHA:
oh! cool
unlike jax and pomni, doesnt try to use you to her benefit since that kind of goes against her whole "be kind" thing
really as long as you're not trying to hurt anyone she would be chill with you imo
occasionally asks about things about the real world and what's currently going on
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KINGER:
more cautious around you than he would be if you were in the same position as everyone else, i mean he doesnt know what all you can do and he doesnt really want to find out
what else is there to say?
likely forgets you're there because you're not. trapped like everyone else
bonus if you just. pop into the digital world right next to him and give him a heart attack
do not jumpscare the chess piece please
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ZOOBLE:
vague interest, basic questions, then back to their usual indifference
i mean unless you can bust them all out, why would they bug you? they're already come to terms with everything that's going on so really what point is there?
"can you make jax shut the <> up?"
"..no.."
465 notes · View notes
acealistair · 8 months
Text
RPG Character Development Questions!
Trying my hand at making one of these, specifically aimed towards D&D characters but it should also work for other TTRPGs and video games like Dragon Age.
Send me any number of emojis for any of my characters! Anyone is welcome to reblog! 😊
~*~*~CHARACTER DESIGN~*~*~
👀: Describe their physical appearance in as much detail as possible. Facial features, colors, height, build, etc. 👄: How do they talk? What's their vocabulary like? What does their voice sound like? Any accent, verbal tics, etc? 👃: Do they smell like anything in particular? Why do they smell like that? 🏷️: What is their full name? Do any of their names have any special meaning? How did you come up with them? 🌳: What physical traits did they inherit from their biological parents? Do they look more like one parent than the other? ♦️: Are there any motifs you associate with them? What do those motifs represent thematically? 🎨: What is their color scheme? Or at least colors you associate them with? 🔮: If they were to feature in the art of a tarot card, which one would it be and why? 💭: What was the original concept for your OC? Has it changed at all since then? 📺: Is your OC inspired at all by characters from other media? Which one(s) and what traits do they have in common? 🛡️: How does their class inform their characterization? How does their personality match or clash with the stereotype for that class? 📖: Describe your ideal character arc for them. How do you envision them changing by the end of the story?
~*~*~SKILLS/HOBBIES~*~*~
📊: What is their best stat? What is their worst/dump stat? How do these affect how you roleplay as them? 🗡️: What type of weapon do they normally use? Is there a particular reason for it? ✨: Are they a magic user? If so, how did they come to learn it (born with it, studied, acquired, etc.)? What does their magic look like when cast? If not, what is their attitude towards magic? 🖌️: What is their go-to hobby? When did they start learning it? Why do they like it? 🔨: Do they have any practical skills they wouldn't consider a hobby? What sorts of skills and how/why did they learn them? 🍳: Are they good at cooking? Do they like to? Why and how did they learn to cook, or, if they didn't, why didn't they? 🎵: Are they any good at singing? What situations do/would they sing in? Would they sing in the shower? 🎻: Do they know how to play an instrument? If so which one(s)? Do they enjoy music in general? 💃: How do they feel about dancing and are they any good at it? Do they prefer solo, partnered, or group dancing? 🚗: In a modern AU, what kind of job would they have, if any? 🎁: If they needed to give a friend a gift, how would they go about choosing one? Would they buy it, make it, or do something else? Would others consider them good at gift-giving? 📚: Do they like to read books? If so, what sorts of books do they prefer to read? If not, why don't they like reading? ✍: What does your character's handwriting look like? Do they write letters often? What other contexts do they usually write in, if any?
~*~*~PERSONALITY~*~*~
🙂: What are three of their personality traits that others would generally consider positive? 🙁: What are three of their personality traits that others would generally consider negative? 😱: Do they have any irrational fears/phobias? How do they cope with them? Has a phobia ever impacted the game you play them in? 😭: How easily do they cry? Do they ever cry in front of other people? When was the last time they cried? 💢: How quick are they to anger? What is a surefire way to piss them off? What do they act like when angry? 😄: How can you tell when they're really happy? What sorts of things make them happy? How often do they smile? 😳: How easily are they embarrassed/flustered? What sorts of things catch them off-guard and make them lose their cool? 🏁: What do they consider to be their main goal in life, the thing that motivates most of their actions? 🤲: Do they have any deep desires that they don't talk about and/or don't even realize they have? Do these desires conflict with their main goal at all? 🗣️: How social are they? Do they speak to strangers because they like to or only when necessary? How differently do they act with strangers vs. friends? 🐾: How do they feel about animals? Do they have/want any pets? Do they have a favorite animal?
~*~*~BACKSTORY~*~*~
😬: Did they ever make a major decision in their past that they regret? How are they handling it now? 🙏: What are their feelings on religion? If they are religious, what do they practice? How much of an impact does it have on their daily life? 🎓: What was their education like? Do they have any favorite subjects? What is their preferred learning style? 👨‍👩‍👧‍👦: What is their family like? Are there any family members that are particularly influential and/or important to them (whether in a positive or negative sense)? 🛝: Do they have any childhood friends? If so, are they still in touch with them? What is their relationship like now (or why did it end)? 🧸: What was their favorite childhood toy and why? 🚸: Would they consider their childhood to have been a happy one? Why or why not? Does their perception of that differ from yours as their player? 🌹: Are they experienced romantically? How many romantic partners have they had? How has this affected their view of romance? 😡: Do they have any enemies and/or rivals from their past? How serious of a threat are they to your OC?
~*~*~RELATIONSHIPS~*~*~
💘: Do they have a "canon" romantic partner? If so, who is it and what is their relationship like? If not, what kind of person would be the optimal romantic partner for them (the most interesting narratively, not necessarily the healthiest/what they think their preferences are)? 😍: What traits, physical and/or mental, do they find attractive in other people? 💒: How does your character feel about marriage? Have their feelings on marriage ever changed? 🎉: Who are their party members/companions? Describe each of their relationships with your OC (however brief or detailed you want). 💍: Among their current companions, are there any that are narrative foils to your OC? How so? 🍼: How do they feel about children in general? Do kids get along with them? Do they have/want kids of their own (now or down the line)? 🤝: How do they express platonic affection? When does an acquaintance become a friend for them? 🥰: Who do they currently consider to be their best friend and why? Has their best friend changed over time? 🫂: How are they with casual physical touch? Do they have different boundaries based on how well they know a person? Is there a specific reason behind their comfort level?
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traumasurvivors · 1 month
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I wrote a blog post about how harmful it can be to have your emotions invalidated growing up. It's here if you want to check it out! I'll paste the text below the read more for people who don't like links, but if you're comfortable, I really appreciate getting hits on my site! It feels really validating after all the work I've put into it. I've opted to not have any ads or anything to monetize my site, so it isn't like those annoying clickbait articles.
The effects of having our emotions invalidated while we’re growing up isn’t talked about enough and it can have lasting effects. This can happen when people say things like “you don’t know real struggles” when a younger person is upset about something they’re struggling with. This might include being told “I’ll give you something to cry about” which implied that the reason you were crying then “wasn’t a big enough reason”. Other people may have had to deal with “worse” problems and so we were told to be thankful for what we had because of what other children experienced. Your feelings of sadness, frustration, disappointment or anger were still real and valid. And you were allowed those feelings.
You may have been told to “stop being so sensitive,” which taught that you weren’t tough enough. You may have also been told “it builds character” which may have made you feel that you had to find a positive lesson in every bad thing you experienced. This can also be part of how people invalidate the seriousness of abuse, and other things that happened to you that were someone else’s fault. If someone doesn’t want to take responsibility, they may minimize what happened to you. They may say it’s okay because “they didn’t mean to do it” or “they don’t know any better,” perhaps because of abuse they went through. Your feelings may be invalidated because someone wants you to “let it go.” How serious they feel it was, or the reasons it happened, are not reasons that your feelings should be ignored or disregarded. Your feelings are valid. You should never have to “let it go.” 
These things that we were told, and many more, taught us that our emotions were bad and wrong. It likely felt invalidating. It may have been damaging And it probably affects how we see the emotions of others. I’ve had people say similar things to me now that I’m an adult, and I think it’s likely they do it because they were told things like these when they were younger, too. Over time, this has led to me invalidating my own feelings. I’ve told myself I should be strong and to avoid such feelings, or that the reasons for them weren’t “big enough”. I told myself that others had it worse than me, therefore I wasn’t allowed to be upset. None of these things helped me. Instead, they actually made me worse off. I bottled stuff up and then began using unhealthy coping methods to deal with the emotions. Having our emotions invalidated as we grow up can be traumatizing in its own way. It also doesn’t teach us how to effectively deal with and process our negative emotions. This can lead to people having fits of uncontrollable rage, spirals of depression and guilt, substance abuse to avoid feelings, and any number of other unhealthy reactions that can cause us more harm and prolong everything or make it worse.
Being unable to cope with my feelings was a big part of me not being able to cope with conflict in my relationships. Downplaying any “bad” thing that happened and ignoring it meant, for instance, I wouldn’t point out and deal with a small (sometimes completely unintentional) mistake. Instead, I let my feelings build without communicating about them and let my resentment build. By the time I acknowledged and spoke about my feelings, the problem was a thousand times worse than it would have been if I had dealt with it quickly. And sometimes it was too late to fix the damage done.
It’s not too late to learn and do better. You don’t have to be thankful it wasn’t “worse”. You don’t have to find a silver lining. While it’s important not to get stuck in our feelings long-term, sitting with them and feeling them and acknowledging you aren’t okay is okay! It’s okay to think something sucks or that it wasn’t fair. It’s okay to feel frustrated or sad over “small” things. Sometimes we don’t even understand why a situation or something has left us having such big feelings, and that’s okay, too! Your feelings are real and valid, even if they don’t make sense to you. And you deserve patience and compassion. Especially from yourself.
When you have negative feelings, if you find yourself minimizing them, or telling yourself why you don’t have a right to feel them, stop and try to be aware of what you’re doing. And allow yourself to feel it if you can. I've often had to remind myself that while it is uncomfortable, I can be uncomfortable and sit with my feelings. Think about if there’s a healthy response you can have to those feelings. For instance, if someone said something hurtful to you, talking to them about it might be a lot more productive than acting like you don’t care. Your feelings are valid. And invalidating them yourself is unlikely to be good for you.
Try to remember that, and try to be kind to yourself.
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cerastes · 1 year
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One of the fundamental aspects that helps carry Bocchi as such a genuine article is that Bocchi herself is at neither extreme of the competence scale.
In a lot of these “Main Character has immense insecurity issues and social anxiety”, you have a main character that REALLY doesn’t have anything going for them except their ‘pure heart’ (they are kind to others and that’s it) or they are actually a huge wellspring of untapped potential that just needs that little extra push in order to flourish.
There’s positive messages to be gleaned from these, for sure, like “sometimes being yourself is enough” and “you are so incredible, you just don’t know it, you can do anything”, which, while definitely something that can be That Event or Realization that helps someone overcome something, I think ultimately fails to account for the, perhaps, more worldly, more realists out there that don’t need to hear that for the one hundredth time, because the previous ninety nine times didn’t really do it for them, kind of how like “fake it till you make it” works for a lot of people, but also doesn’t for a lot of others.
If anything, I think one could glean something else from this: Unless I’m naturally a very kind person who’s always willing to put themselves down to get others over and can show genuine heartwarming kindness, or a genius waiting to bloom, just so incredibly good and skilled at something or various things that that cements my worth, I’m shit out of luck. And let’s face it, extreme purity is more of a negative in the real world than a positive, because people will kind of just walk all over you if you let them, plus you’re likely not a lot of fun if all you got going for you is “I’m Nice :)” without something else to compliment it, like being funny, knowing interesting things, etc. On the other side of the table, it is ultimately a very utilitarian view to consider someone awkward, eccentric, and otherwise different likeable only because they are incredibly good at something or some things, a Rudolf the Reindeer situation where his red nose makes him an ostracized freak right up until it’s actually useful for others and has a practical application.
It’s here where I think Bocchi subtly nails it: She’s at neither end of the stick. Bocchi’s only real skill to speak of is that she’s good at playing the guitar, but that’s because she’s actually been diligently playing for years now, has a successful ‘Tube channel, and explicitly enjoys playing the guitar both as a hobby and as a pressure valve; one of the early gags is that when overwhelmed with negative thoughts, she’d channel that right into composing a melody to play with her guitar, which she abandons after a few episodes when she’s a bit more comfortable with the people around her. Besides that, it’s explicit that Bocchi isn’t particularly good at other things, and we know she’s kind of ‘creepy’ in the endearing, eager way, the photos thing with her room being less that she’s a maniac and more that she’s very very stoked to have friends, for example, which she then reigns in when her mom tells her “hey, sweetie, that ain’t it”.
Everything Bocchi does is ultimately very consistent with who she is presented to be: She doesn’t just magically do a 180 turn just because she’s technically doing everything she set out to do, Bocchi is still a naturally anxious, negative person, and that’s fine, and her friends aren’t oblivious to her being like this (the gang being oblivious to the MC’s anxiety is a recurring thing in the genre!), in fact, they are fully aware and many times they say “oh is Bocchi having a Moment again?” or “ok I know where to find her, we need to look in a place where creatures like Bocchi, such as slugs, can be found”, they are fully aware that Bocchi is like that, but they like her anyways because, much like the audience, they think she’s fun to be around. Her being a good guitarist isn’t even why they stick by her, since she was actually bad at playing guitar with a band initially, only adjusting later, but even during this period before she adjusted, the rest of the band is like “oh no yeah this our guitarist Bocchi and we love her, she turns into a creature now and then and gets attacked by birds for no reason and it’s really funny, we’re going to store love in her”.
Bocchi isn’t exceptional in either a pathetic or successful way, she’s just Bocchi and she has friends that she likes and that she likes, and in the end it’s not really about “fixing” her as much as it is just making the band work out and having a good time while seeing that through. The only ones you could say are out to truly make sure Bocchi has a great opinion of herself are Kita and Kikuri, the former because that’s just how she is, and given how loving she is, she would like for Bocchi to see herself as someone actually cool and funny, the way she sees her, and the latter because Kikuri herself used to be pretty negative and never really got through it properly, relying on heavy alcohol binging instead to get in a good state of mind, and initially really wanted Bocchi to just enjoy playing music as an artform regardless of her skill.
All of this helps the dynamics feel not like we’re supposed to be backing a bland MC that is less a main character and more a vehicle to see the cooler rest of the cast, not like a Rudolf the Reindeer situation, but instead, helps it feel like we’re just seeing people that like being friends, being friends and hyping each other up or messing with each other because that’s what pals do.
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pageofheartdj · 3 months
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All jokes and horny aside(I do love horny and specific position only🙏 and them fighting over everything always ever and ooc fun scenarious) radioapple are so interesting to think about, about their dynamics, and the characters in general. So I will!
As they are in canon now, Lucifer did not care for Alastor plus the general disgust(and guilt) towards sinners. And then the song happened and Alastor became Lucifer's enemy number one xD If Alastor will drop it, Lucifer won't have a reason to hate on him, but initial negative imperssion is still there.
And Alastor, he is a mysterious guy. The abusive dad is still a theory, him being momma boy and therefore connecting with women better doesn't say anything about his dad situation. The Lilith's deal is also just a theory for now. So for me his immediate negative reaction comes from the same place as his annoyance at Carmilla disregarding him. He wants to be on the top, the most unknown, the most powerful one, the most scary one. He loves attention, he loves keeping everyone alert with his antics.
And he loves being in control, his plans going exactly the way he wants them, not that he can't improvise. He immediately tenses when he sees the sign welcoming dad, he knows. The King of Hell has the ultimate power, the ultimate influence, the ultimate importance. Alastor does not mind someone being more than him in something like he is politely neutral with Zestial. But the hotel carries importance for Alastor's plans so he feels threatened. Before with Charlie's daddy issues I guess he did not expect to see him anytime soon. But here he is, threatening to pull Charlie from his influence, from her needing his powers.
But then we see him being completely chill and not antagonistic at all. One of the reasons I think is that he let his stim out, for a reason being restricted in his activities, the deals he can make, the souls he can take, the kills. And because Charlie needed Lucifer to arrange a meeting with Heaven, something that only Lucifer can do. And that's it. So he lets go for a bit.
Who knows what dynamic season 2 will bring, now that Lucifer stays at the hotel and Alastor took a hard blow at his ego and reputation.
In the wiki it is stated Alastor dislikes people who are like him, but likes people who are more like him, but who knows where is this line. He also said to like Willy Wonka character for being an entertainer and a dick. And Lucifer was told to be like that character. For now Lucifer is a depressed sad baby, but we saw how he can be when he is fucking with others. Alastor likes fun, no matter how this fun is done. Potentially he can enjoy Lucifer's presence. Not to mention, he respects power, at least when the whatever deal with Alastor is done, potentially.
Don't know how prevalent this is now, but both seem to enjoy collecting certain things, like ducks and those firby toys. Both were drawn to dance-vibe with each other.
Speaking of, both love music and play instruments, they can totally jam with each other, making their own little concerts.
Lucifer's idea of sinners will be definetely challenged with Alastor. It's one thing to meet a nice sinner and think 'ah they are not like everyone else'. But it's a completely different thing when this sinner is exactly what you hate about them, the maniac who loves violence. And then you have to come to terms that even THEY can become better, can have something to them. Lucifer drowned himself in guilt and shame, it would be nice to get a bit in touch with people in Hell. Because it seems like he stays away from most things sinners bring with themselves.
Alastor was told to like theatres, so it would be nice for them to go together, to try and see something good from humanity even in Hell. Something that can still keep not being corrupted. And humans creativity and artistism can definetely spark more hope back to Lucifer.
And I think Lucifer would appreciate someone who treats him as equal, it doesn't look like he cares much about being a King, so having someone who will not shy away at punching first can be good.
Lucifer's main support of course would be Charlie(and hopefully hotel crew), but having someone who he can rely to get things actually done is pleasant. He is a King of Hell but he doesn't often act like one, he surely will benefit from someone who can act appropriately spooky. (He can get scary, but I think he needs to get MAD mad for this side of him to appear and at that point you better have Charlie around to calm him down)
And they have to keep the beef part of their interactions, it's just fun to have someone you can freely argue with with no hard feelings afterwards, just a battle of words, their interests don't always aligning. And it's fun to mindlessly banter about them. Like their sweet and bitter food preference, or cooking techniques, etc. Small irrelevant things, or maybe even some clash of ideals, but it is oh so fun to let yourself go lose and not hold back.
It would be nice for them to develop mutual respect and learn to care about each other's boundaries, be it the painful personal history, or choices of leading the relationship.
Yes, the aroace situation. Start with simple, I do not believe Lucifer is straight(nor NT xD) and he is perfectly sex-positive(he started with no experience and no shame either xD). He is more on a demi spectrum for me, getting excitedly horny only with close people(one-times can happen, it's a grey(literally) area). And Alastor... he is touch-aversed until you are close, then the touching is required(both gentle and playful and rough, depending if he wants to sooth himself or get energised or let the stim out). The same with the bed situation. He gets attracted long after all the other bonds are formed. He is sex-indifferent, never wanted with anyone so never went there. He is perfectly content with himself. And when it starts, yet again, depending on what it feels like in the moment.(cannibalism was not the only thing he grew to like in Hell(¬‿¬))
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physalian · 17 days
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What No One Tells You About Writing #5
Part 4
Part 3
Part 2
Shorter list this time, but longer points. I expect this one to be more divisive, but it is what it is, and this is what ‘no one tells you’ about writing, after all. This one’s all about feedback and how to take it, and give it.
1. Not everyone will like your book, no matter how good it is
I’ve said this before, granted, but sometimes you can have very arbitrary reasons for not liking an otherwise great story. For example: I refuse to watch Hamilton. Why? Because everyone I knew and their dog was trying to cram it down my throat when it came out and I still don’t really like musicals, and didn’t appreciate the bombardment of insisting I’ll like it simply because everyone else does. I’m sure it’s great! I’m just not watching it until I want to watch it.
It can be other reasons, too. I won’t read fanfic that’s written in first person, doesn’t matter how good it is. Someone might not watch a TV show because the primary cast is white or not-white. Someone might not watch a movie because an actor they despise is in it, even if the role is fantastic. Someone might not watch or read a story that’s too heavy on the romance, or not enough, or too explicit. I went looking for beta readers and came across one who wouldn’t touch a book where the romance came secondary in a sci-fi or fantasy novel. Kept on scrolling.
Someone can just think your side character is unfunny and doesn’t hear the same music as everyone else. Someone can just not like your writing style with either too much or not enough fluff, or too much personality in the main narrator. Or they have triggers that prevent them from enjoying it the way you intend.
How someone expresses that refusal is not your job to manage. You cannot force someone to like your work and pushing too hard will just make it worse. Some people just won’t like it, end of story.
2. Criticism takes a very long time to take well
Some people are just naturally better at taking constructive criticism, some have a thick skin, some just have a natural confidence that beats back whatever jabs the average reader or professional editor can give. If you’re like me, you might’ve physically struggled at first to actually read the feedback and insisted that your beta readers color-coded the positive from the negative.
It can be a very steep climb up the mountain until you reach a point where you know you’re good enough, and fully appreciate that it is actually “constructive” and anything that isn’t, isn’t worth your time.
The biggest hurdle I had to climb was this: A criticism of my work is not a criticism of me as a person.
Yes, my characters are built with pieces of my personality and worldview and dreams and ideals, but the people giving you feedback should be people who either already know you as a person and are just trying to help, or are people you pay to be unbiased and only focus on what’s on the page.
Some decisions, like a concerning moral of your story, is inadvertently a criticism of your own beliefs—like when I left feedback that anxiety can’t just be loved away and believing so is a flawed philosophy. I did that with intent to help, not because I thought the writer incompetent or that they wrote it in bad faith.
I’m sure it wasn’t a fun experience reading what I had to say, either. It’s not fun when I get told a character I love and lost sleep over getting right isn’t getting the same reception with my betas. But they’re all doing it (or at least they all should be doing it) from a place of just wanting to help, not to insult your writing ability. Even if your writing objectively sucks, you’re still doing a lot more just by putting words on paper than so many people who can’t bring themselves to even try.
As with all mediums subjects to critique, one need not be an author to still give valuable feedback. I’m not a screenwriter, but from an audience’s standpoint, I can tell you what I think works. Non-authors giving you pointers on the writing process? You can probably ignore that. Non-authors giving you pointers on how your character lands? Then, yeah, they might have an opinion worth considering.
3. Parsing out the “constructive” from the criticism isn’t easy
This goes for people giving it as well. Saying things like “this book sucks” is an obviously useless one. Saying “I didn’t like this story because it was confusing and uncompelling” is better. “I think this story was confusing and uncompelling because of X, and I have some suggestions here that I think can make it better.”
Now we’re talking.
Everyone’s writing style is different. Some writers like a lot of fluff and poetic prose to immerse you in the details and the setting, well beyond what you need to understand the scene or the plot. Their goal is to make this world come alive and help you picture the scene exactly the way they see it in their minds.
There’s writers who are very light on the sensory fluff and poetry, trying to give you the impression of what the scene should look and feel like and letting you fill in the missing pieces with your own vision.
Or there’s stories that take a long time to get anywhere, spending many pages on the small otherwise insignificant slice-of-life details as opposed to laser-precision on the plot, and those who trim off all the fat for a fast-paced rollercoaster.
None of these are inherently bad or wrong, but audiences do have their preferences.
The keyword in “constructive criticism” is “construct”. As in, your advice is useless if you can’t explain why you think an element needs work. “It’s just bad” isn’t helpful to anyone.
When trying to decide if feedback has merit, try to look at whatever the critic gives you and explain what they said to yourself in your own words. If you think changing the piece in question will enhance your story or better convey what you’re trying to say, it’s probably solid advice.
Sometimes you just have to throw the whole character out, or the whole scene, whole plot line and side quest. Figuring out what you can salvage just takes time, and practice.
4. Just when you think you’re done, there’s more
There’s a quote out there that may or may not belong to Da Vinci that goes “art is never finished, only abandoned.” Even when you think your book is as good as it can be, you can still sleep on it and second-guess yourself and wonder if something about it could have been done better or differently.
There is such a thing as too much editing.
But it also takes a long time to get there. Only 10-15% of writing is actually penning the story. The rest is editing, agonizing over editing, re-editing, and staring at the same few lines of dialogue that just aren't working to the point that you dream about your characters.
It can get demoralizing fast when you think you’ve fixed a scene, get the stamp of approval from one reader, only for the next one to come back with valid feedback neither of you considered before. So you fix it again. And then there’s another problem you didn’t consider. And then you’re juggling all these scene bits and moments you thought were perfect, only for it to keep collapsing.
It will get there. You will have a manuscript you’re proud of, even if it’s not the one you thought you were going to write. My newest book isn’t what I set out to write, but if I stuck to that original idea, I never would have let it become the work that it is.
5. “[Writing advice] is more like guidelines than actual rules.”
Personally, I think there’s very few universal, blanket pieces of writing advice that fit every book, no exceptions, no conditions, no questions asked. Aside from: Don’t sacrifice a clear story for what you think is cool, but horribly confusing.
For example, I’m American, but I like watching foreign films from time to time. The pacing and story structure of European films can break so many American rules it’s astonishing. Pacing? What pacing? It’s ~fancy~. It wants to hang on a shot of a random wall for fifteen seconds with no music and no point because it’s ~artsy~. Or there is no actual plot, or arc, it’s just following these characters around for 90 minutes while they do a thing. The entire movie is basically filler. Or the ending is deeply unsatisfying because the hoity-toity filmmaker believes in suffering for art or… something.
That doesn’t fly with mainstream American audiences. We live, breathe, and die on the Hero’s Journey and expect a three-act-structure with few novel exceptions.
That does not mean your totally unique or subversive plot structure is wrong. So much writing advice I’ve found is solid advice, sure, but it doesn’t often help me with the story I’m writing. I don’t write romance like the typical romance you’d expect (especially when it comes to monster allegories). There’s some character archetypes I just can’t write and refuse to include–like the sad, abusive, angsty, 8-pack abs love interest, or the comedic relief.
Beyond making sure your audience can actually understand what you’re trying to say, both because you want your message to be received, and you don’t want your readers to quit reading, there is an audience for everything, and exceptions to nearly every rule, even when it comes to writing foundations like grammar and syntax.
You don’t even have to put dialogue in quotes. (Be advised, though, that the more ~unique~ your story is, the more likely you are to only find success in a niche audience).
Lots of writing advice is useful. Lots of it is contradictory. Lots of it is outdated because audience expectations are changing constantly. There is a balance between what you *should* do as said by other writers, and what you think is right for your story, regardless of what anyone else says.
Just don’t make it confusing.
I just dropped my cover art and summary for my debut novel. Go check it out and let me know what you think!
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cripplecharacters · 23 days
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hello! do you have any advice on writing disabled characters in historical setting? specifically characters, whose diagnosis hadn't been discovered yet (for example I have a character with pots but they live before 1982)
Hi,
I love historical fiction, and know this can be a little tricky, because of course disability of various kinds has always existed and conditions are real before they’re named.
But you have options!
The most important thing, I would say, is describing the aspects of the condition and your character’s feelings and behavior around it (how they manage it, what they notice about it). You can also describe other people’s responses to how they feel and act.
You should definitely describe how your character feels about their condition. Do they wish there were others like them to talk to, do they actually already have a community of people similar to them, or do they wish no one else has what they have? Do they wonder if anyone they know is like them, or think they must be alone? Maybe they feel like their condition not a big deal at all and just an inconvenience, or maybe they feel really hindered by it and it greatly upsets them, or maybe they’re somewhere in between and sometimes get really frustrated and sometimes they feel it’s just a thing that happens.
And of course the answers to all of these will be different depending on your time period—someone with POTS in 1795 will manage their symptoms differently than someone with POTS in 1968, and the same goes for all conditions. But for POTS specifically, without naming it:
For the symptoms you can describe your character noticing that whenever they stand or sit up they feel their heart race and they feel dizzy or faint. They might not know why, but they’ll know how their body reacts.
You can describe what they avoid doing because they’ve noticed it makes them feel worse—maybe they take showers that are less hot, or go out as little as possible when it’s very hot/humid out, or maybe they don’t drink alcohol or coffee. Maybe it’s bad enough they can’t do some sort of work that is expected of them at their home, or their job, or school.
You can describe what they do because it makes them feel better—maybe they drink a lot of water, maybe they buy socks a size smaller because they noticed it makes them feel a little better, maybe they always give themselves an extra half hour to get anything done so they can stand or sit up more slowly. Maybe they take over someone else’s specific work because they can manage that better and trade with them.
As to other character’s reactions, some characters may be positive and always offer your character their arm when they’re standing so they can worry less about fainting. Some might be pretty neutral and just ask them why they never go grab a beer with them. Some might be negative and roll their eyes whenever your character needs extra time or to sit down for a bit.
People with POTS and similar conditions will recognize themselves in your character’s actions and reactions, and it’s very possible that people who have friends or family or people they know with POTS or anything similar will think “oh that’s kind of like what John Doe has.” And even if they don’t, they’ll still have read a realistic and respectful story about someone with a disability.
This goes for any disability, not just POTS. Just swap out the symptoms and ways to manage it and characters’ reactions accordingly.
Something you can choose to do, but you don’t have to do, is add a note at some point (but probably either at the end or the beginning of the story) that your character has what today we would know as POTS.
For an example I’ve seen in real life (not POTS related but about disability in general), I read a book set in the early 20th century in an institution, The Degenerates by J. Albert Mann. Since it’s a different time period, characters are referred to by terms we don’t use anymore at all or not in the same way, and many characters have conditions that we know about today but were not known at all at that time. What the author did was describe the characters’ actions (and thoughts, if they were the POV character), as well as how others reacted to them. At the end there was an appendix describing what each character might have been diagnosed with today, if anything at all (since not all people ended up at asylums because of an actual condition and some were just poor or Othered in some other way).
Thank you for your thoughtful question! I feel like I rarely see characters in historical fiction who have basically any disabilities, but thank you for wanting to create some :)
Good luck!
— Mod Sparrow
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zed-the-buggy · 1 year
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ok so larry and geeta
i really hate to rag on a character other people like for my own blorbo so uh, geeta fans i am so so sorry i would recommend skipping this post, i doubt its actually this deep </3 you are allowed to like her prommy
ok but ACtual analysis time, what the FUCK is up with larry and geeta (people who have never had a shitty two faced boss before ask. /j)
larry expresses anti institutional ideologies a lot, he wants to do things outside the system hes in will allow. he expresses a lot of negativity about his position, a lot of remarks which could rock the boat. which they HAVE with the amount of people now realizing most gym leaders have second jobs. and the system might! be kinda fucked! and deal shitty pay and is just kinda a whole gimmick of an industry in the whole universe. and larry sorta points directly at that, when he actively complains about Having to be a gym leader, Having to be an e4 member.
Geeta in this position would fucking hate Larrys guts! and would also point to her just quietly not saying anything when the player likes larry most. Because Geeta doesnt just dislike larry in this position. Geeta dislikes the ideals hes lowkey pioneering here. And when the player likes larry, its like the player is siding with larry. The player believes hes in the right, not Geeta, and it directly pits the player and Geeta at odds, in a very quiet way.
Geeta cant say shit. Geeta has to keep up the appearance of one big happy league full of amazing, positive members and they're all strong and etc etc. She keeps the facade of the entire league. Whether she genuinely loves the league or not, she has to keep an incredibly dedicated face up about the view of the league. But this same rule doesn't apply in private. The gym leaders, her workers have to keep that facade also, especially with Geeta, but Geeta doesnt have to give them that same light of day. Geeta can do whatever she wants, and the gym leaders just kinda have to deal with it.
i very much believe geeta and larrys relationship proposes this really. really sad idea. because geeta is larrys boss, and they. really dont like eachother! and geeta has. power. larry is afraid she will "dock his pay" for chitchat. but really it comes down to his chit chat going against the status quo, the status quo which Geeta benefits from. And ultimately, she does have the power to dock him for chit chat. She can rob him for being honest. And while Geeta's true treatment of the gym leaders as a manager will probably remain unknown, Larry's existence really offers the idea that it's probably not a great role.
Larry is not special. And thats the problem. Hes not breaking ass to go all out on a cute gimmick, hes not loving the institution as much as everyone else is to the point of doing more than its worth. Hes just doing the bare minimum to get by. Actively complains about his job, which for people in the right spheres it could seem like a huge deal to be a gym leader, and an elite four member. like bro! thats awesome! you just get to do pokemon battles all day! but really its not. once you live in the system, and you get sick enough of it, it loses its luster, and you realize that its just another grind, dodging pay cuts, trying to please the right people and constantly bust ass just to pay for the rent on your apartment and maybe groceries.
Larry is a pawn in the same system as everyone else. Geeta needs larry to be special. But he wont be. And Geeta doesn't take well to that.
Thats why hes the exceptional ordinary man. His ordinariness is what makes him the exception.
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lesbiansforboromir · 2 months
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Why you don't like Galadriel?
WELL. I mean this would need a complex answer, for one thing because you could say I don't actually dislike Galadriel as a character really. She's interesting, she has layers, her position in the story creates intriguing mysteries and insights into elven realities and her actions are always percieved in multiple different ways by different characters. She is both an object of world building and a lense to view it through, she had only contempt for Feanor but is the character MOST like him in the end, there's lots going on!
So as usual what I'd say I dislike is more fandom's perception of Galadriel than Galadriel herself, although don't get me wrong in terms of sympathy for her I have none to spare. But to the fandom she's like... well she's whatever anyone wants her to be, so long as that's pretty much perfect and always more right than anyone else around her. Idk if this question came because of my RoP Galadriel tirade post of a week ago, but the fact that people seem to believe Galadriel's right to the 'good guy' role is so irrefutible that it makes any negative portrayal of her 'bad' and 'tolkien's rolling in his grave' etc etc- it's just flabbergasting to me and is a symptom of this problem.
Like Galadriel's entire motive for coming to middle earth, declared and narrated, is to rule over people. She wants to be a Queen of a land that she controls with people inside it whom she has power over. That's it. Now, far be it from me to be on the Valar's side, lord knows I don't support their right to unquestioned rule either and the Eldar's urge to rule themselves is completely valid and Galadriel's no worse than any of her male counterparts who were also looking for the same thing. (In fact, given this is something she is apparently required to 'overcome' when none of those male elves must do the same, I'm inclined to believe this is another of those 'eowyn must reject violence for peace because war is bad except when men do it and for sure the men do continue to do it that's fine' misogynist tolkien moments.)
BUT STILL.. that's not like... a GOOD motive is it? It's neutral at best, right? And Galadriel never actually does anything that could be called more than polite for the rest of the time we know her. She never risks anything for the good of middle earth, she never solves any problems, she goes from place to place to avoid any conflict that threatens her until she and her husband finally decide to usurp a Silvan kingdom and magically isolate it from the rest of the world. They change Lindórinand's name to Lothlorien, thereby overwriting the language of it's native population and Galadriel then uses the power of her ring (that was given to her she didn't make it heself) to EMBALM (tolkien's words) the forest in time just so that she could make it appear as much like Valinor (her home, not the silvan's) as possible. Like!! This is not some paragon of virtue character!
Honestly RoP's portrayal of Galadriel is actually vastly more sympathetic than her actual character. PTSD, survivor's guilt and the maladaptive cope of needing to hunt down evil fanatically for all eternity is, to my mind, 100% more understandable than just... staying in Middle-Earth because she still wanted to rule over people and never believed she did anything wrong in the first place. Which is the canonical reason she's still in middle-earth post the first age, technically a sin by the Valar's standards! Galadriel is rebelling against the will of the west in doing this, but apparently SHE gets all the grace and chances to 'reform' in the world, unlike some other characters I could name >:|
... Maybe she aggravates me a little, but she does so IN COMPARISON to the criticisms other characters must bear as 'the reason they had to die to redeem themselves'. Like if Boromir wanted to take the ring once in order to save his people, is death really the only way to atone for that when Galadriel has been power hungry for 7000 goddamn years nonstop, acquired and used her own ring of power to satisfy that power hunger and then managed to 'overcome it' at the very last minute JUST before middle-earth became 'less elven' (and therefore her position there would be less prestigeous) to demurely sail off home to a gilded cage paradise where literally all her family are alive and waiting for her. Like is 'power hunger' really the sin Boromir comitted here that he needs to die for. Is Tolkien really criticising the desire for power. Is the narrative of lotr really so cohesive and consistent as to allow you to put all the characters into good and bad little boxes and declare those categorisations infallible?
Am I making sense, is this coherent. Does it make more sense if I say like... I do not dislike Galadriel as a character, I dislike what her fandom-reputation reveals about the way the story is engaged with by and large? When I am getting heated about this or that misconception or aspect of her character, it is not because I hate she has that aspect, I like a lot of morally questionable characters, what I am railing against is the double standard that her having that trait reveals. (And I'm not even really angry about it I'm more just very activated by what it reveals about the story, like it makes me feral) The narrative loves Galadriel, Tolkien loves Galadriel, characters regularly threaten violence in order to defend Galadriel from even mild verbal criticism and no one appears to see this as a kind of ominous aspect of her when she's done very little to deserve it. Other than, of course, be ontologically 'pure' and 'divine' due entirely to the circumstances of her birth. I'm a bit manic right now so I hope literally any of that made sense.
Actually addendum example just to further affirm my point. So catholic tolkien scholars will tell you that Denethor's use of the Palantir was a sin, apparently even using a tool you have 'the right' to use to observe reality as it actually exists and then extrapolating that observation into a prediction of the future (ie seeing frodo is captured and the ring gone and extrapolating that the enemy has it and you're all doomed) is a sin. Because only god is allowed to see into the future. And this is somewhat backed up by the way characters treat Denethor's use of the Palantir, it was apparently foolhardy and bad and reckless and nebulously wrong etc. Remember, the Palantir is not a mystical artifact, it is like a satallite imaging tool + a one way video only skype.
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Galadriel's mirror literally sees the future 😂LIKE? WHY DOES SHE HAVE IT? WHY IS SHE ALLOWED TO USE IT? WHY CAN SHE JUST SHOW IT TO OTHER PEOPLE? It's because she's holy!! But that doesn't mean anything about her actual character, it's just an attribute she inherited from her family and her place of birth that actively changes what her existence means entirely by it's own virtue. Imagine living in this world for a second, imagine if it was ontologically true that you (an unblessed child of eru) would never be as right or as good as Galadriel, no matter what the reality of both your actions were. LIKE. !! WOULD YOU LIKE GALADRIEL?
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schizopositivity · 2 years
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how to advocate for schizophrenics and psychotics in every day life:
correct people when they misuse the word "psychotic" (as in if they use it in any other way but a serious disconnect from reality, delusions or hallucinations)
correct people when they use the word "schizophrenic" as an adjective (its not!!! its a severe and persistant mental disorder)
correct people when they call people "crazy" aka "shes been acting crazy lately" (they likely dont actually mean it and this word is thrown around a lot, but as a schizophrenic im asking you to not use this word to describe people since this has been tied to me and my fellow psychotics for ages)
do not assume that a psychotic person is dangerous in any way (psychotic people are more likely to be the victims of abuse than be the abusers)
when talking about mental illness or the mental illness community as a whole consider, does this apply to psychotic and schizophrenic people as well? (if not, youre not talking about the whole community! its that simple)
do not purposley trigger someones paranoia aka telling people that theres someone after them (this is always harmful and potentially life threatening, its not a joke and never was)
dont assume schizophrenia is "just hallucinations and delusions" (its much more than that, it has negative and cognitive symptoms as well, which for some people is much worse than the positive symptoms of hallucinations and delusions)
dont make lobotomy jokes aka "lobotomize me" jokes (these procedures were used to turn schizophrenics into "pets" so that other people could better deal with us, its not a joke)
dont act "crazy" for shock value aka wide eyes, rocking back and fourth, shaking (our mannerisms arent for you to pretend to be crazy with, this is who we actually are, im looking at you rock bands)
dont fear the people on the street talking to themselves aka calling the cops on them (these people are suffering, these people need help, them being psychotic doesnt make them any more dangerous than anybody else)
dont use the word delusional for every idea you dont agree with aka "that conservative politician is delusional!" (delusions specifically describe strongly held beliefs outside of reality, not just beliefs outside youre specific world view)
dont expect people to express emotions the same way you do aka "why arent you reacting?" (many schizophrenics stuggle with flat affect and cant change it, it doesnt mean we dont feel things, just that we dont express them the same way)
dont expect us to be able to do the same amount of, or intensity of work you do aka "i work 5 days a week, you have it easy!" (executive disfunction is very common in schizophrenia, it doesnt make us lazy, we are just disabled)
dont post derealization without tagging it or TWing it as such aka that post with a fake european country saying that americans dont even know what country this is (we already struggle enough with figuring out whats real and whats not we dont need "pranks" or "jokes" trying to fool us without any TW)
dont assume schizophrenic and psychotic people cant see your post or view your media or anything else (we are real people interacting with the world just like everybody else, we can see your jokes about us, or your media portraying us as dangerous, we arent fictional characters)
dont assume youre superior to, or smarter than us (once again we are real people, we deserve the same respect as anyone else on the planet)
dont call someones delusion stupid aka "obviously youre not the reincarnation of kurt cobain thats stupid" (you have no idea how real these are for us, they dont always make sense to you but they do to us, please respect that)
dont ask if were hallucinating right now (its none of youre business! and if we say yes youll likely ask where it is, and if we show you youll likely look in the direction of the hallucination which is dangerous, it blends the real world with the hallucination and its already hard enough for us to tell the difference)
dont stop trusting us and what we say just because were psychotic (we still deserve to be listened to and trusted just like everybody else)
learn about less talked about symotoms like catatonia, avolition and word salad (these are just as common as the talked about ones, but just less talked about cause i guess it doesnt make for an intresting horror movie)
learn more about schizophrenia and psychosis from actual schizophrenics and psychotics (a great example is the podcast Inside Schizophrenia, scrolling through this blog, looking up students with psychosis)
TLDR: no go back and read it, its the least you could do
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