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#presumably based on context.
freckleslikestars · 4 months
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FARSCAPE | 1.06 Thank God It's Friday, Again.
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starswallowingsea · 2 years
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thinking about her (the catgirl who stops time)
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sexybritishllama · 7 months
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in further neopets discord news, oh boy is there drama in my awful virtual pet game website today. strap in if you want way too much information on neopets’ broken economy
for some context, an event has just launched called the faerie festival. this is the first event to be run by the ‘new’ TNT (aka. the neopets team aka. the staff) since the leadership change, and they've said in recent editorials that this year’s faerie festival is going to be a combo of two previous popular events:
the faerie quest event, wherein people can get a free quest from a faerie every day in exchange for a reward (something that’s normally limited to random special events and therefore quite rare)
the charity corner, a highly requested event that hasn’t run since 2020, where you can donate random items to get points that can then be exchanged in a prize shop
there’s a LOT of ultimately worthless items on neopets that people gather from doing dailies and things, but charity corner actually gave a use to hoarding all of these, so people have wanted it back for ages. people have been going out of their way to hoard extra junk items for like 2 months now, after TNT teased the event in an editorial
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this event was originally meant to start on 20th august, but got delayed 2 weeks, presumably because of issues behind the scenes. people were generally a bit disappointed but relieved if this meant they were going to get a proper, well prepared event without bugs
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flash forward to 2nd october, the actual start of the event. nothing actually opens up for several hours on the day- that’s somewhat waved off by the fact that staff presumably need to be in the office to launch everything, a midnight launch isn’t expected
but, eventually, it opens!
well… kinda. there’s one page with one dialogue scene available and a link to an event page for spending neocash (the premium currency that costs irl money). the faerie quest page is giving out free daily quests, which is nice, but literally just the same as they did back in 2020. where’s the item recycling part? did this really need 2 weeks of delay?
the next day, the FAQ page for the event is published neopets support site (but not announced via news). still no sign of the actual event starting- seems like that might not be until moday?
as well as multiple grammatical errors, the FAQ had a few… concerning elements. most notably:
only 10 items could be donated per day
points would be awarded based on the rarity of the item, with the maximum rarity being r200-500, worth 15 points each
this meant people's hoarding of junk items for months was... essentially useless
r200-500 items basically means either hidden tower items (rare, expensive items that can only be bought in an account age locked shop with a purchase limit of 1 per day) orrrr….. neocash items. In other words, players could either spend an exorbinate amount of their in-game currency to buy up items to donate, or they could just hand over their credit card and pay to win
people were Not Happy about this
not long after info spread and the outcry started (and a sizeable number of people cancelled their premium membership in protest), the FAQ was quietly updated to remove mention of donating neocash items. that took away to pay to win element at least
however, now there was a new problem. a tombola man problem.
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i mentioned already that the highest rarity items are pretty rare and expensive. one of the least expensive of these is an item called the Squeezy Tombola Guy Toy. you can probably see where this is going already
because you can only buy a maximum of one tombola guy per day from the hidden tower, your only option if you want to buy more than that in a day is to go to user shops. however, in light of the event, people had already started buying and hoarding tombola guy toys. equally, others were buying them purely to sell at a profit. this made the perfect storm and caused the price of the tombola guy toy, which was normally 110k NP, to explode up to 500k, 600k, even 700k within just one day
BUT THEN THE FAQ GOT UPDATED AGAIN. surprise, you can now donate 30 items per day! also they just got rid of the highest rarity tier altogether. the maximum you can get for an item is now 8 points, for rarity r102-r179.
this has now made the squeezy tombola guy toys useless. unless you’re a collector they don’t serve any function beyond that of a normal neopets toy (of which there’s thousands of much cheaper options). the price has now plummeted down to BELOW what it originally was and many users now have piles and piles of the dolls sitting in their inventory, mocking them
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so what now? well, because no one ever learns, everyone is now flocking to what is now the cheapest high-rarity item eligible for donation. most are going for omelettes, which have a few different options at r102+. these have also inflated by like 400% from before the event, but unlike the squeeze tombola guys, these are only worth a few thousand neopoints, so not as bad a potential loss in comparison
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it’s worth noting that while all this is going on in preparation for the recycling event, neopets is also experiencing insane inflation in a lot of other items right now, including those required for people to complete faerie quests. for example, a Griefer, which cost 5000 np just last week, is now worth selling for 1 MILLION
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So yeah. 3 days into the event and that’s where we are so far. who knows what tomorrow might bring
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sage-nebula · 1 month
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"Suffer No Fools" - Shiver vs. Marina Analysis
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It's been a few days since "Suffer No Fools" released, but I wanted to go ahead and release my analysis of Shiver's and Marina's verse since that's the one that has caused the most discussion within the fandom. I've seen a lot of debate over Marina's section in particular, with people unsure whether she was being sincere or sarcastic, and I think the actual answer is a little more complicated than one or the other, at least with regards to the first couplet of lines both she and Shiver sing. Of course, people are free to interpret this song however they wish, but after seeing numerous interpretations I personally didn't vibe with, I just wanted to put my own out there, breaking it down line by line.
So! Here we go.
Exchange 1:
Shiver: "Your haunting voice -- there's no escape. How nice it must be for your fans." Marina: "You're far too kind! I love your vibe. I can learn so much from your style."
Analyzing from dialogue only:
Shiver is insulting Marina's voice by calling it haunting and saying there is no escape, insinuating she wishes there was one. She says how nice it must be for Marina's fans, again implying that she isn't one.
Marina says that she loves Shiver's vibe, which on the surface could be a compliment, but given the context (a music battle) it could also be a Mean Girl "ooh I love your [thing] :)" passive-aggressive drawing-attention-to-something-ugly insult. More direct though, is the "I can learn so much from your style"; you can learn what not to do from someone just as much as you can learn what to do from someone. Marina's engaging in plausible deniability here.
HOWEVER. Lyrics are NOT the only thing that need to be analyzed from this first verse, which is arguably the MOST important exchange between these two. Instead, we need to look at how these lines are delivered.
Shiver is singing in a traditional Japanese folk singing style, specifically a style based on Shima-uta, which her voice actress has a background singing in. Unfortunately, I don't know the actual term for this style of singing, only that it's not kakegoe, something Shiver also does that is different from this. Anyway, in these lines specifically Shiver is singing in her Shima-uta style, a style that she has presumably been practicing since she was a small child, a style that is probably culturally significant to the Hohojiro clan. Singing in this style is not something that just anyone can do. It's completely different from singing in a (for lack of a better word) "western" style. The way you breathe is completely different. The way you incorporate your voice into your breathing is completely different. So by singing in this style, which Shiver has been doing practically her whole life and which, presumably, only she of the four there can do, Shiver is FLEXING on Marina regardless of what lyrics she chooses to sing.
But then Marina, who grew up under the domes in Inkadia, who presumably has never heard Shima-uta before she started listening to Deep Cut and heard Shiver sing, who presumably has had absolutely no training whatsoever on this style of song . . . mimics it perfectly and flexes on Shiver right back.
Could Marina's words to Shiver be interpreted as passive-aggressive in turn? Yes. But does it matter? No, not really. Because in this first verse, Marina's ACTUAL comeback is to take the style of singing that Shiver has been perfecting her entire life and throw it right back in her face despite having never (as far as we or Shiver know) practiced it herself. Shiver was flexing by presumably doing something Marina couldn't do, only for Marina to do it flawlessly, being every bit as divine with a voice so fine as Pearl said she was previously. Marina says "I love your vibe" so she takes it. Marina says "I have so much to learn from you" but does she really, when she can already do exactly what Shiver can, and has, just now, right in front of her?
And Shiver noticed, hence:
Exchange 2:
Shiver: "You remind me of my neighbor's little daughter . . . What's that saying? 'Octo see, octo do.'" Marina: "Glad you approve -- your praise has left me moved. Thanks to your notes, I'll find my groove!"
Shiver drops the Shima-uta singing, because now there's no point. Marina can also sing in that style, so it's no longer a flex. Shiver lost ground on that one, so instead we're back to the same (again, for lack of a better word) "regular" style of singing that everyone else is using. For that reason, we can go back to analyzing purely based on the words alone.
Shiver is calling Marina a copycat, essentially, because Marina copied her Shima-uta singing style in the previous verse (hence why Shiver had to drop it, as previously noted). Marina then gives her "glad you approve -- your praise has left me moved" . . . basically noting that by Shiver accusing her of copying, Shiver is saying that Marina -- someone who just tried the singing style off the cuff right there on the stage for the first time -- was just as good as Shiver, someone who has trained in that style her whole life. The audience saw for themselves that Marina was able to emulate the style, but Shiver saying, "you copied me!" is basically admitting that Marina was just as good as her in Shiver's own eyes, and Shiver is a pro. That's Shiver's aggravation handing Marina the win and Marina smiling wide as she accepts it.
Exchange 3:
Shiver: "Oh, look at the time. Isn't it getting late?" Marina: "Not at all! I could go on like this all night long."
This one doesn't even really need an analysis. For all that she prides herself on being "so cool even sharks call her cold-blooded," Shiver is known for being easily irritated and riled when she's losing due to her competitive nature. Marina successfully got under her skin, and this is her trying to end the battle fast because she didn't have any further comebacks. Marina, meanwhile, gives the classic "I could go on all night" because she's not riled at all, and is instead perfectly comfortable in this environment, knows what she's doing, and has had the upper hand from the start.
It goes back to another post I made about Experience vs. Inexperience. Shiver and Frye are still new idols, whereas Pearl and Marina have been at this for a long while. And while off the stage Marina is a sweet, kind, gentle person who will go out of her way to help others, and can sometimes be a little spacey or naive, she's also a 23-year-old literal genius who has been in the music industry for years now and knows full well what a rap / music battle is and knows her way around a stage. Personally, I found it to be a little infantilizing to insinuate that she "didn't realize Shiver was insulting her," when not only do I think she knew full well, but also she was the one with the upper hand not because of sick burns (that's Pearl's department), but because of sheer innate musical talent.
But those are just my thoughts! Everyone else is free to have their own.
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fairuzfan · 2 months
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As a survivor of the Bosnian Genocide, I am acutely attuned to the haunting echoes of that dark chapter in human history, a chapter that refuses to be closed. Today, as I witness the unfolding tragedy in Gaza, the spectre of genocide resurfaces with a poignant familiarity.
The Palestinian landscape, scarred by 75 years of Israeli military occupation, mirrors the hardships faced during the Bosnian War and Genocide - displacement, economic hardship, and restricted access to basic resources.
The ongoing bombing campaign in Gaza exacerbates an already dire humanitarian situation. This is more than a geopolitical conflict; this is a contemporary genocide.
In 111 days, more than 25,000 Palestinians in Gaza have been killed by Israel, including at least 10,000 children. More than 8,000 are missing, trapped under the rubble, and presumed dead. Another 63,000 are injured, and more than 90% of Gaza’s 2.3 million residents have been displaced.
Videos of Israeli leaders calling for the destruction of Gaza and the forcible displacement of Palestinians echo the sentiments expressed by those responsible for the Bosnian Genocide.
In the case of the Bosnian Genocide, while both the Bosnian Serbs and the Serbian political leadership knew they were committing genocide in their expansionist plans to create a “Greater Serbia,” publicly they attempted to conceal their crimes to avoid accountability.
Their genocidal intent was not as open or as loud as some of the sentiments expressed by Israeli political leadership.
Nevertheless, comparing the Bosnian Genocide with the current situation in Gaza necessitates a nuanced examination. While historical contexts differ, the core elements of mass displacement, targeted violence against civilians, and the overarching goal of extermination of a specific group are the same.
To comprehend the concept of genocide, it is crucial to understand its legal definition and sociological framework. Coined by Raphael Lemkin after the Holocaust, genocide encapsulates acts committed with the intent to destroy, in whole or in part, a national, ethnic, racial, or religious group.
Genocide goes beyond the mere act of killing; it encompasses a deliberate and systematic attempt to annihilate a specific group based on its identity.
Genocide is a process. In Bosnia, it did not simply occur one day in July of 1995, nor did it suddenly rear its head in October of 2023 in Gaza. It is a process that starts with dehumanisation, discrimination, and persecution.
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theriverbeyond · 6 months
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how do we know in the books that john is indigenous? can you say more about how his indigeneity is important to his story?
hello! so there is a word of god post on race (doesn't mention John but mentions that Gideon is "mixed Maori"), BUT I frankly don't think word of god statements are worth any weight without actual in-text support (see: the "dumbledore is gay" situation). SO!
Specific evidence that John Gaius is Maori, as revealed in Nona the Ninth:
When he is listing his education, John mentions having gone to Dilworth School (John 20:8). Dilworth is an all boys boarding school in Auckland and accepts students based on financial need instead of academic or sporting achievements. Demographics appear to be about 70% low income Maori boys, indicating that it is highly likely that John is Maori
John reports that P- said he looked like a "Maori-TV pink panther" (John 15:23) when his eyes turned gold. Maori TV is a TV station that is focused primarily on Maori culture & language revitalization, with presumably all or mostly Maori hosts, and tbh I don't see why P- would say this unless John was himself Maori
John uses a te reo Māori phrase ("kia kaha, kia māia") (John 5:20) when he is saying goodbye to the corpses in the cryo lab before the power is shut off. Though it is possible he said this as a non-Maori kiwi, but in combination with the previous two points of evidence I think this all very strongly points to him being Maori
He also renames his daughter Kiriona Gaia, "Kiriona" being just literally the name "Gideon" in te reo Māori
TLT is not a series that hands you anything on a silver platter but to ME this is all pretty solid proof
Why is this relevant to The Locked Tomb?
In Nona the Ninth, we learn that before he completed apotheosis and ate the solar system, John was basically trying to save the earth from capitalism-caused climate change. Climate justice and the rights of indigenous people over their own land are deeply tied together, in the same way that climate catastrophe and capitalism/ imperialism/ colonialism are linked. disclaimer that this is NOT my area of study and others have definitely said it better; this is just the basic gist as I understand it, but on quick search I found some sources here and here if you want to do some reading.
TLT is not a series that hands you anything on a silver platter, but i don't think it is a stretch to see John as an indigenous man trying to save the earth and getting ignored and shut down at every turn by primarily western colonial powers (PanEuro, the USA) who declare him a terrorist and then as a reader thematically connecting that to the experience of indigenous climate activists IRL
there are absolutely TLT meta posts that have discussed this before me; tumblr search is nonfunctional and I have been looking for an hour and a half and cannot find anything specific even though i KNOW i reblogged multiple posts about this in the first few weeks following NTN's release. sad & I am sorry
I think that by the time the books take place, John is 10k years removed from the cultural context he grew up in, with the Nine Houses having become a genocidal colonial power in their own right (with more parallels to be made between John's forever war for the resources of literal life energy and like, oil wars), but I also think that John Gaius is a fictional character who can represent and symbolize multiple different things in service of telling a story. (not to mention the potential thematic parallels being made to how oppressed people sometimes are pressed into replicating the power dynamics of their oppressors and continuing the cycle--now that is a tumblr post i KNOW i read last year and definitely cannot find right now, once again sad & I am sorry)
How Radical Was John Gaius, Really is a forum thread that was locked by the moderators after 234534645674564 pages of heated debate
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fozmeadows · 3 months
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As someone who hasn't read the works of radical feminists like Simone de Beauvoir, could you explain what's wrong and what bothers you about biological essentialism? I'm curious about your opinion after reading your post on radfems (and I'd like a perspective that isn't so based on biological gender essentialism, which I honestly have a hard time moving away from because I don't understand other perspectives well). 👀
The problem with biological essentialism is that purports to answer the eternally unanswered question of nature vs nurture in a wholly one-dimensional way - ie, with biological sex as The Single Most Important Aspect Of Personhood, regardless of any other considerations - while simultaneously ignoring the fact that biological sex is not, in fact, a binary proposition. We've learned in recent decades, for instance, that intersex conditions are much more common and wide-ranging than previously thought, not because scientists have arbitrarily changed the definitions of what counts as an intersex condition, but because our understanding of hormones, chromosomes, karyotpying and other physical permutations has expanded sufficiently to merit the shift. So right away, the idea that humanity is composed of Biological Men and Biological Women with absolutely no ambiguities, overlap or middle ground simply isn't true. Inevitably, though, if you mention this, people with a vested interest in biological essentialism become immediately defensive. They'll start saying things like, oh, but that's only a tiny minority of the population, they're outliers, they don't count, as though their argument doesn't derive its claim to authority from a presumed universality. To use a well-worn example, redheads are also a tiny minority of the population, but that doesn't mean we exclude them when talking about the range of natural human hair colours. But the fact is, even if humans lacked chromosomal diversity beyond XX/XY; even if there were no cases of cis men with internal ovaries or cis women with internal testes or people with ambiguous genitalia - and let's be clear: all of these things exist - the fact is, our individual hormones are in flux throughout our lives.
There are standard ranges for estrogen and testosterone in men and women (which, again, vary according to age and some other factors), but two cis men of the same age and background could still have completely different T-counts, for instance - meaning, even the supposed universal gender factor isn't universal at all. More, while our hormones certainly play a major role in our moods and cognition, so do a ton of other genetic and bodily factors that have nothing to do with the sex we're assigned at birth - and on top of that, there's nurture: the cultural contexts in which we're raised, plus our more individual experiences of living in the world. One of the most common, everyday (and yet completely bullshit) permutations of biological essentialism comes when parents or would-be parents talk about their reasons for wanting a son or a daughter. Very often, there's a strong play to stereotypical assumptions about shared interests and personalities: I want a son to play football with me, for instance, or: I want a daughter to be my shopping buddy. But even within the most mainstream channels of cishet culture, it's understood that these hopes are not, in fact, grounded in any sort of biological certainty. The dad who wants a sporty son might be just as likely to end up with a bookworm, while the mother who wants a little princess might find herself with a tomboy. We know this, and our stories know this! For the entirety of human history - for as long as we've been writing about ourselves - we have records of parental disappointment in the failure of this child or that to embody what's expected of them, gender-wise. More than that: if biological essentialism was real - if men were only and ever One Type Of Man, and women were only and ever One Type Of Woman, with recent progressive moments the sole anonymous blip in an otherwise uniform historical standard - then why is there so much disparity and disagreement throughout human history as to what those roles are? The general conception of women espoused in medieval France is thoroughly different to that espoused in pre-colonial Malawi, for instance, and yet we're meant to believe that there's some innate Gender Template guiding all human beings to behave in accordance with a set, immutable biological binary? And that's before you factor in the broad and fascinating history of trans and nonbinary people throughout history - because despite what TERFs and conservative alarmists have to say on the matter, our records of trans people, and of societies in which various trans and nonbinary identities were widely understood (if not always accepted), are ancient. We know about trans priestesses from thousands of years before Christ; the Talmud has terms describing eight different genders, and those are just two examples. All over the world, all throughout history, different cultures have developed radically different concepts of femininity and masculinity, to say nothing of designations outside of, overlapping with or in between those categories - socially, legally, behaviourally, sexually - and yet we're meant to believe that biology is at all times nudging us towards a set, ideal gender template? There's a lot more I could say, but ultimately, the point is this: people are different. While some aspects of our personhood are inevitably influenced by genetics, hormones, chromosomes and other biological factors, we're also creatures of culture and change and interpersonal experience. The idea that men and women are fundamentally different, even diametrically opposed, at a biological level - that the major separator in terms of our personalities and interests isn't culture, upbringing and personal taste, but what's between our legs - is just... so reductive, and so inaccurate.
We can absolutely have common experiences on the basis of a shared gender, but gender is not the only possible axis of commonality between two people, let alone the most salient one at all times, and the idea that we're all born on one side of an immutable biological equation that cannot possibly be transcended makes me feel insane. According to modern biological essentialism, intersex, trans and nonbinary people are either monstrous, mistakes or imaginary; all men are fundamentally predisposed to violence, all women are designed for motherhood, and we're meant to just hew to our designated places - which, conveniently, tend to echo a very specific form of Christian ideology, but which in any case manifestly fail to account for how variedly gender has been presented throughout history. It's nuts.
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iamnmbr3 · 2 months
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Draco's Motivations in the Book 7 Room of Requirement Confrontation
I just reread the Fiendfyre sequence and based on a close reading Draco's motivations and actions are a lot more complex and sympathetic than I remembered. Not to mention, once again, here there be drarry.
First, the context:
After the incident at Malfoy Manor, we know from Harry's psychic connection to Voldemort and from the Carrows' overheard discussion that Voldemort's wrath was exceptionally terrible. The Malfoy family became virtual prisoners in their own homes for months and were subjected to especially brutal (even by Voldemort's standards) torture that was also likely quite protracted. Lucius has visible marks on him months later - which, given what we know about magic in that world, really speaks to the level of what has been going on. While he probably got the worst of it, it's certain that none of his family members escaped unscathed. After their other failings they have at this point probably permanently fallen out of favor and have nothing but a (likely short) life of misery to look forward to.
Draco bears a lot of responsibility for this state of affairs since it was he who chose not to identify Harry. This likely adds to his sense of conflict as his conscience tells him one thing and everything he has ever been taught tells him something else. He presumably feels responsible for the suffering his family (we know from book 6 that he does genuinely care about them) has to endure.
Not to mention that he himself is suffering along with them. It would be unsurprising therefore if he felt tempted to "rectify" his earlier moment of what he probably perceived as weakness and made a last ditch attempt to save his parents' (and his own) lives and prestige. While Harry has been taught that love and mercy are noble and valuable impulses, Draco has not. In his world love and mercy are called weakness.
Quite possibly as he suffered and faced death alongside his family, part of him must have felt ashamed of the impulses that led to his choices when Harry was a prisoner at the Manor. Everything he has been taught tells him that Voldemort's victory is inevitable and that his moment of shameful weakness has accomplished nothing except to fail his own family and condemn them (and himself) to a likely short life filled with suffering.
At most what we see in the Room of Requirement is a replay of what we saw on the Astronomy Tower - where Draco is deeply conflicted and when confronted with the reality of violence in support of Voldemort cannot go through with it even under tremendous pressure and even though his failure to carry out these acts of violence will inflict danger and suffering on himself and his loved ones.
But, is that even what actually happens? In my opinion, the answer is "no."
The scene in question:
If we actually look at the text it's not even clear that's what's going on at all. Draco's motives are ambiguous at best here. The scene starts when Harry is stretching out his hand to take the diadem. Draco, Crabbe, and Goyle come up behind him and he is completely unaware of them. Draco then announces their presence, alerting Harry that he is being watched. He could've very easy simply stunned Harry or attempted to put the Imperius Curse on him (or killed him) while his back was turned. But he didn't do any of those things. Instead he talks, thereby ruining the element of surprise.
And that's not typical of Draco at all when he actually wants to attack Harry. He's never beaten Harry in a face-to-face confrontation. (In fact, the last time he tried - in 6th year - he almost ended up dead.) The two times he has managed to incapacitate Harry - when he petrified him on the train in 6th year and when he hid and caught Harry for Umbridge with a tripping jinx in 5th year - he did so by using the element of surprise to his advantage.
Given that Draco knows that Harry is a very formidable opponent (AND that Harry's friends are nearby) if he truly simply wanted to capture or kill him, announcing his presence is the last thing he would ever do. Then he says "That's my wand you're holding." He still doesn't cast any spells - not even to try to disarm Harry. He also doesn't say he wants to hand him over to Voldemort. He doesn't even tell Harry to drop his own wand, attempt to take him prisoner, or even threaten him.
It is Crabbe, not Draco who says "We're gonna be rewarded...We decided to bring you to 'im." Draco doesn't say anything about his own intentions other than that he wants his wand back - and we certainly know that even in 6th year he didn't trust Crabbe and Goyle, much less now, and thus is unlikely to speak openly in front of them. 
At this point Ron comes to investigate and Crabbe tries to use magic to cause a mountain of debris to fall on Ron and crush him. Harry counters the spell and Draco then grabs Crabbe's arm when he tries to repeat the spell. He gives as his justification the need to avoid the diadem being crushed but since we know he doesn't trust Crabbe it's likely this isn't truthful. Especially since Voldemort has not said anything about wanting the diadem (and even if it wasn't a Horcrux it likely wouldn't be damaged in any case).
Crabbe points out this very thing and Draco argues with him at which point Crabbe says "Who cares what you think? I don't take your orders no more, Draco. You an' your dad are finished." So arguably he was not even including Draco in the "We" he imagined would be rewarded. Crabbe then tries to use Crucio on Harry.
Draco then again intervenes and tries to stop him. 
"STOP" Malfoy shouted at Crabbe, his voice echoing through the enormous room. "The Dark Lord wants him alive--"  
He doesn't even just say it. He shouts. We rarely see Draco shout. He is someone who generally keeps his deeper emotions hidden - it's why he's so naturally gifted at Occlumency to the point that he is powerful enough at a young age to lie to both Snape and Voldemort.
What he says here doesn't really even make sense because Goyle isn't even trying to kill Harry; he's just trying to hurt him. However Draco is so distressed by this that he actually starts yelling, something we NEVER see him do at ANY other point in the book. "The Dark Lord wants him alive" is also exactly what Snape says to Bellatrix as they flee in book 6, and we know that Snape's real intent was to protect Harry with a believable excuse. It's the only thing Draco could reasonably say in that moment as a justification. 
Crabbe (rather sensibly) points out that 1) he didn't even try to kill Harry and 2) Voldemort ultimately wants Harry dead so it probably doesn't matter that much. This makes perfect sense. And yet Draco is inordinately concerned with preventing harm to Harry & Co rather than with taking any action to capture or even disarm any of them.
Clearly he did not expect to lose control of Crabbe and Goyle like this and as a result is now losing control of the situation (and himself). (Unlike Harry, Draco is more of a planner and is not as good at reacting in the moment.) Also the possibility that Harry could be killed seems to drive him nearly to the point of hysteria - rather like how Ron reacted to Hermione being in mortal peril at the Manor. This is not just a general aversion to killing. This is something more. He finds the idea of Harry dying truly unbearable. (I don't need my ships to be canon; this one just happens to be.)
At this point they start fighting and Draco loses Narcissa's wand. Wandless, he STILL tries to intervene. Crabbe and Goyle are both aiming their wands at Harry and Draco once again starts yelling -  "Don't kill him! DON'T KILL HIM!" and is obviously in significant distress and is not at all happy with what is going on. 
After that the Fiendfyre gets loose and the rest of the scene goes down without much dialogue.
At NO POINT does Draco 1) actually say he wants to hand Harry to Voldemort OR  2) attempt to attack Harry or Ron or Hermione at all OR 3) use his Dark Mark to call Voldemort OR 4) tell anyone he's seen Harry after they get out of the Room of Requirement - even in a later scene when he's been cornered by a Death Eater who is considering killing him he doesn't reveal this information even though that probably would've proven his loyalty or at the very least distracted the Death Eater.
Conclusions about Draco's motivations:
So, where does that leave us? What went down there and what was Draco trying to do?
We really have 3 options.
Option 1: Draco tried to hand Harry over to Voldemort in order to save himself and his family, got cold feet and couldn't really go through with it, and then lost control of the situation due to Crabbe and Goyle's changing loyalties. 
Verdict: Possible but unlikely given the remarkably bad job he does of it and how inconsistent his approach is with his usual MO. Even if we assume his heart wasn't in it you'd think he'd at least have got as far as disarming Harry before announcing his presence. Especially since Harry almost killed him last time they fought (and Draco probably doesn't know Harry didn't know what the Sectum Sempra curse would do.)
And if his heart WAS in it then then this makes even less sense since he not only didn't attack Harry while his back was turned but also didn't call Voldemort or even inform anyone that he'd seen Harry. 
Option 2:  Draco wanted to get himself captured in a way that looked convincing so that he could take the chance Dumbledore offered in 6th year, only it went quite badly wrong.
Verdict: This would be an interesting possibility but I think it's also unlikely as it's simply too risky. He doesn't know Harry was there on the astronomy tower or that Harry would make the same offer. His family would also likely be murdered if Voldemort realized this had happened.  
Option 3: Draco wanted to cut a deal in order to improve his family's situation without actually handing Harry over - perhaps he hoped for some kind of exchange where he could get his wand back and bring Voldemort the diadem as some kind of consolation prize - but overestimated his control over his cronies and lost control of the situation. 
Verdict: I actually think this works best given his behavior during the scene. He initiates a conversation because he wants information about what and where the diadem is (and what value it would have to Voldemort) and because he wants to make some offer along the lines of 'give me my wand and the diadem and we'll let you go.' This could get him what he wants and help his family without actually harming anyone.
Also it hedges his bets a bit because if Harry wins he will owe Draco. The problem of course is that Crabbe and Goyle aren't happy to just take orders anymore and have their own goals. At that point, instead of caving and going along with what Crabbe and Goyle want to do instead, Draco actually tries to intervene, albeit in a way that doesn't actually expose him as questioning Voldemort.  
Draco made his choice at the Manor. If he wanted to hand Harry over he would have. But he couldn't. He cares about him too much. But he also feels tremendous guilt and fear over the price he and his family are still paying for that decision. This is his attempt to try to fix things - to try to find a middle ground between the conflicting imperatives that are tearing him apart. The reality though, as he shortly discovers, is that there is no middle ground. And when he sees that, once again he chooses Harry.
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explodo-smash · 4 months
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Are you one of the people expecting bkdk to be canon? I just learned that there are people that sincerely believe Hori would have Deku and Bkg have an explicit confession of love. That he's going to be the first popular mangaka to have a endgame gay ship. I am in so many mlm ships of shounen but I've never had the delusion that the author would make them canon despite the evidences otherwise. Like I thought it's fine to ship mlm as long as we stayed in our lane and never harassed the author.
After speaking together, we do believe based on the evidence in the series that BakuDeku being canon is not an even vaguely unreasonable conclusion to reach. We think the story is written in a way you can reach that conclusion easily, so much that even casual viewers who aren’t shippers are questioning the nature/potential conclusion of their relationship.
One of the most consistent and convincing lines of evidence for us has been Katsuki taking on roles/positions traditionally reserved for female heroines/love interests (if you’ve seen anyone call him “narratively androgynous,” this is what they’re referring to). In the context of Jump magazine, we have a number of shonen heroines and love interests to compare Katsuki to. The similarities are so striking that many notable people (including the VAs for the anime) have taken to calling him the heroine of the series.
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However, we do think things like homophobia (whether it’s the writer or the audience/consumerbase at large– in this case we’re primarily referring to the audience), the safety of everyone involved, and timing are all unpredictable factors people have to take into consideration when writing/reading a story of this magnitude. Needless to say, if Horikoshi is indeed planning an endgame for bakudeku, he’d also have to take these factors into consideration.
Horikoshi has a record of being pretty in-tune with his fanbase. He definitely keeps some eye on bnha’s reception–for example, he mentioned a while back that both the people who love Katsuki and the people who hate him will have something to look forward to in this finale (we can now see what he meant lol). He’s very likely aware of the people who love bakudeku and the people who loathe it. 
Taking into account that he tends to be very intentional with his writing choices, he’s written this story in a way that not only centered bakudeku’s relationship over others (notably Izuku + Ochako’s, the character he’d presumably end up with if things were going predictably?), but also went the extra mile to distinguish their relationship as unique, closer than all their other relationships, the “biggest pillar of the story” (x, x). He didn’t have to do all of this. This extra push is what’s giving bakudeku that undeniable chance at an endgame right now, because it’s come to a point where no one can ignore the implications of scenes like this:
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On the flip side, we don’t think people’s hesitation is unreasonable. It’s scary! If bakudeku were to fall flat of all this buildup/our expectations, it wouldn’t be the first time the romantic implications between a pair of boys in a story like this was ignored. Hell it wouldn’t be the first time a popular pair in general, (gay or not) got ignored in favor of what the author just felt like doing, regardless of what any previous developments in the story or interviews or official artwork would have us believe. There’s enough written evidence that canon bakudeku wouldn’t be surprising, but there’s also (at the time of writing this response) still room for things to go another direction, for all of this to be recontextualized and passed as something else. 
As per social norms/patterns of behavior, this would be disappointing as hell but not surprising. Especially for people who have been let down before, we completely understand the need/impulse to distance oneself from the idea/hope that bakudeku may become canon.
In all honesty, if it turns out bakudeku isn’t canon or left open-ended (say, an ending where they’re partners of some kind/the closest to one another without that explicit romantic confirmation), we would be frustrated/heartbroken. Not because we feel like Horikoshi shouldn’t do what he wants, he should. But because there’s been a clear effort to bring LGBTQ+ readers into the fold, and tell and portray our experiences in MHA. Horikoshi has done a beautiful, incredible job of writing various LGBTQ+ and marginalized experiences as a metaphor in his stories. Toga is a prime example. This is something that readers around the world have noticed, and it’s something MHA is special for (see this data x, and the further context/commentary on it given here x). 
We think it’s intentional. This story and the relationships in it have invoked experiences close and personal to many of us. Things are in a state right now where we wouldn’t just feel baited, we feel like readers would have a right to feel unsatisfied.
That being said, feeling unsatisfied doesn’t equate to feeling empowered to harass or bother others. Especially not Horikoshi himself, and also including other readers who had differing expectations. This is really the case across the board. We should all be able to control our anticipation/expectations without becoming assholes. 
It’s not just the shippers, by the way. People who work on the series or work closely with Horikoshi have rooted for bakudeku to go beyond. Izuku and Katsuki have already done what a good chunk of the readerbase thought impossible and became friends. People see their writing, their potential, and they want more. The voice actors (x, x sorry for the crunchy pic it's all i've got atm), academics (x), musicians (x, x) , editors (x) and more have all kind of rallied around Bakugou and Deku’s bond, with a particular sensitivity towards the deeply and uniquely intimate nature of it + how it evokes romance.
We’d like to see MHA exist free of the burdens previous popular shounen series have had placed on them. But that’s a conversation for the ending. As far as the fanbase goes, I think it’s super important people practice humility and caution when speaking to others. We have NO way of knowing what will happen. People who have been traumatized by situations like this in the past have a right to be anxious, people in general are allowed to withhold judgment until we have all the information we need. However, we don’t think having hope or confidence that this narrative might lead us to a canon bakudeku is unwarranted or delusional.
At the end of the day one thing is true, and this was something we had to fight to “prove” much longer than we had to prove Bakudeku had romantic potential - it’s that Kacchan and Izuku’s lives are going to be forever intertwined in this new era of their world that births from the finale. 
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They’re forever intertwined in a way that’s not replicable for any other character in the series, and that’s amazing all on its own. We’ll just have to wait and see how far they take it! Thanks for reading if you got this far, and Happy Holidays!
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rainbowsky · 3 months
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GQ & ADLAD CPN
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@accio-victuuri has a post about some of the CPN from the GQ feature on GG. There are a couple more CPNs that I wanted to talk about because - with the exception of a couple of tidbits - I haven't seen turtles talking about some things that really stood out to me.
Both of the tidbits being discussed by BXG are based on fake rumors from the past.
Godly Back
Turtles feel that the backless jacket might be what was referred to in the recent LRLG rumor (Apparently wangwang senbei can be a homophone sounding like 'godly back').
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In this context, "You saw what I wore, can you please choose something normal" becomes hilarious. 😅
If he really was talking about GG's back, well... DD, the rest of the internet agrees with you given the hotsearch that was trending on both the main and entertainment hotsearches. 😅
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Xiao Zhan's back ditch is so deep
GGDD and ADLAD
This one I wanted to dig more deeply into because it's connected to a few different CPN from a long time ago, and a lot of turtles might not be aware of all these connections.
In the GQ interview GG mentioned he was really nervous for the first performance of ADLAD.
At the time a LRLG rumor came out with some exchanges between GG and DD in the days leading up to that first show. GG talks about being nervous, DD and his staff video call him to wish him Jiayou, and at one point - presumably the last time they talk before that first show - DD video calls with GG and closes off by giving him a high 5.
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The day after the first show, GG posted on Weibo.
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At the time there was a lot of speculation about what that second photo was. One of the theories was that GG had screen capped DD's hand high-5-ing his phone. Some fans even tried doing that themselves (screencapping their hands up against their phone cameras to see what would happen) with somewhat similar results - photos that were an ombre of pale pink to red.
Some additional CPN
When I saw GG talking in GQ about the first ADLAD show and how nervous he was and I saw turtles looking back over the LRLG rumors from that time, I decided to look over those rumors myself. I found a couple things there that really hit me in the gut, but which I haven't seen other turtles discussing.
Magician DD
One thing that stood out to me from the ADLAD LRLG rumor was when DD told GG he could do magic, and told his staff that only GG believed him.
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Back in 2021 a series of pages called the 300G were released, which claimed to be transcripts of some of the best unseen moments from The Untamed BTS (300GB of BTS footage was reportedly sold to BXG fansites). They were translated by an all-star team of some of the best BXG translators and overall fandom MVP on Twitter back in the day (god I miss those days of Twitter 😢).
Disclaimer: We must remember that these are unconfirmed transcripts. As far as I know, none of the footage that could substantiate these transcripts has ever been released, so it could just be someone's fanfic.
Anyway, my absolute favorite moment in those transcripts was an exchange between GG and DD, when GG had been struggling with nailing a scene. My synopsis from a post I made about GG and DD's personalities a while back:
GG is having a hard time getting a take right for a scene, and the director tells him to take a break. DD scoots over to where GG is resting and holds out his two fists facing downward in front of GG and asks him to pick one for a surprise. GG agonizes a bit over which one to choose, but finally picks a hand. DD gives GG a mysterious smile and asks GG to hold out his hand. GG does, and DD opens his fingers over GG’s palm. There’s nothing there. DD says, “I’ve just given you some luck, so that on your next take, you will succeed.” GG asks what is in the other hand and DD turns it over and opens it and says, “See, there’s nothing there! Zhan-ge is so good, you guessed right on the first try!” GG rolls his eyes at DD and says, “WYB, in your heart, do you think I’m more than 10 years old?” On the next take, GG nails the scene.
So it's just possible that DD and GG have a long history of this type of exchange, of DD giving GG his 'magical' support. GG is just superstitious enough that it might genuinely help him, and anyway, who could fail to be soothed by such sweet magic? 🥹
GG and Sleep
Another thing that stood out to me is when GG talked about being unable to sleep. Honestly this part of the interview really got me because I have always struggled with extreme insomnia and I could totally feel his pain. I've tried so many of the things that he's tried, and have had similarly mixed/poor results.
Anyway, aside from the aromatherapy candle CPN that's been heavily discussed in the fandom, what stood out to me CPN-wise was the fact that LRLG rumors have (I think this has happened at least a few times, but I can't recall specifics), featured moments where it seemed like GG and DD left their phone/video calls active to keep each other company when the other one was sleeping.
In the ADLAD LRLG rumor there's a moment when it seems like GG might be having difficulty sleeping and DD keeps him company.
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Find someone who will keep you company over the phone while you try to take a nap. 🥹
Firecrackers
Just another quick thing from that same rumor, DD talks about wanting to set off some firecrackers for GG, which... ugh, so sweet. My god.
His staff encourages him to do it, and he says he will be 'taken away' if he does (maybe get into trouble, likely exaggerated a bit), and his staff says he'll cover for DD.
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In Chinese culture (and in fact, in many cultures), firecrackers are considered very lucky because they are believed to drive away evil spirits and bad luck (which is why they're such a feature of Spring Festival celebrations).
GG and DD always look out for each other, and this CPN around ADLAD and around GG's sleep struggles really hit me hard. I love them both so damn much!
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(shaking, through tears) may the best bait win! propaganda under the cut:
mulder and scully:
Infamously treated and teased by showrunners + writers like how a gay couple would be baited and like a gay couple in general, although eventually they do kiss and have a son (although that falls through and they become kind of divorced)
during the entire original run of the show i'm pretty sure chris carter would have said they never had a romantic relationship (they had a baby without ever having had sex!) however in the revival their sort of ambiguous What Are We deal was made a lot more explicit so feel free to veto based on these grounds LITERALLY INVENTED 'SHIPPING'. YOU'RE WELCOME
while i'm... pretty sure they get together eventually (i've only watched a bit of the x-files), from what i've heard they invented the term "shipping" because of people arguing over whether they would/should be romantically involved, so i think they should be included, for fandom history reasons if nothing else
they are a man and a woman who don't get together until ridiculously late but are hilariously devoted to one another, clingy, self-sacrifice-y, and also Forehead Kisses
They’re together but they’re not they love each other but barely know each other
clara and twelve:
their relationship is heavily romantic coded, but is never explicitly confirmed as romantic or not. the queerbait thing of teasing them on socials but never paying them off in canon applies here! also secret love confessions by way of double entendre or omission
they "arent romantic" but obviously they are
They are a man (I guess?) and a woman never get together but physical contact is filmed with such tension, there's jealousy with one member's significant other, "do you think I care for you so little that betraying me would make a difference," "I'm changing history to save Clara," "run you clever boy and be a Doctor," "people like you and me, we should say things to one another," "I'll be the judge of time," "If you love me in any way..." okay these all have context but trust me it's Insane
They never get to be together and in their last episode together, Clara presumably confesses her love to him and WE DONT EVEN SEE IT. like immediately after he gets his memory wiped.
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nothorses · 1 year
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this isn't @ anyone or any particular post, but. I do find myself questioning whether it's useful to distinguish "anti-masculism" from like... misogyny and patriarchy.
maybe it's just me, but narrowing the definition of "misogyny" to just describe contempt for women, specifically, has never felt super accurate to me; the overall system of oppression being described here isn't just about a dislike of women, it's a functioning system (patriarchy) relying on, and as a product of, systemitized misogyny. It's misogyny in a dominant role of power.
And that system (as it currently exists) also requires that gender roles are strictly followed and fulfilled, including by men. It requires no deviance; no queerness and no transness. It requires that women be babymakers and caretakers and sexual gratifiers, and it requires that men be protectors and dominant breadwinners, and seek out sex. (Among other things)
I think it's helpful to expand our understanding of misogyny to include the aspects of it that necessarily impact men; it's not just the toxic masculinity that hurts others, but the system that rewards and punishes conformity to misogynistic gender roles.
"Anti-masculism" feels like it's trying to describe an aspect of this; the way this system views masculinity as brutal and violent and monstrous, especially in relation to men of color, and as a corrupting force- particularly when in contact with (whoever patriarchy views as) women.
And these things exist, and happen, but (obv) so does a mirrored phenomena for femininity; are we calling that "misogyny", to the exclusion of attitudes toward masculinity? Because I don't think it's accurate- and tbh I think it's actively counterproductive- to define that by gendered expression rather than perceived gender.
I honestly think it does more to say that these are all a part of misogyny, and to identify contempt for certain expressions of masculinity as being inherently, necessarily intertwined with other parts of misogyny. Patriarchy relies on all of these things to function, and we need to get folks to understand that challenging these attitudes toward masculinity is, in fact, a crucial part of the fight against patriarchy.
I don't think it works to say "misogyny" is an umbrella term that enconpasses all of this, and that "anti-masculism" just falls under it, either; just practically speaking, I don't think it's helpful to differentiate this particular thing as separate from similar attitudes toward femininity. It's super easy to separate the word from that context (esp without a counterpart for femininity), and while I hate having to factor in optics, I do think there's a parallel here to "transmisandry" in the possible interpretation of the word to mean that men are oppressed/misogyny doesn't exist. Even if we know that's not the intent.
And I don't think it accounts for differences between how either of these manifest for cis vs. trans people, gender-conforming vs. GNC people, straight vs. queer people, white people vs. people of color, etc.; how and why it shows up is gonna be wildly different based on whether you're being presumed more masculine or feminine because of your race, size, or disability status, or whether you're being punished for not conforming to gender expectations one way or another- which will also look different for trans people who present more in line with what's expected of their AGAB vs. their actual gender.
Also- I'm saying this here because I'm open to discussion. I feel like I've read enough about it by this point to have an opinion, but I could absolutely be lacking some crucial info, insight, or perspective, and I want folks to engage with this as a mutual conversation.
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lucabyte · 7 days
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obligatory ramble about postcanon loop ask
also your art is amazing
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Hiiiiiiiii :D thank you :)!!
and thank you for the excuse to post the. just absolute wall of text that i truncated down to form the tags of that post. (i did,,, hit the tag limit. i forgot tumblr had one of those...) so let me just paste that and tidy it up a bit...
I am putting this under a readmore because it's a bit long. but:
This is like. The General Context for all* of my postcanon doodles? (Except AUs obviously) Like this is the base idea I've been drawing them all in. So, feel free to backread with this in mind. I've basically had this 'postcanon' timeline set in my brain since finishing the game...
My general thoughts are that I like the idea of Loop (even if through dubiously ethical means) being able to slowly reintegrate with the party as a whole new person, because they are, in fact, their own person.
It's a muddle of thematic threads im pulling on and "wouldn't it be fucked up if", but. (at its core, it's powered by the fact that like, while narratively isat's theme of 'the only person who can truly take the first step to help you is yourself'. (wrt: loop helping the party help siffrin in act 5) which i LOVE AND IS GREAT NARRATIVELY…. would be super fucked up irl to learn that your friend 'learned as a lesson' while you stood by kinda uselessly. I know i'd be upset about it. but thats mostly background here. doesn't really come up. at least not until loop has to explain who they are and the party realises they had to fall back on literally themselves again for help, but i digress,)
The real core concept is: Occam's razor. It is like, inherently, a buckwild thing to accuse a person of being somehow a clone or copy of your friend. Even if they start vaguely alluding to a backstory it's far more likely they were some other person before all that. (I still think Odile has that theory in the back pocket but she's rational enough to know it's a really long shot without a solid explanation. and i think Loop deep down knows this, and would, if cornered into confessing, turn the situation around to go J'ACCUSE and make HER explain it instead. Ever longer dodging being direct with their emotions...)
And the party are nice! And if someone has changed and wants to keep stuff secret it's kind of not their business? (Though it's hard not to speculate… see: the main joke of the doodles) And they seem important to Siffrin so they just try to accept them abrasive quirks and all. And eventually the question of their prior identity just fades away since, well, they're Loop. Their friend Loop.
but yeah. personal headcanon is that a few months/weeks after picking up and getting aquainted with Nille** (since that was presumably the IMMEDIATE TASK postgame), Loop reappears (either after a literal period of nonexistance, or just spending a few months wandering the french countryside alone being attacked by wild dogs). Since Siffrin has had a while to be therapised by the party they're doing mostly okay, but Loop showing up and still being agitated/aggressive pulls them both into a bit of a backslide behaviourally and puts the party on the back foot again.
Hooowever, I do think that due to no longer being literally stewing in the worst pressure cooker of all time together, the two do mostly actually sort themselves out with productive conversation. (Via a cycle of: genuinely distressing argument -> weeeird lovebombing -> ok we're good -> repeat, that gets less intense over time)
Thus, allowing the party to just. Integrate loop as a new person. They and Siffrin shuffle into different ecological niches (Loop taking over stuff Siffrin is now too squeamish for, etc (see: hunting, mostly)), and while it's not exactly what Loop wanted they generally get that beggars can't be choosers and it's a pretty good deal. And the rest of the party does straight up just like them as a friend, especially when Loop quits trying to actively antagonise them after a few weeks of being around them, since they just can't keep up being mean to people they like forever.
As for how I think the truth eventually drags itself out. This is where I invoke The Isabeau Torment Nexus™. So its gonna get shippy here for a bit hold on.
Which is, I think giving them time before Loop reappears long enough that Siffrin and Iseabeau actually manage to become established, Isabeau has to be the one to nudge the pair of them and go. "Hey. You know we're in Vaugarde right. I'm okay with polyamory if we all communicate." Before Loop and Siffrin actually even acknowledge that whatever the fuck they have going on kinda looks a lot like a relationship of some kind. (or have already been agonising about that via fighting and arguing, depending) (Obviously this comes after Isa "Emotionally intelligent enough to keep a lid on the jealousy" Beau has managed to use that big brain of his to Not just go Scream somewhere on the daily because oh godddd they keep talking like theyre suicide-baiting each other jesus chriiist. is it overstepping his boundaries to bring that up?? god)
This, taking a bunch of the tension out of Loop and Isabeau's relationship (Since I imagine Loop is a. being weird for the obvious reasons and b. feeling kinda guilty about 'getting in the way of' Siffrin and Iseabeau), allows them to actually get close in a normal friend way. (I think an interesting turning point could be Isabeau actually taking Loop's side in an argument vs Siffrin, which would absolutely break Loop's brain. Especially if it's an argument that matters. Like what do you mean he isn't just going to play favourites. What?)
Then Isabeau, just actually open minded and charmed by Loop (and maybe even somewhat at Siffrin's suggestion?) tries to close the final open side on the polyamory triangle here and that's the final straw for Loop on "This lie by omission is too unethical to keep up, this is just actually sick and wrong. I can't do this while he doesn't know who I am." Though. Obviously it probably goes. Very poorly with emotions high like that. And the added element of several months of deceit. Getting dark here for a second but that dagger is going MISSING and so are THEY for a hot minute.
Then yaaay everything works out in the end 👍 yippieee!! all it took was maybe a lot of harrowed recontextualisation of all the weird shit your new friend said and did when it turns out they're your old friend. It's fine.
But yeah. this is basically the context all of my postcanon doodles have existed within? And those exist to give other people something to chew on. So this does too.
I suppose TL;DR: Imagine if sloopis almost fucking happens before isabeau knows who loop is. can you fucking imagine. can you imagine having to navigate that. nightmare.
*Yes this includes the implied cannibalism comic. Uhh. Comes part and parcel with headcanoning that Loop went way off the deep end similar to A5 Sif But Maybe Worse before giving in. Add weepy half-asleep confessions to murder wherever you see fit in your mind palace. 👍👍👍
**Re: Nille footnote. I don't have anywhere to put this besides here! I have some thoughts on Loop and Nille having an odd dynamic. I don't imagine Nille to be super gung-ho on trusting a bunch of adults (even if they are majority around her age) given their implied backstory. It's probably a big shock to the system, especially since Bambouche is a good couple hundred Kilometers up north from Dormont and these guys don't seem to have trains. She would've been unfrozen and without Bonnie for some time....
Which is to say: I think she's suspicious of them. I think she may be looking for excuses to distance herself, keep Bonnie safe. SO.... A new guy showing up? And antagonising the party? What do they know that I don't...? I should find out.
And since... Loop didn't ever know Nille, they have no ammunition or real reason to be cruel. Plus, if they're trying to stay on Bonnie's good side (SINCE... if Bonnie thought Loop was cringe they may as well kill themselves. In their mind.) they SUPER have no reason to antagonise Nille.
Mostly, they might be able to open up to each other easier than they can the rest of the party?
I feel like this resolves with Loop feeling compelled to apologise for what they and Siffrin let happen to Bonnie, though... Hmm... Depends on how you interpret Nille that they'd be glad nobody else had been told about that yet, or furious it had been secret this long. I lean toward the former.
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whetstonefires · 2 years
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jiang cheng is a funny character because i fully support either liking him or not liking him, but i see so many takes (especially when he shows up in a supporting role in fic) that seem completely unhinged until i pin down which of what i consider the fundamental facts of his character are just not being applied at all.
it’s like:
1) this is not a mentally well guy, especially after Plot starts happening, and he spends the entire story getting less okay. the only time we ever see any improvement happen in jiang cheng is when wei wuxian piths himself getting the guy out of his suicidal phase, causing many more problems going forward but fixing that one. jiang cheng is not okay and it’s all downhill.
2) he cares so fucking much. like you can write a jiang cheng who is a deeply selfish bastard and you have an excellent textual basis, but it's not because he doesn't care about other people, at least the ones that are his; that's a different kind of problem than the one he has.
he would in fact be less of a problem a lot of the time if he cared less, because he does not have the emotional management tools to be useful about it. also the narrative is conspiring against him but like.
(there are a lot of ways to be selfish and jiang cheng and lan wangji are actually remarkably similar in the basic type of selfish impulses they have. they just have very different childhoods and values shaping how they act about it. and then lan wangji manages to become a mostly functional adult, while jiang cheng is generously an electrified pile of bad coping mechanisms. he's functioning! but like. at what cost.)
3) jiang cheng is dutiful. even the most selfish jiang cheng is someone who perceives and values himself in terms of his function and obligation; he and wei wuxian have different personalities and worldviews, and for that matter expectations placed on them, but they both learned that lesson, presumably together.
4) sort of an extension of 1 and to a lesser extent 2, Jiang Cheng is emotionally insecure as a base state. his parents made some major errors, at least half of which should have been avoidable except they would have had to deal with their own shit first.
it's not out of the question, in a different lifetime where he didn't get several years of compounded irresolvable traumas as his coming-of-age present and then left alone to stew in pain and denial for over a decade, for him to have learned to handle it better and even mostly get over it! that could have happened! it just didn't.
to an extent he's insecure about different things as a grown man than he was as a boy, life experience makes a difference. he's built confidence about some things and become absolutely shattered about others. but he's a person who is easy to wound, in all kinds of complicated identity-related ways, especially by Wei Wuxian specifically, and his kneejerk response to that is to lash out in reply, whether the wounding was intentional or not.
the fact that Wei Wuxian spent most of their lives giving every evidence of being completely immune to being harmed by this reaction masked its toxicity until things got real ugly real fast.
jiang cheng absolutely has the capacity to not do this! it's a deeply rooted bad habit, not actually a fundamental of his character. but it requires self-awareness, will, and (if he's going to keep it up) a lot of practice. it's not the kind of thing that just goes away on its own, even with a bunch of alterations in context.
i don’t have like a closing argument here i just keep finding that takes on jiang cheng that don’t work for me, whether generous or condemnatory, always seem to disagree with me on one of these main points.
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This is a meta on Our Flag Means Death episode 5: The Best Revenge Is Dressing Well, Sir Godfrey Thornrose, The scene where he calls Ed a donkey, and so called "race science."
It has come to my attention that some of you apparently do not know what a phrenologist is.
*a note: I'm going to for the purposes of this assume that the guy played by Jeff Lorch is sir Godfrey Thornrose, I do not know this for certain but in my opinion even if he is not Thornrose the same principles still apply to him for reasons I will discuss in this meta.
So lets recap the scenes I want to touch on. At the beginning of episode 5 Stede is teaching Ed how to identify rich people cutlery like they're Barney Thompson and Vivian Ward in pretty woman. Stede bitches at Thornrose for not having enough spoons for Stede's liking. Thornrose responds "My apologies, I hadn't imagined we'd be hosting your kind."
Ed responds "My kind, what kind"
to which Godfrey responds "A rich donkey is still a donkey."
Ed then proceeds to scream at him and then orders Fang to skin him with a snail fork before throwing him overboard. To which Fang presumably responds by either skinning him with a normal skinning implement or forgoing the skinning step and just throwing him overboard, because who tf has time to skin a man with a snail fork.
I've seen some dogshit takes on this scene. I've seen it treated as evidence that Ed is exceptionally violent or abusive or has mood swings or anger issues or whatever bullshit. And I... Do Not Agree. You'll see why.
The next scene I want us to have in our back pocket is the first couple scenes with Gabriel and Antionette. When Gabriel and Antionette introduce themselves to Ed and Stede they reveal that Sir Godfrey Thornrose is a quote "Master Phrenologist." Stede is then expected to study Antionette's head. When he does he introduces his fake craft as "Phrenology, which is the study of the human head." He then takes a wild guess as to Antionette's heritage based on her skull lumps.
Content warning for like real old school racism ahead.
The reason Stede goes for the heritage is because Phrenology is a pseudoscience closely linked to other contemporary race science of the time. It was the idea that bumps on your head, thought to be caused by the pressure of the brain, could be used to identify your personality traits.
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Phrenology gets really fucking racist, really fucking fast. Phrenology was used as proof that the white race was superior to other races, and as a justification for slavery and eugenics. Eugenics is the idea that you can improve society through breeding out "bad genes", which is almost universally popular among all types of racists, but the Nazis were big fans of it and there's a direct through line between the race scientists in the 1700s who were into phrenology and modern hate groups and neo nazis. I wanted to use an image here as an example of racist phrenology texts, but it's rough and I don't want to make a cut so I'm just going to link to the wordpress anthropology article I found the picture in, it's sourced and an alright place to start if you're into further reading.
With this information, I would like to use another example, that is relevant to the ethnicities in contention. A French physician who attracted huge crowds with his phrenology lectures, François-Joseph-Victor Broussais, once claimed that Maori people (as well as indigenous Australians) could never become civilized since he claimed they had no cerebral organ for producing great artists.
This is the context in which we need to understand the exchange between Ed and the French captain. I've seen some people claim it's about class and not about race, but Thornrose acknowledges Ed's wealth when he says a rich donkey is still a donkey. It doesn't matter to a man like Thornrose what Ed does or how rich he is or how well he can learn his fucking forks, he's still akin to an animal in this skull molesting freak's racist little mind. If a phrenologist, or even someone who's rubbing elbows with a phrenologist, calls a man of color a donkey they're clearly saying he's an uncivilized animal based on the shape of his face. That's how racists operate.
And Sir Godfrey Thornrose is not just any old racist, he's a racist spreading his ideology to other people, convincing them that people like Ed are inferior, that people like him should be subjugated by white people. He is clocking in for his shift at the racism factory creating more racists.
So basically what I'm saying is Ed should skin him, no quarter for genocidal maniacs. Basically I can tell you're either racist sympathetic or talking out of your ass if you think French captain was fucked up. It was antifascist direct action and I don't want to hear another word about it. I personally believe the only thing you can't come back from is death in terms of being a better person. I also believe that there are situations in which killing someone is more or less fine and you're never gonna catch me feeling bad for a fucking phrenologist when he compares an indigenous pirate to an animal and the pirate responds by doing what pirates do.
Killing Godfrey was based.
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adrianasunderworld · 6 months
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Listen, I love joking about Crowleys ungodly amount of owed Child support as much as the next person. But if he is Levan and thus Malleus father, I'm gonna be sad. Because here's the thing, yes, the Dire Crowley we currently know is a goofball of a man that is irresponsible and is questionable at his job at his best. But from what we do know about Levan, he was the love of Meleanors life. He was a good friend of Lilias. He was beloved and loved them in return. And this is proven by the fact we now know, dragons create their eggs via love. In this context, this isn't some loveless political marriage, and he had a baby with her to secure his position in Briar Valley. No, She loved her husband and he loved her just as much and they created the egg that hatched into Malleus. We can presume Levan also loved his unborn child.
So as much as we can guess, and assume that based on the Crowley we know now, that hes some deadbeat that ran away, we really don't know that. (Though its still possible, don't get me wrong) But for all we know, Crowley could have been a good husband. He could have been very different back then. Maybe Dire Crowley and his whole personality is just an act. I've thrown out the amnesia idea before, maybe hes unaware of all of this. But will tell if any of that is the case.
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