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#row talk
kendrasaunders · 10 months
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matthias naming his dog troublemaker (trassel's literal meaning big tangle/state of confusion in swedish) vs hanne naming his horse belligerence (helmut meaning helmet like a protector, from hellmuth, fighting/battle spirit in german). they are the most annoying people i know
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monochromeia · 5 months
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Almost wondered why Halloween was trending and then i remembered what website I'm on. I'd be concerned if it wasnt.
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bixels · 3 months
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Just gonna have to wait and see, right? Just wait and see! Just gotta wait and see! Who knows, we'll just have to wait and see! It's anybody's guess, we'll just have to wait and see! The future is exciting, we just gotta wait and see!
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steviesummer · 11 months
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inspired by and as a direct follow up to this post by @strangersteddierthings:
Eddie is horrified. He remembers the day Steve is referring to, though clearly not as well as Steve does. He calls out as Steve raced up the stairs and hears his door slam.
“Fuck.” He stares blankly at the wall in front of him. He can’t believe things went so bad so quickly. He’s been trying to get to know Steve better, get closer and damn if he didn’t just blow the hole thing. He’d shown up early, told Steve he needed to prepare as an excuse to spend some time with him. Despite everything that happened over spring break, Steve had remained guarded, standoffish no matter what Eddie tried. At least now he knew why. He’d fucked things up before he’d known there was something to fuck up.
He feels even worse about calling him a bully. Sure, Steve had looked the other way and even laughed at some of the mean jokes others had made, but he was far from the worst. That dubious award went to Billy Hargrove, but even without him, there was plenty of people who did far worse than Steve did. Especially because Steve is right. He did hit first, metaphorically at least. He can justify it all he wants as trying to protect himself, but that doesn’t make it right. Steve all but admitted that as he said the same thing. He feels nauseous at the realization that maybe he was just as bad as those he decried. That for all his talk about accepting outcasts and defying convention, he was just as prejudiced. Swallowing hard, he heads back to the dining room and looks at the clock. There is no way he is going to be able to run the campaign today. He’s not going to be able to focus or even play without thinking about how things might have been if he hadn’t driven Steve off all those years ago. He grabs the phone and dials Gareth’s number. “Emerson house, Sheryl speaking.” “Hi Mrs. Emerson, it’s Eddie.” Eddie is proud that he manages to keep his voice even. “Is Gareth there?” “Oh, yes! Let me go get him for you.” “Thanks Mrs. Emerson.” Eddie focuses on breathing while he waits. “Eddie? Hey man, what’s up?” Eddie breathes out. “Hey Gareth. Look, I know its last minute, but we’re gonna have to postpone Hellfire. Something came up.” He could hear Gareth’s frown through the phone. “Postpone? What happened, did Harrington do something?” As if he couldn’t feel worse. “Nah. I’ll explain later, but can you call Jeff and Frank, let them know? I gotta call the freshman, too.” “Alright, but I’m going to hold you to that.” “Fair enough. Talk to you tomorrow.” Eddie promises before hanging up. He weighs his options for how to tell the Party. Eventually, he decides on calling Mike, know that the younger teen won’t push too much. He’s dialing the Wheeler home before he can second guess his decision. “This is Mike.” Eddie feels a rush of gratitude that Mike is the one who answered, rather than Nancy or one of their parents. “Hey Mike, it’s Eddie. Listen, Steve’s not feeling great and having Hellfire here isn’t going to help. Can you call the rest of the Party, let them know we’re gonna move it to another day? I’ll keep an eye on Steve.” Eddie knows Mike is a confused, given how adamant he’s been in the past about not canceling or moving Hellfire, but as he expected, Mike accepts what he says at face value. “Sure. Need us to bring anything?” “Nah, I’ve got it. Pretty sure he just needs some peace and quiet so he can rest. But thanks.” They say their goodbyes and Eddie puts the phone back on the hook.  With that done, he checks that the door is locked and faces the stairs. Now for the hard part. He’s not sure what he’s going to say, if there is anything he can say that will fix this, but he has to try. Even if doesn’t change things between him and Steve, Steve deserves at least that much. Every step feels like it takes effort, chest heavy with guilt, but it only takes him a few moments to get to Steve’s door. It’s closed, which doesn’t surprise him. He takes a moment to gather his thoughts before knocking. Nothing. “Steve?” If it wasn’t for the quiet sound of Steve’s breathing he could hear through the door, Eddie would think he had left. He glad that he at least didn’t drive Steve out of his own home. He rests his forehead on the door. “I’m sorry.” Eddie hopes Steve can hear how much he means it. “You’re right, I fucked up. I made an assumption and took out my anger at other people on you. And that wasn’t fair and it’s not okay. But I want you to know that I’m sorry. Even if it wasn’t you, I shouldn’t have done that.” He lets out a hysterical laugh as he realizes - “And despite that, you still humor the kids when they talk about D&D and agreed to let us play here and didn’t punch me in the face, which makes you a better man than I.” He falls silent, listens as Steve’s breathing slows. He isn’t sure how long he stands there. He wonders how many other people he hurt this way, without even realizing. Knows he wants to do better, be better. He sighs, feeling his shoulders slump. “Anyway, I canceled Hellfire for today. I told everyone something came up, don’t worry about that. I’ll make up some story, make sure they know its not your fault. And uh,  let me know if you want to hang out again or something. I know I’ve been around a lot; didn’t realize that I was making you so uncomfortable, which is probably another thing I should apologize for. Anyway. Yeah. I’ll see you around, okay?” He waits a moment for an answer, but when none comes, he backs away from the door and walks downstairs to gather his stuff. It hurts, but he knows Steve deserves space and to be the one to initiate contact. He has some thinking to do, anyway.
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itstimetodrew · 9 months
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Ohio republicans trying to hold an election they hoped would go unnoticed in order to deny Ohioans simple majority rule (changing it from 50% to 60% majority), only for it to be one of the highest voter turnouts for an August election ever in the state AND the votes against them being 60%+ anyway? Lol. Lmao even.
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nelkcats · 1 year
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Ghost Fangs
After so much time changing between forms, Danny thought that he would no longer have external changes. His human and ghost forms were a bit more combined than when he was a teenager but it wasn't as much of a problem for him now that ghosts weren't actively trying to wipe out humanity and his parents had more or less accepted him.
The problem was when he started his internship at Wayne Enterprises and his teeth started to hurt. He didn't pay much attention to it at first since maybe he should visit Frostbite or some normal dentist. Cavities were pretty common when you ate fast food growing up.
The problem was when three days after the pain started, one of his teeth fell out. That didn't make much sense since the halfa had shed his baby teeth long time ago, and those were supposed to be "permanent".
He decided not to smile and continue working, avoiding anyone that could notice the change but the hole in his teeth was obvious when he looked in the mirror. Then another tooth fell, and he felt his gums itch. Something was beginning to grow.
That was how Danny started changing his teeth into ghost fangs at the worst possible time. Worst of all, he was sure he was growing a third, maybe fourth row of fangs, and fuck how was he going to hide it from his bosses?
He couldn't pretend that he was mute! What if a tooth fell out during work and someone found it? It was a nightmare!
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majickss · 1 year
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“Fine, I got another dead name for him… BRUCE WAYNE”
Edit bc people in the tags are thinking about watching it: don’t.
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twinkle-art · 1 year
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guard dog
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krash-and-co · 1 month
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stating the obvious here but 35 portland row is so beautiful as a whole.
i mean theres death and misery and reminders of what's lost soaked into the very floorboards, stained carpets and horror stacking up, tragedy you can touch and something you can't look in the eyes waiting with your blood under its nails. but there is also sugar on the table.
there are pictures on the wall and dishes in the sink and beds with extra blankets and laughing you can hear from the stairwell, and i mean you know who it is because you've heard it enough and you know hes throwing his head back because that's how he sounds when he laughs that hard, and I mean sometimes youll still take a blanket from your bed and sit under it with her because it feels even more like home that way. sometimes youll find your clean laundry on your bed and it's still warm.
I mean it is so so so cold outside and its cold inside here too, but ours is a different cold. cold like a hand in yours right before you grab it with your other to bring warmth. it's a gentle kind of thawing when you feel boiling waters steam on your cheeks and it's a gentle kind of thawing when you start to hear the house creaking as a contented sigh, and then you'll sigh too, and i mean theres death and misery and reminders of what's lost soaked into the very floorboards, but when its spring again we'll do spring cleaning together like those happy families on tv. there is sugar on the table for you because someone remembered how you like your tea.
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yeahperfect · 7 months
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All these drivers congratulating Max. So many nice words. Honestly, wait until the end.
"The team is doing an amazing job, but he is doing an execptional job."
"Big congrats to him!"
"I know how good he is."
"He has done a perfect year."
"I am proud to be sharing the track with you and I hope you have many more success in the future."
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housecow · 26 days
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thinking about how i can’t even cross my arms normally anymore because of how big both my chest and arms are getting
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whumpprentice · 7 months
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Reminder for myself and anyone else who needs it that writers put effort into their work!! and they probably don't mind if you ask a lot of questions!! those are their babies!
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crowreys-wormstache · 7 months
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I love women in STEM (Navani Kholin)
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ultimateinferno · 7 months
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Every so often I remember Lirin was a doctor while Dalinar was Blackthorn, and his entire worldview makes a shit ton of sense. I can go on and acknowledge that he was a subject of Sadeas but really... nah. That man absolutely witnessed first-hand the casualties of that war.
#lirin did nothing wrong#yes even after the scene during the siege of urithiru. kaladin did not need to kill that singer#teft wasn't in any immediate danger at that point when they were being gathered. kaladin was the person who escalated everything#i don't (wholly) condemn kaladin beyond it being the first foot soldier he killed since oathbringer iirc.#i don't need him to act perfectly logically he wasn't in a good headspace#but lirin wasn't entirely unreasonable either.#cosmere#cfsbf#stormlight#stormlight archive#the way of kings#words of radiance#oathbringer#rhythm of war#lirin stormblessed#dalinar kholin#it's also understandable why he's fucking weird throughout the rest of RoW#talking to someone close to you after a heated argument is fucking uncomfortable as shit#and sometimes it's really tempting to refuse to acknowledge it instead because what the fuck do you do when that shit happens?#if communication was easy we wouldn't need diplomats.#we also see first hand how much lirin is lying to himself when it comes to resistance#both in hearthstone and in urithiru he keeps sticking his hands into the conflict and covering up resistance#despite the fact that he claims he doesn't believe in it. he is naturally a defiant person he just decided to not be super obvious about it#i think a lot of people don't like them because their own relationship with their parents is frustrating#and project their issues onto kaladin when they see them collide#lirin and kaladin are the same person.#a friend of mine who projects super hard on kaladin told me that if he ever met his clone even if they were identical in personality#he'd hate him because he's super bullheaded and stubborn#but also deeply fervent in his beliefs.#anyways i'm probably running out of tags
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thesoftboiledegg · 3 months
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tyttetardis · 4 months
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Macbeth Q&A 18th Jan 2024 Part 1
Was lucky enough to get a ticket for the Member's Event at the Donmar Warehouse that took place on the 18th...with the price of the patronages I sure never thought I'd have gotten the chance, but luckily, they also let in some non-members 🥹❤️
The brilliant performance of Macbeth was followed by a very quick cleaning of the stage - thought for sure it would've taken them longer to remove the blood than like 5 minutes - followed by a lovely, little Q&A session.
The Q&A was led by Craig Gilbert (Literary manager) who talked to Annie Grace and Alasdair Macrae (Musicians and part of the acting ensemble) as well as Cush Jumbo and David Tennant.
Anyway, just gonna write down some of the stuff they talked about :) sorry if it's a bit messy! Might be spoilery if haven't seen it yet but is going to!
To begin with Craig remarked that he didn't think he'd ever seen that many people staying behind for a Q&A before (While I was just wondering why some people even left!? Stressful!).
David introduced himself with "My real name is David "Thane of Paisely" Tennant - while Cush introduced herself with "I´m Cush Jumbo - there's only one of me".
First question was Craig asking them what it was that brought them to the Donmar to do Macbeth - to which David pretty much just replied that 1. It's the Donmar! 2. It's Macbeth! One of the greatest plays of all time in an amazingly intimate space - and that the theatre is famous for its quality of work. So he found it quite hard to think of a reason not to do it!
Cush said she'd worked there before and loves the theatre, how it's so intimate but also a great workspace. Followed by her saying she said yes because David asked her. She talked about how important it was for this play to do it together with the right actor playing opposite you.
David says Max Webster asked him about a year ago if he wanted to do the play - he gave him the dates - and since there weren't any obstacles in the way, David didn't have any excuse not to do it.
He then said that he had slightly avoided Macbeth - there sorta being the assumption that if you're Scottish and has done some Shakespeare plays before you have to do Macbeth. Which he joked was a bit odd since it's not like every Italian has to play Romeo. Then he mentioned that Macbeth is probably a bit more of a jock than he is - that it seemed more like a part for big, burly actors.
Max had laid out his initial ideas to David, a lot of which are in the final production, and David thought he seemed lovely, bright and clever and inventive plus it being the Donmar Warehouse! To which joked that he had last worked there 20 years ago - when he was 8 years old! "It's just one of those spaces" - friendly and epic at the same time where it's such a pleasure to be on the stage.
When Craig asked his next question concerning the sound of the play someone asked him to speak louder as she couldn't hear them - to which David joked that they've gotten so used to whispering. But also said sorry, and that they would!
Alasdair explained a bit about the process of the binaural sound - bit I find it a bit difficult to decipher it all correctly, sorry. He did say that a interesting part of it is that it allows them a controlled environment where they can put all the musicians (and even the bagpipes!) behind the soundproof box so "Poor David and Cush" doesn't have to shout over all the racket.
Craig asked David and Cush what their reaction was when they heard about the concept of the binaural soundscape - to which David replied that it didn't quite exist when they first came onboard - Cush joking they were tricked into it. Then she talked about her and David going on a workshop with Max to get a feeling of how it would all work - and get a sense of how it would sound to the audience, as this was one of the few times, they got to hear that side of it. Their experience of the play being completely different to the experience the audience has.
Cush said they can hear some of the sound - like she can hear some of the animal sounds and David can hear some of the stuff from the glass box - but most of their cues and information comes from timing with each other. She said they won't be able to ever hear what the audience hears - to which David joked "We're busy".
It felt like mixing medias - as it all went quite against their natural stagecraft instinct - but Cush found that in the long run it made things very interesting - like they don't have to worry about getting something whispered to each other - as the audience will hear it anyway.
David said the odd thing is that they don't really know what the experience truly is like. He mentioned that to the sides of the stage there's a speaker for them where they will get any cues that they need to hear. Like they can hear the witches - but they can't hear where they are "positioned" - so they have to learn how to place themselves to fit with what the audience hears. They don't hear everything, though. And the audio they hear is quite quiet, so it doesn't disturb what comes through the headphones.
He thinks it's been exciting - that it's a bit like a mix between film and theatre. It's happening live - but it's also like post-production is happening between them and the audience as it's going on. They just have to trust that the audience is hearing what they are supposed to for it all to make sense.
Cush said she thinks in 10 - 20 years, as these technologies has developed, doing theatre like this will feel a lot more normal - not that they will do it ALL the time, but that they will be doing it - whereas now it's still like an experiment. What Cush really like about the concept is that if was done in a much bigger theatre - then people in the cheapest seats would be able to have an experience much more similar to those in the most expensive seats - they'd be a lot more immersed into the action.
David then talks about how it feels extremely counterintuitive to not go on stage and speak loud enough that the people in the back row can also hear you. And usually, if they can't hear you, you aren't doing your job right! But then it felt very liberating. He loves it.
Cush then talked about how it felt odd waiting in the wings for a cue you can't hear - where you traditionally wait backstage and you can hear your cues, you can hear the rythm and know when it's your turn - so it was quite disconcerting to hear silence. So it's basically down to them now knowing the show and each other's timings - like if David is standing at a certain point, she knows how long she has before she needs to say/do something. So you have to watch each other more closely and really focus on what the others are doing.
David asked the musicians if they can hear everything inside the box, to which Annie replied that they get everything except some extra bits in the soundscape. But they can hear the actors on stage. Annie said it's actually a bit of a mystery to all of them what the audience actually experiences - how the big pictures actually look like - they just have to trust that it's there "Is it there?!".
Someone asked if they had had any adverse reactions from audiences to having to wear the headphones. Quite a bit of laughter all around :P then David said "There's the odd person" and something about if someone hadn't gotten the memo before turning up...but not sure how he ended the line. Then once again says that yes, there's the odd person who doesn't like it and that's fair enough.
The same audience member then said he could see the advantage of it in a big theatre where the distance is big, but not in a small place like the Donmar - to which David very quickly, rather passionately replied that it's not about projection, it's about being able to do things you wouldn't normally be able to do live - where they can speak so quietly that they can't even hear each other when standing next to each other. So even in such a small place, people wouldn't be able to hear that. It's about creating a different play - which isn't to everyone's taste and that's fair enough. But for a play that's been done a hundred and seven million times he thinks it's very valid to try and find a new way into the play - even if it's not for everyone.
Part 2
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