Tumgik
#so i do both practices
verflares · 8 days
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i thought i felt your shape, but i was wrong. really all i felt was falsely strong, i held on tight and closed my eyes. it was dumb, i had no sense of your size. it was dumb to hold so tight.
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raticalshoez · 2 months
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is this too niche.
aka i SWEAR i've seen a total drama life series art thing but when i went to go look for it i couldn't find any SOOOOOOO i made it myself
Bonus:
Alenoah as that one desert duo scene because i was stumped on who i should've drawn for that scene
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kiisaes · 11 months
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they got charged for murder (it's killua's fault)
(original draw your ship prompt)
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sysig · 4 months
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Good skeles, like you lots (Patreon)
#Doodles#Handplates#UT#Sans#Papyrus#Gaster#Finally a set mostly featuring the brothers! Yay!#I love their dynamic so muuuuch and they're both so cuuuuuute ahhhhhhh <3 <3#I made that first one based on some half-remembered doodles from my Very First time around drawing UT characters - going way back!#I never posted any of them - I do actually have some studies from back then from various artists including Zarla haha ♪#And I think the original sketches for the pixel bouncies I made of them? :0 There's a lot of good stuff back there! Been a while tho lol#Really tho I've just kinda been on a big-eyes-and-swirly-cheeks kick lately haha ♪ They suit it so well! Especially Sans#Very fun to put down strong lines about ♫#Hugging <3 Always hugging <3 <3#I'm really pleased with their hands there actually haha - Papyrus pulling Sans in and Sans' hand on his ribs not pushing just a little space#They're so cute <3 Even some of my first doodles of them were them giving little donk-pecks on their cheek or forehead#Y'know - since they don't have lips lol#Also probably not a shock but I've pulled out my own colour cube(s) to play with out of inspiration lol#I am So out of practice lol#Sleeping on each other - it is The Classic! I love Papyrus' little paw thing with his plated hand while he sleeps haha#I personally really like the inverted Soul look on Monsters but in Handplates they're right side up! What do!#There must be a happy medium to strike somewhere hmmm#Just put them sideways and upset Everyone lol#A silly little set with Gaster of the two ''flying'' - does that activity actually have a name? :0 I don't know it#Gaster is not about to have them playing anything that could end up with 1-s falling though - not that he'll listen lol#''Because I told you to!'' Lol#And finally trying on clothes in their house! Papyrus is getting weird vibes off this shirt with how it ties in the back and hangs loosely#I'm pretty sure? I've been drawing him with his scar but it can hard to tell even looking at it myself lol#I'm not exactly careful with the delineation of his neck bones so the line can get lost#Needs a shirt that will compliment a scarf or a cape for sure
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starry-bi-sky · 28 days
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i need to get this out of my head before i continue clone^2 but danny being the first batkid. Like, standard procedure stuff: his parents and sister die, danny ends up with Vlad Masters. He drags him along to stereotypical galas and stuff; Danny is not having a good time.
He ends up going to one of the Wayne Galas being hosted ever since elusive Bruce Wayne has returned to Gotham. Vlad is crowing about having this opportunity as he's been wanting to sink his claws into the company for a long while now. Danny is too busy grieving to care what he wants.
And like most Galas, once Vlad is done showing him off to the other socialites and the like, he disappears. Off to a dark corner, or to one of the many balconies; doesn't matter. There he runs into said star of the show, Bruce who is still young, has been Batman for at least a year at this point, but still getting used to all these damn people and socializing. He's stepped off to hide for a few minutes before stepping back into the shark tank.
And he runs into a kid with circles under his eyes and a dull gleam in them. Familiar, like looking into a mirror.
Danny tries to excuse himself, he hasn't stopped crying since his parents died and it's been months. He rubs his eyes and stands up, and stumbles over a half-hearted apology to Mister Wayne. Some of Vlad's etiquette lessons kicking in.
Bruce is awkward, but he softens. "That's alright, lad," he says, pulling up some of that Brucie Wayne confidence, "I was just coming out here to get some fresh air."
There's a little pressing; Bruce asks who he's here with, Danny says, voice quiet and grief-stricken, that he's with his godfather Vlad Masters. Bruce asks him if he knows where he is, and Danny tells him he does. Bruce offers to leave, Danny tells him to do whatever he wants.
It ends with Bruce staying, standing off to the side with Danny in silence. Neither of them say a word, and Danny eventually leaves first in that same silence.
Bruce looks into Vlad Masters after everything is over, his interest piqued. He finds news about him taking in Danny Fenton: he looks into Danny Fenton. He finds news articles about his parents' deaths, their occupations, everything he can get his hands on.
At the next gala, he sees Danny again. And he looks the same as ever: quiet like a ghost, just as pale, and full of grief. Bruce sits in silence with him again for nearly ten minutes before he strikes a conversation.
"Do you like to do anything?"
Nothing. Just silence.
Bruce isn't quite sure what to do: comfort is not his forte, and Danny doesn't know him. He's smart enough to know that. So he starts talking about other things; anything he can think of that Brucie Wayne might say, that also wasn't inappropriate for a kid to hear.
Danny says nothing the entire time, and is again the first to leave.
Bruce watches from a distance as he intercts with Vlad Masters; how Vlad Masters interacts with him. He doesn't like what he sees: Vlad Masters keeps a hand on Danny's shoulder like one would hold onto the collar of a dog. He parades him around like a trophy he won.
And there are moments, when someone gets too close or when someone tries to shake Danny's hand, of deep possessiveness that flints over Vlad Masters' eyes. Like a dragon guarding a horde.
He plays the act of doting godfather well: but Bruce knows a liar when he sees one. Like recognizes like.
Danny is dull-eyed and blank faced the entire time; he looks miserable.
So Bruce tries to host more parties; if only so that he can talk to Danny alone. Vlad seems all too happy to attend, toting Danny along like a ribbon, and on the dot every hour, Danny slips away to somewhere to hide. Bruce appears twenty minutes later.
"I was looking into your godfather's company," he says one night, trying to think of more things to say. Some nights all they do is sit in silence. "Some of my shareholders were thinking of partnering up--"
"Don't."
He stops. Danny hardly says a word to him, he doesn't even look at him -- he's sitting on the ground, his head in his knees. Like he's trying to hide from the world. But he's looking, blue eyes piercing up at Bruce.
Bruce tilts his head, practiced puppy-like. "Pardon?"
"Don't." Danny says, strongly. "Don't make any deals with Vlad."
It's the most words Danny's spoken to him, and there's a look in his eyes like a candle finding its spark. Something hard. Bruce presses further, "And why is that?"
The spark flutters, and flushes out. Danny blinks like he's coming out of a trance, and slumps back into himself. "Just don't."
Bruce stares at him, thoughtful, before looking away. "Alright. I won't."
And they fall back into silence.
Danny, when he leaves, turns to look at Bruce, "I mean it." He says; soft like he's telling a secret, "Don't make any deals with him. Don't be alone with him. Don't work with him."
He's scampered away before Bruce can question him further.
(He never planned on working with Vlad Masters and his company; he's done his research. He's seen the misfortune. But nothing ever leads back to him. There's no evidence of anything. But Danny knows something.)
At their next meeting, Danny starts the conversation. It's new, and it's welcomed. He says, cutting through their five minute quiet, that he likes stars. And he doesn't like that he can't see them in Gotham.
Bruce hums in interest, and Danny continues talking. It's as if floodgates had been opened, and as Bruce takes a sip of his wine, it tastes like victory.
("Tucker told me once--") ("Tucker?") ("Oh-- uh, one of my best friends. He's a tech geek. We haven't talked in a while.")
(Danny shut down in his grief -- his friends are worried, but can't reach him. When he goes back to the manor with Vlad, he fishes out his phone and sends them a message.)
(They are ecstatic to hear from him.)
It all culminates until one day, when Danny is leaving to go back inside, that Bruce speaks up. "You know," He says, leaning against the railing. "The manor has many rooms; plenty of space for a guest."
The implication there, hidden between the lines. And Danny is smart, he looks at Bruce with a sharp glean in his eyes, and he nods. "Good to know."
The next time they see each other, Danny has something in his hands. "Can you hold onto something for me?" He asks.
When Bruce agrees, Danny places a pearl into his palm. or, at least, it's something that looks like a pearl. Because it's cold to the touch; sinking into Bruce's white silk gloves with ease and shimmering like an opal. It moves a little as it settles into his hand, and the moves like its full of liquid.
Bruce has never seen anything like it before, but he does know this; it's not human. "What is it?" He asks, and Danny looks uncomfortable.
"I can't tell you that." He says, shifting on his foot like he's scared of someone seeing it. "But please be careful with it. Treat it like it's extremely fragile."
When Bruce gets home, he puts it in an empty ring box and hides the box in the cave. He tries researching into what it is. he can't find anything concrete.
Everything comes to a head one day when Danny appears at the manor's doorstep one evening, soaking wet in the rain, and bleeding from the side.
#dpxdc#dp x dc#danny fenton is not the ghost king#dpxdc crossover#dpdc#dp x dc crossover#dpxdc prompt#man i just really need more dpdc stuff where danny and bruce have a good relationship. like man i NEED it. like i need to see these two#bonding together. and not in a cracky 'oh danny is a distant friend/cousin/etc' stuff but like. active participants in each other's lives#or as active as can be in this case. i neeeeed these two getting along and caring about one another#this idea came to me like last night and hasn't left since nd it was driving me up the wall to think about both positively and negatively b#i neeeded someone to hear about this or i was gonna implode#danny is the first son#tried to just get the general gist of the idea down but i definitely thought of the idea that bruce lowkey suspects vlad for having a hand#Vlad allows Danny to sneak off because he thinks Danny is alone. if he knew Bruce was there he'd be piiisssed and would put a stop to it#Sam and Tucker are alive they just got ghosted for a bit by danny bc he was in Major Grief and didn't wanna socialize. He couldn't go to#them because he didn't wanna put them in danger via Vlad.#oh that thing he handed Bruce? Yeah that's his ghost core. I have a headcanon (that isnt always applied) that ghosts can take their cores#out of their bodies at will and painlessly and without issue. and its common practice actually to do so bc they can be a not insignificant#distance away from said core before problems start to act up. and its common for ghosts to leave their physical cores at their lairs for#safekeeping because as long as the physical core is fine: so is the ghost. they can reform if their body gets destroyed. it also acts as a#fast travel sometimes. where they can reform at their core in an instant. its not inspired in the slightest by SU but i do see the overlap#most cores are pretty small for safety sake: its harder to hit if its small. and they're pr resilient too but its better to be safe than#sorry. so yeah. danny essentially gave bruce the physical embodiment of his soul and indirectly said#'if anything happens to me at least i'll be safe with you'#danny doesn't know he's batman btw#starry rambles.#was gonna go into danny becoming a vigilante beside bruce but im sleeeepy so i'll do that in a reblog. he's gonna go by nightingale if#anyone is interested. stereotypical but to be frank it is a *good* name imo. has a good amount of syllables and consonants to it#and the bird theme. and since its part of an ancestral name it has even more backing for it being bird-y without being meta
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skitskatdacat63 · 7 months
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2011 Monaco Grand Prix - Vettonso
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turtleblogatlast · 17 days
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Don’t think I ever quite said what my LGBTQ+ headcanons are for the boys, so these are my current thoughts! Always changing of course but this is what I feel most strongly right now.
#rottmnt#rise of the teenage mutant ninja turtles#rottmnt headcanons#rise donnie#rise leo#rise mikey#rise raph#donnie and leo’s sexualities being practically swapped was unintentional but it works way too well#same with mikey and raph tbh it was a happy accident#anyway I kinda hc raph as the type who doesn’t care about physical appearance just if you fight lol#Mikey’s more than happy with friends and family#Donnie is a BIG romantic but he needs time to sus a person out fully before he gets the hots for them#leo meanwhile isn’t keen on romance unless it’s with someone he grows to really really REALLY trust#I could go on and probably will later (knowing me) but it is late and I am tired haha#turtle art tag#curious as to what everyone else headcanons#the only one of these I’ll defend forever is Bi (female-leaning) donnie and trans leo#all the others can change over time but I really like where they’re sitting right now#I hope these are the right flags too because it was kinda hard to find them#went looking for transmasc flag in particular but I couldn’t find a solid agreed upon version 😭#ngl a big part of why I hc mikey as aro is because of a pun#my phone often misspells aromantic as aromatic and- and you get it- because aromatic herbs and- and Mikey is a chef do YOU GET IT#note that while I hc leo as bisexual (male-leaning) I still think he’s prob closer to demi in that as well just not as far into the spectrum#if that makes sense#headcanons are fun and hard to narrow down at the same time alas#I made this in like an hour can you tell djjdjd#I drew them all from memory so if there’s anything wrong…shhh#and if you’re wondering for April and Splinter#Both are Bisexual (female-leaning) but April is also Panromantic#I almost wanna make Splinter demiromantic too so Big Mama’s betrayal hits just a bit harder
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blueskittlesart · 1 month
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being in art school and having basically 0 knowledge about christianity whatsoever is so funny at this point i think you could tell me literally anything was an allegory for jesus and i'd just believe you
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I’ve been scrolling through some of the Linked Universe tags the past few days and every so often I’ve come across your art, mostly of Warriors and Time and I just wanted to say I absolutely love it! Your art style is really cool and I love the way you colour the pieces you draw, it’s very nice! I hope you’re having an excellent day!
Thank you so much!! I’ve had so much fun drawing Warrior and Time shenanigans and it’s really helped push my art wrt character interactions
I’m so glad you’re enjoying it! 🥰🥰🥰
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Time: So, what’s going on here?
Warriors: Not sure, but it definitely seems like something you should deal with.
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moeblob · 1 month
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Sorry I forgot Hanneman suggested Byleth undress after they show up with a different hair color. And I miss Hanneman. And also while swapping between Houses and Hopes and seeing Hanneman pop up to help in a Hopes paralogue is just devastating since he doesn't ever actually join you at all and I am denied my old man rights.
So I had to draw this. Thank you for understanding.
#fe three houses#byleth#hanneman von essar#i like that Byleth just kinda stares at him and he realizes WHAT HE SAID and the implications and is like#step back uh forget that I said that#like man so zoned in on research he blurts that out and has to backtrack mentally to AH socially bad to say that my bad#if i need to tag this as anything lemme know even though it is a conversation in game basically (minus the marriage)#also if you have never married hanneman i genuinely enjoyed his s support and was VERY surprised and hes just#honestly one of my favorites overall in 3h ?? and im still bummed i cant play as him in thropes like thats just mean#also i think if byleth was like oh well if its awkward to see someone undress randomly#then marriage would solve the awkwardness this is truly the best deduction#which is really funny that i can see it happening with both leths despite my hc of them#with fyleth as bi and myleth as ace i think both would just be like AH cool we can avoid awkwardness by marriage#and hanneman just wants to go lie down in a ditch because he said something like that#and and byleth doesnt even know about religion while working at church school they dont know about school regulations#that wasnt really on their mind to check ok just saying you could tell byleth no to something#and then they just go oh school policies i understand unfortunately#and the person is like no we just meant its frowned upon to do archery practice in the tea garden its not technically illegal just dont??
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slightlyplant · 4 months
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pancakes & missing people
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The Turning of the Year: A Cinderella Retelling
In a long-ago year, in a faraway land, there lived a girl named Alena. She lived in the house of a cruel stepmother, who hated her because she was so much prettier than her own daughter, and who made Alena do all the work of the house. Though the stepmother let her eat only scraps and wear only rags, Alena grew only more kind and beautiful as the year's went by, while her own daughter, Vanda, grew ever more coarse and cruel.
Now one December, it became known that the king of the land would host a grand ball in the city upon the eve of the New Year. Alena, like all other girls, wished to attend, and asked her stepmother if she could go. Her stepmother promised that she could, in order to convince Alena to work even harder in the weeks before.
But when New Year's Eve arrived, and Alena asked if she could dress for the ball, her stepmother cried, "A ball? When there is so much work to do? We must cast out the old year! You shall attend no ball before the house is cleaned. If there is even a speck of dust left in this house at midnight, you shall bring bad luck upon us all--and it shall be very bad luck for you.”
With that, her stepmother left the house, along with her own daughter, Vanda, to purchase trimmings for their dresses at the ball.
Scarcely had Alena begun to clean the kitchen when she heard footsteps near the back garden gate. When Alena peered outside, she found an old woman walking alone, her back so bent she could not stand without her staff, and her hair so white the snowflakes seemed dark upon it.
“Good mother!” Alena cried, rushing to the woman’s aid. “Come inside to warm yourself! It is no weather for traveling.”
The old woman took a seat by the fire with thanks, and gladly shared the crust of bread that was the only meal Alena’s stepmother had given her.
“You are good to an old woman,” the stranger said. “Yet that is no surprise, for you have been good the whole year through.”
“You do not know me,” Alena said in surprise.
“But I do,” the woman replied, “for I am the Old Year. You have shown me kindness near the end of my journey, so I will be glad to do what I can to help you in yours. What troubles you, child?”
Alena said with sorrow, “My stepmother will not let me attend the prince’s ball until I have cleaned every speck of dust from the house.”
“That is easily done,” the Old Year said, “for April shall reign in this house for the hour.”
With that, though the woman remained old and bent upon her stool, she also seemed somehow to be tall and straight, young and beautiful, with apple blossoms in her golden hair. In the garden outside, the snow clouds cleared away for springtime sun, and warm breezes blew through the house, gathering all the dirt and dust and soot and spreading it neatly in the gardens outside. While spring reigned, Alena gathered blossoming branches from the garden and placed them in jars around the house. Before the hour was over, the house shone. The old woman then lost her youthful aura, and winter returned to the gardens outside.
Alena thanked the Old Year from the bottom of her heart, but at that moment, her stepmother and stepsister returned. Alena, knowing that her stepmother would beat her for letting a ragged stranger into the house, hid the Old Year in the pantry just before her mother entered the kitchen.
“You lazy girl!” Stepmother shouted, when she saw Alena sitting on the stool near the fireplace. “Why are you sitting when the house must be cleaned?”
“It is clean, Stepmother,” Alena replied.
Her stepmother protested, but when she inspected the house, she found not a speck of dust.
She returned to the kitchen filled with rage, for she did not wish Alena to attend the ball and outshine her own daughter in the presence of the prince. When there, she saw the sacks of grain that Alena had moved out of the pantry to make room for the old woman.
“Aha!” her stepmother said. “You have forgotten the grain! We cannot enter the old year with bad grain. You must sift through every kernel so you can throw out the bad and keep the good. If this is not done before midnight, it will be a bad year for you.”
With that, her stepmother and Vanda returned to their rooms to prepare their dresses for the ball. Alena wept by the fireplace, and when she let the old year back into the kitchen, she told her the new task her stepmother had given her.
“That is no trouble,” the Old Year said. “Dry your eyes, child, for July shall reign in this house for the hour.”
Though the woman remained as old as ever, Alena thought she could also see her as a woman of middle age, with roses in hair just beginning to go gray. Through the windows flew every one of summer’s songbirds--warblers, robins, thrushes, vireos, orioles, flycatchers, tanagers, grosbeaks. At the Old Year’s commands, they opened the sacks, and threw the good grain into the barrels and the bad out the back door.
The gardens outside were lush and green, and Alena spent the hour in the sunshine, gathering strawberries, raspberries, and roses by the armful. The birds finished their work before the hour was over, and then flew out the doorway. The sunshine faded, the snow returned, and Alena thanked the Old Year with all her heart.
Just then, her stepmother emerged from her rooms, and Alena hid the Old Year in the pantry once more. Her stepmother and Vanda were fully dressed for the ball, but they had been so absorbed in their own looks that they had not seen even a moment of the summer that had filled the house.
"The grain is sorted, Stepmother," Alena said. "That means I can go to the ball."
With anger in her heart, her stepmother sorted through the grain, but she could not find one bad kernel to blame Alena for.
"You stupid girl!" she said at last. "Just because the grain is sorted, it doesn't mean your work is done. You have forgotten the mattresses! We cannot meet the new year in beds filled with last year's down! You must empty all the mattresses and stuff them all with fresh feathers before you can even think of attending the ball!"
She forced Alena to drag the mattresses to the kitchen, and then she and Vanda returned to their rooms to finish dressing their hair.
With that, Alena fell to weeping once again. The Old Year emerged and asked what troubled her.
"My stepmother demands I restuff the mattresses before I can attend the ball."
"That is no trouble," the Old Year said. "September shall reign in this house for the hour."
The next moment, though the woman remained old and bent, Alena also saw her as a woman not quite so old, with an elegant bearing and iron-gray hair that was woven with autumn leaves. The light outside became golden, while the plants in the garden grew brown and dry, and the trees bore apples among flaming leaves.
The sky grew dark as the air filled with the sound of beating wings, and in a moment, geese and ducks of every kind filled the gardens. The birds filed through the door, and at the Old Year's command, they pulled the old feathers from the mattresses and replaced them with a few feathers pulled from their own wings and tails and breasts. While the birds worked, Alena went to the gardens and gathered sweet apples from the groaning trees.
When the hour was over, the birds flew away, leaving behind mattresses plump with fresh new feathers. Alena thanked the Old Year with all her heart, then flew up the stairs to prepare for the ball.
Her stepmother met her in the hall outside her bedchamber, her hair dressed and ready for the ball.
"I have finished the work, Stepmother," Alena said, "so I will be able to go with you to the ball."
Her stepmother did not believe her, but when Alena brought the mattresses upstairs, she found them so plump and clean and fresh that she could find no fault to blame Alena for.
"You foolish child," her stepmother said at last, so angry she could barely speak. "You cannot possibly attend the ball, for you have nothing suitable to wear."
"I have one dress," Alena said. She flew into her dark, drafty little room and emerged with a gown that had once belonged to her mother. "This dress will fit me, and it is fit to be seen even by a king."
Her stepmother could see that in such a dress, even old as it was, Alena would still far outshine her own daughter in the prince's eyes. She tore the dress from Alena's hands, and with hands made strong by fury, she tore at the seams until the dress tore in two.
"This rag?" Her stepmother cried. "You cannot attend the ball in something so old. I would not have you come and give shame to us all. You must stay here and greet the new year alone."
With that, she and Vanda put on their cloaks, stepped in their carriage, and departed for the ball, leaving Alena weeping in the hallway.
While she wept, the Old Year came to her side and asked what troubled her.
"I am without hope," Alena said. "Though all the work is done, I cannot attend the ball, for I have nothing but rags to wear."
"Nonsense, child," the Old Year said. "You shall be the finest woman there, for you will be clothed in all the bounty of the year."
The Old Year helped Alena to her feet, and through tear-filled eyes, Alena saw the woman change, so she seemed old and young and middle-aged all at once. In the gardens outside, spring blossoms sprouted beside summer's roses, and autumn's leaves blazed over winter's snow. Sun and snow and wind and rain all seemed to fill the little hall where Alena stood. Her limp hair piled high atop her head and was crowned with the blossoms of spring. Her rags became a gown as soft as the petals of summer's roses, and bright with autumn's crimson and gold. A cloak of winter-white feathers stretched from her shoulders to the ground, and her feet were shod in shoes of winter's ice, which through some miracle neither froze her feet nor melted upon the floor.
"Old Mother!" Alena cried in gratitude, throwing her arms around the old woman. "I cannot thank you enough."
"You have earned it," the Old Year said, "but I warn you that I will fade away at midnight's chime, and when I go, my gifts will disappear. You must leave quickly, child, while time lasts."
With that, another wind, warm and icy all at once, wrapped itself around Alena and lifted her through the window. In moments, she found herself before the king's palace, which was all lit up for the festival.
At the ball, her beauty far outshone every woman there, and the dancers stopped dancing to whisper about this strange foreign princess who had arrived with no escort. The king, seeing her, was enchanted at once, and asked for her hand in the dance. For the rest of the night, Alena danced with no other, and found the king as kind and handsome as all the tales had claimed.
The hours flew by in what seemed like moments, until just as the king led her out toward a balcony, the palace clock began to chime the midnight hour.
"The new year has come!" the king declared, but Alena fled from him, out of the palace, down the stairs, and to the dark and snow-covered city streets. The Old Year's wind--what was left of it--found her and carried her through the midnight sky, but at the stroke of twelve, it faded away, dropping Alena into her house's back garden, clad once more in her rags. A single shoe of winter's ice clung to her left foot--though the Old Year's gifts had faded, winter still reigned, so only that season's gift remained.
The king, when she fled, ran after her, but he could find no trace of where his partner had gone, save one token, dropped in the place where the wind had picked her up--a single shoe made of winter's unmelting ice. The king declared that he would marry no woman save for the one who fit the miraculous shoe, and at the first light of dawn, he left the palace in search of her.
He had not gone far when he came across a girl child, barely old enough to walk, with hair as soft and golden as the sun's first rays.
"Where are you going?" the child asked him, in a voice too strong and clear for one so young. The king knew at once that he spoke to the newborn Year.
"I search for the woman I love," the king said, "though I have nothing to find her save the shoe she left behind."
"I know her well," the New Year said, "for she was a great friend of my mother's. You will find her in a house at the edge of the city, where spring's blossoms sit next to summer's roses and autumn's fresh apples."
With many thanks, the king swept the child onto his horse, wrapped her in his cloak, and sped off toward the far edge of the city. Before long, he came upon Alena's house, and knew it by the baskets of blossoms, roses and apples she had kept by the kitchen window.
When Alena's stepmother had come home from the ball, she had seen the signs of autumn, spring and summer in her kitchen, and knew that Alena had been the princess at the ball. She searched in Alena's room and found the partner to the shoe the prince held, then she seized Alena by the hair and locked her deep within the cellar. As she saw the prince approach, she fetched Vanda--her own ugly, cruel daughter--and perched her near the window with the blossoming roses, with the shoe of ice upon her foot.
The king rode to the house's entrance and presented himself by the main doors. Alena's stepmother greeted him with warm joy and welcomed him inside. While she took the king's cloak and tended to his boots, she did not see the small child toddle from the prince's side and make her way to the room where Vanda sat waiting.
Once there, the New Year reached her tiny hands toward the loaf of bread that Alena had baked only that morning. "Might I have something to eat?" she asked Vanda.
"Go away, little girl," Vanda said crossly. "Don't you know that the prince is here?"
The New Year asked for bread again, and once more, Vanda scolded her. At last, the child began to cry, and Vanda hit her on the ear and sent her tumbling to the floor.
Red-faced and crying, the New Year rose to her feet and told Vanya. "You are a cruel, selfish girl. Your heart is cold as ice, and so it is winter that will reign in this house today."
With her words, all the doors and windows of the room flew open, and a wind as cold as death blew in. Snow blew into the room and fell in drifts upon the floor. Before long, Vanda's lips and hands were blue, but her feet, encased in blocks of freezing ice, were black as coal.
Vanya's screams drew her mother to her side, and the king, alarmed, trailed in after her. He saw the girl with blackened feet, and though one foot wore the slipper of ice, he knew she was not the girl he sought. He feared that these cruel women had done her some great harm.
While Vanya's mother tended to her and sent for the doctor, the king saw the New Year standing in a drift of snow. He lifted her onto a stool, wrapped her in his cloak, and asked her, "Where is the woman I love? You promised she was here, yet I do not see her, and there are no other women in this house."
"You will find her in the one place where winter did not touch," the New Year said, "for her heart is too warm to be touched by ice."
The king waded through the kitchen's drifting snow and opened the door of the pantry. There, he saw all the house's food stores covered in snow and ice, but with not a flake covering the small door that led to the cellar. With a few blows, the door broke open, and the king pulled Alena out into the morning light.
"I have found you at last," the king cried in joy, and knelt before her with the slipper of ice. "You have my heart," the king replied, "and if you are willing, I would make you my bride."
With a smile, Alena said, "I will gladly be your wife."
With joy, the king took Alena to his home and introduced her to his court as his chosen bride. The people were charmed at once by her beauty and her kindness, and before the month was over, she was wed to the king and became queen over all the land. Her stepmother and stepsister, with Vanya maimed and their food frozen, became paupers, because they, in their pride, refused all of Alena's charity. Their cruelty gained them no friends, and before the winter's end, they were found, frozen to death, in winter's snow.
Alena, reigning as queen by her husband's side, became beloved by all the land. She and her husband remained pure of soul and warm of heart, and together they all lived happily for all the rest of their years.
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sesamenom · 5 months
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Maglor with that silly overly ornamented videogame armor (Curufin made it as a gag gift)
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"distant relative" i assume you are referring to my father?
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automatonknight · 8 months
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here's the prick i was talking about^ i have so many thoughts and notes about him but they're mostly incomprehensible so when i organize maybe them i'll post them who knows
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seaweedstarshine · 2 months
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Listen is so great you don't understand. It's an episode about mental illness. And some people point out that some of the things that happen (the kid under the blanket, the airlock mechanism triggering) are on the surface unlikely, but that's the exact point. The Doctor is not an objective narrator, I mean this is the episode that starts with him sitting on top of the TARDIS in space speechifying, we see it in the way he frames it, so we see these ordinary things (a mischievous child, a dead ship breaking down) in the uncanny way he sees them—
—and because he is the Doctor, because he is the person who bad guys pause their plans to listen when he talks, because he is charismatic and impressive and the Oncoming Storm—
—because he's the Doctor, Clara (and baby Danny and Orson) start to believe him, until they arrive on Gallifrey, until Clara sees the root of his trauma, and she understands.
And it doesn't matter if this creature is a delusion or not, it only matters that it scares him, because fear is a superpower, and the way he responds to the reality he experiences is why he's the Doctor.
What. an. icon.
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