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beechaotic · 2 months

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So, I don’t talk about my stories on here much. Maybe about different characters in passing, but nothing too in-depth. However, I wanted to share a story I wrote outlining how one of the main characters for my Sci-Fi story met her best friend (an alien) for a contest. I wanted to share it here to see if you guys like it, because I’m kind of proud of it.

Title: The Monster Who Saved Her

Word Count: 1,684 words

She was young, when she was taken.

She hardly remembers anything about Earth. Sure, she remembers bits and pieces of her language, her culture, things she learned; but she only remembers little things.

She doesn’t remember what different flowers were called, but she remembered that her favorite ones were multicolored (and likely genetically modified) with layering petals that curved around the center. She can’t remember any concrete or important words, but she does know how to say “Are you here to help me?” (because she said it too much on those ships; too many times she’d beg for help from anyone who would listen. They never helped). She also remembers the word “A-May”. She doesn’t remember her mother’s face, but she knows that her mother always sang to her when she had a nightmare. She had a beautiful voice. She doesn’t remember any common names from her homeworld, but she does remember that there was a girl she considered her best friend who was named “Estée”, which she said meant “Star”. She also remembered thinking it was fitting for the girl, as she had shown brightly and was always happy to shine light her on someone’s dark day. But she didn’t remember anything important about her life, her culture, her language.

She still remembers the night she was taken to the first ship.

She had been in her room, listening to her parents argue (she remembers that they did that often; that her father usually came home smelling gross and being clumsy, and that her mother would be mad every time). She couldn’t sleep because of the shouts and the banging of fists hitting counters. She curled up closer to her beloved toy, a little stuffed cat that her father had given her once when he wasn’t stumbling and his mood was light. She had named it Sarr-u, a suggestion from her mother. She remembered her parents joking that this was her first child, and that they would give all their money to the toy when they were gone.

She remembered hearing something break, and how footsteps echoed in the apartment. She remembered hearing her father shout in surprise, before hearing what she now knows as the shot of a High-Powered Plasma Shooter. Then, she heard her mother scream. She hid her head under the thin blanket. She stayed huddled there while she heard voices speak in an unfamiliar tongue. A tongue that she now speaks, that she knows better than her Homeworld’s.

She remembers hearing them slam her bedroom door open with such ferocity that she shuddered and tried to meld with Sarr-u. They ripped off her blanket, and she saw the horrors that had killed her parents.

She doesn’t remember what Humans look like, just vague features and skin tones; but she remembers knowing that these were not Humans. She remembers thinking that they were monsters, come to eat her soul and feed her bones to whatever monstrosities they called pets. She remembers screaming and clinging to Sarr-u as they picked her up roughly, how she squirmed and writhed in a vain attempt to get free. The monsters didn’t even react to her struggles beyond grumbling in their language. She remembers them taking her outside, where they were rounding up other children she knew from the apartment building. She remembers playing with them, their parents taking turns on who would watch the children each day. She remembers how they would all laugh and just be free.

Some of the children were crying, some were also fighting, but most were frozen in terror. She could tell now which ones had been with their parents when the “monsters” had barged in, which ones had watched the fatal blow. Those were the children that looked empty, like they weren’t even alive anymore. Like they were floating out of their body, far away from what was happening, where everything was safe.

The “monster” shoved them into cells with clear doors. She remembers trying to touch the barrier, only to get a jolt of pain through her hand. She remembers how she had pulled it away only to find charred flesh where limb had met with barrier. She remembers sitting in the corner of her cell and crying in fear. She remembers screaming for her “A-May” over and over again.

They were in those cells for what felt like decades, though it probably was no more than a year. The older kids would try to reassure the others by saying that they would make sure nothing bad would happen, that they would all get back home soon. She remembers believing them. That this would all end with a heroic soldier coming in and opening their cell doors, killing all of the “monsters” in their wake. The monsters always came back, usually bringing strange food with them. The food tasted like nothing and was always dry. It was also never enough to fully satiate them. And the water that they got was always warm, and they could only drink small mouthfuls at a time to save it. They never knew when they would next be fed.

Then, the monsters came back, not with food, but with cages. They began opening cells and loading children into the cages, even as the older ones screamed at them and the little ones cried in fear. Some of the older children even tried ramming themselves into the invisible barrier, and she watched as their skin and clothes got charred like her palm had been.

When they got to her, she didn’t fight back. She tried to hide away, to make herself too small to be seen. But it didn’t work, because they grabbed her anyway and shoved her into a tight cage without remorse.

When everyone was loaded into their cages, the monsters began to walk them out of the ship. They were put into a dark area where they couldn’t see. Some of the children cried, while others whispered reassurances. One even began to sing, soon joined by the other children held captive there. She remembers the song they sung vividly, how the childlike voices made it more haunting with the fear etched in every word.

“What do we do when we’re half-starved and mad?

We fight till we’re dead,

Fight ‘till we’re dead

What do we do when our enemies hound us?

We fight ‘till we’re dead,

Fight ‘till we’re dead

What do we do when the mob surrounds us?

We fight ‘till we’re dead,

Fight ‘till we’re dead!”

Now, whenever she hears someone singing a tune vaguely similar, she gets a jolt of peace. It was the only moment of true safety she would feel for a long time. Yes, she was in a cage and shrouded by darkness, but she also had people with her that she considered to be her friends. Estée was there, too. She kept trying to make everyone laugh, just like she used to.

She wondered sometimes where Estée was, and if she was safe. Was she still on one of the ships? Was Estée being tortured, like she had been? She could only hope that she was on one of the ships that actually care about Humans.

One by one, the cages were grabbed and taken into another room. As they were taken, the younger children would scream and wail, and the older children would try and shout platitudes. Eventually, she was taken into the room.

The room was a stage, with thousands of monsters staring at it from the stands. Her cage was roughly placed on the ground, and the monster at the podium she had glimpsed began talking. Monsters began shouting and raising their appendages. And with a chill, she realized that this was an auction. She was being sold.

She had heard of Humans doing this to other Humans in the past, but she never expected it to happen to her. She curled in on herself, desperate to disappear.

She was dragged onto a new ship, to a new cell. She was tortured and experimented on day in and day out. Eventually, they got bored of her, and sold her to another ship. This happened over and over again, until she became numb to the process.

Then, one day, after a long session of pain, she heard blaring alarms go off on the ship. Pounding resounded through the halls, along with the inhuman language she had grown accustomed to. Shots rang out from their weird guns, and she heard bodies hit the floor as shrieks filled the air. Soon, a new monster appeared at her cell door.

He was tall and very heavy-set. Not with hulking muscles, but with a broad body that years of hard labor would give you. But that wasn’t what caught her attention; no, it was that he looked like a pig.

Even then, her memories of Earth had begun to fade. But she remembers distinctly thinking “Wow, it’s like a pig on two feet”. He looked at her for a moment, before clicking some buttons on the keypad. The door opened, and he stepped inside. Weakly, she growled (a sound she had heard the monsters make to scare her), but he didn’t move away. Instead, he just held up his-hands? Hooves?-in a placating way. In a way that was so achingly Human, she couldn’t help but pause for a moment. He stepped closer, and she began to growl weakly again, curling around Sarr-u for comfort.

He kept his hands slightly raised as he approached, always in her view. He kept his movements slow and predictable, so as to not startle her. Slowly, he knelt down in front of her. Her growls petered out as she took in the kindness his eyes held. He made a strange cough-like noise, probably to try and calm her. Surprisingly, it worked.

He took her to his ship and showed her a room she could stay in. He taught her Galactic Common. And when the time came, he asked for her name.

She looked at him, her protector, her savior.

“My name is Burma, thank you for saving me.”

There you go, the story of a future Spaceship Captain, Burma! She actually has a stutter, but I imagine that that happens due to a head injury after she meets this guy.

Also, I have no idea what to name her alien friend. You guys have any suggestions? I would rather have non-European names, because in the Lore of this world, the aliens used to occasionally come to Earth and teach/talk to Humans. His species settled in like, the Caribbean. Don’t ask me what island, I haven’t thought that far ahead. However, I think it would be somewhere like Cuba, the Dominican Republic, or Haiti. So they picked up pieces of each other’s cultures.

Also, yes, Burma’s family is from Burma. However, she isn’t. She was born in America, since her family immigrated there before she was born. That’s why she said some things in Burmese, rather than in English. Like Sarr-u. It’s the Latin Alphabet version of the Burmese word for “First Born”. (Y’know how I put in the jokes her parents made? That was why).

Side note, I wanted to imply that her father was an alcoholic without directly saying it. I hope that came across in the text.

Anyway, yeah, that’s the origin story for my Ship Captain Burma! She learns Galactic Common AND her friend’s native language, which is comprised of grunts and chuffs.

Tell me what you think!!

Ps: I made up the song they sing, and I imagine it to a similar tune as “What should we do with a drunken sailor?” Because the contest wouldn’t let me use preexisting songs and I still wanted to show them singing.

PPS: None of the characters are white!! I didn’t decide the races/ethnicities for most of them, except for Burma and her best friend from Earth, Esteé. Esteé is Haitian and is very much not white. I imagine her having a VERY dark complexion. Not like those influencers social media pushes on you, darker than that. Like, Oh-Fuck-I-Can’t-Find-Makeup-In-The-Right-Shade-That’s-In-My-Budget kind of dark. Why did I come up with all this information about her AND MORE? Because I have no life. 🙃

#writeblr #humans are weird #humans are deathworlders #humans are space orcs #writing #original character #original post #original writing #original story #i had way too much fun with this #like I should NOT be enjoying writing out someone’s childhood trauma #but it’s hurt/comfort so it’s fine!#please show my babies some love #and tell me your thoughts on what I should do with this

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lord-squiggletits · 9 months

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Something I keep seeing when I speak to others about MTMTE Megatron is basically the idea that he's going on a personal journey to become a better person, that the point isn't for him to be "redeemed" but for him to get a chance to do good and die as a person he can live with again. That MTMTE presents a unique take on this because being away from Cybertron gives Megatron a chance to be a person rather than a political figure and this is how it gives him more depth as a character. Or just generally pointing out in a narrative sense that Megatron being in MTMTE limits his story options so of course his story is going to be more focused on a personal journey than on politics of him dealing with the Decepticons/Earth/etc and that just because JRO made a choice to take that path with Megatron doesn't mean that it's inherently bad.

And I'm just, mmm like I understand all of those points and acknowledge that they all contributed to the MTMTE Megatron we got. I even think that without JRO writing Megatron we wouldn't have had his lore be as fleshed out and 3D as it ended up becoming.

(Post starts out as a sort of meta analysis or at least me giving a reasoned explanation for my interpretation of the story, ends up being petty bitching in the last 1-2 paragraphs)

I just..... I just personally don't agree with the "he's becoming a better person by getting a chance to relax and experience happiness and trust after a life of trauma" as being the best choice for his character? Because the problem is that maybe if he were a random Decepticon foot soldier that would be appropriate, but he was literally the leader of the Decepticons that made them Like That and has political/cultural/societal responsibility for why things are the way they are? To be completely frank, I don't care about him going on a personal journey for self-peace, I think that he should become a better person by helping to un-fuck all the things he actually screwed up???

Like idc about the debate of whether he can be "redeemed" or if he should've been killed/imprisoned/etc at the ending. It just comes down to the fact that for me personally, I feel that since Megatron's wrongdoings were at a social level, him "being a better person" would've been better shown by him engaging with those people who he wronged instead of just going on a frigging personal journey for his legacy and self-peace???

Especially since in other series (exRID, possibly Windblade) we literally got plots like "the neutrals hate Autobots but they hate Decepticons even more" and "the Decepticons have been taken over by Galvatron and are now invading earth 2 electric boogaloo" and "yeah the Decepticons are literally living in slums because people hate them so much and won't give them any work." It just leaves me wondering why in the hell people are like, "oh Megatron got to be happy and have a chance to be a normal person." I don't want him to be normal! I want him to repay his debts to the people he actually wronged! Like if you want to cast Megatron as a hero of the people so badly (which so many of his stans do as if he actually cared about the Cons) then how do you reconcile the fact that Megatron just fucked off and left the Decepticons to suffer on Cybertron? Including some of them attacking during his trial and getting killed and Megatron is basically like "sorry, I'm not coming with you and this isn't going to work." And then Megatron complains about "toxic Decepticon loyalty" as if he didn't literally make them that way? Like I get that MTMTE Megatron is still an asshole but if you've read something besides MTMTE and know what the Decepticons are going through, it just ends up being really grating.

I just don't see Megatron as being a particularly good hero or having a particularly fulfilling story if he's completely isolated from all the bad things he did on Cybertron/the way the Decepticons are suffering until LL#25 where it's like "ah damn I'm going to trial now, well this is what I deserve so it's fine." Why could we not have seen something like Megatron trying to deradicalize the Decepticons or change their public image so they could integrate into normal Cybertron again? They were living in SLUMS and getting gunned down by Starscream's badgeless enforcers!

The best we got was the Functionist Universe but like.... I'm sorry, but JRO inventing a whole alternate universe for Megatron to save doesn't do jack shit to save or fix the people he left behind in this one. It was especially grating to read because JRO literally wrote in someone saying "you saved billions of lives from the Functionists" as if he was trying really hard to show how good Megatron is because he saved people (and also if not for Megatron existing Cybertron would be even worse and half of your faves would be enslaved or dead, also the Functionist Council was going to genocide organics too so technically they're WORSE than Megatron since they hate organics AND want to enslave their own race).

I read Barber's, JRO's, and MScott's series concurrently using the omnibus + a release order list for phase 3, and after all that I'm kind of puzzled why the fandom seems to ardently love MTMTE Megatron and think he's so well written but then also shit on Optimus for things that he did during the same points in the story? Because, and I know this is a blazing hot take, I honestly think that Optimus makes a better hero of his story than Megatron does for his, and Optimus' personal journey combines his personal and political identities into a narrative that's a lot more gruelling and questioning of his goodness than we got for Megatron in MTMTE. Which is fucking saying something considering Megatron committed crimes against sapient species and Optimus is the guy who tried to stop him from doing that and has always been pro-equal rights for all beings. But people pretty much just cherrypick things like Optimus annexing Earth or beating up Prowl and go "he's bad" and I'm like no??? IDW OP isn't a bad person or a bad character??? It's just that unlike MTMTE Megatron he's placed in a narrative that actually suits the nature of his actions and has themes that match. To the point that IMO sometimes Barber's narrative shits on Optimus excessively or paints him mainly in the most unflattering ways.

But like. It's just funny to me because Optimus spent his entire part of the story doing things like trying to stop Earth from being invaded/colonized yet again. Grappling with his identity as Prime and dealing with the fact that people literally worship him vs. the fact that his upbringing made him see the Primacy as nothing more than a facade of authority/leadership. Having people get mad at him for prioritizing politics over friendship/relationships with other people. Even getting shit on for being a cop a decent amount so people can STFU about IDW OP being "copaganda" or "not held responsible for his actions". The problems that Optimus dealt with were personal because they had to do with his self-doubt, culpability for the war as a leader of one of the armies, distance from his soldiers, etc. But all of these are also POLITICAL struggles. Because Optimus gave up on the chance to just be a normal person having personal struggles when he chose to become a LEADER, which also means that he's held to extremely high standards that he regularly fails at in the eyes of others.

That's why, to me, MTMTE Megatron falls flat in comparison and really as a "hero" or heel-face character in general? Because he also made a decision to be a leader, and IMO once you do things like become the commander of an army and start your own galactic empire, you lose the right to prioritize your personal problems and instead are obligated by the power you've chosen to wield to focus on your POLITICAL problems. If Megatron's power, influence, and crimes are of a social-political nature, then his heel-face turn arc and ways of showing that he's a better person/helping to heal what little damage he possibly can should have been shown with actions that help on a social-political LEVEL. That's why I'm not particularly impressed with his character arc and feel as if it was overhyped by other people in this fandom: sure, the extra character depth and emotion is nice, but I'm not really going to see him as extraordinary or even particularly good when the extent of him "becoming a better person" happens entirely on a random road trip to fuck-off nowhere. Especially not when the ending of LL tried to sell me a "they lived happily ever after" ending while basically leaving the freaking MUTINY as just Rodimus going "oh it's okay you're forgiven, we're all together again" and I guess everyone was fine with Megatron and wanted to spend an eternity on a ship with him just because Getaway died.

This is why I like (the concept/themes of) exRID/OP and the way Optimus' character arc was handled a lot more. Because for Optimus, the personal and the political were as one. He was held accountable for his actions towards others and the disruptive effects they had on a social level, sometimes to a ridiculous extent (the fucking "oh Megatron is an Autobot so now that makes the Autobots colonizers" plot and that stupid colonist screaming about how Optimus is "literally fascist" my beloathed). Even his very personal issues like his relationship with Zeta were still cast in a wider lens of, yeah this is a personal struggle that Orion faced, but he was still part of a Society TM and his actions were sometimes ill-informed or harmful to others. Even if I had a lot of problems with the way Optimus' story was written by Barber (plot holes, little meaningful character interaction, forced conflicts), at least the BASELINE of it was way better than Megatron's in MTMTE. Especially since Optimus' struggle was explictly about things like struggling with responsibility and how he feels he HAS to intervene in political affairs because has to save people/make up for his past mistakes. That's something that a good leader/good person actually does, so I found Optimus to be a better hero (even if his actions weren't all "good") because he was trying to be a good person by actually getting involved with Cybertron/Earth and subjecting himself to something he hates (leadership, war) and dealing with a shitload of criticism instead of just going on a fuckin "personal journey" lksdlkfsd.

Which just makes me extra salty that people hold up MTMTE Megatron as the pinnacle of Megatrons and literally the best Transformers writing evar! while turning up their nose and ignoring or outright despising IDW Optimus. Like okay. I guess since Megatron got handled with silk gloves on while Optimus got put through the wringer of being shit on by every other person in the story, it's easier for you to pretend that Megatron is a poor uwu boy who just needs friendship and love while Optimus is literally the worst bastard to ever exist. Or maybe it's just that since Optimus' story involves him sometimes fucking up, being criticized, or making things worse, that makes him morally bad. As opposed to Megatron who disrupted a lot of other characters' stories in MTMTE, had to have an entire alternate universe invented so that he could "save lives," and got to sail off on a quantum Lost Light happily ever after, so since he's happy and the story says he saved people that means he's a good hero.

#squiggposting #it started out sort of analytical but ended up bitchy #i also feel like for some reason my understanding of what a redemption arc is is different from others?#when i talk to people about it they keep saying 'well M can't make up for what he did'#and i'm like. no that's not what i mean by redemption arc #to me redemption arc literally just means 'a character goes from bad to good over the course of a story'#whether they're forgiven or if they can 'make up for it' objectively is irrelevant like #redemption arc is literally a common label used for the general trope so idk where this confusion is coming from?#also hot take when i say a character should be redeemed i'm literally not talking about wether they're forgiven or pardoned in universe #i just mean. as a reader. do i read their story arc and see them go from bad to good and progress in meaningful ways #do they do something. anything. to address or apologize or fix what they did #is there some sort of symbolic or literal sacrifice or act of service or any Good Thing even if it's only one single moment #then to me they've been redeemed in a narrative sense. it has nothing to do with whether they can literally compensate for hteir crimes #anyways. the tldr of this is that i don't hate mt/mte at all and i also don't hate idw M. i love them in fact #it's just i feel like i was severely let down by how much this fandom hyped and continues to hype mt/mte meg #(peg/gy the pirate spongebob meme voice) that's it? that's the M redemption arc?#that's just a guy going on a space road trip and being emo #mfs tried to tell me it was one of the best tf stories ever written and i'm like. yeah thanks but no #worse still ppl came out of m/tmte going 'actually M was right about everything'#and i'm like. shit take and you are spreading this nonsense everywhere including shitting on my faves w your bad takes #mfs wanna call M a hero of the ppl who at least cared about the cons when he literally left them for broke on cybertron #i don't think idw M had a good heel-face turn arc bc he didn't really like do anything meaningful in the wider scope of things #what if idw M achieved inner peace by protecting the cons and making sure they had rights post war. how about that #i mean for various reasons the story would've been more complicated than that due to editorial and company mandate bullshit #i just feel as if talking about the story narrative itself IDW M's redemption arc is far from remarkable #except for the fact that JRO dared to do it at all perhaps #(vine voice) that's my OPINION!!!!!

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