You know what, I keep mulling this over and I think I'm just going to write it because I keep second guessing myself and I need to share.
SO. Back in my big, long Wolfwood post, I pointed out this scene below and how the pale eyes/use of Vash's name/etc shows actual concern here
The next shot is of Wolfwood's shoes running, and by the time we see these two again, they're at the hospital and have to overhear from the staff what happened to the hitman - which means that Wolfwood did not run after the shooter, he ran to get medical help. That's what I stated before.
But here's the thing: leaving Vash there while he runs to get help is... kind of stupid, because even though Wolfwood shot at the hitman, he's clearly still alive and still gunning for Vash. Wolfwood refers to him in present tense - "He is obviously a hit-man" not "he was".
Immediately after, Keele, who's moved up to the roof, says the following - "I need to get a clean shot in." On it's own, that's not a strange thing to say - he needs to finish this, quickly, before he's discovered. Except... it kind of is an odd thing to say, if Vash is still just lying there. Keele is on the roof, directly above his target - I would expect a clean shot to be fairly easy to take.
You might be thinking, "oh, but maybe there's a crowd around Vash now and he can't get a clean shot with all the people"... but this makes no sense, because Vash is only as injured as he is because Keele clearly doesn't care about collateral and fired on both Vash and the civilian woman in the car. Even if you argue that there's too many people to be "justifiably collateral" in Keele's eyes, he could still easily disperse them by firing more bullets - we don't see anyone who appears to be able to fire a gun here except Wolfwood, and he should be gone to get help at this point.
So, what's with the clean shot thing? He's never seemed to care up until this point, he was just unloading all his bullets at the guy, and a grenade. The only thing I can think of is that he needs to ensure his aim is accurate. It's likely he's firing at a moving target.
Wolfwood's arm is stretched out over Vash in the second panel of the image above. Neither one of them knew what became of Keele until later at the hospital. Vash's entire body is bandaged - he was in no condition to move himself, and we only see one set of shoes in the running panel.
Tldr; "Wolfwood picks up Vash and carries him while booking it for the hospital" is not only a perfectly valid interpretation of this scene, but also, imo, one of the most rational ones. I rest my case.
...Actually I'm probably just losing my mind. Ignore me.
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symphony (bard!tav x astarion)
My first official fic for BG3 and this was a fun one to start with!! The song that came on shuffle was Cody Fry's I Hear A Symphony - Live From Ocean Way Nashville. The first thing I thought of was a bard playing it, so that's what I went for. Kinda short, but a little drabble never hurt anyone.
Like I said, this is my first BG3 fic and therefore my first Astarion fic. I've privately written him recently, but this is my first public release of my interpretation of him, so I'm sure there's some discrepancies in his characterization. That being said, I'm always open to hearing constructive criticism, just be gentle with me.
Please enjoy!
word count: 840
warnings: N/A unless sweet sweet fluff is something you're wishing to avoid... or if you don't like real life songs being used in fantasy settings lol
ao3 | guidelines for requests | masterlist
It was just like any other night at the camp, a strange mix of people forced into companionship by unlikely circumstances minding their own business. Shadowheart sitting in thought at her tent, Wyll making conversation with Karlach about their adventures of the day, and so on. Tav is sure the others are doing interesting things as well to wind down for the night, but she isn't too concerned about them. Instead, she sits by the fire, pretending to simply be staring off into space as she strums her lyre idly, but in truth, she's watching a certain vampire across the way. He's reading a book like he often does. She's not sure of what the contents are, she's not interested in it anyway.
She stops her hand for a moment and starts thinking of the song she had composed a few nights before and just hadn't been brave enough to share until now. It was rare for the bard to be nervous; her pieces usually were just silly little ditties made up on the spot about something funny that happened while out with a small party of her companions. Those didn't warrant a fear of criticism.
This, however, was different, it's fully written and memorized. It's special, it's a song with a specific muse. And she's not quite sure how this muse will react when he hears this pseudo-confession.
After some thought, she softly begins to sing with her eyes closed, "I used to hear a simple song, that was until you came along," she takes a breath to steady her shaky voice, "Now in its place is something new, I hear it when I look at you," she finally opens her eyes with the last word, immediately meeting Astarion's through the flames of the fire. She can't quite read his face, but when can she ever? He's pretty good at keeping his thoughts tucked away from any detection when he wants unless she uses the tadpole connection to enter his mind. She would never though; she understands the need for privacy and consent with everyone, but especially with him.
So, instead, she begins strumming her lyre and continues her song:
With simple songs, I wanted more,
Perfection is so quick to bore,
You are more beautiful by far,
Our flaws are who we really are,
It was then she saw recognition on his face, a smile threatening to grace his lips. He was holding back, but she was fine with that. The corner of her lips become upturned as well, she's more than happy to smile for the both of them at the moment. She stands up, finding her usual confidence again at his acknowledgment. And all at once, in her mind and in this moment, it is just her and him alone in the camp. No one else exists to her.
I used to hear a simple song,
That was until you came along.
You took my broken melody,
And now I hear a symphony.
She does a few vocalizations to fill the gap between the last stanza and the outro, all the while never taking her eyes off the pale elf who has given up on keeping his lips from forming a smile on his face.
And now I hear a symphony.
She strums a few more notes before ending the song, standing there by the fire with a stupid lovesick grin. She watches as he walks over to her while clapping a few times, "What a beautiful melody," he compliments, "I wonder who could have inspired such a poem."
Tav laughs at his theatrics, rolling her eyes as her cheeks heat up, "A mystery," if he was going to tease her, she'd play the game as well.
"Well, whoever they are, they must certainly be quite special to you."
"He is," she says, her voice filled with nothing but honesty, "I hope I'm even a fraction as special to him…" she trails off, looking at him softly before becoming self-conscious of her implications and looking away.
Astarion is quiet; it takes him a moment to realize how vulnerable she's being in the moment, how honest and open. A soft smile takes form on his lips again before leaning to kiss her forehead, "More than just a fraction, darling, much more," he says gently, just loud enough for her to hear.
After a few seconds of blissfully staring at each other in silence, clapping can be heard from another spot in the camp, followed by Shadowheart quietly scolding Karlach for ruining the bard and rogue's sweet moment. Which is then followed by the others all figuring out who won the bet of how long it would take for one of the two to confess having actual feelings for one another and who would be the one to make the first real move. (Lae'zel won both, plus a bonus prediction of how Tav would confess, though it wasn't much of a surprise considering she carried an instrument around like it's a necessity in life she can't live without.)
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Thinking tonight about Caelus, and the nature of his loss and his grief after the Everything that went down in Penacony during 2.0.
Because Acheron, Black Swan, and Misha kind of knew of Firefly, they at least met her, but they didn't like really know her, and Caelus never even got the chance to introduce her to the rest of the Astral Express Crew. The only person who would have talked to her much was Sparkle, who is. Probably not really someone Caelus is interested in grieving with skznmsks
Anyway, all this to say, I like thinking about how alone poor Caelus is in his grief, because he was the only one who knew Firefly. He's the only one really mourning her. There's no one to talk about her with. There's no stories to trade or memories to reminisce with anyone over. It's not as though he knew her for long, but still. No one else knew her at all.
And I love the thought of all of this coming bubbling up, hot and acidic and bitter, during a conversation with Sampo, who Caelus just so happens to run into in the Golden Hour. Poor Sampo is kinda blindsided, he knew shit was going down in Penacony, but yeesh. And he just. Isn't quite sure what to say about it all, because he's never really encountered this before. His feelings about the Masked Fools are...a mixed bag, but he's been a part of them for a very long time, and when you're with a close organization like that, it's hard to feel alone, in grief or otherwise.
So Sampo sits there on their little bench that the two of them have occupied, and he thinks of his old friend April, how she'd died in his arms cackling and spitting her own blood after a heist gone wrong, and how after he'd dragged himself back to the World's End Tavern they'd all held a Fool's Funeral- which is basically just a big party where everyone gets really really drunk and reminisces and toasts the dead and celebrates their life.
He still thinks about her a lot, and he remembers how the time he'd most keenly felt her absence was on Jarilo-VI, the one place where he couldn't talk about her because he couldn't say anything to give himself away as an alien. The Fools still tell stories about her every time he goes back to the Tavern. His first toast of the night is always in her name. Even now, all these years after she'd died, Sampo is still learning new things about her. He's never had to grieve her alone.
Caelus doesn't have any of that.
He might never have that. As they speak, Caelus has no proof that Firefly was even her real name, or if she dreamt with her true appearance. He might not ever find out who she even was.
And just imagining that kind of loneliness hollows out a strange little pit, right behind his sternum, deep between his ribs.
So Sampo claps Caelus' shoulder and offers him a deal. Come find him outside of the dream. He knows a guy who can get them a lot of beer for really cheap-
("Is that guy you and your five finger discounts?" "Whatever do you mean, dear friend, I don't even know the meaning of the phrase, hehee.")
-and they can hole up in a bar or a hotel room or something, and get completely shitcanned. Tell him all about Firefly, tell him everything, and he'll tell Caelus about April and everyone else he's ever lost. Sampo will carry Caelus' memories of Firefly with him, and at least this way, Caelus will be a little less alone in remembering her. And the next time they cross paths, Sampo will be the one to bring her up, and to tell her stories, and Caelus can get to be the one listening. He won't have to be the only person to talk about her anymore.
Caelus rolls his eyes when Sampo avoids another remark about sticky fingers, but...ok, yeah. That sounds good. Nice, even. Thank you. Caelus bumps his shoulder against Sampo's. Sampo bumps back.
(They find each other again the next day, and true to their word, get themselves completely and utterly shitcanned. Caelus talks more than Sampo has ever heard him; every minute detail, every word choice, Firefly's every odd little mannerism and habit. Because Caelus wants to make sure this will outlive him, that even if the Stellaron dwelling within him finally burns him to a crisp and he really does up and kick the bucket, or even, godforbid, if he forgets, he wants to make sure someone remembers her. She deserved that.)
((And it takes quite a while, after that. Caelus doesn't see Sampo again until after everything has settled down. On his last day in Penacony, he finds the guy slinking out of a seedy back alley and all but runs right into him. Sampo happily leads him to some dive bar in an even seedier back alley that Caelus has never even heard of, and Sampo raises his glass. "To Firefly! Who sounds like she probably would have hated me at first, but I would have liked to have met her anyway."
And Caelus stares at him, almost looking startled, long enough that Sampo worries that he's read him wrong and brought this up too soon. He's halfway into planning how to talk himself out of this situation when Caelus finally throws back his head back and laughs, tells him that yeah, Firefly would have politely called him out on every lie he told, and all their conversations would take twice as long with the way Sampo is so full of shit.
And he can see it, the same way he watches and sees through everyone, that Caelus' eyes have a tightness to them, his knuckles are nearly white around the handle of his mug. But he smiles. He hits his glass against Sampo's far too hard and throws it back and gets foam everywhere like he does every time they drink because the guy's about as elegant as a raging bull, but those things don't lessen the genuineness of his smile.
The grief is there, but so is the elation, and those emotions aren't a sliding scale between one or the other. It is all of both and both at once, and that's what contents Sampo enough to throw his own mug back when Caelus makes a toast of his own, "to April!!".))
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