#thanks sailor! | Explore Tumblr Posts and Blogs

tumblingxelian · 1 month

Text

Near Uniquely RWBY - Main Characters

I was chatting with my sibling the other day and we were joking about the fact in 90% of the media I consume I generally don't like the main characters.

Not in the sense I necessarily hate them, but I generally don't find them to be the most interesting, engaging or enjoyable person on screen or page. Instead I tend to gravitate towards secondary or minor characters and even minor antagonists before any of the big names.

Some of this is rooted in my often rooting for what tends to feel more like a real underdog or characters that feel like they got dealt a bad hand by the author unfairly. But its also that in a lot of media the main characters tend to immediately, slowly or quickly go into personality lockdown.

Becoming less a personality and more the embodiment of expected tropes and themes, or they lose their unique edge or circumstances because the plot demands one benefits or personality changes be heaped on them to keep the tone and story going.

Some examples of this would include say:

Ichigo from Bleach, with him and his supporting cast being very unique and super interesting during the initial arc. But as Soul Society came in, he became a much more standard Shounen determinator a the expense of his personality and his supporting casts were largely watered down & left behind.

Or how in Naruto or Dragon Ball the whole underdog/hard worker aspect of the characters felt undercut by legacy power ups and an endless wellspring of natural talent, alien biology, ETC.

I know these are just two examples, but they cover the general gist of what I mean.

So, what makes RWBY different?

Well, off the cuff, is simply that the four main characters are women.

I've often felt simply putting anyone other than a cis-het guy into the main character slot of say, a battle Shounen, or Isekai stands a good chance of making it more interesting by default. Even if the author does nothing with it the audience reaction would be different because the MC would be an exception to the norms.

In that vein, while one can call RWBY some sort of Shounen or adventure fantasy or magical girl show the main four are unique in how they manifest on screen at the very start. From how they participate in action, to how said action is structured and framed and the kind of adventures and topics they tackle.

But being unique alone is not enough, that would simply make it more interesting than the bog standard but what elevates RWBY is the execution and exploration of such elements and its characters.

Going into every aspect would be difficult, but in light of what I said above would be how each of the main four are initially presented as familiar archetypes, only to subvert or deconstruct them.

Ruby is a peppy goth who just wants to be normal but has inborn powers from her mysteriously vanished mother and serves as a beacon of optimism to others.

Except Ruby's version of normal still involved fighting death monsters with a sniper rifle scythe and she is actually one of the more ruthless characters. Her peppy persona obscures that she can have a pretty vicious temper when pushed and has displayed strong bloodknight tendencies.

Her unrelenting optimism and desire to fix the world is a complex mix of true beliefs, coping mechanism for trauma and her grappling with positions forced on her against her will. Her inborn power is potentially useful but also not that much of a game breaker outside specific contexts & said power sure as hell didn't save her mom.

Weiss Schnee is the Tsundere heiress of a powerful family, with a haughty attitude that hides her loneliness.

Except the "Tsundere" is more of a defense mechanism born of coming from an abusive home where every member of her family manifested a different trauma response. Freeze (Mother), flight (Sister), Fight (Weiss) Fawn (Brother).

Despite her upbringing & some projected trauma, she's far from ignorant as to the worst excesses of her nation early on, and her journey was more about overcoming the impacts her abuser had on her and finding a family in her team that let her be safe enough to let down her walls. Also despite being "The ice queen" she's actually one of the characters least inclined towards more ruthless actions and is extremely empathic.

Blake Belladonna is a mysterious and silent rougish woman, something of a shrinking violet even, but she carries with her a wounded heart thanks to her old flame, the edgy Adam Taurus.

Or more accurately, Blake is the daughter of activists and politicians who represent the worlds main discriminated against minority. She spent her youth on the road as a protestor and where even her father could be nearly killed by a lynch mob. She was targeted & groomed by a man who claimed to want to fight the same injustice she did but who was only interested in using the movement to grow his own power.

Her initial aloof-ness was a trauma response to having spent years under his thumb and overcoming him and the idea she had to 'save' him was one of the main corner stone so her character. Also, despite the "Revolutionary fighter" backstory she like Weiss is much less inclined towards ruthlessness than her team in large part because her past experience with it.

Yang Xiao Long, introduced as the fun loving big sister of Ruby & boisterous bruiser of the team who loves to party & flirt.

Except no, Yang was parentified as a child and forced to raise her own sister as their family unit fell apart. Her "Party girl" persona was outright framed as judging a book by its cover in her own trailer and something she put on or took off as she needed.

She became disabled over the course of the series run as well as entered a Sapphic romance with her partner Blake. Unlike the stereotype of characters with her design, Yang is actually an excellent student, fighter and engineer/mechanic. Plus much like her sister she tends to be of the more ruthless and pragmatic persuasion despite being from the "Normal" background.

Character Conclusion

So, all the characters break out of their initial archetypes, which already makes them more interesting. What's more, these sorts of characters just being oput together and made the main characters rather than circling a dude is in of itself unique.

But there are other aspects of the writing which endear me to how it handles the main characters and what keeps them interesting.

Anger & Violence

See, while in various media women do express anger at times it is still often far less so than men. What's more, often women's anger tends to be presented in... Less flattering lights.

With the anger obscuring fragility while in a man it conveys strength. Or implying a sort of hysteria rather than an appropriate or controlled response. Or worst of all being demonized in general unless its rooted in or coming from traditionally feminine places.

The same tends to be true when it comes to violence with a lot of media either trying to find some way to make women in battle less... Brutal than their male counterparts. (More more like fanservice) Along with rarely letting women fight men, unless they are a special exception to the norm.

RWBY does not do this.

The main characters, hell, all the women in the series express a multitude of different forms of anger and violence. They battle men, they battle each other, they battle monsters all with no distinction nor fanservice shot in sight.

What's more though is that said anger and violence are not presented as, for lack of better words, wrong. The writers don't draw overt attention to this fact, they don't hang a big sign up saying "Girls can fight & shout too" or the like.

They just present these women with a range of emotions, motives and actions that are treated according to what fits the theme of the show rather than hewing closer to gendered lines.

This isn't to say anger & violence are lionized, but more that the experience and usage of them is not demonized or undermined because of the characters gender.

I suppose what I am saying is that CRWBY by and large lack double standards when it comes to exploring these things that I see so often in other media. The women in the main cast, among the villains, both sides respective allies and beyond can be flawed, or angry or do both good and terrible things.

But the writers are always treating everyone's pain as equally valid regardless of gender or situation. Which means that the situations that cause anger exist within a tone of respect that forms the depiction and framing of anger itself.

Which is just something I really enjoy.

Thanks for reading!

#RWBY #Save RWBY #greenlight volume 10 #Team RWBY #ruby rose #weiss schnee #blake belladonna #yang xiao long #Some other series that do this or touch on it are She-Ra #The original Sailor V manga but less so Sailor Moon #& to varying degrees the Owl House #Thanks to Adam for helping me with the conclusion!

199 notes · View notes

sailing-through-hawkins · 8 months

Text

✧ dedicated to that one anon that made me feel so happy about the siren kas au again!! also thank you mea for beta-reading this for me you are a lifesaver!! going to tag @xenon-demon and @chaoticlovingdreamer because i know you both were interested in this idea hope it's cool to tag you!! ✧

The first time it happens, it's not a big deal.

They were on their way to start a supply run, some small groceries, snacks and sweets, to try and keep the mood up.

He had already done his rounds, checked in on El (still exhausted) and Dustin (still sleeping with his head on his mom's lap; she's still wiping her tears away when Steve sees her) and the Byers (still huddled together, warm, loving). He felt a twinge in his chest at the absence of Lucas and Erica but he knows they're with their parents because they did a check-in literally ten minutes ago. They're safe.

Steve knows they're safe. He just wishes they felt safe.

A whole month of fear and caution but this time, instead of a couple of kids sharing glances across town, nodding and walking on, it's everyone in Hawkins, gawking up at the dark clouds without any idea of what's been happening under their noses for years.

He wishes they never had to find out.

"Hey," Robin says, grasping his hand as she steps out onto the doorstep next to him. "We got this, right?"

"Yeah," Steve grips her hand back, stroking his thumb over the ink doodles across her knuckles. Sometimes he thinks the only reason they'll make it is that he's got her by his side. "We got this."

She smiles a thin, watery smile, lifts up her mask and makes her way to the car. He inhales, covers his nose with the black bandana Dustin gave him and follows behind her, gripping at the cold, empty space in his palm.

The forest was always one of the worst parts of living in this house, but the darkness has turned it ashy and cold, like something out of a zombie movie. He wonders, as he stares through the trees, if Barb got to see the forest before she was pulled through.

That's when he hears the music.

An echo of a guitar strumming. It's faint, the sound warbling as the guitar gets tuned and re-tuned every few strums.

It's so quiet, he thinks, so why does it sound so close?

"Steve?" Robin calls out, her eyes as wide and beautiful and terrified as ever under her goggles. She stands next to his car, one hand tapping the hood nervously. "You ready?"

Steve blinks and shakes his head, the echo of the guitar fading away as he twirls his keys around his finger. "Ready."

Probably just someone playing around on the radio or something, he reasons as he starts the engine.

No big deal.

Two days later and everyone is in the living room.

Everyone meaning literally everyone, even fucking Mrs Wheeler, all to discuss shelter for the families who lost their houses in the earthquake.

Steve's house is already full of most of the Party (Dustin insisted they use the name for the entire Upside-Down-Expert-Team), otherwise he'd offer it as a place for people to stay in until they can get something more permanent.

That's all this place is good for anyways. Just a rest stop.

"I appreciate that, Mom." Nancy taps her finger on the dining table, eyes squinting and lips squeezed into a very fake smile. Steve winces and starts to make his way to the sun room, gripping the blankets in his arms tightly as she continues. "But some of these people need -"

It's pretty easy to tune the discussion out, focusing on laying out the blankets and making as much of the space as comfortable as possible. The big windows let so much sunlight in, it's perfect for anyone who wants to soak up in the warmth. The only problem is the view.

He pointedly doesn't look at the pool, hands on his hips as he surveys the room, and that's when he starts to hear the guitar again. The strumming starts up quietly and washes over him, re-tuning itself every time he starts to rearrange the blankets again. A few minutes of tuning and it starts to play a song this time.

Steve tilts his head, staring out at the pool. Someone must have switched on the lights when it started getting dark.

When did it get so dark? He should go back and check on everyone, make sure they're comfortable. Is there enough space? Maybe he should redo the blankets?

The song soaks the back of his neck.

The blankets are perfect. He and Robin just can share.

It's so familiar, he thinks, as the water ripples with the wind. Something he's heard, but not listened to.

There shouldn't be any water in the pool. Why is there -

The song is slow, coiling behind his ear and gently drifting down his shoulders, making him shiver. He thinks he should know the music, humming along to it as the guitar starts to get louder. It feels nice, a comforting chill down his back that eases the tension of his wounds.

His wounds. Robin. Robin, his bat bites still hurt, why does it hurt so much, what's -

Oh, he thinks as the music plays even louder in his ear, in his mind, that's not the radio.

"Steve!"

Robin is crying, hands crushing his jaw, her face blocking the view of the empty pool. The music is gone.

"Steve, please!"

"Rob?" he croaks, swallowing the dryness of his tongue. His head feels flooded with a fuzziness, blood rushing through his veins like it was moving too slowly before. He blinks when he realizes they're outside now, standing between the pool and the house. It's still daylight. "What -?"

She pulls him into a hug, and he struggles, but manages to wrap his own arms around her, if kinda slowly. "You just - you weren't saying anything and started walking to the pool and I couldn't stop you -"

"Steve," Nancy says somewhere to his left. He barely manages to lift his head to look at her, blue eyes sharp and a Walkman held tightly in her hand. "What did you see?"

The fuzziness is fading away but his brain is still moving through a fog to connect words together. "I heard music."

Robin's face is in front of his again, eyes wide and beautiful and terrified. Oh, Robbie. "Vecna uses music now?"

"Not Vecna." Steve wrinkles his nose. "It...wasn't Vecna."

"How do you know that?" Nancy squints at him and he rests his forehead against Robin's, his bones melting into stone, too heavy to hold up. He hears the creak of the Walkman, Nancy gripping it tighter. "Steve, how do you know it's not Vecna?"

"Music w's nice." His eyes are closing. "Felt nice."

After that, the plan was never leave Steve alone.

It made bathroom breaks awkward but Argyle was so chill about it that Steve didn't even mind after the first two trips.

El couldn't find anything Upside-Downy on him, and there was the entire town with Upside-Downy shit happening everywhere, so there wasn't really much more to the plan than him having a bodyguard.

They made a chart for their shifts. God, he loves these shitheads.

"Here, man," Argyle says quietly, handing over three slices of pizza with a wink. Steve thanks him with a real, if exhausted, smile. Sleep hasn't been easy for the past week. "Fresh outta the oven."

"You're a godsend, dude," Steve groans, blowing air on the pizza slice. Mike grumbles under his breath about "hair-bias", whatever the fuck that means. Erica just rolls her eyes and shoves at his head.

The Sinclairs are visiting today, the parents persuaded by Lucas and Erica's whining (and a little bit of Steve's charm) so they can spend more time at "home base" with the others.

They're sat in the living room, eating lunch as rays of sunlight shine on the food like some kind of holy blessing, with the rest of the Party.

The rest of the survivors would be more accurate.

He tries not thinking about it, tries to appreciate the warm cheese and loud laughter. There's too much to not think about. How Max isn't here, how she deserves more, how he wants to see her okay and alive and happy.

Eddie isn't here either, and he doesn't think about how much he deserved better too.

"Steve thought it was cool! Right, Steve?"

He wishes Eddie could have made it, that Dustin didn't have to lose him like that.

Hell, they could have been friends. Maybe buried the hatchet so they could make fun of Dustin together, catch each other's eye whenever the tone makes an appearance and just laugh whenever he wasn't looking.

"I said, right, Steve?"

Maybe they could have hung out. Steve would come over to his trailer - or maybe Eddie would come over for a swim - and he'd make fun of Eddie's taste in bands - or maybe he'd listen to him play his guitar, never looking away from those ringed fingers as they created wonderful, wonderful music.

"Dude?"

Oh shit, the music is back. That's probably not good, is it?

But it's so sweet. So calming and cool, like a balm against his torn skin, washing over the dark feelings that built up in his ribcage.

"Steve!"

The song ripples through his veins and he sighs at the feeling. The pool doesn't have water anymore, he thinks. He emptied it so long ago. The music is sad, and his heart clenches at the sound.

The lake has water, he thinks. And the song turns light, sweet, calling him, curling around him, pulling him towards -

"Sorry about this, dude."

"Fuck!" Steve gasps when he hits the ground, groaning as his back ache returns at full force. "What the fuck, man?"

To his credit, Argyle looks genuinely sorry and helps him back onto his feet, holding Steve up with a tight arm around his waist and a tighter grip on his wrist. His shoulder aches at being thrown over Argyle's neck but walking is a lot easier when someone else is carrying half the weight.

He feels so heavy now.

"What - happened?" Steve croaks as they hobble back to the house. When did he leave it?

"You just got up and you weren't -" Dustin swallows, his voice croaky like he'd been yelling. "It's like you weren't even there."

"God, you can't keep doing this, Steve," Robin smacks his shoulder with a tight smile, tears still unshed in her eyes. His chest aches at them. "How many times are you gonna walk out on me?"

"Sorry Robbie," he says and accepts her very tight ow, ow, ow hug with a sad laugh. "I don't know what's going on."

"Was it the music again?" Will asks quietly.

Steve looks at him, leaning his head against Robin's. When did he get so tall? When did they all grow up already? "Yeah," Steve replies, just as quiet. He swallows when Robin lets out a sob into his shoulder. "It was the same song."

By the time his brain is fully functional ("Debatable," Mike sneers, crying out when El smacks him up the head), everyone's already discussing the new plan.

"We'll need to make notes, figure out the pattern, see if there're any triggers for Steve." Nancy said and he tries not to let it get to him, the fact that he needs babysitting now, that he can't do anything without being watched. "If the music makes people feel...good, it could still be a whole new tactic. Maybe Vecna wants our guard down, maybe he's countering our favourite songs, maybe it's a distraction. We have to be ready."

Steve still wants to grumble that it could never be Vecna, that's insulting, but he's too tired to argue about anything anymore.

They've even rearranged who sleeps where so that the Sinclairs can sleep over. They take one of the guest rooms while Mrs Henderson and Dustin join Steve in his own room. He almost loses his mind cackling when the both of them eye his wallpaper with the same mix of disgust and fascination. When Mrs Henderson sees the curtains, she almost gags and it's the loudest he's laughed in a long time.

"You're gonna be okay," Dustin tells him right before they fall asleep. Steve looks up at him from the floor where he lays, couch pillows doing more for his back than training against monsters ever did. "You'll be fine."

"'Course I will, dude," Steve smiles at him as Mrs Henderson leaves the room to talk to Hopper one last time. Tews is curled up on the bed, purrs loud, almost melodic, and lulling Steve's thoughts into a calm. "If the giant flesh monster couldn't get us, no way some wrinkly old naked guy will."

Dustin laughs outrageously at that and Steve wants to coo, wants to cry, wants to grip Dustin tightly in his arms and hide him away from the world, hide them all away in this empty house and make it full, make it safe for them, for Max, for Robin.

He doesn't.

He eventually falls asleep to the sound of Dustin muttering under his breath. And when Steve sleeps, he dreams.

It's so cold around him, so dark and empty. The sky thunders red and the cries of so many monsters echo around him. But there, through the cold and the shadows and the monsters, there's the song, calling to him.

I'm here, he thinks as he trudges his way through the inky mass of thick liquid, not water, not blood, but enough of both to make his steps heavy. I'm coming.

The song curls up on his skin, on his bat bites, soft and sweet and cold, like that time Robin spilled ice cream all over the -

"Steve!"

Robin. Where's - where's Robin?

Shh, it's okay. She's fine. Everyone's fine. Keep going.

Oh, he thinks. Of course. Everyone's okay, he knows they are, right?

Steve pauses his next step.

Right?

The song is even lonelier now and he shakes off the questions clouding his mind. It croons to him, so happy as he makes it through the ink to the shore. It sounds so sweet, that's it, keep going, come on.

He's crawling at this point, body heavy with the weight, until the song lifts him up onto his knees and he looks up to see -

"Snap out of it!"

Steve gasps at the sting on his cheek, blinking when light hits his eyes fiercely, shapes and sounds moving around him from a distance. There's a buzzing coiling behind his ears.

"Steve?"

Dustin's terrified face finally comes into focus behind his mother, who is standing right in front of Steve with her arm stretched across the space between them. Steve blinks, "Hold on, did you just slap me?"

"I'm so sorry, Steve," Mrs Henderson says and just like Argyle, she seems to really mean it. Does she? Her outstretched hand rests on his forehead as the other grips his upper arm. His back aches. His torso burns. Where did the song go? "We were so scared, you weren't saying anything -"

"I didn't hurt you, did I?" Would never, of course not, just needed to keep going.

They both deny it vehemently. "Of course not! You were just - staring. Out the window. At -"

"At the pool," Steve hisses, biting his lip.

"Yeah," Dustin breathes out, his eyes watering as he reaches out to grab Steve's wrist. "But you're - you're back now. We just - just need to slap you out of it. What's another concussion, right?"

Steve laughs because Dustin's voice is so choked up that if he doesn't laugh, he'll cry. He ruffles the curls of his hair with a smile. A sinking feeling claws at him from the inside of his stomach. Can't he listen to the song one more time?

"Steve?"

"Yeah, I'm here, I'm -" Steve swallows as the blood in his veins prickles. Won't you hear me one more time? "I - I don't want to listen. I won't."

"Can you still hear it?!"

Please? It would make us so happy, Steve.

"I - no, no, I -"

"Steve?! Guys! Code red, code red, please!"

Please, Steve. Please?

"Okay," he says, eyes drooping as the melody curls up around his waist, brushing against the inside of his skin, pooling around his chest, thrumming in time with his heart beat. It feels so sweet, so good, thank you, come here, come here. "Okay."

"El, do something, please!"

The song turns harsh, gnawing on his bones, piercing through his skull, pushing him to the ground as someone is interrupting, no interruptions, leave us alone, alone, alone. The pain builds up crawling and clawing up to his chest to his shoulders to his head, his head, it hurts, it hurts so much, please stop, just stop. "Fuck, fuck -"

"Steve?" Dustin whimpers and he aches, he aches, he aches.

He screams.

When he wakes up, it's to dawn creeping through the windows and rope around his body.

Red sunlight, just like in Mike's Superman comic books, covered by dark clouds.

A red sun to the blue moon. Right side up to the upside down. You to me.

"Whe -" Steve croaks, his eyes creaking open. Fuck, they're so crusty, that's gross. "Where?"

"Steve!"

Robin's face in front of his, beautiful and terrified. He squints up at her, glancing over to find Dustin and Lucas staring at him with wide eyes, Hopper behind them. They watch him and they nod. Others are coming in, Mrs Byers and Jonathan and Nancy -

Steve hisses as something claws through him for the fourth time that night, pain, pain, go away, go away -

"Shit, shit, shit, everyone get in position, -"

"Will, get over here, he's gonna -"

Come here, come on, please? Won't you come back?

"Where are you?" Steve murmurs as the pain turns into the music, gliding over him, like a wave coming to shore, pulling him back to the water, back to us.

"He's talking to the siren! Somebody get -"

Come here, come back, come to me.

"Can't find you," he says, slurring his words as the song combs through his hair, like fingers scratching against his scalp. "Where're you?"

"That's it, Steve, keep talking, we got you -"

Want you here, with us, want us together, don't you?

"Yeah, yes, together," he sighs, the melody trilling in his chest, happy, sweet, soft, perfect, it'll be perfect, together, all together, just before someone reaches for his hand

He hisses and the song pulls away roughly, leaving him floating in the void, he cries out for it to come back, but he betrayed them, shouldn't have done that, Stevie, you tried to trick us -

"Shit!" Steve drops back to the bed with lead in his bones. El is still holding his hand. He was so close, the connection just barely at his fingertips.

Dustin swears as the others start to argue. The frustration is building up in the room, everyone too tense to think about answers, you sly dog, that was clever, but we don't like traitors -

"Wait, no," Steve gasps as something claws in his wounds, amused, you tried to trick me? Fine, no more playing around. "Fuck, wait -"

And the song crashes into the shore, pulls him down under where everything is sweet and cold, right back where you belong.

It's so warm out here, between the trees.

The skin on his back was blistering, biting at his flesh, before the song had gently cooled it down. He shivers at the chill, smiling when the song pulls him forward, looping around him with a sweet hum. It feels so nice, to hear the song without any distractions.

Without any interruptions.

Keep going.

Steve sighs when the song runs through his hair, laughing when it musses it all up. His hand twitches, he wants to fix it up until it's perfect again.

Keep going.

There are noises behind him, the sound of running and metal-on-flesh. It's all so slow, even slower than him. He doesn't know what's behind him, just the dark and gentle song pulling at his veins.

Keep going.

He makes it to the water, to the lake. There is no moonlight, but the song guides his steps, keeps him light. How sweet, he thinks, how sweet of you.

He makes it until his waist is plunged in the frigid water and then the song stops. He looks around but can't see anything in the shadows. There are sounds of humans yelling, of monstrous shrieks behind him, but where is the song?

"Hey."

He looks up and sees crimson eyes, half-lidded, and a smile staring down at him. Massive black wings blow gusts of wind at him. He shivers, and gives a smile in return.

His song.

The wings slow down until big, red eyes are level with his own, curls of black falling with gravity to brush against his cheek. The song hums in his chest, satisfied, delighted and sweet.

"Miss me, big boy?"

#steve harrington #steddie #writing #au content: kas!eddie #ficlet #sailing✧siren!kas #sailor✧writes #i fucking did it guys are you proud of me #i ended up adding a whole 1k because i wanted to smooth it out before posting so thank you kindly to the anon who asked me about this #i appreciate you so much and i hope you see this #can you believe half the reason this took me so long was because i wanted to make a new divider specifically for this

250 notes · View notes