React: "Return to Me" (from the POV of Someone Averse to RomComs, Part I)
This is rambly, so buckle in y'all.
Return to Me. Ahhhh, a romcom, a hallmark of the 90s. Having skipped most of the 90s offerings-- older media was entertaining enough-- the first time I heard of this movie was a couple years back when YouTube put up some free movies (and promptly ripped them back down when COVID produced 1000 and 1 streaming services.) It was advertised over and over and over again on my second dash. Did I ever click it? NOPE. I didn't even know who David Duchovny was at that time (though I admired Minnie Driver in An Ideal Husband.)
X-Files led me to read David Duchvony's and Gillian Anderson's press; and finding them admirable chaps, I got into the specifics of their acting (or more broadly: working) goals. DD's mentality clicked with mine, and I got to work pawing here and there into his other projects. I've read a few books (excellent-- I prefer his written word even to his acting, but that's a tough call), seen a few clips from his other gigs, and, finally, worked myself up to this moment.
And here we are! Thanks to @baronessblixen and @dd-is-my-guiltypleasure for the final encouragements in this direction. All the fun you can glean from my reactions and windy diatribes should be credited to in part to them and my curiosity of their curiosity of my own thoughts.
**Note**: I have nothing but good feelings for this film, but I process new, out-of-my-wheelhouse experiences with outlandish humor~.
Here We Go
"Forgive me and please say you are mine--"
I'm actively squashing that self-protective side. I will enjoy this movie because I know I will and I will not listen to the scream of "cheese alert" lalalalalalalaaaaaaaaaa~~~.
All right, Bill, he's going home, see ya buddy.
...Who are you, Bill? Apparently different from the other buddy called Big Mike (my Arcadia meters are off the charts) who also gets a "see ya" from Bob (BOB? BOB???? I hate the name Bob. I have a feeling this movie will endear me to it.)
There's the gorilla DD talked about... its name is Sydney? Okay, cool. (...Why couldn't it be called Bob and DD be named Sydney? I don't care if it's a girl-- is it?-- she could sacrifice herself to the cause. My anti-Bob cause.)
Sydney (who IS a boy) is set up to have a very special bond with the lady-wife-character-- I'll bet they use that later with Minnie Driver. Seems the cosmic thing to do.
FORGET ALL OF THAT BOB HAS A DOG. Toweling him off: "Get under, get it under-- LET'S EAT." And he's jumping up so fast the dog can't even process the change.
Aye, there's a reason why that dog loves you.
...Okay, the dog doesn't want to eat, nevermind. It's got more willpower than I would--
DID BOB JUST JUMP IN PLACE TO ENTICE THE DOG??? And the dog didn't respond??
That dog is this movie's version of a straight man, isn't he?
And Bob dries his pants off with a hair dryer and he pulls a prank and fake leg kicks his doting wife to distract her nerves?
I see, I see. I'm filling in the big picture here.
Bob is a man of energy. Bob is a man to waste energy having fun. Bob has too much fun with his wife and the dog has none at all. Dog wants to vibe and spray water all over the house and not eat and stand at the door until the other human walks in because the first human just didn't get the "she's at the door" signal.
The dog is me. I am the dog. What is his name? Tell me not, for it makes him less of a stand-in and more of a dog.
I almost cackled at DD's pic with Sydney, brb, have to go back for a screenshot.
(The XF viewer in me says "Sasquatch" but the there-is-more-to-life-than-the-X-Files side of me says plastic rubber monkey.)
Wait, what's the wife's name again? I'm calling her Jane Bennett because she's a sweetie and blonde.
BTW, I am enjoying myself and I'm only 7? minutes in.
Oh, boy.
To sum up Bob during his wife's charity fundraiser speech:
Bob celebrates by boppin Jane Bennett to the tunes while singer man goes ham--
and then we cut over to a dying Minnie Driver.
The plot beginneth to thickeneth.
Friend of Minnie Driver is upbeat and maternal (in the "mom of the friend group" way), keeping the optimism alive.
Traveling life and dating hot men. Ahhh, there's the foreshadowing.
"BOOOOOOOB!"
Save this man (he actually tried to run for it.)
...What is Bob's friend's Charlie's date doing. What is she... what is she doing.
BOB WHAT ARE YOU DOING.
The Bob Man signed up his buddy Charlie to put old codger's portrait in the monkey house just so he can pawn off the discussion and make his escape. "No, no, you have a lot to discuss--"
Charlie knows he's been sacrificed (and his "A mural" in response to old codger is priceless.)
Ahhhhhh, a Tuscany name drop. "You have to come out there sometime..." rando lady tells Elizabeth (Jane Bennett.)
Well, that's morbid and foreshadowing.
Bob really plays into the wild caveman angle with his wife whenever she brings Sydney up. ...No, I will not be making those jokes.
Aw, Jane Bennett is a vulnerable sweetheart.
No wonder this movie killed her.
Bob's gonna build Sydney a new home because his wife is teary over his tiny cage. Also, Italy mentioned again.
And he surprises wife with an "everyone look at us" dance. And there's the Return to Me song.
Singer's back.
These actors are having tons of fun.
And she's in the hospital while the music plays.
Here we go, gang.
Nope, old men time.
WAIT got a computer thingy to update, etc., brb.
Gotta close up shop for now-- I'll update as soon as I can~.
Enjoy!
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I'm gonna end up saying this really sloppily but something that surprised me (in a good way) in ptutu was how autonomy is so heavily respected and usually considered to be the strongest factor when making decisions regarding Mytho. Duck and Fakir both knew that returning his heart in full would lead to the raven returning. Fakir, in an effort to protect Mytho, essentially took away any autonomy from him. He controlled what he did, where he went, who he was with, and didn't hesitate to restrict Mytho's access to the outside world entirely. When Tutu first attempts to return the prince's heart shards, Fakir fights back, believing that since it will lead to the raven being unleashed, it's up to him to keep Mytho safe. But as time goes on, Fakir and Duck start to work more closely, and Mytho regains a lot of control over himself, through both the return of his emotions and Fakir realizing that Mytho can and should make decisions for himself.
Once Fakir stops trying to control Mytho, Mytho becomes very verbal about his wishes. He can't return the heart shards himself, so to that extent he has to rely of Princess Tutu, but he can be clear and direct with the people around him about what he wants. Mytho's decision is rarely doubted by Fakir or Duck, despite the known consequences. It's more important to Duck and Fakir that Mytho's wishes are respected and upheld than what they and others might believe is best for him. Even when the raven is released and Mytho is in potential danger, his want for the heart shards doesn't waver, so Duck and Fakir's conviction to return them doesn't either.
This is pretty poorly written but I just felt like I needed to say something about this because I feel like this is something overlooked in a lot of media. "The greater good" is usually prioritized in situations, as well as the idea that, even though it's not what this character wants, it's what we know is best for them so really their say doesn't matter. But it does. It's the say that matters the most. And tutu held strong on that. Mytho's autonomy was what was protected and fought for in the end, and I thought that was pretty cool.
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